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#it’s a goddamn essay
chronicowboy · 10 months
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actually cannot stop thinking about hozier describing the human soul as an "uneasy ally of the body"...
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dootznbootz · 7 months
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Honestly, when Odysseus is back, I imagine how he'd be trying so hard to really bond with Telemachus. Everyone else that he deeply cared about knew him from before, but Telemachus doesn't know him and he doesn't know Telemachus. All they know is that they love each other. And it made me imagine him trying so hard with "Father/Son moments" but he doesn't know where to start and begin.
Ody: "Here, son, this is how you tie a good knot when tying up animals. You pull it through-"
Tele: "Uh, Father, I already know how to do that... I learned this when I was around 13..."
Ody: "...Yes! Of course! Well done!"
But deep down he's so so sad. Telemachus already knows so many things already. Learned the things that Odysseus wanted to teach him but couldn't. Telemachus realizes this too, and I can imagine him sometimes pretending not to know something or, at the very least, letting his father tell the same instructions again to cheer him up.
I'd like to imagine Penelope notices Odysseus being sad about it and so she reminds him of a trick he did while young, something Telemachus doesn't know how to do. BUT IT HAS TO BE SOMETHING GOOFY! Could it be woodworking? Sure, but I also really fucking want it to be something absolutely goofy. Woodworking is useful, as is fighting, swimming, archery, etc.
Party Trick-level stuff! I want people to be watching the king and prince do something silly and ridiculous but the two of them are having the time of their life, fucking juggling or something.
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Okay so rewatching sk8 again because I miss them desperately and I accidentally paused and
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Jesus fucking Christ.
Reki, my dude, it is episode TWO. You have known Langa for like. A DAY. Good lord
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denkies · 11 months
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The BSD 5 Opening, Tetsu no Ori, is a love song from Atsushi to Akutagawa
Let's start at the beginning of the song, with the accompanying scenes.
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Putting Atsushi and Akutagawa with those specific lyrics was probably not a silly mistake done by complete coincidence. But let's keep going!
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These lyrics specifically pertain to Atsushi's feelings after Akutagawa's death. Both "places" in these lyrics refer to the afterlife-- somewhere only seen after death, and somewhere Atsushi doesn't want Akutagawa to go.
"A place you can't go" can also be foreshadowing that Akutagawa doesn't go to the afterlife. He becomes a vampire. On that note, Atsushi believes that Akutagawa can be woken up from his brainwashed state-- and actually begins to succeed in chapter 108. He doesn't believe Akutagawa to be in the afterlife, because he has faith that he's still there.
The anime opening ends with those lyrics, but the full song continues. I'll be talking about some specific parts, which pertain to the topic.
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This one is pretty quickly explained, as Akutagawa and Atsushi quite literally symbolize Yin and Yang, even physically. The line about being unable to ignore the "bug in the iron cage" comes up later!
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Past tense, expressing the sorrow that came after the heat of battle. "The loss of ecstacy" seems to reference the 2 battles that they won against Fukuchi, as the ecstacy of winning was taken from them.
"That we can only be slaves to something; knowing that you will lose." is referencing these rewritten battles again -- Fukuchi tells them that they won, but he went back in time (chapter 87). In the lyrics, Atsushi recognizes that they are slaves to Fukuchi's sword, that they can't win.
"Knowing that you will lose" might also reference Atsushi's thoughts on Akutagawa's sacrifice. Atsushi knows that the escape route was only for him; that Akutagawa's first and foremost priory was getting Atsushi out alive. Knowing that he couldn't have saved Akutagawa from Fukuchi, because Akutagawa didn't want to be saved. He was going to lose, in every scenario, to keep Atsushi safe.
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And finally, this part. "You've already taken flight; you've become a butterfly," again, referencing Akutagawa's death. Funnily enough, I think this also ties into Akutagawa not actually being dead. Butterflies symbolize the soul, death, and rebirth. All of these are relevant to him in vampire form, so equating him to a butterfly isn't too far off. It's also very pretty and sweet.
The line about the iron cage comes up again, this time, Atsushi revealing himself to be the "bug in the iron cage." The entire sequence seems to be about Atsushi's grief, that he can't ignore and is trapped in like a cage.
His desire to be free is also tied to him wishing to be reunited with Akutagawa. "You've already taken flight / If I could fly now, outside the iron cage..." I think it conveys that Atsushi wants to escape this grief, but only if it means reuniting with Akutagawa once more.
Lastly, as my evidence, the song title "Tetsu no Ori" (鉄の檻) literally means "Iron Cage". The song itself is about Atsushi being trapped in his grief, and love, after Akutagawa's death.
I rest my case.
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Fox Mulder doesn't have the "I Want To Believe" poster there because he's crazy. He doesn't have it there to broadcast his beliefs or as a mantra or to remind him to always look for aliens.
Fox Mulder keeps that "I Want To Believe" sign above his desk to remind him of his own internal biases.
That sign hangs above Mulder's desk to remind him of his own shortcomings and flaws. He's aware that he's a hack with dangerous beliefs and prone to flights of fancy and maybe even delusions. He's aware that he's desperately searching for aliens and monsters where there are only men doing bad things. And he has to remind himself of that, constantly.
That's why he's thrilled when he meets Scully and she challenges his beliefs, says that logically aliens don't exist. He's thrilled when she tells him to cut the crap in the pilot episode. He needs someone to challenge him. He needs someone who won't take his shit and put up with his flights of fancy. And he knows it. He's been dealing with himself for years and he feels relief and joy when Scully comes in and says enough of your bullshit. We're doing this my way. With science and logic. He isn't smiling and teasing her because he thinks he's smarter and better than her. He's smiling because she's exactly the person he needs in his life.
