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#it just has a lot of potential to be something that someone else in the same situation might be sad about?

batmanisagatewaydrug · 13 hours

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Hi so I’m 15 and in a relationship for the first time so I don’t have experience with any of this stuff. My partner and I have been doing sexual stuff for a few months now I just have some questions.

First, I was wondering how we can do sexual things in a way that doesn’t bother other people in the house. Like maybe that’s a dumb question and the answer is just be quiet but idk it’s hard bc my partner is very vocal. Also there’s very few opportunities to do stuff without anyone else home so that’s not rly an option.

Also my parents have been very weird about my relationship with my partner. Making lots of odd comments such as “i wonder if they’re having sex up there” (to my brother who is a *child*) and giving me lots of looks that just kind of make me feel really bad about my relationship. I know that sex is natural but they make me feel really bad about it and I could use some advice on what to do about that

Next, my partner and I are both interested in getting in to kink but I don’t really know how to go about it. I’ve never heard of people getting into that stuff as minors and we don’t want to do anything too crazy especially since we don’t really have access to any supplies.

You’ve definitely talked about this before but could you tell me what kind of protection is best and easiest to use and obtain for f/f sex. School didn’t teach me how to use anything other than a male condom.

Thank you so much. Sorry for asking so many questions

hi anon,

your first question is going to be pretty circumstantial; I don't know what the layout of your house is like or how realistic it is to wait for privacy. the ideal if of course to wait until everyone else is either asleep or out of the house, but I recognize that the former may be difficult if not impossible for someone your age and you've already said the latter is hard to come by. using other noises, like music or TV or white noise, can be helpful, although it's unlikely to prevent your parents from speculating.

to address your second problem most directly, I'm afraid there's no much that I personally can do to rectify that. it is unfortunately very normal for parents to have an anxious, awkward, and difficult time adjusting to their children becoming sexually curious. I think the most crucial thing to remember here is that this has nothing to do with what you're doing being gross or wrong, and most everything to do with how your parents were raised to think about sex. unless they have specific concerns they want to raise with you about sexual safety, their reactions are most likely coming from a place of discomfort that they don't know how to channel appropriately. that's not a shortcoming on your part, but on the people who failed to help them develop a better way of understanding their own feelings about sex - and, yes, on them for how they're handling those feelings now.

I'm unsure exactly what you're interested in exploring, since kink covers a very broad array of activities and "supplies" could mean almost anything, but I would definitely recommend an abundance of caution in your explorations. kink is great, but that doesn't mean it's easy for for everyone. there's a reason that you seldom hear of people your age getting into kink, which is that it generally requires a great deal of practice with navigating partnered intimacy and communication - something that few teenagers have had time to develop the skills for. kink is also something that many people find works best as a communal activity, by finding others to help introduce them around and sharing experience to help safely explore their fantasies; for obvious safety reasons, few kink spaces are looking to admit 15 year olds. by all means, do your research - Evie Lupine's youtube channel is a great place to start, with a backlog of hundreds of videos covering all kinds of kink-related topics - but be careful with how you act on it, and recognize that kink comes with more potential complications and risks than "vanilla" sex that cannot be taken lightly.

if both parties have vulvas and vaginas then you can use dental dams for protection during oral sex, latex or nitrile gloves or finger cots to cover hands/fingers, and external ("male," although there's nothing inherently gendered about them) condoms for any penetrative toys (or cut them down one side to flatten them out and make the aforementioned dental dams).

please don't apologize for asking questions! questions are how you learn and stay safe :)

#sex edventures 2024

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homestuckredo · 2 days

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Lots and LOTS have happened in the few days I haven't updated. But Hussie FINALLY took a day off so I have the chance to review in peace!!

First off we have new rules for the captchalogue system, including a size limit to digify items AND the potential to increase the upper limit (hasn't happened yet, but the office card speaks volumes). John has also opened the massive tomb "Colonel Sassacre's Daunting Text of Magical Frivolity and Practical Japery"

and NOTHING useful for actually pranking someone of course (honestly disappointed there are no practical tips in this page). The picture in the middle looks a dead ringer for Mark Twain tho... idk if it is supposed to be Sassacre or just a collage of 1900's looking clownery and Twain's pic is public domain. I guess we'll see.... We also have a brandy new room to explore, complete with last years Dark Knight Joker on the piano. AND WE HAVE SOUND. OMG WE HAVE SOUND!! I think i've played the piano refrain a dozen times its so beautiful!! I'm starting to get the hang of Hussie's emotional whiplash between 4chan humor, niche commercials, and haunting, beautiful and poetic moments. Moments filled with niche media literacy, that he then lies about the source of. I have to look up so many quotes just to be sure who said it guys. So much homework!!! (>.<)

But is does lead into the best part of the updates. WE MADE IT OUTSIDE.

Not only that BUT we have a beautiful animated title page, complete with neverending wind-chimes and a haunting monologue of emptiness and the feeling of missing something unknown.

"The streets are empty. Wind skims the voids keeping neighbors apart, as if grazing the hollow of a cut reed, or say, a plundered mailbox. A familiar note is produced. It's the one Desolation plays to keep its instrument in tune. It is your thirteenth birthday, and as with all twelve preceding it, something feels missing from your life. The game presently eluding you is only the latest sleight of hand in the repertoire of an unseen riddler, one to engender a sense not of mirth, but of lack. His coarse schemes are those less of a prankster than a common pickpocket. His riddle is Absence itself. It is a mystery dispersing altogether, like the moon's faint reflection, with even one pebble of inquiry dropped in its black well. It is the most diabolical riddle of all. "Absence diminishes little passions and increases great ones, as wind extinguishes candles and fans a fire." -Walt Whitman Yes, you are certain Walt Whitman said that. One hundred percent positive. You have a feeling it's going to be a long day."

Francois de La Rochefoucauld said that... not Walt Whitman. I am starting to think John reads a LOT of classic literature and is not a great narrator. I am not an English Major OR Literature Major tho, so this means little to me in the grand scheme of plots and subtext. Moving on.

we have two packages found at last and a visible SBURB disc.... trapped with father who may or may not be baking yet ANOTHER cake. more small mysteries and conflict to hold onto XD Finally, as we go back inside... the cake did not hold as adhesive and our harlequin doll is now missing an arm. Tragedy. Throw it in the fire. PLEASE. Since this has been a lot of updates together I am afraid I have missed things and underplayed just how much were in the last 20 pages... so if you notice anything else let me know!! I wanna see it all!.

