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#like we all know what i'm referring to here
lilybug-02 · 6 hours
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Eimmit High...timmiE high. OMG!
Part 28 || First || Previous || Next...
--Full Series--
Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')
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pomefioredove · 2 days
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movie night
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summary: vil devotes his time to showing you all the movies you haven't seen yet type of post: short fic characters: vil schoenheit additional info: romantic, FLUFF, reader is yuu, reader is gender neutral, kinda short author's note: I so often think about how yuu is completely unfamiliar with pop culture in twisted wonderland. vil would lose his mind if he found out you hadn't seen a single movie yet. in my heart I know he's a little nerdy about it
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It's to be expected.
Of course. Of course you haven't had the time or the means.
It's perfectly reasonable that you'd put your studies and social obligations before leisure time. He understands.
But hearing you so openly admit that you haven't seen a single movie since arriving in this world, let alone one of his, doesn't sit well with Vil Schoenheit.
As it turns out, the mythological being who doesn't spend their free time absorbed in media is real, and they're standing right in front of him with an apologetic smile.
Oh, you poor, poor thing.
Even after the conversation dies and you part ways on good terms, Vil can't shake this odd, itchy feeling.
He wonders what it must be like- not understanding anyone's references, being left out of conversations, still so dependent on a culture that doesn't even exist here.
Is there something wrong with the people you spend your time with? Surely at least one of them would take the time to show you the classics. Just one.
No wonder everyone regards you as naive and innocent. No one's taken the time to explain anything about this world to you. And he's sure that extends far beyond cinema...
"What is this?"
It's the first thing you ask when he opens the door to you. Ever curious, ever clueless.
"Is that a rhetorical question?" he says, looking thoroughly unamused with your naivete.
A projector. A white screen. And a tray full of luxury skincare essentials that he'll be sure to test on you while you're distracted.
"Seriously," you say. "What's going on? Your message was really vague."
He sighs. "Oh, goodness, just come inside,"
Vil sits you down on the edge of his bed and hands you a plush headband to push your hair out of your eyes. He's more than pleased at your lack of protests thus far, and continues to take advantage of your willingness while smearing a sweet-smelling face mask over your cheeks.
"It needs to set before we start,"
"Start what?"
Vil smirks, standing and drifting across the room to a large wardrobe- no, a cabinet. He opens it- no, a shelf. Packed full of DVDs, arranged by date and in pristine condition.
"Wow, Vil. I never took you for a nerd,"
His gaze sharpens. "Hardly. And try not to talk so much right now, you'll crack the mask,"
He hums merrily, delicate fingers dancing over the smooth plastic cases before stopping at a soft white one. "This'll do,"
You watch as Vil returns to your side, carefully inspects your face, and then walks back around to tinker with the projector. You, of course, wait patiently, hands folded neatly in your lap as the screen ahead of you comes to life.
He turns off the lights and sits beside you as a white light illuminates your face, turning the hue of the mask a strange color.
"This is a classic," he whispers. "It's the first film I remember loving."
"It's that good?"
He chuckles. "No, it's quite outdated, and terribly unfunny. I'm just fond of it,"
If there's anything Vil Schoenheit is, it's honest. The entire black and white picture (which you surmise is quite old by Twisted Wonderland standards) is heaped with unfunny and confusing references, terribly paced, and acted like a primary school play.
And yet, there's a sense of warmth that permeates the external terribleness of it, that of which takes form in each of Vil's awkward laughs.
You revel in each of his little comments, his tidbits about the actors, his trivia about the production. He certainly seems to know what he's talking about, and his grace and confidence almost distract you from how nerdy he's really being.
Though, he's really not paying close attention to the screen. Vil seems far more interested in watching you, your reactions, almost as if searching for some kind of approval in the expressions you make. Do you laugh at this joke? Do you ask about this plot twist? Do you enjoy this song?
It's a completely alien experience, having him looking to you for validation, although you make sure to comment on how much you enjoyed yourself. Just to see him smile again.
"Same time next week, then," he says. "One movie won't be enough to catch you up on decades of pop culture, after all."
And thus, a tradition is born.
It's strange for him to think about how you've made yourself a home in his schedule. Wedged between expensive photo shoots and meetings with luxury brands, there's you. One single name in the same spot every week.
He couldn't admit it, but you've quickly become the highlight of his calendar.
"And this is just after they transitioned to movies with sound. It was a grand extinction event, not every studio nor star survived," he says, nodding to the screen ahead.
You hum in agreement. Your eyes are heavier than usual, and you're leaning against your elbow, absent-mindedly agreeing with everything he says.
A part of Vil wants to tease you for finding his taste in film boring, but he's not even sure if you have the mental capacity to listen to big words right now.
"Sleepy?"
"Grim kept waking me up last night..." you sigh. "I'm paying attention, I promise."
He watches you lie through your teeth, and then he watches as your words grow heavy and your body slumps over, awkwardly positioned against his.
Vil sighs- whatever is he going to do with you and that terrible sleep schedule of yours?- and readjusts so that your head is neatly set in the crook of his neck and your body is comfortably fit against his.
He finishes the movie, and lets the screen play the menu sequence over and over again. It's not really worth waking you up over, after all.
You're so cute when you're sleeping.
He hates himself for thinking that. You're perfectly inelegant- awkwardly breathing, practically drooling. And yet, he could stay here for the rest of the night and not wholly regret it in the morning. He just wishes you'd picked a better time to fall asleep on him.
Someday, he'd gladly return to bed to cuddle with you after he'd done his evening routine.
But... just this once, he'll let it go.
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Hi , miss Raven
Their is something has been on my mind for while ;
In rook suitor suit vignette he Compose a flattering poem about Crowley
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While Ace and Epel was talking about how rook would compliment anyone , rook insisted that he mean every word he say .
And there's this specific weird line
"if it weren't for your presence , I wouldn't be here"
Like what do you mean?????!!
Do you think this line is hinting at the fact that rook didn't join NRC via traditional way or he wasn't chosen by the dark mirror , since he is one of the light trio
Or To the fact that he transferred to another dorm smoothly without any problem?
For some reason I started suspecting rook recently 😭
The fact he was one of the reason vil overbloted by convincing him to watch neige performance and also he is the one who convinced vil to add Ace and deuce as part of VDC team while I thought lilia and cater was a better option
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I would like to hear your opinion about it 👀
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Ah, so if I'm understanding you correctly... You're theorizing that Rook might be an outside agent of some kind? One that Crowley intentionally brought into NRC to facilitate triggering overblots??
I’ll try to respond to one question at a time; hopefully this will make it easier to follow along! The post got quite long, so it's all below the cut~
Beginning with Rook’s poem, and, more specifically, “If it weren’t for your presence, I wouldn’t be here”. It’s funny that you mention this line, because when the vignette first came out (in JP; the terminology used is similar to “I would not exist/be here”), people interpreted it VERY literally. As in… “Rook is Crowley’s son because he literally could not be conceived without a father! They’re even both named after birds! They have to at least be blood related somehow!” Strange how in 2020, Crowley was suspected of being Rook’s father but now in 2024 Crowley’s being suspected of being Malleus’s father. The poor headmaster just can’t catch a break 😂
Personally, I don’t think that line is implying anything strange about Rook’s enrollment. As far as we know, he did not join NRC though any abnormal means, and nor did Silver. Of the “light trio” (a label that I must stress exists within the fandom but is not endorsed by TWST), only Kalim fits the bill. Kalim was originally homeschooled, but received an acceptance letter to NRC a month into the school year. Another month later, he transferred in. As far as we know, all students at NRC (save for Yuu and Grim) were chosen by the Mirror of Darkness, even the light trio. Again, I want to emphasize that TWST does not use “light trio” or a similar term to refer to or to characterize Kalim, Silverc and Rook. We’ve gotten no formal in-universe explanation as to why those three in particular have light cosmic magic instead of everyone else’s dark cosmic magic. (This is entirely separate from meta theories, which are out-of-universe explanations for why the “light trio” exists. The popular meta explanation is that it’s because Silver, Kalim, and Rook are not twisted from Disney villains but rather “good” characters like Aurora, the Sultan, and the Huntsman.)
