Tumgik
#it's a cute ship and I understand why people ship it! It's just personally not my cup of tea and that's okay
perfectsugardoll · 2 days
Text
My opinions on ride the cyclone ships!
Hi, this is my opinion, please don't get mad at it! I dont mind any ships other than Noel x Women or Rosenpotts
Nischa - I know, Nischa is very overrated, but for a reason! It's really cute and I love Nischa and their scenes together! Spacedolls - Eh, I don't really like it but I understand why people do Blackrose - I know this is a controversial opinion on here, but I love Blackrose a lot! I understand why people hate it, but personally I love it and its my 2nd favorite ship Perfectdolls - MY FAVS!! I love them so much I could talk about them forever! I think they're adorable together and deserve more fans Talischa - How could I not like it? Mischa sung his heart out for her and they're so sweet together Oscha/Topcomment - I don't really like it
Sugardolls - I love it! They're so underrated too like where are the sugar doll fans? Spacerap - They have some cute moments together, I definitely like it Starrypoet - Originally I didn't like it, but my friend turned me into a fan, adorable! Rosenpotts - Why? Genuinely why? Worst ship Nestingdolls - I never saw the appeal to them as a ship, but its cute, just not my thing Sugarcats - I love them sm, ik they barely interact but they're cute together Cloudrap(Constance and Mischa) - I've never seen anyone ship it before and im pretty neutral on it Perfectsugardolls - I think my opinion would be obvious but I love it sm!!
Supernova - Same as Perfectsugardolls
Polychoir - I don't really like it considering it has ships I dislike in there, sorry
Astrid x Talia - I have no knowledge on Astrids character, but I guess it's cute? Idk, no opinion
20 notes · View notes
boilingrain · 4 months
Text
Making Barbara really good at healing isn't enough, I need her to be able to KILL
19 notes · View notes
kyouka-supremacy · 1 year
Note
i have ✨mixed feelings✨ towards dazai Like, i like (?) him as a character, but he disgusts me as a person, idk how to explain myself and im so bipolar (j) like i love chuuya with burning passion and dazai is a motherfucker but i ship soukoku why would i ship the character i like with someone like dazai? idk but i do it and i cant stop send help chuuya deserves to be shiped with someone better like aku or sigma but skk have my heart make it stop please i've tried to start shiping dazai with others so i wont ship him with chuuya, i've tried with fyozai but then i see some fyolai shit and like theyre canon bro i cant ship fyodor with someone else, i've tried with kunizai too, it kind of works but not that much i still ship skk more theres SO GOOD skk fanfics and im confused with dazai and idk how i feel about him (basically a text of my random thoughts that I wanted to write down without effort and thats why theyre incomprehensible)
Anon don't worry I checked for you and there's no cops on Tumblr. Stan Dazai ship soukoku live love laugh ♡
19 notes · View notes
yamujiburo · 2 months
Text
Why I Love Hanamusa
I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:
Tumblr media
First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.
I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!
Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!
It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.
Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.
Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.
All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 
Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.
Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.
There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.
I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.
3K notes · View notes
blluespirit · 4 months
Text
okay first three episodes thoughts
good
bending is cool as fuck
sozin’s actor does an amazing job at full crazy but calculated
scenery is STUNNING
monk gyatso made me cry. idk why i just saw him and wanted him to give me a hug so bad
APPA ACTUALLY LOOKS GOOD AND NOT LIKE A LITERAL MONSTER
i wasn’t sure how id feel about them showing the air nomad massacre but i think the importsnt thing is that they showed it was a massacre - and that although they can defend themselves, they don’t have the ability to fight back like an organised army would bc they’re pacifists! they attacked a peaceful group
the abandoned fire nation ship in the southern water tribe looks so fucking cool
ARTIST ZUKO???!!! LETS GOOO
Dallas does an amazing job at getting across Zuko’s intense desperation
I actually ended up loving all the Sokka and Suki interactions sm it was so cute and wholesome
Katara is perfect i will kill and die for her
Azula’s opening scene being her manipulating those people trying kill ozai ultimately leading them to getting burned alive by him and smiling - literally so fucking good. she is the best villain in history of forever
really good move having the mechanist (Sai!) and Teo be in Omashu imo. having them destroy the northern Air Temple so carelessly always pissed me off
THE FREEDOM FIGHTERS ARE LITERALLY PERFECT I AM SCREAMINGGGG
I was wondering how they were going to introduce the Mechanist and Jet in a limited amount of episodes but I like how they combined the two stories
Also Sokka absolutely nerding out in the Mechanist’s home is so important to me
Zuko getting has ass beat by that lady for fighting Aang is literally so funny and reminiscent of the goofy aang vs zuko fights we see in season 1 (to be clear: i adore zuko. this is NOT hate on him)
Zuko losing shit about his notebook and trashing his room and then outing himself as a fire bender in Omashu is so perfect. god i love him so much. it’s very season 1 zuko. it’s giving I DONT NEED ANY CALMING TEA!!!
things i was not a fan of: (some of these are a little pedantic i’ll admit)
Exposition is a little is a little janky but i’ll forgive it i guess bc at least it isn’t egregious as The Movie That Shall Not Be Named
Aang leaving just to get fresh air/clear his head and intending to come back is a silly change to me. all i keep thinking about is the storm where we got those epic Zuko and Aang parallels which now doesn’t really work and also takes away a lot of Aang’s depth. A good change adds to the story, but personally this seems to take it away
WHY would they not make Katara the one to bring him back from the avatar state? just seems like a strange choice to me? not saying this from a shipping point at all but that moment is a big step to their bond/friendship especially since they have only just met
Still don’t understand why they made the head of the village Suki’s mum. like i don’t think it’s a terrible choice but they still could have let them have a mother/daughter bond but still let Suki be the leader without any implications of nepotism. it mostly seeems silly
tl;dr - really enjoying it so far!
835 notes · View notes
sabertoothwalrus · 2 months
Note
I’ve seen you post some labru stuff and I’m curious what your thoughts on it are. personally I don’t see it? I can buy Kabru having feelings for Laios, but I think Laios wouldn’t be interested in Kabru, so it makes me wonder why so many people ship them. (Tbh I feel like Kabru has more chemistry with Mithrun anyway)
Sorry if this ask sounds rude, I just genuinely don’t understand the appeal of the ship, but I want to understand and I trust your analysis of characters very much :] maybe there’s something I’m missing
I really like both ships, actually!
For labru, there’s sooooo much I could talk about. The inherent homoeroticism of being narrative foils. The inherent homoeroticism of being the king’s advisor. All of chapter 76. The fact that Kabru has mask upon mask upon mask, and Laios is the first person that made his facade absolutely crumble.
Kabru struggles with being genuine!!! Everything he says and does is so perfectly calculated, even when he sort of means it. But since Laios doesn’t get social cues, Kabru gets thrown for a loop.
I get so frustrated when people act like Kabru still hates Laios by the end of the manga!!!!! He killed those corpse retrievers for being corrupt, and yet he couldn’t bring himself to kill Laios. He has such a strong sense of justice, and knew that killing Laios would be a mistake. Because, after meeting him, he could tell he wasn’t actually evil. He’s strange, sure, but not evil.
Kabru DEFINITELY wants to be friends with Laios!! He was not lying about this!!!
Tumblr media Tumblr media Tumblr media
But this last comic shows how much Laios wants to be friends with Kabru, too. He’s so nervous after calling Kabru his friend 😭 he doesn’t want to be presumptuous and fuck it up again.
Laios does show an interest in Kabru, at least when Laios thinks he’s interested in eating monsters too. Like,, what was up with THIS
Tumblr media Tumblr media
Laios’s gaze is LINGERING. Plus, (this is before that bit at Thistle’s house when he forgets his name) he brings up Kabru when they first form their plan to eat Falin.
Tumblr media
And maybe this is just because of my own personal experiences, but Laios reminds me a lot of my own girlfriend. I think they have a similar flavor of gay/aspec & autism combo where, had I not asked her out first, she probably never would have considered being interested in me. But she was very down when I did.
The tricky part about labru is more the political aspect. Regardless of whether you see Laios as aroace or not, he’s in a situation where he will probably get married. He had a fiancée before he was age 13, likely betrothed since he was a baby. He’s already comfortable with the idea of getting married because He’s Supposed To.
However, Laios is king, and could make gay marriage legal if he wanted to (He would probably do this for his sister and Marcille before considering it for himself ). But at the same time, I think Kabru would object to Laios making whatever policies he wants without considering the repercussions of how other kingdoms might react, especially when they’re just getting Melini off the ground and need lots of support from other countries. Laios and Kabru getting gay married anyway and dealing with the aftermath could make for a really compelling story.
I do think Kabru would be a good ruler. He’s already fit for it. He speaks a dozen languages, he knows people and their motivations, and likes politics. The manga already joked about Chilchuck’s daughters trying to marry a king, so it seems like noble blood isn’t too important, but Kabru’s foster family IS nobility. When it comes to heirs, I do like trans Kabru headcanons, but at the same time, I think it’d be cute if they adopt anyway. Kabru seems like he’d have strong feelings about adoption given,,, yknow.
The alternative version of labru to this is Laios gets straight married out of obligation, and Kabru is his mistress hdhdhshsj. I don’t know if I could see Laios doing that? or if Kabru would risk the scandal of being outed as Royal Advisor and Regent trying to seduce the king. It could go SO downhill. but maybe that would be fun.
NOW FOR KABUMISU.
I knew people shipped them, and I could see the basis for it while reading, but I wasn’t really sold on it until the very end. There’s something about “I had no desires left. I decided to create new desires, and one of them is you” that’s really charming.
There’s also something funny about “the demon ate my heterosexuality so I’m gay now”
I think it’s interesting that Kabru hates elves. He was raised by them, and he hates them. He hates feeling patronized by them. He made absolutely sure that elves wouldn’t take control over Melini, not just for his sake, but for Rin’s.
But Mithrun’s interactions with Kabru are founded on more mutual respect. Though, that’s not to say that Mithrun doesn’t still have his biases towards short lived races..
Tumblr media
Where Laios doesn’t understand social cues, Mithrun does but just doesn’t care. For that reason, I think Kabru would enjoy spending time with Mithrun. It’d give him a break from his compulsion to calculate all of his social interactions. But at the same time, Kabru is the KING at bottling his emotions. Mithrun is blunt, but also doesn’t care enough to pry. If Kabru had anything bothering him, I could imagine him seeking Mithrun’s company to avoid thinking about it. Could make for a fun dynamic.