#homestuck #homestuck replay #66-87 #homestuck redo #sorry this took so long #hospitals are exhausting #but there was no update today so i could catch up #also i just noticed the car also has a jester head #i wonder if dad goes to cons too #Clown Con #i would go #.... I should see if i can find one near me lol

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becca-e-barnes · 2 years

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this for subby!bucky 😵‍💫

There’s nothing hotter than a man moaning his way through a make out session and grinding his hard-on against your body, idgaf. Men moaning in general fucking floors me 😵‍💫

But I really like the thought of him starting off thinking he's in control of himself. Not necessarily in control of you, he just thinks he's pretty composed, all things considered. The featherlight kisses have his heart beating just a little faster than normal but it's manageable.

It all just gets away from him though. The tiny pecks turn into tender, deeper kisses and your hands start to wander. Those kisses inevitably develop into a kind of frantic passion that he has difficulty keeping up with. His brain goes a little foggy and nothing else matters except getting more of you and getting it now.

He loses himself in the feeling of you so entirely that he hardly notices he's been trying to ease the throbbing need in his own cock. "O-oh fuck." He groans, eyes closed, cheeks flushed, lips slick and dick twitching in his pants.

"We can go slower if this is too much for you, baby." You whisper softly, keeping your face close to his. God, he's beautiful like this and you know he'd whimper if you told him that.

"No, God. I don't need you to go slower. I need more." There's no shame in those blown out pupils when his eyes flutter open. He's not embarrassed by his own need. Instead, there's a complete trust that you'll take care of him because you always do. There's no judgement or reservation between you both because there simply doesn't need to be.

"I can do that." You laugh quietly, tugging him towards you so your lips can crash together with the exact same intensity as before and it never fails to amaze you that he melts into your touch so entirely.

You feel how hard he is and in truth, it would be difficult not to given how he's grinding it against your body with more purpose than before. His mouth is so hungry, never managing to taste enough of you and in no time, it's trailed down your neck, sucking at your skin while his frantic grind continues.

"Good boy, Buck. That's it, rub yourself silly on me." You encourage, drinking in his pathetic groan. That permission almost makes him wish he could cum in his pants.

"You're like a puppy, aren't you? So eager. You just can't help yourself." Your hand drifts downwards, rubbing over the bulge in the front of his sweatpants and you feel him absentmindedly thrusting into your touch. He's a moaning mess, babbling and begging, lost the lust that's now making the fingertips of his flesh hand tingle and his head spin.

#asks answered <3 #anon #becca writes spice #sub!bucky #One more minor inconvenience today #is quite possibly all it would take #for me to burst into tears #Just one #i had an idea stuck in my head all day for some angsty poetry #And I wrote it and it was even more fucking tragic than I expected #over something that I'm literally not even sad about #it just has a lot of potential to be something that someone else in the same situation might be sad about?#So idk where it all came from #And now I can’t go to something I was really excited about #bc it’s over my mum’s 50th birthday #i think I’m just going to lie in bed and not move for the rest of the night #Maybe if I lie still enough I’ll dissolve

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sabertoothwalrus · 3 months

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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

#animation #2d animation #indie animation #long post #not 100% sure why I made this post #all this to say: I’m still not sure what direction I want to go towards for my own show #ngl!! i think im confident i could get people to like my show. i think I could find an audience #i have some experience at this point getting people to like my ocs #its just a matter of MAKING the damn thing

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vspin · 7 months

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On Act 3 and the lack of companion reactivity and dialogue.

So, I officially hit 400 hours on BG3 yesterday (no lifing it lmao) and I've been thinking about some things I wish Larian would improve or wish that they had implemented. A big thing that comes to mind is how much companion reactivity and dialogue abruptly stops in Act 3.

Act 1 really shines with companion reactivity. They always have something to say to the MC, to NPCs, or even to each other! I love the interaction after you use your ilithid powers for the first time and it's a 4 way conversation between everyone.

Then we get to Act 3 and there's such huge drop-off. Some big offenses:

Very little reaction to quests and locations. When I killed Raphael I only got comments from Astarion and Gale! Seriously?? We just survived a trip to the Hells! This happens with multiple quests

Blank faces when Durge is killed by Bhaal.

Camp is lifeless. Everyone just stands in front of their bed, There are no interactions.

In my playthrough, the Emporer admitted to my Tav he was manipulating her and didn't really care. It was bummer I couldn't talk to the other tadpole gang about it.

I remember coming across a Druid in the city. He was trying to heal a tree. So I went back and grabbed Halsin because he was complaining no one in the city cared about nature or balance. So I thought surely, he would have an interaction here! Nope, nothing!

As soon as you finish a companion's personal quest that is basically the end of your interactions with them; even if you romance them.

What I'd like to see: (Disclaimer: Just my opinions. I have no expectation of any of this being added to the game)

More camp interaction between companions. Jahiera and Minsc had a great example of this. Let there be a quick cutscene of Minsc and Halsin arm wrestling. Shadowheart, Karlach, and Astarion drinking wine. Anything. DA:I did a great job at this. It seemed like anytime I approached someone for dialogue they were in the middle of an interaction with someone else. Or events like the card game. It brought a lot of life into the party.

More random city encounters. They did a good job with Karlach; she has interactions with the steel watcher and her friend Fitz. Would have been cool to have some of those with Wyll, maybe he meets another noble or a flaming fist and has to deal with their shock of seeing him as a devil. Or with Gale in Sorcerous Sundries (he is a famous wizard after all!). Astarion mentions he needs to keep a low profile in the taverns; what if someone called him out!

More reactions to story events.

Expand on romances a bit more. We don't need it to be a dating sim but if you finish your LI's quest early on get used to just asking for small pecks and that's it. I would like to see more romance-specific dialogue for quest reactions.

And Finally:

We needed all companions at the final battle. Everyone should have been at the main keep before confronting the brain. You should have had your final conversations with them before you all potentially die in battle. DA:O style. A passionate kiss with your LI (not a tiny little peck lmao). This was a huge exclusion.

Anyway, these are my thoughts on the matter. Thanks for coming to my Ted Talk.