On the subject of transferring dorms, the option is always on the table. We see mob students talk about transferring dorms as early as 1-14:
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In 6-67 (part 20 with the Pomefiore group), Vil describes the transfer process as being tedious and involving a lot of “complicated paperwork and ceremonies”. Crowley also says the process is “burdensome” in 1-20, but this phrasing is quite vague and could mean any number of things. (Burdensome to whom, the staff or the students? Why exactly is it burdensome?) Overall, it seems like transferring dorms would take a long time and require various formalities, but not necessarily be full of problems.
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As long as you’re dedicated and consistently complete what is asked of you to complete the process, transferring should be no issue. I don’t think it’s a given that you’d normally experience troubles in trying to transfer. It should be smooth by default (unless the student backs out, is uncooperative, and/or fails to complete the required steps). So following that logic, I don’t think the poem line is saying anything about Rook’s dorm transfer either.
While it’s true that Rook encourages Vil to watch Neige’s performance and advises that Vil pick Ace and Deuce for the VDC/SDC Tribe, I do not believe there was malicious intent behind these actions. It’s hinted throughout book 5 that Rook’s reasoning for doing these things was to help Vil recognize the value of his “beauty” is something he gains from himself, not from the approval of others.
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This is most likely Rook’s motivation for suggesting Vil observe the competition or to consider freshmen for the team. It’s exposing Vil to the contentedness that can come with imperfection or not being at the very top, something Vil fails to recognize in himself until the end of book 5. Being as perceptive as he is, Rook would have realized that outright telling Vil the moral of the week would not sway his strong-willed friend’s mind. Thus, Rook devised a more roundabout plan and involved Yuu (who, at this point, has a reputation for settling dorm-wide disputes) and co. (unpolished and clumsy underclassmen that Vil could shape as well as potentially also learn from in a reciprocal manner). Maybe Lilia and Cater would have been more technically skilled, being members of a club band and all, but they wouldn’t have provided the same opportunity for growth that Yuu and Adeuce did.
Rook is someone who has always been portrayed as a supporter of Vil’s, a good friend and a trusted confidant. He does have a nefarious side and is 100% capable of deception (like the time in Endless Halloween Night when he quickened his heartbeat to convince Sebek he was also scared and therefore was not a traitor). However, I don’t think Rook would want to betray his friends by actively harming them and putting their lives in danger (both during book 5’s overblot and immediately after in book 6’s rescue mission); he truly cares for them and wants to see them happy and healthy. (One could argue he should have voted for NRC instead of RSA to help Vil achieve his dream instead of betraying him, but that’s another discussion entirely.)
There’s no reason why Rook would go out of his way to do innocuous things like helping Epel with his UM or imparting wisdom to Deuce unless he actually cared and wanted to see them develop. Beyond the scope of book 5, why would Rook do even more innocuous things like trying to make Epel feel welcome and assisting him with learning table manners? Why wouldn’t he go out of his way to provoke Vil more often? Did Crowley hypothetically have even all of these little details down and instruct Rook to do (or not do) these things??? It sounds too far-fetched to attach a hidden motive behind everything Rook says or does. It could be as simple as “he wants to be there to support his friends”.
Before we wrap up, I’d like to quickly touch on the suggestion that Silver and Kalim too were catalysts for Malleus and Jamil’s OBs, respectively. It’s true that they were, but I doubt Silver or Kalim were aware and did so intentionally. Both seemed genuinely ignorant as to the true stress that Malleus and Jamil were under, and Silver + Kalim do not present as toxic people who would want to inflame their friends’ negativity. Of course, there’s always the possibility that Puppet Master Crowley (™) is orchestrating everything from the shadows (but I’m not going to get into the “time loop to gather all the necessary information and learn what the correct choices are” theory here www). I just don’t think Rook is Crowley’s accomplice in all of this if the time loop + intention overblots theories overlap.
This is one of those instances where I see Rook as being very honest with his intentions and because of his… generally strange character (?), his peers and players alike still suspect there is a deeper meaning to his words. I interpret his poem as nothing more than waxing poetic to expressing gratitude to the one man that makes it possible for him to be at NRC as a student: Crowley. Rook states that he wanted to give an exemplary poem using a subject that both Ace and Epel were already familiar with, so he went with the headmaster. Furthermore, we know that Rook is able to witness many wonderful and beautiful things at NRC, as well as make meaningful relationships with interesting people like Vil. He would not be able to do any of these things were he not extended an invitation to NRC—and it is for this reason that it would make sense for him to genuinely be appreciative of Crowley.
Those are all my thoughts on this matter all for now ^^ Hope it was an interesting read!
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drdemonprince · 1 day
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Can you offer any (academic) writing advice for Autistics and ADHDers? You clearly write a lot and write very well and very clearly, so some insight into your process would be great. Personally, I tend to struggle with over explaining or over citing (cause I am always getting misunderstood) and that I get very fixated on not misrepresenting what my sources are saying to avoid feeling like I'm lying. All this is time consuming and makes it hard to say what I really want to say. Thanks!
Hi there! I've written an essay about a lot of this, here is the free link to read it on Medium:
Much of my writing process is inspired by the book How to Write a Lot by Paul Silvia, and it is specifically tailored to academics. The advice applies to people who write popular nonfiction or fiction just as easily, however. And he does have advice relevant to the self-editing and self-doubt you describe feeling.
The full piece gets into this more, but here are some of the stand-out tips:
Schedule a regular time to write every week and show up no matter whether you are feeling it or not.
Throw out all your magical thinking about what you "need" to be able to write. You don't need the perfect workspace, divine inspiration, the right pen, the right playlist. You just need to show up to write regularly, and do it
Editing, outlining, working with research notes, and drafting all count as "writing." Don't expect your initial drafts to be perfect or to equate writing only with getting new words on the page.
Try writing in public spaces to help get yourself in the mindset of explaining a concept to someone with a different frame of reference and type of expertise than you. Writing in a cafe or a public library can force you think and write in a more accessible way. (alternatively, you can pretend you are explaining the concept to a specific person in your life who you respect but who doesnt have all the same reference points as you -- sometimes this is called the "Grandma Test". Explain something like you are talking to your grandma.)
In addition to all this, I would add that you should read a lot of writing, both good and bad, especially work that isn't dry and academic. If all you read is journal articles, you'll write a journal article -- and most of those are hell to read, even for academics. read fiction. read bad wattsapp shipping. read substacks. read newspapers. read indulgent personal nonfiction in the cut or whatever. read reddit posts. notice what works and what doesn't. develop an ear.
and then write a lot! it took me 15 years to get good enough for anything i wrote to get noticed. you can expect to take many years to get comfortable developing your own voice, too. i dont know how far along you are, but even when you've made tremendous progress you'll only notice your flaws and feel the most turgid brain foggy moments. that doesn't mean you're failing.
also, to some extent you can embrace your citation-dense, precise manner of self-expression. we are living in a moment of maximalism and indulgent, long creative works. it's the decade of the 5 hour youtube essay and the 2 hour album. my 5,000 word essays do better than my 2,000 word ones. you should strip down unnecessary tangents and trust yourself and your reader a little more probably, but ive found that the more blatantly autistic and indulgent my writing gets the more the right people like it. a writer's flaws and their distinctive voice are kinda hard to separate. you're not for everyone!
good luck!