I do think it’s funny that Milsiril 1) took care of Mithrun for potentially 20 years and 2) is only four years older than him. I imagine this could lead to funny situations.
I don’t ship things for no reason! I think both of these could work platonically, romantically, one-sided, or even “requited but they don’t do anything about it.” Their relationships compel me and I think it’s sort of bad faith to brush off either like they’re nothing more than baseless yaoi pair-the-spares. To me, I see just as much of a foundation in the source material as farcille.
After all, dungeon meshi isn’t a story about romance, but it IS a story about love. It’s a story about life and death and grief and the love that comes with it. Regardless of shipping, these characters love each other!!! And I love talking about it!!
889 notes · View notes
konigbabe · 10 months
Text
steal the thunder - I -
Pairing: Hajime Kashimo x fem!sorcerer!reader Word count: 5.8k Tags/warnings: no y/n; unhinged reader; manga spoilers (Culling Games + Perfect Preparation arcs); fight description; canon-typical violence; there will be eventual smut in the later parts fyi Summary: There's murder in the air – with the Culling Games underway, a simple task of finding an angel turns to a fight for life when you meet a certain, static and 400 years old sorcerer with cyan hair and wicked intentions.
Artwork by poro (poro06625649) on Twittter [source]; divider by @skylightlantern [source] For a better understanding of the reader's CE and CT, visit this Tumblr post.
masterlist • navigation • faq • AO3 • ko-fi
Tumblr media
There's murder in the air – an unsettling undertone that pollutes the atmosphere. Gentle breeze carrying the metallic fragrance of blood within its currents.
The dockside keeps quiet. Sky clear, devoid of seagull calls. Walking by colossal steel shipping containers, stacked high, the scent persists. Clings to the air like a persistent specter. Each step accompanied by the gentle lap of waves against the pilings, their rhythmic cadence a stark contrast to the horrors you've seen.A soothing lullaby in the midst of chaos.
The maze-like layout of the quayside comes to an end when your muscles strain, lifting off the ground and landing atop the steel structure.
A giant panda comes into view. Its relaxed posture, perched on hindlimbs, contrasts with its impassive countenance as it gazes your way.
"Panda," you address what some might believe to be an actual animal; innocent, cute and completely harmless. Except for this Cursed Corpse – your subordinate – is none of those things.
He fixes you with your very name; a disturbing familiarity in his eyes, then the words escape his lips.
"The smell of blood's so thick," he voices as you draw near, words cutting through the tension. "There must be about three people dismembered here–"
You hold up two fingers, the other hand nestled in your pocket.
"Two actually," you intervene, voice a measured interruption, "walked past a man with a hole the size of a soccer ball in his chest."
The memory resurfaces – the sight of the man, head drooping, neck bent at an unnatural angle. Eerie web-like burns sprawled across his bare flesh. The smell of singed skin and ozone hangs in the air, a pungent reminder. Yet, it's not just that which jolts your senses. It's the residual static of someone's cursed energy, an unsettling presence that lingers.
"But that's not what troubles me," continuing, you stand next to Panda, arms now crossed as both of you watch the lifeless skies, "something bad's here. I tried following the remnants of the cursed energy of the perpetrator but it was very faint."
"Could be an expert who can turn their cursed energy on and off at will…" Panda thinks out loud.
You let the idea sit for a second. Could it be the case? Could someone in this colony be capable of doing it? Known, registered sorcerers are absent here. The majority are newly awakened, scarcely equipped to comprehend a sophisticated notion like this. And why would they feel the need to hide their cursed energy?
No.
Dismissing your doubts, you shake your head and stride toward the edge of the shipping container.
"Don't think so. Nevertheless, we're here to find that angel girl and negotiate with her." Stepping onto the container's edge, unfazed by the high drop; balancing skillfully, you extend one leg over the edge, about to step into empty space. In a seamless motion, you touch down on the solid concrete ground below.
Panda follows suit, rolling off the shipping container with agility, landing right beside you. Then he stands, an odd combination of human-like stance and panda appearance, more akin to a person in a panda costume than an actual animal.
"Our safest bet is to leave the docks. Fast. Just play pretend, avoid any unnecessary conflicts and make it out of this colony in one piec–"
The sentence's left hanging as a sudden shift in the atmosphere catches your attention. Panda falls on all fours, frozen still.
"Ah," a deeper, resonant voice rumbles from your right, the words echoing as the familiar sensation washes over you. A sudden buzz inside your mind, an abrupt surge of awareness regarding another sorcerer's presence. Heart mirroring the rapid flutter of a startled bird's wings.
Their cursed energy, concealed and latent, manages to evoke an almost primal response within you. A sense of fight or flight.
You pivot to face the uninvited presence before you.
A cascade of hair, vivid as a robin's egg and kissed by the hues of a clear summer sky, is gathered into twin buns atop his head while tendrils of untamed locks dance freely in the breeze, resembling a stormy sea. Longer bangs frame the contours of his face, softening his visage.
He stops when his eyes – the same uncanny shade as his hair – bore into yours. Carrying what you'd guess is a Nyoi staff slung over his shoulder, he stands at a slight angle. Excludes casual confidence, a sense of poised readiness.
"Another one," he breaks the silence. You stand your ground in response to his observation.
"Not interested in a fight," you remark, hands risen in a defensive gesture. Yet you don't dare take your eyes off the sorcerer. Ready and composed.
Panda, ostensibly cautious, inches closer to you, fur bristling in sync with his unease towards the newcomer's presence. The air tightens, charged with the unspoken potential for violence.
"Kogane," he calls out to the shikigami, summoning it like a wisp from the aether; the small creature materializes, its hue the shade of a serene lake, light and amicable as it floats near his head, "is the panda a player too?"
The shikigami screeches its answer, its words setting everything in motion.
"Indeed!! A player! Yep!!"
"That's a function," your pondering voice meets a forced silence. The state of perturbed ambiance vanishing as your thoughts are cut off.
A flesh of white. Empty space occupies the spot where the sorcerer was standing less than a second ago.
You sense his presence before your eyes even settle on his countenance; his eyes, framed with short zig-zag lines reminiscent of lightning bolts underneath them, a furious cauldron of murderous excitement as they lock onto yours. They widen with a manic intensity. An undertone of madness lurking deep within their depths.
A predator's gaze fixated on its prey.
In a heart-stopping moment, time stands still. The world around you fades into a blur as a primal instinct takes over. Your body reacts; a precision born of pure reflex – muscles coiled like springs, you counter his attack with a swift and calculated movement.
His volatile energy crackles in the air. Your hands snap up. Fingers attempting to curl around his bandaged forearm. Channeling your cursed energy to your clavicles, the place where his palm lays flat against you –
But your reactions prove inadequate. You're too slow. A shocking speed and heavy push; a surge of force is sent through your body, catching you off-guard. The ground beneath you becomes a temporary adversary. Your balance disrupted as you're sent flying backward.
Back colliding with the hard, metal steel of a shipping container – you watch in horror as the sorcerer mercilessly attacks Panda. Using his staff as a weapon. With unnatural speed and agility, Panda struggles against him; his valiant resistance a testament to his determination, his form a blur of motion as he evades the sorcerer's attacks and manages a few good blows of his own.
Your body feels light. A tingling sensation surging through your veins. Electric current's rushing beneath your skin, setting your pulse racing and your focus to a razor's edge. The metallic taste of blood floods your mouth. Mingles with the adrenaline in your body. Every nerve firing in response to the raw energy pulsing through your body.
It hits you then–
"Heh, electricity," you mumble, the word slipping from your lips as you raise your palms, clenching your fists. Feeling the tingling in the tips of your fingers. The slight buzzing in your ears.
–his cursed energy has a special trait. One certainly hard to defend against.
Barely seconds have passed since your body was forced to rest against the ground. It still feels too long with Panda barely matching the man's speed and force.
Gritting your teeth, the urgency of the situation anchors you, overriding any pain or disorientation as you fight to regain your footing. A sense of pride fills you when you watch Panda use his technique, striking the sorcerer with enough force that'll easily knock him out cold. One of Panda's winning moves.
Except it doesn't.
"Nice one," the man's voice rings out. A taut smirk playing at the corner of his lips. Your teeth clench, disbelief intertwining with unease as you watch. With a predominated precision, the sorcerer maneuvers his staff, entwining it with Panda's arm in a smooth motion that catches you off guard.
Exerting a forceful pull, he forces a grimace from Panda. Right arm caught in the vice-like grip, a sickening crack underscores the moment. Followed by the nauseating sensation of Panda's arm being torn from his body. Violently. And mercilessly.
Panda stumbles. Pain and agony escaping in a cry. The sorcerer doesn't waste a second. Hurls the arm back at Panda, using the momentum to charge forward. Palm aiming flat against his chest, he sends Panda flying backward – the same way he did to you. Causing your junior to experience a similar sensation to yours.
The cyan-haired man straightens, seemingly relaxing, already content with winning the fight.
"But I'm not impressed," he taunts, words an ominous echo of the violence just unleashed, "It's too ordinary."
Feeling the concrete beneath your feet, you take deliberate steps forward. With an inkling of Panda's potential strategy, you expel the pooled blood from your mouth, spitting it onto the ground.
"...Sukuna, you know where he is?" The man's words flow, attention diverted, ignorant of your presence.
A fortunate circumstance.
"No clue," Panda responds. His reply burdened with weariness and defeat; yet his gaze remained fixed on you, a silent exchange of understanding passing between you as you position yourself, tension radiating from his weary form.
The sorcerer scoffs; a contemptuous tilt of his head, a gesture laden with superiority. "Sounds like you know something, then," he snarls, his grip on the staff constricting as his fist clenches, "Spit it out. I'll be merciful."
With the sorcerer's back turned you raise your arm. Your gaze remains fixed upon the convergence point of the two delicate lines, their path crossing at the very heart of the expanse that's the upper part of his broad back.
"I won't be," you declare; voice carrying a firm tone. A deft flick of your wrist – the current of cursed energy takes the desired shape before it's hurled toward your target. Slashing the air in front of you, aimed right at him.
His gaze veers to the side. And in a fraction of a heartbeat, he moves; executing a skillful sidestep. Body positioned to face you from the side, both hands now gripping his staff, aiming it at you; a glint of fervor ignites his eyes as they widen, locked onto the shipping container stationed behind Panda. The unforgiving force of your attack rends the shipping container apart, leaving two gaping slashes that could bisect a man.
