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#like way too suddenly
dontmindme2600 · 1 year
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The Peace Walker canon ending (Like the one you can get after “beating” the game) was absolute garbage wtf?? Like it’s not even that I just don’t like the idea, every second of it was like… cringeworthy
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molinaskies · 7 months
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An interesting “side effect” of the canonization of the “classic era” meaning “younger era” is that the classic era now reads as “cute fun times” before the core cast became teenagers/tweens and things got super, super complicated.
Because the characters are “younger,” there’s an air of “little rascal innocence” to everything they do now. The new releases like Mania and Superstars now feel like little throwbacks to the young heroes just learning how to work together and make a difference in the world.
I don’t think this is a bad thing at all.
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ew-selfish-art · 9 months
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Dp x Dc AU: Tim doesn’t rest, not even in Death.
It’s a heart attack that gets him, well, that and the insane amount of fear toxin flooding his system. He was dead for a full three minutes before he watches (how was he watching?) his eldest brother get his heart going again and get his unconscious body to the cave. Alfred gets him onto bat-life support and Leslie looks gravely at his family after she’s done her best to heal him. They decide to keep trying, they don’t want to believe he’s gone.
Tim watches in fury. He’s more useful than this, he’s not just going to die and let the family mourn him! Tim sets to work trying to understand what’s happened to him and he realizes he must be a ghost. Therefore, if he wants to understand ghosts he needs to go where ghosts are, and thankfully he just read a JLD doc saying to avoid Amity Park at all costs.
It’s takes him a second to get used to flying at full speed, but he finds himself surrounded by strange people in a strange town and… he notices himself becoming more visible. He’s able to interact with more and more objects, he even picked up a pencil! Poltergeist is a step forward in his plan, Tim accepts this change of pace.
Then Tim meets Danny, a normal human kid who looks like he could be brought into the manor and given a cape, who looks straight at him.
“Wait, who are you? You didn’t die in Amity did you?”
“No, I died in Gotham. I came here to understand how I’m a ghost and how I can get back to my dying body. I just need a few answers.” Tim explains, and notices that his voice isn’t his own, like it’s a different language entirely that comes out.
“Well, uh, I dunno about going back to your body but it’s not safe for you to be here. The GIW are looking for lost souls like you that people won’t notice go missing. So get back to your family and find peace. Im sorry but that’s really the best advice I have.” Danny answers.
Tim begs him for answers on the GIW. Begs him for any answers at all. Danny shrugs him off each time, tell him that he’s just a ghost and he needs to move on before he gets hurt or becomes a problem.
Tim decides if he’s a problem, he’ll probably get more answers.
Soon enough, he’s stepping into the end of a battle where Phantom is getting Skulker into a thermos, and demands answers, and if not answers help.
They brawl, and Tim’s training as Red Robin gets him farther than a lot of ghosts. And then, when he knows he’s beat and he’s about to share thermos space with the robot jackass (who he can interrogate and then build his own robot) Tim realizes something.
“You’re still alive, aren’t you? You’re Danny, black hair and blue eyes.” Tim says and suddenly Phantom is as still as the dead despite the accusation.
“How the fuck- dude. Okay, you know what? Fine. Lets go talk, you’re clearly not giving up and I need you to never say that shit out loud ever again.”
Because blackmail works in life for Tim, blackmail also apparently works in death.
He’s given all of the info they have on the GIW, he’s introduced to ghost technology and how it works with ectoplasm. He’s told about the portal (although they refuse to sneak him into the house to see it- he can handle a few lasers, ugh) and he’s told about the general sequence of events in Danny’s life/death.
And then Tim is suddenly back in his body in Gotham.
The family found a way to bring him back and he’s 100% alive, no longer ghostly, but he retained all his memories.
“We have a war against the government to start” are not the first words his family expected to hear from Tim post death.