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mcflymemes · 2 days
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CHALLENGERS (2024) PROMPTS *  assorted dialogue, adjust as necessary.
who says i want somebody to be in love with me?
i don't want to fuck you to prove a point.
fuck me because you want to.
are you gonna do it or not?
tastes even better than it looks.
i just told you i missed you.
i really want to kiss you right now, but i'm worried that if i try, you'll think i'm the worst friend in the world.
you know, it hurts me sometimes how little you believe in yourself.
decimate that little bitch.
let's be honest, you gotta feel bad for the kid.
you're not a spring chicken anymore.
dude. he's a pancake. you're gonna flatten him.
how's this feeling?
we're ready for you.
so obviously this isn't the result you wanted today.
you choked.
i don't want you to embarrass yourself.
i'm just a little rusty. it's a confidence thing.
get your fucking confidence back. i can't do it for you.
i'm so sick of you using this as an excuse to have a fucking meltdown.
you said we could watch a movie.
you're evil.
i'm gonna quiz you on it tomorrow.
sir, i don't know who you are.
i don't think we have much more to talk about.
i haven't spoken to you in five years.
i was just taking a little nap.
move, or i'm calling the cops.
you were really something back then, huh?
we always talked about how amazing it would be to win this together.
i'm a crazy person.
any predictions about how that's going to go?
can you do me a favor? can you not, like... demolish me tomorrow?
shut the fuck up.
if it matters to you so much, i can just give it to you.
i need it to look like i really beat you.
don't guilt me with your dying grandmother.
she's the hottest woman i've ever seen.
you were... fucking incredible.
baby, we've got to get going.
i'm not going to that party.
are you that threatened by me?
we can't both just go in there, dicks swinging.
i'd let her fuck me with a racket.
hey, do you smoke?
of course they will remember you.
see, that's your problem. you think you're like an artist or something.
you just want to win because you love it when people tell you how talented you are.
are you on facebook?
i told you tennis was boring.
you just got this crazy look on your face.
are you on a date?
i don't kiss and tell.
why did you want to have dinner with me?
i think you might be the worst friend in the world.
i didn't know you were so concerned about my feelings.
of course you still have a thing for her.
we just had what i'm assuming is the best sex of our lives.
i fucked your brains out?
what do you think you need? a cheerleader? a fuck buddy? a girlfriend?
you're talented, you're charming, and you've got a big dick.
excuse me for inconveniencing you.
don't expect to sleep here tonight.
stop going easy on me.
i'll be whatever you need me to be. i'll fuck off if you want me to.
i need you here, actually.
you're referring to when i declared my love for you.
you're not in love with me anymore?
i've been dreaming about this for five years.
i'm gonna propose something to you, and it's gonna make you angry. it's gonna make you very angry. but you have to hear me out, okay?
i'm finally ready to listen to you.
how dare you fucking ask me that.
do you think it's cute what you're doing? do you think it's funny?
that's the stupidest fucking thing i've ever heard.
i've always wanted you.
you didn't do anything to me. i did it all to myself.
i think i've reached the limit of my willingness to have this conversation with you.
do you understand how embarrassing it is that you're here?
you've never beaten me.
tell me it doesn't matter.
will you just hold me?
i'm not here to fuck you.
i miss watching you play. you were so beautiful.
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bymarara · 2 days
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Will and the Boys Don't Cry.
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Remember the picture when we were first shown Will on his birthday? In case anyone hasn't noticed, there were headphones in the picture and let's think, who else was wearing headphones and under what circumstances? Uh, Max! Max wore them so that she wouldn't fall under the full influence of Vecna and become his victim, music helped her so called survival.
Now let's get to why Will carries them around. I have two suggestions.
Everyone on the team has headphones now just in case Vecna decides to face someone.
Will is scared. Will himself realizes that he can feel Vecna's presence, in addition he will probably hear him, his voice and his thoughts, which will be very frightening to Byers. Because of the fear, he may choose his favorite song and walk around with headphones on at all times, so that if anything happens, he won't be influenced by Vekna and Vekna won't take over Will's mind. I also think that there will be a similar situation as with Lumax, that Mike will have to turn on these headphones in case of anything, I think Will will warn him alone about it all, thus trusting Mike.
Now something I've been thinking about very, very hard. Most people, and I think or thought that Will's song would be “Should I Stay or Should I Go”, but if you notice the details, you can see the poster in Will's room! “Boys don't cry”, this song references Will in a lot of ways, and if it's in season 5 in his headphones, it will be very symbolic, and will show the meaning of everything we've seen.
Let's take Max as an example. She has “Running Up That Hill” in her headphones. The lines from the song literally refer to what Max is feeling and it also shows how she feels about Billy and how she regrets what happened at the end of season 3 and how she would take it all back. The chorus from her song, literally speaks to Max's morale and what she wants. -And if I only could, I'd make a deal with God, And I'd get him to swap our places, Be running up that road, Be running up that hill, Be running up that building. If I only could, oh These lines literally refer to the fact that if Max had known what would happen, she would not have stood still, but would have tried to help her half-brother. She would have been ready even for the same death as her brother, as long as he did not die. Also, there are very interesting lines like.
“You don't want to hurt me,but see how deep the bullet lies.” which refers to their relationship while Billy was alive. The guy hurt his sister, which she hasn't forgotten, and that deep down inside of her, she wished him dead inside of her, which she now regrets.
What about Will? I know most people have already figured this out, but for those who haven't and don't know the context - this song is about the inner thoughts that guys have when they're going through an unpleasant/transitional moment in their lives. It's also popular in the LGBT+ community. Let's go through the parts that I find most interesting and start from the beginning. -I would say I'm sorry, If I thought that it would change your mind. But I know that this time, I have said too much. Somehow it reminds me a lot of Will helping Mike with his relationship with Al, while ignoring his feelings and even confessing his feelings while hiding under his sisters name. Also, I think there's a season five reference here. I mean, Will could talk about the painting and the speech, but not say what he meant about his feelings! And the lines “I would say I'm sorry if I thought that it would change your mind.” show that Mike could have left with some anger and it left a mark on Will and that he can't even apologize now, and that apologizing won't change anything. (Yes, I know I sound creepy, please.) Now let's get to the chorus. -I tried to laugh about it,
Cover it all up with lies. I tried to laugh about it, Hiding the tears in my eyes. Cause boys don't cry. Boys don't cry. Sounds like Will's confession to Mike to me. He's not showing his real feelings, he's hiding everything under the “Al” mask. and underneath the mask, he keeps his feelings hidden, not showing them. He himself, quietly crying, quietly suffering, realizing for himself that his feelings will never be reciprocated, that he will have to live with it and come to terms with it, and he buries it all by himself and tries to cope with it all by himself. -I would tell you, That I loved you, If I thought that you would stay. But I know that it's no use, That you've already, Gone away… Again he says that he has buried all his hopes and feelings, he sees Mike pulling away from him and as if he is walking away from him, so talking about feelings, about declarations of love is useless in his opinion. Literally the whole song shows Will, shows a guy who in his opinion has already missed his chance, he realizes that he can't change anything and hides himself and his feelings only deeper into himself.
I hope that Will will have this song in season 5, but I will also say that there is a possibility that in case of anything, Mike can play this song, so much in this song refers to Mike.
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lesbianphan · 2 days
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I know this is gonna be mushy and overly emotional and I'm sorry for oversharing a bit, but I feel like it's necessary to put into words what rewatching We're All Doomed means to me personally. I watched the kiswe premiere event live and it was one of the most fun nights I've had in a while, even though my life felt extremely hopeless at the time.
And, look, here's the thing: when the WAD premiere dropped, I had completely given up on improving things. In fact, I was very much in the 'doomed' mentality. I had long accepted that there was no way my life would get better. So Dan's message really resonated with me: it's easy to settle for being at rock bottom and thinking that's all there is for me. I was happy to see Dan doing better, but deep down I didn't truly believe his words either, not really. I did want to, but I wasn't quite there. And I don't believe them all the time, as he himself said he doesn't, and doing the show many times hammers the point home into his head.
After experiencing it, I thought maybe, just maybe, I could stop only embracing the void, but start having the courage to exist as well. Putting myself out there more, trying to make a world for myself in which I'm not the :/ emoji all the time. So I applied for the jobs, I wrote what I wanted, I unapologetically embraced the nerdy things and the fandoms I enjoyed. I decided I can choose happiness in the smallest of ways, even when it sounds silly and unimportant. Because it isn't unimportant really if it means something to me.
Rewatching the show last night showed me how much it changed my life and the big leaps it helped me take in life. I have so much more to learn, but I keep telling myself to be brave (lmao sorry had to sneak the Phil reference) and have the courage to exist. Really truly exist out in the world, not hidden inside my room. And sure, some days are harder than the others, some days I really don't like myself at all. Even in those days, though, I tell myself: all I have to do is have the courage to exist.
I went in to watch WAD with no expectations, and I feel like the message of appreciating the little moments was so monumental, it truly absolutely had a huge impact in my own life. I have a job now, and some financial stability. To be honest, I never thought I'd get this job, I might not even have applied if I wasn't in this mindset. In so many ways, Dan and Phil have profoundly changed my life, and I think WAD is just one of those big examples.
I doubt the real humans Dan and Phil will ever understand the impact they've had on this world, but I'll forever wish them the best. I'll always support them, because their creations have irrevocably changed me as a person, and as much as I like joking around and stuff, I'm just thankful that we share this existence, and we get to have fun and be forever changed by it.