#bg3 #bg3 spoilers #astarion #bg3 tav #baldur's gate 3 #astarion romance #shadowheart #lae'zel #wyll ravengard #gale of waterdeep #halsin #bg3 critical

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primofate · 3 months

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3 am brainrot

Soulmate, but Genshin Impact Style

Warning: angst (lots of potential to be fluff and comfort ending tho)

Vision "resonates" with each other and a thin red line connects your vision to their vision

Thin red line disappears, frays, or splits off when something is wrong with the connection or the other person

You can use their element and they can use yours. If you are the same element it provides an elemental increase.

Element exchange also stops or weakens when there's something wrong with the connection or the other person

There's a kind of "sixth sense" activated wherein you can kind of feel each other's psyche

Imagining what it would be like for power hungry Scaramouche to find out he has access to another element. Meets a complete stranger and suddenly he's stronger. Starts to keep you close only for that reason, doesn't care much about your well being in general. Then finding out that he can STILL use your element even if the two of you are far apart. You part ways rather abruptly, and he's not sure how long it had been when the red line starts to fray and his access to your element starts to dwindle. He doesn't think much of it, but day by day it gets weaker and day by day the red line disappears a little more. A sudden sense of "If that line disappears I won't ever be able to follow it back to y/n" so he starts following it. He doesn't really notice there's a sense of urgency in him, he tells himself its only because he wants the power back, but when he rouses from a short rest to find that the red line is gone... why does it suddenly feel like he's all alone again?

Imagining characters like Xiao, Cyno and Alhaitham who completely rejects using your element. They don't need yours. They are just fine and all is well using only their own. In a sense they take pride in what they have, and doesn't really care for what power you can give. They aren't interested in maintaining a relationship with a stranger either, because, what for? However, you're slightly persistent in at least getting to know a little about them. Just a tiny bit. But that tiny bit is enough to push them to tell you he's not interested in any kind of chit chat, that he's busy and needs to focus on other things. So you turn away. Out of curiosity one day he tries to use your element. It strangely gives him the feeling of warmth. Like someone's protecting and watching over them (and for someone who always does the protecting, this is a big deal). One day, the line breaks off, there's a clear split and he wonders if all is well. He follows the line back to you, and finds out that you've been spending a good amount of time with someone else. Someone who you smile at very brightly, and someone who is interested in getting to know you. What's he to do? This was his doing. So why does he feel like coming over and snatching you away?

Imagining characters like Diluc, Neuvillette and Wriothesley, astounded but somewhat pleasantly surprised by the discovery. He neither rejects you nor accepts you, but feels a sense of responsibility over you just because of the connection made. But because they have their own things to be busy with, they don't exactly actively seek you out or have the time to check in frequently. Perhaps it's a monthly thing, following the line and looking for you. There's a relationship that looks like the beginnings of friendship. A little awkward, asking questions and fumbling for more questions to ask. Still, something builds, and just when the ice is about to break between the two of you, he follows the line...and somehow ends up out in the wild. Your vision is buried next to a tree, for a moment he's struck with panic that he would find your body buried, but judging from how the red line was still intact, you were most likely safe somewhere... however, he would never see you anymore, nor know the reason why you decided to hide. All of a sudden he wished that he had more time. He doesn't know whether this situation was comforting or concerning. He has you in the palm of his hand, but never close enough to fill the empty gap.

Imagining characters like Zhongli, Dainsleif and Tartaglia, who, despite their appearances is instantly intrigued by the connection. They don't need the additional power, but they keep the connection anyway because they partly feel that destiny is something you can't change. The closeness between you two easily grows and here is when you first approach him with a favor.

"Can you help me with something?"

"Of course. Would tomorrow be a good time?"

There's a bit of a pause on your side. "Tomorrow..." and its as if you look up at him with more sparkle in your eyes than usual. "...Yeah. That'll work. Thank you," the way you say thank you is so sincere and loving it almost brings him to a joy he hadn't felt in a long time.

He woke the next day. The connecting red line was nowhere to be found.

#genshin impact #genshin impact angst #wriothesley x reader #neuvillette x reader #genshin x reader #scaramouche x reader #alhaitham x reader #cyno x reader

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ew-selfish-art · 7 months

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Dp x Dc AU: Bruce has a 'if you can't beat them, join them' mentality about the tabloids claiming he adopts too many kids- Developing foster homes that are paid for through the Wayne inheritance, personally vetted by the Bats, they're the leaders in the space for child health outcomes and family placement. Insert Danny.

---

Bruce has too much wealth, too many rumors and not enough reach into the abhorrent foster homes around Gotham to improve them. Tim ends up being the one to suggest it- He's the one who buys up their real estate for their safe houses after all- and Bruce is more than ready to pull the metaphorical trigger to get new clean welcoming spaces, Bat-background checked fosters and a new era of adoption in Gotham underway.

He's lobbied the state and the federal government for reforms of course, but this is a project he can micromanage. He spends time with every kid that comes through, talks with all the families that want to adopt and makes sure that these miniature homes are provided only the very best. Alfred personally hires all the staff, and with Barbara more than happy to help relocate the unhoused children she spots while they patrol, the project is a glowing success.

Occasionally, spots in their houses fill up, and those are the weeks were Cass takes on the Cowl of Batman- Bruce Wayne will personally invite a child in need to his home. He always has one of his kids present (they rotate on a pre-determined schedule) and he does his best to try and get them to understand that they deserve the world, have all the potential that anyone else has and can achieve a bright future. That he will personally aid them in their ambitions.

PR goes crazy for it of course, but Bruce and all of his children know its genuine. Almost too genuine, because a betting pool 'WILL THEY BE ADOPTED' regularly circulates between the siblings and the entire JL when someone spends time at the manor. And not just the black-haired, Blue-eyed kids get picked as favored outcomes- but obviously the running joke gets passed around.

It's a Thursday night when Bruce gets the call that the houses have once again filled up, and that there is a child in need of a home. The social worker (he knows her as Marsha and he has flowers planned to be sent on her birthday next week, like he does for all of his employees) (Say micromanaged one more time) explains that the kid is a bit cagey but has opened up with some humor. She explains that he has a few strange... mannerisms. She's not sure what to make of him, a non-gothamite for sure but something is, well, distinctly 'not from around here' about his energy.

Danny arrives at the house, meets Duke and Alfred, and by the time Bruce meets him at the dinner table it seems as though Marsha had it all wrong. This kid was laughing, he was teasing, he was totally playing along like he'd gone through nothing. Bruce is glad he's in high spirits but its just so... so different from all the other children he's taken in.

