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#lost and found meta
ben10-lostandfound · 7 months
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What Lost and Found Means To Me
Hello again, everyone! I apologize for the lack of content in recent months, it's honestly become harder and harder to find new material, especially without there being a current Ben 10 series to focus on. This is the longest time we've had without an incarnation of the show running since the hiatus between Omniverse and the Reboot!
So I wanted to take a moment to reflect on this blog as a whole. I've been doing this since I was about 16 or 17, I'm 24 now. That's kindof crazy, huh? And granted, the place has had ups and downs, more recently downs due to a lull in the content, but that doesn't mean I'm not still working on stuff behind the scenes. I'm still trying to find another home for my research, a more permanent home that I have better control over how the content is presented.
I'm also trying to get into game development so a certain project from my past, prior to 2016, can finally come to fruition. But we'll get into that another day... hopefully.
I had an interaction last night with a follower who reached out to me about who the painter was for the alien stills featured during the Original Series, as their university had asked for art pieces that inspired them to pursue art. Of course, I answered "Andrew C. Robinson", which the answer was met with huge thanks.
That's always been part of why I do this, you know? To put a spotlight on all the artists and other incredibly talented people that make (or made) this franchise come to life in the various ways it has. Not just Dave Johnson or the late Derrick J. Wyatt, but everyone.
There could be so much more out there that I don't know about or have access to, or could be tucked away in the distant, obscure links of the Wayback Machine, or somebody could come forward with something rare like the Leapster Exclusive Concept Art, but I'm just one silly girl with a blog. You'd be surprised how much work goes into looking for this stuff!
But I'm glad my contributions to the fanbase haven't gone unnoticed. From people like KuroTheArtist, all the way to just a handful of people who work on the show itself, I'm grateful I've gotten to leave some kind of mark.
Don't take my wording as like, meaning I'm going to stop though. This isn't a "I'm done with this" type post. As long as there's still material out there to find, I'll keep this going for as long as I'm able.
-Rahk-Zi: Galvan Archivist Extraordinaire, A.K.A. Roxanne Stones, Ben 10/CN Lost and Found Moderator.
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charcubed · 4 months
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Loki's Sacrifice – "My Body Is A Cage"
(featuring found family + Lokius)
Twitter | YouTube
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galedekarios · 5 months
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What do you think of their decision to make Gale a teacher in his good ending? Earlier in the game, he says his attempted students’ ineptitudes irked him. Do you think he’s made enough of a change to make a good professor?
thank you for your message, anon! 🖤
i'm of two minds about it:
i am going to be transparent here and say that i am a teacher myself. i studied, i did my teacher training, and i have been teaching for a good bit now - and some people are meant to be teachers, and some are not. it's one of those professions that you have to be born for, imo. it requires an immense amount of patience and perseverance, a certain intuition when it comes to your students, among many other things.
i have said before that i can see gale as a professor, but less so in a teaching position and more in a sort of research role.
so looking at this, i think what larian is trying to convey is that gale has settled into this new life he leads, that he's found his place in life. that he's finally worked to salvage that life instead of reaching for the stars.
he's content now, more than he's ever been before. he has returned to the home he missed so very much. he's spending his time surrounded with the people he loves. tara, morena, the player, his friends. and he's dedicated himself to the study of magic.
that feeling of being content, happiness and security and love, as well as the journey he's been on, too, may have quelled the things that caused him to feel so irked by his students prior to his journey, perhaps it has given him a new perspective on things, the low lows and high highs he experienced.
but i also think that larian does listen to community feedback - imo too much at times - and this was a intensely popular headcanon for gale.
i have taken a look for you at the files for the epilogue and the notes in it seem to echo my thoughts overall:
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His default state is that he returned to Waterdeep and became a professor of Illusory magic at his former school, Blackstaff Academy. General vibe here is that this a Gale who's found peace with himself - he's a great teacher, one his students are mostly in awe of.
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Meryl, Luida, and Bridging the Gap
This is just a quick little side-note I wanted to make about the similarities between Meryl and Luida that I noticed as I was reading, and how they end up occupying similar, yet complementing roles in the story.