You don't give him time to react properly.
The moment blood begins to stain his white robe crimson red from the nick on his shoulder, you lunge forward. Like a bull being waved a red flag. Feet imbued with your cursed energy, reinforced to ensure protection.
As you close the distance at a breakneck pace, you sense the distinct composition of his cursed energy. With your fingers curled around the staff, your eyes meet his, a faint grin playing at the corners of your mouth as you tug on his weapon with your full body weight. Lifting your legs off the ground, you use the staff as a fulcrum. His body feels resilient, akin to forged steel, against the soles of your shoes.
With the potency of your cursed technique coursing through your strike, the man is propelled backward, his body hurtling through the air. The Nyoi staff clings to the concrete. Left untouched upon the impact.
Flying through a shipping container, he quickly finds his footing. Stance shifting in response to your aerial maneuver. Legs splayed to establish a firm foundation, you focus your intent on targeting his jaw. Fists charged with cursed energy, you hit once; knowing how troublesome the push-and-pull effect of your technique feels once your flesh makes contact–
"Not bad," he manages to spit out, the corner of his lip stained red. A smile tugs at the corner of his lip as you sprint toward him.
The surroundings blur into a muddled backdrop, irrelevant in your unwavering concentration. The sorcerer becomes the sole axis, a focal point in a world that seems to slow to a crawl, even though only a fraction of a second has passed.
The tip of your foot touches his; a mere whisper of contact between two opposing forces.
"Not bad at all."
–he counterattacks. Hand darts forward. Grabs your wrist. With an economy of motion, he employs your own momentum against you. His grip becomes a pivot, briefly throwing you off-balance, diverting your forward surge into an unexpected spiral.
Fluidity. That's how you'd characterize his movements. A seamless transition from being a passive target to an active agent.
His chest brushes against your back as his right hand remains locked around your right wrist. Single-handedly swinging your body like a marionette, you exploit the vulnerability of your position. Using his grip as leverage to move backward, simultaneously grabbing hold of his bandaged left forearm and pulling. Crashing your body into his, redirecting the movement into a collision.
With a potent surge of intention, you force the prepared rejection and attraction effect within your clenched fist, propelling it like a bolt toward the rear of your skull. Teeth gritted, you throw your head back.
Crack.
He stifles a groan, a step taken back but footing resolute. A red trail paints his nose as you swivel to confront him. Pausing briefly to charge your energy again, you grant him a moment to speak. His expression freezes as he locks eyes with you
"You," he speaks up, his voice textured with the tang of iron as his tongue grazes his lips, "Have we met before?"
With your hand still tingling, the ripples of sensation spread up your arm, an electric current tracing a pattern beneath your skin. Your head sways subtly, dispelling the notion of a previous encounter. "Unlikely. You'd be history."
A chuckle dances from his lips, a response to your retort. "What's your name then?"
You share it deliberately, each syllable a measured beat in your dance around one another. He nods, his head tilting with self-assured grace. It's then that he takes his stance – feet planted firmly, palms outstretched, a grin playing on his lips.
"The name's Hajime Kashimo."
The words hang, a telltale echo–
Hajime Kashimo.
–recognition snaps into place when you repeat his name in your mind.
The Hajime Kashimo, the sorcerer whose score reaches a hundred points; a mark that sets him apart from any other Culling game player (except for the intricate Hiromi Higuruma). Hakari's elusive target.
And here, right before you, stands the man himself.
"Hey," you call out, a new determination blossoming, your stance embracing the challenge; retreat is no longer a consideration, "if I beat you, can I get your points?"
The corners of Kashimo's lips twitch, smile fading like a wisp of smoke carried away by the wind. Expression blank, with only his brows furrowed as he responds, "Sure, but you tell me everything y'know about Sukuna," his voice lowered to a dangerous undertone, a velvet threat veiled in words, "that is–if you're still alive."
He charges then. Doesn't spare a single consideration. The air crackles with tension as his presence engulfs you. His hands make contact – not with fists or strikes – but with the calculated pressure of his open palms. You feel the weight of his touch on your skin. Pressure on your left, then on your right ribcage.
"Don't disappoint me now," breath tickles your ear, voice a tantalizing, dangerous melody. His fingers anchor firmly onto your right shoulder, an assertive grip that both commands and unsettles, while his other hand exerts a calculated force on your left shoulder guard, propelling you into a spin.
Your training surges forth, a symphony of muscle memory and instinct harmonizing within you. With the resilience born of countless battles, you swiftly adapt your stance, shifting your weight to face him.
An annoyed huff leaves your now-bruised lips. You channel your own cursed energy, a torrent of power surging through your veins.
Detain an attack when it comes,–
Knees bending, body swaying to evade the incoming fist; your left hand grips his left wrist, fingers tightening with determination, followed by your right driving into its intended mark.
–and send it away when it retreats.
Your palm meets the solid plane of his chest with a resonant thud; pushes and then pulls him back to you before sending him away again; successfully pushing back against Kashimo's pressure. It's a momentary reprieve. One that sends the sorcerer tumbling back, makes him roll on the ground, lending on one knee.
"Here I thought we were just getting started," you quip with a hint of playfulness amidst the dance of combat. Moving swiftly towards the target. As Kashimo's force ebbs, you seize the opportunity, your muscles coiling like springs.
"You're getting me–" he barely makes it back to his feet before you're at him again. With enough cursed energy imbued into your foot, utilizing the momentum of your motion, leg rising up in a calculated kick – only for Kashimo to shift; a fraction of movement that proves decisive. His arm weaves beneath the arc of your thigh, a sinuous and serpentine maneuver that seeks to entwine and subdue. As his grasp tightens, his fingers snake around your throat, lifting you from the ground, suspending you momentarily.
"–quite excited," he concludes, his voice tinged with an eerie excitement.
Once the hand is freed from contact,–
A heartbeat's pause feels like an eternity. With your legs rendered weightless and no stable ground beneath you. Despite the vulnerable position, your mind remains steadfast, honing in on Kashimo's Achilles heel. His hands are preoccupied, his grasp unwavering but his neck and face exposed.
–carry out a strike with it.
Seizing the opportunity, you make the most of the opening. Your palms press against the sharp contours of his cheeks, each hand finding its place on one side of his face. In one swift and deliberate motion, you channel the wellspring of cursed energy that resides within you into your technique. The currents of your energy converge between your palms, weaving a tapestry of arcane force that manifests as a palpable vacuum, centered precisely where his head rests.
It's an intentional manipulation. One – if done right, that is – could even lead to a cataclysmic implosion. A violent severing of life from the body. But you don't want to kill him; not yet at least. You need the points. And so, you temper your approach, exerting only the necessary amount of energy to induce a sensation of compression.
As the feeling envelops him, Kashimo's expression shifts, a flicker of realization that dances within his eyes. He instinctively withdraws. Bandaged forearms push at your body, sending you hurtling backward; a testament to his strength and strategic finesse.
"You cheeky little thing," a bead of blood traces a path from the corner of his eye. At the same time, another droplet emerges from his nose.
This time it's him who doesn't let you regain enough control as he charges at you. His approach swift and unrelenting. The tables are constantly turning – now being his time to dictate the tempo.
Another dance of offense and defense plays out as the two of you clash once again. Each move a deliberate response to the other's actions.
Chase the movement of the opponent–
As the flurry of his strikes slices through the air, you find yourself navigating the ebb and flow with a synchronicity that borders on the sublime. With a hawk-like focus, you track the trajectory of his hand, your senses attuned to his every motion.
While his hits continue to swing through both empty space and meeting your body, a fleeting opportunity presents itself. With the precision of a seasoned sorcerer, you follow the path of his hand with your own, fingers closing around his forearm as it narrowly misses your cheekbone, the other digging into the open slash wound on his shoulder.
–to continue the attack.
It earns you a hiss. A "Tsk," coming from his damaged lips.
One fluid motion; one that belies your strength. You capitalize on the momentum of his own swing, utilizing your grip to exert control. Your foot surges forward with unbridled force, the sole of your shoe connecting with the vulnerable juncture of his knee.
Kashimo's reflexes kick in as he instinctively leaps back the moment your foot makes contact with his leg. His visage bears the marks of battle, a canvas adorned with streaks of red, the vestiges of blood from the prior exchange. A mirror to his appearance, your own face likely reflects a similar narrative. Marked by the intensity of the confrontation. By his pure, physical prowess. One that, even if you use all your cursed energy, you're certain you couldn't match.
The shadows of weariness begin to cast their subtle touch on you. A weight that tempers your movements and shadows the clarity of your thoughts. Each calculated step, each strategic strike, seems to bear an additional burden now.
Still, resolute, your unwavering determination fixated on Kashimo, persevering in the face of creeping exhaustion.
Then you take off.
With a surge of action, you propel yourself into motion. Pivoting on your heel, you sprint toward the towering container crane a mere few meters behind. Kashimo's quick thinking registers in the corner of your vision—a flash of white on your right, drawing nearer.
"Running so soon?"
His taunting words reach you.
"Just limbering up," you reply. Muscles tensing, you feel his energy almost brushing against your own. So, with a leap, you vault into the air. Fingers curling around your ankle.
Time seems to slow as Kashimo's grip tightens around your ankle, his fingers like a vice attempting to anchor you to the ground. The world spins around you, the crane's towering structure becoming a blur as your body is abruptly yanked back, denied the freedom of flight.
Instinct kicks in, your mind racing to find a solution. With a swift twist of your body, you channel the energy within, your cursed power surging to your fingertips. A burst of force courses through your arm, the concentrated energy propelling your free leg forward in a powerful kick. Your heel connects with Kashimo's face, the impact forcing his grip to release.
In the split second of regained freedom, your body soars toward the container crane.
Muscles strained, you manage to grab hold of a protruding metal edge, fingers gripping with an iron determination. The harsh clang of metal meeting metal reverberates through the air as your body comes to a halt, swinging slightly from the momentum before you propel yourself higher onto the structure.
A smirk tugs at the corners of your lips. The distance between you and Kashimo now a tangible reminder of your evasion. His frustrated gaze meets yours, the tension between you electric and palpable.
