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#it's only legally an adjustment
soldier-poet-king · 11 months
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Got asked for my professional opinion today on a complex legal issue by a much senior coworker 😭🥺 on the basis of my response, i got asked to join in on a meeting with some higher ups to explain what I had explained to said coworker 😭🥺 I am going to get a good grade in Career and Being Smart, something that is both normal to want and possible to achieve
#alas my boss isnt here today to see how smart and competent i am when ppl as abt stuff I actually know abt#im sorry. i find thid one weird niche legal thing. SO INTERESTING#it was a sort or coworker who asked. shes also an archivist. but soon to be retired. and for a related but separate org#but our offices our next to each other#and i got to be smart and competent:)#nothing like riding that high of being extremely knowledgeable abt random specific things#its like. the same high i got from being in school#i DONT miss writing a billion essays a term. i DO miss positive reinforcement and academic approvak#since academics is the only thing i was ever good at#yes yes gifted kid burnout but more like. i was a poorly adjusted mental ill kid but i did Good In School tm#so no one ever bothered to help me. and now academics are the only way o can feel valued#I LOVE BEING COMPETENT AND SMART.#there i said it. i AM a horrible prideful gremlin#and its been a year since grad and thats the longest I've ever gone without teacher/professor approval#im dying. need me some external validation#i am goid at what i do. there i. said jt#i am a good information professional. i like metatdata. and finnicky digital files. and obscured IP issues that only affect#*affect very certain types of fonds#I EVEN LIKED REWRITING A LEGAL DEED#who have i become. alternate universe me was a bureaucrat. im so sorry. i love paperwork#and i love being PRECISE. everything needs to be finnicky and exact and say what it means and mean what it says#and it all has to be in service of smthn bigger and greater and more good#ironically. in my personal time. i am. messy lil bitch. but theres no room for finnicky wordsmith puzzles irl#i like this far more as a job.#sorry rae we were just talking abt how u hate medical records management and here i am like. 😍😍😍 legal issues in archives
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urmomsfavelesbian · 1 year
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daya’s hand tattoos are also very important to me
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😮‍💨😮‍💨😮‍💨
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Apparently whatever gov agency that does the uni rules and stuff decided we need to include where we did our internships in the topic of our thesis (and also technology but that was honestly predictable given this basically college started as mostly IT school and we do have random IT related classes every semester)
So either I'll have to find a translator willing to take me in (somewhat unlikely) or hope the "I used CAT tools at my internship successfully and now I'm wondering if I can use them to translate poetry/musicals and if it's even worth it" loophole would work
Cuz I won't let the fact that I did my first internship at a travel agency stop me from picking a topic I would be actually possibly able to actually write about
And honestly writing about CAT tools and CATS is just too funny of a bit to pass on it XD
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postmakerkiwi · 5 months
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recognition of the self through the other not as a form of reflection or a form of kinning but both those things yet also a secret, third thing (a form of psychological self-harm)
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relto · 7 months
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FINALLY figured out how to get permanently rid of this one websites endlessly rotating banners!!
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moonjxsung · 5 months
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Visions of You in Solitude
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Copyright Ⓒ 2023 by Moonjxsung
All rights reserved. No part of this book may be reproduced or used in any manner. Doing so will result in a legal takedown per the Digital Millennium Copyright Act and is subject to legal action.
Pairing: Hwang Hyunjin x fem reader
W/c: 26.5k
Warnings: erotic painting, mentions of masturbation, sex in a semi-public place (no one is around), breast/nipple play, dry humping, unprotected sex, creampie, oral sex (fem receiving), cum eating, use of pet names, drinking
Synopsis: You were hired to paint him- not fall for him. But intentions quickly shift when Hyunjin finds himself infatuated with you and learns the secrets you harbor.
18+. Mdni!
There’s something to be said about the loneliness that comes with being an artist. The repetitive cycle of translating tangibility to canvas or paper in whichever chosen medium. Fleeting muses you draw inspiration from, which quickly become burdensome as you’re faced with them every waking second of your day. Obsession with perfecting your craft, the anxieties that come with criticism of your life’s work and sometimes even succumbing to changing it entirely at the hands of someone else’s advice.
It’s very seldom even your craft at a certain point, only existing to satisfy the visual demands of others and turn a profit when displayed at a show. And it’s certainly not for everyone, not when it’s this lonely and rooted in the discomfort of personal solitude.
*
From this proximity, the blinding white walls that span the perimeter of the waiting room feel like that of a prison’s- coupled with the glossy laminate flooring and glaring white lights, you feel completely entrapped.
“They’re almost ready for you,” your boss says abruptly as he enters the room and occupies the gray folding chair next to you. “You have everything you need?”
Headcount- your black leather briefcase of oil paints, brushes, charcoal, pencils, paint thinner, old rags and your painting palette.
“The canvas is already set up,” your boss chimes in as if he can read your mind. “And there’s a seat for you. Just relax, and don’t push yourself.”
You take a deep breath, doing your best to follow his advice- but a part of you wants to get up and leave, to run away from all of this. Painting is your passion, it’s your forte and it’s been your life’s work for as long as you can remember. But being commissioned like this, for men much richer than money you’ll ever see, it feels suffocating.
They don’t tell you their names these days, nor the name of whatever organization they’re from. Last month it was an elite group of stock investors, the month before, it was a famous violinist from Japan. And today, it’s a male group, eight members with net worths that look like telephone numbers, or so you’ve been told. And it’s not that you’re intimidated, but you do get self-conscious at the prospect of people watching you while you paint. At some point, it’s like you become the model, their eyes boring into your flesh as you paint long strokes across the canvas and order them to hold still.
“Five minutes,” your boss now says, checking the time on his silver watch and adjusting it so that it sits a little higher up on his wrist.
You wish he wouldn’t count the minutes. You wish he’d stay quiet, allow you to sit with your thoughts and ruminate the day ahead of you. And yet he taps his heel in syncopation with the second hand on the clock above you, the echoing click of both driving you up the wall.
“I need a breather,” you state suddenly, sitting up from your chair and smoothing down your smock. “I need to go outside.”
“Three minutes,” he responds sterly, tapping at the glass lens of his watch and motioning to the door.
You shove your way past the double doors, past the white tiled hallway and just in front of the double doors that lead to freedom again. Two minutes.
It’s like your body is giving out on you involuntarily, your knees buckling as you grip the stair railing and steady your breathing. A quick glance around to ensure no one’s caught you heaving so nervously- and you’re too late. A man saunters down the hallway past you, his hands shoved casually in his pockets as he cocks his head to stare at you, his long black hair falling loosely around his shoulders as he does. He’s tall, and slim, with an elongated torso hugged by an expensive denim coat, his slender legs on display in black slacks and complemented by a sharp pair of boots. You don’t catch a very good look at his face, his figure blurring by as you check your watch, to the second now- you’re supposed to be inside.
You waste no more time jogging down the hallway past the figure and back into the waiting room, where your boss is angrily tapping his heel and scanning the room for you.
“There you are,” he says frustratedly. “No more breaks if you can’t manage your time. They’re waiting for us.”
And with a deep breath, he helps you gather your art supplies, motioning in front of you to the brightly lit room. You take one breath, and then two, as you finally begin into the painting room, eight men already seated and ready for you.
*
The crowd is nothing like the stock investors, or the violinists you’re used to. They’re rowdy, and loud. They very seldom sit still, cracking jokes amongst themselves and shoving each other off the wooden stools every other minute. You do your best to keep your gaze away from them when you don’t need to look at them, trying to memorize their features in intervals so you can focus on just the canvas in front of you as you paint. But it’s nearly impossible, their melodic voices pressing you for answers and insights into your artist career.
“What’s the hardest painting you’ve ever done?” One asks, his baritone voice sounding almost startling in contrast to his bright appearance.
“There’s lots,” you reply quietly. “I’m not sure I can pick one.”
You give him a small smile, trying to memorize the freckles on his face before turning back to the canvas, hoping you won’t have to glance back over at him for the next minute or so.
“Let’s take five,” your boss says as he enters the room again, two iced coffees balanced in his hands. “Thanks, guys.”
And the men scatter to their break room, where neat trays of food are already set out for them to choose from. As the doors swing closed behind them, you watch them select from a variety of pre-cooked noodles, assorted fruits and vegetables, packs of chips and trays upon trays of desserts. They’re fed as though they’re the ones doing all the painting.
“Coffee,” Q says, setting down a plastic cup in front of you, the straw already conveniently placed for you.
“Thanks, Quinton.”
Your boss, Quinton, or Q, is a brutally honest man when he wants to be, quick to comment on your work and keep you in your place. He runs your calendar like the military, never missing an important appointment and opting you in for every profitable painting session possible. He’s another thing you find suffocating at the worst of times, always somewhere breathing commands down your neck and dragging you to every private event under the sun.
“Let me see,” Q states plainly, gesturing to the canvas with his cup of coffee. You shyly angle the canvas toward him, hoping he won’t scrutinize anything about your pacing- you’re trying to get out of here as quickly as possible, and you silently pray the art doesn’t reflect that sentiment.
But to your surprise, he doesn’t, swiping a few stray eraser shavings off the canvas and giving you a nod.
“Looks good. Remember, we just need the skin tones and facial features. The clothes and all that can be filled in later with our reference pictures.”
You nod in response, taking a generous sip of your coffee, realizing this is probably the worst beverage you could’ve picked to calm your nerves. The caffeine pulsates through you, making your heart flutter even more than it already is, and the bitter taste leaves little to salivate over.
“How much longer, do you think?” You inquire, chewing on the tip of your straw nervously.
“No more than an hour, if you keep up this pace,” Q responds. “I’m going to the bathroom real quick, have everything ready again for when I get back. Don’t make me wait.”
You watch as he gets up from his own wooden stool, placing his cup of coffee where he sits, and exits the room to the corridor once again.
You’re alone in the painting room, the white sheets that line the floors staring back at you with little eyes in the form of paint splotches. From behind the door, you can still hear the eight men shuffling about, laughing loudly and downing their snacks. And you want to leave again, the feeling instilling another sense of foreignness inside of you. Like you don’t belong here, even though you’re the painter. You feel small, cramped, even useless, as you stare down the painted flesh outlines across from you.
A click of the door closing beside you garners your attention, and you look up expecting Q to return and resume the session. But it’s not Q- it’s the same figure from earlier in the hallway, slowly making his way inside and hoisting himself back up on the wooden stool. He keeps his head down as he gets comfortable again, two hands running through his black hair and slicking it back out of his forehead.
And then he looks at you- or stares, rather, two hands resting on the exposed wood in front of him as his legs balance on the wooden beams below. You can feel his eyes burning into your figure, and you do everything in your power to avert his gaze and keep your eyes locked on the canvas in front of you. But he remains like that, staring, for several minutes, until you nervously tilt your head to catch his gaze.
You feel your heart race as you do, catching a glimpse of his flawless features as he furrows his brows in concentration. His silky black hair isn’t the only striking thing about him- he has piercing brown eyes, which narrow with such intensity as he remains seated there, unmoving and confident in his stance. His plump lips contrast beautifully against his chiseled jawline, and his lanky figure makes him look like the contemporary art statues you’re so acquainted with, like he’s formed from wire and positioned to slouch so artistically in his spot.
You say nothing to the man, opting to give him a little nod, before focusing back on the beverage in your hands. And despite his clear fascination with you, he doesn’t reciprocate, instead pulling a cell phone out of his back pocket and preoccupying himself again.
You can’t quite tell if he’s rude, or strange, or even just unaware that his presence is so uncomfortable when he’s choosing to speak through cold stares instead of words. As you watch him through your peripheral vision, you hear the familiar sound of Q’s boots click through the doorway, gesturing rapidly at you and at the canvas.
“Let’s continue,” he orders, clasping his hands together with such purpose. “Where are they?” Q then questions, his eyes darting over the quiet man’s indifferent posture. And the strange man finally gets up from his stool, making his way through the break room door to usher the others inside once again.
They follow like a row of ducks, back to their respective seats, some of them with drinks in hand as they share whispered laughter amongst themselves and make little effort to sit still. You have no trouble picking up right where you left off, the innate talent to mirror figures in front of you coming in handy as you race the clock to complete their flesh-colored outlines.
Most of them converse lightly amongst each other, holding your gaze with a more serious expression when they catch you looking over at them.
Except for the strange man.
He’s relentless in his ways, continuing to stare so impolitely at you, his eyes piercing daggers right through your soul as he cocks his head to the left, and then the right, studying your face as you study all eight of theirs. What his intentions are exactly, you have no clue, simply opting to avert his gaze when you can and keep busy with your painting.
One hour later, the canvas illustrates all eight outlines of flesh and distinctive features, highlighting the beige freckles on one man’s, the toned biceps of another, and all other features that set them apart from each other. True to Q’s reminder, their clothes are traced in outlines, but color is void of their stencils, as you still have to bring the canvas home to complete the finishing touches. When they’re dismissed for the day, the gentlemen are all led by a sculpted man with a big smile who introduces himself as the leader, orchestrating the bows and applause that are held for you.
And as he ushers them out one by one, the strange man who’s been watching you all day is the last to leave, lingering a little bit too long with his hands shoved in his pockets like he wants to say something. He loiters by the canvas for several minutes, but you make no move to angle the painting at him, usually maintaining a certain extent of confidentiality in your work to keep the surprise.
He seems to take the hint, almost nodding indirectly at you and more toward the wall, as he finally saunters out of the room with his hands still in his pockets, his strides painfully slow as he disappears from your sight.
And when you look back to the painting, you cock your head at his outline, trying to gauge whether your art properly captures the sheer sense of unnerve he instills in you with his features alone.
*
Painting sessions are burdensome. They require a lot of planning ahead of time, stocking up on supplies, scheduling around the hours-long timeframe and of course, the mental preparation of having to be stared at by rich men for several hours.
But perhaps critique sessions are even worse these days.
Your paintings are typically set in stone after the initial outlines, considering there are usually a few important figures who review your work and give you the go ahead to take it home and finish it.
Yet sometimes, you still have people complaining, pointing out unimportant features like the color of their sneakers which aren’t to their liking. It’s normally Q who fights these battles for you, refusing to allow you to make any changes since the payments are made upfront, too. But sometimes, even he caves, ordering you to pull out your briefcase and mix a darker shade of green or add more volume to the subject’s hair.
It’s the worst with investors, who put their audacity at the same level as their incomes. But with boy groups like this, you’re unsure, having never done a painting for a band prior to this one.
The finished canvas is transported in a nylon zip-up bag, held by yourself and Q as you fit it inside the truck and secure it with metal prongs. While the drive there is just an hour long, it feels much longer than the last time you traveled there, perhaps because you’re much more nervous.
And perhaps also, it’s because of the same strange man as last time, who you already know is going to have a mouthful to say. The way he lingered by your work station a little too long, wouldn’t stop staring and even excused himself from his own break early to resume his insufferable task of making you uncomfortable. You reckon it’ll be a comment about his hair, asking for a longer length or more volume. Maybe something about the stage outfit you were presented with and how it doesn’t make his legs look long enough. Or knowing his douchebag tendencies, maybe he won’t hesitate to ask for a fucking bulge in his pants at this point.
When you arrive, Q calls over the building staff to help transport the collosal work of art, while you wait awkwardly on the side with your hands shoved in your pockets. You take a moment to crane your neck and look up at the building, a tall glass monument with blue-tinted windows and cobalt text that displays the company name. It’s just as intimidating as you remembered it, instilling the same unnerving feeling that a hospital might.
When the building staff are finally making their way inside, you follow reluctantly, making yourself as small as possible behind them while they navigate the long blinding corridors. It’s an unusual feeling to be at the top floor of the building that you were just looking up at from the street below, and as you pass the windows that line the hallways, you can make out the rows of cars and people that now resemble ants from this high up. It’s as though you were never down there to begin with, like the world is different from up here, much more secluded and shut-in.
And seeing the pin boards that line the walls, with photos of successful artists and flyers for company events, it very well might be, this haunting building where dreams either go to flourish or decay.
Into the last door on the right, eight chairs lined up for eight artists who definitely seem to have flourished. The building staff set up the canvas at the front of the room, securing it into its wooden easel, and Q occupies himself setting up a recording camera which points directly at the painting and captures all eight chairs in the frame. It’s common protocol for events like these to be filmed, not always for public consumption, but for the staff to archive important commemorative moments in the artist’s name. Once the camera is rolling, Q gives you a thumbs up, gesturing to the staff to permit their exit as you make your way to the front with him.
“Ready?” He asks, clasping his hands together as he eyes the camera nervously. You say nothing in response, giving him a small nod, before taking your spot on the other side of the canvas and folding your hands behind your back.
For a few moments of complete silence, the two of you keep your gazes fixed on the clock that lives on the wall across you, the hands ticking with the passing seconds as you await the arrival of the band. Q turns to say something, seemingly disregarding it as he turns back to the wall and shifts his eyes to the door every few moments.
You wish he wouldn’t be so… anticipatory. You wish he’d just stand there, like a rock, indicating nothing of importance, so that you could put less weight into this and unveil the painting to them without any reservations.
Here’s the painting, you want to say. It took me forever, so don’t criticize it. You guys are shorter than my usual subjects. Except for the weirdo- and he stares too much.
You smile to yourself at the thought of being so candid with them, before an abrupt push of the door startles you, and you instantly straighten your posture at the sounds of boots clicking along the floor, leading the eight men who live on the canvas behind you.
One by one they take their seats, dressed to the nines this time in black slacks and collared button ups. They even flaunt ties, mirroring the businessmen you’re used to painting, and the fancy attire quickly makes you nervous as they fold their hands in their laps and fail to joke around like they did the last time.
“Welcome,” a booming voice says, as other important looking figures stand around the room and eye the covered canvas. “It’s a pleasure to have you here, and we’re eager to see what you’ve come up with.”
Applause fills the room, inclusive of the members of the band, which you finally allow yourself to look at. They sit properly, hands folded in their laps and serious expressions painted on their chiseled faces.
Except for the strange one, again, whose gaze is locked on yours. He cocks an eyebrow curiously, as though you’re the one doing the staring. And you quickly turn your attention back to Q, hoping that disregarding the men will calm your nerves a little.
“… she’s paid particular attention to detail,” Q continues, and you realize you’ve missed half his speech already.
“And we are so excited to hang her work in this renowned building as a commemorative piece for the members. Without further ado, please let’s unveil the artwork.”
As he finishes, two members of the staff tug on the beige cloth, letting it fall to the tiled floor beneath it and expose the giant portrait.
Their faces light up instantly, little “woah’s” filling the room as they rise from their seats to take a better look. They laugh at their own figures, they point out each other's and most of them even pull out their cellphones to snap photos of your art. It’s always a gratifying feeling, having a crowd admire the fruits of your labor this way, especially when you aren’t immediately met with verbal protest against your creative choices.
You take a few steps back to give some room to them, the staff talking amongst themselves and gesturing to the building where you presume they speak about where the painting will live.
“It’s a hit,” Q says, coming around to tap you lightly on the arm. “You should be very proud of yourself.”
“Thanks, Quinton,” you respond. “I’m glad everyone enjoys it.”
And the staff applaud you once more, bowing to you and lining up to shake your hand as they begin to file out of the room again.
The members stick around for a good while, unable to take their eyes off the painting as they point out each other's features and admire their own. And as they begin to leave, several of them thank you personally on the way out, giving you a bow and shaking your hand.
“Thank you, really,” the man you remember being the group leader says to you. “We are so honored to have worked on this with you.”
Another clasps your hand in his, bowing several times before speaking. “Seungmin,” he states his name politely. “Thank you, I think you really did our old group leader justice.”
“Hey!” The leader calls, and you can’t help but laugh a little in response.
The others share similar sentiments, bowing and shaking your hand as they exit, chatting excitedly amongst themselves as they make their way down the hall for their next schedule.
And when you turn to face Q, you’re met with the last member, who folds his arms in front of him coldly and eyes the painting with raised eyebrows.
Like clockwork. He doesn’t like it, he’s going to request a change be made to it and he’s going to berate you in front of your own boss.
“It’s nice,” he chimes in casually from where he’s standing.
“Thanks,” you reply, Q gathering the cover from the floor and zipping it up again.
“Just one thing,” he says now, turning to face you.
“Oh, we normally don’t make changes after-”
“I have a freckle under my eye,” he finishes. “The left eye. You didn’t catch it.”
Your eyes scan the painting, where his chiseled face and long hair stare back at you, a serious expression in his eyes like he wears in person. And then you glance at him standing in front of you again, a small brown mole under his left eye, just like he speaks of.
“Go ahead and add it,” Q says, as he zips up the cover. “That should be on there already.”
And you nod your head at both of them, unzipping your briefcase again to retrieve your paints. He’s watching you like a hawk again, towering over your bent figure as you pull out a thin tube of brown paint and squeeze just a miniscule dollop onto the back of your hand. You retrieve your thinnest paint brush, dipping it into the paint and swiping it across your skin to rid the excess from the fine hairs.
It feels as though you have to paint it with his permission, as you bring the brush to his face and glance over at him for instruction. He gestures to his eye, motioning for you to start, as you bring the brush to his canvas flesh and tap on a tiny, single dot.
He stares at it for a moment, cocking his head as though a brown dot somehow won’t be to his liking. And even Q holds his breath while he waits for a comment from the man. You begin to say something, your lips parting silently, stuck on what to remark as you await his feedback. And then with bated breath, he finally speaks, giving a small nod as he does.
“Good,” he says simply. “It’s me now.”
Q nods at him, nods at you, and then gathers your belongings as you cap the loose tube of paint.
“Do you have a card?” The man asks suddenly, and Q pauses his shuffling about to retrieve one from his coat pocket.
“Here’s her card,” he says, against your silent protests. “She’s available for commission any time. Payments are up front and scheduling is through me only.”
The man nods, thumbing the gold foil cardstock in his slender fingers, and then shoves it into the pocket of his slacks.
“Hyunjin,” he says curtly, reaching his hand out to yours. “I’m the main dancer.”
And you just nod, placing your hand in his reluctantly as you shake once.
“Y/n.”
His hands are cold to the touch, the metal of his rings feeling like blocks of ice in your grasp. He holds it there for a moment, his narrowed eyes shooting daggers into yours, before he finally pulls away and pivots to leave with the rest of the band.
And you can only catch a glimpse of the back of his head when he’s halfway out, before Q turns to speak to you.
“Looks like we may be back very soon,” he remarks, latching your briefcase once more. “I’d hold on to that brown paint if I were you.”
*
Exactly four days pass before you hear from Hyunjin again. In fact, you’ve all but forgotten about the little run-in, until Q barges into your studio while you add the finishing touches to another client’s piece.
“I have a proposal for you,” Q voices, setting an iced coffee on the table beside you while you dip your paintbrush in a muddy cup of water.
“What is it?”
“Well financially, a massive opportunity. Career-wise, much of the same thing you’re already doing.”
“Businessmen?” You question, working your paintbrush in thin strokes to add hair to the figure on the canvas.
“Band,” he replies simply. “The same band you did last week. Just one member, though.”
And you know instantly who he speaks of, your face contorting into an expression of disgust as you wash your paint in the cup of water once more.
“Hyunjin?” You query.
“That’s him,” he says, snapping his fingers as the name comes back to him. “He’s offering double what we paid last, and just for an individual piece. That’s a massive markup from what we usually charge.”
“I don’t know,” you reply hesitantly. “I’m pretty busy with this, and we-”
“I already said yes,” he states simply.
“You did? What- I thought this was a proposal.”
“Yeah,” he says with a scoff. “A proposal to get your stuff ready. We start tomorrow. And he wants you to bring every color you’ve got.”
“Tomorrow? Don’t we already have a prior commitment?”
“Already moved them out,” Q says, sitting on the chair across from you.
“Look,” he begins, sighing deeply. “I know you’re hesitant about these things. But this is the best move you can do, career-wise. Painting these famous figures is a gold mine for us. One day you could be commissioned to paint royalty, and then we’ll be reaping three times our salary.”
And you sigh, too, knowing very well that he’s right. Being a painter who gets commissioned to commemorate important characters, you know the best thing you can do for yourself is say yes to every opportunity. You’re very seldom able to, which is why you have Q in the first place. But the prospect of spending another day with Hyunjin scares you, and you’re not sure Q would consider it a legitimate concern if you brought it up to him.
“I’ll be there, too,” Q interrupts, almost as though he can read your mind. “It’s just him. One day, max, and then you can pick up your other projects.”
It doesn’t seem like there will be a way out of this one, no matter how much you pray that things will fall through eventually.
“One day,” you echo. “And then I’m tunnel vision on the rest of my projects.”
*
You can tell Hyunjin’s thought about this very carefully, judging by the way he saunters into the room with purposeful strides and slings a bag off his shoulder.
He’s dressed a little more casually today in a denim jacket and jeans, with layered silver jewelry that contrasts nicely against his jet black hair.
“Like a model headshot, but painted,” he describes his vision to you, gesturing with his hands as he speaks.
“I want it to look really serious. And maybe a cool-toned color palette.”
He’s meticulous with his requests, and you wonder briefly if he dabbles in art, himself.
“Sure, we can do that,” Q responds, jotting down a few points in a small notepad.
You say nothing, letting Q do all the talking, but Hyunjin’s eyes glance over at you briefly like he wants you to acknowledge the request. So you just nod graciously, giving him a thin-lipped smile, and begin to undo your briefcase.
Hyunjin assumes his same spot on one of the wooden stools, dragging it closer to you by its leg and propping it within eye-view of your big canvas. And then he sits on it, or rather slouches, adjusting his gaze to look straight at you and maintain a cold, serious expression.
It’s just as unnerving as you’d remembered it, having this model-looking figure pierce daggers through your soul while you mix your paints- cool-toned ones, at his request, and prepare for the hour-long trek of capturing his essence.
At least you won’t have to talk to him- or so you’d assumed from the last session you completed with him.
“What’s your process like?” He asks, his sultry voice perfectly matching his features.
“Oh,” you remark, mixing a set of paints to mirror his even skin tone. “I don’t know, I just paint what I see.”
He nods, satisfied with your less-than-wordy answer, and then he begins to prod you with more questions.
“What are your favorite art supplies?”
You cock an eyebrow at this, well aware that you have a long list you can indulge him in, but not wanting to share your secrets with this complete stranger.
“I dunno,” you reply softly. “Oil paints, and graphite pencils really.”
Hyunjin nods again, and then he glances at Q, who gives him a thin-lipped smile much like yours, trying his hardest to remain polite with Hyunjin. You know Q is likely frustrated with you for not entertaining this conversation in a more lively manner, especially considering what he paid for this session, but you’re not going to indulge him in anything except painting him- and only for this one session, like you promised Q.
And the rest of the session is uneventful, Hyunjin poking you with questions about your personal favorite paintings or inquiring about a time you messed up on an important piece. All questions which are answered with brief “I don’t know’s” or “there are so many, I can’t choose.”
And although you are trying hard to keep Hyunjin at a distance, nothing seems to faze him, his head nods and little hums serving as indicators of his satisfaction with all of your answers. He doesn’t get pushy, like your other clients often do, and he even presses Q for a few answers as he makes sense of your work.
At just past 5, the session draws to a close, as Hyunjin rises from his stool and announces he has to tend to his evening dance practice.
“It’s nice seeing you again,” Hyunjin says as he approaches you, giving a small bow as Q waits off to the side.
“Thank you,” you voice back, glancing at Q for a push to leave.
And Hyunjin extends a single hand, gesturing for you to place yours in his, as he towers over you with a curious expression.
You reluctantly place your palm in his, letting the cool metal of his rings graze your skin as he clasps his thumbs over your fingers and rubs them in gentle back and forth motions. He doesn’t bring it up for a cordial peck, he doesn’t shake it- he simply caresses your artist hands tenderly, before letting go again and turning to give Q a small bow as well.
“Take care,” Hyunjin says, pivoting to exit the room into the corridor.
And as Q pesters you with orders to clean up your workstation, you examine your own hands, rotating your own fingers around, like they might somehow be changed by his touch.
*
ON HOLD- The notes under your projects on the big calendar in Q’s office read, written in dark red pen and underlined twice across the pages.
You furrow your brows in confusion, setting your bag down as you enter for the day and ready your art supplies.
“What’s going on?” You ask Q, who’s busy sorting through a stack of invoices.
“Have a seat,” he replies plainly, gesturing to one of the leather chairs that accompany his grand wooden desk. And you do, sitting on the very edge of the chair as you await further instruction from him.
“A gift came for you,” Q says, slinging a large box on the desk in front of you.
You stand up once again, peering inside at the myriad of oil paints, sharpened charcoal pencils, new smocks, palettes and even books about artists and their works. You dig through the supplies, heart racing at the expensive choices, feeling undeserving of all the presents the box contains.
“This is all for me?” You question, baffled at the prospect that anybody could care enough about your career to indulge you in such a fine assortment of goods.
“Read the card,” Q then says, his arms folded in front of him as he nods toward the top of the cardboard box, where a simple yellow envelope is taped to the cover, cursive text scribbled on the front. Hyunjin, it reads.
You undo the seal, pulling out the small card inside, which only contains a short, cold sentence, in contrast to the warm gift.
“For the next few”, it says, not so much as a sign off or even a simple “thanks”.
“Next few?” You repeat, meeting Q’s gaze with a confused expression.
Q sighs, sitting across from you, folding his hands out on the wooden surface where you can see them.
“His manager called this morning,” he begins. “And commissioned us for another one. Except this one has a long set of rules. He wants you to use these supplies, he wants to visit your studio instead of occupy the company building. And he specifically asked me not to accompany you.”
“What?” You exclaim, angered at the sheer audacity he has, and knowing very well that you only agreed to one painting.
“That’s completely against our rules,” you continue. “Did you tell him no?”
And Q gives you a sheepish grin, gesturing to the stack of papers he flipped through earlier. “They’re offering quadruple the pay,” he says sternly. “He’s obsessed with your work.”
“So what?” You argue. “I have a ton of other projects to finish. And I’m not throwing all of that away because some guy wants time alone with the artist.”
“There’s nothing wrong with wanting alone time with an artist,” Q emphasizes.
“This is a huge sacrifice, Quinton. I wish you would’ve run this by me earlier.”
Your eyes meet the calendar above his desk again, counting the number of projects with a big ON HOLD scribbled below them. Q sighs, evidently feeling a little guilty for his own actions, and then pinches his wireframe glasses between his fingers, pulling them off his face and tucking them into the pocket of his blazer.