Bruce re-focuses on the conversation when Duke mentions something flashing, and its the first time that Danny goes quiet. Entirely still.

"...you noticed that?" Danny quietly asks, a bit of disbelief in his tone.

"You don't have a flashlight on or something do you? It was super bright whatever it is that you had in your hand a second ago?" Duke tries to sound chill but he's looking very much not chill. Bruce saw nothing, and that puts him further on edge.

"Look... I uh, I've been though... I've been through a lot lately. And the last lab I was in kind of, messed with me. I'm normally much better at dealing with it all, I promise." Danny sounds nervous, and the room seems to chill.

"Ah shoot, sorry." Danny notices something and frantically apologizes.

"Sorry for what Danny? You've done nothing wrong but I am worried about you- You said you were in a lab?" Bruce is desperately trying to calm him down while not slipping into Batman interrogation mode.

"Uh, yeah, like a lot of labs. It should get warmer in a second, its just cause I startled, I promise."

"You're a meta." Duke speaks softly and with hope in his voice- Danny is looking between them with wide eyes filled with fear.

"I mean I don't technically have the gene-"

"Danny, have you told any of your case workers where you were? Do any authorities know what you've been through?" Bruce needs to know, desperately, that who ever gave this young boy super powers is brought to justice. Danny goes quiet.

"I'm really sorry." He says softly, but he doesn't leave them.

Duke and Bruce try to ask a few more questions but the silence that meets them declares the conversation over, even with Duke admitting he himself is a meta. Danny didn't even look up from his plate. They watch a movie after dinner, and Danny seems to get back to the smile-y happy guy he had been before dinner.

Each of the bat-fam have their own interactions with Danny- And even if they're getting along amazingly, Danny won't open up. He doesn't open up to his provided therapist. Doesn't talk to Alfred. No one knows what's up.

So when Marsha calls Bruce back explaining they now have a spot for Danny and he can move out of the Manor... Bruce replies that he'd like to get started on Adoption paperwork, so long as Danny is fine with it.

---

Turns out, Danny is fine with it. he's both the newest Wayne and their newest case. (And godamnit, his new family is going to avenge him. If only he'd let them try.)

Danny figures out that Duke= Signal early on because of that dinner, and if he's going to keep his parents out of jail, he needs to be as close to the investigation as possible. He knows that he shouldn't protect the Fentons, but he feels the upset in his core at the thought of letting them befall any harm. He has to protect them. Has to protect Jazz and her hiding spot as a mole within their lab. Has to.

Even if it meant lying to his new family who loves him, and who he loves in equal return. Even if it means lying to The Bats.

---

Tabloids go crazy about the black-haired blue-eyed thing of course, but no poll was ever taken by the batfam or the JL who know the whole story.

#Danny has his powers destabilized by the various lab experiments but he's slowly getting control back #Duke notices Danny phasing his hands through the table/silverware by accident- it just looks like slight of hand tho #Danny figures out the bats and the best he can do is get adopted #friends close and enemies (lol not really) closer #dp x dc #dcxdp #dpxdc #dc x dp #danny phantom #dc crossover #dp crossover #long post #dc x dp fic #please i beg of you- write the other siblings interactions #someone tell me why I left Jazz to sabotage their parents and what to do with her next #jazz looking at danny who now has every possible resource to save them and not using it like- my guy #danny's core working against him like stockholm syndrome basically #like his protected them for this long so now he feels compulsion #danny gets adopted au #bruce adopts danny au

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luciddownloading · 5 months

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Mars and Sex

18+. Mars' house placement or aspects may modify certain details/traits

MARS IN FIRE (Aries Mars, Leo Mars, Sagittarius Mars) 🌶️

They are fun and playful in bed, not taking it too seriously. If something silly or awkward happens during the act, they're quick to laugh about it. They can also make you laugh before they make you... you know. Sex must always have an element of excitement or thrill for them, which is why they need a very sexual, passionate partner. A dry bedroom is like a death sentence for them. They get off on an element of danger, like public sex or doing it at an inappropriate time, like a family visit or on a flight. Potentially getting caught is really hot to them. They also LOVE a good simp and the especially confident ones attract this easily. The more you worship them and their body, the better. At the least, they need you to consistently tell them how hot they are and how awesome they are in bed. Validation turns them on. Calling out their name while doing it really works. Hype them up! It's their fuel. They're also most likely to record themselves, as in making a sex tape, and most turned on by that.

MARS IN EARTH (Taurus Mars, Virgo Mars, Capricorn Mars) 💋

These people are very straightforward sexually. Typically, they have very simple and non-kinky desires. They're pretty vanilla but do not take that in a negative way. Most of them are downright experts in bed and can really, um, impress partners with their skills. They just don't need any bells and whistles. The pure physical pleasure of sex is more than enough to satisfy them. (Sex toys aren't really their thing, either. They'd rather just have another person or their own hand.) However, if their partner is kinky, they will fully commit, so long as it's within their boundaries. Foreplay is also a MUST. Lots of kissing, maybe some wine, working up to the action. They prefer a nice buildup. Jumping right in too quickly or without any sensuality turns them off. They hate it when a partner doesn't kiss, for example, and they're usually superb kissers themselves. Using their mouth in that other way is also their special skill.

MARS IN AIR (Gemini Mars, Libra Mars, Aquarius Mars) 😏

Do not let a chill or innocent demeanor fool you. Some of them come across that way but these people are WILD. In general, definitely kinky and always down to experiment. You might be shocked if they ran down a list of the sexual things they've dabbled in. Sex is a very mental thing to them and they will try any idea that either comes to their mind or that someone else has. They can actually be very impressionable in that way. Communication is their thing, so they can be very verbal in a really hot, effective way. This can also translate into plenty of sexting or some video-call action. They love hookup apps, too. But, some of them talk a big game yet get nervous when they actually have to do all those things. Yes, they can get bored easily but they also can be most eager to please in bed. Typically, they care a lot about you enjoying yourself. Some can take that to the extreme of wanting to watch you get off or even watch you be with someone else (if you're into that).