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ruporas · 1 year
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#but onto this comic... i think and talk a LOT about vash's loneliness bc trigun is just. kind of central on that for a good while! esp in#the original manga he was alone for a good portion of it and he tends to keep others away like how he ran away from meryl and milly when#they tried to tag along. and he was kind of bothered when he realized ww was following him around Too. at the core even though he loves#humans and he loves deeply the people he does know -- he isnt really much of a people person and i think thats been the case since he was#young considering his initial doubts towards humans... with the exception of kids bc kids dont give him moral conflicts. so suddenly#here comes wolfwood!!! his guide. someone TRULY affixed to him until he has to get to knives. someone who isnt budging and someone whos#really good at following him around and even seems like he goes like 5 steps ahead to make sure vash doesnt run on him#in one way its - i don't want you to follow me bc i don't want to burden you and i don't want you to kill the people i want to save.#in another way its - i like this companionship. i like waking up to you and i like ending the way with you. i like talking to someone who#knows my world. i like being in your space and sometimes i enjoy talking about our day#theyre just living together. like. roadtrip buddies or theyre also under the same roof because they're going everywhere together.#trimax they mainly spend their mornings together and if they had personal business attend the other person would usually know and itd only#be during the midday. anyway bc of this kind of companionship i figure that vash eventually grew accustom to it and he really. cant go back#to the kind of loneliness from before. it's harder to imagine and it'd be harder to withstand. esp after 2 years with lina and her grandma.#ruporas art
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martyrbat · 4 months
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my secret confession is i think a lot of current art in comics is pretty but sometimes way too glossy and lifeless... it kinda feels like a sticker sheet where they just swap out generic stock poses that they have on hand for that character rather than the art being reflective of the actual story and moment the character is currently in
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caligvlasaqvarivm · 3 months
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prince and prince friendship. this is my vision
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maegalkarven · 7 months
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Also there're so many reasons why durge might want to deny Bhaal, aside from general "killing is bad, the god of murder is bad."
Orin betrayed them and it was somewhat from silent approval of Bhaal, so "god betrayed me first" kind of narrative. A desire to get revenge, on Orin AND on Bhaal.
A desire to live. Durge's fate, Durge's Destiny is to literally kill everyone and then themselves. What if they want to live? What if desire to live is stronger than desire to kill?
Alternatively, what if there's someone they don't want to kill? A single person for Durge to care about, a single person they would want to save instead of bloodying father's altar with their blood. A single connection like that is all what it would take.
A desire to break free. Durge can be completely okay with murders, loving murdering people even, reveling in violence. But they're their father's puppet and they could want to break free of it, to have their own will, to have only their voice in their head. To be a master of themselves with no one to kneel to.
The "I'm better than my father" kind of mindset. Durge is made of a flesh of a god, in a sense they ARE god. Bhaal was mortal once. Why would Durge listen to him when they can attempt to overthrow him, to become a new god?
Being compelled to other side. It's not unknown for gods to steal each other's followers/chosen ones. Look at Ketheric, look at Shadowheart. Myrkul is recently chosen-less after the Moonrise Towers. Bane would love to fuck with Bhaal like that. Shar is there. Good gods who would try to redeem Durge or use them against their own father are there. It would be a delightful power move from Selune to offer Durge assistance/ an alliance against Bhaal.
Idk, I just love how multidimensional the defiance of Bhaal can be. I have a lil army of Durges exactly because I can mold them into such different people
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thegreatyin · 30 days
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Same spouse!!!
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my personal headcanon is that every player with this item is married to every other player with it
that's hilarious. accepted
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samglyph · 3 months
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Ghost Hunter Au Part 1/2
Next
This is my entry for the Malevolent “write in your style event”, @malevolent-monthly!
I wasn’t initially planning on participating since this is a writing event and not an illustration one, but the prompt immediately inspired me so I got the go ahead to make a little comic! Part two out soon.
ID in Alt text provided by @shadow0haven
If you like what I do and want to see more, consider donating to my ko-fi!