Thanks @danielhowell, you'll never know how huge the impact of this show was, but I am truly crying writing this and I hope one day I get to tell you in person how much you inspired me to keep going when no one else would.
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"Fools! Don't you see? I have the power of god and anime on my side! You have no hope in defeating me!" ✨
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My reference sheet is here
Hello, people of the surface! I'm Donatello (he/him), a fifteen-year-old mutant turtle who likes anime and vocaloid. I'm the youngest of my brothers, wielder of... a wooden... stick... (at least it's fun to swing around), and the reason why New York is still intact! And dad said anime was useless! Hah!
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MY FAMILY AND FRIENDS
--
MUTANT MAYHEM
- MM Donnie (Me)
- MM Mikey ( @tottmntrealmikey )
- MM Leo ( @blue-masked-simp )
- MM Raph ( @raphaelllllllll )
- MM Splinter ( @dojoratdad )
- MM April ( @aprilthejournalistt )
--
2K12
- 2k12 Donnie ( @dotbot2012 )
- 2k12 Raph ( @red-rage-machine )
- 2k12 Leo ( @hestheleaderinblue )
- 2k12 Mikey ( @mikeyeatsyou5000 )
- 2k12 Ice Cream Kitty ( @thechillestcat )
- 2k12 Casey ( @thatslikesupergnarly )
- 2k12 Karai ( @lesbiansnakeswithknives )
- 2k12 Mona ( @rokkawaii )
- 2k12 April ( @apriloneildoesart )
--
RISE of theeee-!
- Rise Raph ( @wrecking-it-raphie )
- Rise Mikey ( @magicmike5000 )
- Rise Donnie ( @thefunniestturtlepurple )
- Rise Leo ( @neon-leonardo )
- Rise April ( @april-o-nimbus )
- Rise Casey Jr. ( @thatfutureboy44 )
- Rise Draxum ( @maddaddraxum )
--
OTHERS
- Sensei! AKA Adult Rise!Donnie ( @bbgtech-9000 )
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INTERESTS Feel free to talk to me about these things!
Splatoon and the Splatoon Manga (aka coroika). It's my favorite video game EVER and I am more than ready to gush about it.
Pokemon. I'm not as well versed in the later games, but I do know quite a bit of it!
Legend of Zelda. Specifically BoTW, TotK, TP, and SS.
Kirby. I am I HUGE fan of the eldritch horrors in this game.
Haikyuu, SpyxFamily, Kuroko no Basket, Dungeon Meshi, and Kusuriya no Hitorigoto.
Vocaloid. It's all I listen to, actually.
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BOUNDARIES (taken from my main account)
Tcest, incest, and proshippers DNI
I make suggestive jokes (I'm a teen. What dost thou expect of me), but I won't be drawing NFSW, nor will I accept me or other minors being sexualized. We are not child molesters.
Please be nice! I'm not exactly the best at wording things (tone indicators save my life), but I will never, EVER be mean to someone on purpose (unless they deserve it. Then I'll go ham). While interacting on my blog, please refrain from being toxic. Some thoughts are better left to yourself
NO STEALING MY ART!! I don't know why you'd want to steal it in the first place (it sucks ass), but don't do it anyways. You can use it as long as you give credit.
I don't do commissions, but I take requests! If I see something in my ask box I like, I'll draw it. So, if you have any ideas, feel free to share them! I like having motivation boosters.
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That's all! Like I said, remember to be nice! We're all here to have fun, and I'm more than willing to make some friends.
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papamado · 2 days
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A "theory" regarding Sampo's abilities
okay so this is an absolute mess and more of a ramble but I think it might be worth sharing so here I am Since I'm very normal about Sampo Koski, I've noticed some paralels to.. osme things... and i ended up with a concept that Sampo might be aware/know the script - just like Elio does On Belobog we don't encounter stellaron hunters (for obvious reasons), but Sampo does end up being the one who affects the way the plot goes and actively puts it in motion, he's the one in control (to some extent) He also appears to be aware of stuff that has yet to happen and its possible outcomes (getting Natasha even before we started fighting Svarog, knowing that we will arrive on Luofu despite it being an unplanned stop, the possible future Belobog catastropy) There's 2 ways to approach this: 1. He works with the Script in mind (following the trailblazer around, kinda like stellaron hunters happen to do) 2. He deliberately works against it (Jarilo VI is supposed to face destruction but he prevents it, could be for personal reasons) Theres also the whole thing about him breaking the 4th wall, which could be connected. Awarnesss of the fact that this is a game could result in him having a knowledge of what the plot of said game is.
I strongly HC Sampo to be an Elation emanator, so I thought about what being an elation emanator could mean, as in, how realistically the powers could manifest From the recent guide that was released along side the 2.2 stream, we have a small entry about Masked Fools which confirms that the path powers are DIRECTLY tied to their masks (this could mean both metaphorical or physical masks but from what i get from the context here it most likely refers to the physical ones?? the concept works with both possibilities tho so whatever <3 )
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We know that sampo doesn't have his mask currently (which also works in a symbolic way, Masks represent the devotion to Elation, him not having it could represent how he wants to distance himself from what Elation is considered to be and pursue his own idea of it instead. The general description provided here for how masked fools are doesn't exactly fit him either whichmight further prove that idea, i should write a seperate post on that, anyways-) , so how the hell can he do shit that we assumed earlier was Elation-related powers? i have 2 possible explanations for this 1. Him being an emanator lets him use the path powers without a need for a mask, if thats the case - the mask would only provide a powerup 2. Elation emanator powers are something else altogether
when we look at his current power set/abilities it can all be tied to the fact that this is a game so, him bieng an emanator of elation would allow him to ignore the rules of this world/mainupulate said rules, simple as that it would also explain why he can break the 4th wall, why he is aware of the script in the first place and how he can do stuff that contradicts what's been established lore vise (like how nobody should be able to cross the barrier between the Overworld and Underworld), those rules don't apply to him, he's beyond them. But there's more we DO have an in game example of people already messing with the reality in the same manner - Silver Wolf From what I gathered (with help of some friends of mine mwah mwah), the "reality editing" abilites of Punklorde people are directly tied to a technology present in said world - that combined with the world view of those living here results with them reating the world they live in as if it was a game
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Adding onto that, during "punklorde mentality" mission we get to hear Leonard say this:
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"Masked fools believe it really exists" so are the Masked Fools aware that someone could posses *actual* (not provided by technology) power to alter/manipulate reality and ignore the established rules of the world? We can kinda see such thing happening with Aha in stimulated universe, not only do they break the 4th wall, but according to Herta they also seem to be affecting the stimulated universe itself Aha's manipulation of reality is also mentioned in the "Glimpses into the Beyond"
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So maybe to wrap it all up: 1. Sampo could be aware of the script and use the reality manipulation abilities/the fact that the rules don't apply to him to achieve a desired outcome 2. Him and the Stellaron Hunters have some paralels in the narrative when it comes to the role that they play and what they do?? kinda??? 3. Punklorde people could be affiliated with Elation to some extent, even if not directly blessed by it I am probably VERY wrong about all of this but honestly I'm having fun with this theory so idc <3
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apenitentialprayer · 2 days
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i know that as a catholic you just have to believe with what the church says but i really dont like the belief of the original sin, i feel like its such a horrible thing to believe about yourself and about other human beings too
There are actually ways of legitimately dissenting from Church teaching from less essential teachings in a way that leaves you in good standing with the Church; I'm not sure if Original Sin is one of those things, though, to be honest.
But, anon, I'm going to offer another perspective here, starting from a quote (perhaps ironically?) from my favorite heretic. One of the things that James Carroll believes is that Original Sin has been given a bad wrap. In Constantine's Sword, he says:
I referred to Augustine’s assertion of the idea that the human condition implies a perennial state of finitude, weakness, and sin, all of which will be overcome, even for the Church, only with the end of time. [...] Augustine is thus regarded as the father of a severe, flesh-hating, sin-obsessed theology, but that dark characterization misses the point of his insight. His honest admission of the universality of human woundedness is a precondition for both self-acceptance and the forgiveness of the other, which for Augustine always involved the operation of God’s grace, God’s gift. Only humans capable of confronting the moral tragedy of existence, matched to God’s offer of repairing grace, are capable of community, and community is the antidote to human woundedness. Augustine sensed that relationship as being at the heart of God, and he saw it as being at the heart of human hope, too. This is a profoundly humane vision.