***Disclaimer: I was sick when I wrote this and my head is full of fog lmao. If I have completely left out a word or something... don't even worry about it it's fine.
First off, on a surface level, they both are characterized as capable, intelligent, level-headed women, who are suddenly thrust into leadership positions, with Meryl being assigned the task of tracking down and mitigating the damage caused by Vash the Stampede plus looking out for her new protégé, Milly, and Luida stepping up to take charge of Ship 3 and its residents after Doc's death.
While the demand placed on them both is immense, nonetheless, they are shown to be quite capable of shouldering this kind of responsibility - however, given their intense focus and objective-driven personalities, they actually both get scenes where they are somewhat horrified by their own temporary prioritization of objectives over morality. We see this with Meryl in Trigun Volume 1 when she doesn't react in righteous anger to Badwick threatening his parents and had shut herself off from writing to her own in pursuit of her job, and with Luida when she briefly considers the idea of another July incident to stop Knives. Both think negatively of themselves for this - of course, I'm of the mind that since they are upset with themselves on reflection, this proves the exact opposite, really. I think they both have hearts of gold, they're just under a lot of stress, especially as time goes on. The two of them are human beings who falter, but whose morals ultimately align closely with what Vash wants to see in the world. Really, what the two of them hate most here is the idea of their own inaction or taking the easy way in the face of wrongdoing - a concept that drives them into action going forward.
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[ID: Two images from Trigun and Trigun Maximum. The first is from Trigun Volume 1. Over images of trees and Badwick's father, Meryl says "But I... I just stood there and took it all in without even budging. I am such a cold person. I chose this path of blood and tears without thinking about the rest of my life. All I can see is what's right in front of me." Meryl starts to cry as she continues, "Why could I not see... that when I closed myself off to him, something was wrong? I..." She then slaps her cheeks and says "No... never mind!" The second image is from Trigun Maximum Volume 8. A single tear runs down Luida's cheek. Meryl says "Miss Luida...?" Her back turned to Meryl, Luida says "I'm sorry. I... was thinking for a moment. If something like July would happen again... it could stop Knives, but... ... I'm a terrible woman. End ID.]
Both of them also have a connection to Vash's past that gives them a different perspective on him as a person, instead of just an ally - Meryl, of course, gets brain-blasted in Volume 5 with Vash's memories (poor thing), but Luida is also more familiar with him than even a lot of the people on Ship 3, it seems - enough that she calls him out for blaming himself after the attack, clearly used to hearing this from him. She also is the one to clear up at least some of Wolfwood's confusion and uncertainty.
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We also get this interesting parallel of them both watching Vash walk away to face Knives, him having rejected their offers of help. It's something that clearly saddens them both, as they watch him fight alone again and again, and wish he wouldn't. Both of them have moments where they feel they can't offer much in the way of assistance, or that their best efforts aren't enough.
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[ID: Two images from Trigun and Trigun Maximum. The first is from Trigun Volume 2. Vash, his back turned, runs off into the chaos, a Plant seen above him and the city ahead, as he yells back "Get as far away from here as you can! Get to safety!" Meryl watches him from the door. In the second image, from Trigun Maximum Volume 8, a grainy flashback shows Vash's turned back as he walks away from a young Luida, who is reaching out to him. End ID.]
Of course, we the readers know this isn't true at all! Meryl and Luida do so much over the course of the story.
Interestingly, they don't start off as the ones completely in charge - Meryl works for Bernadelli even if she is in charge of her assignment, and Luida is presumably part of the Council, but the one in charge is initially Doc. But once they do take over - Luida after Doc's death, and Meryl once the world is thrown into ruins and Bernadelli no longer exists - there is a striking difference in the way they act from their predecessors.
Meryl goes from simply following Vash around to taking a self-directed and active role in assisting him however she can - looking for his old belongings and anything else of potential use, asking Marlon to repair his gun, creating a distraction with Milly, and helping the Earth Federation in the final hour with no hesitation.