MARS IN WATER (Cancer Mars, Scorpio Mars, Pisces Mars) 💦

These people are not necessarily the genteel lovers you may expect them to be. In fact, many of them are very rough in bed or just love to be roughed up by their partner. Generally, it's like you see another layer of their personality during sex that they may be too shy or self-protective to reveal otherwise. The flip side of this is that some of them are surprisingly much softer during sex than elsewhere, either being very submissive or having that "soft top" energy. Either way, sub/dom dynamics are HUGE with them. They are really into choking or slapping or inflicting pain. Sex may not be satisfactory for them unless it leaves bruises; on them or their partner. But, unless they're mentally unwell, they would never want to hurt without consent. Safety words and such. Sex for them can span a wide range because, if they feel safe enough, they can have the most tender lovemaking sessions. Or baby-making sessions, if it's a hetero couple who want that. Casual sex can be very hard to nearly impossible for them. Some may convince themselves they can do it but if they sleep with someone just a few times, things inevitably get messy. They can get very irrational or insecure if they don't feel truly needed by their partner.

#astrology #mars in astrology #mars signs #mars placements #mars in aries #mars in taurus #mars in gemini #mars in cancer #mars in leo #mars in virgo #mars in libra #mars in scorpio #mars in sagittarius #mars in capricorn #mars in aquarius #mars in pisces

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arminsumi · 7 months

Text

I want to kiss you — キスしたい

G. Satoru — さとる ⋅ fem reader

NOTE : there's more parts planned for this, i just wanted to get at least this continuation out ✌️ it's maybe gonna be a bit of a slowburn thing, bc personally i love anticipating the buildup of two characters kissing. and also ugh i have such cute ideas in the drafts for this! like you and him using a magnetic drawing board to write down things that you take turns deciphering. and him writing a whole diary of his thoughts that he wishes he could voice to you, that he gives to you when you're leaving at the end of your visit 🥺 anyways!! lmk if you want to be tagged for any continuations pwease i'd value ur engagement very much !!

SUMMARY — you and Satoru falling in love despite a language barrier.

WARNINGS — slight underlying romantic tension between you and Suguru sooo potential love triangle?! one bed trope (you + Satoru), ik google translate is inaccurate but 🤷‍♀️ oh well

WORDCOUNT ≈ 4.6k

🍒 — J ⋅ reblogs and comments help a lot ! enjoy reading :)

A continuation of this post

Satoru's never really been in love before.

Sure, in high school he experienced crushes and a handful of dates. But the crushes were shallow and short-lived, and the dates were lousy and forgettable.

But you? Well it's funny, see, you live on a whole different continent and can't speak his language, and yet to him you're as unforgettable as the scent of spring.

His feelings for you seep into his skin slowly, beautifully; and yet he can't express a single one to you because he too can't speak your language.

During late-night video calls, Suguru tries to bridge the gap between you and his best friend. And in your group chat, both Shoko and Suguru combine their skills to help you and Satoru understand each other. They do it because they see how badly the both of you want to know more about each other; especially Satoru.

Satoru has never been so infatuated before; never quite so curious and unashamedly intrigued with someone else. You're all he thinks about day and night.

When you speak, he desperately strains his ears. When you text, he consults the dreaded Google translate. And he's always nagging Suguru to translate everything, because he wants to know your every thought and expression.

Around a year and a half after meeting you, Satoru realizes something when he's lazing in his bed with his fluffy white cat curled up on his stomach as it rises and falls with his gentle breathing.

He likes you.

On call, when you giggle at the cat's fluffy tail blocking the webcam, Satoru thinks;

あなたの笑いが大好きです I love your laugh.

When talking about you with Suguru, he receives a little teasing smirk from him.

あなたは彼女が好きですよね？ You like her, huh?

During lonely nights, he scrolls through your socials and stares longingly at photos of you, ones where you're hanging out with your real-life friends or family.

とても羨ましいです。私も彼女に��づきたいです。 I'm so jealous. I want to be close to her, too.

Listening to you attempt to speak Japanese on a call while him and Suguru are on a walk around Tokyo, he thinks;

私の言語であなたの声を聞くのが大好きです。 I love hearing your voice in my language.

Any photo of your face that you personally sent him, he looks at with heart eyes and saves immediately.

キスしたい。 I want to kiss you.

He'd be lying if he said he never pressed his lips to his screen and closed his eyes, pretending he was kissing you.

Satoru thinks poetically about you. He pens down these elaborative thoughts into his diary that he plans to give you one day. Maybe then you can get an idea of how deeply he thinks about you.

But even if he could speak English fluently, or you could speak Japanese fluently, he's sure neither language could be descriptive enough when it comes to his feelings for you.

He tries so hard to learn some phrases in anticipation of your upcoming visit, but all he can say when he meets you for the first time at Haneda airport is;

"Hi."

And he waves cutely.

"Hi!" you giggle, waving back.

And all at once, there's a bunch of thoughts buzzing in his head. He's looking at you like he's captivated. Even if he knew any solid English, he's sure he'd be speechless anyways.

実物の彼女はもっと美しい、信じられない。 She's even more beautiful in real life, I can't believe it.

彼女が何を言っているのか全く分かりませんが、いい感じですね。耳元で聞く彼女の声だけが私が望んでいたものです。 I have no idea what she's saying, but it sounds good. Her voice in my ear is all I wanted.

なぜ彼女は私ではなくスグルを抱きしめたのでしょうか？その瞬間は混乱の渦だったのでしょうか、それとも彼女は私を抱きしめたくなかったのでしょうか？ Why did she hug Suguru instead of me? Was that moment a whirlwind of confusion, or did she just not want to hug me?

When you excuse yourself to go to the bathroom, the boys wait for you in their seats at the little airport cafe. The neon sign glows yellow above, plants hang from the ceiling; it's a busy place.

They're talking about you over their beverages.

Satoru groans dramatically, throwing his head back, fluffy hair flopping cutely.

"Oh Satoru," Suguru chuckles, "What's the matter? Why the groan?"

"I want to hug her."

Suguru's heart melts. "Then hug her. She doesn't bite. I think she wants to hug you, too."

"But then why didn't she hug me like she hugged you earlier? Maybe I don't seem huggable to her..."

"It was a rushed moment, she had just arrived you know? Don't overthink. Satoru, just hug her."

Satoru lets out a long, stifled noise that's a mix between a groan and a sigh. He tilts his whole body back, balancing precariously on the plastic chair. Rubbing his eyes until he sees some phosphenes, a habit he did when he was nervous. Suguru notices.

"Are you nervous?" Suguru asks tenderly.

"Really nervous. She's prettier in real life. I don't know what to do with myself." he admits quietly.

"Yeah, she is, haha. Oh, there she's coming back now — や!"

"や!" you returned, giggling.