“I’m willing to give you 10% more than what you already make from these.”
Your gaze snaps to his, a bewildered expression on your face as you process his words.
“What- seriously? Quinton, that’s-”
“His company’s loaded” he says with a shrug. “The guy is so much bigger than I thought he was. People love him.”
And your gaze flickers between the calendar and the big red text, Quinton’s hopeful stare and at the box of new art supplies you’ll be required to work with.
Q doesn’t need to press you for verbal confirmation, knowing that the caress of your fingers over Hyunjin’s name on the envelope serves as answer enough.
*
Your studio is particularly messy on Wednesdays, housing all of the project paraphernalia from the days prior. Today is no exception, canvases that sit on easels lining the walls and cans of paint thinner spread out on the tarps. You make your best attempt at shoving everything against the wall, creating a clear pathway for Hyunjin to stride into the way he always does. And you set up your canvas prior to his arrival, getting all of your necessary supplies in place to avoid the awkward few moments of setting up while he watches you so intently.
He’s a punctual idol if you’ve ever met one, arriving at 5pm on the dot, expensive-looking sunglasses shielding his eyes from the barely visible sunlight outside, and a black beanie pulled over his head. He looks like he could be a security guard of his own, the all-black attire even more unsettling as he makes his way inside.
There’s a reason you never house clients in your own studio- the reason being it’s small. It’s office-sized, large glass windows on one side of the wall that overlook a sea of greenery that’s now overgrown with all the recent rains. The floor is gray concrete, stained just about everywhere with swatches of paint and charcoal pieces. And the two tabled surfaces that are available are covered in art supplies, the color of the furniture now indistinguishable as they house tubes of paint, brushes and cans of thinner.
“You can put your bag on the chair there,” you say as he walks in, his hands still shoved in his pockets.
He does as told, setting a designer crossbody on the folding chair by one of the tables, and then he stands confidently, observing the room as he awaits further instruction.
He takes long strides around the perimeter of the room, leaning closely into the existing canvases to study your techniques. But he says nothing, remaining much quieter than last time, the only sound coming from his heeled boots as he moves elegantly around the studio.
“I’m ready,” you say, and Hyunjin turns around to face you. He cocks his head slightly, and then he brings one hand up to pull the beanie off his head, letting his brown tresses fall loosely around his handsome face, not requiring much adjustment as they seem to fall in disarray so perfectly. He pulls his sunglasses off as well, folding them between his plump lips before tucking them into the pocket of his jeans as he finally stops to look at you.
He looks as handsome as he always does, his unreal features looking as though he was modeled by a painting and not the other way around. You feel small in front of him, and unimportant, as he approaches you and stops just in front of your much smaller figure.
“How do you want me?” Hyunjin asks, cuffing up the sleeves of his black knit sweater.
“It’s up to you,” you reply to him, giving a small shrug as you speak.
“This one’s your call,” Hyunjin retorts. “I want it from the artist’s vision.”
And you can’t help the blush that creeps up on your cheeks, feeling embarrassingly flustered at the idea of someone caring even slightly about your vision. Everything’s from your client’s vision- the outfits, the poses, even the adjustments they request following the painting’s unveiling. It’s very seldom that you’re able to provide any directions to the standard of your vision, and though it’s unexpected, it’s a little endearing.
“My vision?” You echo, tapping your fingers on your chin.
You glance around the room at the supplies you have on hand, nothing special, but definitely materials you can work with.
Without replying to him, you pull forward one of the folding chairs, setting it down in front of your easel and gesturing to it.
“Could you sit on the top part? Like, on the back of the chair?”
Hyunjin nods, climbing up onto the chair and balancing as he takes a seat on the back part. It’s a little unstable looking, but Hyunjin seems to manage just fine, spreading his legs casually and running his hands through his hair.
“Your hands,” you chime in, taking note of the silver watch he flaunts on his left wrist. “Could you rest them on your knees?”
“Like this?” Hyunjin questions, sprawling his palms out over his kneecaps.
“Not quite,” you reply. “A little more like…”
And then without warning, you take both his hands in yours, positioning his elbows to rest atop his kneecaps so that his hands hang loosely in front of him. He cocks his face up to meet your gaze, the same intense expression he always houses, and you take a step back to admire the position.
“Exactly like that,” you say to him. “Tell me if you get uncomfortable and we’ll take a break.”
Hyunjin shoots a small smile, perhaps more of a smirk at you, as he sits still and watches you begin to paint in long strokes along the canvas. Your movements are fluid and impetuous, but every stroke proves itself more robust than the last, painting a clear outline of Hyunjin’s seated figure as he keeps his eyes on you. And maybe it’s because you’ve chosen his pose this time, or because it’s your third time doing this with Hyunjin, but you don’t feel nearly as uncomfortable anymore, keeping your attention on the painting and disregarding any implications that might derive from his cold stare.
“I wasn’t sure which brand of oil paints you preferred,” Hyunjin says suddenly. “So I bought you three kinds.”
“Oh, yeah,” you reply softly. “Thank you for the gifts. You really didn’t have to.”
“You have a talent,” Hyunjin voices. “I hung the last one up in my own studio.”
“You have a studio?” You question, remembering Q had previously mentioned something about him being an artist.
“I do,” Hyunjin answers. “It’s nothing like this one, just some canvases in the shared dorm we have. But I paint in all my free time. If I wasn’t here right now, I’d probably be painting.”
“That’s interesting,” you reply. “I’d love to see your work someday.
And Hyunjin doesn’t hesitate to pull his phone out, navigating to his camera roll to show you some of his pieces. He flashes you a painting of a bouquet of roses, placed in a glass case atop a table. Another showcases a city street, scribbled cars and people that line the pavement. And a whole gallery of them depict people- couples, in particular, in all sorts of romantic poses. Kissing, hugging, embracing with such passion and force, almost consuming each other with their visible desperation for one another.
“They’re beautiful,” you say, in awe at the technique of his art. You weren’t expecting him to be so good, for someone who doesn’t paint as a full-time career.
“Thank you,” Hyunjin replies, stuffing his phone back into his pocket. “I’ve learned so much from you.”
“Me?” You retort with a small chuckle. “I highly doubt that, your stuff is very unique. But I’m flattered that you’d say that. Thank you.”
Hyunjin keeps his gaze on yours for a moment, cocking his head to the side as though he’s observing your features. He doesn’t say anything, his eyes narrowing and widening again as he takes in the sight of you dabbing a little more olive paint into his complexion. And then he straightens his back, steadying himself on the chair with two hands gripping the sides.
“When was the last time you left this studio?” He inquires with a smug expression. He sounds a little more serious now, and his tone of voice makes your heartbeat race.
“I don’t live here,” you reply plainly. “I leave every day.”
“When was the last time you escaped?” He then clarifies. “When was the last time you weren’t confined here for the purposes of work?”
You furrow your brows, trying your best to keep busy with your task and avert his gaze.
“This is my job,” you say sternly. “I don’t want to escape.”
“I’m a dancer,” Hyunjin states matter-of-factly. “I don’t live in the studio at the building. Sure, the bright lights and the walls of mirrors help with the choreography. But sometimes I dance in my dorm. And sometimes I dance in a big grass field when nobody’s watching.”
You pause your brushstrokes for a moment, finally meeting his gaze as he stares down at you. He raises one eyebrow, waiting for an answer, which you fail to provide him with as he leans forward once again and clasps his hands together.
“You feel trapped here, don’t you?”
And suddenly his words infuriate you, the sheer audacity of him to walk into your studio demanding all these rules from you, like your boundaries can be overlooked if they’re bought. And who is he to pry into your life like this, knowing next to nothing about you except that you’re a painter? It’s blasphemous- offensive, even.
“I’m not trapped,” you say, standing from your stool and backing away from him a little. “I love my job. I can quit whenever I want to, and this is my passion.”
“Who are you when you’re not painting these portraits?” Hyunjin inquires, and your eyebrows contort into a much angrier frown.
“Who are you to imply any of this, anyway? You’re an idol. You’re the one who’s trapped in the confines of a million rules- are you even allowed to be here right now? Who are you when you’re not putting on the mask of a completely different persona?”
You exhale frustratedly as you finish, taking a moment to catch your breath, and trying your best to avoid his gaze. But when you meet his piercing eyes again, he’s smiling, a wicked expression on his face like he’s amused at your lashing.
“I’m glad you asked ,” he says simply.
“What?”
“I’d assumed it was part of your vision, to maybe scratch below the surface of the flesh outlines you paint. I know there’s more than meets the eye to your work. You have this passion about you.”
“Passion?” You reply nervously, now fiddling with the brush still in your grasp.
“Mhm,” Hyunjin responds casually. “Like you want to lash out. Go on, get it off your chest. I won’t mind.”
And you say nothing again, shrinking back into the confines of your wooden stool as you swirl the brush around in the same mug of water and dip it back into a dollop of paint.
“I’m sorry,” you voice to him. “I don’t treat my clients like this. I hope you’ll forgive me.”
Hyunjin’s shoulders sag a little, as though he was waiting for you to keep the chaos alive in this little studio. He just nods, and then he assumes the same position as earlier, his knees spread in front of him and his hands resting comfortably on his knee caps as he slouches forward.
You resume the task of shading in his skin tone, adding highlights to the elevated portions of his face and glancing over at him in intervals to confirm where the light hits him.
“I’ve learned so much from you,” Hyunjin says for the second time tonight, and you’re still unsure what he means by it. “I think we could learn a lot about each other.”
And the studio falls silent for the remainder of the session, as he allows his eyes to bore into your soul while you translate his being onto the canvas in front of you. Or at least the parts that are able to be translated.
*
Your calendar is blocked off for the remainder of the week for other clients, Hyunjin rescheduling his sessions as he prepares for a performance overseas.
Your heart sinks a little when Q announces the schedule change to you, secretly praying you haven’t completely ruined your artist/client relationship with Hyunjin. He’s definitely a little odd, and he can be pushy when he wants to be. But he’s undeniably more intriguing than the investors you’re used to housing at the studio, telling you stories of his dancing and inquiring about all your favorite techniques every chance he gets.
He’s the first client who’s ever uttered the word “vision” when it came to yours, and not his, and you can’t let go of the value it added to your last session with him. You had yelled at him, ordered him to stop projecting his thoughts onto yours and asking personal questions. But it was the first time you felt alive, somewhat visible to a client as you painted them. His eyes pierce through your soul, every tangible inch of it, and not just the empty shell of who you are when you’re not existing so loudly. And Hyunjin seems like the only catalyst that allows you to exist loudly these days, even Q walking all over you like you’re an extension of his tedious ways.
Although your last conversation didn’t go quite as smoothly as you’d hoped it would, Hyunjin’s words continue to circle your mind relentlessly, your heart trying to make sense of them no matter how hard you try.
“Who are you when you’re not painting these portraits?”
It’s a fair question, and it doesn’t necessarily have to be a discourteous one, either. Maybe he’s genuinely curious about the woman you are when you’re not following Q’s orders. But where has Hyunjin pulled the implication from that you’re anyone except for the person assigned to produce these portraits? You’ve given him no reason to think anything of you besides the well-mannered, focused painter you are. And to imply anything else would also, by extension, imply he knows something about you.
“I’ve learned so much about you,” he had also said to you, twice in the same session. And can one really learn from two, three sessions of watching an artist paint? Sure, if he was more focused on your technique and your mannerisms rather than staring at you so intensely. But he hadn’t seemed to be interested in much else, simply keeping his gaze on yours and asking base-level questions about your artist career.
If anything, you could learn a lot about Hyunjin, who has the whole world at his disposal and walks around this place like he owns it. He speaks of you like he’s trying to study you. He wants to learn from you, despite being the one wielding much more knowledge and wisdom than you could even begin to fathom. True, you don’t escape this studio- and you don’t utilize it without the intention to work. In fact, your work consumes you most days, your personal life just a microscopic dot in the grand scheme of this arrangement.
But Hyunjin seems to think otherwise, his generous gifts and his fascination with returning seeming to imply something else. Like he wants to learn from you, or like he’s convinced he already has.
In apprehension, like he knows you.
*
“Where are we going?” You query when Hyunjin arrives next, quickly ordering you to gather your supplies and ushering you to the door.
“We’re not painting here today,” he says plainly.
“What? No, Hyunjin I don’t paint anywhere except for-”
“The studio or a company,” he finishes. “That’s the issue. I want to take you somewhere more lively.”
“I can’t be around people,” you respond. “I don’t… it’ll just mess up the whole process.”
“Do you trust me?” Hyunjin asks suddenly, his hand extending out to yours for the briefcase you grasp.
What a simplified question- absolutely not. You don’t trust him, that’s the issue with leaving the studio. You’re still not sure of his career as a whole, you’re not sure why he’s so adamant about breaking all sorts of rules and you don’t know anything beyond his name.
“No,” you reply. “I don’t think I trust you at all, actually.”
And Hyunjin just smiles, stepping forward to take the briefcase from you.
“Good,” he replies, the same amused smile plastered on his face. “That means there’s still a lot I can teach you.”
He watches you slip on your coat, undeniably confused, but in a trance-like state obeying his commands, like your heart won’t let you hear your brain’s protests.
Hyunjin doesn’t drive. He doesn’t need to, having his own personal chauffeur at his beck and call, able to go just about anywhere in the evening during his allotted hours of free time. Ones he normally spends in the studio, watching you paint.
You sit quietly on one side of the fancy black car, your hands folded neatly in your lap and staring at the passing blur of city lights out the window. Hyunjin occupies the other, one of his slender hands resting atop the briefcase in an attempt to steady it whilst the driver makes sharp turns and brakes a little too harshly.
You watch as the city roads turn to one long paved road, surrounded by tall grass and trees. And this path goes on for a while, maybe 20 or 30 minutes, as you remain in comfortable silence. The driver seems to be acquainted with the road, turning every way he needs to, no form of navigation telling where to go, simply having memorized the route. And Hyunjin doesn’t seem tense in the slightest, humming softly to himself as he taps his fingers along the leather surface of the briefcase.
The fork at the end of the road signals the stopping point for the driver, who hits the brakes, but doesn’t turn the car off. The keys remain in the ignition as he comes around to open your door, guiding you out with one hand and bowing graciously to the both of you.
“One hour,” Hyunjin says to him, sliding him a generously folded bill.
The driver nods, occupying his spot in the driver’s seat, and you watch him make a U-turn before driving off down the path again.
The environment is quiet, much quieter than any spot back in the city. It’s nothing except for trees and tall grass that sway with the gentle evening breeze, the sky swallowing up a now orange sun as nighttime begins to over both of you. If you squint, you can even see the mountains from here, some of them lined with little yellow lights, probably vacant buildings or farm workers. And the birds sing their last songs of the day, mellow tunes that harmonize with the growing chirps of crickets.
“It’s pretty here,” you remark to Hyunjin, who stands looking out at the view with his hands tucked in his coat pockets.
He doesn’t reply for a moment, his long hair swaying with the breeze. And then he tilts his head in the direction of the briefcase, nodding once.
“Paint what you see,” he orders.
You nod reluctantly, scrambling to open the briefcase and set up your supplies.
“Do you want to stand there? Or… do you prefer something else?”
He smiles, a little amused at your rushed state, and then he shakes his head.
“Not me,” he clarifies. “The view. Paint what you see.”
You swallow a lump in your throat, stopping your movements and pondering the words for a moment. You haven’t painted a view in god knows how long. Your skills are rusty, your techniques are skewed and the whole concept of it makes you shudder.
“The view?” You question back. You take a moment to look at the view again- there are possibilities everywhere. Green grasses that resemble paint strokes themselves, a deepening blue sky with strokes of blues and blacks, stars like paint splatters and trees with sponge-painted bushels. The art is everywhere, the possibilities are vast and endless with a view like this one.
“The view,” Hyunjin echoes. “Don’t take it too seriously. This isn’t some company's order to paint me. I just want to see the world through your eyes.”
And you nod, once, Hyunjin helping you latch your sketch pad to the easel as you mix a myriad of blues and greens together on your wooden palette.
He flips through your sketch pad for a little while before stepping away, nodding at the pages upon pages of art unlike any of your portraits. When you think he’s going to move, he doesn’t, remaining in the same spot and nodding his head at the works. And you feel a little shy, a little confused at why he’s taken so much interest in the work you complete on the side, work completely unrelated to any of your portraits. When he reaches a blank page, he meets your gaze with a small smile, nodding his head once at you as he finally moves out of the way.
And then you finally begin, hesitantly, as Hyunjin finds a spot in an undisturbed part of the grass, sprawling his long legs out in front of him and pulling out a sketch pad from his own bag. He angles it away from you, beginning to make long, generous lines with his charcoal pencil, peering over at the trees every now and then to gauge their shape. And you remain there, a comfortable silence among both of you, as you both capture the view in your respective visions.
The technique comes back to you instantly, like motion memory, quickly sponging leaves into the trees and pulling the dark sky from its draped position over you to plaster it onto the canvas you work on. Blues, greens, glittering whites for the night stars and fantastic shades of chartreuse and viridian find their homes on the canvas, so carefully placed and mirroring the view you overlook. You emulate the shadows, the waning glints of light, even the sounds seem to live on the picturesque view where time stands still in the confines of four walls.
Hyunjin doesn’t disturb your work flow- in fact, for most of the time you remain there, you cease to remember he’s even working on a sketch of his own, his delicate figure disappearing among the trees as your peripherals shut him out and bring nature to the forefront.
It’s only an hour you’re there, like Hyunjin had promised, before he’s returning to your spot and standing behind you to look over your shoulder.
“Beautiful,” Hyunjin states dramatically. “Beautiful, and spectacular, and shining.”
You chuckle lightly, wiping the brush on your smock and tucking it away in one of the front pockets.
“Will you sign it?” Hyunjin asks, cocking his head a little to try to find where your signature currently sits, but finding nothing.
“Oh, yeah,” you respond, bringing a charcoal pencil to the bottom right and scribbling a quick signature.
He scans the painting once more, tracing a finger over the corner where you’ve added your signature, and then he gives a small nod before meeting your gaze.
“This one’s my favorite,” Hyunjin tells you. “Because it’s entirely your vision.”
“The ones I make of you are my vision, too,” you explain, and Hyunjin shakes his head with a small smile.
“I like how you see the world. Not how you see me. Or anybody else, for that matter.”
And you find yourself blushing again, unsure if his intention is to fluster you with his poetic words, but well aware that he’s having the effect on you regardless.
“Thank you,” you echo politely. “I like this one, too.”
Your gazes remain fixed on each other for a brief moment, the grass now standing still as the night falls over you, stars glittering in the black sky and the crickets singing their nocturnal songs.
For the first time since meeting him, Hyunjin looks less cold at this proximity to you, his entire demeanor exuding softness and comfort as he smiles at you. Maybe it’s the black puffer coat he wears, the collar pulled up to his chin to keep warm from the frigid winter night around you. He wears his glasses, too, these ones a thicker black frame, pushed high up on his face and a little dorky, admittedly. But it’s also because he seems kinder, more warm and welcoming. There’s no existing rush to capture him any which way- in fact, there’s no pressure to capture him at all. And maybe when you’re not translating his model-like appearance onto canvas, you’re able to step back and admire that he’s soft under his hard exterior, he’s so gentle and human.
At first, you debate telling him, a sudden urge inside of you to apologize for your presumptions of him and admit that he’s slowly become your favorite client to be around. Maybe he’s right- maybe you do have a lot you can teach each other. He lives a life of lavishness, entertaining varying aspects of his idol career and serving a role of great importance to those who know him. And he is certainly of importance to your career, being your highest-paying customer and the one you’ve painted the most now. But he plays a role in other parts of your life too, allowing you to try new techniques, entertain your vision, circling your mind with his poetic words and his strategic motions. All lessons which allow you to grow outside the confines of your studio, too.
But you settle on silence, not wanting Hyunjin to think too boldly of you. Maybe he’s like this with everybody he crosses paths with. Choreographers, vocal coaches and painters alike. Maybe he’s simply as fascinating as he looks.
As you study him again, the sound of a car engine interrupts you, and you turn around to find Hyunjin’s driver has returned as promised. You bring a hand up to shield your eyes from the bright headlights that illuminate the whole field, as Hyunjin helps you gather your supplies again, securing the canvas in its case and transporting it into the backseat of the car with the driver’s help.
Hyunjin holds the door for you this time, ushering you inside, and then he comes around to slide into the backseat next to you.
“I think it’s going to rain,” the driver says as he puts the car in reverse.
You crane your neck to look at the sky through the tinted windows, dark blue clouds that loom overhead and seem to make the night even colder.
“I have one more place we need to stop at,” Hyunjin says suddenly, sitting forward to make eye contact with the driver through the mirror.
The driver nods in response, as if the last location is a secret kept between them, as he begins down the dirt path again in silence.
*
“Ever been here?” Hyunjin questions, as he holds out a hand to guide you up the stairs. The steep concrete stairs lead to a grand crested marble doorway, a bronze statue out in front and dimly lit lamp posts that illuminate the sign overhead.
Museum of Modern Art.
“Once, a long, long time ago,” you respond. “I think I usually steer clear from galleries since I don’t show my work at them.”
Hyunjin chuckles softly, stopping at the front door and meeting the gaze of a security guard, who promptly strides over and opens the door just an inch.
Hyunjin pulls out an ID, and a folded paper of some sort, and you watch as the security examines it briefly before nodding. It’s only then that you realize the museum is closed for the evening, the only person around behind the night security, but of course that rule doesn’t apply to Hyunjin, who can get in just about anywhere with the flash of a smile.
“It’s the only way to visit with no one else around,” Hyunjin says, confirming your theory. “They let me stay as long as I want. Sometimes I draw here.”
You nod at his words, giving a small smile as the security eyes you intensely, and then he opens the door to guide both of you inside. Hyunjin removes his coat, slinging it over a nearby coat hanger, and he flaunts a white knit sweater with his dark jeans, looking cozy in contrast to the dark winter night outside. He holds your sketch pad tucked under one arm, and then he skips excitedly to a room behind a curtain.
“This one’s my favorite!” He exclaims, giggling softly like a child might. “Do you know they’re all made out of recycled materials?”
And you brush the curtain aside, being met with the sculptures he speaks of, neutral-toned figurines that appear to be made of paper mache, all resembling people. Their forms hold each other, mimic ballroom dancing, and even embrace each other in a tender kiss as they stand tall in the center of the room.
You watch as Hyunjin snaps a few photos with his cellphone, craning his neck to view them at a better angle, and then he turns to face you.
“What do you think?” Hyunjin asks.
“They’re beautiful,” you reply. “They kind of remind me of your drawings.”
He shoots you a flustered smile in response, touched that you’ve even remembered what his drawings look like. And then he graciously bows as he ushers to another room.
“I think you’ll like the next one.”
The next room behind another dark curtain is a gallery of paintings, all of them abstract forms of art that experiment with different colors and mediums. You take a while in this room, sauntering down the row of canvases and observing how each one captures something completely different from the others. Some include only cool-toned shades, their strokes much smaller and overall more somber. Some play with warm tones, long generous strokes that capture passion and heat. And some mix both, two stories dancing in harmony on one canvas, contrasting light with shadow and love with regret.
As you cock your head slightly, observing the way the colors are so evocative from this proximity, Hyunjin comes to stand next to you, cocking his head in a similar fashion and taking in the same details that you do. And if someone were to stand behind you, maybe both of you would mirror the painting, too, two hues of life and recluse working in perfect harmony alongside each other.
“Nice, isn’t it?” Hyunjin asks, and you hum in response.
“Yeah. I love these colors.”
Hyunjin nods, giving the painting a last once-over before nodding in the direction of another curtain.
“Come on, I want to show you this last one.”
The last room houses a little bench, where Hyunjin occupies the left side and pats the spot next to him. You take a seat, your hands folded neatly in your lap, as you observe the colossal painting in front of you.
It’s a watercolor painting, one amorphous shape at a far distance, yet at this proximity, the tangible outline of a figure, sat with legs pulled to the chest and crouched in a position evoking such sadness.
The cold blue hues highlight the shadows which define body parts among the pile of limbs, the curve of a breast, the almost indistinguishable outline of a leg, aspects you have to really squint hard to make out. But the colors complement each other so artistically, and the figure in the painting looks so melancholy, so longing for something more than the confines of the canvas she lives on.
“Isn’t it beautiful?” Hyunjin voices, and you nod, swallowing as you remain quiet.
He pauses for a moment, his voice hitching in the back of his throat, before speaking again.
“The artist was a child prodigy,” he begins. “Apparently they painted all their life and then became a sort of recluse into adulthood. No one’s seen a painting from them since. This was their last big project.”
“Interesting,” you remark quietly.
“Yeah,” Hyunjin replies. “And their art is always titled around themes of loneliness and solitude. Every painting kind of feels like a puzzle piece leading up to their disappearance from the art world.”
Hyunjin says nothing as your eyes dart around the room, swallowing nervously as you ponder what to say. And nothing comes to mind, nothing that won’t make you seem crazy, or irate.
And then before you can protest his actions, he flips open your sketch pad he’s kept tucked under his arm all this time, flipping through a few pages until he’s nearly at the end. He stops at one of your paintings, cool aqua hues filling the paper in the same manner as the one hung on the wall.
“It’s you, isn’t it?” Hyunjin finally says, and you realize he’s turned to face you now.
You stand up at this point, smoothing down your blouse and turning away from his gaze.
“Sorry, I have to go-”
You search for an exit, unable to locate one amidst the dark curtains and the dimly lit room. And the only thing you can think to do is walk back the way you entered, beginning back through the abstract painting gallery as Hyunjin follows behind you.
“They’re amazing,” Hyunjin says. “You have a talent. Your paintings were always my favorite-”
“Please, stop,” you interrupt, your heart beating erratically as you make your way past the paper mache sculptures.
“Why did you stop making them?” He asks, now standing still in the entrance, the security guard on high alert as he watches Hyunjin’s stressed demeanor.
“Sorry,” you voice to the security guard, bowing to him. “I have to go, thank you so much.”
And without turning to look at Hyunjin, you push the doors open, making your way out of the museum and onto the concrete steps. It’s raining now, hard, like the driver had predicted, and you march right past his parked car to one of the taxis parked by the curb.
The cab driver takes an address from you, punching it into his navigation system as he begins to drive down the street, and you pray he can’t hear the quiet sniffles coming from you in the backseat.
As he pulls away from the curb, you glance out the window at the museum, where Hyunjin’s now shoving past the door and standing still, his hands dropped at his sides and a hurt expression on his face.
His hair falls damp around his face as he lets the sheets of rain wash over him, his driver exiting the vehicle in a rush to get Hyunjin back into the safety of the car.
But he remains there, unmoving, his hurt gaze fixed on yours, as you turn a corner and fall out of his sight.
*
And just like the sessions were uneventful before Hyunjin, they’re much more uneventful after him, too.
Putting the sessions on hold for Hyunjin is nothing, his life full of vibrancy and color when he’s not spending an hour or two with you in the evening posing for a painting. It’s time he fills with extra dance practice, vocal training, spending time with his members and even doing art of his own.
But for you, it means returning to a life of mediocrity, requesting stock brokers to angle their big heads in a more appealing manner so you can capture every one of their unsightly features. You’re ogled at by salesmen, disrespected by accountants and not a single one of them could give a shit about your vision.
A part of you wants to call Hyunjin and apologize, to explain that he was out of line in his approach to identify you and catch you so off-guard. But you’re mostly angry at him, for having ruined something so beautiful you took pride in every week. Now he’s gone, the sessions put on pause until further notice and your life forever changed by Hyunjin, though he’ll keep living his life of lavishness despite being the source of all your pain.
“Now that we don’t have Hyunjin on the books after this week, I need you to resume the work on Mr. Lee’s painting. Let’s not lose sight of the ones we started prior to his pieces,” Q says, as he flips through a clipboard of printed schedules.
“This week?” You echo in question. “I thought sessions with Hyunjin were put on hold until further notice.”
“They were,” he responds. “After your last session this week. He’ll be here tomorrow evening. He’s your last client of the day.”
“Tomorrow?” You repeat, pausing your brush strokes as you turn to look at him. “He requested to come in tomorrow?”
“Yeah,” Q replies with furrowed brows. “Why, is there a problem? I already told him yes.”
“No, that’s fine,” you reply, rotating the brush around in your fingers as you think over his words. “Tomorrow works fine.”
Despite the sessions being put on hold, you’ll still have a moment to explain yourself to Hyunjin and make amends. It might not get you exactly where you were before all of this, but the thought of letting Hyunjin part ways thinking you despise him makes your stomach turn. You’ll still get a moment alone with him to rekindle the state of your friendship.
… Or so you thought. When you arrive at the studio the next day for your last session, Q is still there, organizing papers at one of the tables and still dressed in a fancy blazer and tie like he never left from this morning’s session.
“Quinton?” You call, setting your purse down and toying with the hem of your shirt.
“Yes?” He responds, not looking up at you.
“Are you… don’t you normally sit these sessions out?”
“Oh, I forgot to tell you,” he says casually. “I’ll be sitting in on this last one. I know they were put on hold pretty abruptly, and I wanted to be around for your last one.”
You give him a small nod, protesting his actions mentally. You won’t get a minute alone with Hyunjin after all- not with Q watching you like a hawk. You want to scream at him, to tell him he has to leave and that he’ll be permanently disrupting the client-artist relationship you’ve developed with your highest-paying customer if he stays and taints the room with his overwhelming presence. But he largely determines the success of your career, whether you like it or not. And requesting Q’s absence will most certainly point to something more going on between you and Hyunjin.
“Right,” you reply. “That’s fine.”
You wish Quinton wouldn’t be so… mechanical. You wish he could trust that you’ll get the job done, despite any existing tensions between you and Hyunjin. You wish he wouldn’t pretend to care about being present, when in reality you know he just wants to make sure it wasn’t you who screwed something up. And you wish he would leave you alone with Hyunjin to make amends the way you know you need to before you part ways with him.
When the door opens once again, you both turn your heads to look at Hyunjin, who strolls in with casual strides, his hands stuffed in his pockets. His gaze falls on Q, and he furrows his brows together, finally looking at you, with a confused expression on his face.
“Welcome!” Q says obnoxiously. “I’ll be sitting in for this session, I hope you don’t mind.”