That's why he tells her right away that he's a UFO freak with trauma about his sister and a true believer. Not because he's trying to convince her to believe, but because he needs her to understand where he's coming from and what's wrong with him. So she can understand that either he's a dangerous lunatic himself, or he's delving into a dangerous conspiracy and either way she could be collateral damage if she stays with him. He spends the pilot episode reckoning with the idea that either he's a maniac or he's pulling this young fresh detective into danger. When she starts agreeing with him he gets upset, talks her out of it.
Mulder keeps that sign above his desk to remind himself to look into the "reasonable logical" explanations. He keeps that sign on his desk because he knows he's flawed and biased and frankly, dangerous.
He tells Scully exactly what he thinks is happening and about all the crazy stuff he believes not because he's trying to convince her to believe too, but so she can be his sounding board. So she can throw his illogical bullshit back in his face and remind him to look past his own biases and paranoia and quasi-religious zealotry. Because he knows he needs that. He knows he's in a conspiracy brained echo chamber of his own making and having a slow-burn mental breakdown. And he sees Scully as salvation from himself. As another figure in his quasi-religious belief system. The savior.
As the series develops he relies on her more and more to reality check him. Literally reality check him and manage what he worries might all be a delusion.
Mulder pretends he's confident and all the constant criticism and sidelong glances don't get to him and that might be true because he doesn't respect those people but he respects Scully. And he needs someone he respects to tell him when he's wrong, when he's being biased or actively delusional. Scully is his salvation. She's compassionate about his trauma and the reasoning behind his beliefs, but confident and logical enough to tell him when it's all bullshit. She's his savior, his rock, and often his only real connection to material reality.
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the-toulouser · 1 month
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that scene where oliver’s taking a bath and daydreaming about felix rolling around in the grass can really be something so personal
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rapidlydecayingcorpse · 3 months
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the kim brainrot is genuinely insane tell me why they made this guy the coolest fucking person on earth as well as a huge loser and how did it work so well
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joljulep · 4 months
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2024 vs 2022
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monarchisms · 9 months
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so for those who missed it, geoff talked a bit more about achievement hunter coming to an end on a f**kface break show on september 18th. some of it was stuff we've already learned from the announcement video/thread from AH themselves, but some additional information was mentioned exclusively on the f**kface stream. with rooster teeth being so great (sarcasm) at relaying info to their audience, i had to rely on a fan recording of the stream from twitter to get more context sooner, since the official recording won't be available until the 22nd at the earliest.
i'll put a full transcript of all the clips of the twitter thread under the cut, but if you want a tl;dr:
geoff's known about AH coming to an end for about 6 months (since march 2023), and that the decision to end it wasn't made lightly
he compares AH ending to when he went to quit red vs blue 15 years ago to co-create AH, somewhere between seasons 5-7, and how he continued to work on rvb until he couldn't anymore
also talks about how everyone at the company at the time (like burnie, gus, matt, and jason) were really supportive towards him, and how that led to AH lasting 15 years
he hopes that michael, trevor, alfredo, and joe get the same support he got from the audience when he made AH, and then eventually f**kface. also reassures the audience that all the content on the AH channel will stay as it is
heavily emphasizes that this decision wasn't made by the higher ups at rt or warner brothers, and wanted to nip that in the bud before the rumor went too far. notes that AH didn't fail, it just ended
talks about how there will be a couple more weeks of new achievement hunter content before they close up shop. some of the content includes the members paying an homage to past series and people at AH. it will eventually culminate into a final video that geoff's in where he gets "fucking verbose" about his feelings in relation to everything
gives a shoutout to matt, jeremy, and ray in regards to their streams on twitch, and finally ends his speech by saying that the audience should respect that the past + current AH members are continuing to do the things they love doing while being entertaining, just in their own unique ways
the full transcript:
Geoff: "The Achievement Hunter brand is coming to a close. We have decided to sunset it and to end it. And I've seen a lot of- for a very good reason- and that announcement came in tandem with another announcement, a very exciting announcement about a new brand called Dogbark. And I've seen a lot of excitement, a lot of appreciation from people, a lot of people supporting Michael and those guys [referring to Trevor, Joe, and Alfredo] going off into doing their own thing.
I've seen a lot of fear and uncertainty. I totally get and understand that; you guys are hearing this for the first time. Um, I've known about this for about six months. You know, this has been in some form of discussion or preparation for a while now. This wasn't a decision that was made lightly, uhh... but I think it's the right decision, and I hope that you'll understand and support that, and here's why:
15 years ago, I went to Burnie and Matt and Gus, and I said 'Hey, I'm losing my mind making Red vs Blue.' It was season 5 or 6, and I- I think it was 6 or 7, actually- and I was just so creatively drained and stifled. And I had such a wonderful time making Red vs Blue, but I had made it until I couldn't make it anymore. And I had this idea, and I was very passionate about this idea of this thing I wanted to try. And Burnie and Gus and Matt were so kind and supportive to give me the creative runway to launch and test Achievement Hunter out at a time when everybody- friends- everybody was telling me 'What are you doing, quitting making Red vs Blue? It's a huge hit! You're like, the #2 guy on it. You're a big part of this! Why would you leave that to do this unproven, untested thing?' And I had to! I had to follow my dream, I had to follow my passion. And like I said, Burnie and Matt and Gus and everybody else, Jason, everybody involved in Rooster Teeth at the time, were so fucking supportive and so wonderful to me in that period that 15 years later, we've had 15 years of Achievement Hunter.
We wouldn't be here on this set right now in front of all this Zimmer stuff, in front of fucking dumb pictures of Gavin and Garbage Pail Kids and Barbie and- fucking new Dallas poster, by the way. Uh, all of this has existed because they allowed me to take a chance and supported me taking that chance. And uh- I would be some kind of fucking hypocrite if I didn't provide the same level of support and genuine enthusiasm to Michael and Alfredo and Joe and Trevor as they embark on the same journey I went on 15 years ago! And this is a very- I don't want to speak for them. They didn't make this decision lightly, I guarantee you, and they will explain it in their own voice over the next few weeks as we say goodbye to Achievement Hunter and say hello to Dogbark. [actual dog barks in the background] We worked on that ahead of time.