That was Suguru's 'thing'. It's cuter in real life, seeing how his eyes curve up into a smile when he says it. There are details on his face that you didn't notice through the screen; he has an attractive trio of moles on his lower cheek, and when he smiles the left side of his lips curls up more to reveal some of his upper gum.

Satoru's heart beats a little harder when you sit closer to him. He's thinking;

Yay, 彼女は私の隣に座っています。 She is sitting next to me.

"Suguru, ask her if we're taller than she expected." Satoru asks suddenly. You just hear his voice next to you and it gives you tingles — there was a quality to his voice that only revealed itself in real life. An endearing voice crack accompanies the middle of his sentence.

"Satoru asks if we're taller than you expected." Suguru asks you, habitually resting his chin on the palm of his hand while taking a long sip on his iced tea.

"Yeah! Actually, I was surprised, because I thought you and Satoru were the same height, but Satoru is very slightly taller... " you say.

Satoru is listening curiously, waiting expectantly for Suguru's translation. And then it comes, and Satoru smirks at you.

"Yes." he nods, "(Suguru, how do I say I'm taller?) — I'm taller."

You let out a short and sweet ha-hah that makes even Suguru's heart feel a little something.

Each time you laugh, Satoru's thinking;

私はあなたの笑いが本当に大好きです。。。 I really love your laugh.

You three leave the airport for your hotel, so you can check in. It's almost midnight, your plane landed late. Though he thought he'd be tired, considering he's not a night owl like his best friend, Satoru is energetically striding next to you, teasing you and laughing with you and throwing hand gestures to try and communicate better. Suguru's fondly eyeing the two of you out, admiring how your chemistry comes to life so beautifully — this is what his best friend wished about for so long; to be at your side. Now he's getting to truly enjoy your company. The dreamy-eyed exchanges between you and Satoru make Suguru think that the two of you ought to be in a novel one day, with how pure and wholesome your story is unfolding right now.

Though, he can pick up on Satoru's frustrated stuttering when he fails to communicate with you. Suguru doesn't mind being the translator, nor does he mind bridging the gap between the two of you; Satoru's nagging can never bother him.

They help you out when you're checking into reception at the hotel, but then suddenly...

"... oh, that's not good. He said your reservation got cancelled." Suguru tells you.

"What!" you panic, "Why?"

Suguru inquires further for you, and finds out that it's because of overbooking.

So you groan, the three of you walking out of the hotel lobby, standing in the glow of the light coming through its glass doors. Satoru silently offers to take care of your suitcase, attentively noticing how tired you'd become from pulling it around.

"Thank you..." you tell him.

"Mm." he nods.

Suguru is quick to offer that you stay at their apartment. "... if you're comfortable with it. Just for the night, until you can find another booking elsewhere. Or if you want to stay by us for the whole month, that's okay too — just mind the cat."

"Suguru... thank you. I'm sorry to be intrusive."

"You're not being intrusive, don't worry. And anyways, I think Satoru will be excited to know that you're staying with us. He was bummed out when he learned that you were gonna stay at this hotel, since it's a bit far from our apartment."

Satoru looks at the two of you curiously after he hears his name mentioned.

"She's staying with us." Suguru tells him. You quietly appreciate his voice, and how soft it becomes when he speaks to Satoru.

"Yay!" Satoru says with a very cute thumbs up. You can hardly believe that this man is older than you.

"Tell him he's cute." you request to Suguru.

"Tell him yourself." he teases.

"No! That's embarrassing! Ah, never mind."

Satoru already knows what you said, though, his ears picked up on that he's cute and your words repeat in his head like his favorite song while the three of you walk the streets at night. He feels dreamy.

There is something indescribably welcoming about Japan that you realize while heading across the street, looking at the faces passing by. It's clean. The lights glow warm and bright. The buildings stand tall, but not intimidatingly so. When you pass by chattering people, you wish you knew what was being said.

The three of you have to take the train to get to their apartment. While boarding it, a cute little exchange happens between you and Satoru that you can't quite explain, but it makes the two of you laugh shyly and look away.

Now squished into a seat at the very edge, another cute little exchange happens between you and him. Satoru is talking up at Suguru, who opted for holding onto the train handles after giving up his seat for an older woman.

Satoru uses lots of hand gestures even when speaking Japanese, his big hands fly around, dramatizing whatever he's saying — and then he accidentally flattens his palm right on top of the back of your hand.

Satoru's quick to remove his hand and giggle it off, but Suguru is even quicker to let out a teasing "ooh, cute" when it happens, so the two of you get completely flustered.

Satoru's heart thumps and throbs for the whole train ride. You swear you can feel a tension between your hands as they rest palms-flat on the seats, less than an inch away; you can feel his warmth, and he can feel yours.

But then the train ride is over, and before you know it Suguru's thumbing his key into the lock of the apartment door. It rattles, the door opens, and the automatic light comes on in the genkan.

"Just a sec — gonna see where Mint is. Make yourself at home." Suguru tells you quickly, voice shaking as he shimmies out of his shoes, and then he disappears down the hall to find the mentioned cat.

Satoru hears the name 'Mint' and gets the idea of what Suguru said based on that.

He nimbly unlaces his Converse, and leans down to neatly tuck them into the corner of the genkan, purposefully next to your shoes.

Then he straightens his body out, and you two have a small comedic exchange as you both notice the height difference between you and him.

"Uh..." he looks down at you. "Water?" he asks after thinking for a moment.

Your heart lurches at his thoughtfulness. "Yes, please."

"Mhm." he hums self-consciously.

He wonders if his accent sounds weird to you. Suguru's reassured him plenty times in the past that it sounds cute and oddly British, but he doesn't really believe that.

Satoru leads the way into the kitchen, clicking the lights on as he goes. And you follow. Such a simple moment makes him feel fluttery.

And then you drink some water with him in the tiny, cramped kitchen that's much too small to accommodate two people. You wonder how Suguru and Satoru can stand in it at the same time if even you and Satoru can't manage it without bumping elbows. He chuckles apologetically.

Ah, the kitchen scene. What a movie scene it is between the two of you.

"Uhhh..." he seems to be skimming his mind for any piece of English vocabulary, getting nervous as you blink at him, waiting for him to speak.