I wish I had understood the spirit of this quote when I was in high school. I remember learning in my World History class that Islam teaches that all children are born good, and then the world makes them evil. And I remember my teacher asking how that compares with Christianity, and I raised my hand and said that Christianity teaches that all of us are born evil. Because I believed that at the time. And, really, the whole framing of that question was wrong and gave really simplistic representations of what Islam and Christianity teaches, but I don't think we're alone in having internalized that understanding, anon. And that's a shame.
I thin it's important to remember the worldview that the doctrine of Original Sin is actively defending us against; there was an idea, that gets called "Pelagianism" (the poor guy it got named after may not even have believed it), that said that humans were capable of being saved on their own, by their own power. Someone on this site recently asked what people's thoughts on Pelagianism were, so you can read my thoughts here. But to keep it short and sweet, I think Original Sin is an important doctrine because it saves you from the need to be perfect.
There are ways to treat Original Sin that I think are certainly unhealthy, and I think the doctrine can be a source of anxiety and fear. But I also think, very deeply, that Original Sin should be a reason why we treat ourselves and especially our neighbor with kindness and understanding. I can look at myself and say "What I do, I do not understand. For I do not do what I want, but I do what I hate. […] For I do not do the good that I want, but I do the evil I do not want" (Romans 7:15, 19). And I can say that because I know I am ontologically wounded; that all of us have our weaknesses. That while we may still be in the moral wrong for committing a morally wrong action, our wills are compromised in a way that causes us to incline towards the comfortable and the easy rather than the good.
I wish I could go back in time and tell that class that Christianity does not teach that people are born evil. I wish I could go back and tell them that it teaches that we are born in a state of dis-integration, that we are wounded beings yearning for wholeness; alienated beings seeking everlasting belonging; beings lost in darkness, seeking the light. But I can say it now: the doctrine of Original Sin doesn't have to be an occasion to think you're depraved and without value, but it can be an invitation to come to terms with your own woundedness, because doing that (to use the words of Lutheran theologian Nancy Eiesland) "opens a space for the inflowing of grace and acceptance."
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gentlebeardsbarngrill · 12 hours
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04/29/24 Daily OFMD Recap
TLDR; Samba Schutte; Wendy & The Mocats; FibreArtsBrigade; Gentlebeard Wedding Week; Fan Spotlight; Cast Cards; OFMD Colouring Pages; Our Flag Means Fanfiction Minisode; Never Left Podcast; Schadenfreude; Love Notes; Daily Darby/Today's Taika
= Cast & Crew Sightings =
= Samba Schutte =
Samba doing more voice overs! Is there anything this man CANT do?
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Img Src: Samba's IG
= Wendy Andresen & The Mocats =
I can't help but adore how much we're getting to see the kittens Wendy (a member of our Red Flag Crew) and the Museum of Transport and Technology in Auckland AoNZ have taken in. I'm a sucker for cat content. I figure we could all use more kittens on our timelines.
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Need more kitten content? Visit Wendy's Twitter
== Fibre Arts Brigade ==
Reminders from the Fibre Arts Brigade that donations are still being taken for the charity auction on June 14th! Link to the Donation Form
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== Gentlebeard Wedding Week ==
Just a reminder all! with MerMay Fast approaching we also have Gentlebeard Wedding Week May 6-12 being run by the lovely @roughwinds! If you haven't seen the prompts already they're listed below! To keep up to date with the week please follow @gbweddingweek on tumblr!
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== Watch Parties ==
= Palm Royale =
Palm Royale WP May 2 via @LCWebsXOXO with the lovely @/dominicburgess approx. 4pm EDT/9pm BST/1pm PST!
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= Wrecked Season 1 =
Another week of Wrecked Season 1 is on the docket! Don't have access? Reach out to me on @gentlebeardsbarngrill on tumblr, or @aspirantabby42 on twitter.
Days: Apr 29 - May 3
Times: 3:30 pm PT / 6:30 pm ET / 11:30 pm BST
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== Fan Spotlight ==
= Cast Cards =
Thank you @melvisik! "Tonight is another director/the Spanish Captain who was canon blasted for trying to hang Stede."
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Img Src: @melvisik's Twitter
= OFMD Colouring Pages =
@patchworkpiratebear has made a new colouring page for today! Check it out below!
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= Our Flag Means Fanfiction =
A new minisode of Our Flag Means Fanfiction is out! This time featuring: Ready for Anything by Unapposablethumbs Minisode! Spotify link Visit @OurFlagMeansFanfiction on Instagram for more episodes!
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= Never Left Podcast =
A new Episode of Never Left is out! This time the discussion is on all the different ways the characters refer to Ed! Find your favourite listening route/follow their socials here on their linktr.ee!
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Art by @AmysBirdHouse on instagram
== Schadenfreude==
Thank you to @MrButtons284266 on Twitter for bringing this to our attention this morning!
Oh look 7.73% down today. Hm.
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== Love Notes ==
Lovelies! Do you know what today is?
TODAY, is a new flipping day! Today has so many possibilities! Today has so many new things that can happen! Outside there is new wind blowing through, and newly formed clouds, and new light energy from the sun! The flowers are blooming in various parts of the world-- and leaves are falling in orders! Today is a new day we've never experienced before!
Even if things seem like they are stuck in a cycle, look outside, feel the air on your face, it's all new. There are so many opportunities for things to go so many different directions. I hope they go in a positive one for you today... you deserve a break, and a smile, and a chance to laugh and to love and enjoy life for a little while.
Remember to take a deep breath, drink some water, and keep on keeping on. Love you crew <3 Hope your Taika Tuesday is a wonderful one.
== Daily Darby / Today's Taika ==
Today's theme is just seeing these two gorgeous greying buggers happy. I need it, I figured everyone else did too. Gifs Courtesy of @ofmd-ann today!
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ebonytails · 16 hours
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maybe im just dumb but what is the difference between kris p and kris t?
TL;DR - They are Kris Dreemurr fictives and we needed a way to differentiate them
Oh you're not dumb, don't worry! It really is a little confusing because we haven't talked about who they or we are in a very long time. I'm going to talk a lot here so you have all the context you might need! If it''s too long,, the TL;DR above is the gist of it.
For context, we are a system! You can read about it a little in our FAQ
Kris T and Kris P are TWO Kris introjects/fictives of Kris Dreemurr from Deltarune in our system.
Originally we just had Kris T who split in Dec 2018, and then when Chapter 2 came out, Kris P came into our system after that. Of course at first, Kris T. was just "Kris", but since we had a double now, we had to figure out how to differentiate between the two. We knew another Kris fictive from a different system at this time who was nicknamed P. Kris by Susie in our system, and susie wanted to emphasize who she was talking about.
SO. As a small nod to that, everyone decided to nickname Kris P as Kris P, as an inverse of P. Kris.
A little convoluted, I know!
Besides being Kris introjects/fictives though, they also look different! I made some new drawings to try and showcase their differences if that helps :3?
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Their dark world forms also look different. Kris T's is simpler, with a shiny soft cape, while Kris P's is more complicated with a hooded cape, which is also described as "very comfortable"
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Here's a whole Toyhouse of images of how Kris T. looks like right now! There's also his reference ! vvv
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Sorry if you weren't interested in our "life story"! They're not just random characterizations (they are alters), so I wasn't sure how to answer w/o giving you some sort of explanation.
They have their own sideblogs, so if you have specific questions directed towards them, you can always ask here because we'll see it better, or you can send them an ask in their own blogs. Kris T's is @kristalpepsi, and Kris P's is @itswhattheycallyou
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ambrosiagourmet · 20 hours
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Okay, I'm trying to firm up some thoughts about heteronormativity for the world of dunmeshi. We don't see any explicit homophobia (afaik???), and it's a little hard to separate real life heteronormativity from the potential in-universe kind, BUT there are a lot of the markers of gender roles and prejudices that often come with this stuff, and I want to dissect some of them.
