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#it was like i was watching a fanfic
wisefoxluminary · 4 months
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Lucifer is wild for having an episode where Lucifer and Cain are in a fake gay relationship and having the guts to make them kiss and making their drama a big part of the episode all while Mazikeem makes supposed moves on Charlotte and makes her question her sexuality. The gay representation was fire in this episode, I don't care what you say. Lucifer and Pierce are canon and the amount of subtext and romance with them is crazy. They are more than friends, they are husbands.
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sopuu · 2 years
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WHAT TIMELINE AM I ON
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muffinlance · 2 months
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I'm barely to the massacre and I can already tell I'm going to be screaming at every this-makes-no-sense decision made by the writers (your temple is under violent attack, and you evacuate the kids... to a barely enclosed corner in a prominent temple room? Instead of to the hundreds of sky bison that were highlighted as flying in earlier? Why?) (And Aang left to clear his head and think instead of to run from his duties? That's such a less compelling plot arc?) (And the show had him briefly monologue about being a goofy kid who loves pies and his friends instead of using the extended temple scene to show any of that? Didn't want to pay more child actors, did you, Netflix?)
Yeah I'm just. Going to be screaming at the screen instead of enjoying this. Different decisions aren't necessarily bad, but when those decisions seem to be in the direction of "show a man burning alive before we even get to the on-screen massacre" this is just... not the show for me.
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robotpussy · 3 months
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accidental eavesdropping (steddie ficlet)
based on this post by @imjust-that-shy. i hope i did this vision justice <3
The doors to the bathroom burst open, and - on some pure, inexplicable instinct and with nearly inhuman speed - Eddie darts back into the stall he'd just been about to come out of and leaps to perch on top of the toilet seat, crouched there like some sort of creature. 
He hears the sound of retching and the stench of vomit fills the air. He holds his breath, wrinkling his nose and trying to imagine what possible context could be behind Steve Harrington and Robin Buckley bursting in here together to puke their guts out. Eddie knows the two of them work together, he’s seen them sharing shifts at Scoops Ahoy when he's walked by. (Not that he often intentionally passes by the ice cream parlor and slows down just to catch a glimpse of Steve or anything… Although who could really blame him if he did? Like, come on, Steve in that uniform? Hello, sailor.) His mind is busy spinning stories of possible explanations, ranging from spoiled ice cream to sneaking alcohol and getting too drunk during their break. 
Eddie's leaning towards the 'drinking on the job' explanation, especially when the retching finally ceases and Robin says something about the room no longer spinning. Those little rebels, Eddie thinks approvingly.
“When’s the last time you, uh…peed your pants,” Steve is asking Robin now, in response to her telling him in a Russian accent to interrogate her. 
Eddie curls over his knees, tilting his head to try to peer through the gap between the stalls and the floor to put an image to his eavesdropping. Might as well, he’s kind of stuck here and there’s really not much else he can do right now. He can see Steve’s legs, one bent and the other stretched out in front of him, and Robin in the stall past him laying on the floor with her legs up against the stall wall as she answers, “Today…” 
“What?” Steve questions.
“When the Russian doctor took out the bone saw!” Robin says. 
Okay…what? Russian doctors and bone saws? Eddie’s now thoroughly intrigued, if a little (okay, a lot) confused. Maybe they’re talking about a movie they watched or something.
Steve’s legs shake with his laughter. “Oh my god.” 
“It was just a little bit, though.” Robin pinches her fingers together as she twists her body in Steve’s direction while he laughs again and mutters that whatever it is they took is still in her system. She pushes her feet off the stall and slides to sit against the opposite wall. Eddie can only see her legs now. “Okay, my turn. Have you…ever been in love?” 
Steve answers that he has, with Nancy, and makes a sound mimicking an explosion. Eddie remembers that, remembers seeing Steve and Nancy being all touchy and cute in the hallways at school while he was trying his damndest to convince himself that he absolutely definitely did not wish he was in Nancy’s place. It didn’t work very well. And it’s not working very well now either as Steve starts to go on about some new girl he likes now instead - some girl who’s funny and smart and can crack secret Russian codes (okay, seriously, what is it with these two and Russians?) and oh shit, he’s talking about Robin. 
Eddie very suddenly feels like he should not be here listening to this, eavesdropping on Steve confessing his feelings for someone. Not only is that, like, a private and personal thing, but also what if Robin likes him back and they start kissing or something right here in this bathroom where Eddie has to sit here and listen to it and that would just be horrible for him for so many reasons and- Eddie’s getting ahead of himself. Robin hasn’t even said anything yet, and her knees are pulled up to her chest and her voice shakes when she confirms she’s still alive after Steve asks if she’s OD’d there in the silence and she uncurls with a deep sigh. All signs that she doesn’t actually like Steve back. 
Eddie watches as Steve shifts and slides under the stall into Robin’s, and catches sight of the nasty bruise marring nearly half of Steve’s otherwise beautiful face as he does so. Now concern has been added to the list of emotions this eavesdropping experience has rollercoastered him through so far. The bruise looks fairly fresh and Eddie can’t help but wonder what the hell gave Steve a black eye like that and if he’s okay. 
After a brief spiral of concern for Steve’s face, Eddie tunes back into reality to find himself staring at Steve’s ass as Steve now sits with his back against the stall wall opposite Robin. Eddie blinks, expands his tunnel vision to include Steve’s lower back and Robin’s legs which are also visible beneath the gap in the stalls. 
“It’s not because I had a crush on you,” Robin is saying. “It’s because…she wouldn’t stop staring at you.”
“Mrs. Click?” Steve sounds confused.
“Tammy Thompson,” Robin clarifies. “I wanted her to look at me.”
Oh. Eddie should really not be listening to this. Robin is trying to come out to Steve, trying to share something deeply personal and vulnerable with him and only him, not knowing that she’s outing herself to an eavesdropping near-stranger as well. Eddie feels violating and intruding. He can’t imagine how he would feel if he found out someone he barely knew had been secretly listening in on him coming out - probably not great, probably terrified. This is something he shouldn’t know, not like this. 
“But Tammy Thompson’s a girl,” Steve says, his tone unreadable, and Eddie’s heart nearly stops, sure his own anticipatory anxiety is likely only just a fraction of what Robin must be feeling right now. 
“Steve…” 
“Yeah?” A pause. “Oh,” Steve’s voice goes soft. “Oh… Holy shit.” 
“Yeah,” Robin sighs. Eddie can see her hands nervously rubbing at her shins. “Holy shit.” 
Steve is silent for a few painfully long moments. Eddie’s hands curl nervously around his own shins. Is Steve going to be homophobic? Should Eddie be worried for Robin now? 
“Steve, did you OD over there?” Robin asks, trying to be light but Eddie can hear the anxiety in her voice. 
“No, I just, uh- just thinking,” Steve responds. 
“Okay…” Robin’s voice is barely audible. Eddie is holding his breath.
“I mean, yeah,” Steve says finally, “Tammy Thompson’s cute and all, but the only reason I never gave her the time of day was because I was too busy staring at Eddie Munson.” 