Uhh... and so I would only ask that you give them the same level of support that the audience gave me when I tried out Achievement Hunter, this untested, unproven thing, and the same level of support you all gave us when we decided that we're going to make F**kface, an audio-only podcast recorded remotely, which is something that I never in a million years wanted to do or thought was a good idea until we did it, and found out it was simply too good, found out that it worked and it ended up becoming, I think, hopefully the best thing I've participated in. I really ju- I really just want to drive that point home. Joe and Trevor and Michael and Alfredo have spent years and years and years making content that they believe in to support and entertain you. And that's all they want to do with this new production.
Everything comes to an end. It's okay for things to end. I know it's scary and it's sad, but that doesn't mean it didn't happen, and that doesn't mean it's going away. We have 15 years of Achievement Hunter content online that you can still watch and enjoy. Hundreds of thousands of hours of content, hundreds upon hundreds of episodes of Minecraft and GTA that are still there for you to go and watch. I mean, hell, I think Emily and I are a great example of that. We've been watching a show that came out in 1978 called Dallas. It ran from 1978 to 1992, and that was 40 fucking years ago. And yet here we are enjoying it, just as if it came out yesterday. Justice for Sue Ellen, I think we can all agree, justice for Sue Ellen. So I would just say that I hope that you'll be excited about this new journey in their careers and this new opportunity for Rooster Teeth. It's sad to say goodbye to a thing, but it's not disappearing. It's still there. You can still go watch all those videos. You can still go enjoy- enjoy all that content, but you can also support them in what they're doing.
And one other little inaccuracy, or not even inaccuracy, but one thing I want to touch on- and then I'll get to breaking cards and being an idiot- is a thing that kind of bugs me, is that- I'm sure you've heard this phrase or some variation of this phrase before where it's uh, said that a lie can travel halfway across the world, while the truth is still putting its pants on, and-"
Emily: "That's kinda deep! I've never heard that before." Geoff: "You've never heard that before?" Emily: "No!"
Geoff: "Yeah, and I've seen a lot of supposition and people saying things that just aren't true. And I want to stop that right now before they travel halfway across the world. Because there is no truth to the idea that like- anytime we make a change that's controversial or a bit scary or different or new or unexpected, there's this idea that there's uh, some dude in a suit from Warner Brothers or Rooster Teeth standing just off-camera, sternly going, 'Make this decision. Follow this algorithm. We're chasing a demographic.' None of that is true. Rooster Teeth would be very happy if they continued making Achievement Hunter forever, but they weren't happy making Achievement Hunter, and they wanted to try a new thing.
They wanted to do what I did 15 years ago! They wanted to do what Ray did when he left Achievement Hunter, right? They wanted to bet on themselves and make their production. I love the work they put into- to mine, and I did my best to make it ours. But at the end of the day, I left Achievement Hunter five years ago! Uh, it would be really foolhardy and stupid and- and dickhead-ish of me to have a problem with them doing the same thing, uh, but it's also them. This is a decision that they made, that they wanted to make. It didn't come from anybody at Rooster Teeth or Warner Brothers. There was no, I don't know, this marketing department you always hear about that's telling them to make these decisions and- 'Chase the Gen Z crowd and come up- This is the name we've workshopped.' None of that's true! They came up with the name. They came up with the logo, they came up with the design, the color palette, the trailer, the content that's going to be released in a couple of weeks, that's all them! That's what they wanna do.
That is them following the same passion that I followed 15 years ago and the same passion that I followed when I created Let's Play, and the same passion that I that I followed when I created F**kface. And hopefully the same passion, the same passion that I created this with, and hopefully the same passion that I'll create the next and the next and the next thing with, and hopefully the same passion that they get to do, uh, as they continue their career. So all I'm asking for is give the new thing a chance, support it. It's a brave thing to do to walk out of the safety of Achievement Hunter into a new thing.
And also, uh, I've seen a lot of doomers that are saying like 'Ah, I called it ten years ago! I knew it was gonna fail!' It didn't fail. It ended. It was 15 fucking awesome years. And I'm going to stop talking now because I'm just going to get rambly. But I will say: There's a couple of weeks left of Achievement Hunter content coming out where they pay homage, if you will, to a lot of the videos and the shows from the past,, and the people from the past, and they have a lot of sweet things that they're going to do. And it'll culminate at the end with one last video that I am in where I get fucking verbose about my feelings about all of it. So if you want to hear more about my feelings of the 15 years of Achievement Hunter, I ask that you tune in to that last Achievement Hunter video. But I also ask that you tune into every video between now and then, because they're going to be saying goodbye to Achievement Hunter with a lot of love and respect and humor. And uh, I think that's what it deserves. And I hope that we all get to share in that together, and then, and then subscribe to Dogbark and give it a shot. [dog barks again] Thank you.
And uh, remember that all of these people that you've loved that have come and gone are still making content right now. Jack and BK, I think Jack's on vacation, but Jack and BK are over there in Inside Gaming, making content, playing video games 3, 4 hours a day, 3 or 4 days a week, playing Minecraft, playing all those old games that you loved to see us play. And Michael is making Face Jam every week. And Michael and Trevor and Alfredo and Joe are going to be making Dogbark every fucking day. And Gavin and I, we're making F**kface every day. And I'm making ANMA and I'm making So... Alright, and Ky has helped producing it all uh, behind the scenes.