Hyunjin shoots him a thin-lipped smile, giving a subtle nod as he slings his bag off.
“Sure,” he replies. “That’s fine.”
He assumes his spot on the same wooden stool, crossing his legs and folding his hands in his lap, and then he turns to meet your gaze.
“How do you want me?” Hyunjin asks. He sounds more somber than the other times he’d asked the same question, his voice trailing off a little as he waits for a reply.
“This is good,” you say, taking your own seat and beginning to work light strokes across the canvas. You start with his jawline, the same chiseled jawline you’ve gotten so used to painting, working a robust angle where the crook of his neck meets his cheeks. Then his eyes, the piercing intensity of them, narrowing involuntarily as he poses with such skill, the same eyes which have graced the covers of magazines and album covers. His lips, plump and rosy, forming a small pout as he remains silent. And the outline of his luscious brown tresses, which fall beautifully around his face and soften the rest of his features.
He looks so enchanting this evening, like he’s straight out of one of the paintings at the museum. And your anger feels almost completely dissipated once he’s in front of you like this, just a pressing urge to be alone with him so you can communicate properly.
“Looking good,” Q says as he comes up behind you, his hands folded behind his back.
Hyunjin’s eyes dart over at Q’s standing figure, glancing over at you again while you paint. You attempt to shoot him an apologetic expression, wanting to tell him it wasn’t your idea to have Q here watching your every move. But you can’t properly convey your emotions to him with Q practically breathing down your neck.
“Beautiful work”, Q chimes in, nodding as you add the color to Hyunjin’s hair.
You can feel yourself getting frustrated with him, wishing so badly you could at least ask him to wait on the other side of the room like he normally does. But he remains there, crowding around you as you work and filling the room with his awkward presence.
“I’ll drag up a chair,” Q says with a small chuckle. “So I don’t have to stand.”
And both you and Hyunjin watch as he pulls up a folding chair, dragging it along the floor in one painfully slow motion, the sound of the legs screeching against the concrete floor as he places it next to you and takes a seat.
Hyunjin’s eyes meet yours again, cocking his head slightly as though he’s asking why you’ve allowed Q to be so overbearing today. But none of this is according to your plans, either.
“Go on,” Q urges. “You don’t have to wait for me.”
You hadn’t even realized you’ve stopped painting, grasping your brush between your fingers as you watch Q adjust in his seat and gesture to the painting.
“I think we should take a break,” Hyunjin says finally. “My leg is cramping a little.”
“Of course,” Q echoes back. “We can take five. There’s a vending machine out by the front door. And the bathrooms are on the right, by the-”
Q can’t even finish his sentence before Hyunjin’s shoving his way past the door, taking long strides away from the studio and waiting outside. He pinches the bridge of his nose in deep annoyance, letting out a deep sigh as he ponders the evening’s events so far.
“I’m going to use the restroom,” you tell Q, setting your brush down and following Hyunjin. “I’ll be right back.”
And you follow his footsteps, pushing on the door to meet him outside, where he stands with one hand on his hip, the other massaging his temples frustratedly.
He looks angry, as you predict he would be, but you approach him anyway, fiddling with your thumbs as he stays quiet for a moment.
“I organized this last session to speak with you,” Hyunjin says in an annoyed tone. “I should’ve known you’d invite him.”
“I didn’t invite him,” you say quickly. “I didn’t even know he’d be here, I swear. He just stayed, and he was insistent on sitting in.”
Hyunjin finally drops his hand at his side, meeting your gaze, a softening expression on his face.
“I didn’t mean to scare you off,” he finally says. “I overstepped my boundaries. I’m just here to pay you for art. Not prod into your personal life.”
“I know,” you say back. “I wanted to explain to you, but…” your voice trails off, remembering this is technically your last session with him. And judging by the way everyone speaks of him, it’ll be near impossible to contact him again after this.
“It seems like I missed my chance,” you finish, referencing Q’s persistence.
Hyunjin glances around for a moment at the overgrown plants that line the studio windows, still damp from the evening rain. It looks like a jungle out here, the plants providing no clear view through the windows and instilling such a peaceful sense of privacy.
“Could you stay a little longer?” Hyunjin questions. “After he leaves. I just want to talk to you before I go.”
You think over his proposal for a moment- Quinton is punctual at leaving right past the hour mark. He never stays longer for hours than he needs to, but he’s no stranger to you utilizing the studio to finish up some of your work after hours.
“Sure,” you say finally. “Just pretend you’ve left after the session and I’ll tell him I need to stay longer. Don’t wait near the parking lot or he’ll see you.”
A somber smile grows on Hyunjin’s face as he nods in response.
“I’m going to call my driver and tell him I’ll be longer than the original session. Meet you back inside.”
And you make your way back into the studio, where Q is busy shuffling through papers at the table.
“Ready?” He asks, already taking strides back to his stool, positioned far too close to your canvas and Hyunjin’s seat.
“Yeah,” you reply, sighing a little as he occupies the seat next to you and glances around the room for Hyunjin.
“He’s taking a phone call,” you explain to Q. “Just give him a minute.”
And Q pushes his glasses further up his nose, humming in response as he observes your painting again.
“You’ve really mastered his features,” he comments, scanning over Hyunjin’s painted outline. “Even his eye mole is already there.”
And you scan the painting too, at the little mole painted just below Hyunjin’s left eye as he requested.
“Yeah,” you reply. “I guess I have.”
You wouldn’t forget it, because everything about him occupies your mind, much like his figure lives on your canvases.
*
It’s just half an hour more before you’re finished with Hyunjin’s painting. It’s still lacking some detail, like the contours along his face and the buttons of his cardigan. But they’re all details you give yourself time to finish later, before you wrap up your final piece and gift it to Hyunjin.
Q is relentless in his micromanaging for the remainder of the session, making useless comments about your techniques and asking Hyunjin about his own work. Hyunjin’s answers are all short and echo his clear annoyance, desperate to finish the session in order to speak with you privately. But you both remain collected in your manners, graciously conversing with Q and reaching the end of the session.
Q reviews his invoice documents as Hyunjin slings his bag on once more, standing by the door as though he’s ready to leave.
“Payment was finalized today, and your sessions are on hold until your tour is completed.”
“Thank you,” Hyunjin responds, bowing graciously. “It was a pleasure to work with both of you. I’ll be back when we’re done overseas.”
“Don’t hesitate to reach out!” Q calls, as Hyunjin makes his way past the door. He waves Q off with a small smile and then turns the corner until he’s out of sight.
“Well, there goes your best-paying client,” Q remarks with a deep sigh. “We have a lot more to pick back up on. I know Mr. Lee’s paintings are still in progress-”
“Thank you, Quinton,” you voice to him. “We’ll talk scheduling tomorrow. Please just get home safely.”
“You’re not leaving yet?” He queries, already pulling on his canvas bag and hanging his clipboard from a thumbtack on the wall.
“I’m going to finish the details while I still remember them. I’ll only be an hour longer.”
Q shrugs, making his way pivoting on his white canvas sneakers and giving you a small wave.
“Call if you need anything,” he says plainly. “Make sure to lock up.”
“I will,” you echo, craning your neck as you watch him finally exit past the door and jog down the stairs. You can’t see Hyunjin anywhere, but Q doesn’t seem to notice him if he’s still around, starting his car and speeding out of the parking lot.
And not even a full minute passes before Hyunjin makes his way back inside, shaking water off his hands.
“I stood under one of the gutters,” he says in a disgusted tone. His hair is stringy wet with rain water, and he chuckles when you meet his gaze with an amused smile.
“You’ll have to let me paint it like that, someday,” you respond, and he laughs lightly.
You take a seat on the folding chair previously occupied by Q, and Hyunjin assumes his same spot on the wooden stool. For a moment he says nothing, observing your face as you tap your fingers along the metal of the chair below you. There’s not a sound in the room between the two of you, with the exception of a small creak coming from the wooden stool as Hyunjin adjusts his long legs. He runs his hands through his hair nervously, and then he licks his dry lips with his tongue before speaking.
“I have something for you,” Hyunjin says suddenly, his voice echoing around the empty room.
He stands up to pull his bag off the floor, and then he digs around in it for a moment before pulling out his sketchbook. You watch as his slender fingers open the spiral-bound cover, flipping past pages upon pages of sketches and paintings. He flips close to the end, and then he stops, bookmarking the page with his index finger before turning the book to face you.
“I’m sorry if you don’t like it,” he says, keeping the book shut in anticipation. “It’s just something I drew.”
And then with bated breath, he opens the book out to you, adjusting the page in your view to give you a clear sight of its contents. It’s a carefully drawn sketch, of you, standing in front of an easel with a brush in your hand. Painting, like you always do. You recognize the scenery around you as the spot he took you to the other day, the long charcoal streaks perfectly capturing the grass that surrounded you and the tall trees that overlooked the hills. Although it’s a sight familiar to you, it also feels so foreign, seeing yourself through somebody else’s eyes. It feels peculiar to remember people also perceive you while you paint. It makes you feel less unimportant, a little more visible.
“Wow, Hyunjin, this is…”
“Do you like it?” Hyunjin interrupts.
“It’s so lovely. Really. I feel like I don’t deserve this.”
“You do,” he’s quick to respond. “You’ve drawn countless ones of me. And of so many other people. I wanted to gift you one of your own.”
You run your fingers along the thick paper, watching as Hyunjin tears it along its perforation and hands it to you.
“Please, keep it,” he urges.
And you bow once in response, turning to set the drawing along with your bag so you won’t forget it.
“Thank you,” you finally say. “I love it. I’m going to hang it with all my favorite art.”
Hyunjin smiles in response, a breathy chuckle escaping his lips, and then he shoves his hands in his pockets again, leaning against the wooden stool as a silence falls over you both.
For a moment, you ponder what to say to him, wanting to explain the events from the other evening, but unable to verbalize anything amidst your nervousness. Any way you think about it, you fear Hyunjin is going to get mad, especially considering you’d just walked away from him in the face of confrontation. But you also couldn’t help it, his accusation coming so suddenly and so boldly, regardless of it being based on any sliver of truth.
“I’m sorry,” Hyunjin breaks the silence. “I don’t know if I was right or not. But it wasn’t my place to ask you.”
You nod at him, initially planning to divert the topic. But you can’t any further, a growing urge inside of your chest to unveil the truth to him, knowing he’s already pieced this much of it together.
“It is my painting,” you say finally, your voice shaking a little. “I specialized in those ones before portraits. They kind of gained traction when they were first unveiled, and a lot of galleries picked them up. But they drew a lot of criticism, and it became so draining to be the topic of people’s judgment. I think being perceived so heavily just kind of… scared me off. So I shifted to portraits instead, and I no longer do public showings or galleries.”
Hyunjin doesn’t react in a shocked manner, nor does he press you for questions immediately. He just nods, taking in your words, and then he meets your gaze with a concerned expression.
“I learned so much from you,” he explains. “When your paintings were unveiled at the annual art show across the city, I was so mesmerized. They’re why I started painting, too.”
You chuckle lightly, shrugging at him as you slouch back in your seat.
“Yeah, well, I don’t do them anymore.”
You think over your response for a moment, and then you stand up from your seat, too, furrowing your brows together.
“How did you… know it was me?” You question, cocking your head slightly.
“I had a hunch when I first saw your painting techniques. But I also knew it the moment I saw your other paintings in your sketchbook,” he explains. “My favorite painting of the series is printed out and taped to my locker in our dance studio. It just felt like you. I paid attention to your art for years. I was bound to know it when I saw it.”
You nod for the umpteeth time tonight, making sense of his words as you think back to the signature you drew in front of him back in the field.
“I’m sorry I figured it out,” Hyunjin says finally. “I know this was an elaborate plan to remain anonymous and shift your focus to a new form of your work. And your portraits are amazing. But you have a real talent for those older ones. And the whole series just… it changed me.”
“You don’t have to be sorry,” you tell Hyunjin, looking up to meet his gaze at last. “If anyone was going to find out, I’m glad it was you.”
“You are?” Hyunjin questions, and you hum in response.
“As a client, you have this really interesting way of making me feel seen. When I’m around you, It feels a lot more comfortable from the businessmen I’m used to. It’s like…” your voice trails off as you struggle to finish your sentence. “I feel like I did when I was painting my old stuff. I can see the world beyond just portraits for a little bit.”
Hyunjin says nothing, his eyes flickering down to your lips and back at your eyes once more, which are wide with curiosity and passion as you speak. It’s such a sight to see you talk about your art with this level of devotion again, color in your face once more as you attest to your life’s work.
“Tell me,” Hyunjin begins. “Why are all your paintings so lonely?”
You chuckle softly, shrugging up at him.
“I am lonely,” you say simply.
“I’m lonely, too,” Hyunjin remarks.
And your expression turns serious again, your eyes not leaving his intense gaze as he flickers over your parted lips and takes one step closer to you. He’s towering over you at this point, a strand of hair falling into his face as he lets himself lean into you a little more, just barely grazing his lips over yours.
“Can I please kiss you?” Hyunjin asks so politely, his voice coming out in a whisper as he stops himself from pressing his lips to yours while he waits for an answer.
“Yeah” you finally reply in a whisper of your own, almost on your tippy toes to match his towering height.
And then without another second to waste, Hyunjin closes the gap between both of you, leaning down to press his plump lips to yours and embrace you in a tender, desperate kiss.
He tastes like mint, his lips working against yours with no particular rush, yet his mind still running rampant with thoughts of having you as close as possible. It feels so wrong kissing him here, in the studio you strictly use for the purposes of completing your work-related tasks and nothing more. But with Hyunjin’s lips on yours and his slender hands snaking around the small of your back to pull you closer, it also feels so thrilling, instilling a sense of desire deep within you that can only be fulfilled through acting upon the emotions rooted in your innate fascination with Hyunjin’s entire being.
And you feel visible right now, so tangible when Hyunjin’s nimble hands are running down the sides of your waist and sprawling his delicate fingers along your flesh. It’s you kissing him here, not some shell of who you are when you’re capturing the essences of millionaires on canvas. You’re not the scribbled outlines in Hyunjin’s sketches of couples consuming each other with such passion, though you mirror them. It’s you, child prodigy artist turned portrait specialist, and Hyunjin, in all his fame and splendor, who chooses to spend his free time with you in this studio teaching you about yourself the way you learn from him, too.
Hyunjin’s hands move to tug off the fabric of your cardigan, slouching it off your shoulders and letting it fall to the floor, where it piles in disarray among the white tarp that houses loose paints. You’re pretty sure there may still be wet paint on its surface, but you don’t care, your body desperately arching into Hyunjin’s tall frame as his hands cup your cheeks to kiss you even deeper.
You can barely reach him while his frame looms over you, only able to reciprocate his kisses on the tips of your toes as he takes full control of you with his mouth. And Hyunjin seems to take notice of this, intertwining his hands in yours and pulling you down with him as he sits among the tarp and sprawls his legs out in front of him. You bestride his lean figure, balancing yourself on his lap as he adjusts himself on the concrete floor, and you both laugh when you take note of the admittedly uncomfortable positioning. It’s not meant for lovers, this dinky studio and its cold, concrete flooring. But it’s nothing that can’t be overlooked when his lips are back on yours, kissing you breathlessly and tucking strands of hair behind your ears. You can feel him smiling into the kiss, an indication by Hyunjin’s definition that he’s wanted this so badly. And he knew it from the moment you walked into the company building the first time, nervously preparing yourself out in the hallway like you weren’t going to be an absolute pro at your craft the way he now knows you are. He also knew it every time he observed your paintings, both your old ones and the newer ones that capture Hyunjin with such ease, every minute detail that builds up his intense stare only to break him down and soften him, translating this multifaceted version of him only you seem to visualize. And he gains confirmation of it when he’s finally acting upon his urges, your hands snaking around the back of his neck and moving in tandem with his hungry kisses against yours, grasping at his flesh like you’re trying to prove to yourself he’s real, too.
His sweater is the second article of clothing to go, your bodies only separating from one another briefly as you guide the knit fabric off over him and discard it beside you in the tarp. Your hands find his torso reluctantly, running your fingers along his flesh as though asking for his permission. And Hyunjin smiles when you do, placing his hands over yours and pressing down a little firmer for you, so that you can feel every inch of his toned body. He wields the body of a dancer, delicate curves that run along his sculpted obliques and highlight the years of intense training he’s done. His body feels strong underneath you, but he still feels soft, his touches exuding the gentle fondness he possesses for you.
And you’re kissing him again, all while his hands find your tank top and he separates to undress you, pulling it off over your head and tossing it aside. His hands are quick to find your breasts, splaying them over the mounds of your chest and massaging gently as his kisses turn hungrier. You can feel him getting hard underneath you, and you can hear his breath hitching in the back of his throat as he struggles to contain his growing bulge while you straddle him. But you indulge him even further, undoing the clasp of your bra with your own hand as you continue kissing him. Hyunjin doesn’t notice until your hand reaches out to toss your bra aside, a gentle rustle emitting from beside you as it joins the pile of discarded articles of clothing. And he separates to take in the sight of you, raised goosebumps along your bare skin and your nipples aroused for him, the cold air grazing over your chest as you wait for him to resume his touches. Hyunjin gasps a little, leaning forward to take one in his mouth, and then he begins to suck harshly as his tongue swirls around your bud generously and trails saliva along your skin. You moan at the sensation, Hyunjin digging his fingernails into the small of your back and leaving little crescent marks as his sucking resumes harshly, soft moans bubbling from the back of his throat, too, as he stays latched to you. And then he pulls away to give attention to the other one, his teeth grazing the tip of your nipple before sucking again, his eyes shutting as he relishes in the taste of your skin in his mouth. Hyunjin’s hips rock gently against you as he does, chasing the friction of your legs around his crotch as he grows even harder beneath you, desperate for some release. And then he pulls away finally, breathing heavily, his eyes wide with lust and a bead of sweat dripping down his forehead. You bring a thumb to his forehead, swiping the bead off his blushed skin, before cupping your hands around his cheeks and bringing him in for a kiss.
“Please let me fuck you,” Hyunjin says sheepishly against your lips, groaning lightly when he feels you squeeze your thighs once against his crotch.
“You want to?” You ask teasingly, massaging your hands up and down the sides of his neck as he nods eagerly.
“I really, really want to,” Hyunjin responds, shutting his eyes as you squeeze your legs again and pepper his face in kisses, trailing from his forehead, to his cheeks and down his neck. Hyunjin leans back on the palms of his hands in a state of pure bliss, taking in the sensation he’s only dreamt of until now. And when you nibble down on his neck, beginning to suck a small bruise into his skin, he sits up suddenly, his hands finding yours and pushing you away gently.
“Wait,” Hyunjin says. “I can’t… do hickeys. Company’s orders,” he admits, a little defeated, and you nod your head quickly.
“I’m sorry,” you remark. “I totally forgot.”
“It’s okay,” Hyunjin almost cuts you off with a kiss, leaning forward and sitting up on his knees. He guides you down onto the tarp, hoisting himself up over you so that his figure is now hovering over yours, and then his hands find your pants.
“You can do hickeys though,” Hyunjin says in an amused tone, trailing kisses down your neck the same way you did him, and latching his teeth onto your flesh to suck a line of purple bruises. You chuckle underneath him, the sensation tickling a little, but still adding to the generous pool already formed between your legs. And as Hyunjin presses into you with his kisses, you can feel his erection graze your upper thigh, once more seeking the friction of your body for some sense of relief as he longs to feel you around his hardened cock.
“Hyunjin,” you voice as he kisses you, and he hums quietly in response.
“You’re hard,” you remark, your eyes flickering to the tent pitched underneath his jeans.
“Sorry,” he replies, pulling away with a worried expression in his eyes, and you shake your head quickly.
“No, no, it’s fine,” you assure. “I just want to take care of it for you.”
And your hands find your own jeans, pulling them off your legs and tossing them aside. Hyunjin’s eyes skim over your lace panties, the trim almost see through with delicate feminine patterns, and he begins to undo the button of his jeans, too.
He kisses you as he snakes off his own pants, not wanting to separate from you any more as his eagerness grows to be as close to you as possible. And when he’s finally letting his hard cock rub against the fabric of your panties, moaning softly at the sensation, he knows he won’t be able to take it much longer if he doesn’t make love to you right here in the studio.
So his hands work to pull off his boxers, finally freeing his erection against his abdomen and gasping with the cool air grazes the tip of his cock. You slide off your own panties as well, tossing them aside and letting his cock rest against your bare flesh now, his precum painting your clit with his preemptive arousal as he ruts against you. Your flesh is slick with his arousal and yours, the existing lube between both of you allowing your skin to glide upon one another so effortlessly, the same way your lips work against each other. And he continues to push his hardened length against you until he’s halfway inside of you, your cunt taking him with no struggle as he thrusts inside of you now. You adjust to his thick girth easily, his length seemingly never ending as he pushes deeper and deeper into you. And then he gives one particularly hard thrust, bottoming out inside of you and coaxing a fervent moan out of you.
“Is it okay?” Hyunjin asks, wincing at the sensation of your walls hugging his erection.
“So good,” you whine, tears pricking the corners of your eyes. “Feels so good.”
And he begins to move in and out of you at a slow pace, trying his best to stave off the orgasm he’s already close to reaching as he fucks you, filling your cunt entirely with his long cock and bottoming out every time he thrusts himself back in.
And he tries to kiss you, but he can’t, his mouth simply looming over yours in its parted position as he echoes his moans into you and lets his saliva-coated lips graze over you. He looks like the subject of an erotic painting himself, eyebrows arched up so artistically with every thrust, melting into your touch as you run your hands through his hair. His initial dominance over you is quickly shifted to that of submission to your mind and your body, little whines leaving his lips as he lets you consume him whole and mold him between in your touch, like he’s made of clay and you’re the sculptor. His lanky body seems to extend as he sways his hips into yours, little dips from the pads of your fingers embedding into his pale skin. He folds effortlessly above you, the points of his elbows jutting out as he steadies his body over you, like he’s made of wire and positioned to balance over you so perfectly, not very sturdy, and yet bent and snapped just right so that he can remain glued to you. And if you were to climb out of your body and paint this exact moment, all you would see are an indistinguishable, amorphous set of limbs that seem to dissolve into each other like hues of paint on a palette. Two colors swirling around to make one, the two of you like primary colors that create endless possibilities when mixed together like this, offspring of a hundred different shades, painting the darkened studio around you with your yearning for one another.
And as Hyunjin brings a hand to stroke your cheek gently, a smile grows on his breathless lips as he realizes he’s brushed a thick stroke of wet paint along your skin. The indigo stripe contrasts coldly against your flesh, still glistening in its freshness like he’s just begun on a blank canvas.
“It’s paint,” Hyunjin says as you gasp at the cold sensation, smiling too, when he swipes it again with his thumb and flashes it down at you.
And you chuckle lightly below him, taking note of the bright orange streak that lines his neck, just below his adam’s apple. You’re not sure when it got there, or whether it was from you or him, but you run a finger through it too, bringing it to his cheek to rub your thumb lovingly across his face and paint it there, too. And in one swift motion, Hyunjin swipes the palm of his hand along the tarp, coating it in hues of indigo and deep violet and gray, cupping a hand around your breast to coat it in the same wet substance. And you do the same, your hand dipping generously into the myriad of reds and fuchsia paints that live below you, running a hand down his chest and painting a long stripe along his toned torso.
You both laugh, as he picks up his pace again, pushing himself to the hilt inside of you, the paints melting together with your sweat as he fucks you rhythmically again. And like two blank canvases finally being put to use, new colors blossom between the two of your longing bodies, shades of magenta and blue-gray making themselves known across your breasts and his torso. The colors are vibrant and robust, transferring life from the dull tarp of the studio floor onto blank slates of skin. You wish you could step out of your body and capture the colors forever, mix paints together into little jars and name every shade after every feeling Hyunjin’s ever given you. Longing, lust, fear, fascination, infatuation, obsession.
“I think I’m obsessed with you,” Hyunjin breathes into your mouth so desperately. “It’s indescribable, the things you do to me.”
He lets his hands intertwine with yours again, giving them a small squeeze as he fucks you a little faster now and lets his groans shift into small whimpers that escape his lips.
“Please let me cum inside you,” Hyunjin begs, his cock slipping against your cervix with ease as wettened noises of his arousal pooling against yours fill the room. “Please, please, I promise to take care of you, baby. I feel like I belong here.”
He’s a whimpering mess for you now, tears pricking the corners of his eyes as he fucks you and lets his hands explore every inch of your body. You want to cry, too, at the realization again that this all feels so tangible, that he makes you feel so seen when he’s hovering over you, placing open-mouthed kisses onto yours and letting his melodic moans fill your ears. The paint between you serving as proof that he’s touched you so desperately and wholly, creating art together in the confined space of your otherwise dull studio. And you want to feel him cum inside you, too, as a final reminder that you’re visible to him, that you’re no longer a fleeting, anonymous artist when you’re with Hyunjin. That he sees you for exactly you are, he knows your deepest secrets, and yet still he holds you, whispering words of permanence in your ear and letting you mold him like art. He’s an artist on his own, and he’s art at the hands of you, both of which draw you to him in ways you can’t begin to fathom, unlike anything you’ve felt before. And he teaches you that you’re an artist on your own, and art at the hands of a lover, both of which you hadn’t considered before Hyunjin, deeming yourself invisible in your comfortable solitude to the vast world around you. But the two coincide to echo the same sentiment that he teaches you exactly the way he also learns from you.
“Cum inside me,” you breathe desperately, grasping his hands a little tighter as he fucks you at a faster pace now.
“Yeah?” Hyunjin confirms, still staving off his orgasm until your verbal consent is heard.
“Yes,” you respond, wrapping your legs around his waist and making your best attempt to kiss him through his release. And you do, your lips moving against his in labored breaths, as he finally twitches inside of you and paints the inside of your listless body, hues of glazed white arousal filling your aching cunt as he whimpers through his orgasm.
“Fuck,” Hyunjin, breathes, giving a few more thrusts as he slows, his arousal dripping onto the tarp below you as he pulls out. And he rolls over to lie beside you, a mess of paint streaks sprawled out along his skin as his chest rises and falls with slowing breaths. The two of you say nothing for a moment, your eyes glued to a blank canvas housed on an easel in front of you.
It’s an almost blinding shade of white, begging for an ounce of color like the shades that now live on your skin. And through your heavy breaths, you picture the endless possibilities that can fill in the empty spaces above you. Grasslands, trees, oceans, clear waters and a vast, endless blue sky…
*
There is no overseas schedule Hyunjin has to tend to. You’re already aware of this, Hyunjin explaining to you that he made it up to put the sessions on hold and to keep Q from pressing him with questions.
But he resumes the sessions after a few weeks of putting them on pause, because he can’t seem to stay away from you any longer.
Hyunjin reckons he has a couple dozen of your paintings in his room now, all similar portraits of his face, portraits you capture in your signature formal essence, his face staring straight ahead or off in the distance, complete with the fine details of his long dark hair and the mole under his eye.
Only now that Hyunjin is back, Q is present at nearly every appointment. You’re not sure why things changed, and Q maintains a new stance to Hyunjin that the guidelines are based on adjusted company policies. But Hyunjin will do just about anything to be close to you- even if it means putting up with your obnoxious boss breathing down your neck every minute while you paint him.
The sessions are somehow even more unnerving than they used to be, Hyunjin still making every valiant effort to convey his obsession with you through intense stares and little gestures only the two of you can read. Q is obstinate in his ways, his gaze constantly flickering between you and your paintings to ensure everything is going swimmingly. But Hyunjin wishes so badly he could spend the entirety of these sessions alone with you, getting to break down your walls and see you for the person he knows you are when you’re not doing portraits under Q’s all-seeing eye.
With every passing day, and every passing session, Hyunjin grows a deep hatred for Q, despising the way he watches you work and chimes in to converse with the two of you. And he knows he shouldn’t, aware that Q is just your boss and nothing more. Something you’ve reiterated to him time and time again, but he can’t help it, desperate to have you all to himself every second of the day, a deep-seated longing to protect you from the hurt you’ve been dealt and wanting so badly for you to break free from the monotonous cycle you’ve confined yourself to of painting for anyone except yourself.
You can tell Hyunjin hates Q, judging by the way he doesn’t so much look in his direction when he arrives for his sessions. But you can’t convey the slightest bit of reaction in front of either of them, too scared of the prospect of what would happen to your career if anyone were to find out you’re fucking a client.
You maintain a professional composure around Hyunjin, despite the knowing stares he gives you and the sketches you catch him slipping into your purse when Q isn’t looking. At times he’s not around, you complete your daily tasks, well-mannered and organized to the clients who hire you, shooting them kind smiles and complimenting their black business attire when they show up for the evening. When the days draw to a close, Q is punctual as always, leaving just minutes past your last appointment and taking his work home with him.
And when his sleek black car turns out of the corner of the parking lot, Hyunjin slips inside like a mere shadow on the wall, quick to seduce you all over again and gift you with all of his recent sketches. Some of them are portraits of you, smiling or focused on your work. Some of them are erotic nude shots of you, lying on the tarp of the studio or touching yourself the way he pictures you do when you’re all alone. And some of them include both of you, your bodies tangled desperately into each other and drowning in your yearning and love. Sometimes nude, his hands on yours and fucking you mercilessly. Sometimes fully clothed, his lips on yours and bundled up in winter clothes. But always together, always desperate in your touches and always so tangible. You reckon he’s persuaded you into being fucked you on every surface of the dingy studio by now- against the canvases, on the tarp- several times, on the table Q typically occupies and just about every stool available to the two of you. And while Q is oblivious about why you stay a little longer every night, Hyunjin is both calculated and persuasive in returning so you two can get some time alone, time that always ends with his seed dripping out of your still-aching cunt, bodies entangled somewhere within the studio and covered in fresh swatches of paint.
He may have somewhat of an obsession with you, but life is teeming around the studio when Hyunjin is near, the colors and shapes of your work much more robust and vibrant when he’s striding around the space commenting on all his favorite pieces of yours. And you relish in stories of his days, typically spent at fan events or at dance practices. Having him return feels like having your physical figure return home to you, the world in complete equilibrium when he’s near, much less lonely than the one you’re used to.
“I could watch you do this forever,” Hyunjin remarks, watching you glide a brush along your canvas, filling in the shadows of a figure on the canvas in front of you.