DISCLAIMER I am painting with a broad brush here just to summarize what I've observed/what we know. Obviously all these races/cultures are going to have a variety of different subcultures within them and opinions/norms/laws/etc can vary a lot. No group is a monolith etc etc but this is a high level look at stuff.
Also I'd prefer people only reblog this if they are participating in the convo/adding something. This is for my reference and I'd rather it not spread much, at the moment. Thanks for understanding!
So... Laios and Falin had arranged marriages to a girl and boy, respectively, along with there being a slew of other prejudices they grew up around, so that's a glimpse into the tall-men culture in the northern continent.
There are a lot of different cultures in the archipelago but at very least the Nakamoto clan currently works in what looks like a patriarchal structure, though all of Shuro's siblings are male so I guess we don't technically know if women can inherit? Hien kind of assumes that she and Shuro might end up romantically involved in a sort of "well that's how it works" way which is fairly heteronormative so I think its fair to say that on a baseline level that assumption is present there.
Since Otta is judged more for dating short-life races than for dating women, it seems like maybe elven culture is more flexible. HOWEVER they are such a Power Structure TM and the noble houses care so fucking much about lineage and status that I have trouble believing that it's completely free of problems. Probably at least the nobility is expected to fit in heterosexual molds? Idk. They do look more androgenous and overall feminine than the other races, so that could also contribute to more fluidity. Of note here also is that in addition to a canon lesbian in Otta, Lycion also is Extremely Transgender. Though also of note: these people are the criminals in the group. So.
I don't know that there's as much info to work off of for the gnomes, dwarves, and half-foot cultures.
Dwarves have very strong family ties, which COULD lean towards heteronormativity but doesn't necessarily have to. Some dwarven women in dwarven cultures let their facial hair grow out - it's not necessarily super common, but it's much more likely to happen there than in a place like the Island. I lean towards thinking that they are more flexible, and maybe it varies from family to family how much there is an expectation of heterosexuality. Like the elves, they are more androgynous than most of the other races, AND one of our other major mostly canon queer characters (beloved bi Namari) is dwarven.
No idea about gnomes. The most prominent gnomes we see are the married Flokes and Holm. Holm's sister seems to have a bit of a thing for Kabru, so that's a couple of points towards Heterosexual Gnomes, but hardly anything definitive. They also live alongside dwarves so I imagine that if the dwarves are flexible they probably aren't significantly more strict about stuff. Also!! Kiki is the last of what I'd label the Mostly Canon queer characters, and she and Kaka were raised by gnomes! So that does seem to fit the "more overtly queer characters have ties to less heteronormative seeming cultures".
Again, no real idea about half-foot stuff. Chilchuck got married young and was a teen dad. Two of his kids seem very Interested In Men, the third gives big lesbian vibes. All of these things seem like they could be as much just orientation as anything socially enforced. I do think it's notable though that, while Flertem and Puckpatti are explicitly and loudly Into Men, Meijack is just quiet and gives off Vibes.
Ummmm yeah orcs (at least the ones we see) also have hierarchies based around polygyny so that's them.
YEAH that's most of what I can pull together currently? I'd love to hear other people's thoughts on interpreting all this, and if there are any lore details I missed!
Generally speaking I'm inclined to believe that heteronormativity exists as a baseline undercurrent in a lot of regions and cultures, and is more enforced in places that are either A) dominated by hierarchies (eg elven noble families) or B) insular and xenophobic in a variety of ways (eg Laios and Falin's hometown).
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john-macnamara · 2 days
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It took us a little while to find the file for this, but we wanted to successfully wrap up PEIP's infamous portal incident. As you know, the Paranormal, Extraterrestrial, and Interdimensional Phenomena division of the United States' Military interrogated one Johnathan S. MacNamara after the incident. He was twenty-four at the time. We thought it would be beneficial to share this portion of the story. Give all you loyal followers the full picture.
cws: implied torture, degradation, drugging, implied sexual assault
Interrogation Records: Major Johnathan S. MacNamara; Feburary 15, 2006.
Interviewer: Lt. Gen Joseph N. Brown (JB)
Interviewee: Maj. Johnathan S. MacNamara (JM)
Purpose: Prove connection to ex-Colonel Wilbur R. Cross, now under alias Uncle Wiley
At 2:38 AM, MacNamara was forcibly removed from his bed and taken to interrogation room C. He was confined with handcuffs in case of an escape attempt, and injected with 0.7 ml of flunitrazepam combined with 5 ml saline solution. As soon as the injection was completed, the interrogation began.
[Begin Transcript 00:00:05]
JB: What is your relation to Wilbur Cross?
JM: I don't see how this has any relevance to our current problem. Nor how you have any right to request that information. Sir.
JB: You've still got a mouth on you, huh? Don't know what I expected. You're that street whore we hired, are you not? Of course your mouth would be the most important part.
JM: I'm not sassing you, sir. I'm simply stating my misunderstanding of the situation. If I was woken up in the middle of the night for this, I'd appreciate knowing why I happen to be important enough to question.
JB: You don't need to know that. Simply answer me. What is your relation to Colonel Wilbur R. Cross?
JM: He is- was my friend. Is that all you wanted from me? Can I go now?
JB: Oh, a friend you say? Well you weren't his only friend, and yet you were the only one unharmed yesterday. Why is that?
JM: I don't know, sir.
JB: I'm sure you know something. You went to him first. You could have very well had something to do with the attack.
JM: I would never. I am loyal to this organization above all else. I have been nothing but loyal to you. I swear on my life.
JB: Swearing on a traitor's life doesn't mean much.
JM: I'm not a traitor, you fucking pig! ...I'm sorry. I'm sorry. I'm sorry sir. I'm so sorry.
JB: Board him. He should know how to address his superiors with respect.
JM: Please. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry... I'm sorry...
[Indistinct]
[00:11:56]
JB: Do we have an understanding, Major?
JM: ...yes, sir.
JB: Will you refer to your superiors by anything other than "sir" or "ma'am"?
JM: No, sir.
JB: Good. Now, would you like to truthfully answer my previous question about your relationship to Wilbur Cross?
JM: My apologies, sir, but I thought I already did? We were friends, and then he swore fealty to whatever resides beyond that portal. Now we're not.
JB: I was looking for a concise answer, Major.
JM: Sorry, sir.
JB: Are you telling the truth about your relationship? There was nothing romantic there, no hidden feelings that may have lead to assisting him after he left?
JM: Of course not, sir.
JB: I don't believe you. Tell me the truth, or we'll put you under the water again.
JM: I'm not lying, we had nothing between us except for a friendship and a mentorship. I promise, sir. If we had anything else together, I'd have told you as soon as it occurred.
JB: Alright boys, you know what to do.
JM: No. Please-
[Indistinct]
[00:18:31]
JB: Would you like to tell us anything yet?
JM: I...
JB: Yes? Spit it out.
JM: I was in love with him...
JB: There we go! Look at you, finally admitting something. At least you have some sense.
JM: I swear to you, sir, that just because I was in love with him doesn't mean I would have betrayed PEIP for him.
JB: Well, I don't know if I can trust that. But I'm nice, so here's what I'm going to do. We're going to dose you with something that'll make you more... malleable. You'll be more likely to tell the truth and to cooperate. Don't try to resist, it'll be easier if you let it take effect.
JM: I- yes sir.
[JM dosed with 150 ml sodium thiopental]
JB: How ya feeling, soldier?
JM: 'ired...
JB: Good. Where are you?
JM: Uhhhh... I dunno? Sorry...
JB: Wow, you just fall right under this shit, huh? I bet I could do anything I wanted to you, and you wouldn't even know. Maybe you'd even like it, you slut.
JM: Mhm...
JB: But that's not what we're here for. Tell me the true nature of the relationship between yourself and Colonel Cross.
JM: Uh- righ', Wil. Yes. We'r frens. I love him, he doesn love me. Simmle.
JB: We already got that part. What was your relationship to him after he went through the portal?
JM: Oh, sorr'... I aven seen 'im ince the portal.
JB: So you weren't lying to me, then?
JM: No sir.
JB: Were you in cahoots with any entity from beyond that portal since he entered?
JM: Nosir.
JB: Well, considering I don't think you can lie in this state, I'm going to assume you're telling me the truth. Our apologies for the misunderstanding.
JM: Issok.
JB: There must be something we can do to make this up to you. What would you like?
JM: ...sleep?