Matt and Jeremy and Ray, they're streaming every fucking day of their lives, I believe. I think Jeremy's on, like, 18 days in a row right now, or something? [referring to Jeremy's uncapped subathon]. So all the people that you loved to support and who uh, entertained you throughout the years, they're still doing the thing that they love. They're just doing it in the way that they wanna do it, in the way that makes sense to them. And I just hope that you will be... respectful of that, and give them an opportunity to entertain you uh, in much the same way they entertained you last year and the year before and 5 years ago and 10 years ago. They just want to get up every day and make the best content they can make, and they're not- they're not making these decisions for any other reason than this is where their creative interests are leading them. And much like you gave me a chance 15 years ago, let's all give them a chance today. [dog barks again] That's it. I'm done. Let's open up some fucking cards."
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ao3screenshotss · 10 months
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today i asked my teacher for help with one of my essays it was basically
me: can you please help me with my essay? i have some examples but i don’t have the overarching idea
teacher: okay so explain it
me: *explains my examples*
teacher: so, what’s the idea you could use to talk about those examples?
me: that’s what i was asking you for
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becauseplot · 7 months
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Anyway for entirely justifiable reasons (<-is a glutton for angst) I need Chayanne and Tallulah to be present when the hummingbirds come around or a note about the 'wise old crow' appears in their house, causing qPhil to have one of his derealization/reality-questioning episodes. I need it. I need it to happen SO bad. Because they’ve seen Phil get roughed up in a fight, they’ve seen him angry, they’ve seen him wary and even nervous, but they have NEVER seen him doubt like that.
People have already made posts talking about how the cage-for-a-cage/child-of-the-sky stuff has been particularly rough on qPhil, who relies heavily on his constant vigilance, keen senses, and hyper-awareness of his surroundings for reassurance. He's the kind of guy who walks into a room and has already charted at minimum two escape routes by the time he takes a seat, you know? He sees and processes and stores information on everything, at all times, and he uses this to act in the best interest of his and his loved ones' collective survival.
His kids see this side of him too, most significantly in the ways that he looks after them: always keeping an eye on the back of the group, never far from Tallulah, and constantly analyzing Chayanne's fighting style to give helpful critique to optimize his attacks. Chayanne and Tallulah know that everything he's ever done was to protect them. Also, he's always there to offer them advice when they're feeling lost, and even if he doesn't have all the answers they need, he gives enough reassurances and promises to put their minds at ease. Phil is confident in what he knows. In their eyes, he is strong. He is a fortress, safe and impenetrable.
You could say that about a lot of children's perceptions of their parents/guardians/mentors. The older, guiding forces in our lives always seemed strong and infallible to us as kids. That's why it was always unnerving to see them get sick, or get stressed, or cry. Observing weakness in those people felt so, so wrong because we never considered the fact that they were capable of it; it was just impossible.
So, the situation: Phil is suffering in a way that makes him question the very same reality that he was a master of not too long ago. Whenever it happens, he goes quiet, looks around, mutters to himself, breathes shakily, fidgets. He is visibly unnerved and uncertain.
If Chayanne and Tallulah are there, they're gonna notice---they're perceptive, just like him. I'd imagine they'd try to ask him if he's okay, and he'd reassure them that he's fine, and maybe that's enough the first time. But, as more incidents arise, and as time goes on, they start to see more of this out-of-nowhere uneasiness, fear, from him, which is worrying, especially because he won't tell them why.
NOW. Phil has been upfront about a lot of things with Chayanne and Tallulah in the past. For example, during the height of the code attacks, Phil told them everything he ever learned about the codes, every single new development, to ensure that his kids were well informed and prepared. He was frank about the threat on their lives because to sugar-coat anything would be doing them a disservice. It was important they knew all of the cold, hard facts, even if it took away even more of their precious childhood innocence. He values their happiness, but safety comes first. It has always come first.
But this is different. It's not cold hard facts. Phil doesn't know what to believe anymore. When the hummingbirds come around and his reality comes into question, he doesn't know what is real, what he can trust, what is fact. His senses have been compromised. Hell, he's still trying to convince himself that he's not going crazy when all evidence seems to suggest that he's losing his goddamn mind. He doesn't know what to tell his kids, so he tells them nothing.
So now here stands Chayanne and Tallulah. There is something that is scaring their dad, and he won't tell them what is, so on top of the knowledge that their unwavering father is, in fact, capable of true, genuine fear, he's suddenly keeping things from them. Their dad is keeping things from them because he is scared. And I can't imagine a realization more terrifying than that.
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Hiiii I have a community question I wanted to ask!!
Abed mentions all sorts of movies and tv shows through out Community, but I just wanted to know if maybe you have like a list of which ones are real and which ones he seemed to like more than others.
I can only think of the dark knight because of the dvd Annie broke, and the Star Wars movies (except he apparently hates the prequels) and cougar town!
great question! sorry for the delay on a response.
so, he mentions/references an insane number of movies and tv shows throughout the series, and I unfortunately do not have a list of every single one. although, I am (VERY slowly) working on an in-depth episode-by-episode analysis of the entire series, and listing every pop culture reference is a subsection in that. but that's not helpful right now. moving on
I don't have the picture, but there's this questionnaire abed filled out (outside of the show, it must have been uploaded to a website as promotional material for the show). he says his favorite movie is a tie between:
ghostbusters (1984, comedy/horror)
an american werewolf in london (1981, horror)
back to the future (1985, sci-fi/comedy)
blade runner (1982, sci-fi/action)
stand by me (1986, adventure/comedy)
stripes (1981, comedy/war)
star wars (1977, sci-fi/fantasy, also called "a new hope")
star wars: the empire strikes back (1980, sci-fi/fantasy)
star wars: the return of the jedi (1983, sci-fi/fantasy)
ferris bueller's day off (1986, comedy/drama)
jaws (1975, thriller/adventure)
raising arizona (1987, comedy/crime)
jurassic park (1993, adventure/sci-fi)
seven (1995, crime/mystery)
the matrix (1999, action/sci-fi)
the goonies (1985, adventure/comedy)
the breakfast club (1985, comedy/romance)
real genius (1985, comedy/sci-fi)
better off dead (1985, comedy/romance)
the fog of war (2003, documentary/war)
pulp fiction (1994, crime/thriller)
(btw if anyone knows what I’m talking about and has the screenshot please rb with it! I cannot for the life of me find it lmao)
I believe this is a list he apparently made in 2009, either in the first few weeks of school or right before the school year started. so it's possible he would answer differently as the series progressed. also, I do take some of these extra-canon things with a grain of salt, as on the same form he said his favorite place on campus was study room D or something, when obviously they definitely meant to write study room F. so, the credibility of my source for this information isn't exactly rock-solid. although, he does mention a lot of these movies on screen, and expresses love for many of them (the most notable ones probably being star wars episodes IV-VI, the breakfast club, and pulp fiction)
as you can see from the list, abed particularly loves american movies from the 80's. just a trend I thought I’d point out.