And this one’s not a portrait- it’s a watercolor figure, much like the ones you used to paint back then, the technique coming back to you with ease as you highlight the convexes of a body mirroring yours and add varying hues as highlights.
Per Hyunjin’s request, you paint the figures occasionally, only because he’s repeatedly expressed his fascination at watching you complete the process in a live session. The paintings reminiscent of your old work aren’t for sale, nor are they critiqued by anyone except for yourself. And they’re certainly not done with the knowledge of Q, who would turn irate at you utilizing the studio’s supplies for anything but portraits.
They’re just for his viewing pleasure, a little exchange you indulge him in as he continues to gift you with sketches of his own.
Hyunjin’s arms snake around your waist as you paint, his head resting on your shoulder as he watches you dip your brush into a mug of water and dilute the caramel shade that taints the bristles.
“Will you add a second one?” Hyunjin asks in a curious whisper, his lips grazing your ear as you paint.
“A second one?” You echo.
“Yeah,” Hyunjin says, working a trail of kisses down the shell of your ear. “This one’s you. Will you add me?”
You chuckle lightly, dipping your brush into a warmer shade of brown and swirling it around to gather the color on the fine hairs.
“So they can resemble us,” Hyunjin says, his kisses traveling even lower. “Paint me fucking you the way you like it.”
You chuckle softly again, not missing the way Hyunjin’s hands travel to your skirt, flipping it up to graze his hands along the mound of your upper thigh.
“Hyunjin, I-” you begin to say. But you can’t answer him, shutting your eyes in pleasure as you hear him unzip his jeans behind you and position himself.
“Keep painting,” he says in a sultry whisper, pumping himself lightly behind you as he pulls your panties down.
And you try, bringing your brush to the canvas to add a second figure like he’s requested. But you can hardly make it past the first few strokes before Hyunjin’s sliding into your dripping cunt, letting his hands grip your waist to steady himself as he begins to move.
“Go on,” Hyunjin encourages, as his hips thrust in and away from your trembling figure, your hands trying their very best to keep hold of the little wooden paint brush and fill in his form.
You manage to add a subtle few streaks, beginning the amorphous outline of Hyunjin’s hair, his tall lanky figure towering over yours and taking you with such desperation.
But you don’t get very far before Hyunjin is angling your face to kiss your drooly lips, his hands now finding purchase on your breasts as he continues to fuck you. And all of this is wrong, you know very well. You’re not supposed to be sleeping with a client like this, much less one this powerful, this rich and who wields so much he can hold against you. One slip up and Hyunjin can go tell the world about how you’re the artist who disappeared to sell yourself out to rich men for all their selfish needs. And any option you have to defend yourself would never hold up against his wealthy corporation and all its investors.
But you also can’t help but give into his urges when he’s around, his lips so tantalizing on yours and his cock filling you so fully and completely when he has his way with you.
Maybe it’s not even just about the sex for you- maybe it also has something to do with his stories you live through vicariously, listening to tales of the outside world while you’re trapped in this studio or at the businesses of wealthy men. It’s also the drawings he makes for you, ones you find yourself staring at for hours after he leaves, like proof that he was here and he touched you. The drawings are you in your most tangible form, his hands on yours and his lips on the curves of your neck. It’s like a glimpse into a version of yourself that ceases to exist when he’s absent. And it’s the late hours of the night he spends asking so politely to watch you paint your older work, always so fascinated with the way your mind conjures up varying lonely figures crafted from watercolors and a nylon bristle brush. Older work you hadn’t realized you missed so dearly until you began producing it for Hyunjin again.
But you know that to Hyunjin this is just a exhilarating idea for him, to view your art the same way he carves out a couple hours each week for a museum tour or to sketch in one of his books. He probably finds it more convenient to fuck you here where nobody’s around than to stroke himself in a dorm he shares with three other men. And you can feel it in the way he so desperately pleads you to paint for him or cum for him- that his obsession with you is less about you, and more about the thought of you.
Maybe this is just the result of Hyunjin uncovering a secret nobody else paid close enough attention to connect you to. Or the thrill of you being his favorite artist for years, and realizing you’re finally tangible in front of him, real, and not disappeared like he previously took you for. You reckon it must be the same phenomenon other girls feel toward him, getting intimate with somebody they idolize, desperately cupping his face like it might dissipate if they don’t grasp hard enough. But just the thought of somebody doesn’t imply love. It doesn’t imply a mutual understanding, and it certainly doesn’t imply permanence for either party involved. When he’s gone again, you’ll cease to be real like you already are when he’s not around. And then every vision you have will be rooted in unfaltering solitude once more, your anonymous life resuming again.
“Will you cum for me?” Hyunjin asks, and you snap back to the feeling of his cock twitching in your dripping cunt as he grips your waist. “God, you don’t understand what you do to me.”
You can’t give him an answer before you feel him reaching his release inside of you, shooting thick white ropes of his cum into you and slowing his pace again as he moves your hair away from your face.
“Fuck, I’m sorry, I couldn’t help it,” Hyunjin says sheepishly as he pulls out. “Sit down for me,” he orders between kisses to your neck, trailing down to your shoulder, grazing his hands along your waist and groaning against you.
And he’s already guiding you back to one of the stools, kneeling between your legs and spreading you for him, your glistening cunt on full display for him to taste.
“Want you to cum for me,” Hyunjin whispers, before positioning one of your legs on the wooden dowels of the stool. You can’t verbalize anything to him before his tongue is darting into your entrance, lapping his own release out of you and trailing up to give attention to your swollen clit. He works you in such desperate motions, tongue working your core like a starved animal and eagerly trying to coax an orgasm out of your trembling body. When his arousal is effectively brought out of your tight cunt and painting the tip of his tongue white, he coats your clit in it, giving kitten licks to your bundle of nerves as he hums against your flesh and whispers little pleas for you to let go.
And between your pussy still clenching down around the sheer memory of his cock inside of you mere minutes ago, and his plump lips kissing all over your wettened core, you do let go for him, dribbling cum down the edge of the wooden stool and threading your fingers through his hair as he trails kisses down to your thighs in encouragement.
“So good,” Hyunjin murmurs as he comes up for air, intertwining his fingers in yours as you get cleaned up. You shoot him a little “thank you”, and Hyunjin presses a chaste kiss to the back of your hand as he nods, getting dressed once more and tucking his softened cock back into his boxers.
“Come here,” he states. “I want to ask you something.”
“Should I be concerned?”
“It’s exciting,” Hyunjin retorts.
He guides you to his same wooden stool, where he climbs upon the seat and then takes your hands in his again as you stand in front of him, pressing a small kiss to your palm before speaking.
“You know I care about you, right?” He begins, his eyebrows raised curiously.
“You’ve mentioned it,” you reply.
“And you know I love your art.”
“So you’ve told me,” you say, and Hyunjin brings your hand up to press another kiss to your palm.
“I have a proposal for you,” he then says. “And I just want you to hear me out.”
Your heart sinks at his words, already fearing the worst as you wait for him to elaborate. You pray he hasn’t done anything to reveal your identity, or to make these secret erotic sessions public, knowing you’d both never live a normal life again at either of the instances occurring.
“What is it?” You ask Hyunjin, heart racing in your chest.
He rubs his thumb along the back of your hand soothingly, trying to calm you down before he speaks.
“I privately sponsor the art gallery every year,” he begins. “I put some funding toward a painting of my choice and it allows those artists to have their pieces displayed for the winter show and make connections,” he continues.
“Okay…”
“And I want to sponsor you this year,” Hyunjin finishes, giving your hands a little squeeze.
“Hyunjin, there can't be an installment of your face at the art museum. People will get suspicious.”
“Not my face,” he says reassuringly. “Your art. Like the ones you used to do.”
And you feel your throat dry up at his words, the exact thing you’d feared coming to fruition.
“I can’t,” you’re quick to say.
“Why not?”
“Because I don’t do those paintings anymore. I can paint you, or another person or whoever. But I can’t do one of my old ones.”
“But your old ones are beautiful,” Hyunjin says. “It doesn’t have to be your old series. You can start a new one. Do something entirely different.”
“I don’t want to do something entirely different, Hyunjin. It’s a chapter of my life that’s been closed already. You know I don’t do those anymore.”
Hyunjin maintains his collected composure, his eyes softening as he speaks to you.
“You’re not happy doing portraits. I know you. You have a spark in you when you’re painting for yourself, and people love them. You deserve to be doing what you love.”
“I’m sorry,” you say, letting go of Hyunjin’s grasp and shaking your head. “I’m so grateful for the offer, but I can’t put myself back out there again.”
“You can still be anonymous,” Hyunjin offers. “Some artists I’ve sponsored choose to remain anonymous and only reveal to serious patrons of their art. I can make sure they don’t find out who you are.”
“It’s me and my art I don’t want to be seen,” you emphasize.
Hyunjin doesn’t say anything now, rising from the wooden stool and reaching for the iced coffee he’s placed on the table beside you.
“Okay. I won’t press it any further.”
He swirls the cup of ice around in his hand, and then he hangs his head in defeat.
“Hyunjin, seriously. Thank you for the offer. It’s sweet of you to consider it. But I’m not ready yet.”
He shoves a hand in his pocket and cocks his head slightly.
“Is this because of Quinton?”
“What? Hyunjin, I already told you our relationship is strictly professional-”
“Not romantically,” Hyunjin continues. “You’re like a slave to him. You do everything he tells you to do. He probably doesn’t let you leave this studio.
You’re quiet again, not answering him immediately. No, you don’t stay here at Q’s behest. But it just feels safer to follow his advice. He was just a client when you met him, but he took you under his wing to get you where you are now. He runs all your schedules, he books your appointments for you, he even gives his say on most of your work. He’s the only part of your old life that’s remained the same, despite your transition to portraits, and cutting him off would be stepping into a world completely unbeknownst to you.
“No,” you say finally, but you don’t expand further upon your stance.
“You’re so lonely here,” Hyunjin responds frustratedly. “And yet you follow orders from the same person whose job it is to keep you invisible.”
“Why should I follow your orders?” You retort.
“Because I love you.”
“You don’t love me, Hyunjin,” you reply frustratedly, finally feeling the anger overtake you as you continue your angered speech. “You love the idea of me. You love the idea of escaping your crazy rich life to try and resolve the tortured artist you’re so infatuated with. You love the idea of fulfilling somebody’s life with your presence because it’s all you do for a career. I’m not the person I was when I was doing those paintings- I do portraits now, and I work under somebody who knows what’s best for me. And you’re just a client I’m sleeping with.”
Hyunjin purses his lips, amused you would stoop that low for the purposes of declining his offer. And then he shakes his head as he speaks again.
“You’re right,” he finally says. “I’m just some client you’re sleeping with. I never tried to push you out of this line of work you hate so much, or drew you on every page of my sketch book or made love to you in every square inch of this goddamn studio. I’m not proposing this because I care about you and I want you to do what you love, it’s because I’m just a client you’re sleeping with.”
And he pivots on his heel to exit the studio, taking rushed steps toward the door as tears brim the corners of your eyes.
“Hyunjin, wait,” you call desperately.
“I see you,” Hyunjin says suddenly, turning around to face you. “I see all of you. Your work didn’t just materialize by some anonymous form. You’re a painter, a really talented one, and I don’t want you to feel this all-consuming solitude anymore. I say that because I love you, not just because I’m sleeping with you. If you want to remain invisible to everybody except Quinton, then be my guest. Just know that I tried.”
And without another word, the studio is empty again, the tip of your brush still dripping with the remnants of the warm brown color and every intention to add a second figure to your painting.
*
You don’t speak with Hyunjin any more that evening. Or the next day. Or perhaps for a whole week following the conversation, for that matter. The reality is that you want to partake in his offer, the thought of it candidly piquing your interest to paint something other than another rich man. And it would be nice to watch your art be displayed for people to see just once, rather than to live on the walls of a company where only people within a certain tax bracket will ever grace your work. But what you reiterated to Hyunjin still stands- you’re scared to venture out into the competitive world of art galleries again. Your old series was a hit, sure, but it was also torn down relentlessly by those who didn’t understand it and those who simplified it down to its medium. And it was a much harder endeavor to make people understand your watercolor forms, unlike the portraits Q advises you continue producing.
But you can’t seem to stop thinking of Hyunjin’s proposal as a whole, understanding very well that his offer is one of the kindest things he could propose to you at this place in your life. He sees you- all of you, and subsequently he knows that you’re unhappy in this monotonous abyss of adding new features to the same faces every day. The way a change for you is determined only by a shift in a client’s pose or even just an addition of their pet- it’s all so repetitive, exactly what art isn’t supposed to be.
Maybe you’re just scared of getting rejected again, or perhaps it’s that you’re scared of finally being seen again, anonymous or not, putting yourself on the map again and being perceived.
*
“I want a painting,” Hyunjin says as he saunters into the studio one evening, throwing off his bag and dragging a stool to the middle of the room.
“Oh- Hyunjin, pleased to see you again,” Q remarks, bowing and giving you a nervous look.
Hyunjin doesn’t even acknowledge him, keeping a stern gaze locked on yours as if he’s challenging you.
“We have the evening booked today,” Q begins. “But I’m sure we can accommodate something for next week-”
“I need it now,” Hyunjin replies. “I’m willing to pay five times your asking price.”
And you narrow your eyes at Hyunjin, knowing he’s making his best attempt to provoke you and disrupt the work you’re completing per Q’s orders.
“How do you want it?” Q then asks, not hesitating to put aside your entire evening for Hyunjin’s offer.
“I want to be in a suit. And I want to be holding a wad of cash. I want to look like an investor.”
“Interesting,” Q says, his gaze flickering to yours. “She can do it though.”
Q turns to face you, giving you a knowing look as he raises his eyebrows. “I’ll clear your calendar for today and we can stay and work on this piece.”
And Hyunjin looks to you, too, waiting for you to protest, to say something along the lines of a refusal to partake in the outlandish task. But you avert both of their gazes, readying your paint palette and gesturing to one of the stools in front of you.
“Have a seat,” you say plainly, void of any emotion or desire to fulfill the task. And by the way Q hovers over you, void of autonomy, too, Hyunjin concludes.
“How are things at the company?” Q asks Hyunjin, leaning in a little too close to you as you begin painting long strokes on the canvas.
“Fine,” Hyunjin says, not taking his gaze off yours. His eyes are narrowed like he’s challenging you, yet you don’t give him the reaction he searches for.
“You must be busy,” Q remarks, his hands folded behind his back. “It’s been a while since we’ve seen you here.”
“Yeah, and I’m sure you’re running her schedule like the fucking military,” Hyunjin retorts, cocking an eyebrow at him. Q takes a sharp breath, but he doesn’t argue, doing his best to keep in line at your highest-paying client.
“She’s pretty busy,” Q replies reluctantly. “But it’s nothing she can’t handle.”
Hyunjin doesn’t say anything, again waiting for you to chime in, but you still don’t, working on adding details to Hyunjin’s tresses on the canvas.
“This will be my final session,” Hyunjin then says, and your head snaps to meet his gaze.
“Is that so?” Q questions. “Going overseas again?”
“Indefinitely,” Hyunjin replies. “Not overseas, I’ve just no need for the paintings anymore.”
Your lips part as though to ask if he’s serious, but you can’t, not with Q here alongside you.
“I have so many of them now,” Hyunjin remarks, not taking his eyes off you. “It’s been a lovely time with the two of you, but I won’t be returning after this evening. I hope you understand.”
“Please don’t hesitate to reach out if there’s anything we can provide you with,” Q voices. “I hope we’ll remain connected with the peers at your company.”
“Oh, you will,” Hyunjin replies. “I’m sure the investors and the senior managers will love portraits of their own. She’ll have a lifetime of portraits to complete when I’m gone.”
You can feel a pit forming in your stomach, queasy at the thought of carrying on this task of capturing rich businessmen and ceasing your sessions with Hyunjin. He’s unmoving in his attempts to make you revisit your old art. But his begging has also been eye-opening, making you realize just how much you hate this line of work and having Q breathe down your neck.
Hyunjin has a point, you’re unhappy doing portraits. You love the watercolor figures you paint, you love your time with Hyunjin and the feeling of unending curiosity he instills in you. There’s no solitude when he’s around, filling every aspect of your life with such color and vibrancy like the figures you paint. And you learn from him just as much as he learns from you.
But the fear remains, the feeling of hopelessness remains, the perception that Hyunjin is only obsessed with an idea of you and that your career is far gone from the watercolor figures you painted so long ago.
And of course, that you require Q’s uncompromising presence in your life to be even close to successful. He’s the one who transitioned you to a successful career of portraits after your previous line of work fell through. And you’re not sure you can shift to a new focus without him to guide you.
“Hyunjin,” you say suddenly, garnering the attention of both he and Q.
“What is it?” Q replies, as though you’re referring to him. And you wish he wouldn’t be so… disruptive, making you lose your train of thought as Hyunjin waits for your words with bated breath.
“I’ve completed the initial outline,” you settle on saying. “It should be sent over to you in a couple days.”
And he nods, a somber, thin-lipped expression on his face as he understands you’re never going to divert from this path of fear you walk, one you’re forcing yourself to stick to.
“Thank you,” Hyunjin responds, getting up to leave again. “I’ll see you around.”
*
Private events are seldom actually private for Hyunjin. The interior of the gallery is organized accordingly so that patrons can mingle with their respective artists and all of the prestigious guests invited.
But the exterior is only private up the crowd control stanchions, where beyond it live hordes of people wielding all sorts of fancy cameras and cell phones, snapping photo after photo and analyzing every one of Hyunjin’s movements.
Hyunjin’s attending an art gallery today, the crowds murmur amongst each other, the message echoing all over the city and overshadowing the art itself, which hasn’t even been unveiled yet.
His departure from the black limousine he arrives in is met instantly with deafening screams, the repetitive click of camera shutters and commands for him to angle his face every which way. The people stop to stare at his fitted black suit, the long black hair he sports styled slick out of his face and expensive jewelry he flaunts as a clear indicator that he’s a sponsor of the evening’s show, alongside a long list of other wealthy individuals.
His hands remain tucked in the pockets of his black slacks, giving a gracious bow to the fans before making his way inside to the main event.
And the gallery is significantly more packed than he’s used to, people crowding every square inch of the marbled floors and admiring the intricate pieces of art. The curtains are pulled back neatly so that guests can roam freely among the halls, easels set up in neat rows and canvases mounted on walls to display all the sponsored works of art.
Hyunjin is quick to gravitate to the long white table pushed against the wall by the entrance, set up with generous servings of hors d’oeuvres. And in a bout of nervousness, he’s sampling the cheese platters and the varying flavors of wine, sighing as he swirls a glass of cherry merlot between his slender fingers.
He was supposed to be here sponsoring you tonight, unveiling your paintings for the world to appreciate once again, and so that he’d finally put forth the notion that you’re more than the halls of law offices your portraits exist in.
But that was three weeks ago now- three weeks in which Hyunjin failed to visit you like he’d warned he would. And three weeks in which neither of you reconnected, letting the temporary affair between you dissipate like the sketches he stopped producing of you, like the portraits he finished collecting from you. And like the hope he held onto that maybe you’d come around and entertain a life in which you aren’t so comfortable being invisible and inhibited at the hands of your Q. But that never came around, and although Hyunjin is frustrated with you, he misses you just as much, knowing very well he could spend a lifetime learning from you if only you let him. Now in the gallery he once dragged you to, where he admitted to having learned the secret you hid, he can only pray you know that he sees you for who you are, and not some invisible producer of your static portraits. That a life lived in complete solitude doesn’t have to be the answer to succumbing to your fears, even if it feels more comfortable than the perception and the critiques of others. And that although the idea of you was a lovely one indeed, he loves every part of you, not just the concept of you- and pushing you to grow was his way of making it known.
The gallery hosts are quick to introduce the paintings and their respective sponsors, a variety of them being under anonymous titles and names as they choose to remain hidden, too. But Hyunjin doesn’t wait around to listen to much of it, examining the paintings on his own in between nervous trips to the snack table, where he gets tipsy off a little too much cherry wine. It’s his first time not being a sponsor to a specific painting, instead having opted to donate a large sum to the gallery in his company’s name. But after you declined his invitation to be sponsored, Hyunjin didn’t see it fit to highlight the work of any other painting. It’s you he wants to see up there, proudly showing off your work and making a name for yourself in the industry again the way he knows you secretly want to. And he so badly wishes he could stop by your studio one last time to tell you that he’s not sure he can ever sponsor another painting again if it’s not one of yours. Your art circles his mind relentlessly, as do your words, your heart, your body and your real, tangible presence.
“Nice, isn’t it?” A voice says from beside Hyunjin. He almost jumps, the wine making him a little tired at this point in the evening, not having socialized with many people while he stands in the corner of the room and takes in the sight.
“Quinton?” Hyunjin voices plainly, scowling at his uptight demeanor as he leans against the table beside Hyunjin and crosses his legs.
“So nice to see our former highest-painting client,” Q responds. “And to what do I owe the pleasure?”
“I’ve never seen you at one of these,” Hyunjin chimes in. He then looks around the room frantically, thinking maybe you’d accompanied him to the event tonight.
“Don’t bother,” Q says, as he takes a sip of wine. “I’m alone. Just scoping out the competition.”
He’s quiet for a moment, swirling his glass of wine around in his hand before speaking again.
“She never had a portrait at one of these gallery shows. Said they felt too commercial. Of course her old stuff was shown just about everywhere. I think she was just scared.”
“You mean- you knew?” Hyunjin questions.
“Of course I knew. I led her career’s entire rebranding. Of course she didn’t love the portraits, but the money came to us like you wouldn’t believe. And coupled with her fear of these gallery walks and important figures, we had no choice but to compromise. I got her the opportunity to paint people like you. And she did all the work.”
Hyunjin doesn’t say anything for a moment, simply shaking his head and crossing his legs, too.
“She had a lot of people who believed in her art.”
Q shrugs. “She was free to walk whenever she wanted. Her fear kept her controlled, not me. I’m just another businessman for all she cares.”
And Hyunjin gives a small nod, finishing the last of his wine.
“Look, I can’t help but feel like I owe you an apology,” Hyunjin says finally. “I was just a little jealous whenever you were around. Not that there was anything going on, I just mean-”
“You think you’re the first client to have taken a liking to her?” Q interrupts. “I’ve seen it a million times. People want to take advantage and they get obsessed, and they start pulling crazy shit like offering five times the pay for a simple portrait.”
Q looks down to examine his leather shoes, adjusting the glasses that rest on the bridge of his nose. And then he sighs frustratedly before speaking again.
“I would know,” Q then says, doing his best to avert Hyunjin’s gaze. “She’s a tough one to crack. She loves her paintings, and being alone and I don’t think she’d ever give the time of day to a good man. Not even if he followed her to her next endeavor.”
Hyunjin nods at the marbled floor, and then his head snaps in the direction of Q’s somber gaze.
The way he speaks of you, the way he gets a little too close to you for Hyunjin’s liking- Hyunjin finally thinks he understands. It’s not just the fear of being perceived that keeps you from picking up your old life again. It’s the fear of abandoning Q, who so arrogantly feels like he’s owed something for helping get you back on your feet after you shifted your work’s focus.
He’s the only other person who knows your secret, and he holds it over you like it makes him more important than anyone else in your life. He reduces you to a lifetime of following his orders, likely because he’s bitter that he was never the solution to your loneliness. A wealthy businessman himself, it was Q who kept returning for paintings once not long ago, accumulating piles of your work and making every last effort to pursue you. But when he wasn’t successful, he convinced you that you were right about your fears, that it was your best move to take his advice and he’d keep you turning a generous profit as long as you stuck by him. Q was so hopelessly devoted to an idea of you, and when he couldn’t help you overcome your fears, he became the catalyst for your fears, instead.
“You and I are a lot of the same,” Q voices. “Two rich men with dreams just out of our reach. It seems money can’t buy you everything, after all.”
Hyunjin doesn’t say anything, swallowing nervously and looking at Q. And then Q shakes his head as he sets his glass of wine down on the table.
“Only I’ve never seen her willingly paint the same client so many times the way she does with you,” he finishes. “I guess she really liked being seen, after all.”
Q adjusts his glasses once more, and Hyunjin feels his heart sink at Q’s words, suddenly feeling overwhelmingly guilty for not having contacted you again.
“Could you tell her I stopped by?” Hyunjin inquires.
“Me? Oh no,” Q begins. “I can’t get in contact with her. No one can.”
“You- what? What do you mean?”
“Exactly that,” Q responds. “She told me she was done, and she walked out on me with a single watercolor palette and a notepad. She didn’t say anything else.”
“Did she say where she was going?” Hyunjin interrupts to ask, and Q shakes his head.
“She just left, and it’s been almost a month and she’s still MIA. Maybe she’ll come crawling back when she needs another rebranding.”
Hyunjin can feel his heart sinking deeper and deeper with every passing word that leaves Q’s lips.
He’s tried your cell phone- twice since leaving, and you never answered. But he assumed it to be a fleeting argument that would eventually make amends in due time when he could stomach visiting the studio again- not you running away from all of this for good.
“I have to go,” Hyunjin says frantically, chugging the rest of his wine and slamming his glass on the table.
“It was me who found her the first time,” Q says, not taking his eyes off the art across the room.
“What?”
“It was me who chased after her. After she disappeared. Don’t be surprised if she shuts you out when you finally do find her- I think I’ve already scarred her enough with my relentless attempts at persuasion.”
Hyunjin nods nervously, watching as Q cocks his head at the art, still averting Hyunjin’s gaze. And when he finally does turn to look at him, his eyes are glossy with tears, guilt painting every feature on his face.
“Could you just tell her I’m sorry?”
Hyunjin nods, though he makes no verbal promise to relay the message to you.
“Don’t do what I did,” Q emphasizes. “I think you’re the one person who makes her feel like art, herself. Don’t ruin this.”
*
“I forgot my ID today,” Hyunjin remarks to the security guard in the late hours of the evening. He’s met with a gracious bow, the same security guard opening the door and ushering him inside anyway.
“Don’t worry about it. Take as long as you need.”
The security guards all know Hyunjin very well now, taking note of the way his visits increased tenfold following your departure from the city.
At first he felt as though maybe he was searching for you when he’d come out here, any ounce of proof that you had indeed existed the way he remembered, and hopeful for the confirmation that you moved on to something new.
But as paintings cycled through their respective artists, and exhibits cycled through varying themes, it was a confirmation he never received, never finding a hint of you among the gallery. Thus, Hyunjin drew the hopeful conclusion that you’d escaped to a nicer city, worked on your old paintings again and made a new life for yourself, independently instead of under the overbearing presence of any other man. It’s what he wishes, at least, feeling disheartened every time he remembers you’ve very seldom lived any part of your professional career for yourself only.
The gallery is quiet at this hour, akin to the silent gray evening beyond its walls, and Hyunjin’s shoes squeak along the floors as he makes his way over to the curtains that veil the artwork.
New sculptures, by the same artist who had formed the paper mache ones. These ones are formed from wire and clay, the figures once again embracing each other in tender touches and dances. Hyunjin studies every careful bend and arch, making a mental note to sketch some of them when he gets a chance.
Another room houses a similar spread of modern art from before, these ones all coinciding with the warm lighting that hangs overhead, strokes along the canvases all housing similar warm-toned hues. He knows you’d love this installment and its careful attention to making use of color.
And the last room, the same little room behind a curtain, a small bench in front of a colossal canvas and just barely lit for his eyes to make out the scene.
Hyunjin’s seated before he can even examine the artwork, squinting carefully at the painting to get a better look. He even makes a conscious decision to put on his black frame glasses, making every attempt to get a proper look at the artwork in front of him.
Diluted hues of paint and water dance along the canvas, figured outlines he’s very familiar with, and the essence of solitude radiating from every brush stroke. Only this one isn’t one figure- it’s two, a warm-toned figure and a cool-toned outline holding each other in a tender embrace, their faces indistinguishable, true to the mystery of your work.
And between them, bright hues of paint, yellows, blues, magentas, fantastic mixtures of chartreuse and vermillion, all painted like brush strokes along their yearning bodies and illustrating a profound sense of togetherness, much more robust than the ever-present solitude.
“Visions of you in solitude,” reads the small bronze beneath the canvas.
As he cocks his head to make sense of the painting, he feels the leather of the bench dip beside him, indicating the presence of another patron. And at this hour, he doesn’t need to turn his head to understand who it is.
“There’s two,” Hyunjin says with a small smile, not averting his gaze from the painting.
“It felt incomplete without one.”
“Is that…”
“You?” You question quietly.
He nods in response, eyes scanning the swatches of paint between their bodies. It has to be me, he thinks. It has to be us.
“Maybe it is,” you reply. “I don’t disclose my processes to just about anyone. But you’re welcome to make your assumptions how you see fit.”
Hyunjin gives a breathy chuckle, finally turning to meet your gaze.
You look lighter- happier, as though you have the weight of your fears and reservations off your shoulders for once. Hyunjin can’t help but lean a little closer into you before stopping himself, knowing he can’t come in here to mirror the same thing Q once did long ago.
“You’re doing galleries,” he settles on saying.
“And they scare the hell out of me,” you respond, huffing a little at the end of your sentence. “But, it is nice to be seen again.”
He gives a little nod, and then his mind goes back to Q, who had asked to relay his version of an apology to you. But Hyunjin hesitates to speak of him, not wanting to taint your new art with the mentions of the old businessmen who took advantage of you.
“I’d have kept my distance if I knew how this went down the first time,” Hyunjin explains, hoping you’ll get what he implies. “It wasn’t fair of me to ask you to shift your focus. I just wanted you to be happy.”
You sigh for a moment, scanning the painting across from you, too, before turning to speak to him once more.
“Of all the clients I’ve painted, you were the first to ask about my vision. I think you do see me. And I think it was easier to say you loved an idea of me, because I couldn’t understand why you’d love any other part.”
Hyunjin nods, not taking his eyes off of yours.
“I learn from you the same way you learned from me,” you continue. “And you make me feel so seen. But I’m learning how to do that without needing you, too. Getting comfortable with my loneliness, I don’t think it’s something I was able to practice very much. At least not with…”
Hyunjin nods, not needing to hear Q’s name to know who you speak of.
“I understand,” Hyunjin voices. “And I want you to take all the time that you need. What matters is that you feel fulfilled, and that you’re not being pushed at the hands of somebody else. That’s more than enough for me to love you at a distance.”