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lord-squiggletits · 4 months
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
#squiggposting#and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever#it's just a problem with his writing where like. he has A Message he wants to send#and so he uses the entire story literally just for The Message even if it involves bullshit plotlines#or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster#like barber's writing tends to lean way too much on a sort of lecturing tone#without giving proper care towards including moments where characters get to like. fucking express themselves and share their side#sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid#and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable#even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered#he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense#this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in#but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally#or like he has a message about the cycle of violence he wants to convey#but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered#to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional#in favor of the characters lecturing each other or some stupid plot to criticize OP#that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation#shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority#when your own sins are right fhere lol
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comixandco · 10 months
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The four Sages were called back into the past by Terrako and they remember it happening
Tulin got to meet his hero, Revali, and decided to be just like him, adopting his idol’s brash personality and drive. He practises Revali’s Gale and eventually comes up with his own way to show off his mastery of wind, and when trouble hits his home he rushes to fix it on his own to prove how strong he has become and because, like Revali, he can’t stand idly by while he knows there’s still things he can do.
For Yunobo, when he goes back and meets his ancestor Daruk, he is a very timid and reactive Goron. He needs a push from others to come up with ideas and carry plans through, and when bad things happen to him his first instinct is to use his fire magic as a shield, to wait until the threat has passed by or somebody else has come to save him. But when he is sent back in time to Divine Beast vah Rudania, for the first time he has to be the one doing the saving. Daruk encourages Yunobo and is proud of him from the moment they meet, and it’s this support that gives Yunobo the confidence to help fight against Calamity Ganon, and to start YunoboCo when he gets home.
For Sidon, meeting his family from 100 years ago is bittersweet. He is proud that he was able to protect his sister, and it’s a comfort to know there is a version of him who will grow up alongside Mipha because of his bravery and fighting prowess. But as much joy as he got from seeing her, hugging her, and hearing her voice again, it just reminds him of how unfair her death was, of just how young she was when she died and how he is now older even though he’s the younger sibling. And at the end of the war, when he’s returned to their original time, he has to readjust to her absence all over again, and in light of that is it really a shock he’d have her statue moved further away from his home? And it also explains why he’s so desperate to protect Yona from the sludge.
Riju in AoC still a new ruler to her people, despite her accomplishments in BotW, she still feels guilty over the temporary loss of the Thunder Helm and isn’t sure if she can lead the Gerudo. She has a lot of confidence but is quick to falter when things go wrong. Urbosa treats Riju as a capable fighter despite her young age, and teaches her that she should never give up, to keep trying even when her resolve falters. There is always something you can do, even when it’s just stalling for time until help can arrive. Urbosa guides her in mastering the Thunderhelm, and possibly begins teaching her to summon lightning herself after Kohga attempts to steal it, and at the end of their time together Urbosa tells Riju she’s certain she’ll lead the Gerudo well. Riju treasured her time being mentored by Urbosa so much that she considers what Urbosa would do during the Upheaval in her diary in TotK.
I think the entire reason Tulin was added to the DLC was because the TotK team had already decided that Tulin was going to be the Sage of Wind, and that since the other sages were going to meet their Champions Tulin had to as well.
At some point in the years between Botw and TotK Teba, Tulin, Sidon, Yunobo, Riju and Patricia were summoned back in time by Terrako to aid the Champions during the Calamity, and even though those events took place in a parallel timeline and had no bearing on the world they returned to, the Sages’ personalities at the beginning of TotK are because of their experiences during the Calamity and the bonds they made with the Champions.