here's a few others he mentions loving, or just pretty notably references:
the dark night (2008, action/crime, as you mentioned)
rudolph the red-nosed reindeer (1964, musical/animated, is the whole basis of 2x11 abed's uncontrollable christmas)
the shawshank redemption (1994, horror/crime, is the basis for his plot with troy, annie, and shirley in 4x05 cooperative escapism in familial relations)
freaky friday (I believe it's the original one from 1976 specifically, but it's been remade a bunch. comedy/fantasy. it's the basis of abed and troy's story in 4x11 basic human anatomy)
rambo/first blood (series starting in 1982, action/thriller. abed talks about how messy the progressive series titles are in 3x14 pillows and blankets)
ocean's eleven (2001, crime/thriller, the basis for the heist scene from 3x21 the first chang dynasty)
hearts of darkness (1991, documentary/war, abed mentions it while pointedly filming dean pelton's production of his greendale commercial rather than helping with the commercial itself. similarly, hearts of darkness filmed the making of apocalypse now)
apocalypse now (1979, war/action, see the above explanation)
die hard (series starting in 1988, action/thriller, abed mentions wanting to do a die hard homage for christmas multiple times throughout season 4)
good will hunting (1997, thriller/romance, troy and abed's story in 1x24 english as a second language is filled with references to this movie. abed is doing homages on purpose, troy is not)
my dinner with andre (1981, comedy/drama, abed does a very elaborate homage at jeff's accidental expense in 2x19 critical film studies)
indiana jones (raiders of the lost ark, temple of doom, and the last cruscade only. he mentions loving the first three indiana jones movies in 1x04 social psychology)
aliens (1986, action/adventure/sci-fi, he and troy dress up as an alien and ripley in 2x06 epidemiology) (side note, I believe they're specifically referencing aliens, which is a sequel to alien. could be wrong though)
blade (1998, horror/action, they watch it over the course of 3x15 origins of vampire mythology after troy and abed assert multiple times that it is an amazing movie)
I think he generally talks about movies more than he talks about tv shows, but he does mention quite a few of them. some notable mentions are:
friends (1994, sitcom, mentions at least twice)
m*a*s*h (1972, sitcom, mentions in passing in 1x05 advanced criminal law, and references throughout 1x13 investigative journalism)
the cape (2011, action, mentions throughout 4x13 advanced introduction to finality)
who's the boss (1984, sitcom, is the premise of his whole storyline in 2x20 competitive wine tasting)
LOST (2004, sci-fi, mentions at least twice)
obviously there are a LOT more, but I just tried to list some of the most important ones, plot-wise and for understanding of his character. hopefully I’ll be able to get back to everyone with a super long list of every tv show and movie he ever mentions lmao, but that'll take a while. (there are lists online that say they list every movie and tv show abed has ever mentioned, but ngl I don't 100% trust those, so I’ll make my own lmao. but I put the link to one of them if you're curious. here's another one too)
at this point anyone who has seen community knows there are some really really big ones that I haven’t mentioned yet. pieces of media that are INTEGRAL to abed as a character. I was saving them for last lmfao. they are:
kickpuncher
inspector spacetime
cougar town
if I had to pick a holy trinity of media for abed, it would be these three things. these are EASILY the things he talks about the most, which is interesting, as both the kickpuncher movie franchise and the inspector spacetime series are completely fictional, and only exist in the community universe. (this is probably so they can show abed actually watching some of the shows/movies he talks about, without the obvious copyright issues that come with playing clips from an already existing movie/tv show on your screen. they kind of do that with blade in 3x15, but they only play vague fighting sounds, and never show their tv on our screen. anyway. not relevant.) to answer one of your questions from the ask, I believe those two are the ONLY fictional pieces of media abed talks about. as far as I know, everything else he mentions is real, including cougar town.