The aforementioned Eddie Munson releases the breath he’d been holding with an involuntary squeak and claps a hand over his mouth. Thankfully, neither of them heard him over the sound of Robin shouting. “What?! Eddie Munson?! You liked Eddie Munson?” she squawks, voicing Eddie’s own stunned thoughts perfectly.
“Yeah,” Steve confirms casually, completely unaware that he's throwing an eavesdropping Eddie into an absolute crisis right now. There's a soft thudding sound like Steve's hitting the back of his head against the stall wall. His voice gets kind of wistful, almost dreamy, as he says, “His rings, man. Rings and tattoos…and that long hair and those chains he'd wear… Honestly just his whole punk aesthetic thing had me mesmerized.” 
“Pretty sure he's metal, not punk,” Robin corrects him. 
Thanks, Robin. Also, what the fuck is happening right now? 
“Whatever. Still hot as hell,” Steve says. 
Eddie squeaks again and practically shoves his whole fist in his mouth to keep himself from making any more noise, his teeth knocking against his rings. The rings Steve likes, apparently. He feels like he's going to pass out, his heart beating so erratically it's making him lightheaded. King Steve - the popular, preppy, stupid, gorgeous, dumb jock Eddie's been crushing on since forever - just called him hot????  
“Did you hear that?” Robin asks suddenly, voice low and cautious. 
Shit. 
“Is anyone else in here?” Steve calls out. 
Fuck. 
Eddie bites down hard on his knuckles and holds his breath, going impossibly still. If they get up and search the bathroom, then he’s about to be caught red handed, crouched on top of a toilet seat with his fist in his mouth and his face flushed scarlet, eavesdropping on their private conversation about secret Russians and gay crushes. Eddie contemplates falling into the toilet and attempting to flush himself down it. Every god imaginable is receiving a silent prayer from him right now as he watches apprehensively through the gaps in the stall. One of those gods must've heard and taken pity on this poor gay disaster of a man crouched like a goblin in a bathroom stall, because after a few horrible seconds of silence, all Steve does is lean down to peer beneath the stalls for a moment before sitting back up and saying, “Looks empty. I think the drugs are making us hear things.” 
“Yeah, probably,” Robin says. Then she giggles, knocking her leg against Steve’s. “I still can’t believe you were into Eddie.” 
Steve flicks Robin’s knee. “I can’t believe you were into Tammy.”
“What’s wrong with Tammy?!” Robin protests.
“What’s wrong with Eddie?” Steve counters. “At least he’s actually got talent. Tammy’s a total dud - she wants to be a singer and shit but she can’t even hold a tune.” 
Eddie is going to die. He is actually going to die right here, right now, because Steve Harrington thinks he’s hot and talented. And then Steve starts mimicking Tammy, singing Total Eclipse of the Heart in a ridiculously goofy voice, and now Eddie is going to die because he finds that so stupidly endearing and adorable. Maybe he should just flush himself down the toilet, save himself from this hopelessly pathetic crush of his. Instead, he’s saved by the bathroom doors bursting open again and a new voice shouting at them, “Okay. What the hell?!” 
Steve and Robin collapse into a fit of giggles before being dragged to their feet by the newcomers and led out of the bathroom, leaving Eddie alone and reeling and struggling to process literally everything he’s just overheard. He finally hops down from his toilet perch and exits the stall like he’s in a daze. He’s not sure how long he had been camped out in there - probably only about ten minutes - but it felt like hours, so long that the world outside of that single bathroom stall almost feels foreign and unfamiliar now. 
Eddie grips the bathroom sink and stares at his flustered reflection in the mirror and whispers to himself, “What the actual fuck?” 
---
Later, years later, only after he and Steve are already dating, Eddie tells him all about this experience, and Steve laughs so hard he nearly cries.
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sugarcoatednightshade · 5 months
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thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.
And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.
And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.
And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?
Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.
Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.
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diangelosdays · 1 year
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i may be a little obsessed with wesper
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lauraneedstochill · 1 year
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Can't help falling in love
summary: 5 times Aemond was in love with you + 1 time he finally confessed his feelings
warnings: friends to lovers (at the age of 9, 10, 15, 17, 19), a pinch of angst (Aemond healing after losing his eye), but overall so fluffy and sweet you may want to skip dessert
words: ~ 5500 (I got reeeally carried away with that love confession)
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1.
Aemond is weeks away from his tenth birthday and he feels as miserable as ever. That feeling is an iron weight upon his heart, his mood irritated and face features grim more often than not. He is still without a dragon — and it’s the only thing he can think of, day and night, steadfast and stubborn in his obsession that most of his family finds to be blown out of proportion. It might have stang him less if only it wasn’t for the constant teasing and pitiful jokes that added to his distress and the never-ending heartache. He learns to keep a straight face and act as if he doesn’t really care, but deep down he does, way more than he’ll ever admit.
His training sessions are a way to channel his anger, and he lashes out at a straw man, again and again, clinging to the thought that, at least in these moments, he is not entirely powerless. He keeps his focus on the target, attentive to Ser Criston’s advice — “Soften your knees”, “Keep your feet light, your hands heavy”, and for a couple of hours he forgets about his misery.
It’s when the training comes to an end, the dreaded realization sinks in again, and Aemond is lost in his thoughts, mindlessly twirling the wooden sword in one hand, his gaze wandering around the yard.
And then his eyes fall on a bright green spot — and all of a sudden, he sees you. A girl of his age, the hem of your green dress a bit dusty, boots covered in dirt, a few strands of hair fallen loose, a coy smile on your face. You meet his gaze and wave at him excitedly.
Aemond looks dumbfounded. A girl in the training yard. Waving at him. He blinks once, twice — and in the next moment, you're standing merely a few steps away, glancing curiously at his sword.
"It looks so hefty! Is it heavy? What is it made of?" a string of questions, your voice sweet and joyful.
There’s a brief pause and maybe you mistake his stiffness for arrogance as you are quick to add:
“Oh, my manners!” gasping but showing no actual regret. “Forgive me,” you curtsy, your smile growing even wider. A timid smile appears on his face in return and he finally comes to his senses.
“It’s made out of red oak. It’s not very heavy, you get used to it,” Aemond raises the sword, letting you take a closer look. Within another blink of an eye he finds himself talking to you, your questions endless and maybe a bit naive but he genuinely enjoys it.
That’s until you both hear a loud cry:
“Lady Y/N!” your nanny comes running in, out of breath and scowling. “I told you not to wander around...,” she chokes on her words at the sight of the young prince. She curtsies, too, but it isn’t nearly as cute as when you do it.
She sprints decisively in your direction:
“It wasn’t very polite of you to interrupt the prince’s training, you little menace!”
And then Aemond, to his own surprise, moves to stand in her way.
”Y/N didn’t interrupt a thing,“ he disagrees, lips thinned into a tight line.
The nanny stops and looks at Aemond dubiously, switching her gaze from him to you.
Ser Criston is the one to resolve the conflict — he comes from behind, with a polite smile plastered on his face.