And you nod at him, your heart swelling at his words as he turns to look back at the painting once more. The two of you stay there like that for several minutes, observing the way you’ve so carefully captured the togetherness you feel when you’re beside him. Swatches of paints that echo the color he brings into your life, and yet rooted in the solitude you’re still learning to be comfortable with. Visions of him in your own solitude, also creating a version of yourself that will continue to learn from him as much as he learns from you. And still art at the hands of him, both when you’re loving him wholly, and at this comfortable distance from each other.
And by the summer months, he’ll love you at a close proximity when you’re ready again, exchanging passionate embraces behind the curtains at galleries and making love to you in your shared apartment. He’ll continue to draw for you, and remain the biggest fan of the two-piece figures you illustrate with watercolors, capturing the same sense of togetherness and yet unwavering solitude that comes with breaking yourself down to the world around you. And the love will be reciprocated unconditionally by you, who finally feels seen at the hands of somebody who perceives you beyond just a concept.
But for now, he’ll remain right here, at this comfortable distance, allowing himself to learn from you as much as you learn from him. And the love will be undemanding, but it will be real, tangible.
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evilminji · 3 months
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Dani should Kidnap The Clones.
It's basicly protective custody. Preemptive child services, if you will. NONE of these fuckers out here makin adorable clone baby just cause they want kids!
*kicks down the door to your shady lab* Knock Knock! ITS THE POLICE! *Walker's Shock troopers swarm the place as Dani secures the kids*
Look me in the eyes. You KNOW he'd love an excuse to enforce The Rules on people technically outside his jurisdiction. It's for The Children(tm)! Why, he simply had no CHOICE!
Meanwhile? Dani is shoving all these mal-adjusted Murder Clones into her Lair? Which is? Basicly a Door style Lair she hid inside Danny's Lair for safe keeping. It's shoved behind a vending machine just outside the observatory. And the inside? Goes on for DAYS.
Like national parks and every beautiful beach she ever came across. She smashed together the BEST sights and places she's found in her travels, like a collection. Always adding more. New waterfalls, new noodle shops, new fields of wine grapes. It's... beautiful. Snapshots of every wonderous little thing about Earth, stitched together.
They can't hurt anyone. Can't achieve their "objectives". Are just treated like actual individuals and the children they truely are. Are surrounded by other Clones. So it's NORMAL here. Just? All of it.
But also?
Dani and Dan? Teaming up to make History's Scariest Adoption Agency(TM). Dan runs it. Dan wants to know why EXACTLY you want a kid. Explain yourself to Dan. What are your references? Qualifications. He's doing a home visit to inspect the premises. He BETTER not find any suspicious Labs.
And? It just? Appears out of nowhere. It's powered by Zone Bullshit. One second you're thinking "oh woe is me D:> I will never have a child to fill my lovely home, because of all my Superhero Secrets and also because government bureaucracy!" And the next?
.....wasn't that an out of business taco bell? "Zone Adoptions"?
"....Free Clone Baby?"
Okay that is HIGHLY suspicious and as a hero you are basicly legally obligated to investigate. But now it's bigger on the inside? Fancy waiting room? You are being interrogated? Wait, no, you're supposed to be the one doing the-?
Somehow? You leave with your Clone Son from another Dimension. And a pamphlet. You're scheduled for a home visit in three days. You... you never told them where you live.
Somehow that doesn't seem like it will slow them down.
Did the Fae just Suprise Baby you with a clone baby? Can they DO that? W... what's happening? What days is this? Who ARE YOU PEOPLE?! HUH!?!?
Just? Imagine. IMAGINE. I was gonna say Bruce... but?
Damian.
He finds himself... pondering What Could Have Been. Had his Clones not wanted him dead. Wondering if he could have saved them. If, perhaps, he had found them as infants. Raised them. Could he have given them a good life? Been a good father?
He gets emotional. Fatherly. He's about 14.
Dan's been around Ghosts too long to remember how humans age or how age relates to development. This one TALKS like An Adult. Must be one. Probably just short.
And Damian? Never backs down. The second Dan starts challenging him? His character is flawless and his morals divine. He has never done anything wrong, ever, in his LIFE. Fuck you. And on TOP of that? He not only will be the SINGLE GREATEST FATHER TO EVER FATHER, his home is the most loving and beloved ON THE PLANET!
In entirety of EARTH'S history, no less!
....what are they arguing about?
*is handed a baby and kicked out of Dan's adoption agency*
See you in a few days!
(o.o ) *happy gurgling from the baby* *Damian.exe has stopped working*
Smash cut, after Damian speed runs his stages of grief at his own Dumbass Life Choices, to his rocking back up at the Manor like? Congratulations, Father. I have brought you your first grandson! Do Not ask how I obtained him. It was likely dubiously legal but I will not be returning him. We have bonded.
And just? Annihilating the collective Bats on one go. You did what? You have What?! That is a baby! WHY IS THERE A BABY?! How is there a baby!? WHOS BABY!? *sirens going off and everyone panicking*
Will Damian be allowed to KEEP the Baby? Ha! Hell no. Bruce will. Damian is a child. But it will be a Needlessly Dramatic Bat Cold War Of Dramatic Drama to pry that small cherubic baby from his grip long enough for Bruce to fill out the paperwork.
Child thieving bastard that he is. How dare he. That is Damian's SON! D:<
*happy oblivious baby noises as Alfred feeds him in the background, while the Bats do their Dramatic Custody War*
@hdgnj @babbling-babull @hypewinter @nerdpoe @lolottes @mutable-manifestation
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rafeandonlyrafe · 30 days
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angel of a daughter
Tumblr media
words: 2.2k
warnings: 18+ only!, smut, stepcest, stepdad!rafe, p in v sex, unprotected sex, virgin!reader, female receiving oral, fingering, breeding, fertility issues (from mother), reader is described as having big boobs, kinda pregnancy kink from rafe but more talk of sex while pregnant, cheating (no daddy kink)
“i got the results back.” your mom says, her voice low and sad, revealing her results with her tone alone. “the doctor says theres no way.” “i’m sorry, mama.” you pout, wrapping your arms around her shoulders. you hate that you feel a bit of relief. your mom had you young, a teenager knocked up by another teenager who ran off the second he heard his girlfriend got pregnant.
your mom raised you until you were a teenager yourself, doing everything by herself until your stepdad came into the picture. he inserted himself perfectly into your life, but expected to have kids of his own.
“whats the plan then?” you question as your stepdad comes into the living room, setting a glass of water down in front of your mom. you sit on either side of her, showing your support. “adoption? surrogate?” 
you like being an only child. you like it just being you, mom, and rafe, but at the same time, you want your mom to be happy, and if a baby gives her that, you'll adjust for her.
“actually…” rafe clears his throat. “we were hoping you’d be willing to help out.”
“yeah, of course.” you nod. “anyway i can.” 
you don’t realize what rafe means until later. you assumed it was just help researching adoption agencies, or finding a surrogate, but as rafe hovers over you, you realize he means to breed you.
“m-my mom can’t be okay with this.” you stutter out, body stiff against the bed, trapped as you blink up at rafe, body caging you over the mattress.
“she thinks you’re going to get inseminated.” he huffs out, breath warm against your face. “and in a way you are. a natural way.”
“i-i-” you stutter out. “i don't know about this.”
“come on, i see the way you look at me.” rafe shifts his weight to one hand, gliding down the other down your torso, squeezing your hip gently. “i know you want this.”
“you're married to my mom!” your eyes are wide, but a spark does ignite inside of you. “you're my stepdad!”
“and you’re going to be doing both of us such a big favor, pretty girl.” rafe coos, his fingers running along the material of your shorts, stroking closer and closer to your center every time.
“i-i guess it would be easier than going to a doctor.” you’re sure it involves waivers and legal shit that your mind just can’t even wrap around.
“exactly!” rafe smiles down at you, glad for your naivety. “besides, im making you feel good... you’ll get pregnant, and both of us will feel real good.”
“how many times will we get to do it?” you whisper, hands reaching up to touch rafes cheeks, running your finger down the smooth planes. “like, it probably won’t take the first time.”
“as many times as we have to babygirl. and i’ll take real good care of you during your pregnancy. rub your feet, buy whatever you are craving, eat you out.” rafe loves the way your eyes blow wide.
“thats not appropriate!” your mom has lectured you long and hard about sexual experiences and above all how important it is to wait so you don’t become pregnant young like she did. and now she is asking you to allow your stepdad to breed you when you’re freshly out of your teen years.
“its okay, its just you helping us out so im helping you back out in return.” rafe moves his hand up to cup your cheek. “let me show you.”
he leans down to press your lips together in a kiss. you lay frozen for a moment before beginning to move back, reciprocating the kiss as your hands fist into his shirt, tugging him lower.
you let out a moan into his mouth and rafe has to pull away to chuckle. “see, i knew you wanted me babygirl.”
“yeah.” you nod. “okay, lets do this.” damn the consequences, you can think about them later.
“good.” he coos out, lips back against yours quickly as his hand gropes at your breast, rubbing them through your tanktop. you’ve always been insecure about the size of your chest, but as rafe lowers down to look at them, you think about them in a whole new light.
“these are gonna feed our baby so well.” he says, tugging at the hem of your shirt, lower and lower until it breeches the swell of your breasts and they pop out the top. you don’t ask who he means by ‘our’. you can indulge in the fantasy that it’s just you and rafe. that your mom is still in the picture, but only in the role as your mother, not the one of rafes baby. 
rafe wraps his lips around your nipple, sucking deeply into his mouth, so in contrast to what it must feel like to have an infant feeding.
“i-more.” you gasp out as rafes fingers play with your other nipple, rolling and pinching at it until they’re both stiff peaks.
“i can’t wait to fuck you baby.” rafe says, helping you sit up just slightly to pull your shirt off, the small pajama shorts the only barrier you have left on your body. rafe also tugs his shirt off. you’ve seen him shirtless before in the pool or on your boat, but its different in this low lighting, so intimate and close. 
“gonna eat your pretty pussy first though.” rafe tugs your shorts down, your thighs pressing together to allow you to keep that part of yourself hidden for a moment longer, before rafe is pushing at your legs and slotting himself onto the bed in between them.
“aww.” rafe smiles, looking much more like a boy your age with his grin rather than your stepfather. “i knew she’d be cute.” his hands stroke over your inner thighs. “have you ever had a guy eat your pussy before?”
“no.” you shake your head. “never done anything with a guy.” you’ve kissed past boyfriends, but it never went beyond that.
“im gonna be your first?” theres a spark in rafes eye when he realizes that you’re a virgin. that he’s going to deflower you, fill you up. 
“y-yeah.” you nod. 
rafe wants you to cum once with his mouth and fingers first to open you up and get you wetter before he fucks you, so he wastes no more time, pushing his face forward between your legs, tongue swiping over your folds as you scream out in pleasure. 
rafe is glad as your moans increase with every flick of his tongue and glide of his lips that he chose to sneak into your room in a time when your mom was gone, off to the spa with her girlfriends, no doubt sharing to them her recent doctors trip and how her angel of a daughter agreed to be a surrogate so her and rafe could have a baby of their own.
“you taste so good.” rafe says. he isn’t one to enjoy giving head often, but you really are the sweetest taste on his lips. he focuses in on your clit as your entire body stiffens before relaxing, sighing out as your head becomes fuzzier and fuzzier with every touch of rafes mouth.
“do you touch yourself here?” rafe asks, pressing kisses to your clit, making out with it just like he did you mouth.
“no.” you shake your head. you occasionally grinded yourself into a pillow stuffed between your legs to get off when you got too overwhelmed, but you never reached your hand in your pants to feel yourself.
“what about here?” rafe brings his hand to your cunt, finger circling around your entrance.
your eyes widen again, that gloriously innocent startled look that has rafe grinding into the bed to give his cock some sort of relief.
“never!” you shake your head.
rafe just smiles, going back to focusing on your clit as his finger pushes in. you’re so wet it’s not difficult at all, but he can feel the way you squeeze around his digit, getting used to the feeling of the intrusion.
“relax for me, princess.” rafe says, sucking at your clit as he begins to move his finger in and out until he’s able to easily pump, the delicious squelching of your wetness filling the room with his every movement.
“gonna add a second, okay?” rafe talks you through the process, not wanting to do something to scare you into changing your mind. “gotta open you up for my cock, baby.”
rafe pushes a second finger into your entrance, working you open until he feels your body stiffen, his concentration going to your clit as he works you through your orgasm, your high so suddenly breeching that your body locks up and you let out a scream.
��shh, i got you.” rafe kisses along your mound as you work through it, pussy clenching around his fingers as he scissors them, knowing he needs you looser to fit inside.
“that-” you gasp out, mouth suddenly feeling dry. “that was so good.” “yeah?” rafe smiles up at you. “i can keep helping you feel that way, baby.”
“mhm.” you nod, not sure how you’ll ever go without now that you’ve felt the high that rafe can get you.
“can i fuck you now?” he questions. as much as he’s ready to go right now, if he has to build you up to allow him inside bare, he would wait.
“yeah.” your voice is dripping with eagerness. “yeah, yes please. just need a drink of water first.”
you sit up slightly, going to reach for your water bottle on your bedside table, but rafe moves quicker, helping you bring the bottle to your lips and suck the water down, pulling away with a gasp as a drop of water glides down your chin, reaching your throat before rafes tongue is on your skin, tasting the sheen of sweat as he follows the wet trail up to your lips, kissing you to keep your mind occupied.
he works his pants and underwear off while you’re wrapped up in the kiss, your hands stroking through his hair, playing with the strands. 
rafe moves your legs to wrap around his hips as he holds onto his cock, swiping it through your folds. he taps the head against your sensitive swollen clit, making you pull away with a gasp.
“stay nice and relaxed for me, baby.” rafe says, pressing kisses to your jaw as he lines up with your entrance. he pushes in slowly, your eyes clenching shut as your chest moves up and down with each breath, trying to keep your body relaxed like rafe said.
“there ya go.” rafe says, halfway inside your cunt. “good girl.”
he pushes as far in as your pussy allows, both of you sitting in that moment, relishing in the feeling of being joined together as you stretch to accommodate his large length, shifting your hips side to side and up and down to get used to the feeling.
“i gotta move, baby.” rafe says, his voice sounding strained.
“yeah, go ahead.” you nod. despite your affirmation, rafe continues to move slowly, his hips swinging back before pressing forward, carefully building up a rhythm.
“it feels really good.” you tell rafe, your cheeks flushed bright pink, hair fanned out on the pillow around you like a glowing halo.
“yeah, yeah.” rafe nods rapidly, his grip on control quickly loosening. “you feel so good too.”
rafe knows he should stop, but he loves the way your body reacts to his dirty words. “you’re so tight around me. i love this pussy. so much better than your mamas. gonna give me a baby, right?”
“i-yeah.” you nod. “fill me up.”
rafes loosening control shatters, his hips swinging forward fast, burying his cock inside of you as the pace instantly triples. you let out a squeal, the sheets gripped in your hands as he pounds into you.
“gonna fill up your pretty little cunnie, baby.” rafe grunts out, his own forehead sheening with sweat from his effort, his muscles straining as he pushes up then down, up then down.
“want it so bad.” you whine. 
“fuck.” rafe gasps out, mouth dropping open, his lips shiny from eating you out. “can’t last much longer. gonna cum.”
you experiment, clenching your pussy around his cock, and judging by rafes reaction of a loud moan and curse, you can tell he likes it. you continue, squeezing every time he pulls out, wanting to keep his cock wrapped in your warmth.
“i-im cumming.” rafe gasps out, his cock growing inside of you before your eyes widen, suddenly feeling warmth spreading as his cum fills you, his cock pressing in even harder, hoping it reaches your womb.
“god.” rafe groans, lowering his body on top of yours, but you don’t care about the weight as you smile.
“we’re gonna keep doing that?” you ask, running your hand down his back.
rafe looks up at you. “oh, of course baby. gonna keep fucking you while you’re pregnant too, maybe you’ll give us twins.”
you roll your eyes and giggle at rafe. “thats not how it works, silly!” “oh, what do you know?” rafe smirks at you. “you haven’t even had sex before!”
“well… i have now.” you mumble, shifting your hips from side to side, rafes cock still lodged deep inside of you.
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aziraphale-is-a-cat · 7 months
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DPXDC Scandal Family
We all know about Brucie Wayne and his endless supply of poorly adjusted children, but a new billionaire family is taking the tabloids by storm- The Masters Brood.
Entrepreneurial billionaire and super fan of the Green Bay Packers, Vlad Masters recently adopted the children of his late college classmates, Madelyn and Jack Fenton in the wake of their tragic deaths. Two daughters and two sons, the oldest named Jasmine and the other three oddly named Dan, Danny and Danielle- the children have caused multiple scenes in public, from brawling with each other to harassing their adoptive father in public.
Masters himself only seems all too amused with the antics and often participates in the more harmless acts of tomfoolery like sneaking stickers onto the back of guests' heads and making light work of refreshment tables.
In the face of this new found family, will Brucie Wayne and his children be able to maintain their title as America's weirdest billionaires, or will that status be swept out from beneath them?
-
Looking grimly at the screen of his laptop, Dick Grayson considers his options. "Looks like we're really going to have to step up our game- hey Jason! How do you feel about coming back to legal life?"
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neoplatinum · 1 month
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til' death do us part - part 1 | minatozaki sana
summary: sana minatozaki walks right into your life with a marriage license.
pairing: heiress!sana x reader
themes: arranged marriage au, fluff, angst, tension, lots of elitism, conglomerate power-hungry side characters, implied sex
wc: 5.0k
(series masterlist)
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"the minatozaki's are waiting." you stare at the contract in front of you, frustrated at the idea of the family visiting. they sent the contract to you two weeks ago, and you knew that they were expecting a response, as in a signature. but here lays the contract on your coffee table, left to collect dust.
"let them in." you sit up from the couch, adjusting your shirt. you watch the maid let them in, timed steps in the long marble hallway. you hear their presence before you see them. then you see the matriarch of the minatozaki family step into the room. her head held high and proper, like a leader.
she reminds you of your own mother: the sharp tongue, quick judgements, and inability to let go of grudges.
then walks in sana minatozaki, the only heiress of the minatozaki group. she is not a stranger at all, but you havent decided if she is a friend or foe. when you were both younger, annual balls were centered around her. she always took those events in stride, while you enjoyed sticking by your mother's side.
you often remember watching sana dancing with anyone who would ask her; even from afar, you knew she was someone that everyone awed at. they treated her attention like a prize worth attaining.
"hello mrs. minatozaki and ms. minatozaki, please have a seat." you direct them to sit on the opposing couch. "how may i help you?"
they both get situated while you sit by yourself, feeling the weight of the minatozaki power firsthand. you watch your staff rushing to present them with tea, only for the two to dismiss them quickly.
"yes, we sent over a contract earlier last week, please sign it." the matriach points at the contract on your table.
"yes well, it is a marriage contract, a legally binding one. i need time to think it through."
"what is there to think through? you get to marry into the minatozaki group, and solidify your business with the backings of our family, i see no reason that it's empty now."
you frown at that, those were the exact words your own father told you over the phone, you called him immediately after receiving the contract, he told you the same exact thing, ending the call immediately after.
you dont disagree with the benefits, you would just rather marry someone else. someone that you could be in love with, not sana minatozaki.
"mrs. minatozaki, as much as i understand the power and backing of your family. i am rather old-fashioned. i only believe in marriage out of love." you nod solemnly to the older woman.
she lets out a trained laugh and holds her daughter's hands like they're her prize and tool. "love? you don't think that you could love my daughter?"
"mrs. minatozaki, i didn't mean it in that way-"
"so, what way did you mean it? my daughter sana," you say, watching as her daughter stands up from the couch, tall and proud, just like her mother, and smiling at you in that coy smile. "she has a line of suitors far longer than you could imagine; you should reconsider."
"mrs. minatozaki' please if i may-"
she holds her palm up, completely stopping you from speaking. "enough. here's what we're going to do: a three-month commitment. truly court my daughter for three months, and if you can honestly tell me you aren't in love with her, then i won't bother you with this matter for any longer."
"mrs. minatozaki, i think this is a completely archaic idea!" you exclaim, shocked to hear her say these plans. how quick she is to decide for her daughter's life.
"watch your tone. do not forget that your mother and I are well acquainted." she points her finger at you, and in a split second, she's back to that trained smile that is always so unnerving and threatening.
"i'm very sorry mrs. mintatozaki, please forgive my rudeness." you bow deeply at the woman. you return to your trained demeanor, letting mrs. minatozaki run your life for the next three months. who knows what she'll say to your mother if you decline?
both women get up promptly at the matriarch's signal, and you rush to walk them out of the manor. their resounding footsteps echo through the halls. the matriarch continues speaking of the three months of "dating," and you nod at every word in appeasement.
you assist them into their car, and soon they speed away from your manor. leaving you frustrated in your own driveway. by the time the sun has set, you finally return to your room.
--
the thought doesn't bother you anymore, while you were nervous at the idea of the minatozaki's pressing you on this marriage, you had gotten way too swamped with work.
in a week's time since the visit, you were giving a big presentation to shareholders and clientele. countless nights spent languidly going through the motions of collecting data for infographics and reports to extrapolate data. all part of your stressful day job.
a job that you take pride in, to take over the family business. dedicating years of your life to build the rapport needed for your father to put the company in your name.
you begin to wrap up on your final slide, indicating the prosperous quarter that your company has been seeing. beautiful graphics that display profit margins through the roofs. in every chair of that conference room sat a wide smile at your future projections.
"we expect to see a projection of 33% from our previous annual profits, along with more assets, and with the likes of a possible acquisition, this company will continue to flourish. thank you all for today." you conclude your presentation and smile to the many shareholders. they all stand and applaud you; you take a deep bow and shake hands.
the shareholders hound you, all gathered around in suits that costed more than the average house. they only bowed to the sound of money dropping into their pockets. so they push you, push your boundaries of how much you'll let them take.
mr. seki has always been the most persistent, asking for more money than he knew how to spend. so he stands before you, eyes twinkling and his grubby hands rubbing together like he found a gold mine.
you listen to him speak of the golden days with your father, business had little to regulations, making money was easier than breathing, but now he breaths down your neck for bonuses. the words travel in one ear and out the other, he forgets that you were a young child listening in to his discussions with your father.
before you know it, you hear that sharp clicking sound, the sound of sharp hard rubber hitting the tiled floor, you hear heels. short confident steps of a woman, and then you see it through the frosted glass, a womanly figure.
she's walking right into the conference room. then you notice the details: long brunette hair in waves, branded sunglasses atop her nose, a light pink suit adorned with blinding diamonds. behind her are bodyguards that tower over everyone. everyone's conversation stops at the sight of her, she stops right in front of you.
eyes strong and daring, she slips off her glasses and you recognize her, the woman of all your friend's dreams: sana minatozaki. more confident than ever, not being guided by her mother, she smiles that smile that you know your friends swoon over. delicate fingers slip off her glasses as she hands them to her assistant. eyes still focused on yours.
then she does it, grabs ahold of your tie, and slams her lips against yours. and you can hear it faintly, the sound of the shareholders all gasping, drowned out by the sound of your own heartbeat. the searing kiss lasts so long, like a time loop. when she pulls back, you gasp for air, choking and doubling over coughing like you inhaled chili powder. all your presentation material spilling on the ground.
"sorry to cut the festivities short, gentlemen." she bows lightly, an amused smile underlying her sarcasm. "my fiancé and i have things to attend to, i'm sure you know how demanding your wife can be". she giggles at that, letting them all nod, and disperse.
"fiancé?" you cough out, still catching your breath. sana grabs ahold of your hand and drags you out the conference room, and out to the elevators. you watch her two bodyguards at your feet, ready to intervene with broad and thick builds.
they remind you much of your father's bodyguards. but you never wanted them because it just felt so unnatural to be followed by men who protected you.
sana stands before the elevator, and without missing a beat walks in, at the sound of the door opening. you get pulled by the two bodygaurds into the box. now you stand next to a smirking sana and two men who could break your spine ten times over.
you exit into the lobby, all the staff rising to their feet at the sight of you and miss minatozaki. greeting you all, as you rush to follow after sana. you have a sinking feeling if you don't that those two men behind you are going to toss you right into the ocean. right outside of the lobby, is the sight of the signature black marked sedan. a true sign of a minatozaki. like the fortress of a family, this car is far than capable of withstanding a nuke, how true this statement is? you never want to know.
sana is quick to sit herself inside, being guided by her chaffeur. you nod to him before sitting inside, seperated by the middle seat. the door closes and suddenly you feel claustrophobic.
the last time you spoke to sana was years ago, back in law school, you never did like her clique but they were everywhere. so you have interacted with her through case studies and presentations, steering clear of the intimidating minatozaki group. so much for avoiding them, now you're stuck in a car with the exact person you were avoiding all your life.
"mother is furious." she comments, grabbing her heels off her feet, tucking them into a compartment. you stare at her for a while, confused with what she means. "well?"
"miss minatozaki, i thin-"
"sana. just sana please." she corrects you.
"miss sana, please, you cannot barge into my shareholder meetings and attack me like that. that was unacceptable on all levels." you continue. loosening the tie that felt like it was choking you when she grabbed it. you slip it off your neck and into your pocket.
"i thought mother made it clear her expectations. you sign that marriage license, and we're good." she continues to correct you, disregarding your frustrations.
"sana. i apologize but i have been swamped with work, i cannot even begin to think about marriage." you complain.
"work? you marry into the minatozaki group and you'll never lift a finger. those infographics you put together were cute, but the minatozaki's never put themselves through work they can pass off to others. marry in, and we'll find a suitable ceo the second you say so." she is everything you stand against, a figurehead as the ceo is the last thing you want for your budding company.
"i think you are mistaken, miss sana. this company is me, i am this company, that will not change if i marry into the minatozaki group." you don't waver for a second, conviction running through your blood.
she smiles at that, "you are one of those. the ones that are married to their work before anything else." she takes a second to contemplate this thought, what would you bring to the minatozaki group? profit, drama, not a headache that's for sure.
"i'm going to let you in on a secret," she leans her head towards you. "like how you are married to your work, i am married to wealth. doesn't matter if you have a million mistresses, or a thousand bastard babys. as long as you don't smear the minatozaki name, you will fit right in."
"i do not think so miss sana. the minatozaki's are adamant about blood purity, they don't let bastards live." you explain. she smirks at that, you've clearly done your research about the minatozaki clan. "miss sana, please, me marrying into your family would not beneficial to you. i am too concerned with my own self to be a pawn for your clan." you finish, hoping they will let this issue to rest.
"you seem to know a lot about our family for someone who isn't interested marrying in." her eyebrow shoots up and with the snap of a finger, the bodyguard hands her a manila folder through the slit of the window.
"once again, we urge you to sign this. i hope we become lifelong partners, fiancé." she winks and steps out of the car. speaking to the chauffeur, and soon you're being driven by the minatozaki car, another car ready for sana in an instant.
now you're left with a manila folder, weighing heavier than anything else in the world. when you are sit in your armchair with the manila folder, nursing a nice drink to unwind, you finally untie the manila folder. opening the contents, you find the same contract on your coffee table. signed with sana's signature in the bottom, and another paper.
in a written letter from your own father, you nearly crumple the paper in your own hand. the clauses of placing your company in the hands of your father, all shareholder signatures at the bottom. indicating the removal of power. in another line it reads in big bold letters, date sana for three months or your company will be absorbed by your father.
you call up your father.
"father, this is ridiculous, you cannot do this to my company. why are you meddling now?"
"you insolent child, given the opportunity to grow your business, you choose instead to be selfish? i present to you the opportunity of a lifetime: marriage into the minatozaki group. and i've been told you're pushing their patience." his deep voice rumbles into the phone. "my final words are these: you want your company so bad, prove that you are committed to the minatozakis, then i will transfer the power back." he firmly states.
"i don't even have the time, father. my schedule is busy with the new year and final changes with new clientele."
"i've already spoken to your assistant, all work for you the next three months have been transferred to my coo. he will take over for the time being, i trust him to run my own company, so don't you go spouting nonsense about his credibility." you bite your tongue at the sight. how dare your father meddle in your company? one that you built up with your own hands. the only piece of yourself that wasn't controlled by your father.
"do not forget who raised you. i can take everything away." his voice booms through the speakers. he ends the phone call there. and you throw that phone like a baseball, shattering the device into pieces.
--
so you do date sana for three months, finding it absolutely absurd in the beginning. often visiting her wherever she traveled. when she was busy, you would send out bouquets in your absence. you tried your best to date her, devoting time to getting to know her better. she's like you remembered when you were younger, loud rambunctious and had an eye for all things expensive. you spent trips all over the globe within those three months.
it's a strange feeling. letting yourself rest, you can't remember the last time you went on a vacation other than in law school. here you are, lying in a lounge chair on a private beach in santorini. drinking mai tais while you stare into the horizon. confused with your own life right now.
it should've been the merger. you get antsy just at the idea of your father's coo leading the merger, but what can you do. that company is not "yours" right now. while you are trying to enjoy the sight of the bright sun and clear waters, you watch out of the corner of your eye as sana flirts openly with a resort worker.
hand on his bicep, leaning in to show more cleavage, all the while keeping a sultry smile on her face. you're done letting your life be decided for you. you walk over.
"hi honey, how is it going?" you smile towards her, leaning in for a quick kiss. holding her neck in place, as you watch the man walk away. you let her go.
"jealous?" she smirks.
"no. i need answers." you sit down in front of her. "why me?"
"what do you mean why me?" she sips on her cosmopolitan, not provoked by the question.
"why marry me? my father is well known, but we are not a conglomerate group, why do you wish to marry me? i provide nothing to the minatozaki group, it doesn't make sense. there's the watanabe clan, the abe clan, the ito clan. i really don't understand why my family."
"it's not your father or his companies, it's you." she points at you. still sipping her drink. she doesn't skip a beat, no hesitation in her words.
"i hold no power on the world stage, you would be well off marrying any clan." you try reasoning with her, beyond perplexed on why she chose you.
"the watanabe clan are dirty: plagued with dirty lust, the abe clan are ruthless killers, the ito clan has been known to kill their woman. so tell me, how much better off i will be marrying them?" she continues. face hardened.
"i see...they are not as great as their name." you stare at her. less perplexed but definitely confused.
"we all grew up together, all the heirs, i know them better than they know themselves. and i do not like what i see. but you and i didn't speak to each other." she signals for another cosmopolitan, thanking the staff member and digging through her bag. pulling out photos of you two when you were children at the annual balls.