"Nice try," you retort, voice laced with a mixture of weariness and defiance. There's an undeniable satisfaction in defying his grasp, in proving your prowess even amid exhaustion. Without wasting a moment longer, you hoist yourself up more, using the crane's structure to propel your body upward. Your form melds with the steel as you ascend, a maneuver to gain the vantage point.
Gotta limit his movement to the minimum.
Kashimo's expression shifts, a glint of admiration piercing through his irritation. "Impressive," he concedes, the words carrying an unexpected note of respect, "but you can't run from me."
He follows your lead. The two of you ascending the crane in a synchronized rhythm
"I told you, Kashimo–," you declare, your voice echoing between the steel beams as you reach the crane's zenith, standing face to face on the narrowest edge.
Now standing face to face on the crane's uppermost beam, the narrow back reach providing only small support. Your breath heaves, each inhalation a reminder of the intense exertion. Across from you, Kashimo's gaze remains fixed upon you, his expression deceptively relaxed.
"–that I'm only stretching."
His eyes, however, tell a different story – a depth of focus that cuts through your form. Anchoring onto you with an unwavering intensity.
A mournful melody weaves through the metal lattice, the wind's haunting whistle creating an eerie harmony with the tension in the air. The gusts playfully tousle both your hair in the process. You steady yourself into a stance, your body a testament to both resilience and purpose.
"Plus I want those points," you remark, a hint of determination coloring your words.
It's then that you charge — cursed energy flowing through your body like currents of compressed emptiness. A void. Unyielding. Relentless. And pneumatic.
With a flick of your wrist, you send it slicing through the air. A blade of nothing. A thin line etches across his chest, traversing from ribcage to his already wounded shoulder — a mark of your earlier endeavor. Nowhere to dodge now that he's standing between two metal beams.
Or so you thought.
Kashimo charges. The white of his robe tainted with scarlet. The cut isn't deep.
He must've reinforced his cursed energy.
"Tsk," you utter. A flicker of irritation crosses your features. Agitated. With waning stamina, the dwindling reservoir of cursed energy depleted by your previous usage; this could've been your last-ditch effort.
The final move.
And it failed.
It makes him smile. A sinister twist of lips that morphs into a grin. Moving fast, his expression resembles one of a predator closing in on its prey. The ruby stain on his robe seems to accentuate his aura of danger, a stark contrast to the pristine white it once was.
As your body contorts and arches backward, you skillfully evade the incoming fist aimed at your face. Your unwavering gaze remains locked onto his intense stare. With your palm pressed flat against the ground of the crane, you swiftly raise your leg, delivering a targeted strike to the meat of his thigh.
But before your maneuver can fully unfold, his hand seizes your ankle, pulling you towards him and locking your leg in place as he maneuvers over your body. Kashimo's grin widens, a predatory glint in his eyes that triggers a ripple of unease down your spine.
As his fist whizzes past your face, you seize the opportune moment to mount a counterattack. His fingers, still harshly locked around your right ankle, you push and pull against his grasp. Leg successfully moving to close over his thigh, the other hooking around his hip.
Legs now firmly encircling his waist, you use every ounce of your strength to push. Destabilize the sorcerer. Break his foundation. Disrupt his equilibrium.
The outcome? Both of you soaring through the air and down the crane. Kashimo's form aligns perfectly with the approaching solidity of the dockside concrete.
A rapid free fall, gravity's pull unrelenting.
If you're not getting the points, he's not getting his answers either.
His eyes momentarily flit to the ground below. Unspoken recognition of the shared peril that binds you both. The realization dawns in his eyes, widening them momentarily, before his gaze settles onto your face once more – unimpressed. Jaded.
"Oops," you jest under your breath, fingers finding purchase on the fabric of his torn clothes. An unhinged smile on your lips, eyebrows lifting in a mix of audacity and exhilaration. The wind sweeps through, rustling your hair with a cool caress that contrasts starkly with the warm stickiness of blood on your skin.
"It's accumulated enough."
That's the only forewarning you get. In an instant, the atmosphere shifts; an electrifying tension that dances along your skin. You sense the already familiar tingling as the static charges from the man beneath you. Kashimo's cursed energy now gaining intensity.
His open hand thrusts towards your face, a surge of energy gathering at his fingertips. Only to get countered by your own palm. Flat against each other. Forcing a focal point of energy converges and resistance to form. As the push effect comes into play just in time with waves of electricity.
The crackling intensity escalates, its tendrils reaching out with an insatiable hunger. Only to be pushed back by your own manipulation acting as a steadfast wall. It's a symphony of sensations — the tingling of your skin, the hum of power in the air, the gradual crescendo of pressure between your palms. The vortex throbs and pulses, a living embodiment of the forces you both wield.
The thing is – The conductivity of the vacuum…depending on how you look at it, it behaves in two different ways:
Firstly, when you examine the motion of charged particles with a constant velocity within a vacuum, you encounter an interesting phenomenon. Unlike in other mediums, there is no opposing force acting against these particles. Consequently, maintaining a steady current across any surface within a vacuum demands no additional effort.
However, a contrasting phenomenon manifests when we consider the existence of free charges within conductors. When an electric field, denoted as E, is imposed upon a conductor, it triggers a flow of electric current. This internal charge movement gives rise to a current density described by the equation: J = σE, where σ symbolizes the conductivity of the material. Notably, within a vacuum, σ assumes a value of 0; hence, electric fields lack the capacity to spontaneously induce current flow.
In this context, the vacuum departs from the role of a conductor. Even materials known as insulators, which typically restrict the flow of current, possess conductivity values that are low but not completely absent.
As a result, the resistance exhibited by a vacuum effectively amounts to infinity—particularly when you define resistance through the lens of how charge carriers in a substance respond. Viewed from this perspective, you could liken the vacuum to an insulator, given the absence of charge carriers that are essential for the propagation of electric current.
So in the end, your innate ability functions like an antistatic force.
It should be enough to counter his attack. Neutralizing his endeavor and ricocheting it back to him. Only if his other hand, clenched into a fist, suddenly hasn't entered your line of sight, aiming for your jaw.
The controlled push-only effect falters. Then crumbles. The void's pull reclaims all that Kashimo had imparted, drawing it back with an insatiable greed.
"Damn you." It now comes down to the last aspect of your technique.
Implosion.
The energies within your vacuum field converge, collapsing inwards with a blinding intensity. A jarring impact against the back of your head – or it might be the ending of your fall. Everything's just confusing. Everything blurs into a disorienting haze of continuous events.
The unforgiving touch of concrete grates against your scraped back. Each breath, now shallow and ragged, causes pain.
Above, the sky stretches wide and boundless. Until the sight is blocked by a mop of cerulean blue hair. Two buns somehow still in place. Same-colored eyes staring at your form. Arms folded and a countenance marred by bloodstains and scrapes. Each leg positioned on either side of your hips before one presses against the flat of your clavicles.
"You're quite durable," Kashimo retorts, pushing his weight down on you, "that should've killed you right there."
"Heh," you manage a wry chuckle, your voice strained but defiant, "guess I'm full of surprises."
He raises an eyebrow, a flicker of almost-amusement dancing in his eyes. The world around you seems to blur at the edges, the strain of the plummet combined with the failed attempt of your innate technique taking a heavy toll on your senses.
"It's been a while since I've encountered someone who can keep me on my toes this long. Now tell me," your name rolls off his tongue in a taunting lilt, "where's Sukuna?"
The distant sounds of the dockside begin to fade, replaced by an eerie emptiness. Despite your unwavering determination, a tide of dizziness threatens to engulf you, and you struggle to maintain your focus on Kashimo's face.
"On vaca–"
The weight on your chest vanishes abruptly. Kashimo's foot makes fleeting contact with your cheek before returning to its original place.
"Don't play with me. Spit it out."
"Oi," a voice calls to your right. A voice you know; Hakari's, "It's not very chivalrous to strike a lady like that."
From here, everything dissolves into darkness.
Tumblr media
The world sways, a disorienting dance of shadows and sensations. Light pressure settles on your stomach with sounds echoing faintly in the distance. A gentle, steady rhythm envelops you as if you're being cradled in a cocoon of safety. Your limbs feel weightless, as though the ground beneath you has transformed into a soft cloud that carries your burdens away.
Your mind struggles to tether itself to the present, grappling with the fragments of consciousness that slip through your grasp. Colors blur, merging into a hazy kaleidoscope of fleeting images. The arms that encircle you exude warmth thought. One that lulls you back to sleep.
Yet you manage to summon the strength to part your heavy eyelids. Through the haze, you see a blur of black and white on top of you. Head resting upon something firm and solid – a breastplate, you realize. The rhythmic cadence that envelops you is accompanied by the subtle rise and fall of breath, a heartbeat that resonates beneath your cheek.
"Panda," you murmur, voice a tentative whisper as you attempt to comprehend whether or not you're dreaming, considering the creature on you is now a size of an actual teddy bear.
The toy-sized Panda remains seated on you but looks your way, emitting a surprised yelp at the sound of your voice, before swiftly turning his gaze forward again, "Hakari, she's awake!"
Your vision – still blurred – manages to trace a figure walking at the edge of your peripheral sight – left arm missing, shirt gone (he's shirtless, you discern), and crowned with purple hair. Hakari. But if Hakari's walking in front of you. Then…
Lifting your eyes, you suddenly lock onto a fleeting sight of vibrant cyan hair. The once-pristine white attire now soaked and marred with splotches of vivid red, creating an unsettling contrast. Your heart skips a beat as the realization dawns upon you.
It's Kashimo who bears the weight of your limp form.
"She's gonna pass out soon again," his voice carries vibrations that travel from his chest to your cheek with his gaze fixed upon you.
And he's right as your body, weary and battered, succumbs once more to the embrace of slumber.
Tumblr media Tumblr media
916 notes · View notes
a-doubleh-x · 2 months
Text
Why I like Charlastor
Tumblr media
The other day I noticed there was some negativity in the Charlastor tag, including antis and people feeling the need to defend against antis, so I thought I might as well take a step back and just write candidly about why I like the ship.
I only got into Hazbin in October of last year, but already it has inspired me a lot to write and fantazise about it. Like most people, I started with the classic "they look cute together", but as I kept looking I couldn't help but think there was something else to these two than first met the eye.
For starters, I love Pollyanas! I think they get a bad rep for being naive, but I just appreciate an optimist like Charlie who just wants to make people around her happy because it makes her happy. I also like bad boys 😳 I'm a pretty heteronormative guy, so I haven't had a big chance to explore that part of myself yet, but I do like the danger and excitement someone like Alastor brings to the table.