”Young lady can watch from the balcony. The guests are very much welcomed,“ he calls for the maid to escort you and your nanny up there. While you’re away, he looks at Aemond with a grin:
”Already wooing the ladies, my prince? Let’s hope you are as good with your sword as she thinks you are.“
He does make Aemond work for it but the prince fights back, winning one bout after the other. He keeps glancing at you and you wave at him every single time.
Aemond is too young to know what love is, too shy and guarded to even entertain the thought of it. But when you look at him, with your childish grin and your eyes bright with mirth, he doesn't feel lonely anymore.
2.
It's been two weeks since Aemond lost his eye and he hasn't left the bed once. The pain is still blinding, burning and constantly making his only eye water. But what hurts even more is the humiliating disability. The triumph of claiming Vhagar died down, and now the prince was faced with the harsh reality he needed to adjust to and the process wasn't an easy one. The fever has only recently gone down, leaving his body weak and freezing from the lack of movement, but he couldn't bare the thought of stepping out of the room.
His mother wouldn't leave his side and even Aegon often came to visit, clearly blaming himself for not being there for his little brother. Yet their presence barely brought Aemond any comfort and most of the time he would pretend to be asleep to avoid any conversations. He knew they only meant well and he was being cruel but he couldn't help it as his pride was shattered and he gave in to sadness.
That is until one night he wakes up to a weird sound. He's only half-awake when he hears a vigorous tapping that clearly comes from the outside. Except it's not from the other side of the door — but rather outside his window.
He's startled by this guess and suspiciously walks closer. It takes him a few seconds to focus his gaze and discern a human's silhouette — and then another few to realize that it's you standing on the window sill. He feels like his heart will jump out of his chest as he rushes to open the window.
You climb through and clumsily drop to the floor. But before he can get worried, you are on your feet again, eyeing him with concern.
“Oh, Aemond,” your gaze and voice are both so soft, it makes his lower lip quiver. You carefully approach him and put your hand on his shoulder, gently sliding it on his back in a soothing motion and then cuddling him. He welcomes your company with a sigh of relief. You smell of oranges and you give the best hugs.
"They told me no one was allowed into your chambers," your hushed whisper burns his ear. "The silliest thing I've ever heard!" you pull away from him, still lightly panting, cheeks flushed and hair messy. "I knew I had to find a way to come see you."
You examine his face, frowning at the scar that's still healing.
"Does it hurt?"
He only nods, afraid that if he opens his mouth, he won't be able to hold back a sob. You move closer, resuming the gentle motion of rubbing his back.
Ever since that day in the training yard, you kept in touch, regularly sending each other letters, chatting about everything and nothing, sharing your little secrets and observations. You recently mentioned that your parents allowed you to come see him again, but with the tragic change of events, Aemond completely forgot about the preplanned visit. 
"I will take his eye," you say out of the blue, caressing the unharmed side of his face, your voice laced with anger. Aemond thinks he might've heard it wrong.
"...Whose eye?"
"Luke’s! I shall take his eye, as payment for yours," you tell him with zero hesitation. For a girl of your age, you’re way too eager to plan such a thing, yet he somehow has no doubts that you can actually do it.
Aemond shakes his head:
"You shouldn't," his voice quiet but firm. "The King was very adamant about that, no payment is needed."
"Well, maybe he is too old to think straight," you retort. "You are his son and you lost an eye! Justice must prevail," you tilt your head at him, clearly thinking that you’re in the right.
And he knows that you are but he also knows no justice will be served. It’s the last straw for Aemond — he looks away in shame as tears, hot and angry, start falling down his cheek. You waste no time hugging him again, letting him cry on your shoulder, and the two of you stay like that for what feels like an hour.
And then, in the comfortable silence of your embrace, he hears you asking, very seriously:
"Are you sure I can't take his eye?"
At that moment, he can't stop himself from letting out a laugh — a weak one and barely audible, but still, he laughs, for the first time in two weeks, and you are the sole reason for it. 
Your cheek is pressed to his, your fingers running through his hair, and Aemond realizes he can't lose you.
He begrudgingly persuades you that taking Luke's eye isn't worth the trouble.
3.
By the age of fifteen Aemond becomes quite accustomed to the eyepatch and it gives him a boost of confidence. Losing an eye only made him train harder and his persistence pays off when he’s the one to win, time after time, no matter who his opponent is. His hair grows longer, now silky smooth and with no sign of his boyish curled ends, his face features sharpen. He learns to walk with his head high and hands clasped behind his back, mastering the intimidating look that makes most people want to stay away from the one-eyed prince. 
His tricks could’ve never worked on you, though.
You come to visit him a few times a year, and he eagerly awaits your arrival. All the days in between, you keep talking through letters, them getting longer as you get closer. He keeps those letters locked in a hidden compartment of his table. And sometimes, for no specific reason — or maybe for the reason he can’t yet formulate — he is drawn to reach for them, which always ends with him rereading the letters for hours. Some of them he knows by heart and yet it never stops him from having the pleasure of seeing your handwritten stories and little jokes that were only meant for him.
Today is no exception and Aemond is so enthralled by reading, he almost misses the knock on the door. The sound brings him to reality but he is in no hurry to react. The knocking comes again, and the prince groans, annoyed at the maid's persistence. He carefully puts the letters back and goes to the door, armed with his cold gaze.
And then he opens it — and it's you standing in front of him. 
Aemond barely has time to register what's going on when you launch yourself at him, your arms immediately enveloping him in a tight hug, your laugh ringing in the air. He hugs you back and, while you can't see it, he's grinning from ear to ear.
“I swear you’re getting taller every time we meet!” you look up at him, beaming, and he lets you in. “I soon will need a ladder just to hug you properly".
"I’ll be sure to let my body know of your disapproval," he sneers and you stick out your tongue.
"While you are at it, shall you also work on your friendly face? I overheard the maids being frightened to go into your chambers," you try giving him a scolding look but end up giggling at his reddened cheeks.
"I am friendly enough!"
“Yes, nobody glowers quite like you,” you snicker and flop right on the floor, the move always making him smile. Aemond tried persuading you to sit on any other surface that’s actually meant for sitting but you insisted that his fluffy rug works just as well, so he eventually gave up, deciding to join you. He never complained since.
Before he knows it, he’s immersed in the conversation while you enthusiastically share the recent news and everything that’s happened to you on the road. Only about half an hour in, he notes a small bag you're clasping in your hands.
“You come bearing gifts?”
“Oh, I almost forgot I had it,” you laugh, abashed. “I decided I should bring you something to replace this crumpled-looking thing".
It takes Aemond a minute to realize that you're talking about his eyepatch. But he has no time to protest as you silence him with a gesture of your hand:
“I took it upon myself to count for how long you’ve been wearing this one already,” your tone gets serious. “I must say, that number is disturbing.”
There's a moment of silence and then he clears his throat, his voice unsure:
“Very kind of you to think of that, I shall replace it later on.”
He reaches his hand to take the bag but you quickly cover it with yours, fingers brushing over his, and he freezes.
“Are you still not convinced that I can take a look at it?” you try to make eye contact but he averts your gaze.