He holds up one finger, then pulls his phone out of the pocket of his jeans. He's a very simple, yet stylish dresser; jeans and a white shirt that's much too big for him. He is truly so opposite to his best friend's fashion that it makes you smile to yourself. Suguru's quite showy with his style, and you can tell he puts a lot of effort into his hairbun, too. But Satoru? Messy hair, in fact so messy that it looks like bed hair even though he did especially brush it and style it for you.

"Okay..." Satoru mumbles, typing things into his phone. Then he gives it to you, and you look at the screen.

飛行は乱気流でしたか？ Was the flight turbulent?

You type your response. He watches you. And oh how he watches you — he looks lovestruck. His eyes are full of wonder. His mind reads like poetry.

He reads your reply when you hand him back his phone.

It was. I realized that I hate airplanes. そうでした。私は飛行機が嫌いだということに気づきました。

He nods. "Scary."

"Yeah." you nod too.

Satoru hesitates.

He's still bitter that Suguru got a hug and he didn't; it's on his mind. He just wants to ask you, but a deep-rooted shyness holds him back.

That is, until you look up at him.

あなたは私を見上げようとしてとても頑張っています。かわいい。 You're trying so hard to look up at me. Cute.

His whole body buzzes with the desire to hug you. He's had dreams of meeting you in person, of hugging you, of kissing you.

The two of you feel your bodies naturally pull together, as if subconsciously desiring to embrace, so it just happens. It just happens.

And you hug and he thinks to himself;

これは私が今まで経験した中で最高の瞬間です。 This is the best moment I've ever experienced.

You can feel his heartbeat and he can feel yours. For a moment, the world around you becomes a dream; and you and Satoru are the only things that truly exist. Everything in the world except your love seems fake, unreal.

You hear him swallow like he's choking up. Then he sniffles a bit.

泣かないで。泣かないで。 Don't cry. Don't cry.

くそー、泣いちゃうよ。彼女はとても柔らかいです Damn, I'm gonna cry. She's so soft.

And you break away to laugh sympathetically, he feels a bit embarrassed.

He's crying so softly that it makes your heart lurch.

Your bodies aren't separate for long, because he dives right back in for another hug in an attempt to quench the thirst from deep within his desirous soul. This time he squeezes tighter; you can feel the tones of his torso and the firmness of his bicep muscles as they press against your sides.

He sniffles again, the sound makes your heart lurch again.

あなたに言いたいことがたくさんあるのですが、どうやって伝えればいいのか分かりません。 There are so many things I want to say to you, but I don't know how.

でも、このハグで私の感情を感じていただければ幸いです。 But, I hope you can feel my emotions in this hug.

And you can; that's how closely connected the two of you feel in that moment. You can feel the emotions radiating from him, permeating throughout the air and seeping into your skin.

You can feel that he likes you. And he can feel that you like him back. It's fascinating to you, because before him you've always been saying I love you and I like you and will you date me? to people, or been on the receiving end of those phrases. But those words are unnecessary for you and Satoru. In fact, they're futile.

If he would say I love you, it would just be an accessory to his already evident love.

Then a sudden embarrassment pries the two of you apart, and you both start giggling to cope with it.

"Sorry... a bit much?" he mutters, half-sure of what he's saying.

"No, not enough." you tell him. He kinda understands what you meant, and feels fluttery. His nose is reddened from crying. He quickly pats his tears off with the base of his hand.

It's like your bodies hate being apart now, you and him can tell by each other's body language. Now at least that's one language both of you became fluent in, despite only being in each other's company for a few hours.

He looks at you. And you flick your brows up and make a funny face, as if to ask him what he's looking at. And he looks away with a bashful laugh, as if to apologize.

The romantic tension is so thick in the air between you two that when Suguru comes back, he feels it hit him like a wave.

おお。さっきまで彼女と一緒にいたとき、世界の存在を忘れていた。 Oh. When I was with her just a moment ago, I forgot the existence of the world.

"That cat is a menace. A menace." Suguru complains.

"What happened?" you ask.

" 'Got scratched." he holds up his hand, showing off the Hello Kitty adhesive across his knuckles. "Anyways, It's late. Are you tired? Satoru's gonna sleep with me, and you can have his room. Unless you want my room. I dunno. You can choose."

"Ooh... I haven't seen your room now that I think about it, except for that one video of you two pillow fighting."

Satoru's already starting to feel a small bit of jealousy and frustration, because he has no idea what you two are talking about.

Suguru's quick to notice this, and translates with a quick tongue.

"Tell her my bed's comfier than yours." Satoru says smirkingly.

"Wow, rude — Satoru says my bed is comfier than his." Suguru lies, refraining from laughing at his own mischievousness.

"Ah, I don't care, I'll be grateful for any bed... ah, actually can I use the bathroom to freshen up a bit?"

"Like I said, make yourself at home."

"Thanks..." you smile.

So Suguru leads the way to the bathroom for you, and you lock yourself in there to freshen up for a while. You sniff your shirt and smile — you smell Satoru's subtle scent on it.

The boys are fussing over the bed situation.

"Don't we have an extra futon stuffed away somewhere, the one Shoko left here?" Satoru thinks out loud.

"Ohhh, you're right." Suguru nods, looking for it.

"Anyways you embarrassed me!" Satoru pouts.

"Haha, did I?" Suguru pulls out the futon from the tippy-top shelf.

"Yeah, earlier you showed off how good you can speak English." Satoru grumbles.

They're softly grunting as they ruffle blankets and pillows.

"Oh, I guess I did. Sorry." he admits, "gosh, maybe if you would have learned a little something in preparation for her visiting then — "

"I did learn stuff! I learned... how to write." Satoru interrupts defensively.

"But why didn't you learn some common phrases?"

"I don't like my accent when I speak, alright." Satoru admits, huffing as he dives into the bed, ruining the artful neatness that Suguru just put so much effort into creating

"Okay, fair enough — oh my god, why would you do that, are you twelve? Oh hey, Y/n." Suguru smiles. "Satoru ruined your bed."

"Oh — two futons? Am I sharing with you or Satoru?"

Satoru rears his head at you from the pillow, looking very cat-like right then with his fluffy white hair. You can tell he's struggling to stay awake as the hour pushes onto two in the morning. He hasn't stayed up this late since he had a video game addiction and played all night with Suguru. Keeping his eyes open was a grand feat.

"No, you get to have two futons." Suguru teases, "Princess treatment."

"Haha, shut up. Be serious."

"Well, you can share with whoever you want or Satoru and I can sleep here together. Whatever you're more comfortable with."