I will admit when I started writing Charlastor I felt like I was handling dynomite. It's a lil scary to ship a boundless altruist with a manipulative sociopath, but bear with me.
Tumblr media
I think each of them has something the other needs. I think Charlie needs someone to challenge her, someone to steer her in the right direction while she's mostly isolated. At the start of the series, practically nobody but Vaggie takes her seriously, and Alastor is no exception. He mocks her, teases her, but she still listens and I think it's because somewhere deep down she understands there's something he's trting to communicate in his annoying, but curious way.
Of course, I also love the fanon Charlie who's down bad for Alastor, and even if that Charlie is a little naive, I think it's also sweet and she can use some indulgence while most people treat her like a child.
On the other hand, when it comes to Alastor, this is a bit of a theory on my part, but I think he's secretely lonely. He has friends, certainly, like Rosie and Mimzy, but they're not good enough friends to live together with him. They don't seem to be able to save him from "pure, absolute boredom". But Charlie, for some reason can, even though she's a stranger at the beginning when Alastor chooses to move into the Hotel.
Alastor is not as much of a cynic as someone who chooses to see things in a perspective that benefits him. He doesn't think redeeming sinner is "hopeless", but "hilarious" instead, which has interesting implications to me. That's why he chooses to hover around Charlie, not because he thinks she's lame, rather because he thinks she's silly. She makes him laugh. Which I think is kind of how Alastor sees "love".
Tumblr media
And then you have fanon Alastor who, depending on the writer, is either a horny animal, a wisecrack edgelord or a soft boy who's mean to everyone but Charlie XD I like several of those interpretations, but I kinda prefer mine just out of personal taste. I think the best part about Alastor is that he doesn't *care* what anyone thinks of him and always does what he wants, even at the expense of other people, which I find pretty enviable.
They're kinda both outcasts in their own ways. Charlie by being unable to fit in and Alastor being unwilling to compromise. But they don't judge each other. He supports her in his own weird way and she houses him and is delighted of him in general, which is tasty food for his ego. I do wonder why Alastor is interested in Charlie, both in canon and in a fandom vacuum.
There's some cool potential for drama there, but also growth and healing, in my opinion. Personally, I think Alastor doesn't want to actually *hurt* Charlie, but he may hurt those around her, which will be a moment to start settling compromises if Charlie puts her foot down.
That haz bin my review so far! I'm honestly pretty grateful for Vivziepop for all of the work she's done so far, I know directing, animating and writing two shows over the course of 5 year or so ain't easy. I'm also grateful to the fandom who shares their thoughts and vision, which calms the terrible voices I started hearing in my head since I bought this weird old radio.
I'm in the middle of a break, but if you're interested in my fanfics I'll get back to writing very soon. Cheers! 🌈❤🦌
179 notes · View notes
Note
hi, could you do a x reader oneshot on live action Roronoa Zoro from the live action One Piece series!
Roronoa Zoro x reader oneshot (Netflix live action)
Tumblr media
Summary: you tend to Zoro's wounds after he is hurt on a fight
Warnings: cursing, a bit suggestive, mentions of blood, me pretending to understand medical matters 🤡 (sorry about that, it was for fangirling purposes only ajskajakja)
A/n: hello anon! Thanks a lot for the request 🥰 this is probably set after s1? Sorry for any plot or grammar mistakes 🙏🏻 i hope you like it 🩷
The salty sea breeze hit your skin as you looked out the Going Merry trying to spot your friends.
The straw hats had left to a village to try to confront another crew. Apparently another annoying guy was threatening Luffy and he was not going to let that pass. It was stupid, you thought, but, when Luffy had something in mind, absolutely no one could convince him otherwise.
Luffy had asked you to stay on the ship in case anything happened. Being the crew's doctor, you had to be prepared for any emergency regarding the crew's well being.
Yep, you were the doctor in the straw hats crew.
You had met when Luffy saw you helping hurt people in the middle of a fight at the small island you lived. He was so impressed at how good you were, how you helped everyone with ability but also with a kindness in your eyes that he had never seen before in anyone.
Having lived your entire life with your doctor grandparents, you had learned from them and was just as skilled as them, so you were always ready to help those who needed.
But you were also a dreamer and wanted to go around the world meeting new people and new places, so when Luffy asked you to join his crew you happily said yes.
- we already have a navigator, a cook... we could use a talented doctor like you. I just know it's you. So, what do you say? - he asked, with that excited smile of his.
And that's how you became a part of this special crew. Everyone was so nice to you, so it didn't take much time for you to get along with them all, specially with their cute swordsman.
Yeah, it was like you clicked. You started getting closer, closer... and before you knew you were dating.
That's why you were specially worried today. You were really afraid your boyfriend was going to do something stupid and get himself hurt again (you still had nightmares about the whole Mihawk thing).
You were lost in your thoughts when you heard your friends coming back to the ship. You immediatly ran to check on them.
- is everyone okay? - you asked worried.
- we're fine, we were lucky. Can't say the same about your man over there - Sanji said and your heart dropped. What did this stubborn do this time?
- shut up, Sanji, i'm fine - you heard Zoro say as he entered the ship too.
You ran to him doing a quick check up with your eyes. That's when you noticed the big red stain on the side of his shirt.
- oh my gosh, Zoro, you're bleeding! - you said terrified.
- this? Nah, this is just a scratch - he said shrugging and trying to play tough, even though you could clearly see he was in pain.
- no, it's not! - you said, in a stern way - come on, we have to bandage you up.
You carefully led him inside and brought your medical kit to start tending to his wounds. He sat down as you began.
- take your shirt off - you ordered.
- Wow you're that eager, huh? - he said smirking, but instantly regretting and wincing with pain.
- Zoro! Will you stop being a brat and let me take care of you? - you said angrily - i can see you're in pain and you're not going anywhere until we fix that up!
You were usually a very chill person, but you couldn't stand seeing your friends and loved ones in pain. That activated a side of you people were even a bit scared of lol
- okay, boss - he said, a bit annoyed but finally giving up.
The way he called you 'boss' made you feel all tingly inside. You were sure going to have to talk to him about it later (and maybe share some ideas 👀) but now it wasn't the time. You had a wound to treat.
He took his shirt off and you couldn't help but take in a sharp breath at the sight (even though you had seen it before lol). Boy was sure shredded.
Focus, (Y/N).
You checked him and noticed he had a knife wound just above his hip. It was ugly, but you could do it.
You grabbed a piece of cloth to start cleaning the wound.
- my love, i apologize in advance, but this is going to hurt.
You started the cleaning.
- shit, that hurts! - he hissed.
- i know, i'm sorry.
You knew you had to do it, but you couldn't stand seeing the man you loved suffering like that. You had to distract him out of it so you could finish your work.
- umm baby, could you tell me again about that time you beat three pirates at once with only one sword?
- what? Now? Why? - he looked so cute furrowing his brows in confusion.
- it's just that... i like to work listening to your voice - you quickly made that up lol
Well, it wasn't totally a lie, you did enjoy listening to his voice, but of course it was mostly to keep him distracted ajskjakaja
He was still a bit suspicious but started telling the story since you asked him (trust me, there was nothing you asked Zoro he wouldn't do for you). Your strategy worked cause you cleaned the wound and bandaged it without him wincing too much.
By the time he finished the story, you had finished your work too. You also gave him some painkillers for him to feel better soon.
- there you go - you said softly and kissed his forehead.
He closed his eyes and melted under your touch, not only because of how tired he was, but also because he felt super safe with you.
- thank you, (Y/N) - he said squeezing your hand.
You smiled at him.
- now please lay down and try to rest a bit, or this thing won't heal - you said in a stern tone, but nearly begging for your boyfriend to take care of himself.
You gathered your medical stuff and were starting to leave the room when he said:
- (Y/N), wait!
- what is it? - you asked, worried he was starting to feel pain again.
- I... I might not be feeling 100% yet. I think you should stay and lay down with me just in case it gets worse - he said in a really nonchalant way.
You rolled your eyes at his completely obvious attempt, but couldn't help smiling and blushing a bit at the thought of the great Roronoa Zoro wanting you to stay with him.
- you're the worst, Zoro - you said playfully as you carefully laid down next to him and put your hand on his chest.
- yeah, but you love me - he replied with that smug smile of his and that deep voice that drove you crazy.
You chuckled at his response.
- yes, I do - you said smiling.
His next words came out merely a whisper, but were enough to give you a thousand butterflies in your stomach:
- and I love you more.
795 notes · View notes
Text
Official statement on why Izzy's death affected me so much
Our Flag Means Death, is, at it’s core, is a show that focuses on queer joy- a form of therapy for those that have been raised on queerbaiting, shipping minor side characters, or watching, when nothing else is available, queer tragedies. You know how it goes- the two main characters, both male, have chemistry. They say things to each other that seem weirdly like declarations of love. They look at each other with love in their eyes. You see these things and the main man gets married off to a badly written, unfinished female character and is left feeling empty. The best friend dies for the main character to live. When everyone talks about how cute the main couple are, you want to scream all of a sudden, because nobody can see this love story play out except you. It’s queer, it’s tragic, and nobody else can understand it. 
Not Our Flag Means Death. From the moment it aired, it was praised as a show with unabashed queer joy, which means more than I can possibly say. The two main male characters meet, they have chemistry, and they fall in love. It’s not implied, or hinted at, but blatantly obvious. Their romances and the queer romances around them attracted so many queer fans who felt that after so many years, this type of show was a vindication for what they had been through with other media. 
In this show, piracy itself was that of a found family. Though Stede Bonnet and the crew of the Revenge start off with many differences, the core of the show centers around a theme that many queer audiences are attracted to: found family. The Revenge was depicted as a safe space, where everyone could express themselves freely, a refuge from a world of judgment. Queerness was not only accepted but normalized on The Revenge. No homophobia, no coming out, no typical complications of queer romance. Just love and safety. Warmth, which was Ed Teach wished for in purgatory. Which was what he found on the Revenge. The ship was a safe space that so many queer audiences had dreamed of. 
Well, a safe space except for one person: Izzy Hands, Blackbeard’s First Mate, who was a man painfully stuck in the wrong genre. This is the general consensus by both fans and the cast: Izzy, Edward and their crew had been in a gritty action movie, whereas Stede and his crew were in a muppet movie of sorts. While the majority of Blackbeard’s crew quickly acclimates to and celebrates the change, Izzy doesn’t. 