"you are worlds better than all of them combined. i could see it in the way you never vied for my attention. they all were intact dogs, hoping to hump something by the end of the night."
"sorry for the assumptions," you offer. the way she looks away from you, watching the ocean. and letting out a long and heavy sigh. she tucks the photos away. "so, marriage out of convenience? is that all this is?"
"yes." she nods.
you grab the contract from your bag, signing it in front of her. and then placing it in her hands, "to a happy marriage sana minatozaki, i hope you can handle my snoring." you laugh.
she grins at the contract, and tucks it into her bag. "then i hope you can handle my kicking. you groan jokingly and laugh loudly, her joining you.
--
minatozaki weddings were no joke. halls lined with marble pillars with gold accents. dishes made out of the finest and purest porecelin. waiters dressed in their finest, not a single hair out of place. global leaders and their children attending, even if they had no ties to the minatozaki.
the grandiose hall with beautiful mirrors dating centuries ago. recovered artifacts from the edo period, adorning the shelves. the giant minatozaki family crest on the back wall. with long tables lined with wedding gifts. you stand next to sana as the reception procession continues into the night. many notable figures congratulating the marriage. as well as the intricate gifts being handed off to you. each gift being placed and documented by the minatozaki security team.
the minatozakis look happy, wearing traditional kimonos and inviting all the guests to talk about their daughters marriage.
even though the place is filled with laughter and happiness, you can't help but feel like you just entered a loveless marriage. where you are destined to avoid sana, she smiles at everyone, showering in the attention, while you can't wait to get back to work.
--
you had explained to sana you wanted a quiet honeymoon, one that was peaceful and relaxing. so you both went puglia, to enjoy the rich Italian culture and the beautiful greens and blues of the water.
sana spent nearly ever second of the day buying herself clothes while enjoying pestering you. often times dragging you along to carry her bags, and be at her beck and call. she calls it "conditioning for a happy marriage." you had rolled your eyes when you heard it, but you wanted a happy marriage too so you complied.
now you stand in the middle of puglia, taking photos of sana, at her request. for the third time that day.
"how many photos do you need sana?"
"as many as i want. stop talking, more clicking!" you get back to taking photos and letting her enjoy the scenery. it's quite nice being with sana, she may be a bit high maintenance, but she doesn' t overstep when it comes to your boundaries. letting you enjoy your own alone time and venturing through the city alone.
sometimes you bring back flowers or a small gift to her, all of which she happily enjoys with a warm smile.
--
after the honeymoon, its back to the real world. in which your father happily returned the company back to you. the merger had been successful, but you're still catching up on paperwork that only you could sign. in the coming months, sana has moved in.
living together has become a routine. when she moved into your manor, she claimed it was a nice change from her home. you were confused because her house was far more amenities, but you let her move in.
so, every morning and night, you spend time with her, sleeping in the same bed, drinking the same coffee, and sitting at the same dining table. you don't share more than a few words with her, but her presence has become a nice addition to your life.
she's made herself comfortable, her makeup products all lining your sink, heels filling the floor of the closet. her closet so big that she ordered construction to build her own walk-in.
often times you see her out lounging in the sun room doing yoga or pilates. or when she's in a good mood, she'll join you in your study room to do work herself.
she goes out at night frequently, so you make it a habit to stay up until she gets home. you know she's protected and safe with her trained bodyguards and chauffeur.
it just brings you a sense of comfort to bring her inside in case she's unwell. some nights she gets home with love bites all over her body, other nights she comes home drunk falling into your arms. you never comment on it.
she comments on your life first.
"do you...have someone special in your life?" she asks with a glass of wine in hand. you look up from your table, eyeing her in the doorframe.
"no, i'm married to my job." you look back at the work laid out for you, pushing glasses back up the bridge of your nose.
"have you slept with a woman before?" you stop your work, putting the pen down.
"sana, are we asking about each other's sex lives now?"
"well i can be curious, cant i? you always look so proper." she walks in to sit by you.
"well, yes in the past i have." you comment, a little thrown off with the line of questions. she nods her head and gives you her wine, you sip it and place it on the desk. "why do you ask?"
"we've never consummated our marriage, don't you think it's time?" she leans over, eyeing the work on your paper.
"what happened to marriage out of convenience?"
"marriage out of convenience could mean we're sex partners out of convenience," she smirks. she stands up, pushing the paper off to the side. you raise your eyebrow, trying to get her to stop messing with your work.
"sana."
"yes?" she takes the glasses off your face. a coy smile on her lips.
"we don't have to do this."
"i want to. do you?" she stands in your way, eyes trained on yours. a playful smile on her face. you get up to set your mind straight, no way were you sleeping with your non-wife.
"sana, please, you must be drunk." you walk past her, calling out to staff. "hi, could you please assist sana to bed." sana scoffs at you, flipping you off and pushing past the maid.
you return to your desk, eyebrows pushed together and a headache forming. but you can feel that spike in your stomach, you're sexually frustrated.
--
you've been actively avoiding being too close with sana. whenever she circles around, you scoot further away. opting for open spaces where she won't make sexual advances. rejecting her isn't fun either, she gets all pouty about it, but the way she makes you feel lately, has been dangerous. so you try your best to exercise restraint.
in the coming weeks it's harder and harder. some days she visits with your dress shirts tucked into a pencil skirt. walking in like a wet dream into your office. you will yourself to have self control but you can feel it slipping. the way you want to grab her, feel her skin under your fingertips, wanting to wrap around her.
today she manages to get under your skin. "darling, you must be so tired." she slides behind you. and starts massaging your shoulders, pressing the knots away.
you let her, feeling the tension release from your shoulders. her hands move expertly, and soon you feel more relaxed than ever. her hands begin to wander, sliding over your torso and frame. you turn to look at her, playful eyes staring back at you. you pull her into your lap, grabbing her neck for a kiss.
"i think it would be rather impolite of me to have our first time here in my office. maybe later?" you offer, playing with her pencil skirt.
"i don't care where we do it, as long as we do it now." she smirks and plays with your hair. you pull her up and place her atop your desk. walking quickly to close the door and drop the blinds.
she laughs when push her back, back hitting the desk, and then you lean over her. giving her a long kiss, before sliding your hands up her legs.
"come take what yours." she grins. you begin unbuttoning her shirt, hands trailing down until they reach her hips.
you kiss her fervently, moving towards her like a magnet. "yes miss minatozaki."
--
you might have to label yourself a sex addict, maybe a sana minatozaki addict actually. after sleeping with sana, you can't keep your hands off of her. often messaging her and taking days off to be around her.
it's unlike you, so unfocused and nonchalant about work. but you can't help it, sana feels like a drug and you need your supply. so here you are in your study, trying to clean up the smell of sex before your mother-in-law arrives. sana's an absolute vixen and trying to coax you into another round, but you know at any second her mother will walk into the house like its her own.
you spray a scent over top of the room urgently before closing the door behind you. a clingy sana kissing you deeply, trying so very hard to get you in bed with her.
"sana, no. your mother will be here any second." you force yourself to be the bad guy, pulling her arms off of you. to which she flicks your forehead.
"sana!" the sound of her voice booming like it's through a speakerphone. sana immediately tenses up, posture straight like a board.
"hi mother."
"glad to see you still recognize me." her mother chastises her. you watch the two woman, and you stay quiet. letting sana speak to her mother in a hushed tone, while you stand nearby.
it's hard to get a gauge on sana's mother, she's fierce and demanding. you also can't tell if she likes you, she keeps her distance. but you also can't tell if that's a good or bad thing. oftentimes she shows up requesting your presence at her events. but you play the part well as much as you can.
the older woman walks towards your living room, where she was months ago, and requesting you to marry her daughter. now she moves around your home like it's her own.
"now that you two have been happily married, it's important to discuss the next step." she starts. "we need heirs, multiple."
you and sana look at each other in horror.
"sana was the only heir in her generation of minatozaki's, i need you two to produce more than a single heir. to protect the minatozaki clan." she states firmly.
you groan into your hands, horrified at the conversation. and for the first time you see the matriach smile as she shows off photos of sana as a baby, cute as a button.
it does make you wonder about having a little sana running around, so you take the conversation topic in stride. letting the matriarch discuss traditions, schooling, extracurriculars and education to maintain the minatozaki standard.
sana is horrified to hear all this from her mother, but when she leaves, a light bulb turns on in her brain. then she smiles at you in that knowing smile.
"honey, come on, you heard my mother. we have to produce heirs. you know what that means?" then she wiggles her eyebrows as she drags you upstairs.
and you let her.
--
a/n: sana, sana, sana. she's been plaguing my mind recently. hope you enjoyed, proofreading is difficult work so i didn't do it. stay safe and stay healthy everyone!
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chlorinecake · 4 months
Note
What do you think the enha legal line would react if by chance or by accident the other members touch readers tits? The reader being their gf obviously
I got this idea from your recent gang bang post and I was like damn
For ex yn is hee's gf and by accident jake touches her tits , or if you wanna make it spicy remove the accident part and make it as sluty as you can
If you want ofcourse
By the way I'm new here , on your blog so hoping for more talks!
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𐙚 Cherry Blossoms | 18+ EN- REACTIONS
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cw: jealous!bf enha 🙈, implied intimacy (so like, no explicit smut scenes), kissing, swearing, boob fondling/nipple play, hickeys, mentions of drinking, dry humping (?), kinda silly honestly, 400-500 words per member
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이희승 ♱ Lee Heeseung — Heeseung didn't worry about leaving you and Jake alone because he trusted him with everything. Though, your boyfriend had barely been gone for a minute before Jake's hands got lost under your top, fingers toying with the hem of your sports bra as he lowered his voice to a purr. “Heeseung only focuses on his own pleasure… I bet he's never even touched you like this before, has he?," Jake smirked, causing you to shiver as his thumb lightly grazed your nipple, “It’s kinda cute, actually.”
“W-what is,” you asked, squirming from his hands that only followed your movements. “How sensitive you are,” he teased, adjusting your shirt so he could have better access to your chest. “Do you think Heeseung would mind if I added a few marks with his?” He said in between lightly sucking your tits, the wet sounds of his tongue making heat rush to your cheeks.
“J-Jake, if Heeseung catches us like this, you’re dead,” you threatened, running a hand through Jake’s hair as part of you wanted to push him away though another part compelled you to pull him closer.
Beep, beep, beep. The microwave chimed, but your boyfriend was no longer in the kitchen, having come back to ask if you and Jake wanted a drink with the popcorn he just made.
“What the fuck are you doing?!,” Heeseung yelled, marching up to Jake and pulling his shoulder back.
“I think the answer's pretty obvious, Sherlock,” Jake grinned, watching the way you covered yourself before him despite his swollen lips telling clearly of the actions that already took place.
Heeseung shook his head before reaching for the remote and turning off the TV, “you can go now, Jake. Movie night is OVER.”
“Dude, chill, you’re acting like I fucked her,” Jake teased, getting up from the couch and walking to the front door, putting on his shoes before leaving you two alone. You stood up from the couch before Heeseung waved his finger, “Nuh uh, sit,” he ordered, plopping on the couch beside you and pulling you into his lap, cradling you.
You felt as his hands groped around your neck, gently squeezing before releasing the pressure, his eyes softening in the process. "H-Heeseung," you stuttered at the sudden warmth growing at your core, “aren’t you upset?”
“Upset? Just a little... maybe even a lot... but not with Jake," he whispered in a husk voice, cold hands tiptoeing down your back before grinding your hips against him, broken moans escaping your lips as the moment only escalated from there.
박종성 ♱ Park Jongseong — You and your boyfriend Jay had just gotten back from your 2-day long road trip together, filled with campfires, hiking, and romantic moments in the lake. You were honestly feeling a little tense after the trip, so Jay offered to help you out by massaging your shoulders.
Kissing you on the cheek, he sat you down in a gaming chair that he borrowed from one of the members in your shared bedroom. “Now, I want you to relax for me, okay?,” he whispered, gently closing your eyes with his fingertips, “I’ll be right back with the massage oil.”
You didn’t hear Jay’s footsteps leave the room but you heard when he came back, using his thumbs to dig circles into the tender area of your shoulder. Naturally, you let out a few lewd sounds from his actions, breath hitching in your chest as he wrapped his fingers around your neck, sliding down to grope your boobs. You hummed like a kitten at his touch, stroking his hands and throwing your head back in the process.
That’s when you heard a second pair of footsteps come in, a lot angrier than the first, followed by the sound of said oil clashing with the floor. You opened your eyes at the sound to realize it was none other than your boyfriend Jay, blood practically boiling at the sight of you with Sunoo’s hands cradling your chest. “Oh my God!” You yelped in shock, jumping from the chair to cover yourself. You almost couldn’t believe that it was Sunoo touching you the whole time, a phony expression of shock displayed on his face.
“You should go, Sunoo,” Jay said coldly, balling his fists.
“Oh- my apologies, Jay-hyung. Her boobs were just so soft, I didn’t even realize I was touching them,” Sunoo shrugged, not budging in his stance.
“What part don’t you understand about getting the fuck out of here?” Jay continued, grabbing Sunoo by the shoulder and leading him out of the room, slamming the door behind him.
"Jay-"
“I can’t believe you couldn’t recognize those weren’t my hands,” Jay shook his head playfully, pulling you closer before picking you up and laying you on the bed.
“My eyes were closed, Jay,” you giggled, feeling his hands knead your thighs as he left featherlight kisses all over your neck that soon escalated into much more passionate kisses.
“I can tell you’re still a little tense, though,” Jay whispered seductively, fingers ghosting over the center of your panties as he moved to play with your drawstring, releasing it with a sting. "Still need my help?"
Cupping his face in your hand, you kissed him on the lips this time, eyes already hazy from his simple touches as you nodded at his words.
To this day you both have no idea what compelled Sunoo to do that...
심재윤 ♱ Sim Jaeyun — Tonight was the night of Jake's big winter party, and you decided to wear something revealing to get his attention. Though, unfortunately, your boyfriend wasn't as impressed as you anticipated him to be.
You snuck off somewhere to get a drink while Jake continued to chat things up with his friends, just to get your mind off things. You didn’t expect to see Heeseung hanging around the bar, so you decided to cover your chest with the thin shawl you brought with you.
“Trouble in paradise?" Heeseung teased, passing you one of the red party cups.
"Is it really that obvious?," you frowned, filling your cup up with juice from the punch bowl that was definitely spiked.
"Hmm. Not really, but you never dress like this," Heeseung went on, shamelessly checking you out through his doe-eyes, "Maybe you should try this style more often."
"Yeah... maybe," you pouted, glancing at Jake from a distance. Sure, it was nice to have a boyfriend who didn’t only want you for your body, but naturally, you wanted to spice things up in your relationship.
“Pfft,” Heeseung scoffed, talking another sip from his drink before placing it down. “I mean, I respect that you have a boyfriend… kind of… but you're obviously not gonna get his attention on your own," he said, grabbing each end of your shawl before sliding it to your waist, pulling you closer to him, "I can fix that if you like."
You smacked his shoulder playfully, part of you actually considering his offer, “Get a grip, would ya? I think you’ve had too much to drink for the night,” you chuckled, feeling his hands snake around your hips.
“Have I ever told you how pretty your smile is?” he said, looking you in the eyes now, “it matches your tits perfectly,” he grinned, hand ghosting over your chest before he asked, “can I touch them?”
“You must be out of your mind,” Jake interrupted, startling the both of you as he pulled you into his side, “Baby, are you okay?”
“She’s fineee…” Heeseung answered for you, a satisfied expression plastered over his face as he walked away, leaving you two alone.
“I’m sorry, Jake,” you sighed, squeezing his hand as you exhaled the tension building up within you, “I didn't mean for Heeseung to act that way... I just wanted your attentio-”
“And now you’ve got it,” he interrupted your words, pulling you into him by your lower back before kissing your lips, humming at the contact.
"Let's take this somewhere more private, yeah? Unless you can't wait any longer."
박성훈 ♱ Park Sunghoon — Your overly-protective boyfriend decided to take you to the gym with him after you almost got into a fight outside of the mall last week.
It was for a stupid reason, really.
You overheard some girls talking shit about you and upon calling them out for it, things got a little physical.
“You know I could’ve taken both of those girls on my own, right?” You tried reassuring him, not feeling up to join him at the gym today, “And besides, we haven’t hung out in forever. Can’t we just do something else for the day?”
Sunghoon chuckled at the pout you wore on your face, offering his hand to help you out of the car as he carried both your gym bags, “I just wanna show you a few things, and then we’ll hang out later, okay? I promise.”
Sulking all the way into the fitness building, you didn’t expect to see one of Sunghoon’s friends there, striking at a punching bag with all his might.
“Oh- Jay’s here!” Your boyfriend chirped, “He used to volunteer at a women’s self defense class. Maybe he can help us out today,” he continued, jogging over with your hand in his.
Taking out his headphones, Jay stuck out a hand out to greet both of you. “Hey, guys. Having a little gym date, huh?”
“Sort of. ____ almost got into a fight a last week, and I just wanna make sure she knows how to defend herself,” Sunghoon said, making you roll your eyes.
One reply led to another, and Jay offered to coach you for a bit, the two of you hopping in the boxing ring together with gloves and sweatbands on. Meanwhile, Sunghoon stood on the sidelines, occasionally taking pictures of you while he pretended to referee.
“C’mon, ____, you won’t hurt me,” Jay taunted, tiring you out as he dodged all of your attacks, “Punch like you mean it!”
Sunghoon was cheering you on, which made you feel confident enough to try something you saw in an action movie once. Running into Jay, you knocked him out of balance, landed on his lap as you prepared to jab him right in the face.
That was when you felt his hands cupping your chest as an attempt to push you away.
The sight was terrible, honestly, and looked a lot like a sex position. And unfortunately, Sunghoon got the whole thing on video.
Stepping into the ring, your boyfriend helped you get off of Jay, who immediately started apologizing.
“Bro, I’m really sorry about that, you know it wasn’t my intention to get that physical,” Jay rambled, face slightly turning pale in shock.
“It’s alright, man. But if it ever happens again, you can at least try and make it entertaining for me,” Sunghoon teased.
“THIS is how you properly touch a woman,” he smirked, showing off his fangs as leaned you against the rope cage, playing with your boobs like stress balls.
“Hoon, you CLOWN! That tickles,” you giggled uncontrollably, not even realizing how Jay was dying of laughter in the corner of it all.
김선우 ♱ Kim Sunoo — It randomly started to rain outside upon you and Sunoo already getting dressed for your picnic date together. Instead, you decided to stay home and play board games with each other, inviting Jungwon who was also stuck inside for the day to join you two. You three started off with a few games of Uno before Sunoo suggested a round of truth or dare.
“I choose truth,” Sunoo smiled, crossing his legs to sit. “Okay, okay,” Jungwon began, munching on a few pretzels from the snack bowl, “what’s your favorite thing about ____?”
A pink hue rushed to your boyfriends cheeks at the question, which made you and Jungwon laugh until Sunoo finally built up the courage to answer. “Well... to be honest with you, I’d have to say her tits.”
You couldn’t believe the words that just came from his mouth. Now it was your turn to feel embarrassed. “Sunooooo," you cringed, bringing your legs to your chest and burying your face in your knees.
“What? It’s true!" He continued, nudging your leg playfully, "It’s the only part of you that the boys never get to see. It’s only for me,” he smiled, making your heart beat a little faster.
Jungwon raised an eyebrow at the sudden change in energy before suggesting a new game, “Hmmm... I say we play Twister now!”
The game started off easy, with you and Jungwon going first so Sunoo could spin the color board. One move led to another before Jungwon accidentally slipped on the plastic game mat, falling hands-first onto your boobs.
You let out a sound that easily could’ve been mistaken as a moan, but Jungwon just stayed there frozen, straddling you with his hands groping your chest.
“Uh-uhh, I-I’m… sorry,” Jungwon shrieked with embarrassment, finally backing away from you, but it was already too late.
Sunoo was pissed. “____, why didn’t you do something?!” “Like what?” “I... I don’t know, slap him in his stupid face for touching what isn’t his?”
“Sunoo-hyung, it was an acciden-”
“Be quiet, Jungwon!” your boyfriend spat coldly, getting up from the floor before marching up to his room. “Sunoo, wait!” You called out, following after him all the way to his bed where he laid on his back.
“You didn’t move fast enough, ____,” Sunoo mumbled under his breath, arms crossed over his stomach, “it made me think that you wanted it.”
You sat next to him, stroking his thigh as you spoke, “No, baby… I was just shocked," you admitted.
“That still doesn’t take back what happened, though,” he pouted as you reached under his shirt, tracing lazy shapes on his abs before inching your fingers closer to the hem of his pants, smiling at the way he shivered through it all.
“Let me make it up to you, then... I’m all yours, now.”
양정원 ♱ Yang Jungwon — Thanks to your period, you’d been feeling extra horny without Jungwon being able to please you like usual. So, Sunghoon invited himself to keep you company while Jungwon took a shower after his routine evening jog around your neighborhood. The two of you were casually making conversation about your period symptoms on the living room couch when you noticed how Sunghoon’s eyes kept falling to your chest.
“They're pretty swollen, huh?” He purred, groping your chest with his veiny yet delicate hands.
You unintentionally moaned at the feeling, your arms almost forgetting how to work as he applied more pressure, thoroughly amused by your reactions.
“S-Sunghoon, stop that!,” you whined as he laid you on your back, straddling your hips as he continued to massage your tits. “What, are they tender, too?” He asked mischievously, inching closer to your neck before grazing your skin with his fangs, “because I know how to be gentle."
All you could do was whine beneath him, feeling a little guilty about letting your hormones get the best of you.
That’s when Jungwon came out of the shower, steam roaming behind him as he shook the access water from his hair, making his way to the living room.
“Hey, babe, I ran you a bath while I was in there…” he stopped mid-sentence, feline eyes narrowing at the sight before him. Sunghoon didn’t seem to flinch in Jungwon’s presence, hands still resting on your body as he started to speak, “How was your shower, Jungwon?”
“Fine,” your boyfriend replied coldly, waking up to the couch before snatching you by the wrist, pulling you away from him, “Let's hurry, ____, before the water gets cold.”
As soon as you got into the bathroom, Jungwon locked the door, pining you against the wall, “What was that all about, hmm?” He asked, caging you with one arm as he slowly unbuttoned the flannel you wore.
His flannel.
“Since when do you like guys like Sunghoon-hyung?”
“I-I don't,” you nearly whispered, failing to look him in the eyes after what you let happen.
Jungwon’s cold hands grazed your waist as the flannel fell from your shoulders, your bra making a clicking sound after he unbuttoned it as well.
“So why’d you let him touch you the way I touch you? Be honest with me,” He urged with a sweet yet thick voice, almost like honey.
“Because... I... I wanted to feel good,” you admitted, a chuckle slipping from your boyfriends throat at your words before he pressed the softest kiss to your lips, whispering within the contact.
“Take off the rest or your clothes and get in the tub, silly.”
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 ❀ Hi hi, anonie and wlcm to the blog !! Tysm for requesting this piece ~ Ik this ask was specifically for something a little more slutty, but I have another ask in my inbox that’s similar to this, so I’m saving the intense stuff for that one huhu !!
 ❀ Make sure to check out my enhypen bookshelf for more fun reads ~
 ❀ [Permanent] Taglist: @squoxle @ashgonedash @nikisdubblchococake @yourmomscuntis2tighy @watamotee33
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Text
Gig apps trap reverse centaurs in Skinner boxes
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Enshittification is the process by which digital platforms devour themselves: first they dangle goodies in front of end users. Once users are locked in, the goodies are taken away and dangled before business customers who supply goods to the users. Once those business customers are stuck on the platform, the goodies are clawed away and showered on the platform’s shareholders:
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men
Enshittification isn’t just another way of saying “fraud” or “price gouging” or “wage theft.” Enshittification is intrinsically digital, because moving all those goodies around requires the flexibility that only comes with a digital businesses. Jeff Bezos, grocer, can’t rapidly change the price of eggs at Whole Foods without an army of kids with pricing guns on roller-skates. Jeff Bezos, grocer, can change the price of eggs on Amazon Fresh just by twiddling a knob on the service’s back-end.
Twiddling is the key to enshittification: rapidly adjusting prices, conditions and offers. As with any shell game, the quickness of the hand deceives the eye. Tech monopolists aren’t smarter than the Gilded Age sociopaths who monopolized rail or coal — they use the same tricks as those monsters of history, but they do them faster and with computers:
https://doctorow.medium.com/twiddler-1b5c9690cce6
If Rockefeller wanted to crush a freight company, he couldn’t just click a mouse and lay down a pipeline that ran on the same route, and then click another mouse to make it go away when he was done. When Bezos wants to bankrupt Diapers.com — a company that refused to sell itself to Amazon — he just moved a slider so that diapers on Amazon were being sold below cost. Amazon lost $100m over three months, diapers.com went bankrupt, and every investor learned that competing with Amazon was a losing bet:
https://slate.com/technology/2013/10/amazon-book-how-jeff-bezos-went-thermonuclear-on-diapers-com.html
That’s the power of twiddling — but twiddling cuts both ways. The same flexibility that digital businesses enjoy is hypothetically available to workers and users. The airlines pioneered twiddling ticket prices, and that naturally gave rise to countertwiddling, in the form of comparison shopping sites that scraped the airlines’ sites to predict when tickets would be cheapest:
https://pluralistic.net/2023/02/27/knob-jockeys/#bros-be-twiddlin
The airlines — like all abusive businesses — refused to tolerate this. They were allowed to touch their knobs as much as they wanted — indeed, they couldn’t stop touching those knobs — but when we tried to twiddle back, that was “felony contempt of business model,” and the airlines sued:
https://www.cnbc.com/2014/12/30/airline-sues-man-for-founding-a-cheap-flights-website.html
And sued:
https://www.nytimes.com/2018/01/06/business/southwest-airlines-lawsuit-prices.html
Platforms don’t just hate it when end-users twiddle back — if anything they are even more aggressive when their business-users dare to twiddle. Take Para, an app that Doordash drivers used to get a peek at the wages offered for jobs before they accepted them — something that Doordash hid from its workers. Doordash ruthlessly attacked Para, saying that by letting drivers know how much they’d earn before they did the work, Para was violating the law:
https://www.eff.org/deeplinks/2021/08/tech-rights-are-workers-rights-doordash-edition
Which law? Well, take your pick. The modern meaning of “IP” is “any law that lets me use the law to control my competitors, competition or customers.” Platforms use a mix of anticircumvention law, patent, copyright, contract, cybersecurity and other legal systems to weave together a thicket of rules that allow them to shut down rivals for their Felony Contempt of Business Model:
https://locusmag.com/2020/09/cory-doctorow-ip/
Enshittification relies on unlimited twiddling (by platforms), and a general prohibition on countertwiddling (by platform users). Enshittification is a form of fishing, in which bait is dangled before different groups of users and then nimbly withdrawn when they lunge for it. Twiddling puts the suppleness into the enshittifier’s fishing-rod, and a ban on countertwiddling weighs down platform users so they’re always a bit too slow to catch the bait.
Nowhere do we see twiddling’s impact more than in the “gig economy,” where workers are misclassified as independent contractors and put to work for an app that scripts their every move to the finest degree. When an app is your boss, you work for an employer who docks your pay for violating rules that you aren’t allowed to know — and where your attempts to learn those rules are constantly frustrated by the endless back-end twiddling that changes the rules faster than you can learn them.
As with every question of technology, the issue isn’t twiddling per se — it’s who does the twiddling and who gets twiddled. A worker armed with digital tools can play gig work employers off each other and force them to bid up the price of their labor; they can form co-ops with other workers that auto-refuse jobs that don’t pay enough, and use digital tools to organize to shift power from bosses to workers:
https://pluralistic.net/2022/12/02/not-what-it-does/#who-it-does-it-to
Take “reverse centaurs.” In AI research, a “centaur” is a human assisted by a machine that does more than either could do on their own. For example, a chess master and a chess program can play a better game together than either could play separately. A reverse centaur is a machine assisted by a human, where the machine is in charge and the human is a meat-puppet.
Think of Amazon warehouse workers wearing haptic location-aware wristbands that buzz at them continuously dictating where their hands must be; or Amazon drivers whose eye-movements are continuously tracked in order to penalize drivers who look in the “wrong” direction:
https://pluralistic.net/2021/02/17/reverse-centaur/#reverse-centaur
The difference between a centaur and a reverse centaur is the difference between a machine that makes your life better and a machine that makes your life worse so that your boss gets richer. Reverse centaurism is the 21st Century’s answer to Taylorism, the pseudoscience that saw white-coated “experts” subject workers to humiliating choreography down to the smallest movement of your fingertip:
https://pluralistic.net/2022/08/21/great-taylors-ghost/#solidarity-or-bust
While reverse centaurism was born in warehouses and other company-owned facilities, gig work let it make the leap into workers’ homes and cars. The 21st century has seen a return to the cottage industry — a form of production that once saw workers labor far from their bosses and thus beyond their control — but shriven of the autonomy and dignity that working from home once afforded:
https://doctorow.medium.com/gig-work-is-the-opposite-of-steampunk-463e2730ef0d
The rise and rise of bossware — which allows for remote surveillance of workers in their homes and cars — has turned “work from home” into “live at work.” Reverse centaurs can now be chickenized — a term from labor economics that describes how poultry farmers, who sell their birds to one of three vast poultry processors who have divided up the country like the Pope dividing up the “New World,” are uniquely exploited:
https://onezero.medium.com/revenge-of-the-chickenized-reverse-centaurs-b2e8d5cda826
A chickenized reverse centaur has it rough: they must pay for the machines they use to make money for their bosses, they must obey the orders of the app that controls their work, and they are denied any of the protections that a traditional worker might enjoy, even as they are prohibited from deploying digital self-help measures that let them twiddle back to bargain for a better wage.
All of this sets the stage for a phenomenon called algorithmic wage discrimination, in which two workers doing the same job under the same conditions will see radically different payouts for that work. These payouts are continuously tweaked in the background by an algorithm that tries to predict the minimum sum a worker will accept to remain available without payment, to ensure sufficient workers to pick up jobs as they arise.