“Aemond, I was with you and I think I’ve seen enough back then — none of it scared me.”
“It is not a sight for the faint of heart,'” the prince mumbles, his bravado faltering.
“Well, I don’t remember fainting the first time. You should have more faith in me,” you try to reason, holding his hand.
Aemond ponders for another minute — or maybe ten, he isn't sure, and you patiently wait, not wanting to press him any further. Then he finally makes a decision and, after taking a long, sad sigh, he removes the eyepatch and looks at you, the sight of him is the very definition of insecurity.
You stay silent for about five seconds before concluding:
“Oh, it healed so nicely!” with no hint of uncertainty in your voice. Your smile reassures him a little as you peer at the sapphire, looking very pleased.
"The gem compliments your eye very well," you give him your verdict, taking the new eyepatch out.
"We might have a different understanding of what a compliment is."
"This is me trying to say that I really like the way it looks," you chide him lightly. "And I consider myself to be quite understanding, thank you very much. Will you stop pouting and let me put it on?"
At this point he surrenders, giving you permission, and you move closer, giggling with excitement. You gently fix his hair, making sure it’s all combed back, and then lean to put the eyepatch on. You have a habit of biting your lower lip when you're too concentrated on something, and Aemond can't help but gaze at that part of your face while your teeth graze over the pillowy surface. 
He’s never let anyone this close — and not just in the sense of physical proximity. The moment is very intimate, and the softness of your movements tugs at his heart. He is suddenly very aware of the very short distance separating you two, and he holds his breath. You are oblivious to his stare and soon lean back, satisfied with the result and glaring at him with something akin to fondness.
He wishes he could paint a picture of you right at this moment, so tender and caring and sitting by his side.
He also wishes he could kiss you — and that thought scares him to death. And yet, once it appears, it never goes away.
4.
Aemond is seventeen and his life has been pure torture since you stopped visiting him. He hasn't seen you in over half a year (seven months and eleven days, not that anyone's counting). It's not your fault as your father has unexpectedly fallen ill and you couldn't leave his side. The prince exhausted the maester with questions, asking for advice to write back to you, worried sick that your separation would be stretched for way longer than he could handle.
Luckily, the Gods took pity on him, and he was glad to learn that your father got better, and you will come to the King's Landing soon. Your visit coincided with Aegon's birthday, but Aemond didn't care about the feast, his mind only occupied with the thought of seeing you. He was both nervous and excited to the point of not even hiding it, which led to Aegon teasing him relentlessly. Helaena, on the other hand, wholeheartedly supported Aemond's sympathy for you.
“She will be delighted to see you, too, I am sure of it,” his sister tells him the day before the event.
“But the reason for it might be of a different nature,” Aemond remarks, and Helaena gives him a compassionate look.
“You will never know her true feelings unless you ask,” she encourages. “The two of you are so close, I consider Y/N part of the family.”
Aemond knows that he’s of age and his mother hinted that, despite him showing no interest in courting, some ladies still found him attractive. He dismisses the idea but then finds himself thinking of it from time to time. When the realization forms in his head, it’s nerve-wracking but oh so compelling — he thinks he would’ve really wanted to marry you. He just doesn’t know how to tell you about it.
The day of your arrival comes, and Aemond wakes up at dawn in anticipation, determined to confess his feelings. He tries to come up with a speech, but it feels wrong and sounds weird, and he decides it will be better to improvise. He all but runs to the courtyard to be the first one to greet you. However, when you step out of the carriage, smoothing your dress, and your eyes meet, Aemond stops dead in his tracks and the world around him stands still.
His confidence might’ve blossomed — but not nearly as much as your beauty did. Somehow in those recent months, you’ve matured into a woman that takes his breath away.
It’s not a drastic change, it's all in the details: the contours of your face are more defined, the cheekbones prominent, your hair knotted up high in a perfect style and even your pace is much slower and gracious. You walk towards one another, both suddenly cautious. But when you are a couple of meters apart, a well-known smile appears on your face and you hold your arms out to him and he finally hugs you again, after all this time. Aemond relaxes, inhaling the familiar scent of fruits that you undoubtedly munched on your way here.
“You look exactly as I remembered you,” you say as you slip from his embrace.
“And you are a sight to behold,” he breathes out, taking you in, and your cheeks heat up at the compliment. You’ve never been shy with him before, so this is also new. He wonders what might’ve caused this change.
As the two of you walk around the castle, it feels a bit awkward at first, and you keep glancing at him with emotion he can’t read. But Aemond is too happy to see you to give it much thought, and within an hour you ease into the conversation, too. By the time the evening comes, the tension disappears, and you are laughing at his sarcastic remarks again, and he savors every second of it.
The feast in honor of Aegon is lush and crowded, but you stay by Aemond’s side, enjoying each other’s company, and he only has eye for you. When the music gets too loud, you sneak out and soon find yourselves in his chambers, just like in the good old days. Aemond is in the middle of telling you about Aegon’s recent foray to the Flea Bottom, when you say:
“It’s just the two of us,” your fingers sink into the fluffy rug. “You don’t have to wear it with me. You know it, right?”
He wears the eyepatch with everyone, only taking it off before going to sleep. Moreover, he actually cherishes it because it’s a gift from you. Aemond hesitates:
“I thought you quite liked it.”
“I only gave it to you because yours started to look like it was pulled off a dead man’s body!” you laugh.
Before he can think of an answer, you lean closer — your shoulder brushing his, your hand touching his face, the same gentle warmth he remembers so well, — and remove the eyepatch yourself. The sight doesn’t bother you in the slightest as you confess:
“I accept you the way you are, Aemond,” and then, a moment away from him opening his mouth and saying the thing that’s been on the tip of his tongue for the duration of the day, you add: “That’s what friends are for — and you are my best friend.”
And just like that, with this word alone, his plan goes out the window.
A friend. Aemond can’t even be upset at the reveal, because, honestly, being your friend feels like a blessing in itself and he wouldn’t trade it for the world. How could he be so selfish and foolish to even think about risking it all, risk losing you?
So he keeps his feelings to himself, locking them away deep in his heart, and doesn't argue with you.
Maybe he should have.
5.
By the age of nineteen Aemond reaches the conclusion that he wants to take the risk. Otherwise, he thinks he might actually die as his heart can not hold all his feelings anymore. In two years' time, there isn’t a single thing about you that he hasn’t come to love, and keeping it a secret becomes harder with each day.
Aemond is ridden with doubts to the point where he can't hide it any longer and he decides to seek advice — and the prince can't think of a better person to talk to than his mother. Unbeknownst to him, Alicent was the first one to notice. Years ago, when you were kids, she quickly sensed the effect you had on her son, and it brought her joy as she watched the two of you get closer with time.
So when Aemond bursts into her room, anxiety radiating off of him as he starts jabbering away, his pacing erratic and voice trembling, it takes her about a minute to realize what's going on.
“My dear, I think you must talk to Y/N,” she approaches him, an understanding look on her face.
Aemond cuts his speech short, eyeing her with wonder:
“You don't seem surprised.”