And right away, many fans felt a deep attraction to Izzy. The reason that Izzy couldn’t get Edward to love him was because, in the end, the only way that Izzy knew how to love was through blood. To give and receive pain in an action movie is one of the greatest forms of love, but Izzy fails to realize that Ed is not in an action movie anymore. He is happy with this stability, and the reason that so many people felt Izzy’s presence so was strongly was that he wasn’t. 
So many queer people are, in a way, addicted to tragedy. Tragedy is all that is represented in queer media for the most part, or was until very recently. Take Achilles and Patroclus, one of the most celebrated and recognized queer love stories of both ancient and modern times. Why that one? There are other greek love stories, many of them queer. The tragedy of it- Patroclus’ death and Achilles’ rage- made it all the more appealing. Many in the audience of Our Flag Means Death were not comedy fans, they were horror or drama fans, attracted to a comedy because of the love story. But Izzy, to them, was a physical representation of who they were, carrying an awareness of homophobia, of blood and pain that so many queer relationships had previously been illustrated by (i.e. Hannibal). Though Ed may not have understand this type of affection, the audience did- Izzy’s Otherness from the crew despite it’s safety, his expressions of love and his unrequited love story were all things that the audience were familiar with feeling. 
If Ed and Stede were good queer representation, Ed and Izzy, for example, were a foil of that. They were evil, messed up, and fed into the worst parts of each other because it brought them closer. This is a theme present in a lot of queer media, and by extension, queer lives: “if you love me, Henry, you don’t love me in a way I understand”, is an excerpt classic queer poem about unrequited love that fits the situation. The very reason Izzy stuck in people’s heads because he was of a different genre. His grittiness and bitterness made sense to the audience. They saw Izzy and saw what was familiar. He was exquisitely written, simultaneously making even casual audiences both hate him, and against all odds, find him oddly endearing. The idea of this man sacrificing every inch of himself for an unrequited love was a concept of tragedy, leaking into a comedic show. 
So fans projected onto Izzy. He was a catalyst for the heartache, for the audience’s sheer inability to have a happy show. For one reason or another, some of the audience simply couldn’t live with a show that was all fantastical, which I theorize is because they couldn’t see themselves in it. So Izzy became the epitome of queer suffering: pining longingly after another man that couldn’t understand him. This projection of suffering, however, led to a new wish: happiness for Izzy. If Izzy in Season 1 was a tragedy, assimilating him into the found family in Season 2 would have elevated the safe sense of the ship all the more. It would have proved to so many of these Izzy Fans that yes, even though you view yourself as unloveable, even though you see yourself as Israel Hands, Villain, even he can be loved too. Why can’t you be? 
And Season 2, for the most part, delivered beyond our wildest dreams. Izzy had people who cared about him. And though the genre shifted into the darker, Izzy himself shifted slightly to the comedic side as well. His life, which had been centered for so long around a man that didn’t reciprocate his feelings, was gone. He started a new life, and this life, again, focused on queer joy. The queer joy from Season 1 was suddenly for everyone, even those like Izzy that couldn’t have understood it. He sang, he whittled, he talked about feelings, he dressed in drag. Many elder queer fans also saw Izzy as another metaphor, too: that queer joy can be attained overtime. You don’t have to have had it the whole time, but you can accept yourself even when you are older. The message of Izzy was one of resilience and stubbornness, one that the queer community needed to hear: that you don’t have to be like this, you don’t have to create pain for yourself. You don’t need to watch tragedies all the time. You, too, can heal from the past.
And then, the season finale happened. By this point, many argued that Izzy had stolen the show. Con O’Neil’s acting mixed with his general arc of self acceptance had made him a fan favorite. In the last episode, it is Izzy himself who sums it up perfectly, accepting that he belongs somewhere despite his pain and flaws. Despite the darkness within him, he was still accepted and loved. He says it right to the face of Prince Ricky, who thinks himself above it all. That piracy, a metaphor for otherness, wasn’t actually about being alone; it was about finding others that understood you when nobody else could. 
Listen, this show is known for it’s nonsensicality. In the finale of Season 1, Lucius is thrown overboard by Ed and survives by simply swimming to another ship. Stede reunites with his crew by sailing a rowboat. Buttons turns into a seagull. Stede stabs Ed for a comedic bit. Earlier in the season, Izzy himself gets shot and survives. This queer joy show was celebrated for being, well, joyful. Even when things like getting thrown overboard did happen, they were, ultimately, a blip in the character’s journey towards acceptance, healing, etc, which was what made the show unique. Our Flag Means Death, whose audience had been living for years off of the “Bury your gays” trope, was adored because it illustrated a world where things didn’t have to be that way. A place where the impossible, such as Izzy Hands being loved, could happen. This show was one of survival. 
But not for the one person that was seen to struggle with this concept the most. Not for the one person that was a metaphor for belonging in this place, who became, over the course of a season, the embodiment of the message itself. Not for the Unicorn, the very symbol of this magical, nonsensical ship. Not for the most stubborn, most indestructible, most enduring (queer) person in the show. Not for Izzy Hands. 
This trope, honestly, was one that many have seen before, both in mainstream and queer media. A character, previously shown to be a villain or else to have gone through a lot of pain, is shown to heal, to get better, and then to die in order to “complete their arc”. This trope is common: Loki, Cas. even Ted Lasso, who doesn’t die but goes back to the very place that broke him in the first place. But the reason that Izzy’s death, while it might have been expected in another show, felt like a betrayal in this one is because it was known for subverting those tropes. From the “Bury Your Gays” to the “Up For Interpretation”, it was known to look those tropes in the eyes and say “fuck you, these people deserve to be happy”. And this did happen! Except for the one character who’s healing journey was one of the most relatable, at least to queer audiences. 
What also made it so jarring was that all the other characters got to be happy, except for the one that had struggled with the idea of happiness the most. In the scene immediately after Izzy is buried, Lucius and Pete get married. In the scene after, a montage of queer joy and found family is shown amongst the whole crew. In the final scene, Ed and Stede, our main queer couple, are shown healing themselves and starting a new life together. The last shot, however, showed Izzy’s grave, visited by Buttons the seagull while Ed and Stede had dinner. A tragedy in it’s finest. It wouldn’t have been difficult for Izzy to live. Because, in the end, his death meant nothing. His healing meant nothing. He died and was moved on from in a matter of seconds. He was, as I mentioned, the catalyst for tragedy, more specifically, queer tragedy. But because of this, of his genre, Izzy didn’t get to live. He had to die in order for the rest of the characters to keep living in this fantasy world. This death was, in a way, a preservation of these other love stories.
I maintain, however, that it would have meant more if Izzy had lived. If he had been  able to show to us that yes, despite what you have been through, despite what you may have inflicted upon yourself, you can switch genres. It’s possible. Izzy’s survival up until that point had been a profound testament to many that it is possible to heal, that queerness does not have to mean sadness. It would have continued to be a testament to that if only Izzy had lived. And so, this pirate that we latched onto, not in spite of his darkness but because of it, was buried on land on the side of the road. 
As a side note, many previous incidences in the story point to the idea even though Ed and Stede will definitely stay together, it’s uncertain if the inn would have worked out. It’s likely that, being a whim, those two might have chosen to move, or go back to the sea, or sail to China. If this is true, they would have left Izzy’s grave by itself, like a family pet buried in the yard. If this is true, Izzy Hands, a metaphor for belonging, would rot alone. 
Long live the tragedy addicts. Long live the Richard Siken poems. Long live Izzy Hands. 
*When I talk about the "fandom" I am referring to the canyon.
272 notes · View notes
queermania · 5 months
Note
I don't want to start drama and I don't expect you to respond to this but I think you deserve to know what's being said about you. tumblr. com/transfagbenny/738678589192552448/and-id-appreciate-if-we-stopped-using-the-terms
i actually am going to address this because this person has been lying about what's been going on for months and they've apparently been harassing other people for months if not years, so. it's time to put an end to this.
before i start though i want to make it abundantly clear that if you take this as an opportunity to do anything other than block this person, then you are trash. do not send him messages. do not tag him in things. do not harass him in any way. leave him alone. if you need to block, do so and then move on. hate mail and harassment is disgusting behavior and i don't want to be surrounded by anybody who engages in it. and if you do it on my behalf, i think you are worthless and i want nothing to do with you.
so, this is what happened: back in february of 2023, an anon asked me if i had any opinions that would get me canceled with the dean girlies. i replied, "oh now we’re talking!! hmmmm let’s see. i don’t care about benny at all. deanbenny does nothing for me. deanbenny is dust. it is dust. drowley rights forever" and i did not tag it because i'm not an asshole. bear then sent me a message that at the time i thought was funny/cute because his url reflected that he was obviously a huge benny fan. we had a very cordial exchange. everything was good. we chatted a little bit about how neat it would've been if benny had been played by a black actor and how the racism problem with gordon would've been fixed if gordon had been played by a white actor. not all of our conversation is visible anymore (and i also don't think all of it was on this post anyway) because i've since blocked him so his replies no longer show up on my posts. the point is: everything was fine. it was a good tumblr exchange. he continued to follow me. i did not follow him then or at any point.
the problem is that he kept coming onto my posts and into my inbox to try to make things about benny. that is not okay. i had already said that benny was a character (and deanbenny a ship) that i was not interested in. to me, this is an obvious boundary i've established that he repeatedly crossed. it's not an egregious violation, obviously. more than anything it's annoying. what he should've done, if benny was that important to him, was unfollow me and move on. but he didn't and i indulged him for awhile but at a certain point i thought, "okay maybe if i stop indulging him, he'll take the hint." so i stopped responding. he did not take the hint. he got worse and he even started commenting on things that he couldn't make about benny, just to willfully misinterpret things i said and taking them completely out of context. unfortunately, i don't have receipts for any of this because at the time i didn't know it was going to become an actual problem (however I have since learned that this is an established pattern of behavior he engages in, so you can probably find examples on other people's blogs).
it got so annoying, though, that i very carefully broached the subject in a private server with people i trusted. without naming any names or using any incriminating language (i.e. not specifically referencing benny), i basically said that there was someone being annoying about a specific character on my posts and i wasn't sure what to do about it. immediately, a handful of people replied with some variation of "the benny stan? he's been doing that to me too." i do have receipts of this (and an entire server to back me up) but i hope you can all understand why i'm not going to provide those or name names (or ask anyone to get involved publicly). the point is, it became apparent that i wasn't the only one and this was a pattern of behavior. i also learned during that conversation that bear has a history of harassing people and calling someone racist or a transphobe if they block him.