kickpuncher is obviously reminiscent of sci-fi/action films from the 80's, like robocop. like I said earlier, taking their place so that they could have a more substantial role in abed's on-screen life without any copywrite worries. it's a whole franchise, so there are multiple movies: kickpuncher, kickpuncher 2: codename: punchkicker, kickpuncher 3: the final kickening, kickpuncher: detroit, kickpuncher: miami (?), and kicksplasher (?). kicksplasher is apparently shown as a poster on abed's wall, and I’m assuming it's from the same franchise, although that could be wrong. the point is there's a very elaborate universe for kickpuncher, and it's a big part of abed's, and later troy's, film taste. the first time they mention it is in 1x15 romantic expressionism, when abed, troy, shirley, pierce, and chang all get together in abed's dorm room to make fun of stupid movies together. it's funny that it was introduced as a stupid movie to watch ironically, then troy and abed both end up genuinely loving it lmao. classic
inspector spacetime is obviously reminiscent of doctor who. they're both british sci-fi series that have been running for decades. doctor who uses a police box to travel the multiverse, while doctor who uses a telephone box. doctor who has malicious daleks who chant "exterminate," while inspector spacetime has blorgons who shout "eradicate." the concepts of the shows are obviously the same, with the actor for the doctor changing every season, etc etc. they're essentially the same exact show, but, like I said before, changed slightly so they can world-build without getting copywrited. there is something a little bit silly about this, though. it's definitely a continuity error and it's up to everyone whether they want to accept it as canon or not, I guess, but there's an episode where abed is actually wearing a doctor who t-shirt. (it also references bill and ted, but the doctor who part is what's relevant.) here's some pictures:
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awesome shirt tbh, but it is a little bit funny that is essentially makes it true that doctor who and inspector spacetime both exist in the community universe. and, these pictures are from the cold open of 4x11 basic human anatomy, which is way after inspector spacetime is introduced to the show (3x01 biology 101). so, is inspector spacetime just a rip-off of doctor who? is abed a fan of both shows? if he is, clearly he likes inspector spacetime better. anyway. I would guess that this wasn't intentional. but that is definitely a tardis on that shirt. maybe it's just a classic season 4 continuity mistake. oh well. I guess that's just how the cookie crumbles. anyway.
cougar town time! yes, it's a real show. I didn't think it was but it is. what's not real is cougarton abbey, the short-lived british remake that britta gets abed into in 3x01 biology 101. but yeah. it has 6 seasons and is streaming on hulu, if you're interested. I’ve heard it's not good but who knows for sure. something cool about cougar town is that abed is actually in an episode. let me be clear: not danny pudi. ABED. it's similar to the story abed tells about being invited to the cougar town set and shitting his pants while having an existential crisis about the layers of reality. here is a youtube clip of the scene. I found out about it while stalking danny pudi's wikipedia page months ago, you know, a typical sunday afternoon activity, and I saw a cougar town credit on there. I didn't even know it was a real show at that point so you can imagine my surprise lmao. anyway. idk if you knew that already but it's one of my favorite community easter eggs. so funny.
okay! I hope this is enough information to suit your needs, and I am once again opening the floor to anyone who wants to add anything 💯 this was fun, thanks for the ask, and stay fresh everyone ✌️
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everythingisconfetti · 7 months
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what is the best love song ever written and why is it Fair by The Amazing Devil?
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warmmilk-n-honey · 1 year
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So I've been seeing a lot of dadbastian hate lately in the confessions-which is fine you are completely in your right to not like something I do. As a dadbastian scholar I just wanted to write out some of the reasons I and others love it because I will take any opportunity to talk about dadbastian lmao.
I think dadbastian is interesting because of the inherent angst of having a parent/child relationship that is inherently incompatible due to the difference in species between father and son, (this can also lead to funny/cute hijinks) more about that down below 👇
Let's talk about Coattails, the dadbastian fic. Part of the appeal of Coattails is seeing Sebastian transform from how he is characterized in the manga, to a loving parent, and having him grapple with the guilt of contributing to Ciel's trauma. There's catharsis in Sebastian beginning to feel the way we feel for Ciel when reading the manga. I can only speak for myself here but reading the manga feels like a thousand knives being stabbed into my heart knowing that Ciel will never get the help he desperately needs, thus Coattails provides a sort of remedy to this with Ciel's trauma being properly addressed. It's not that I don't like the dark story of the manga, but it can be nice to have a more comforting alternative with the characters I love. And while it is comforting, there is also a lot of angst that goes with that comfort. They say the worst thing a parent can go through is outliving their child, and that is inherent in Ciel and Sebastian's relationship because their species aren't compatible with one another. Sebastian also may not be the best person to parent Ciel, but he's all that Ciel has, he's doing his best but worries about failing the child. Manga Seb is a very static character, so giving him more human emotions and feelings uwu can make him more dynamic and interesting to write/read about. There are just endless things you can explore with the monster parent/human child dynamic, it is simply chef's kiss.
I also want to dispel that myth that dadbastian is inherently "wholesome," because it certainly doesn't have to be. You can explore abusive dynamics with dadbastian and explore Sebastian's demonic personality. My biggest issue with the way Yana characterizes Ciel and Sebastian's relationship is the psychosexual aspect to it that is not properly explored nor addressed. It is just there for gross fanservice reasons-I could write an entire essay on that in of itself. Dadbastian can provide a way to explore this abusive dynamic without the sexual undertones that can be quite triggering for some people. Also to say Yana doesn't purposely make their relationship parental on any level would just be false, it's just that she combines "the filial with the erotic" to quote that academic Black Butler essay written like a decade ago lol. Dadbastian simply takes out the erotic side that is not thoughtfully addressed within the manga to make it a more straight forward abusive parent type relationship.
TLDR; I think many of us are attracted to dadbastian because it makes Seb into a more interesting and dynamic character than he gets to be in the manga, cuts out some of the uncomfortable "undertones" in there relationship that are not properly explored/addressed in the manga, there is a lot of angst to their monster parent human child relationship, and having Sebastian be a loving parent can be cathartic for many because Ciel's whole personality is that he needs a mom. idk my brain is just filled with serotonin when Seb tucks his kid in or something-I can't explain it!!
Dadbastain is the best thing this fandom ever invented y'all are just mean
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efplanning · 3 months
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ditto and garchomp being so similar in the regard that they feel like eon was the first pokemon who really saw....Them.
ditto always staying transformed in public as a kid. trying to be the perfect daughter for someone who didnt love the real her or really let her explore that part of herself.. latching onto eon, the moment he saw that side of her and not only didnt turn away thinking she looked "weird" or "gross" but instead accepted her like it was so easy...
as a kid garchomp always felt like he would have to stay in his family's training facility as a tutor and while he was good enough at it.. he didnt really...love it. his older brothers always lightly teased him for being a nerd or how he wasnt as strong as them(still stronger than the average kid who didnt grow up in a training facility tho...) on the flip side tho. people who didnt really know him personally just thought he was some stupid loudmouth.. whereas it felt like eon just saw...him.