“Your affection for her is as bright as a fire blazing,” Alicent chuckles. “I believe Y/N is the only one who doesn’t see it.”
“Should I tell her...?” he doesn’t dare say it out loud, not yet.
Alicent briefly takes his hands in hers, squeezing them.
“You should tell her the truth.”
Her encouragement gives him a dash of hope, lifting a weight off his chest. Aemond knows in an instant that the letter won’t cut it, and you must have the conversation face-to-face. Fortunately, your next visit is in a month, so his suffering won’t last for much longer.
Aemond almost reaches the door but then sharply turns to his mother again, his cheeks flushed:
“Will you give me your approval?” and this time, he looks straight at her as he wants to see her genuine reaction.
Alicent smiles, quick to reassure him:
“Yes, Aemond. Your betrothal would only make me happy.”
The prince feels elated, almost euphoric, as he finally goes to meet you and runs the remaining distance from his chambers to the yard. But when he sees you, the smile disappears from his face because he notices that something is wrong.
You look visibly upset, your eyes watering and fingers fumbling with the dress, even though you try to force a smile in return. The hug you give him is weak and you keep looking at your feet.
“What is the matter?” he’s never seen you this sad, but you brush him off.
“It’s just a headache, no need to worry.”
Yet that’s exactly what he does, offering to call for the maester, or to prepare you a warm bath, or bring you some tea...
“A cup of water would be nice, thank you,” he leaves you in the hallway to go and get it himself, the task only takes a couple of minutes. When he returns, you stand with your back to him, your shoulders are shaking — and he hears quiet, muffled sobs. If it wasn’t for the nearby table, he would’ve thrown the cup away, his focus on you alone. As he rushes to envelop you in a hug, you don’t fight it, instead nestling your face against his chest, not hiding your tears anymore.
Aemond gives you some time before asking again:
“This doesn’t look like just a headache. What is the cause of your anguish?” now he’s the one running his fingers up and down your back.
You let out a sound that’s a mix between a groan and a whine.
“My father says I am to be betrothed soon. He says I am of age already and... and he wants me to meet some of my cousins,” you sniffle. “I told him I have no wish to get married but he refuses to listen,” you bite your lip, not wanting to cry again.
Surely, that’s not how Aemond wanted to ask you. But he decides to take his chance.
“Mayhaps there is another way out that could make you feel better.”
“Please don’t tell me Vhagar will burn them down,” you jest but the smile doesn’t reach your eyes. Aemond thinks your idea isn’t that bad — but he has to try his first.
“If he insists you should marry but doesn’t have a particular candidate, maybe you can pick one yourself?”
“I’ve met all my cousins — and half of them are imbeciles, the others are too old to survive a wedding,” you scoff.
“Then pick someone you are not related to,” Aemond suggests.
“Do you have a particular candidate in mind?” when you ask with a tinge of annoyance, you don’t think he will answer. And then you look at him — and see him grinning before he says:
“Me”.
You glare at Aemond with eyes wide and mouth agape, the expression frozen on your face for a good minute. 
“Are you laughing at me?” you manage to say.
“I wouldn’t dare,” his nerves are as tight as a wound-up string.
In the blink of a moment, your face lights up. You're looking at him indecisively, searching for words, agitated. But Aemond mistakes your confusion for rejection.
“At the very least you will marry someone you know,” he tries to reason — but it backfires, wiping the joyfulness off your face. Taken aback, you inquire:
“You pity me?”
He doesn’t grasp the poor choice of his words yet.
 “You pity me and that’s why you want to marry me?” you give him a look of disbelief, your eyes glossy, and he can't get his head around what just happened.
“Oh, it was so silly of me to think that...,” you choke back a sob, putting your hand over your mouth.
Never in his life he thought he would be the reason for you looking so heartbroken. Aemond covers your hand with his palm — and you let him, as he tries to gather his courage.
“Y/N, I only meant to say that I —”
And then you recoil, snapping your hand back.
“Aemond, don’t,” you take a step back from him, then another one. “You have said enough. Please, let me be,” you turn away and leave the hall in a hurry before he can utter another word.
... 1.
He finds you at your usual spot, under the blossoming cherry tree. You’ve always said you liked the color of it, little white flowers reminding you of early spring, your favorite time of the year. You don’t know that Aemond insisted on planting that tree specifically for you. Just so he can sit nearby and, as you were basking in the sunlight with your eyes closed, he would get a chance to look at you with all his unconditional love and have those moments engraved in his memory.
Come to think of it, he had so many memories of you — and every single one of them was bliss, and he can recall them so easily like it was yesterday.
And so he does.
“When we first met, you wore a green dress,” his voice startles you, but you don’t turn to face him, sniffling with your arms folded. “It was the color of forest trees. Black lace around the hem of it, the matching hair ribbon that you kept losing,“ he keeps his distance, his hands shaking.
"Yes, I remember it pretty well," you sigh, avoiding his gaze, baffled by his sudden outburst.
"The second time was when you climbed through my window, almost gave me a heart attack," there’s a hint of a smile in his voice that you catch even without looking. "Blue dress, you tore a huge piece of it and couldn’t care less. You were the first person to make me laugh in two weeks even though it seemed impossible. But not with you."
He sees your eyebrows furrowing, hands sliding down to rest on your knees.
"Helaena’s name day came next, your dress was bright pink. Luke tried to make fun of it and you threw a cup full of water in his face. To this day, it’s one of my fondest memories."
You dare to look up at him, perplexed, your eyes wet from crying. 
"Three months after was the light-blue dress, then the peach one and the brown one. Then the white one which didn’t survive the horse riding lesson, and Helaena gave you one of hers. Light green, too long for your liking, even though you pretended otherwise to please her," the corners of your lips tremble, your face softening.
"Then for a year you only wore violet, much to your nanny’s dismay as she thought it made you look ill. And I thought you were the prettiest girl I’ve ever seen, no matter what dress you were in," he can’t take his eye off you.
Your face expression melts into a stunned one.
"I didn’t realize it back then. Or maybe I didn’t know how to call it. I just knew that your visits only brought me happiness," he takes a step toward you, uncertain, but you don’t move from your spot.
"When you were fourteen, you picked the autumn colors — orange, dark yellow, deep red. Your started braiding your hair, tried to braid mine," you can’t hold back a smile. He was fussy when you first voiced the idea but he ended up loving the process so much, he would allow it just to feel your fingers flowing through his hair.
"I think you actually enjoyed it", you mumble, and Aemond smiles, too.
"I did. I enjoyed every minute that I got to spend with you."
You stand up then, feeling your pulse quickening.
"The day you brought me the eyepatch, you wore emerald green. I was terrified to show you the scar," he pauses, catching his breath. "You assuaged my fears with your kindness. But then I was terrified to learn that I wanted to kiss you". 
You think you are dreaming. Is it possible that you fell asleep under the tree? You don’t want to get your hopes too high, but when he looks at you like this, your own fears start melting away.