"Didn't you once complain that you hate sharing beds with people?" you giggle.

"Mmm, yeah, but I don't mind if it's with you. Satoru's a cuddler. He also kicks in his sleep."

"That's so cute — well, let's ask — ... hey, I think Satoru fell asleep. Satoru?"

And surely enough, Satoru is asleep; he fell asleep to the sound of your voice without meaning to.

"He's not used to staying awake this late." Suguru tells you, softening his voice so he doesn't wake the cat Satoru.

"That's so sweet. He's really so sweet." you tilt your head admiringly.

You and Suguru are just alone there together, gushing over how cute Satoru looks when he has his cheek squishing into a pillow and his lips pouty and puffy in that sleep-like manner.

A long, nice silence settles in the room. You admit to Suguru that you're feeling a bit too wired to sleep just yet.

"I can stay up with you."

"No, it's okay. You look tired, you should sleep."

"I just always look tired. The night is early, anyways. I usually brood until four in the morning, you know me."

You smile at him, and he has to look away before he swoons. There's a small tension between the two of you, but the both of you force yourselves to ignore it.

The two of you assume a comfortable position on the futons, chatting as if you're not emotional about the fact there's no screen separating the two of you.

"Satoru's never been an insomniac, but in the week leading up to your arrival, he couldn't sleep at all. We'd stand in the kitchen together at midnight, talking about all the things we planned to do when you got here. I've never seen him so excited in a long time... it's really heartwarming to see."

"Really?" you blink at Suguru. He side-eyes you for a prolonged moment, then looks at Satoru who continues to sleep indisturbedly.

"Yeah. You know, he's such an idiot, actually. Because I told him to learn some phrases and instead he learned how to write English."

"That's a start! I mean, look at me, I can barely say a damn thing..." you mutter with lighthearted shame.

"Maybe that doesn't matter at all... I mean, with the kind of chemistry you and Satoru share, there's not much need for words." Suguru says.

You feel your face warm up a bit when he says that. "What do you mean?"

He wiggles his brows. "Oh come on, you know what I mean. I could feeeeel the tension in the kitchen earlier."

"Huh!"

He smirks and begins to tease, "I've never seen two people flirt so much and yet use no words."

You chuckle shyly. "Really...?" you look fondly at Satoru, who's become more curled up by now, face half-hidden under the blanket.

There's a long silence. You're looking at Satoru. Suguru's looking at you as if spellbound. And then he snaps out of it, and reanimates himself.

"Anyways... we should probably get some good sleep if we wanna drag you around on a tour tomorrow. I want your first impression of my home to be how good the food tastes here."

"Ooh, a food tour around Tokyo? Sounds nice. Won't it be too hot tomorrow, though?"

"It'll be fine." he says surely, "Anyways, are you sure you'll sleep here with Satoru? Like I said, he's a cuddler. He will cuddle you in your sleep."

"It's okay. I don't mind." You giggle.

"M'kay, goodnight then."

"Mhm, see you tomorrow." you say, standing with Suguru.

"Wow." he suddenly exclaims when he looks at you.

"Hm?"

Suguru stops on his way out the door, he seems taken aback. "I can't believe you're actually right here. I'm so used to pressing a red button and you vanishing from my screen." he laughs in disbelief.

"Yeah, I'm still a bit in disbelief, too. I feel like I'm in a dream and not standing right in front of you."

Suguru smirks. "Mm... well."

He leans down to hug you, pressing your smaller body against his chest with a lovingness that you never envisioned he would possess.

"Have you ever tried to hug someone in a dream? It's pretty difficult." he jokes.

"N-no, haha." you chuckle nervously against his neck. He feels your laughter on his skin, and pulls away before he lets that tingly feeling spread across his chest.

"Goodnight." he murmurs.

"Goodnight." you mumble back.

You're glad when he disappears into his own room, because you felt like you were melting in his alluring presence. A boy as sultry as that requires you to take a breather.

Satoru draws your attention by letting out a sigh in his sleep. You head into the bed.

Though there's a distance between you two, somehow it closes, and Satoru rolls right over onto your futon.

Oh, he is indeed a cuddler, you think. You feel a warm arm suddenly hugging your waist as Satoru changes position, and you hear sleepy lip smacks; his face is very close. You can feel his sweet, warm breath on your face.

There's a comforting, human intimacy about sharing a bed with him. He's so gentle when he sleeps. His hair falls over his eyes, his lashes shudder as his eyes do that sleepy twitching thing.

He looks angelic.

You wonder what dreams he's having. And well, actually he's having dreams of kissing you. How coincidental that you were staring blinkingly at his pouty lips, wondering just how long it will take for the both of you to just — just kiss.

Roaming his features in the dark, you find aspects of his beauty that you never saw before through the screen. He's got a tiny scar above his eyebrow, that must be the one Suguru told you about — the one he got as a child when he fell out of a tree. You remember making a joke "but I thought cats always land on their feet?" and when Suguru translated that, Satoru laughed.

There's slight freckling under his eyes, and slight indents of eyebags stemming from the inner corner of his eye.

And yes, how could you not admire those lashes. They were more beautiful in person. You could count each one if you wanted to, that's how closely he slept to you.

Listening to his soft breaths nearly lulls you to sleep, but then he suddenly cuddles closer and whines in his dream.

Oh, that's close close, you think.

His torso is pressing completely against your side, his body melting into yours like it was made for you. Two puzzle pieces meant to fit together.

His leg comes over yours, and his muscular thigh nestles between your two thighs. It makes you aware of just how attractively long his legs are.

He completely entrapped you with his sleepy embrace.

The warmth of his gentle breathing tickles your cheek, and the tip of his nose slightly dents into your skin. Now that's when you fall asleep. When he's completely melted against you, snuggled up like a cat.

He stirs awake after a few hours of heavy sleep, and for a split second in that groggy wakeful mind fog, for some reason he thinks he's laying next to his wife. So he squeezes you tenderly and cuddles more affectionately.

Oops, he thinks, and pulls away a little out of embarrassment. But once he falls back into dream land, his body subconsciously goes right back in for those sleepy cuddles.

Now the morning dawns over, and you wake up to two bleary, blinking blue eyes right up close to your face...

Do not plagiarize / repost / translate / copy layouts / etc.

Do not steal what I've worked hard to create.

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ineffable-romantics · 9 months

Text

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

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Bonus feature: the very silly notes I made to myself that inspired this post

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