Luida takes a much more active role in rallying Ship 3 to assist Vash as well. While some of this may simply have been because the stakes were raised much higher after Volume 3, Ship 3, while already a base of support for Vash, was a distant safe haven, kept largely separate from the rest of the world. Up until that point, they had provided Vash with aid, but not fought alongside him, something that clearly bothers Luida on multiple occasions. She decides to change this. She's the one who sets out to help as many of the towns ravaged by the Ark as possible. She rallies the Ship 3 residents for a rescue mission to help Vash. She's the one to step forward and attempt to bring all the leaders around to standing with Vash.
Which brings me to my last comparison point. They're both staunchly supportive of Vash, quick to come to his aid, and quick to defend his character from those who doubt his intent - Luida even sharply calls out her own people for their moment of mistrust after hearing about July. These two know and care about Vash on a more personal level than most - and as we all know, due to his avoidant tendencies, this is not an easy thing to do. Vash is frequently misinterpreted, and these two are often the ones to set the record straight.
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[ID: A panel from Trigun Maximum Volume 3. Luida, sternly, says "That's a foolish question. You would know the answer just by looking at the scars on his body. If he had used his true immortality, those scars would not be there. End ID.]
In this way, much like Vash is a bridge between humans and Plants, Meryl and Luida are something of a bridge between humans and Vash.
And they're able to do this because deep down, their ideals align closely with his - they're not just supporting someone they care about; they have a similar desire to see the kind of world he fights for, and they choose to fight for it too.
But while Luida is something of a spokesperson for Vash, reaching out to humanity, it is almost as if Meryl becomes the voice of humanity reaching back, responding to him, and agreeing that not everything in the world is awful; that it is worth believing in the best in others. They need to stand together.
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[ID: A panel from Trigun Maximum Volume 14. Meryl, in a spacesuit, with frank determination, says, "Because we decided to stand together. We stand with Vash the Stampede." End ID.]
Meryl is the voice of proof that some people believe in the love and peace he speaks of, and are willing to say it back to him in turn.
Updated on my masterpost - my other book club stuff can be found here!
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arcsin27 · 1 year
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My day be so fine then I remember akechis entire life centers around obtaining the love and affection he never got and molding himself into whatever people want him to be in order to receive it and I lose my mind
Bonus points for when I remember that ren canonically genuinely cares about him, even the real him, the broken him. Only in the end did he finally get what he so desperately needed: someone who wanted him around, even if he wasn’t perfect
I’m gonna go lay in bed brb
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flyttadigs · 1 year
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Don’t worry. You’ll forget everything when you’re reborn. Including fond memories and even your name...
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(FYI David you had an Uncle Sam once)
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shallowseeker · 9 months
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There is...one more Cas-adjacent car to discuss, but I don't quite have it all straight in my head.
LOOK! It's not the same tan sedan, but it IS interesting. (4x03 & 13x01) Isn't it? Let's ramble:
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Look at this cute little tan sedan that Dean drives in 4x03 In the Beginning!
This is one of his very first interactions with Cas, and our first on-screen date car drive.
They've interacted very little at this point! Previous appearances with Cas n' Dean were 1) their first meeting in the barn and 2) the very tense middle-of-the-night meeting in the dream kitchen.
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Anyway, this is the vehicle Dean drives throughout the episode. It's our first car ride with Earth and Heaven teaming up.
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Dean is ghostly as he bears witness to the tragedy of Samuel Campbell's death (stabbed in the gut, just as Mary was before she burned), Deanna Campbell's death (broken neck), and John Winchester's death (broken neck).
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Azazel is killing all of Mary's support system to better weaken her resolve and entrap her in a deal.
Young—afraid—alone—distressed. Mary would have taken any deal, surely.
(Mary's Fate is not unique, exactly, but it's definitely got its own signature. It's an off-rhyme parallel in Supernatural. She did not, in fact, barter her soul, or go to Hell, as John and Dean will eventually do. No, she unknowingly Rumpelstiltskin'd her second child.)
Mary looks sadly over her shoulder at Dean, who was unable to help her. Then, John breathes in air with a shuddering gasp—returns to life.
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Dean gasps, too, and Cas returns to his side. They disappear together, leaving only mysterious tan sedan in their wake.
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Mary turns to look one last time, and we now have the setup of the scene: John—Mary—tan Cas Car (lights on)—black Dean Car.