“Then was the black dress, the grey one, another white one. The golden one you wore to meet Vhagar,” when he saw you that day, he almost forgot how to breathe. You showed no sigh of apprehension as you fearlessly approached the dragon. He was absolutely besotted.
“And then came the agony of not seeing you for over seven months,” he closes his eye for a second, overwhelmed. He almost misses it when you speak:
“Seven months and twenty-five days. Not that I was counting,” his eye snaps open, instantly on you again.
You gravitate toward each other without even noticing. Aemond’s heart skips a beat when you’re at arm's length, your eyes shining and lips slightly parted. Even in the state you're in, you look so beautiful, it's mesmerizing, and the words are stuck in his throat. You are the one to break the silence:
"Aemond, please don't give me false hope," your heartbeat is too loud, you don't hear your own voice. He does.
"I do not wish to marry you out of pity," Aemond takes the last step. "I want you to be my wife because I'm in love with you," he wipes away the remaining tears off your face, his fingers linger, making you shiver. "I've been in love with you for quite some time. For a few years, actually," his voice gets low. "For what feels like an eternity," Aemond murmurs.
"Why haven't you told me?" you pout, nervously toying with the collar of his shirt.
"I was afraid you didn't feel the same. I still am but maybe... Maybe I am wrong?" his gaze is fixed on you, one of his hands following the contour of your waist, your body warming at the touch.
"Tell me that I am wrong," he whispers, begging.
You look at his lips, the soft curve of them that you’ve dreamt of for so long.
Aemond always thought yours were the most kissable he’s ever seen.
You don’t know who closes the distance first — but his mouth is suddenly on yours and the sensation leaves you disarmed. Kissing him is like being swept with a wave of tenderness, and you’re floating in it, his lips so fervid and supple — truly perfect — your head is spinning. The kiss is not awkward nor modest as you hastily cling to each other, his hands gripping your waist, your chest pressed into his.
Aemond feels like he’s drowning, and he wants more of you — all of you, and then your fingers tug at his locks, eliciting a groan from him, and it is simply a miracle that his heart doesn’t explode. You move in impeccable sync, in the passionate harmony that erupts from years worth of mutual pining. His lungs burn but he resists the urge to break the kiss and stretches it out the best he can until you are breathless, too.
"Never knew that you were so fascinated by my wardrobe choices," you tease, and his hum turns into a chuckle.
“You know what my favorite memory is?” you ask, your forehead resting against his.
“When we were thirteen, and you were teaching me how to hold a sword. I tackled you to the ground and scraped my knee,” you both smile at your then enthusiasm. “And you set everything aside to spend the rest of the day with me even though it was hardly a wound. And I remember thinking,” you hook your finger under his chin, “that there’s nowhere else I would rather be than with you, with this favorite boy of mine.”
The air around you tense, and you are enchanted by each other.
“Did that help to prove you wrong?”
“I may need some convincing,” his breath fanning over your lips.
“You can take your time,” you laugh — and then the sound of it is muffled by his athirst mouth.
His favorite memory will be this.
And every other moment with you that's to come.
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author's note: I'm sorry if this came out messy and rushed. I tried my best to write a shorter fic (this is short for me lmao) and idk how I feel about it. I much rather prefer them longer because I'm a sucker for stories about two people getting to know each other and falling in love BUT I get it that others don't want to read long ass fics (which kinda breaks my heart but I'm being so very brave about it) anyways, I hope this was bearable, thank you for reading!
💙 the longer version of this fic might have looked like this (yes, this is a shameless plug! because I adore this one to pieces!! bite me) 💞 my masterlist 🎵 the title is a quote from Elvis Presley's song (duh). there are quite a few covers of it but one of my favorites is by Twenty One Pilots. there's also a female version — by Ingrid Michaelson — and I think both of them fit the story really well. P.S. I'm also on AO3 (lol, who isn't), in case you prefer to read fics there.
English is not my first language, so feel free to message me if you spot any major mistakes!
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deeism · 5 months
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when i watched season one of house i saw house and wilson interact here and there and i was like oh okay. they could be gay i guess. in a plausibly deniable way. But um. late seasons hilson feels like repeatedly getting hit over the head with a bat and when you finally come to you're lying on the ground watching as the blurry vague silhouettes of house and wilson make out over your lifeless body
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eldritch-thrumming · 3 months
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what, like it’s hard?, pt. one
“it’s just that… if i want to win a seat in congress by the time i’m thirty, i need to find someone who’s serious about my career. not some little elementary school teacher that cares more about his students than what he’s wearing on my campaign stops,” tommy tells steve, as they’re sitting in quite possibly the fanciest restaurant steve’s ever step foot in. the menu hadn’t even included any prices.
“but… i’m seriously in love with you.” steve feels like his whole world is falling apart. just last week he’d been so sure that tommy was getting ready to propose. he’d introduced steve to his family—they’d spent a week out on martha’s vineyard for a family reunion at which steve had met tommy’s great-grandmother, hands laden with rings as she’d winked when tommy had asked for a private conversation. steve had been so sure that conversation was about the family ring.
“and i love you too, baby, but look. you don’t want to have to leave your students for half the year to come on the campaign trail with me, do you?” tommy asks, not even really looking at steve. he continues to just eat his stupid dinner as if he’s not ripping steve’s heart out at this very moment.
and steve can’t help but think how silly this all is, because it’s not like tommy’s actually running for anything right now. steve doesn’t even teach yet, beyond the two days a week he does his student teaching. they’re only 22, they haven’t even graduated northwestern with their bachelors degrees! but tommy’s saying these things as if they’re all real, right now.
“and i’m off to harvard next fall. it’s not like we’ll stay together while i’m there and you’re still here, right?”
and the thing is, steve had actually thought he’d be going with tommy to boston. they’re both set to graduate in the spring, steve with his degree in education and tommy with a dual major in pre-law and political science. they hadn’t really ever talked about it, but they’d been together since the beginning of their sophomore year. so yes, steve had thought they’d still be together when tommy started at harvard law.
but now steve’s starting to feel extra stupid.
“so… what? you’re breaking up with me?” steve starts to feel his chest tightening, like he might cry. he can’t believe that two hours ago he thought he’d been getting ready for a proposal.
“don’t think of it as a breakup, stevie… think of it as a conscious uncoupling. we’re just moving in two different directions. i’ll be at harvard law next semester and you’ll be…” tommy gives him a look of slight disdain—steve has never seen tommy look at him like that. waitstaff? sure. his driver? absolutely. but it’s never been directed at steve before. “well, you’ll be teaching snot-nosed six year olds. we’re on different paths.”
and that’s what truly makes steve’s blood boil. his passion for teaching and education is one of his greatest qualities and he’d thought that had been part of the reason tommy loved him. he didn’t realize that tommy loved him in spite of that. he’s not gonna let some asshole like tommy montgomery hagan iii tell him he’s no good.
so he doesn’t respond. he just takes the linen napkin off his lap and throws it on his half-eaten steak dinner and marches out of the restaurant.
tommy doesn’t even follow him out.
~*~
“oh steve… i’m sorry,” robin says to him about an hour later while steve lays his head in her lap on their dingy couch.
