#it's so long there's just no text to it

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

#dungeon meshi spoilers #mithrun #dungeon meshi #this has been rotating for a while but i wanted to check my evidence before getting into it thanks user angelspenance for posting that meme #half of this is just the text and the other half i'm sure has been said before but it's making my brain [radio static] so here this is #someone did for sure mention this but i do find it very cute that in his fucked up conjured world meant to portray his ideal reality #his teammates came to visit him. like part of the fantasy was then explicitly that they cared about him and were his friends. even though #he says he tried to see the worst in them. #hm it does feel important to note that i do also believe 100% in mithrun suicidality--his desire to be eaten does seem to focus a lot on #wanting it to be Over. wanting not to be left incomplete and empty anymore. #but that loops back around a bit to the hole in your heart that appears when you feel unloved. it's many things and the same thing at once #snakes #long post #severe problems #meshy

[buggachat]

im gonna be honest i think the "adrien being a sentimonster was randomly thrown in season 4 with no planning on the writers' part" theory is really funny. like the writers of this show are just so bad at their job and so stupid that they tripped and fell in season 1 episode mr pigeon and accidentally spilled "a strange relationship to feathers" all over adrien by accident. they stubbed their toe on the coffee table and accidentally set up a mystery surrounding emilie's relationship to a feathery miraculous in season 1 volpina before we even knew what its powers were. then they spilled coffee all over their favorite shirts and at the same time spilled more white feathers around adrien in season 2 episode gorizilla. while writing the same episode someone had a really nasty sneeze and got boogers all over the script that said "use the imagery of two twin rings intertwined as the opener for the film of adrien's dead mother". they forgot to look both ways before crossing the street while writing the season 2 finale and were struck by a truck labeled "the peacock miraculous gives life" and then by a second truck with the license plate "it does so using white feathers identical to the white feathers that surround adrien in his ads" at the same time. they plummeted down an open manhole and hit the ground with a loud whack that sounded like "sentimonsters like bugette are just as real as any human..... and isn't bugette so...... perfect?" in season 3. on their way to the hospital they slipped on ice that had frozen in such a way to perfectly resemble the sentence "the word 'perfect' is consistently used throughout the series and by the creator ominously to denote how characters like adrien and kagami are 'different from everyone else', ever since season 1 episode simon says". during season 3 someone on the team got food poisoning and when they threw up felix came out instead and started another whacky series of comedic errors. the answer to the mystery of "how and why did emilie die? what life did adrien's loving mother create that she was willing to die for?" was originally gonna be "idk maybe she just exploded or somehting" probably, but then there was a really painful rock in one of the writers' shoes while walking to work that put them in a mood so bad that they forgot their original plan and instead made some bullshit up that somehow ended up being something that made sense with what we knew and put all the puzzle pieces together and actually made the show even more interesting and impactful on a rewatch because it put a lot of shots that at the time seemed random into a new and logical perspective as clear foreshadowing. it's actually impressive how stupid these silly clown writers are that they put strangely specific things so consistently throughout the entire series that resembled foreshadowing while never actually having intended it a single time! like........... really.......... really impressive............... i think..............

#i am so sorry that this is a horrible wall of text #i honestly didnt think it would end up this long. this is just stuff off the top of my head lol #ml fandom salt #kind of?

[itsdefinitely]

TUMBLR LEGWND ITSDEIFNITLEY ALSO DRAWS SANDERS SIDES?!?!???

i dabble

#sanders sides #remus sanders #janus sanders #id in alt text #definitely art #(patton voice) now what did we learn #sigh. don't rewatch selfishness v selflessness + the redux and working through intrusive thoughts first thing in the morning #i couldnt find a good reference for their bottom halves and i didnt want to spend too long looking for one. so i improvised #i designed a more flashy cane for janus i just didn't want to draw it. maybe he was focused more on mobility than style. who knows #i didn't want to shade this. or like. put too much effort into this because it was a warmup #so if you see imperfections. n. nuh uh. no you don't

[jackklinemybeloved]

[…]

Percy’s warning to fellow half-bloods in the audience, across different mediums.

The Lightning Thief by Rick Riordan (2005) The Lighting Thief: The Percy Jackson Musical (2017) Percy Jackson and the Olympians Series Teaser (2023)

#I have been thinking about making this for SO long #but this semester sucked #anyway I love it when adaptations play to their strengths and make changes to fit the medium #and these little differences tingle my brain a little bit #I didn’t want to check if the movies had something similar because I am Tired and the show and movie version would be pretty similar #anyway #the musical line always gets me #‘better get headed to the exits now’ is such a good adaptation of the ‘close this book idea’ #and I know I could’ve just done one of the excerpts from the book but I like both #and I didn’t want to have the paragraph in between to make it just like. a block of text. #percy jackson #pjo #pjo disney+ #pjo Disney #walker scobell #pjo show #percy jackon and the olympians #web weaving #riordanverse