For the most part tho I don't think ditto and garchomp understood what eon saw in the other themselves...
Tho a little before eon and ditto stopped interacting w garchomp in their twenties...ditto was beginning to feel closer w him. she felt like she was starting to understand him better....and maybe he was starting to understand her too.. so i think it really hurt when he completely disregarded her and eons relationship and made a move on him...
ALL that being said I think their need for whatever warmth they thought eon could give them made not only them but eon himself blind to what He needed😔
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dr3amofagame · 8 months
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I think Dream in prison was always going to go poorly because it would require Sam to be as infallible as Pandora's Vault itself, and he's not. He has way too much personal stake in what Dream is doing, and in trying to force himself to be an emotionless machine that abides only the protocol he became a hypocritical wreck that only indulged his vindictive emotions and spiraled out of control trying to keep the situation steady. That's not even addressing how keeping someone in the prison would never be ethical because it's a psychological torture box designed by the psychological torture guy
I mean, I can see the argument that it would've been hard to like. Not make Pandora's Vault unethical, considering the size of the server and the fact that he was the only prisoner etc leading to a situation where yeah, he would've been left alone for long stretches of time no matter what, solitary was kinda inevitable, etc. Like I can see an argument for that. But on principle I feel like the influence that protocol had on the prison arc and on c!Sam specifically tends to be heavily overstated...because a significant portion of the prison arc, honestly, is making the point that the protocol was entirely based on what c!Sam determined.
Like, sure, the prison was always going to suck. c!Dream was never going to come out from it entirely unscathed. But there's a huge fucking difference between what he was prepared for (isolation + shitty food for an unspecified amount of time) and what situation he ended up in (his life at the mercy of two people that showed absolutely no damn qualms about literally torturing him). I think it's very fair to say that yeah, c!Sam was far from an unbiased party, and he was very much emotionally affected to his detriment during the prison arc. But...ultimately? I feel like we really don't see c!Sam struggling to maintain protocol over the course of months only to slowly break down. I don't think we see him "snap" and "lose control." necessarily, in the way that people often act is the case. (The strongest argument, in my opinion, in favor of c!Sam being greatly affected by some stressor that then has him turn to extreme cruelty has little to nothing to do with the prison itself and more to do with his brief stint with the Egg, but with so little attention drawn to that as a cause in the story of the prison itself, I feel like this mostly remains in the realm of speculation.)
Like, if we look at the facts, c!Sam's behavior day one was already weirding people out. Day one and c!Dream is already throwing himself in lava and c!Sam does not seem to give a damn. Of course, both of their behaviors had a myriad of reasons behind them, but it's important to note that there's like literally never been a single moment in the prison arc where c!Sam hasn't been, like, off.
We never see any of c!Ranboo's actual prison visits, but we know these happened very very early in c!Dream's imprisonment and that they were terminated quite early as well, once c!Sam discovered c!Ranboo writing in ender in the prison contracts. However, considering how the inside of the prison was the same between his dream and the real world, it is reasonable to say that c!Sam's behavior in the dream could've also been taken from reality, and "he knows what happens [when he disobeys]" is a hell of a statement to make.
c!Bad's prison visit is when things seem to be seriously off. Even if you consider c!Dream's behavior in this stream as entirely an act, c!Sam is noticeably tense after the prison visit and very demanding about what c!Dream said once c!Bad leaves the cell. c!Dream commenting on food being withheld is consistent with what we know happened in the prison arc later on. c!Sam says that c!Dream has been tossing himself in lava for attention. Several comments are made about "behaving" and "behavior," c!Sam is looking into the installation of an automatic feeder, and visitation is facing restrictions.
Pretty crucially, we see that c!Sam is very comfortable with making changes to the prison. Major changes to the prison, even. Installing an automatic feeder isn't exactly an easy process? And it obviously wasn't outlined in any kind of preexisting protocol. But c!Sam is perfectly willing to change this, just as he's perfectly willing to make all kinds of rules on visitation and limiting visitation because of c!Dream's behavior, etc, (which can reasonably be inferred as not being preexisting rules because that would mean that c!Dream, who allegedly helped with the creation of all of these rules, would be intentionally sabotaging his chances of visitation...when he very evidently wanted people to visit? like sorry but that doesn't make any sense) because he's the Warden and therefore the sole authority of Pandora's Vault and allowed to do literally anything he damn well pleases.
Further, sure, c!Dream might be acting in all the prison visits. Sure, he might be acting In General during this time, etc. But despite disobedience (disobedience with the explicit expressed purpose of trying to get c!Sam to spend more time with him...?) I would hardly characterize almost anything he does during these early days as being anything for c!Sam to be reasonably vindictive over. Even if you consider hopping into the lava (something c!Sam could've solved literally as easily as just raising the netherite barrier), tossing the clock into the lava (also preventable if c!Dream can't access the fucking lava????), and a couple alleged escape attempts (the only one that we know of being him trying to use the lectern to create a nether portal, something hardly easy to do and an attempt that c!Sam very evidently put down quite easily)--like. I can understand him being angry because of what c!Dream had done in the past, and obviously being angry because of c!Dream telling him about exile, but c!Dream early on in the prison arc hardly behaves badly. (Not that bad behavior would justify abuse, but you know.)