JB: Well that sounds very nice. Unfortunately, we can't let you go to sleep until the drug wears off, you see. But I do have an idea of what we can do while we wait. Does that sound nice?
JM: Mhm, sure...
JB: Now, if I asked you to do anything right now, you'd do it. Isn't that right?
JM: Yessir...
JB: Wonderful. You all may leave, I have something to do here. Now, stay still, pretty boy, and open up your mouth.
JM: [Indiscernible slurring. Reminiscent of protests]
[End Transcript 00:32:17]
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harrowharkwife · 2 days
Note
for the character meme: dulcie or cam or pal or a character of ur choosing!!! hehe
!!!!! ty lem!! im gonna do my girl dulcie...
favorite thing about them: honestly just the way she's written- it never fails to make me emotional that she *is* explicitly written as being brave and strong, but tamsyn neatly sidesteps the "inspiration porn" ableist stereotype of writing a character as being brave/strong *because* they are sick. dulcie isn't brave or strong because of her illness. her strength and bravery are explicitly positioned, IMO, as being in response to surviving *ableism* and other people's condescension towards her and mistreatment of her, rather than surviving her illness itself, if that makes sense. her health is just a fact of her life, it's not moralized. which i really, really appreciate. it's a small shift, but it's very meaningful to me.
ALSO deeply special to me: her intentional and careful commitment to boundaries re: The Palamedes Of It All. a refreshing change of pace, as far as these books go vgjtjxdjt
least favorite thing about them: i mean. houser. :/
favorite line: three way tie between "truly, wonderful news for my haters," "i am sick of roses and horny for revenge," and "oops, there i go again, never doing what i'm told"
brOTP: gideon!!!!! i think it's a crying shame they've never met. i think they'd get along tremendously. the whole cytherea gideon thing was Horrid and Awful in so many ways, but it always Extra stings (in an adding-insult-to-injury sort of way) when i think about what it would have been like if gideon had REALLY met dulcinea, and not cyth. dulcie would've been a great friend for her, i think. they'd have been so good at making each other laugh
OTP: honestly these days it's cam? @ palamedes ily but get outta here gayboy it's yuri time now. plus i just love chewing on the concept of cam + comphet, and cam + subconscious internalized misogyny, and cam + gender, and cam + her relationships and interactions with other women. i think there's lots to explore there. camdulcie has a certain "when i was eight i didn't realize i had a crush on the new girl in my grade so i just wrote her a note that said 'get out of my school'" energy about it, To Me
nOTP: idk if i really have one for her, specifically? idk. ianthe or something, fuck it.
random headcanon: stoner. on all levels except physical she is taking fuckall huge bong rips. on the physical level though her lungs suck so i think she'd be a tincture girlie. she's got chronic pain she deserves it. am i projecting? you tell me
unpopular opinion: idk if this is an unpopular opinion exactly, but i always see people referring to thee rejected proposal as being something born primarily out of love/out of romantic intent? and i don't know if that's necessarily how i see it. it was CERTAINLY, and obviously, a factor. but at least from my interpretation of pal's monologue to cytherea at the end there, i get the sense that he had already accepted her boundaries in that regard, because he says he "understood that he was a child." and we also get camilla saying that his motivations in proposing were primarily a means-to-an-end way of getting her off the seventh and letting her die with dignity. iirc her exact words were like "so she could spend what time she had left with people who cared about her." like, don't get me wrong, i think pal is lying to himself if he says that being in love with dulcie wasn't PART of the motivation there. but i find it a lot more interesting in a worldbuilding and social commentary way to interpret the circumstances there as him offering, essentially, to be a hospice doctor at age 19, and marriage being the 'easiest' way to get her off the seventh/planet medical malpractice. there's an imperial misogyny ownership-through-marriage throughline there that's nauseating, as well as the implications re: disability and agency and autonomy, and i think that's all very interesting to explore. i think this view is supported in part by the paldulcie interaction in TUG, where she alludes to the idea that she was cognizant about the impact that bearing witness to death and loss up-close and personal like that changes a person, and that she didn't want to do that to pal and cam, especially given their age. i think it informa dulcie's character and grants her additional narrative agency to look at things from that angle, of her "no" being in reference to *both* the age gap AND her intentional choice to continue suffering on the seventh, rather than put two kids through being hospice caregivers and/or widowers at nineteen– no matter how many times and how sincerely they kept offering, no matter that she would've absolutely had a more peaceful and comfortable end-of-life HAD she accepted his proposal and gone to the sixth to die. i think it says a lot about her as a person, that choice. there's a quiet and meaningful responsibility to her as a person that i find fascinating. and her character is just sooooo firmly rooted in and informed by disability politics, on every level, and i feel like people don't engage with that aspect of her characterization enough!
song i associate with them: ooooh SO many, i have a whole playlist. but i think the biggest ones are
-the drama by kesha ("friday night, get too high, keep checking my pulse, am i dead yet?" / "in the next life i wanna come back, as a housecat as a housecat! i'd sleep and play in the sun, i'd be a fuckin' cute son of a gun!")
-avant gardener by courtney barnett (the whole song really, but especially the lines "the paramedic thinks i'm clever cause i play guitar, i think she's clever cause she stops people dyin'," and "i take a hit off an asthma puffer, i do it wrong, i was never good at smokin' bongs." i just think she'd love this song.)
-honorable mentions include stoned at the nail salon by lorde, life according to raechel by madison cunningham, rose-colored boy by paramore (@ palamedes, lmfao), picture me better by weyes blood, extraordinary machine by fiona apple, rubberband girl by kate bush, last words of a shooting star by mitski.
favorite picture of them: oh man well it obviously has to be my icon... art made for me by the lovely @franzias-cave !!!! based on the concept of "the woman is dying, please do her the decency of allowing her to look the part in fanart." my girl... she's a malign fairy, she's a hot-eyed wraith <3
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ty lem this was so fun! i love my gworl :')
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vidavalor · 7 hours
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Hey Vida, I have some milk chocolate sea salt caramels to share. *Passes the canister*
Have you written about this moment yet? I'm guessing it has come up but I can't recall specifics.
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The time loop hypothesis that includes the idea that Crowley figures out what is happening and starts actively trying to influence things helps me understand why Crowley would say this - that he would despair after having been unsuccessful in every attempt he'd made to change the final outcome, to save Aziraphale's life. I know Crowley has some timey-wimey stuff going on generally, like his knowing the future and making all sorts of references to things that don't exist yet... I am very curious to know what you think Crowley's deal is and what is happening for him here.
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Also, do you think Aziraphale knows from the beginning of S2 that he has fallen? I mean, the other angels refer to Aziraphale as a former angel and principality right to his face, don't they? I remember wondering about this the first time I watched the second series. I kept waiting for the show to clarify just what exactly Aziraphale's status was...
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Well, this is a more oddly worded question than I remembered. One cannot simply be "a bit of" a fallen angel wtf game are you guys (gn) playing at? Leave that perfectly frosted cinnamon roll alone!
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Also, I am still full of so much anticipation wondering what I asked you last time! I am positive it had to do with innuendo lol
Hello to you, my fave @iammyownproblematicfave! 💕I am SO sorry about the other Ask-- I determined you asked about the innuendo in the "very nice" scene & I'm going to whip you up a batch of etymology around the insanely complicated history of the word "nice." It got lost in my Drafts folder for a little while there and I overlooked it-- will remedy that shortly! Here's thoughts on these questions and thanks for asking.
On Crowley, time & "too late" and Aziraphale, fallen angels & heavenly rank under the cut.
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First, time loop idea and Crowley's "too late" comments... So, anything is possible, right? That said, I don't think it's a time loop because I think there are scenes that explain why Crowley says "too late" at the end of that episode. I wrote about how it ties to unicorns & Wee Morag a bit in another post and I'll link it at the bottom of this one.
Basically, Crowley's anxious in that scene where he threatens Gabriel and then says that "it's always too late." Crowley's memory is iffy-- he admits as much to Gabriel later in S2-- and even if he was lying to Saraqael and/or Furfur about not remembering them, we know he struggles to recall all of his memories from when he was an angel. One memory that he felt confident about was the one he told Beez earlier in the season-- that The Book of Life is bunk that he and Beez made up to tease some of the more innocent angels. It is likely that this memory of Crowley's is correct. I say that because Beez seemed to think it possible when they heard it-- but then Beez felt like a fool at the thought that they'd been threatened by Heaven with something that didn't exist and that they themselves and Crowley made up. They doubled-down and insisted to Crowley that The Book of Life was real.