“it’s not even that he broke up with me,” he explains through tears. “it’s that he basically said i was worthless. like i couldn’t do anything better than teaching. as if teaching isn’t even an admirable profession! where would he be without his teachers, huh? isn’t this all about going to stupid harvard? what does he think the professors there actually do? knit?”
“is this a bad time to tell you that i always kind of hated him?” robin says, maybe trying to get him to laugh. but it kind of surprises steve. he sits up, knocking her hands from where they’ve been carding through his hair in the process.
“you did?! no, you didn’t.” he searches robin’s face for a moment and then sighs. “why didn’t you say anything? you could’ve saved me a whole lot of wasted time.”
“babe, you were so gooey-eyed for that guy, nothing i said was gonna change that. a crowbar couldn’t have pried you away from him. but you have to know he was an asshole.” when steve stares at her blankly, she huffs. “steve, he used to offer to cover the whole tab when we went out. how often did he ever actually pay, even for his own drinks? he made poor jonathan cry the last time we were all here for game night, just because jonathan asked for clarification on the rules for pictionary.” steve is still staring at her. “he tried to stiff argyle by offering him a flight on his dad’s private jet instead of paying for his weed and we all know he doesn’t even have access to the jet. dude was cheap as fuck and not even nice about it.”
steve thinks about it. it was kind of true. tommy was a horrible tipper—steve usually laid down a couple of twenties when they went to dinner together when tommy wasn’t looking. he can remember more than a few times where the guy had sent their food back even though it had looked perfectly wonderful to steve. so… okay, maybe robin had a point.
steve tells her as much, then adds, “but he was always nice to me.”
robin snorts. “are you kidding? he’s stood you up so many times i can’t even remember all of them. remember that time he said his first impression of you was that you weren’t as hot as your pictures? who says that to the person they’re dating?”
steve groans and lays his head back down in her lap.
“okay, so maybe you have a point about that too. but i was gonna marry him, rob. what do i do now?” he knows he’s whining, but he feels just a little bit entitled to it right now.
“i don’t know, babe. get over it, i guess. welcome to the world of us singles. it sucks out here.” steve can hear the fondness in robin’s voice as she says it, but still. it does sting just a little.
they sit there in silence for a while, with robin running her hands through his hair again. it’s so soothing that he almost jumps out of his skin when she speaks again.
“hey, you know what would be super funny?” she’s laughing a little as she says it.
“what?” steve had been dozing just a little and his voice sounds muffled by fatigue.
“if you got into harvard and just showed up on the first day. imagine the look on his face.”
steve laughs at how ridiculous that sounds. like he could get into harvard. plus, he’s got teaching to think about. he doesn’t have a place yet, but he knows he’ll get one soon.
but as he sits there with robin’s hands stroking through his hair, he begins to daydream about how shocked tommy would be. about how he’d have no choice but to eat his words when steve proves himself by getting into one of the most competitive programs in the country. about how good it would feel to prove the bastard wrong.
“robin?” she hums in response. “you’re a goddamn genius.”
~*~
“dingus, are you sure you want to do this?”
the spring semester starts in three days. it’s their last semester at northwestern and there’s nothing but great big darkness on the horizon of steve’s future. he hasn’t slept in two days, busy studying, thick workbooks piled around around him at the kitchen table. he knows what he must look like, over-caffeinated with bruises under his eyes.
“i’m sure.” steve has his lsat exam in one week. “i have to take the exam this week. apps are due by march first.”
“no, steve, i don’t mean taking the test. i mean applying at all. it’s clearly more stress than it’s worth. do you even want to go to law school?” robin sounds concerned and normally steve would think it’s very sweet, but currently it does nothing but irritate him.
“i could,” he responds grumpily.
robin sighs. “i just mean… is this worth it?”
steve looks up then and sees her biting her lip, clearly worried about him. he puts his pencil down and stops the timer on his phone, giving her his full attention.
“this isn’t just about tommy.” robin gives him a skeptical look and it’s his turn to sigh. “it’s really not. maybe it started out that way, maybe it was just a stupid joke to get revenge on the asshole, but now it’s more than that. it’s proving that i can do something unexpected of me.” he swallows. “no one even believed i would get into college. i was just some stupid jock in high school who’d never amount to anything. and then i got in to northwestern and i was so shocked and happy. but i found out that my dad had actually pulled a bunch of strings. so i hadn’t gotten in on my own merits. he didn’t think i could. but now…” he runs a hand through his hair nervously. he’s never said any of this out loud before. “he’s not around now. there’s no one to help me. no safety net. if i can do this, it’ll prove something to me. something that maybe i don’t really believe yet.”
he expects robin to say something about external validation being a corrupting force and identity built on academic achievement being solely a losing game, but she doesn’t. instead, she sits down across the table from him and picks up a workbook.
“okay,” she says. “what do we have to do?”
~*~
“mail here?” steve calls out when he hears the front door close behind robin.
there’s a moment that feels like a pause. “yeah, it’s here.”
steve practically sprints from his bedroom to his living room. robin holds a single white envelope in her hand. steve all but snatches it from her.
his fingers move to rip it open, but then he hesitates. he thrusts it back towards robin. “i can’t,” he tells her. “you do it.”
her eyebrows shoot up. “you’re sure?” steve nods. he watches her rip the envelope open, bouncing on his feet. she scans the page and then she’s smiling.
steve grabs the paper from her. “oh my god?!” he yells. “oh my god!”
robin practically jumps into his arms. “179, baby! harvard law here we come.”
~*~
even after such a successful run at the lsats, there’s still the little matter of actually getting in to the school. steve’s only experience with the academic application process was with undergrad and it appears that applying for anything beyond a bachelors degree is an entirely different ball game. he’s so out of his depth that he’s forced to turn to grad school message boards for advice and tips of how to get in. it seems like everyone else is applying to a hundred different schools while steve’s only applying to one. he learns this is a terrible strategy for planning one’s future, but that doesn’t really matter to steve. for him, it’s harvard or nothing.
there are so many different parts of the application that it makes steve’s head spin. there’s the statement of purpose and the personal statement—the difference between those two requires robin’s careful and slow explanation about three separate times. then there’s the writing sample and the application and the recommendations and the transcripts and and and
but with robin’s help, steve completes each component and successfully sends his materials by the day of the deadline.
steve’s never been a patient person. no one on earth would accuse him of that, so even he can tell that he’s getting on robin’s nerves every day as he practically pounces on her when she returns from collecting the mail.
and then one day, finally, at the end of april, she comes through the front door and clutched in her hand is a big, thick white envelope emblazoned with the words ‘harvard law’ in bold, beautiful crimson red.
~*~
“last chance to back out,” robin says smiling as she swings herself up into the passengers seat of their rented u-haul.
“nah.” steve returns her smile as he slides his sunglasses from his hair onto his face. “let’s get out of this dump.”
and with that, they leave their first apartment behind, headed to the coast.