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Mary’s voice was so small when she asked if Azazel would revive her parents, “M-my parents, too?”
(Of course Azazel said no. Mary has to take what she will get, and she may have made a terrible mistake, but she knew enough not to barter her soul.)
So, Mary gazes at her father—the protector—lost as he failed to protect her, just as she will fail to protect Sam. (Oh, and her mother? She's dead, too. Mary's world has shrunk. And the world is so, so much scarier after your father dies. He’s supposed to be invincible.)
This failing of his child will haunt Samuel Campbell beyond the grave and entangle him in a demonic deal of his own. (Just as Cas, too, will be drawn into an Empty deal for Jack, post-resurrection.)
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"I'll tell you one person that you're not gonna save. Your Granpappy."
Deanna, very nearly victorious in her bid to go for the gun on the ground, gives herself away with a grief-stricken scream:
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We've seen this ghost before. The demon comes through the door. It kills the protector. Then it seeks to kill the second line of defense, before moving onto the rest of the vulnerable family members.
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Now, we come to 12x23 All Along the Watchtower and 13x01 Lost and Found. And well, it hurts.
Nothing is one-to-one in Supernatural. All parallels are based in the specter of missing bonds and of lost love—whether that's a child, a comrade, a sibling, a parent, or a lover. It's a symphony of harmonizing pain. :(
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So, in 12x23/13x01, Cas dies. Dean and Sam are stunned speechless.
In 12x23, it's Mary who leaps into action, and Dean can only stand, a paralyzed witness to Jack's twin fate of The Lost Parents. (Jack's mom, Kelly? She dies. Dean can't save her. Jack's chosen father, Castiel? He dies, too. Dean can't save him either.)
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(Both Deanna and Kelly die with their eyes open.)
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But Mary is triumphant. She is a Doomed Child fighting back. She protects Jack from Lucifer, even though she could not protect Sam from Azazel. (Echoing this, Crowley serves as an inverse: he spurned his mother's protection from Lucifer and bit off more than he could chew to further the security of his career/position. His death, surprisingly, tears Rowena in two and unfreezes her heart.)
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But thanks to Mary's heroic efforts here, her own kids are spared this time, and Jack, too. (From here, Mary will go into another world where she never made her deal, and she will make peace with her past.)
Of course, Dean bears witness to his own off-rhyme parallel fate to Mary, The Death of the Lover, at the hands of a Luciferian figure. Cas falls at his feet, and Dean falls to his knees.
Dean is also like John. He can only watch as his loved one's sacrificial debt comes due, with no hope in sight, like how Mary's sacrifice came due--those cosmic consequences.
(And later, Jack, in a painful echo of Azazel, will resurrect The Lover but become destined to kill Mary.)
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Later, still in North Cove, Dean pleads with God on the landscape of his broken dreams—Washaway beach, (a cruel nod to the beach trip he will never take), a valley without people or friends in it, and a car.
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Like Mary, he looks over his shoulder to find a mysterious tan sedan (but its lights are off & it's enshrouded in darkness).
And there's nothing for Dean here. No miraculous resurrection. No deals that can be made. Not for Dean. Dean's happiness, and the happiness of his loved ones isn’t important enough. The universe turns a blind eye. The father doesn't care if he lives or dies, and his happiness certainly never mattered to Him.
It isn't fair.
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His voice shakes, and his lip trembles. "Please. Please, help us."
But God's not listening. "He doesn't give a damn."
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And we're left with a similar setup to Mary's tragedy, another off-rhyme: we return to the lakehouse and we have...a black Dean car. A tan Cas truck, at cross positions to one another, as they were in 4x03.
But like John, Dean is now left with just Sam n' Jack, and he's ill-equipped for parentally supporting either of them.
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But Dean just keeps looking and looking and looking. Hoping.
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He looks like he's about to faint, actually.
(A kitchen. A dining table. An empty chair at its head.)
But this is how it goes with Cas. Dean tries to stop him from walking away, and in reality, he's powerless to stop him from going anywhere.
Having faith when miracles happen and when they don't? What good is it? It just hurts more.
