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#and generations happened
molinaskies · 7 months
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An interesting “side effect” of the canonization of the “classic era” meaning “younger era” is that the classic era now reads as “cute fun times” before the core cast became teenagers/tweens and things got super, super complicated.
Because the characters are “younger,” there’s an air of “little rascal innocence” to everything they do now. The new releases like Mania and Superstars now feel like little throwbacks to the young heroes just learning how to work together and make a difference in the world.
I don’t think this is a bad thing at all.
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tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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bitchofdarkness · 7 months
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I hate how fandom has become "if you haven't created anything in this very specific time frame after the release of the show/movie, everyone will have moved on"
And call me old fashioned, but that's just not me. I sometimes take ages to create and publish. And I will love a show or movie for such a long time (years, babes, years) that I just can't relate to the fast consumerism that's going on.
Because, let's be real, it can get really lonely in a fandom if most have simply moved on to the next shiny thing. Is what's created less worth, just because it was created outside the hype? Why is it such a taboo for this new fandom generation to love an old or "late" fic or art?
It's so tiring and I'm too old for the 30-seconds-hype-tiktok-shit. Just tired. So, so tired.
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acidgirl · 1 year
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breadmecoshy · 5 months
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Why are you looking at me like you care?
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emotinalsupportturtle · 5 months
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neil gaiman and RTD are absolute legends for being the showrunners of 2 mainstream shows funded by large production companies in the year 2023, and proceeding to make the most queer positive episodes ever seen by man
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meanwhile david tennant is just vibrating with joy because he gets more opportunities to wear his one-thousand-and-twenty-four pride pins
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brainrotcharacters · 8 months
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the man trained by the shimotsuki since childhood, the mind behind the three sword style, the demon pirate hunter, vice captain of the Strawhat Pirates,
easily stopped with a hand on his shoulder by his captain (currently in a silly hungry vibe)
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riacte · 8 months
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carefully traversing through decked out 2 (tumblr) with a compass in hand (a renchanting post), trying to avoid the unavoidable clank (posting shit in martyn’s tag). i drop the compass (press post on tumblr), find the precious artefact (notes on the renchanting post), and try to make my way out alive. heartbeat racing, clank accumulating, hazards shutting down my path— and then BOOM a ravager jumpscare (martyn has reblogged your post). i am instantly killed and scurry back to the lobby (private discord server) like a scared animal
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wolfertinger666 · 24 days
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I hate people who try to be somewhat progressive but loop around to being extremely ableist. like "yeah I support mentally ill people, disordered and psychotic people but if they show symptoms that align with said disorder or illness then they are no good to society" you people only care about making yourself look good sometimes I swear...
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mochiiniko · 11 months
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i am so normal about this movie
edit: this has been getting more attention for some reason and im REALLY confused but im not complaining because this movie means so much to me and im so glad people do too! im looking forward to making more castle in the sky art, as well as ghibli art in general, so in the meantime heres some silly doodles i made of sheeta and pazu :>
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epiclad · 24 days
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The Royal House of Caria
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gray-thistleclan · 4 months
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woiwais · 11 days
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Doodles on whiteboard I was in 2 days ago I think
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lady-harrowhark · 3 months
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For me, the thing is that "confusing" just... isn't the right descriptor for my experience reading the Locked Tomb books. I wasn't "confused," I just didn't have all the pieces of the puzzle yet, and I was aware of that fact. I feel like I generally knew what I was meant to know, as a reader, at the point in the book where I was at. And for a very significant portion of the series, what the reader is meant to know is, "not much." I was less "confused" and moreso "searching for the explanation that will connect everything." This is absolutely a series on the very high end of the "unknown quantities" spectrum. They're an intellectual escape room.
But the shorthand way to convey that is just that yeah, no, these books are super confusing.
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tacc0yak1 · 8 months
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wdym baby malleus didn’t play with his hair back when it was longer (like braiding em)
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