Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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Dan hates his Nicer Self.
He does. He really, really does.
The kid is naïve, cocky, strong in the weirdest ways that don't make sense-
And he's such a busybody! Always helping, always jumping into things, and always saying that he's definitely not trying to be a hero.
It's annoying.
It's so annoying.
For instance, Phantom got called in by the JL for an all-hands-on-deck situation right before a super important test. Phantom accepted the call.
But the JL had dealt with threats like this before, a million times-there was literally no need to answer the call.
Yet the little dumbass had.
And now Dan was at home, staying on the other side of the room away from Vlad, and watching the fight on TV.
Phantom takes a hit. Then another. Then another.
Good; he'll learn not to jump when the JL says jump, then.
Phantom goes down, disappears behind some rubble.
Dan doesn't care. He doesn't. Let the kid learn a lesson.
Phantom doesn't get up.
Just like Jazz didn't get up.
Or Sam, or Tucker, or his mom or his dad-
Dan sees red.
He barely hears Vlad as he rips a portal to the fight and steps out, in his own ghost form, and decks the bad guy-some demon named Trigun or whatever, fucking weeb-so hard he knocks the guy back.
The fight pauses.
"You touched the twerp," Dan growls, voice distorting and allowing his powers to manifest at full capacity for the first time in years, "So you get to lose your head."
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I just think
It’d be really neat if Danny looked more like Martha Wayne than Thomas Wayne.
LIKE
I love the Danny Fenton looks like Thomas Wayne or Danny Fenton is Thomas Wayne reincarnated — but the BEAUTY of Martha??
Of Alfred interacting for under five minutes with Danny, dabbing his eyes and going, “That is indeed Martha,” I WANT IT. I want Martha who was spunky and sassy and wanted to do good for her town the same way Danny wants to do good for Amity Park.
I want Martha who loved to take Bruce and the family out to star gaze because her baby had never seen the stars before, and the way his eyes light up like a mini galaxy takes her breathe away the same way that Danny feels when he turns his head up to the sky yearning for something he knew loved but doesn’t know what.
I want Martha who would literally find trouble in a paper bag because she can’t help her curiosity the same way Danny can’t help tripping over his own ghostly tail and making a mess of things before he figures things out.
I want Martha who would fight men who thought they held power, going absolutely feral from stress the same way Danny does when he’s tired of not being able to do his homework or pick up a vacuum against the wall to clean because ghosts.
I want Martha who loved the pearl necklace that Bruce had picked out for her birthday, and Danny reaches towards his neck and startles when his fingers only touch skin when he is certain there was something supposed to be there. I want Danny whose eyes linger on whites and pearls when he passes by open window stores in the mall, fingers itching to flick a nail against the smooth surfaces.
I want Martha who died bleeding underneath the hand of a gun, hoping to everything above that her boy would be safe, and Danny whose body burns at merely looking at the makeshift guns his parents create in the lab, his heart pounding desperately with a yearning to save there was someone she wanted to save the ghosts.
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thinking about people who have accidentally reversed in teslas and been injured / died because of it -- beyond the idiocy of making everything a touch screen, there's this
swipe up to drive.....swipe down to reverse.....
like...ok! i would also reverse to my death in a lake if i had to try to reprogram my muscle memory since age 15 that pushing my hand up = putting the car in reverse and pulling back down = driving !!
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