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darthnell · 9 months
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Something i like about thg is the public images that victors have and how they play into them. How theyre forced to play into them, or how they choose to play into them, or how they have to desperately try and force their image into something that’s contradicted by the evidence of their games. How the capitol chooses it for them. How they have to find some sort of angle while they’re still a tribute, onstage and speaking in front of the nation during their interview or else the audience wont give a shit, won’t look twice at them. How the events of their games are warped into whatever story the capitol can tell the best. What happens when the image breaks (hello haymitch, johanna).
We absolutely saw this in canon - Katniss’s failed attempts to convince the nation (and snow) that she was a silly little girl in love with peeta and thats why she pulled out those berries. And peeta’s somewhat more successful attempts to control the audience.. (and to an extent, even the propaganda bits in mockingjay)
And then the rebellion happens, obviously. But the rest of the victors didnt get that.. they had to live with whatever images they emerged with from the arena for a solid chunk of their lives, some, even, their entire lives. Its just rly interesting to me to think about the effects that can have on a person.
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knowlesian · 2 years
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WHATEVER i wanna talk about why the duel is hilarious 
because this is it: this is where izzy is not asking us to just believe he is why things happened. (aka: ‘i massaged the crew’s opinions of you!’ and then a smash cut to izzy not realizing his actual inability to massage the crew’s opinions are about to get his tight lil ass chucked over the side as lucius stares right into the camera like he’s on the pirate office in his soul, if i had to guess who would be the one staring right at camera in these moments) 
this is HIS THING. he is GOOD AT STABBING. he can STAB ALL DAY. there is NO SUBTEXT HERE SHUT UP HE WILL STAB YOU SHUT UP NOT LIKE T H A T & etc.
by all logical rules both muppet and real, stede really should lose this one. and he does! kind of! he gets stabbed. 
but stede is a fancy man with a fancy ship and a fancy mast: how the everloving fuck is izzy supposed to factor in ‘this motherfucker right here spent more money than i will see in perhaps even my lifetime! who knows! giving his gay lil’ ship the best that money could buy’. that is insane. that is NOT A THING IN HIS WORLD. 
WHO DOES THIS?
stede does this!!!! because if that hadn’t been the fiiiiinest cherrywood from brazil or whatever the fuck, izzy would have still won. it’s the fact that stede had the money needed to outfit his ship in this utterly insane way that lost izzy this duel, in the end, because even clever twisting to the side doesn’t matter when your mast is made out of wood The Poors can afford.
(also. stede won by getting subtextually fucked and izzy lost by subtextually fucking him??????? i am. this show.
the fuuuuuuuck.)
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chaos-has-theories · 2 years
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Alecto and Annabel Lee, Cristabel Oct and Christabel, Commander Wake and The Sleeper - but has anyone mentioned Tennyson's "The Princess" in the context of Coronabeth Tridentarius?
So alright, I've only read a synopsis, but the titular character is literally called Princess Ida. It's about said princess refusing to get married and instead founding a feminist women's college.
I don't have fully formed thoughts about this, but they're all tied to the cavalier gender essay. Something about... Corona always trying to portray a necromancer, the way her father wanted her to be - while also training herself to be a cavalier, and always serve her sister or another necro - but now she's with Blood of Eden, who hate necromancers and value her fighting abilities - but at the same time she's still very much in star-crossed love with Judith...
idk. There's just something there, and I don't think it's a coincidence. In any case, I'm kind of glad to see one parallel narrative for Jodybeth in which they don't have to kill each other and actually end up happy together :D
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greenleaf4stuff · 1 year
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*going through blogs of my current fandom like an archeologist trying to gently uncover artifacts from times past*
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mockingmolly · 2 years
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Man, the contrast of M9 getting Molly back in the form of Kingsley, versus BH potentially getting Laudna back in the form of Matilda? With tm9, Kingsley was quite possibly the kindest way they could have gotten any semblance of their friend back. It had been a year without him and none of his friends existed as he would have remembered them anymore, and he would have been faced with the struggle of trying to find his place in their group again, coming back a contrast to the person they built him up as while he was dead.