#totk#totk spoilers#botw#riju#yunobo#sidon#tulin#aoc zelda#age of calamity#bonus thought i cbb to make into it’s own post for all the tag reading girlies:#since the light dragon is canonically present during the calamity because zelda was sent back thousands of years..#technically the light dragon is present for both botw!calamity and the aoc!calamity#and there is now a timeline in which totk!ganondorf will emerge in a completely different way because of timeline shenanigans#and there are two zeldas except one of them is a dragon#my belief is that in the aoc!verse since you can play as calamity ganon a part of it survived and like. it’s main goal is to find a way#to excavate the cave it’s creator is in and like maybe it lures link and zelda down there or maybe nobody even notices until it’s too late#idk. because there weren’t two zeldas in the past the aoc!zelda can’t travel back in time so like. either her character development means#her secret stone manifests her light powers instead of her time powers or she never gets the secret stone idk#what’s important is that aoc’s version of totk in my head takes place a few years after the calamity and by the end of it the light dragon#turns back into zelda and suddenly there are two zelda’s who are practically twins and this alternate time-twisted botw!zelda gets to see#the champions and her father again at the cost of losing her link and her friends in the future and having no idea whether her original tim#line is safe or not. and link gets to doublewield the master swords or smth.#if we’re keeping the aoc-style gameplay rauru is one of the jokey-warriors like the great fairies were and it’s just his arm and like. mayb#a bit of his shoulder or something because it’s 100 years ago and there’s a bit more of him left
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samdeancrimespree · 15 days
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perhaps a controversial opinion and like. no hate to anyone who likes femsamdean because i like it too but. there is some distinct element of samdean that relies on them being dudes. like….. if they were girls (esp afab girls) do u know how much they would have to be doing to warrant the same “why are they so close… that’s weird” reaction?? the amount of casual affection that girls/girl passing ppl can get away with is insane compared to guys that look like sam&dean. they could be walking about arms linked, kissing each other on the cheek and saying cute nicknames and ppl wouldn’t find it Suspicious. there’s something so jarring (esp in smalltown, usa) about seeing two giant muscly Dudes be touchy with each other. if hunters heard that there were 2 sisters that were badass hunters and their relationship was weirdly close they’d be falling over each other to beg for a threesome. but no. sam and dean are huge and scary and could crush any hunter with one hand. AND they make lovey eyes at each other and sit way too close and live together in their 30s. and no one can say a damn thing about it even tho it’s fucking WEIRD. and that’s what makes it so GOOD. but if they’re girls that part is so diminished. don’t even get me started on how the dynamic with john would be jfc
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nyaaamato · 7 months
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bad omens
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xbraveheartx · 6 months
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Suddenly smacked in the face by the implication of Romeo's message where he says "I remember you, so there's no reason for us to fight. I suppose."
I always thought the wording was weird, but didn't think too much on it... Until recently after we discussed some datamined stuff in the Carmeo/Promeo server. There's a scrapped line (where P was supposed to speak) that says "I may not remember, but I'm still your son" during the NP fight, and while the scrapped lines are their own can of worms, let's focus on the memory parts.
I had always thought that once a puppet woke up, they would just get their memories back. But the fact seems to be this: There are select memories that come back to give bits and pieces of their past that "wake" them up-- cause them to change, as we see with P and the necklace; As we see from the spliced memories at the Black Seaside. However, it might not be all one's memories that come back. Whether those spaces stay blank or come back over time, who knows.
What I'm trying to get at here is...
Romeo's memories might only consist of Carlo at the time of waking. Carlo was what woke Romeo-- "I remember you"-- He had the necklace, he knew from who it was; He recognized the face P was modeled after. "So there's no reason for us to fight, I suppose"-- there's a lack of confidence in the wording here. Friends aren't supposed to fight, right? That's what his memory tells him, at least.
And the only memories P tends to get in regards to his past? Those in relation to Romeo, his aspirations, and of his own death. Seemingly, these are the things most important to him.
They were the most important people to each other; They remembered each other, just one too late than the other.
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erregiulydraws · 1 year
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*thinks about vol 19’s sleeve illustration*
*thinks about vol 19’s sleeve illustration*
*thinks abo
Bonus:
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Haircut 💇‍♀️
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