at that point, i decided not to rock the boat. i would just continue to ignore him and maybe he would get bored and move on. well that obviously didn't happen. he kept doing it and as a fun added bonus, he started to make vague posts about me. the thing is i don't actually care if he vagueblogs about me. it's his blog. he can do whatever he wants. it's none of my business. i mean i personally think he should've just unfollowed but, again, his blog, his choice. it is annoying that every single time he would do it, someone would send me a link or a screenshot of him doing it, but that's not really his fault. so, again, i just ignored it.
this is where we get to the incident in question. after a private discussion among a small group of friends, i posted this obviously joke poll at the insistence of @letterstothedevil, a tumblr user who has given me permission to include her in this.
the original message about the poll:
Tumblr media
the permission:
Tumblr media
now EYE think it's abundantly clear that the poll was a joke amongst friends, but maybe it wasn't, and i'm not going to fault anyone for not magically knowing that. i am, however, totally willing to fault someone for being a gigantic asshole. bear commented on the post and i, admittedly, gave a somewhat dismissive response because at that point i was so tired of him being willfully obtuse and twisting every little thing i said that i just didn't want to bother. he then went and made a series of not-at-all-vague posts calling me racist and claiming that i simply do not care about the racism in the show and it's obvious because i've never ever discussed it on my blog (which is a hilarious lie given that i'd specifically discussed it on my blog with him). at that point, there was no reason not to block him. he was already doing the thing that i didn't want to deal with. so i did. and i thought that would be the end of it.
again, i was wrong.
i then started to get anon messages daily about benny and deanbenny and how i'm racist for not liking benny, etc. this was harassment that EYE was on the receiving end of. nobody else was a victim of the messages i was being sent. they were sent to me and it is not my job to make sure other people are protected from the harassment that i am experiencing. i'm pointing this out for two reasons: 1. because i did try to protect bear from it for awhile anyway. i knew that people would assume it was him and at the time i was still giving him the benefit of the doubt, if for no other reason than the fact that i didn't think he could send me messages since i blocked him. and 2. because when i did finally start to respond to some of the messages, bear acted like he was somehow the victim in all of this (and continues to act that way to this day).
i don't know if bear had (or currently has) anything to do with any of the messages i get (which, thankfully, have slowed considerably). what i do know is that at no point during any of this happening did he stop looking at my blog and vagueblogging about me.
when i finally did answer a few of the messages, bear had a bit of a meltdown about it. i know this because he used a separate account that i hadn't know existed to message me and because he talked to one of my friends about it. (i'm not going to name that person but if they want to get involved publicly of their own accord, that's up to them lol). i'm also not going to share screenshots of what bear said to me because he explicitly asked me not to (it's also the reason i'm not sharing screenshots of the numerous receipts i have of the things he's said and lied about on his blog but, unless he's deleted any of them, you can go and find the posts yourselves.) what i am going to share is that in the message he sent to me, he flat out lied about his behavior. he told me he hadn't been vague-blogging about me, that he would never ever do that about anyone, and that he would certainly never harass someone (all things that i have receipts of him doing).
it took me awhile to respond to this message because i was still trying to be gracious about the whole situation. i recognize that he is much younger than i am and i think it's important for me, as a full blown adult, to take that into account. i had a private discussion with a few trusted friends about how to handle this because it was important to me to not let him off the hook for his behavior and for lying just because he's young. this is what i ended up saying:
Tumblr media Tumblr media Tumblr media
his response was to double-down on his lies (while, hilariously, vague-blogging about me and the whole thing) and then go into victim mode about something so completely unrelated and far-fetched that i decided i simply wanted nothing to do with him ever. (this is when he asked me not to share screenshots, so i won't, but this is me saying that i have ALL of the receipts, bear, so if you continue to lie, you will not like what happens.) i blocked his alternate account and tried to ignore him.
the harassment continued. again, i have no idea if he was actually part of it. the vagueblogging continued. he started to do it to other people he associated with me. many of them blocked him because of his behavior. i continued to answer some of the hate i received, continued to ignore and/or block most of it. it got so bad that i was sent seizure bait on more than one occasion, one time bad enough that i actually ended up going to the ER. there are receipts of all of this, too. you can see on my blog the messages i've been sent. i think at one point i even shared a snapshot of what my inbox looked like. i've shared privately with friends (who can confirm if they want to, but no pressure) screenshots of the kinds of messages i get that i don't respond to. the point is, that for a period of months, i was relentlessly harassed. and at no point during this time did i say anything to or about bear (or anyone else). the most i've done is respond to messages that have been sent to me. i've largely sat quietly while this thing happened to me and bear continued to make posts about me and act like he is somehow a victim in this. he's assumed things about me and my identity. he's violated boundaries i've set. he will not let this go. and i'm not the only one he's doing it to.
i'm so fucking tired of it. leave me alone. leave my blog alone. leave my friends alone. leave any and all of the people who have blocked you for your own inappropriate and obnoxious behavior alone. that's it. that's the end. none of this would be happening if you would just respect other people's boundaries. i don't want you on my blog. i do not want to interact with you. i don't want anything to do with you. that's it. the end.
223 notes · View notes
nobody-nexus · 7 months
Text
Okay so like since it's canon that Pomni doesn't like physical contact, but not to the point where she isn't willing to touch others, I have a cute lil headcanons as to how this affects the ship Ragapom, or Jesterdoll as I like to personally call it (Also this has just a BUNCH of other headcanons that got nothing to do with the canon thing, but most involve the canon statement)
Pomni's love language is basically everything BUT touch. Words, poems, gifts, just existing near one another with some personal space, even butterfly kisses are ALWAYS an okay
Ragatha 1000% respects and understands Pomni's boundaries and won't touch her UNLESS Pomni does it first. If Pomni grabs Ragatha's hand, that means SHE is okay with hand holding. She may ask for a cheek kiss occasionally but Pomni HAS TO BE THE ONE TO ASK FIRST other then that Ragatha WILL NOT TOUCH HER
The only times where Pomni is touched without asking first is whenever there's danger and Ragatha's too quick to ask- however Pomni DOES understand that
Even with this lack of touch, there's ways to get around this. Pomni holding onto Ragatha's dress, one of them being wrapped in a blanket for cuddling, and stuff like that. Pomni purrs when she's content, so that's how they figured out physical contact without ACTUAL contact
Ragatha is UBER PROTECTIVE of others respecting Pomni's boundaries. Jax was the last one to be aware of the jester's distaste for touch, so the doll absolutely wrecking his shit was a good way to learn about the boundary
Unrelated to the rest of the hcs, Pomni's teeth are as expressive as her eyes. Her clean slate teeth can turn sharp if aggressive and/or unhinged, and if she smiles big enough, she naturally has fangs
In cade they have long nights, Ragatha always asks if she's allowed to carry Pomni to her room in case she gets tired. No matter how many times she asks, Pomni will say yes because she'd rather be in a bed then passed out on the floor
Pomni is more okay with touching others then people touching her, so whenever Ragatha needs stitching, she'll be willing to help (even though she's absolute ASS as sewing)
Pomni LOVES certain textures. Her top favorite ones are squishy and fluffy/warm (thus why she loves blankets so much)
If Pomni's having an episode, Ragatha will sit near her and calmly talk, giving her things to hold/wrap herself in. She won't invade her boundaries unless Pomni, verbally or nonverbally, asks for some like cuddles or hugs so she can let it all out
Ragatha constantly has red lipstick on in case Pomni asks for a kiss, just so the others KNOW that Pomni's hers
Pomni has no nicknames for Ragatha, but the doll has SO MANY FOR HER. Ragatha's favorites are Pom-pom, Princess, Sweetie, Lil Jester, Pitre (Clown in French), and Kitten. Pomni easily gets flustered by any and all of these nicknames
No surprise I think Pomni's on the spectrum, and Ragatha knows when Pomni's overstimulated with the environment. She'll help her walk to a less colorful and loud area to help her calm down
Of course, Ragatha herself has her moments, so to comfort back, Pomni will read to the doll until she either sleeps or feels better. Even if its poems and books Ragatha's heard a tousand times, hearing Pomni's voice helps her
Pomni's least favorite texture is carpets. GOD she hates carpets
Ragatha bakes! She mostly bakes muffins (Caine doesn't know she does this)
Jax, being a worse wingman ever, quite literally pushed Ragatha over to land atop of Pomni one time. The touch left Pomni stressed and Ragatha yelled at the rabbit
I think that's everything. I hope you enjoy the headcanons! There's also a Roxica one I'm working on so stay tuned lol
287 notes · View notes
talenlee · 1 year
Text
Hanamusa, Explained
There is a nonzero chance if you follow me on tumblr, you’ve seen the term ‘Hanamusa’ attached to something I shared. It’s probably also some super cute art of Delia Ketchum and Jessie Teamrocket, and you may wonder what is going on and also, why is there so much good art of this.
Tumblr media
Hanamusa as a term derives from the Japanese names of the characters – Hanako and Musashi. If you’re into shipping name structures, Hana-Musa implies that Hanako is the seme and Musashi the uke, but I don’t think that holds for all use cases of the type of terminology. It’s a ship. It’s an AU ship, as in an ‘alternate universe’ ship, where the two characters are presented in a context outside of the normal context of the anime presentation of them.
The Hanamusa ship as I understand it is set at some point after Jessie and James stop chasing Ash around, and Jessie settles down into a relationship with Delia. There’s tension about her history with Ash and the confusion about finding Your Personal Villain dating your mom, but mostly it’s about showing a sweet domestic life between two characters you know very well in a format I kind of see as like, Comedy-Sabot Romantic 4koma. Like, Hanamusa content is funny (and it is VERY funny) but it doesn’t need to be funny, because the main thing it’s about is showing these two characters and their relationship as they do cute things together.
It’s why people watch shows like K-On basically.