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

#politics #i don't know much about são paulo banning marketing billboards but on paper i want that here in the USA #as a motorist it at best just makes me more anxious driving in those larger cities because i want to FOCUS ON THE ROAD #and passing 5000 billboards per mile isn't helping actually! #i've gotten good at filtering that out of my FOV but it's still fucking exhausting lol #i especially hate those modern electric billboards. despise them actually #i am aware that advertising is a critical aspect to business management in some cases... #...but it shouldn't risk the safety of the populous for you to advertise to them and i see things like billboards as risking safety... #...i feel similarly about online advertising in that so much of it risks internet user's safety... #...such as flashing ads online which risk triggering epileptic seizures in light/photo-sensitive folks #distracted driving (texting): NO >:( || distracted driving (being advertised to): YAYYYY :D #i've been driving on my own for a few years now and i've been thinking about this for ENTIRELY too long

[spielzeugkaiser]

How it started-

How it's going!! They are a family and I am!!! also draw the hug you want to see in the show but they are forgiven because them meeting in brokilon was still soooo tender my HEART-

#the witcher season 3 #the witcher #geralt of rivia #geraskier #jaskier #the witcher spoilers #(at least discussed in the text) #they've come such a long way and I'm still sitting here like 🥺🥺🥺 #man if you think of the timeline (which is so whack) Geralt and Jaskier have SEEN things #they have been going on for more than twenty years #they are FAMILY and that gets me so bad and I'll draw the whole squad probably tomorrow but!! look at them #somehow the end of season 3 is everything I wanted from season 1 when it came to those two because it had some S1 vibes again with the duo! #but it was so much more heartfelt and tender and not even an ounce of Geralt being seemingly annoyed of Jaskier just- #clenches fist #I'm so basic for still loving them so much but I simply do and will never stop 😔 #but I gotta say I loved the yenralt this season too I can finally see it and it was very sweet at times

[furiosophie]

#soapghost #ghostsoap #simon ghost riley #john soap mactavish #call of duty mwii #cod mw2 #saw this quote and blacked out for like 48h #listen it's about the longing the we can't we shouldn't this is going to end bad and we both know it #but what if i just look what if i just stare at you from the shadows what if i let you see me like no else can isn't that enough #anyway #the brain rot is so strong y'all my fic wip is at 18k now i need an intervention #id in alt text #soph arts

[brattysofiax]

Thinking about when he held me down on the couch and toyed with my cunt while he watched tv, didn't even look at me, and shushed me everytime I whimpered.

He climbed on top of me when I got too desperate, slid inside me, put a hand over my mouth and said "didn't I tell you to shut the fuck up?" while rutting into me 😵‍💫

#god i just love being used like a toy #he's so hot and i'm gonna think about this for so long #text posts

[wellfine]

I mowed him sorry (← guy who thinks buzzed heads are handsome)

#one piece #roronoa zoro #baseball player-lookin head..... #descriptions in alt text #was talking with a friend about this and we decided ace went thru a stage of hating hair cuts/brushing as a kid #so when it got too tangled dadan would just shave it all off for him bc it was less uncomfortable in the long run #and luffy now has a cain instinct to slap the shit out of any bald head he sees #which is bad bc now he's a million times stronger so zoro nearly got OHKO'd #don't worry he ate a handful of walnuts and recovered (they're good for the brain)

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :( #I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

[comradekatara]

ily king on god we’re gonna get u a razor

#id in alt text #avatar the last airbender #atla #HARU #art #mart #underrated king…. #just shave that mustache & he’s perfect #i definitely disregarded him for way too long (for unfortunate facial hair decisions i must say) #but he’s literally awesome and so cute w katara <33 and brown <33 #also yes i am now obsessed w this watercolor painting technique and i will probably draw everything in this style for the foreseeable future #until i inevitably get sick of it of course #but rn in my mind im like wow this looks sooooo good #and it’s so easy #thank u procreate pocket watercolor & calligraphy brush u guys are my best friends <3 #friendship ended w wet acrylic etc etc #anyway. i love him he’s so wretched of the earth core. literally #also his hair is so fun to draw #his beautiful luscious locks #if haru has ten fans i am one of them if haru has zero fans i am dead etc etc etc

[hrokkall]

You were created by humans to protect. They died, so you continued to protect—protect everything they hold dear. You rest in the corners of hell that make mockeries of their holy places and tell yourself that you, you are the last bastion of everything they held dear. You are more than a machine, you fight like man—with honor—as you still bow before the thing that claims to be you. It fights like a dog, and you flee. You can't bring yourself to go back and see what has become of the temple.

You have a new purpose now. If it seeks to destroy, you will give it destruction. You use everything that humanity taught you to create, study the curvatures of their statues to weld together a new arm out of the remains of a sentry you mangled (what a worthless, worthless warmachine—knowing nothing but itself) resembling their own. You settle, once again, in a faux temple—this one of golden stone—and you wait.

It arrives. Of course it does. And you rend it apart. Piece by bloody piece. You take apart everything that you hate, hate, hate. It takes until your chest is dented in for the red haze in your vision to clear, to realize the scrap lining the floor is your own.