By the time of c!Sapnap's prison visit, c!Dream isn't the only one acting weird. c!Sam is strange in ways that are never fully explained and uh heavily imply shady shit??? He's not abiding by protocol when he suddenly interrupts the process of helping a visitor out of the prison by forcing c!Sapnap to respawn in order to check on c!Dream for Some Reason. He's once again very persistent about the question of whether or not c!Dream "said anything" and then reacts strangely when c!Sapnap was able to get him to say a word. He's replaced like a quarter of the obsidian in the cell with crying obsidian, which again, is an instance of c!Sam making BIG changes to the prison without protocol or anything dictating his actions. At most you can maybe make the argument that he's being moved by the spirit of the protocol, that being security should be prioritized over everything (hence potatoes instead of steak, hence no courtyard, hence--in this case--crying obsidian to make the escape attempt ineffective) but it's clearly nothing that they explicitly wrote down.
Also, around this time (I forget the exact date) he explicitly bans c!Ranboo from visiting. Also something we can reasonably assume isn't something that was included in any protocol that c!Dream wrote considering his uh, vested interests in continuing to have an informant.
c!Tommy's visit and that ensuing debacle, of course, is one of the first times we see c!Sam clearly, explicitly acting AGAINST the protocol that was established. The protocol outlines that c!Tommy should have stayed in there for at most a week, and c!Sam explicitly denies him from leaving when the time comes??? Even if you argue that he's doing it "for security", he's doing it in a manner that is going directly against the letter of the law of the protocol that he created with c!Dream. This is a clear demonstration that c!Sam sees himself, and acts as if he is above the law of Pandora's Vault, because, of course, he is the law. He is the Sole Authority. He is the Warden, and he answers to no one but himself. c!Tommy's death obviously ensues in quite the emotional fallout for him, and wanting revenge on c!Dream for this matter motivates his actions later on in the arc...but it's important to consider that mistreatment beyond the scope of what c!Dream expected long preceded this point. c!Sam, immediately after c!Tommy dies, describes himself as thinking that c!Dream's will was too broken to do anything like that. Describes himself as having punished c!Dream in every manner that he could think of. He doesn't go in to feed c!Dream for WEEKS after c!Tommy's death, directly leading to c!Tommy himself being isolated and starved post-revival. He bans visitation. All of these matters hardly seem like matters that c!Dream would have included in the prison protocol that he created when he was planning to be put in that prison, where he specifically had a vested interest in keeping himself (and the book) safe + having, like, FOOD + being able to have visitors in a safe manner + NOT being abused?
And even if we dismiss all of this as c!Sam acting in the best interests of security because c!Dream told him that the security of the prison is more important than anything else (which, even though we know that c!Dream did have this perspective to some degree, still doesn't eliminate c!Sam's responsibility as the one carrying out the existing protocol and making all of these Big Decisions and Big Changes etc to the prison) -- the decision to let c!Quackity into the prison stomps on all of that. That decision completely goes against not only the letter of the damn law that they established together, but the spirit of what the prison was ever meant to be in the first place. He compromises the security of the prisoner and the prison on the DAILY by letting in someone in full gear! With items! And plays a game with chance with c!Dream's life (and the revive book) every damn day. He hardly had enough of a system in place to keep c!Quackity from taking c!Dream's life, and he was certainly unable to stop c!Quackity from landing what would've been a killing blow on c!Techno before he got tp-ed out, like. He completely fucks over EVERYTHING that Pandora's Vault was meant to be, and that was...entirely his decision. Sure, c!Quackity manipulated him, true, but he was not beholden by any protocol or any element of his duty when he made this choice.
This isn't to say that c!Sam wasn't very much emotionally affected and making clouded judgements--he was! Especially if you factor in the stress of other events such as the Egg, etc. But I hesitate to ascribe any element of c!Sam's...c!Samness in the prison arc as him "cracking under the pressure," so to speak. The implications of mistreatment just start too early and are too calculated for me to say that he was simply reacting badly to stressors. I think he was absolutely trying his best to keep the situation "steady," in a sense, but keeping it steady never meant simply being an emotionless guardian to an impenetrable prison who couldn't cope as everything began piling up--keeping things steady, as early as that first month, meant breaking c!Dream into something docile. That was intentional. That was something he was making an active effort to do. Nor do I think that the claim that c!Sam was simply abiding by protocol holds any water, as I outline above: c!Sam has always acted above the protocol established in the prison to the point where even from the first time we see him acting as Warden during that first damn questionaire a specific point is made that he is the ultimate authority on the grounds of the Vault and his word is law. He acted within protocol when convenient to him and trampled over it when convenient to him, and I feel that people can overemphasize the role that protocol played in the decisions he made the same way that he himself did when he was shifting the blame of his own abusive actions onto c!Dream when he had the power, and always had the power, to amend the protocol established in any way he damn well pleased.
Of course, this isn't to say that the protocol was good. It, uh, wasn't--and plenty of people have criticized c!Dream for them even though the prison, as it ended up being used for his plans, was never anything more than a place for him to put himself because of the danger that the rest of the server presented, a base for him to hide in after the prison arc because of its security measures, and a "just-in-case" measure for them to hold their enemies if need be (which he never actually does, even when given golden opportunities to do so: inconsolable differences and the finale come to mind. Even if we're talking about his saw trap in the finale, the plan was to kill one and let the other go free (????????) while also giving them the exact items that could've easily been the keys to their escapes. after c!Tommy and c!Tubbo kill him. but I digress). But c!Sam goes so damn far beyond the protocol established by the "psychological torture guy" that he literally wasn't even beholden to when he was the Warden of the Vault on account of said guy being his prisoner. I don't really see any arguments about c!Sam's behavior having to do with him being too fallible of a man for the job he was given--he does exactly what he wants to do, how he wants to do it, using the job that gives him the power to do so. It's just that "what he wants to do" is not exactly what c!Dream had in mind when he and c!Sam were coming up with the plans for the prison and the protocol that they worked together to create because what he wants to do is, apparently, own a guy and keep him in his hell box. You know?
(i hope this didn't read too aggressively!)
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