Crowley suddenly thought that Beez might be right because, hey, they'd run Hell for so long, they'd know more than he would, right? He starts to doubt his own recollection and he rushes back to the bookshop to help protect Gabriel as a way of protecting Aziraphale because he now is terrified that Aziraphale could be erased from existence if he is caught helping Gabriel. He doesn't want to tell Aziraphale that Beez reached out to him because he knows Aziraphale is sensitive about the fact that none of the angels have talked to Aziraphale in years and that their only source of intel is a demon with a thing for Crowley (Shax) so Crowley doesn't ever tell Aziraphale how scared he is about The Book of Life. Meanwhile, even though Gabriel is basically on their side now, Crowley can't exactly ask him if it's real or not because dude only knows Buddy Holly songs for basically the whole season lol.
So, in addition to worrying that Aziraphale is spiraling (because he is) and that helping Gabriel could mean that Aziraphale is risking his mental health and a fall, Crowley is also now terrified that Aziraphale could be made to have never existed. It's on his mind so much that he growls at Gabriel in that episode-ending scene that Aziraphale could be "risking his existence" for Gabriel and then muses about how it might be "too late-- it's always too late..." I don't think this is a time loop indication. I think it's a reference to other times Crowley has said "too late" in the past, like the unicorns and when Wee Morag died. It's about how it might be too late for him and Aziraphale and they might be running out of time and be on a collision course with death while not knowing it-- like how Elspeth never saw the fact that it was her last night with Wee Morag coming. It's Crowley's anxiety talking. Crowley thinks it's too late to turn back now because they're already helping Gabriel and Shax is sniffing around and they might be nearly out of time.
Crowley does have some time-related stuff happening in his story and the ability to control it but it seems to me more likely that Crowley's ability to remember that he has control of it has been taken from him in the present in S2 than it is that he's in a time loop. In the disaster kiss scene with Aziraphale, Aziraphale is really obviously signaling to Crowley a request that he freeze time. (It's obvious to us, I mean-- Aziraphale hid it from The Metatron by curving his hand.) He was trying to get Crowley to do what he did on the tarmac in S1 when he stopped everything and took them and Adam to a little time out cloud to help Adam figure out how to deal with Satan.
Crowley, though, just kind of stares at Aziraphale, even though this is literally one of the most recognizable hand signals on the planet. He also didn't just do it himself at the start of the conversation. If I were the villains, I'd be damn sure that Crowley didn't remember that he could freeze time after S1 and Crowley was gone all night before this scene (which he also doesn't seem to totally realize, no matter how many people around him keep commenting on how it's now morning.) The story, to me, seems to be suggesting that the Crowley & time stuff in S2 is that he doesn't recall that he can control it.
re: Aziraphale and what his angelic status/rank is in S1-- the cherub/principality/"you've been a bit of a fallen angel" bit...
When Michael and the other angels corner Aziraphale in S1 and Michael says that they've been learning some "disturbing things" about Aziraphale and that he's "been a bit of a fallen angel", the disturbing things are, imo, the photos of Aziraphale and Crowley that Michael has dug up. (Hypocritical much on Michael's part? Their phone chats with Ligur? That Gabriel knows about and lets them get away with but Michael wants to go after Aziraphale for having a relationship with Crowley? Yeah. Gross.) Michael and Uriel are threatening Aziraphale with a fall in the scene when they corner him. Uriel says "and don't think your boyfriend in the dark sunglasses will get you special treatment in Hell." They're using their power to threaten to cast him out as a way of trying to intimidate Aziraphale, which is another way of showing how political falling is and how it's all kind of b.s..
A demon is a fallen angel, by definition. That's the definition of a demon. Heaven has socialized angels to believe that the demons are all evil-- that they're devout followers of Satan and horrible people and to associate with them is to sully yourself with their satanicness and all that lol. In reality, there are some evil demons-- Satan is evil, Ligur was pretty bad-- but there are also some evil as fuck angels... The Metatron at the top of that list. In reality, the demons are the angels who put notes in the metaphorical suggestion box. They stood up and spoke out and questioned things. They're the curious, free-thinking "troublemakers" whose questioning of authority threatened to crumble The Metatron's power so he reacted by ostracizing them. He made a sense of the demons being "other" and evil. He invented Hell and banished them all to it-- lumping curious rebels like Crowley in with evil like Lucifer/Satan and using them as examples of what happens to those who dare to question. There really is no such thing as "a demon"-- there are just angels who have been told they're no good and that they've been cast out and are part of the collective owned by and working for Satan.
In S2, we get another bit of info about a fall when Gabriel falls. The Metatron can't send Gabriel to Hell like he would other angels because he did that once with Lucifer/Satan-- the last one to have Gabriel's job before Gabriel-- and once is "a good story" (meaning, once is a cautionary tale that keeps angels in line) but twice would suggest "an institutional problem"... twice would cause a rebellion. Twice would show that the problem is really Heaven. But, The Metatron has to do something with Gabriel, so he's going to erase Gabriel's memories (he tries to before Gabriel enacts Operation Fly and saves his memories thanks to Beez) and cast him down to a new rank of angel that they've just added to the bottom of the pile-- just for Gabriel lol. It's all political, which is how Crowley and Beez fell back in the day as well. They were caught up with Lucifer and held up as examples of evil when it seems that they really were just looking for others who were questioning things, too.
Does Aziraphale realize he's falling in S2? I think there's some language in the kiss disaster scene that indicates he suspects he might be and that he doesn't fully trust in what The Metatron is offering him-- or that that's really The Metatron. I don't think he realized he was falling until that point. It's a question, though, of what a fall really is. There are many ways to fall. You can literally fall from a great height. You can fall in rank. Both of these things happen during a fall from Heaven, in Good Omens, from what we've been told, but there are other types of fall. You can also fall in love. You can fall into despair. These ones? Aziraphale knew about. He fell in love with Crowley a long time ago and despair is always something he's working at keeping at bay, sometimes more successfully than others. In the end, his fall from Heaven is tied to both of those other kinds of falls.
But is Aziraphale already something of a fallen angel, like you asked? What of the fact that he was a cherub at one point and is a principality? Which is higher rank? We are told in the book that people "make jokes" about the fact that Aziraphale has both of those ranks. The word 'joke' comes from the Latin jocus, which literally means 'wordplay' and I think maybe looking at the different kinds of rank in Heaven through that angle might be worth a look. (Me? Taking a wordplay angle? Who would've ever thought? lol)
Who outranks who can be shown to us by how the characters behave in the scenes but the ranks of angels are more about what the words mean than about exactly which level that rank is, I think. For instance, there is some evidence that a throne and a dominion are the same level of rank-- that an angel can be both at once... which makes more sense when you consider the power aspects of those words and that here's our throne/dominion leaving his chair to dominate his plants in S1:
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People are complex and need more words than one title might allow.
Aziraphale can be a cherub and a principality because once you start to get into the meanings of all of these words, you can see that which ones are given to Crowley and Aziraphale are done because of how they support who the characters are-- and how they overlap. I have a meta that I've been playing with from time to time about the different meanings of principality/dominion/throne and how Crowley and Aziraphale are both really all of them. I'll try to finish that one up soon. If you look at wordplay around the word "rank" itself, though...
...a rank is a placement or a position in military order, yeah, but it's also a bad smell. Something that is rank is something that is foul and offensive. One of the themes of the show to me seems to be that, whether you're an angel or a demon or a human, you possess your own power and no one can take that away from you unless you let them. Empowerment and freedom is the realization of that. We're all equal beings. The characters who are the least interested with power systems-- the ones who have freed themselves from concern about it and live as independently as they are able-- are the ones who view others as autonomous beings and do not support oppression of others. They are the least rank because they are dismissive of the idea of rank itself.
So, while we're having fun with words here... those who are the least rank are also probably not rank in the scent sense of the word, too lol. This would be why we have a multiple scenes devoted to how everyone is in a faint over how great Crowley smells. He's the least rank of them all-- in every way possible. 😉
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The other "too late"-related meta:
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