This phenomenon — and proposed policy and labor solutions to it — is expertly analyzed in “On Algorithmic Wage Discrimination,” a superb paper by UC Law San Franciscos Veena Dubal:
https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4331080
Dubal uses empirical data and enthnographic accounts from Uber drivers and other gig workers to explain how endless, self-directed twiddling allows gig companies pay workers less and pay themselves more. As @[email protected] explains in his LA Times article on Dubal’s research, the goal of the payment algorithm is to guess how often a given driver needs to receive fair compensation in order to keep them driving when the payments are unfair:
https://www.latimes.com/business/technology/story/2023-04-11/algorithmic-wage-discrimination
The algorithm combines nonconsensual dossiers compiled on individual drivers with population-scale data to seek an equilibrium between keeping drivers waiting, unpaid, for a job; and how much a driver needs to be paid for an individual job, in order to keep that driver from clocking out and doing something else. @ Here’s how that works. Sergio Avedian, a writer for The Rideshare Guy, ran an experiment with two brothers who both drove for Uber; one drove a Tesla and drove intermittently, the other brother rented a hybrid sedan and drove frequently. Sitting side-by-side with the brothers, Avedian showed how the brother with the Tesla was offered more for every trip:
https://www.youtube.com/watch?v=UADTiL3S67I
Uber wants to lure intermittent drivers into becoming frequent drivers. Uber doesn’t pay for an oversupply of drivers, because it only pays drivers when they have a passenger in the car. Having drivers on call — but idle — is a way for Uber to shift the cost of maintaining a capacity cushion to its workers.
What’s more, what Uber charges customers is not based on how much it pays its workers. As Uber’s head of product explained: Uber uses “machine-learning techniques to estimate how much groups of customers are willing to shell out for a ride. Uber calculates riders’ propensity for paying a higher price for a particular route at a certain time of day. For instance, someone traveling from a wealthy neighborhood to another tony spot might be asked to pay more than another person heading to a poorer part of town, even if demand, traffic and distance are the same.”
https://qz.com/990131/uber-is-practicing-price-discrimination-economists-say-that-might-not-be-a-bad-thing/
Uber has historically described its business a pure supply-and-demand matching system, where a rush of demand for rides triggers surge pricing, which lures out drivers, which takes care of the demand. That’s not how it works today, and it’s unclear if it ever worked that way. Today, a driver who consults the rider version of the Uber app before accepting a job — to compare how much the rider is paying to how much they stand to earn — is booted off the app and denied further journeys.
Surging, instead, has become just another way to twiddle drivers. One of Dubal’s subjects, Derrick, describes how Uber uses fake surges to lure drivers to airports: “You go to the airport, once the lot get kind of full, then the surge go away.” Other drivers describe how they use groupchats to call out fake surges: “I’m in the Marina. It’s dead. Fake surge.”
That’s pure twiddling. Twiddling turns gamification into gamblification, where your labor buys you a spin on a roulette wheel in a rigged casino. As a driver called Melissa, who had doubled down on her availability to earn a $100 bonus awarded for clocking a certain number of rides, told Dubal, “When you get close to the bonus, the rides start trickling in more slowly…. And it makes sense. It’s really the type of shit that they can do when it’s okay to have a surplus labor force that is just sitting there that they don’t have to pay for.”
Wherever you find reverse-centaurs, you get this kind of gamblification, where the rules are twiddled continuously to make sure that the house always wins. As a contract driver Amazon reverse centaur told Lauren Gurley for Motherboard, “Amazon uses these cameras allegedly to make sure they have a safer driving workforce, but they’re actually using them not to pay delivery companies”:
https://www.vice.com/en/article/88npjv/amazons-ai-cameras-are-punishing-drivers-for-mistakes-they-didnt-make
Algorithmic wage discrimination is the robot overlord of our nightmares: its job is to relentlessly quest for vulnerabilities and exploit them. Drivers divide themselves into “ants” (drivers who take every job) and “pickers” (drivers who cherry-pick high-paying jobs). The algorithm’s job is ensuring that pickers get the plum assignments, not the ants, in the hopes of converting those pickers to app-dependent ants.
In my work on enshittification, I call this the “giant teddy bear” gambit. At every county fair, you’ll always spot some poor jerk carrying around a giant teddy-bear they “won” on the midway. But they didn’t win it — not by getting three balls in the peach-basket. Rather, the carny running the rigged game either chose not to operate the “scissor” that kicks balls out of the basket. Or, if the game is “honest” (that is, merely impossible to win, rather than gimmicked), the operator will make a too-good-to-refuse offer: “Get one ball in and I’ll give you this keychain. Win two keychains and I’ll let you trade them for this giant teddy bear.”
Carnies aren’t in the business of giving away giant teddy bears — rather, the gambit is an investment. Giving a mark a giant teddy bear to carry around the midway all day acts as a convincer, luring other marks to try to land three balls in the basket and win their own teddy bear.
In the same way, platforms like Uber distribute giant teddy bears to pickers, as a way of keeping the ants scurrying from job to job, and as a way of convincing the pickers to give up whatever work allows them to discriminate among Uber’s offers and hold out for the plum deals, whereupon then can be transmogrified into ants themselves.
Dubal describes the experience of Adil, a Syrian refugee who drives for Uber in the Bay Area. His colleagues are pickers, and showed him screenshots of how much they earned. Determined to get a share of that money, Adil became a model ant, driving two hours to San Francisco, driving three days straight, napping in his car, spending only one day per week with his family. The algorithm noticed that Adil needed the work, so it paid him less.
Adil responded the way the system predicted he would, by driving even more: “My friends they make it, so I keep going, maybe I can figure it out. It’s unsecure, and I don’t know how people they do it. I don’t know how I am doing it, but I have to. I mean, I don’t find another option. In a minute, if I find something else, oh man, I will be out immediately. I am a very patient person, that’s why I can continue.”
Another driver, Diego, told Dubal about how the winners of the giant teddy bears fell into the trap of thinking that they were “good at the app”: “Any time there’s some big shot getting high pay outs, they always shame everyone else and say you don’t know how to use the app. I think there’s secret PR campaigns going on that gives targeted payouts to select workers, and they just think it’s all them.”
That’s the power of twiddling: by hoarding all the flexibility offered by digital tools, the management at platforms can become centaurs, able to string along thousands of workers, while the workers are reverse-centaurs, puppeteered by the apps.
As the example of Adil shows, the algorithm doesn’t need to be very sophisticated in order to figure out which workers it can underpay. The system automates the kind of racial and gender discrimination that is formally illegal, but which is masked by the smokescreen of digitization. An employer who systematically paid women less than men, or Black people less than white people, would be liable to criminal and civil sanctions. But if an algorithm simply notices that people who have fewer job prospects drive more and will thus accept lower wages, that’s just “optimization,” not racism or sexism.
This is the key to understanding the AI hype bubble: when ghouls from multinational banks predict 13 trillion dollar markets for “AI,” what they mean is that digital tools will speed up the twiddling and other wage-suppression techniques to transfer $13T in value from workers and consumers to shareholders.
The American business lobby is relentlessly focused on the goal of reducing wages. That’s the force behind “free trade,” “right to work,” and other codewords for “paying workers less,” including “gig work.” Tech workers long saw themselves as above this fray, immune to labor exploitation because they worked for a noble profession that took care of its own.
But the epidemic of mass tech-worker layoffs, following on the heels of massive stock buybacks, has demonstrated that tech bosses are just like any other boss: willing to pay as little as they can get away with, and no more. Tech bosses are so comfortable with their market dominance and the lock-in of their customers that they are happy to turn out hundreds of thousands of skilled workers, convinced that the twiddling systems they’ve built are the kinds of self-licking ice-cream cones that are so simple even a manager can use them — no morlocks required.
The tech worker layoffs are best understood as an all-out war on tech worker morale, because that morale is the source of tech workers’ confidence and thus their demands for a larger share of the value generated by their labor. The current tech layoff template is very different from previous tech layoffs: today’s layoffs are taking place over a period of months, long after they are announced, and laid off tech worker is likely to be offered a months of paid post-layoff work, rather than severance. This means that tech workplaces are now haunted by the walking dead, workers who have been laid off but need to come into the office for months, even as the threat of layoffs looms over the heads of the workers who remain. As an old friend, recently laid off from Microsoft after decades of service, wrote to me, this is “a new arrow in the quiver of bringing tech workers to heel and ensuring that we’re properly thankful for the jobs we have (had?).”
Dubal is interested in more than analysis, she’s interested in action. She looks at the tactics already deployed by gig workers, who have not taken all this abuse lying down. Workers in the UK and EU organized through Worker Info Exchange and the App Drivers and Couriers Union have used the GDPR (the EU’s privacy law) to demand “algorithmic transparency,” as well as access to their data. In California, drivers hope to use similar provisions in the CCPA (a state privacy law) to do the same.
These efforts have borne fruit. When Cornell economists, led by Louis Hyman, published research (paid for by Uber) claiming that Uber drivers earned an average of $23/hour, it was data from these efforts that revealed the true average Uber driver’s wage was $9.74. Subsequent research in California found that Uber drivers’ wage fell to $6.22/hour after the passage of Prop 22, a worker misclassification law that gig companies spent $225m to pass, only to have the law struck down because of a careless drafting error:
https://www.latimes.com/california/newsletter/2021-08-23/proposition-22-lyft-uber-decision-essential-california
But Dubal is skeptical that data-coops and transparency will achieve transformative change and build real worker power. Knowing how the algorithm works is useful, but it doesn’t mean you can do anything about it, not least because the platform owners can keep touching their knobs, twiddling the payout schedule on their rigged slot-machines.
Data co-ops start from the proposition that “data extraction is an inevitable form of labor for which workers should be remunerated.” It makes on-the-job surveillance acceptable, provided that workers are compensated for the spying. But co-ops aren’t unions, and they don’t have the power to bargain for a fair price for that data, and coops themselves lack the vast resources — “to store, clean, and understand” — data.
Co-ops are also badly situated to understand the true value of the data that is extracted from their members: “Workers cannot know whether the data collected will, at the population level, violate the civil rights of others or amplifies their own social oppression.”
Instead, Dubal wants an outright, nonwaivable prohibition on algorithmic wage discrimination. Just make it illegal. If firms cannot use gambling mechanisms to control worker behavior through variable pay systems, they will have to find ways to maintain flexible workforces while paying their workforce predictable wages under an employment model. If a firm cannot manage wages through digitally-determined variable pay systems, then the firm is less likely to employ algorithmic management.”
In other words, rather than using market mechanisms too constrain platform twiddling, Dubal just wants to make certain kinds of twiddling illegal. This is a growing trend in legal scholarship. For example, the economist Ramsi Woodcock has proposed a ban on surge pricing as a per se violation of Section 1 of the Sherman Act:
https://ilr.law.uiowa.edu/print/volume-105-issue-4/the-efficient-queue-and-the-case-against-dynamic-pricing
Similarly, Dubal proposes that algorithmic wage discrimination violates another antitrust law: the Robinson-Patman Act, which “bans sellers from charging competing buyers different prices for the same commodity. Robinson-Patman enforcement was effectively halted under Reagan, kicking off a host of pathologies, like the rise of Walmart:
https://pluralistic.net/2023/03/27/walmarts-jackals/#cheater-sizes
I really liked Dubal’s legal reasoning and argument, and to it I would add a call to reinvigorate countertwiddling: reforming laws that get in the way of workers who want to reverse-engineer, spoof, and control the apps that currently control them. Adversarial interoperability (AKA competitive compatibility or comcom) is key tool for building worker power in an era of digital Taylorism:
https://www.eff.org/deeplinks/2019/10/adversarial-interoperability
To see how that works, look to other jursidictions where workers have leapfrogged their European and American cousins, such as Indonesia, where gig workers and toolsmiths collaborate to make a whole suite of “tuyul apps,” which let them override the apps that gig companies expect them to use.
https://pluralistic.net/2021/07/08/tuyul-apps/#gojek
For example, ride-hailing companies won’t assign a train-station pickup to a driver unless they’re circling the station — which is incredibly dangerous during the congested moments after a train arrives. A tuyul app lets a driver park nearby and then spoof their phone’s GPS fix to the ridehailing company so that they appear to be right out front of the station.
In an ideal world, those workers would have a union, and be able to dictate the app’s functionality to their bosses. But workers shouldn’t have to wait for an ideal world: they don’t just need jam tomorrow — they need jam today. Tuyul apps, and apps like Para, which allow workers to extract more money under better working conditions, are a prelude to unionization and employer regulation, not a substitute for it.
Employers will not give workers one iota more power than they have to. Just look at the asymmetry between the regulation of union employees versus union busters. Under US law, employees of a union need to account for every single hour they work, every mile they drive, every location they visit, in public filings. Meanwhile, the union-busting industry — far larger and richer than unions — operate under a cloak of total secrecy, Workers aren’t even told which union busters their employers have hired — let alone get an accounting of how those union busters spend money, or how many of them are working undercover, pretending to be workers in order to sabotage the union.
Twiddling will only get an employer so far. Twiddling — like all “AI” — is based on analyzing the past to predict the future. The heuristics an algorithm creates to lure workers into their cars can’t account for rapid changes in the wider world, which is why companies who relied on “AI” scheduling apps (for example, to prevent their employees from logging enough hours to be entitled to benefits) were caught flatfooted by the Great Resignation.
Workers suddenly found themselves with bargaining power thanks to the departure of millions of workers — a mix of early retirees and workers who were killed or permanently disabled by covid — and they used that shortage to demand a larger share of the fruits of their labor. The outraged howls of the capital class at this development were telling: these companies are operated by the kinds of “capitalists” that MLK once identified, who want “socialism for the rich and rugged individualism for the poor.”
https://twitter.com/KaseyKlimes/status/821836823022354432/
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₊˚⊹ᰔ 𝐚𝐟𝐭𝐞𝐫 𝐡𝐨𝐮𝐫𝐬
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pairing: businessman!rafe x assistant!reader
summary: ward introduces his new assistant to the office, and rafe has to have her.
warnings: lots of flirting, secrecy, super sweet fluff, dirty talk, oral (f receiving), fingering, overstimulation, multiple orgasms, squirting
word count: 3.2k
a/n: i wasn’t expecting you guys to love the moodboard so much!! thank you to those who requested more of this pairing, i see all of your asks, comments, and reblogs <3 if you couldn’t tell by the summary, this specific oneshot is telling how everything started, so there is a very slight time skip. don’t worry though, it’s nothing crazy.
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“so if you’ll come this way, you’ll see the meeting room, which is where i’ll properly introduce you to the team in about fifteen minutes,” you followed mr. cameron, your new boss, around the cubicle packed room, smiling softly at those who cared enough to look up from their computers. “there’s not really much of a dress code, all i ask is that you dress for a corporate setting.” he lead you back to his office, where he asked you to take a seat.
“i won’t work you too much, i really just need someone who can keep me and my appointments with my clients organized. my son rafe, who is co-owner at the moment, will also be in need of your assistance, no worries though all he needs from you is to keep him updated on shipments and checking back in with clients to make sure they are more than happy with our services.” mr. cameron pushed a small stack of papers towards you.
“this is just the code of conduct, some expectations for here in the office. i’m gonna go take a phone call, and you can sign those documents in the meantime.” he patted your shoulder on his way out. you took a breath, flipping through the pages. everything looked pretty standard, all drugs prohibited, anyone under the influence will be asked to go home and will be terminated effective immediately, no firearms or weapons allowed while being in the building, etc…
then there was one rule, the only rule, in bold: ANY AND ALL ROMANTIC RELATIONSHIPS WITH THOSE OF HIGHER POSITIONS WILL RESULT IN TERMINATION OF BOTH PARTIES.
you hummed to yourself, mindlessly signing the papers with no clue of what was ahead of you. just as you finished signing the last page, mr. cameron walked in, flashing you a smile as you handed him the papers back. “do you have any questions for me?” he typed something up on his computer, the printer starting up soon after. “i do, actually. how come the rule for forbidding romantic relationships with higher ups the only one bolded? it’s not a problem or anything! i’m just wondering..” you cleared your throat.
“ah,” he stood up, “well the reason why it’s emphasized is because we want to avoid any and all legal troubles. lawsuits, investigations, it’s a really bad look for my company, and i would rather my employees keep their personal lives out of the office, especially those who are being paid very generously.” you nodded in understanding. “i see. very smart move.” you adjusted the ring on your finger, accepting a paper with your photo on it from mr. cameron.
“why, thank you. anyways, this is a temporary id for when you want to leave and enter the building. rafe is usually in charge of getting the id badges for our employees so he should have that ready for you by the end of the day.” he glanced down at his watch. “shall we get you introduced to everyone?” you nodded, making sure your head was held high as you two made your way to the already full meeting room. while everyone had been making small talk, rafe stayed silent while he stared at the blank presentation screen.
“good morning, everyone! i hope all is well, we’re here to discuss the construction plans for the skyscraper on the mainland, and i also have a new employee i’d like for everyone to meet,” rafe only saw your back profile, but with the view of your hips swaying in your tight pencil skirt and matching heels, it felt like eternity before you finally turned around, the sight of your perfect blowout and soft makeup doing something to his brain.. and his pants.
“this is y/n, and she is the new assistant to rafe and i. she comes from the mainland and has a degree in architecture, she is surely an amazing addition to our team, so i only expect the best treatment for her, as i do all of you.” you smiled, meeting everyone’s gaze, your heart stuttering in your chest when your eyes landed on him. he looked emotionless, but little did you know he was thinking of all the ways he could take you on his work desk.
“you can go ahead and take a seat, and we’ll get started.” you looked around, the only open seat being next to the man that made your stomach flip with a simple glance. you walked over, letting out a small ‘sorry!’ as you sat down, your knee bumping his. he didn’t acknowledge you at first, but once all eyes were on mr. cameron, rafe leaned in to speak to you quietly. “y/n, that’s your name?” you smelt his cologne before you could speak, the scent becoming your new favorite.
“yes, and yours?” rafe took your hand in his. “rafe cameron.” it took everything in you not to let your jaw drop. of course the insanely hot one was off limits. “nice to meet you.” you looked down, unable to maintain eye contact with him. rafe didn’t let go of your hand right away, clearly enjoying how shy he made you. “i’m assuming my father showed you around already?” you nodded, crossing one leg over the other. apart of you was slightly annoyed with yourself. you weren’t a shy girl, you didn’t avoid the stares of men, but rafe? he was a totally different ballpark.
“we’ll talk in my office after this.” he let go of your hand, smiling at you softly as you took out a notebook and pen, jotting down notes from what mr. cameron was going over. just like the rest of his father’s meetings, he wished this one would hurry up and end, wanting nothing more than to get you to himself already. thirty minutes later, and you found yourself sitting in front of rafe, both of you laughing about a topic he brought up.
“you know.. you carry conversation very well. a lot of people don’t know how to do that.” you adjusted your purse on your shoulder, both of you exchanging looks. he was wearing a white button down and slacks, his sleeves rolled up slightly. “thank you.” your words came out soft, the urge to steal a peek at his arms nearly unbearable. rafe examined you for a moment. “you dress very nicely, i like that.” he walked around his desk, leaning on the hardwood. “is this satin?” he rolled the fabric of your sleeve between his fingers.
if it was anyone else, you would’ve curled your lip in disgust before storming out the room and never looking back, but with the way this man towered over you, his eyes hungry as he stared you down, you met his gaze. “it is. and this? all leather?” it was a bold move, even for you, but if he was going there, you were going to meet him halfway. rafe sucked in a breath as your fingertips skimmed his belt. his hand came over yours, trailing it down his slacks, “we’re going to get along just perfectly.”
-
the next two weeks are a blur. first, you were too shy to look at this man, now he was stroking your thigh underneath the table during meetings. after he guided your hand over his hardening cock that fated day, it’s been nothing but hell for him, and you were enjoying every second of it. no one suspected a thing, and mr. cameron had actually told you to reside in rafe’s office for the time being while he worked to set you up somewhere nice. while rafe has been doing everything to get you where he wants you, you’ve been teasing him endlessly.
like today, you wore a black lace bra under your blouse, leaving it three buttons too shy so rafe could see what’s underneath. “mrs. thornton is on line one.” you’d bat your eyelashes up at him innocently, his teeth tugging on his bottom lip as he stared at your exposed cleavage. “you’re killing me, woman.” you’d laugh before getting out of his chair so he could take a seat. while he talked on the phone, you thought about the next way to torture him.
before you could start writing a dirty note for him, there was a light knock at the door. “come in!” rafe shouted, resuming his phone call while margaret, the receptionist, brought in the largest vase of flowers you’ve ever seen. “y/n? these are for you, honey.” you blinked, rushing to get up so you could take them out of her hands. “are- are you sure?” there was a small white envelope poking out the top. “positive. ask whoever sent you those if they have a brother.” she winked, leaving you dumbfounded.
you plopped down in one of the chairs in front of rafe’s desk, taking the envelope and revealing the small card inside.
you look beautiful everyday, so you’ll get flowers everyday <3
your head shot up at rafe who was already smiling at you. “sounds good, i look forward to our meeting mrs. thornton. yes, uh huh, alrighty goodbye.” you walked around his desk, rafe moving to face you. “did you get me these?” you took a seat on his lap, the most you ever let him touch you in two weeks. he sighed wrapping his arms around you as you read the card over and over’s again. “i did. ‘figured roses were too practical, so i got you peonies.” you smiled, pecking his cheek. “they’re my favorite.” there was a lot of intimacy going on right now that rafe wasn’t used too, but it was intimacy with you, it felt right.
“good to know. maybe we’ll get you through the catalog.” his hand rested flat on your tummy where your shirt had rode up. “you really didn’t have to do this. i love them.” you brought his coffee cup to your lips, your lipstick staining the rim as you placed the card back in the envelope. “i was thinking.. since tomorrow is the weekend and the office will be closed, why don’t we do something? i’d love to see you prance around in a bikini on my yacht.” he rested his chin in the crook of your neck, inhaling your sweet scent.
“i bet you would,” you laughed, “that sounds fun. what time should i be ready?” you adjusted yourself, so your legs were hanging off his thighs. “mmm, how about two o’clock? we’ll stay to watch the sunset.” rafe stroked the side of your face, your eyes falling to his lips as you nodded. “i’d like that.” your voice dropped down to a whisper as he leaned in closely, his breath fanning the tip of your nose. “i want to kiss you so bad right now.” his jaw clenched as you ran a hand across his chest. “so kiss me, rafe.” you wrapped an arm around his neck to steady yourself.
just as his lips ghosted over yours, there was another knock at the door. both of you sighed, your foreheads resting against each other’s before you got up, taking the vase of flowers to your desk. “come in!” rafe wore an annoyed expression as mr. cameron walked in. “great timing, dad.” rafe grumbled, making a small smile grace your features. “listen, i need you to stay later and go over some of the projects that have been sent in, and flag the ones you think are worth investing in. i’m leaving so me and rose can catch our flight on time, we’ll be back by monday.” rafe nodded absently.
mr. cameron smiled. “good afternoon, y/n. flawless work these last couple of weeks, i almost forgot how easy things can be when properly organized. you have a great rest of your day.” you returned the gesture, tilting your head slightly. “why, thank you. i hope you have an amazing flight.” mr. cameron walked out, leaving you and rafe alone once again. “just what i wanted to do tonight. work overtime.” you watched as he pinched the bridge of his nose. “i could stay with you, help you out.” he shook his head. “i couldn’t ask you to do that. don’t worry it really shouldn’t take me that long.” you waved him off.
“don’t be ridiculous, i’ll be more than happy to review the submissions with you.” he wasn’t going to tell you no, so he let you have your way. after a few hours passed by, you made your way to the front desk where margaret was getting ready to leave. “you have a good weekend, y/n. see you monday!” you laughed at how quickly she got on the elevator to go home. you walked over to the copier room and grabbed the papers fresh out the printer. “well, office is officially empty. margaret just left.” rafe yawned, loosening the tie around his neck. “damn, it’s eight o’clock already?” you placed the papers on his desk, humming softly.
you let your hair down from it’s updo, the waves falling past your shoulders. “what?” rafe was looking up at you with half-lidded eyes. he pulled you down, making you straddle him. “thank you for doing this with me. because of you, we don’t have to stay late after all.” his hands ran up and down your back, untucking your blouse from your pants. you shivered when you felt his fingers against your bare skin. “you welcome.” you tried your hardest to suppress the moan that sat at the back of your mouth.
“do you remember where we were before we were rudely interrupted earlier?” rafe started unbottoning your shirt, revealing your black lacey bra underneath. “fuck.” he closed his eyes, clenching his fists as if he was holding himself back from ravishing you right then and there. you smiled, running your thumb over his bottom lip. “there’s no one here to interrupt us now.” he grabbed the back of your neck, finally taking your lips in a heated kiss.
he groaned, making you grind your hips against his. this kiss was like something you’ve never felt before. there was tension, hunger, the desire building up over these last couple of weeks now rising to the surface in this very moment. the sounds your lips were making was enough to make you pull away, your cheeks reddening. “you gonna get shy on me now?” he tilted your chin up so you could meet his stare. “no.. i’ve just wanted to do that ever since i saw you in the meeting room.” rafe smiled, standing you up.
“you wanna know what i’ve wanted to do since i saw you in the meeting room?” his fingers worked to unbutton your pants, sliding them down your legs before pushing you back on his desk. you sucked in a breath as he ran a hand up your thigh, his finger slipping underneath the waistband of your underwear before letting the elastic snap against your skin. you gasped softly, your head falling back as rafe trailed kisses from your navel to your neck, slotting himself between your thighs where he leaned his weight on you.
you shuddered, his hands cupping your tits through your bra as he laid you down. “i thought about bending you over, fucking you to tears while you struggle to keep quiet.” his words elicited a moan from you, your hips lifting so he could slip your underwears off. “as much as i want to do that right now, i want to taste you more.” your eyes fluttered shut as he pressed wet kisses to your inner thighs, his arms locking you in so you couldn’t close them.
you thought you knew what pleasure felt like, but once you felt rafe’s tongue plunge into you, your mind went blank as he went to work on your clit, your back arching off the hardwood. he switched from slow languid strokes to fast flicks that made you see stars. “feels so good, rafe,” your hands shot down to hold onto his, your nails digging into his wrists. “yeah? like it when i tongue fuck you like this?” your body jerked when you felt him at your entrance, your toes curling in your heels.
rafe was loving this. you tasted so much better than he imagined, his cock straining against the fabric of his slacks. just making you moan and whine was enough to make him feel like he could cum in his pants. “please,” you whimpered, “please fuck me.” rafe pulled away, snaking up your body to align with your lust filled gaze. “i want to fuck you, baby, i do. but i want the first time i fill you up with my cock to be more heartfelt. i promise tomorrow that’s all we’ll do.” your heart swelled at his want to make you feel special.
“okay,” you whispered, tasting yourself on his lips. before you had a chance to think, he shoved two fingers inside you, thrusting them while his thumb rubbed hard circles on your clit. he was unforgiving, the wetness of your cunt echoing in the confines of his office. “oh, fuck,” your eyebrows knitted together as your mouth fell open, his eyes burning into your face. “do you hear how fucking soaked you are?” your chest was heaving at this point, your eyes rolling back as your thighs threatened to close around his hand.
the force alone was making you squirm, your orgasm so close you could taste it. with his thumb rubbing your clit faster, and his fingers curling inside of you, hitting that spot that made you scream, you came with a cry of his name. “oh, that’s it baby, that’s it.” he cooed, your breath stuttering while you shook in pleasure. you felt like fireworks were going off in your tummy, your eyes screwed so hard shut that you could see colors behind them.
“can’t- can’t anymore,” you whined, overstimulation taking over. he didn’t stop, determined to pull one more orgasm out of you. rafe kissed you again, swallowing all of your whimpers and moans as he managed to push you towards the edge one last time tonight. “fuck!” your mewled, your eyes shooting open when you felt a gush between your legs. “o-oh! i’m sorry.” you looked at rafe’s shirt that was not wet with your slick. “sorry for what, beautiful? i was hoping i could make you do that.” he pecked your forehead, easing you through the aftershocks of your orgasm.
“you’re so perfect, you know that?” you blinked, your eyes shining up at him. “i don’t think i’ll ever be ready for this.” rafe groaned as you palmed him through his pants. “i don’t think i’ll be ready either.” he laughed, buttoning your shirt as you sat up. your legs were like jelly as you pulled on your underwear, rafe dressing you while you sighed blissfully. once you were both put together, rafe carried your purse and your vase of flowers for you as you two rode down the elevator to the empty lobby. he put your stuff in your car, making sure to shower you in kisses before letting you go in the driver’s seat.
“see you tomorrow?” he was leaning against your window as you nodded. “i look forward to it. goodnight, rafe.” he smiled. “goodnight, gorgeous.”
794 notes · View notes
milksockets · 6 months
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why scan?
scanning is something i've done for probably about 12 years now (i'm ancient, for this site), with varying degrees of regularity, intensity, etc. it has ratcheted up since the dawn of 2023, though, which begs the question: why? why put so much time into what could not-wrongly be considered a passive activity, hunched over a piece of clunky machinery with the express purpose of preserving others' creations? the answers are several, and fascinating (not really).
i am a [sober] drug addict. anything i pursue, consume, create--more often than not--ends up taking on addictive qualities. i'll eat the same specific food item for a month, then never want to see, let alone taste it, again. i'll listen to one song on repeat for days until i'd rather hear nails on a chalkboard than have it shuffle on and assault my ears. one of the reasons that my scanning has increased in volume recently is that i acquired library cards to the 3 nyc library systems: nypl, brooklyn, and queens. as soon as i was able to, i pillaged + plundered those fine centers of learning, leaving any given library with as many hefty scan-worthy books as i could [barely] carry. here, finally, was a *free* way of obtaining more + more + more visual media to consume.