So you flee. Not in cowardice—you are not human enough for cowardice, you have always known this—but for the most mechanical thought of self-preservation. You flee and it follows, and some sinking feeling knows that the only thing the two of you feel is hunger.

You were never human, nor did you truly seek to protect anything but yourself. You will never know peace, for you were nothing more than a leftover of war.

It hardly matters. You were created by humans to die—and you die like the machine you are.

#Ultrakill #V2 #I was encouraged to post my V2 ramble here a while ago and just… never did. So here it is #Text Files #<- Going to start using that as a catchall for both bigger written works and snippets like this. #EDIT: THIS HAS BEEN IN MY DRAFTS FOR SO LONG. I FORGOT ABOUT IT #1k

[skellagirl]

Back in winter 2022 I started working on a comic of one of my favorite nsfw oneshots, Practical Demonstration, made like five pages, and then promptly dropped it cause I was still in the midst of Art Block From Hell, among other reasons

but the fic series recently got an update and I read it on a flight last week, which has renewed the brainworms :)

The comic's FAR from finished (I've thumbnailed the entire thing and it comes out to twenty-eight pages, while I have thirteen of those pages in varying stages of completion) but I've been having a lot of fun working on it and forcing myself to try and learn new things (backgrounds/environments, in this case) in the pursuit of Harvey Smut LOL

I thought I'd post some WIP shit here, in case ADHD gets my ass and I end up dropping it again 😭 pray for me

#stardew valley #sdv harvey #stardew harvey #stardew farmer #my art #description in alt text #my favorite panel so far is shojo harvey lol :) #I started this so long ago now that my style has noticeably changed hdhrhhrh #I might end up going back and redrawing some aspects of the earlier pages #tbh I've also been doing this to get better at comics bc I want!! to make my original one!!! AT SOME POINT!!!!!! #legit tho this has been some of the most fun I've had drawing in soooo long #even despite me feeling like I'm juggling ten bars of slippery soap every time I draw backgrounds lmao #it's still been fun #now I just have to figure out where the fuck I can post this if/when I finish it since it's. yknow. uh #but that's a problem for Future Me

[euqinim0dart]

Now that I have my artwork organized into my blog, I can see that I wasted 2022-2023 creating some pieces of work that were not "me", in favor of posting art that could possibly get me hired.

When in actuality, the art I create from the heart WILL get my hired and has done so. That weird dip period in my art is honestly the remnants of discouraging past voices finally leaving. With the irl naysayers gone it is now easier to create.

sooo if any of you noticed art styles changing suddenly one day and gone the next, that's why! but im getting back to consistency.

#text #I cannot express to yall just how damaging only a few people have been to my overall confidence in creating #this has been a long battle since high school too #seeing so many on tumblr and at conventions say they like my art means that those people were just being mean to me. Intentionally

[nouverx]

The thing I love the most about Alastor is that we can't truly know what to think of him, if he is being truly manipulative or if there's a genuine undertone behind any of his words, and that allows people to interpret him differently from one person to another. Like "oh he's being so sweet and supportive", to "no actually he's just saying what people want to hear because he's an evil manipulator". Maybe some fans are being too trustful, just like Charlie, and falling into his lies. BUT maybe there's a true genuine undertone to everything he says, maybe he can be a sweetie behind his evil mask. And maybe he'll turn out redeemable. Or not at all. Who knows?

His character could go in two completely different directions in the next seasons and we have no way of telling how he'll turn out. It's still fully open because he showed he can be awful and evil and manipulative, but since there's been very few hints here and there that he could get attached to the hotel, that means he could be sweet despite all that. The mystery and uncertainty is keeping us thinking and hoping and I LOVE that. He's such a unique and amazingly written character.

On a personal note, I think the two different directions his character could take should coexist. Yes, he's going to be a main villain in the future seasons and betray Charlie and the hotel, yes he's an evil manipulator, BUT he could also get attached to them and show redeemable qualities at the same time. For me it would make the heartbreak even greater and his character even more satisfying.

#text #hazbin hotel #alastor #hazbin alastor #this man is rotating in my brain non stop I needed to get it out of my system #either way I cant wait to see him challenge Charlie's idea of redemption #by being either SUPER hard to redeem or completely impossible to redeem #cant wait for the anguish the pain and the heartbreak he will bring in future seasons ❤ #YES I KNOW I havent posted in so long i'm sorry depression and artblock had me on a chokehold #I'll be back with more art I just needed to let out my thoughts about HH

[demigods-posts]

something about percy actively neglecting his godly side until it comes to the people he cares about is changing my brain chemistry. because what do you mean he barely acknowledges the minotaur until it hurts his mother? what do you mean the first time percy uses his water powers is to save annabeth?

- draft #7, (x)

#pjo drafts #i spend so long gatekeeping posts i dont finish #so imma just let y'all pick #pick a number between 1-21 and i'll polish and post it #percy jackon and the olympians #pjo text post #pjo #percy jackson #annabeth chase #sally jackson