And furthermore, he came back into a time of newly-won peace, after they had managed to defeat the threats that had been building up since his death. They got him back specifically because of their success, and gave this fresh-memoried person a world ahead of them to reclaim themself the way molly never truly had. But Matilda? If the soul they pluck from the afterlife is the girl who died and stayed dead on the tree, instead of the one who spent 30 years living in the aftermath of it, they’re essentially dragging up a girl who has long-since been at rest, to thrust her into the deep end of the biggest threat any of them have ever faced, and inevitably expecting her to be able to swim and keep up. A girl who died without having any grasp of her powers, nor life experience beyond what she knew at the outskirts of the briarwood’s rule. Plucked up and dropped into a group of strangers who are dealing with some pretty intense grief, and the weight of the world on their shoulders. 
Laudna has, of course, gone through a lot. There’s no reality in which she isn’t deeply fucked up by what happened before, upon, and after this second death. Reckoning with the sudden loss of Delilah over her shoulders and what it means for her going forward is going to be a journey, but she’ll have her family by her side through all of it. She’ll have the knowledge she’s gained through 30 years of unliving and a grasp on what’s at stake in the world she’s coming back to. The world she seems to want to come back to, as shaken as she is.
If the soul they reach out to is Matilda, there’s no guarantee that anything they could say will appeal to a stranger that’s been dead and at rest for decades. And even if they do, i can’t help but feel like uprooting and forcing a soul they don’t know into a life/burden they have no way out of is also one of the crueler outcomes in all of this.
#critical role#cr meta#bells hells#cr laudna#like I think it’ll be juicy either way BUT this is yet another thing that solidifies my disinterest in us getting another Kingsley scenario#because what happened to Kingsley was /kind/#and this? this is not. this is striking Laudna down to her lowest and just. keeping her there#no closure or restitution. just the end of the story. she’ll know exactly what she’s leaving behind and everything she’s lost.#there’s no path amongst the living that won’t be *difficult* sure. there’s going to be a lot to process and a lot of reopened trauma#but there’s at least the possibility of healing and reclamation on the other side. a chance at living she’s only gotten the bastardized#version of the last three decades.#whereas plucking Matilda out of the afterlife and basically going Hey Kid You Don’t Know Us#but do you wanna come deal WITH ALL THIS SHIT??#also feels like the cruelest way *Matilda* could get her second shot at living. she diedat her lowest too but the burden#of the life she’d be forced back into outweighs the rest she’s found in being in the afterlife for 30 years#we talk about the lack of agency laudna has had throughout this and there’s truth to it. but at least she *wants* to come back.#she has people she wants to come back and fight for. has something to gain from living again#a life to reclaim#with Matilda it would be uprooting her and forcing her into a life she has no way out of#no choice#sivsi speaks.
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candied-cae · 7 months
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I’m gonna be so real, babes, when I saw that storm looking so ROUGH at the end of episode 2, I was real worried The Revenge was going to capsize and completely break to splinters and just sink to the bottom of the ocean. And I was DEVASTATED!
I was legitimately about to cry for that big ol’ boat bc she’s home and she's a part of their journey, and she can’t rest until her captains have been reunited! She deserves to see it happen on her deck, or so help me-
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yardsards · 1 year
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amity and boscha are sorta foils, in a way
there's the obvious bit where they're both former mean girls and amity improved herself while bosha didn't
but there's also like
boscha's clearly got SOME sort of abandonment issues goin on in this episode
and amity's also had some abandonment issues of her own (probably originating a lot from her own father slowly fading from her life with absolutely no explanation when she was a child). we see these come to a head in eclipse lake when she is so easily convinced that luz will abandon her if she is not perfect
but whereas boscha acts Like That because of her issues, amity handles them relatively healthily, seeking love from good people who she knows will give it to her unconditionally and communicating with honesty and understanding when she feels like she is being pushed away by luz
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hyraeth · 1 year
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So, in an Obikin SVSSS AU, who would make more sense to transmigrate? 🤔
On one hand, Obi-Wan(Ben maybe) transmigrating to the role of.. Obi-Wan is great.
But Anakin is would be the obsessive fan on SW forums. Maybe Anakin transmigrating to Anakin's character and doing everything the system allowed so he wouldn't fall, but instead Obi-Wan does.
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