2023 saw me get my first legal, full-time job. as such, my adjusting to that hellish reality resulted in a steep decline in my own personal creative output. collaging, writing, and rapping all fell to the wayside as i slowly acclimated to a life of work that almost everyone else my age has known for over a decade is generally unbearable + detrimental to the maintenance of outside pursuits. in times of famine within my own artistic harvest, scanning, archiving, and sharing others' work is a means of feeling as though i am still contributing to the global oeuvre.
there’s an element of losing my mental self in a series of physical motions that becomes almost automatic after some time. “zoning out” is not something endemic to my daily life; if anything, i’m almost always too zoned in. relief is necessary.  especially considering the shitshow this past year has been in terms of my personal life.
i am a product of capitalism’s cultivating a craving for constant consumption. 
it seems that visual content is only going to continue to get more + more uninspired. has everything been done? did social media ruin it all? in any case, i feel a need to document the past. to a degree, it’s my version of doomsday prepping. (god forbid books go extinct altogether.) 
i have always gravitated towards solitary activities. this topic could be a thesis in its own right.
i thrive on external validation. this reliance is something i’ve improved upon over the past several years, but it hasn’t been altogether extinguished. even though the materials i scan are not of my own creation, i nevertheless feel a vague pride in showcasing them. occasional appreciation thereof satisfies this fixation on others’ attention, albeit in a diluted form. 
i am fortunate to live in a city bursting to the gills with cultural institutions. i am also lucky enough to have some disposable income that can be directed toward fulfilling my ravenous desire for visual media. 
((i keep getting messages about the specifics of my scanner + "process":
i have a cheap ass hp envy 6055e and i just use the software it comes with.
there's nothing special or fancy happening here, and i could definitely invest in a better and/or a large format scanner, etc. but i really just don't care enough and it's not like i'm getting paid for this lmao))
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rreids · 17 days
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BE GOOD TO ME • A. HOTCHNER X READER
__ used in place of reader's name; age gap (both legal, unspecified, hotch implied to have worked with the reader's father); fem!reader; alcohol consumption; fluff; angst (i'm v bad at it, apologies); fears of abandonment; hotch is a bit insensitive at times; no jack or haley (assumed they have the same issues with his work & broke up pre-fic); sexual tension; has a nsfw section, skip from: (“Okay, they’re shut,” -> "I'll stay." if you are a minor or don't like smut; ~5k words; a poorly written ending, honestly; an (early!!!) birthday present for @hotchfiles (♡ˊ͈ ꒳ ˋ͈) smut warnings: dom!hotch (nothing intense), fingering, marking, unprotected sex (do not copy them <3), oral (m receiving).
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Moving was always a hassle. 
Stressful, tiring, made tensions high — the works. It took the better part of your first day in Quantico to move in, and you could only settle onto your new couch (courtesy of your father, who’d worked in Narcotics at the FBI early on in his career, and was more than excited to find out that you wanted to move there) when the sun was thirty minutes from setting.
“Yes, yeah, Dad, I’m fine. I only had thirty more minutes of unpacking when you were leaving,” you click on speaker phone and lean your head back, sighing as you try to work a cord in your neck. “I’ll say hi to my neighbors tomorrow. Yes. Yes, I’m going to eat. The food you gave me to put in the fridge. I have my first day at the café tomorrow, I’ll get groceries then.”
He rambles for a bit and you close your eyes, letting him talk and talk. It’s nice. You know he worries.
“Ok, Dad, I got it. I’ll contact Gideon if anything comes up, and I’ll ask around for his team or wife — girlfriend? — if he’s busy. I love you, but I’m gonna go get ready for bed. Okay? Yeah. Thank you. Bye-bye,”
He hangs up first, knowing you hate to be the one to click it.
You sigh and stretch, tossing the phone down on the cushion. By the time you gain the energy to stand and go to the fridge, there’s a ring of your doorbell. 
You’re not expecting anyone, so you approach cautiously, peering through the peephole. It’s a man, older, but you can’t place by how much, standing with his hands in his pockets.
You crack the door, keeping the secondary lock in place. “Hello?”
“Good evening,” his voice has a nice husk to it. “Sorry, I should introduce myself. My name’s Aaron, I’m your neighbor. Wanted to ask if there’s any groceries or anything I could bring you, something to help you get settled or maybe you forgot to pack for the move…?”
You eye him warily.
“I was going to make cookies but I can’t bake.”
You chuckle. “Um, I think I’m okay. Are you handy, by any chance?”
“A little. I can do stuff around the house.”
“Then,” you pause, looking at his eyes. “Is there a chance I can get your number? You know, so if there’s any issue I can call you to come round and take a look,”
“Sure,” he smiles warmly at you. “I’m a little busy sometimes, though, so it might take me a few days to get around to stopping by.”
You nod and quickly undo the inner latch and open the door more fully. “That’s alright, I don’t expect you to drop your life because I can’t fix a leaking faucet. Can you wait here while I grab my phone?”
He nods, looking respectfully at only the foyer and not further into your new home, carefully avoiding focusing on the stacks of boxes you haven’t gotten to unpacking (full of knick-knacks and unimportant things that you decided could wait to be put on display). 
It doesn’t take long to save each other’s contacts, and while there’s no more excuse for him to be on your stoop, you want to talk to him more. “Do you have anyone to eat dinner with?”
Subtle, your inner voice snarks back.
“No,” he smiles sadly, bitterness to it. “Just me.”
“Well, it’s just lasagna to reheat, but if you’d prefer to not eat alone…”
“I’d love that…?”
“__,” you smile. “Come on in, Aaron. I’ll get you a plate.”
.°. ݁₊ . ݁ ⁺₊
Work goes well, getting adjusted is easy.
You make friends with your coworkers and a few regulars, go out a few times and find a group of girls you mesh with.
Then again, you were a pretty sociable person, always trying to smile and improve people’s days. It was partially why you didn’t absolutely hate service work. There was a silver lining to every interaction.
Aaron was nice, too.
You’d had an issue with water pressure when you finally (after much longer than you’d like to admit) got your new shower head attached, and he’d come over and let his dress shirt get soaked while he fixed it for you.
Whenever you ask about work, he dances around anything more than telling you “FBI” and that he “travels a lot”, but you didn’t mind too much. Everyone has their secrets, and you knew your dad had seen some terrible things. 
You can only imagine what Aaron has seen.
He was good company, had a dry and witty humor that you never expected, kind eyes and a gentle smile you were lucky to see despite his tiredness, and, well, he was handsome.
You weren’t against eye candy, even if you didn’t know much personally about him. It took a week to learn how old he was, and a few days while was gone for work for you to reconcile that he was old enough to have worked with your father when he was at Narcotics.
It’s been two weeks since you’d last seen him, but he calls, voice exhausted and rough, raw, even, from what seems to have been an emotional case. 
“Aaron?”
He hums, sighs on the other side of the line.
“Everything okay?”
“Just tired,” he doesn’t explain more. “Can you keep talking?”
“Yeah. Yeah, of course,” you can’t help the way your brow furrows in concern about how worn-out he sounds. “Well, I can tell you about my job. I’m not nearly as secretive, Mr. FBI,” you tease, and he exhales — a softer, happier one. 
And so you do, rambling about different coffees, trying desperately to coax him into trying a latte (he refuses every single time you try to tell him he’d like one, but assures you there’s someone on his team who has equal amounts of sugar and coffee in his — you’re sure he’s exaggerating, the sugar would be too much for almost anyone — who would love to try your drink combos); telling him about regulars and new customers, the music that played, if there’s a song you know he’d like; really, anything you can think of.
“When do you get back?”
“We’ve landed, I’m back.” There’s more shuffling than there had been on his end, papers sliding and the crackling connection as he moves the phone before bringing it back to his ear. “Just finishing some paperwork.”
“Is it stuff that can’t be seen?”
“No. It’s not confidential.”
“Do you want to do it at your house, then? Or visiting my place. I made pasta and steak, I can heat some back up for you. I’m sure you haven’t been eating well when you’re chasing down bad guys, or… whatever you do when you’re gone, I’m not sure exactly.”
Aaron chuckles. “Thanks, __. Give me thirty minutes?”
“Yeah. Do you want me to stay on the line?”
He hesitates.
“No. No, it’s okay. I’ll see you in a little while.”
.°. ݁₊ . ݁ ⁺₊
He takes closer to forty-five minutes, but you expected something to take a bit longer than he said. And it’s not a bother. Really, it was welcome because it let you run out to the store and buy a nice wine (you hoped he likes red), and reheat the food better than just by the microwave.
When he knocks, you try not to scurry over too quickly and to temper your smile. “Come in,”
Aaron smiles tiredly at you, and it doesn’t quite reach his eyes. He hangs up his suit jacket and loosens his tie slightly.
He looks at the table and his brows raise. “Wine?”
“I figured you could use something to unwind,”
“Sounds lovely.” 
You can’t tell if he actually means that, or if he just doesn’t like red, doesn’t want wine, or what, and is being polite but you don’t push it. 
“Are you going to eat, too?”
“I already did,” you smile at him. “I was going to do dishes so I don’t leave them in the sink overnight — I try to never do that. But it can wait if you’d rather have company.”
He moves his napkin. “Well, I’d be able to hear you from the kitchen. More efficient,”
“Got it,”
You hum to yourself in the lulls of conversation with him, scrubbing a plate clean. He eats quickly, when you’re not across from him, and you find this out when he comes in with his dishes.
“Let me wash them. My mess,”
“You’re a guest,” you protest, but you don’t do much to dissuade him, watching the way he rolls up his sleeves and his forearms flex with a lazy smile as he scrubs off the alfredo sauce. “At least leave your glass. We can drink and talk for a bit.”
He raises his brows but nods, pushing it to the side.
“Do you want to talk about work?” You ask him as you fill one for you and then top off his. “Or would you prefer anything else.”
“I’ve been talking about dead bodies and abductions for two weeks. I’d like something more normal,” Aaron answers smoothly before pausing, placing his plate in your dishrack. “I’ve never told you that I deal with that, have I?”
“No,” you hand him his wine and guide him to your couch. “But I can make a guess why you haven’t,”
“I’m sure you can.”
“My father, he was in Narcotics, actually.” You look for a flash of recognition in his eyes, but without saying your father’s name there is none. “Maybe he worked with you at some point. But he would always come home tense and it strained my parent’s relationship… I get it.”
Aaron swallows. You guess relationships are a sore spot.
“Wanna hear about the last time I went out?” You couldn’t think about a better topic, and grimace when he sighs and sinks back into the cushions. “Nothing gross,”
“Hit me.”
You tell him, excited, bubbly, and pause about two-thirds into recounting the drinking games and how you could barely walk by the end of it. Namely, because you want to leave out the fact you almost drunk-dialed him (and that you were super wasted in public, considering he’s a federal agent), and second, because you realize you could show him the dress you were wearing that night.
Maybe the wine is getting to you a little, but you buzz with excitement at the idea of him eyeing you up and down.
“Actually, I wanna show you something!” Your voice is too excited and you know it when he gives you a questioning look. “Wait here.”
You stumble a little changing out of your clothes and quickly zip yourself into the dress, clasp the same necklace back on. Your hair isn’t done the same, your makeup is your day makeup and not what you wear out, but you still look pretty. 
Maybe a little less slutty than you did that night, but the way the dress clings to your curves would make up for it. Hopefully.
“Close your eyes!” You call out to him.
“What?” Aaron calls back, and you hear an exaggerated groan when you don’t reply. “Okay, they’re shut,”
You saunter out and lightly grab his wrist — he’s holding his hands to cover his sight completely, and your heart flutters at the boyishness — and tug them away. “What do you think?”
Aaron opens his eyes almost directly to your cleavage as you straighten up, and he snaps his attention to your face. That doesn’t last long as you spin and twirl, letting the light catch the glittery details. 
He’s moved his eyes to your hips and how much of your thighs are exposed.
He clears his throat. “You wore this out when you were that drunk?”
“Don’t worry,” you smile. “I was safe!”
“You were telling me you could barely walk,”
You pout at him. “You’re so serious, you know that?”
“It’s part of my charm.”
A beat of silence.
Another.
“Twirl for me again?”
You beam at him and obey, squeaking when he pauses you once you face away. 
“It’s not fully zipped,” he lets his fingers trace above the zipper as he stands, and you feel him pressing closer to you — tall, imposing, strong. Warmth radiating off his skin. “Can I?”
You debate what to say.
“Actually,” you breathe in deeply, trying to keep your voice level. “I think I cinched the waist too tight at the clasps. Can you loosen them?”
Aaron’s breath ghosts over the nape of your neck, and he says nothing as he slowly unzips it, fingers sparking desire and tensing the muscles as his fingers trail down your spine after the zipper. 
“Right here?” He asks, tugging at the cinch to make his point clear.
You smile and let the straps slip from your shoulders in a fake stretch. His breath hitches.
“A little lower,”
Aaron listens, entranced, undoing more and more until his fingers ghost right above your panties — a thong, maroon-y red. 
You imagine he’s shut his eyes now, trying to respect you despite the way you’re clearly trying to get into his pants.
And so, you act.
You reach back and grasp the hair at the nape of his neck, tugging him a little closer to the crook of your neck.
“__,” he whispers.
“Aaron,” you match the soft desire thrumming under the words. “Please.”
You know he’ll snap when you arch your back, pressing back into his hardening bulge and pushing your chest out — right into his line of sight.
He kisses the skin of your neck gently, sucking on it harshly before running his tongue over the stinging sensation. He guides the dress down you fully, strong hands squeezing the fat on your thighs with a groan before slipping up and around your waist to cup your breasts.
“You’re beautiful,”
“Please don’t waste time on easing into it,” you grit out, aching for him. “I want you. Badly.”
“Shh,” he soothes, unclasping your necklace and placing it on the small stand by your couch, kissing where the cold metal had sat. “You’ll get me,”
You whimper out in surprise as he spins you and crashes his lips into yours forcefully, pressing you into him so your nipples brush against his ironed and perfect dress shirt, a perfect, aching friction. 
A confident hand goes to your thong and snaps the waistband against your hip as you press further into him, blindly pawing at his pants.
“Walk me to your bedroom,” he tells you when he pulls back for air, and you stumble into the wall twice, too wrapped up in his kisses and heat to move with grace.
He lays you down, but before he can pull back and stand, you pull him next to you. 
“Let me,” you say, tugging his tie loose and nimbly undoing his buttons with only a slight tremor to your hands. The button-up falls open to beautiful strength and skin, dotted with freckles and rippling with strength as he shrugs the fabric off and flings it to the floor.
When you start on his belt, his eyes bore into you and you shrink under the gaze once you tug it loose.
“Sit back,” he nods towards the headboard. “Now.”
You swallow and scramble to move where he wants. He strips down to his boxers and shifts to move over you, bracing on his knees and a forearm. He pecks your lips with a smile before deepening the kiss.
He leaves you gasping for air by the time he moves to lick over your nipples as his calloused fingers find their way into your panties. You quiver at the roughness on your clit, the way the fabric of the thong slips against you with his movements. 
He pulls off you, and your eyes hungrily drink in his deep breaths and the filthy sight of his fingers moving in your underwear, back arching as he slips one finger into you and continues to roll your clit with his thumb.
“More?” He asks when your hips grind down to meet him.
“Want it,” you gasp out, squeezing him over his boxers. The precum that’s leaked through makes you keen with need. “‘M ready.”
“I’d rather you not get hurt,” he pushes in another finger. “So be patient.”
You huff, fucking up against his hand.
He pulls back and pins you with that same hand, smearing your arousal over your hip. “You can’t wait?”
“Maybe I like it with a little pain.”
He raises a brow at that and sighs, but he lets go of you to pull down and kick off his boxers.
Your mouth dries at the sight of his cock, and you ache, so desperately empty. You grab at his shoulders, broad and strong, and he can’t help the twitch of a smile as he rubs himself against you and you squirm.
You kiss him as you hook your leg around him and drag him into you, delighting in the gasp of pleasure he lets out against your lips. His jaw sets, teeth grinding as he sets a torturously slow pace, letting you feel the drag of every vein and inch against your velvety walls.
You dig your nails into his back and scratch, and his hips stutter before finally speeding up. It’s still not enough, but finally forceful enough to draw sounds from your lips.
“You like a little pain too,” you laugh breathlessly, trying to leave a bite on his neck. He cranes back and out of reach, folding your legs up to drive deeper.
“I can take it. Can you?” Aaron asks, no expectation of an answer as he finally sets a pace that drives you to near silent gasps and shaking muscles. 
You whimper, digging your nails in more harshly to feel the way his shoulders flex as he moves one of his hands to rub your clit. His skin and his movements are rough and aggressive, punching moans out of you without care, sitting your nerves on fire.
He doesn’t relent, leaving wet kisses along your sweat slick skin as he fucks into you so hard you quiver in his hold, small and weak and helpless under him.
You moan at the idea, arching up into him as he scrapes his teeth over your left breast.
“More,” you beg breathlessly. “I can take it all,”
His brow furrows in delicious determination over darkened, blown-out eyes, lips tightening to hold in his gruff moans as he drags you closer to your ecstasy.
“Yeah?” He asks, bringing a hand to squeeze your cheeks together. “Want it all?”
You nod eagerly, urge him down for another kiss, and you clench when he sucks on your tongue before pulling back and completely away.
“Hands and knees.”
You flip hurriedly, trying to hide the way your muscles shake from the effort. He catches it, though, wraps an arm under and around your waist to help support you as he drapes himself over your back and slides back in.
It’s almost claustrophobic, so warm and close to him, skin slick with sweat, heavy breaths coming out in humid pants, wet presses of his lips and tongue to your shoulders and the nape of your neck; but you love it, whining and keening as he angles his hips just right and rubs your clit again.
You’re so, so, so close to the edge, you can almost taste it.
“Let go,” he orders, biting down on your shoulder to muffle his own sounds.
And you do, quivering around him, pussy desperately trying to keep him in place as he fucks you through it.
He hisses, and you whine at the empty feeling, rolling over to see him leaning back and jerking himself off, head tossed back and veins popping out. 
You crawl over and grin up at him “fuck my mouth” before taking him in, and he hisses, fingers tightening in your hair.
“Shit, __,” he groans, and you realize it’s the first time he’s said your name or lost composure during this. You hum in response and bob your head further down before hollowing your cheeks.
His hips jerk, but before he can apologize for the movement, you moan around him and press lower.
Aaron groans, deep and broken with need, and it only takes a few more seconds for him to cum, thighs twitching under your palms.
He tugs you off and kisses you after you swallow, tasting himself on your tongue.
“Let me clean you up,” he whispers after a few moments, observing how you’re still shaking from the aftershocks.
He leaves and comes back with a washcloth, wiping you clean and apologizing softly when you wince from oversensitivity.
Aaron even helps you get dressed (finds pajamas in a drawer for you and hands them to you) and makes sure you pee and brush your teeth.
When he starts gathering his things, you grab him. “Stay.”
He pauses and sighs, shirt bundled in his hand. He slips back into his boxers and slides under the duvet next to you.
“I’ll stay.”
.°. ݁₊ . ݁ ⁺₊
When you wake up, Aaron is gone.
No note. No voicemail.
It stings. He’d even cleaned up the wine glasses and brought your necklace onto your nightstand.
When you stand, it aches, muscles exhausted. You shower slowly and pensively, chewing on your lip as you consider calling him.
You don’t.
You fix yourself coffee, eat some fruit and pancakes, and get ready for work. It’d be a long day standing and delivering orders with the way your muscles burned, but maybe it’d distract you.
You don’t even hear from him again for a week, and part of you is mad at him, but most of you is scared — you’d figured out that he deals with homicides and abductions that night, and there was a worry that took root and grew that he could be dead, and you wouldn’t know.
When you hear from him, it’s one a.m. on a Friday (Saturday, you suppose, since it’s past night).
“Hello?” You ask groggily, not having checked the caller I.D.
“__,” Aaron sighs out. He sounds relieved.
You tense. “Aaron.”
There’s awkward silence.
“Why are you calling?”
“I hadn’t heard from you all week,” he tells you, and your heart twists in your chest.
Who did he think he was, to sleep with you, leave without warning, and call like nothing happened?
“I wonder why,” you snap, voice bitter and biting.
Aaron sighs and shuffles.
More uncomfortable silence.
“Where did you go?”
“Home. I had to get dressed for work.”
You hope none of his team is around. You’re already upset enough just talking to him, and that’s without a team of whatever-the-fuck he does FBI agents listening in.
“No message?”
“Should I have left one?” Aaron sighs, and you can practically see him pinching the bridge of his nose. “We’re not dating, __.”
“Yeah. I can tell.” You scoff. “Then why do you care that I didn't call you?”
“I like your company, you know that.”
“You do a hell of a job making it clear.”
Eyes burning with tears you’re holding back, you finally ask.
“What do you want, Aaron?”
“To talk.”
“No,” you grouse, wiping the tear that rolls down your cheek.
“__, please, come on.”
“Come on?” You repeat, incredulous. “Aaron, I like you. You used me for sex and left. I’m fucking pissed at you,”
“You’re too young for me.” Aaron sighs. “I’m always at work. It’s dangerous work, too. You could have any guy,”
“Yeah. A shame I want you. And my age didn’t seem to matter last week. If you don’t want to date me, just say it!”
“I didn’t say that.”
“Then what are you saying?”
“That I want to see you.”
“No. Please… stop calling me,”
You hope he doesn’t hear the choked sob that leaves your lips as you hang up.
.°. ݁₊ . ݁ ⁺₊
You ignore him for two weeks pretty well, pretending to be gone or asleep every time he rings the doorbell, tossing out his sad attempts at cookies (even if you feel like crying knowing he can’t make cookies or bake for shit and is doing it just for you), letting the flowers he placed die on your stoop.
The first time you hear about him again — he hadn’t left messages in a few days — is actually at work.
A younger man, about your age, boyishly cute and nothing like who you wanted, comes in and smiles at you.
“Hey, do you have any like… special drinks?” He’s stuttering. “My friend—boss?— recommended this place, said you had lattes I might like.”
The gears turn a little.
(There’s someone on my team who would drink it. 
I want you to try it, Aaron.
I don’t do sugar in my coffee, __. But he does, I swear it’s more sugar than coffee sometimes. I’ll let him know the name of your café.
Should I be expecting him?
Yeah, maybe. His name’s Spencer. He’s a good kid.)
“Boss?”
“Yeah! We work together, but we’re also friends, but he could fire me, so I never know how to introduce him.”
You giggle slightly. “Um, well, we have a seasonal drink.” 
You rattle off the options and ingredients, and when he finally decides on his order, he blinks at you a few times.
“You know, your name is familiar. __.” He’s trying to place it.
With a smile, you glance at him. “What’d you say yours was? For the order.”
“Spencer.”
Bingo.
You write it on the cup and look to see if there’s a line. There isn’t. You hand the cup to the other barista working with the order ticket.
“Where’d you say you worked, Spencer?”
“I didn’t. But I work at the FBI in the BAU—that’s the behavioral analysis unit. We do something called profiling to catch unsubs, unknown subjects, who commit a variety of different crimes.”
You nod. 
Profiler. 
You’d think someone who knows the human condition and behavior so well would know not to leave a girl without a goodbye when you slept together the night before.
“Your boss, his name Aaron?”
“Hotch.” Spencer supplies automatically before his ears catch up. “Wait, yeah. Aaron Hotchner. You know him?”
You smile tightly, not sure what he’s shared with his team. With the BAU. “We’re neighbors.”
Spencer grins. “You should come in and surprise him! He’s been bothered by something lately, but he won’t tell any of us why. Maybe he’ll tell you.”
You tense. “You all sound like a nosy bunch, Spencer,” you hope your voice comes across light and playful enough. You thank your coworker for his coffee and say “I’m also on shift. Here’s your coffee. Have a good day.”
He smiles and says “you too!” and turns around. He almost bumps into someone immediately and you hear a rush of apologies as he looks at his watch and hurries out of the café.
You sigh.
All day, what Spencer said runs through your mind. Had he really been struggling? He had to be, assuming Spencer didn’t know you… and if Aaron is as private as you think he is, Spencer definitely doesn’t know you.
When you get home, Aaron is waiting on your doorstep, and it takes everything in you to not turn around and get right back in your car, drive somewhere for dinner.
“__,” his voice is pleading, broken and soft.
“Aaron, please,” you sigh. “I’m tired of the excuses.”
“I know. I know. Let’s talk. Actually.”
You huff.
“... I’ll talk. You listen. I’m the one who has apologizing to do,”
“First right thing you’ve said in a while,” you mumble bitterly, brushing past him to unlock your door. “Come on.”
He follows you slowly, and one glance at his face fills you with guilt. He looks like a kicked puppy. 
Damn him and his pretty brown eyes.
You settle on the couch with wine. “Go on,”
Aaron swallows. “I… got a call. A work call. At three. After we slept together, I needed to run to grab all my things, get new clothes… 
It was a brutal case. The… the guy — we caught him — was killing girls who looked like you. And, selfishly, I thought, maybe if I just ignored you I wouldn’t be worried. And that you’d be okay, that it didn’t matter to you like it mattered to me. 
But I kept seeing him kill you in my nightmares, and I knew I needed to focus on work before he killed another innocent woman. That if I called you, I’d break down and be a burden on the team and the case.
And I know that’s not good enough, I should’ve left a message or called anyway.
I do like you. And your age is part of me not calling, I just don’t know if it’s right. For me to want you.”
He pauses and stares into your eyes before looking to the ground. “I don’t care if it’s right anymore. I do want you. When I close my eyes before bed, I see your smile, I think of you, and I just,” he digs his nails into his thighs, exhales heavily. “I want you so fucking bad,”
You swallow. “Care to show me?”
“Not tonight.” Aaron sighs. “I don’t want… I don’t want it to seem like I just want your body.”
“Even if I say it’s okay?”
“Even then,” he leans over and kisses you. 
Sweetly. Romantic, even.
“Let me make it up to you. What do you say about dinner tomorrow?” He rubs his thumb over your cheek. “Let me show you that I want you,”
“Sounds good, Hotchner.”
His brows shoot up. “How do you know my last name?”
“Well, I met this guy,” you say teasingly. “His name’s Spencer. Ring a bell?”
Aaron curses. “Did he say anything?”
“Just that you seemed down. He didn’t know anything, I just said you were my neighbor. Why, did you miss me? That why you were so miserable?”
“Yeah.” It’s the most confident he’s sounded all night. “Going forward…” he pauses. “Just slap me if I’m being an ass. I thought I was going crazy not being able to see you.”
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sophie-frm-mars · 17 days
Text
The Cass Review, and what we can do about it
The UK government is making decisive moves toward banning trans healthcare outright. The NHS says it is adjusting its policies to be in line with the "cass report", a pseudoscientific report written by a transphobe that goes as far as to claim that little boys playing with trucks and little girls playing with dolls is biological, and which disregards dozens of scientifically sound previous studies into HRT and trans healthcare in order to reach its conclusions that trans healthcare for under 25s should be radically changed to discourage transition at every turn and make it as hard as possible for young people to transition.
These moves will kill countless young trans people. I would not have made it to 25 if healthcare wasn't available and I know so many other trans people wouldn't have either.
The mainstream reporting in the UK is keeping itself ideologically cohesive by claiming that trans people exist, nobody hates them, and they're very rare, and the big problem is the explosion of new cases of not-really-trans people who are clogging up the system (this is a lie, the system has been intentionally slowed by malicious neglect, it isn't even a resource issue, the clinics have far more capacity than the number of patients who are let through)
Once again, this is genocidal and is actually a commonplace methodology of genocide. The nazis asked GRT people to help them understand which Traveller families were "real" travellers and which were the fake ones, since they insisted it was only the fake ones who were the problem and who had to be exterminated (because a lot of nazi GRT policy was based on American indigenous reservation policy).
Labour, the main opposiiton party in the UK, has announced it will "follow the Cass Report", and implement these restrictions on trans healthcare once in government.
For the survival of young trans people, robust community structures must be developed immediately.
Efforts to change the electoral situation will proceed at a snail's pace and will be entirely at the whims of what is politically expedient. It will turn around, but it will take a long time. At the voting level, everyone in the UK who cares about trans people needs to make it clear that they won't vote for Labour unless they reverse position on this, and to be clear about this: Labour will not listen. They are PR Brained Psychopaths and they don't want to get into this "controversial" issue in a way that might cost them further popularity and the easy election win.
Wes Streeting, inhuman lab experiment and Labour Shadow Health Secretary has said that activists need to "stop protesting to ask us to be better opposition and start protesting to ask us to be better government", in other words their electoral promises are cynical reactionary bargains and deals to get them into power and the only point at which they will change anything is once they are in government, if at all. I know this sounds very "push Biden left" but I'm not saying give up now - to repeat, everyone who cares about trans people in the UK should tell Labour to get fucked right away, and then keep doing it as loudly as possible, but it's just not going to change until after the general election at least.
Another way to help could be through legal routes, like the work that The Good Law Project has been doing for trans people for several years now, but I don't know enough about the law to know if it can be used to challenge this at all.
We have to accept there is no electoral solution right now to this genocidal campaign against trans people in the UK, and while those efforts are ongoing trans people and cis allies need to fucking organise. Trans exclusive / separatist organising is riddled with issues, I don't want to cast hopelessness around but there are really very few of us and while it's absolutely necessary to privilege trans voices in trans organising and give us the deciding power and the autonomy, we need to utilise the support and time and labour of every cis person who is willing to help in whatever way they can.
Robust community structures means community structures that are helping young trans people get healthcare as an absolute basic starting point, but it means a lot more than that besides. We need community structures that are consciously organised by people who are taking responsibility for the community roles they are in and being completely explicit with each other about the nature and function of their organising. We need HRT community resources so young trans people can survive this medical segregation, we need drug user harm reduction spaces so that what people turn to in despair doesn't kill them, we need sober spaces so that people can get away from unhealthy coping responses, we need conflict resolution structures so that our problems are dealt with privately and nobody is left completely isolated, but more than any of those things, and in order to have all of those things, we desperately need trans assemblies
Assemblies are how we will get a community of robust radical organisers, because only by repeatedly practicing the ongoing process of democracy can people learn how to do it in a way that will facilitate their own organising. We have to empower the whole community to answer our own questions, come up with solutions, organise people into structures to enact those solutions and then do them. All this means is that an open door event convenes frequently (at least fortnightly) to discuss what is happening in the community. Trans people get the mic for allotted time, and discuss the issues, and then whatever voting structure the assembly uses facilitates further discussion, for example through working groups - the assembly breaks into smaller groups to discuss the topic and then representatives report the outcomes of those discussions back and consensus is reached from what the representatives report.
We have to get people engaging in this process because in order to effectively combat this situation trans people must agree on the solutions and then tell cis allies how to help and so far we haven't been doing that. We really really haven't been. But we could be with a little work. And as I'm saying, doing this will also empower everyone in the community to organise toward specific solutions for specific issues like HRT provision, sober spaces, housing, food, etc.
fuck
I'll have more to add to this post later I have to get to therapy I just got really mad when I saw the news this morning
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