As for where this idea comes from, (EDIT: Slightly wonky wording here, I should have phrased 'this current fandom push' - I don't have any reason to believe Mai INVENTED the ship, just that when you go looking you'll wind up at her work) it seems to have its genesis with the work of one Kiana Mai, who developed this ship some time ago. Kiana Mai is also an extremely skilled artist, and one of those skills seems to be focus, creating these extremely clean-line excellently structured scene vignettes with no unnecessary content in them but also no need to rocket along. It’s amazing, engaging work that uses every part of the small format amazingly well. Which makes sense because one of the things Kiana Mai does is storyboarding work for Disney animated TV shows, a task at which I am sure she no doubt excels.
Tumblr media
What I think is the most interesting aspect of Hanamusa, to me specifically, is that it manages to combine three things I don’t actually care about, in a way that doesn’t interfere with something I have unexpectedly strong opinions on. I do not watch Pokemon, and I have not shed a tear for Team Rocket and Ash Ketchum wandering into the sunset. That is a show that is not for or about my interests and that is okay. Indeed, imagining that it should be about what interests me is baffling. I think if I stopped watching a show twenty years ago, I have lost all right to act like I’m entitled to expect it remain the way it was all the way back then.
But I do have opinions on Jessie and James’ character voice. Not their voice acting – I mean, I know for a fact they’ve had to change over time and no voice actor should be obligated to kick it in the same role for what could be their entire career. I mean the way they talk about things and the words they use and kind of emphasis they put on words when they talk. About the way they voice their ideas, or the way they express who they are in the way they talk to one another, that stuff. It’s about affordances and persona, about the kind of people you project being by what words you choose to use and the affect when using them.
It’s why when, if a picture of a character is underneath it, you can read some dril posts as being ‘appropriately’ voiced by a character, even if it’s describing a candle situation that Francis Crozier did not have opinions on.
Tumblr media
Jessie has a voice.
Jessie, in my head, is someone capable of moments of tenderness and friendship that is normally overwhelmed by an incredible confidence in ability she does not have and mere reality will never be given permission to infringe on it. Jessie is unassailably unstoppably sure of herself, thoughtlessly stupid in a way that doesn’t mean she is stupid, but which exists in a context of someone who has relentlessly pursued excellence in her job which is also the equivalent of being a late night 7/11 manager. She is the Girlboss that is Gaslighting herself into thinking she has something to Gatekeep.
Delia Ketchum by comparison is a very nice piece of wallpaper. Every appearance of her in my mind is someone Very Nice who is Very Patient and Very Supportive and has managed to keep literally all emotionally challenging conversations from happening around Ash, which can be perhaps easier when you remember that he, too, is an idiot. I don’t know how Delia Ketchum talks, but I do know that there are ways that Delia Ketchum does not talk.
This is interesting! It’s interesting because it presents a character where I am very sure I know what she does do when she does it, and a character about whom I can only be sure wouldn’t do some things. It creates a character space, and it creates expectations of affect and performance within that space. Ash and other characters show up as well, but because they get to interact with this already-defined space, you get treated to this really lovely kind of resonance. Would Ash call Jessie ‘dad’? Maybe, to bug her. He was good at being a twerp. Wasn’t he? I mean I remember it that way, he seems to work out that way, but… how would I know?
I know more of this AU where Jessie is studying to be a Pokemon Doctor and Ash wears glasses than I do of the source material any more. And if you’re wondering ‘hey, do Jessie and Delia ever meet in the source material?’ Like, yeah, for a few seconds. What, the point is creating something new.
Tumblr media
If you want to check out Hanamusa stuff and read the comics, I recommend going and clicking on the hashtag on tumblr.
Check it out on PRESS.exe to see it with images and links!
#Anime #Media
595 notes · View notes
pastrydragon · 4 months
Text
Ok but Gale and Rolan
Like Rolan is a pretty popular character, people seem to really like him and write a lot of fan fiction about him. And obviously a lot of people love Gale too he's one of the main companions.
So why do I not see them shipped together?
Like the way Rolan talks about Lorraokan before he actually meets the fuck it feels like he kinda has a crush on him, like a little celebrity crush. So we know that Rolan is partial to what he thought Lorraokan was: A brilliant and ambitious wizard who's generous with his arcane knowledge.
And Gale very much ticks all those boxes. He was enough of a magical prodigy to be Mystra's chosen, he had a solid plan to become a GOD and the very first thing he does to try to romance you is teach you some magic.
You can't tell me Rolan wouldn't be following the party around in the tower after the battle, see Gale being king nerd very casually explaining stuff Lorrakaon didn't even vaguely understand and not go:
"Oh."
And with how many times Gale has proven to be a good person by saving the teiflings over and over, Rolan could absolutely mentally gloss over the whole "What if I used the crown of Karsus to become a god?" thing.
And I mean, Rolan could absolutely pull Gale. We know from playing the game that it is not hard to seduce Gale, to the point it's kind of annoying. Post game Rolan could just invite Gale over to look at "This fascinating new tome some adventurers sold me that was recovered from a shipwreck/ancient temple/dragon's hoard! And we haven't talked in so long, please stay for a glass of wine. Oh you write poetry? Tell me more. <3" And he's fucking genuine about wanting to hear the poetry because of course that nerd would.
Like it's not rocket science, honestly it ain't even algebra. I'd give it like 3 months tops before Rolan is bragging about his "BOYFRIEND who is a professor at BLACKSTAFF ACADEMY and did I mention he's adorable?" And he just keeps finding new things about Gale to gush about to the point Cal and Lia start to consider pushing off the roof of the tower just to get him to shut up.
Gale would also be perfectly happy in the relationship, like he really just wants someone who supports him and is a good person maybe? As a treat? And Rolan has shown to be a little heroic himself, protecting orphans, trying to rescue his family single handed and fighting with you against Lorraokan if his spirit isn't totally broken. He can even bridal carry Gale to safety with his 12 str. No really he has 12 strength, you can google it.
Like it's not the OTP to end all OTPs but it's cute. And I'm just confuzzled on why there's barely anything with these two.
127 notes · View notes
theshadowrealmitself · 5 months
Text
Another hella specific scenario that caters to me and like maybe one other follower:
Platonic friendship between an old Vulcan and a young Human that always strikes everyone as odd because the Vulcan is like their version of crotchety old person and the Human, although they don’t go out of their way to be social, is a bubbly and sweet person
And so everyone’s just confused because ?? those two?? friends??, so more people start investigating and they notice more odd stuff, stuff like:
• the Vulcan’s actually better at social situations and will instruct the Human on how to get through them (??)
• the Human speaks v literally at times and will get confused by stuff other Human crewmates have no problem understanding, and the Vulcan will explain it to them
• the Human is actually even more of a stickler for protocol and rules than the Vulcan is
• the ship had gotten pretty trashed in a fight once and when it got fixed the computer voice got updated and it’s artificial personality changed a tiny bit and the Human was in tears over it for weeks because their “friend” was gone despite no deaths being reported from the fight
So obviously rumors get spread around that the Human isn’t actually Human and is some kind of android made by the Vulcan for whatever reason (why a young bubbly cute human???)
But of course that’s not what’s actually happening, the Human is just autistic and finds the Vulcan to be the easiest to communicate with
(Also there’s some time traveling shenanigans, the Human isn’t up to date on all this new stuff so the Vulcan informs them on everything, I also like the age differences because maybe the Human isn’t that far from their time, and the Vulcan is just so old that they’re technically from around the same birth year, which adds fuel to the fire because “what do you mean you’re the same age?? humans don’t live that long and that is definitely a young human??”)
180 notes · View notes
phoenixkaptain · 1 year
Text
Gotta be honest, the idea that Luke wouldn’t send a child alone in an X-wing with only a droid for company is funny to me.
Like, we’re talking about the same Luke, right? The one who spent years bulls-eyeing womp rats and took the experience from that to then blow up the Death Star? The one who was like “This is a trap… I’m gonna walk right into it.” The one who was like “I will rescue my dear friend by waltzing in without a disguise and being as obnoxious as possible.” “How do we get out of this situation? How about we convince these small bear creatures that our droid is a god, that will probably work.” “I know Darth Vader is a murderer who murdered my Ben and is trying to murder me and all, but he is also my dad and therefore I love him.”
Luke would send a child in an X-wing without even fucking thinking about it! Do you REALLY think LUKE SKYWALKER is a reasonable human being?? Are you honestly trying to tell me that this man who has been driving the same fucking ship for like ten years would understand how dangerous it is to put an unsupervised child in a vehicle??? Do you really honestly truly think that Luke knows how to care for children????
You see, a lot of people like to portray Luke as perfect. And this is the same issue I have with people who portray Obi-Wan as perfect, or Yoda, or Mace, or literally any character in all of Star Wars because the whole point is that the are flawed human beings!
But it’s ESPECIALLY egregrious with Luke because I don’t know where any of you got this idea that Luke is a sweet summer child??? This man has a death count of over one million. This man had Seen Some Shit that it is literally impossible not to be affected by. Why do so many people assume that Luke at the end of the Trilogy is the same as Luke at the beginning of the Trilogy? He’s changed! He’s a different person! That’s what makes the Original Trilogy such a good trilogy!! It’s basic storytelling!!! A character canNOT be at the same place mentally as when they began the story, or else it’s not a good story!
But also, I hate the way this colours shipping fics with Luke. Like, listen. There is no ship where Luke should be the straightman of the relationship. Luke Skywalker just is not normal. He’s weird, he’s deranged, he’s so strange; he cannot be a straightman, it just doesn’t work. It’s so completely out of character it isn’t even funny.
The joy of shipping Luke is that every single thing that you can ship Luke with will come out the other sode looking rational.
Han Solo is a smuggler who hangs out with a Wookiee and who does extremely dangerous, stupid shit, but next to Luke?? Rational. Normal. Someone who uses their brain, Luke, take notes-
Din Djarin is a bounty hunter who decided that he would rather destroy an entire group of highly dangerous men than give up the cute kid he just found. But compared to Luke? At least he has equipment on him!
Mara Jade literally was mind-controlled by the Emperor and was Darth Vader’s coworker and was also a Jedi (something that no rational person would be honestly) and even she comes across as normal compared to Luke Skywalker.
I know this is rambly and disjointed and I know people disagree with me, but like??? Yes, I think Luke is great with kids. Yes, I think Luke is a good teacher. Yes, I think Luke is the type of person to wave goodbye as an infant flies off in his warship. I think Luke is the type of person who would throw a child into the air way too high and then catch them. Where did the idea that he’s the responsible parent come from? Luke is teaching infants how to use laser swords, do you REALLY THINK that’s what a responsible parent would do????
1K notes · View notes