[wanted to finish this completely before posting but my benadryls kicking in and i have no self control. eventual steddie, promise! no tag list for this one, sorry!! it’s giving me anxiety on the other one lol absolutely not edited, if u see a typo no u don’t. i wrote this on my phone in a feverish frenzy. also, i originally invented someone for the role of warner but then i was like ‘IDIOT!!!!! why would u not choose tommy?????’ so if there’s a name in here that shouldn’t be, no there isn’t.]
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pizzaqueen · 5 months
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A snippet from a future fic I'll probably never write, where Steve is a widower with two teenage kids, and he and Eddie randomly meet up, rekindling their old flame. This is when they've been together a while:
“Thank you,” Steve says, coming up behind Eddie at the bathroom sink.
Eddie pauses, catching Steve's eye in the mirror. “What for?” he asks, mouth foamy with toothpaste.
Steve slips his hands along Eddie's hips, hooks his chin over Eddie's shoulder. “For loving my kids.”
“You don't—” Toothpaste dribbles down Eddie's chin and he stoops to spit what's left in his mouth into the sink, gathering his hair to one side. He rinses his mouth out, wipes his face with a towel, then turns to Steve. “You don't have to thank me for that. Of course I love them.”
“Not everyone I've dated has.”
“They're idiots.” Eddie grabs the hem of Steve's shirt, pulling him close. “I mean, first of all, they're part of you, and I don't think I could love you and not love them. But...” He trails off, a small smile tilting his lips. “They're amazing kids.”
Pride swells in Steve's chest; he slides his arms around Eddie's waist and says, “They are.”
“And I'm pretty damn honored I get to be part of their lives,” Eddie says, “so thank you,” and he butts his head gently against Steve's.
Steve huffs and slides his hands up Eddie's back, pulling him into a tight embrace. “I love you.” He presses a kiss to Eddie's neck.
“I love you too.”
“And they both love you as well.”
Eddie lets out a shuddering breath. Steve knows how nervous Eddie was, when they started dating, that he wouldn't be welcomed, but it's almost like he's always been part of their family now. “Good to know,"”Eddie says.
Steve holds Eddie a little tighter. All those years ago, back in Hawkins, when they ended things, Steve thought he'd never see Eddie again. But here they are, together—a family—and Steve's never letting him go this time.
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venelona · 7 months
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A pic I drew for my fanfic 'Write My Report' where we're doing paperwork mafia-style
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i-like-rocks22 · 8 months
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I have realised you'll probably all enjoy the presentation I gave at the PowerPoint Party we had for my husband's birthday.
It was VERY detailed.
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nevertheless-moving · 3 months
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unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.
Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.
and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.
(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)
Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 
Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.
The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?
Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!
Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 
Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—
You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...
What—when did you lose—
I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...
So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.
And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.
When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.
Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.
It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.
Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.
Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??
the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.
Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.
FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?
“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.
Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)
And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.
Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.
Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 
Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.
Is mildly disturbed by the revelation.
Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.
It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 
Things REALLY become stressful after he rescues that carriage full of noblewoman.
What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.
I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.
So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.
Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.
Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—
well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—
and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?
i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”
Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).
But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.
Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.
And then the partners change again, the moment ended.
Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.
Hes almost excited when the first assassains start coming after him. It's like a hobby.
Everyone tells him he should get a hobby.
Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.
needless to say he ends up fired again, life under real threat after offending some high lord.
Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.
Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )
Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?
And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?
Opening drabble Vimes Vetinari Meta (Unwell)
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xan-from-space · 2 months
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Damn, the Ember Island Players were actually kind of radical, weren't they? The more I think about it, the more it feels like the only way it makes sense in-universe is if being Fire Nation propaganda wasn't the point of their play at all. Aside from a barely tacked on ending where Ozai kills Aang, the play is remarkably sympathetic to the Avatar and a bunch of enemies of the Fire Nation, even framing them as being heroes. Even at points in the story where theyre literally killing Fire Nation soldiers, the narrative still seems to be on their side; they're the underdogs, the relatable ones. Its true that the Fire Nation values strength, but still, you'd expect that in a propaganda play they would be portrayed as at least a little bit more sympathetic... And sure, to some extent the gaang's characters could be seen as defamatory caricutures (the slander on Iroh specifically was probably intentional), but that also might be due to the Players getting a lot of their information from the cabbage man, someone who actively hates the gaang and only ever really sees the worst of them. (And notably, that also means that the Players had worked with an Earth Kingdom merchant to produce the play.)
Mocking the gaang is also just clearly not the point of the play or what people are there for. Sokka's actor says that he's constantly being approached by fans; people genuinely love these characters. The gaang have built entire dedicated fanbases in the Fire Nation because of this play. Honestly, the fact that they're on a remote island is probably the only reason they're able to perform the play the way it is. I imagine it would get shut down pretty quickly on the mainland. Considering all the propaganda in the Fire Nation that we've seen so far, I wouldn't be surprised if the ending was only written that way because it's illegal to write a story where the Fire Lord doesnt win. The play reads less like propaganda and more like 'we're doing the bare minimum to get this story past the censors.'
I'm really curious about what it's like behind the scenes for the Ember Island Players. Are their shows just simple, shlocky entertainment, or could they also be deliberate political commentary? With no recording technology, a play is easier to slip under the radar than something like a book: it's impermanent, stays in one theatre, and performances can be easily tweaked if, say, Fire Nation royalty happens to come by. It's interesting to me that Ursa seemed to like them, while young Zuko had a disdain for them, saying they 'butchered' the story of Love Amongst the Dragons; in all likelihood the version of the story Zuko grew up with in the palace was heavily propaganda-filtered itself. Although, to be fair, they're arguably just not very good playwrights. When it comes to the characterization, I do think some of it only seems bad because we know what the actual characters are like, but a lot of it is just bad writing clearly meant for cheap entertainment. For example, they sexualize Katara quite a bit (and there's other, better analysis out there I've seen that examines how they fetishize her as a Water Tribe girl). And, of course, all of the characters are reduced to shallow and stereotypical comedy.
Still, I think they're worth commending for doing their research and telling a story about enemies of the state that's both sympathetic and surprisingly accurate to actual events, if not the characters' personalities, amidst the Fire Nation's rampant propaganda and misinformation. From the little amount of information about them we can extract from the show, they seem like honestly very interesting people. They're walking this tightrope line between being very close to the heart of the Fire Nation but also separate from it; between being cheap, inconsequential entertainment and being a source of actual news for Ember Island citizens; between telling the underdog story about a ragtag group of children and still trying to make it look like Fire Nation propaganda. I'm not trying to make any big argument on whether they were 'actually good people' or whatever, I just want to know more about them. I kind of wish we could see their production of Love Amongst the Dragons now...maybe I'll write something about them someday
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sea-buns · 8 months
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wow... what a season. it feels weird to say that this little 6-episode side quest, in all of the 19 seasons of d20, is one of my favorites they've ever done but it just is. it had all the stakes and humor and drama that you could possibly want, all balanced with an incredible cast of players. the table chemistry was excellent, the characters were so perfectly themselves, the TROPES were OFF THE CHARTS!
i can't quite remember the last time i finished something and ached so sharply for there to be more. i just know I'm gonna be thinking about this one for a long time
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