#is this even an art post it got so long that i put a readmore

[otterloreart]

someone on MLPTP asked for Lil' Litters puppies/kittens so I've been attempting them in the background.

More information about these sculpts (aka down the rabbit hole) after cut

The coloration of the models in my shots were based off the My Little Puppy "Pretty Poodle" family, but models were reused for other sets

For example, Sweet Spaniel family had the "blue poodle" model but a unique sitting spaniel, although it looks like the proportions + ears are the same as the other two

And then the next release had the "Funtime Spaniels" set which had the same poses but was more colorful, and also the puppies with the other "mom dog" sculpts:

The website Toysisters, where I got the above photos, mentioned that the entire second line of My Little Puppies is hard to find so I looked them up and

This was the only My Little Puppy 2nd year release I could find and its a single figure for $75.

Also in the 1980s hasbro purchased the rights to a Barbie competitor (originally made in the UK) called Sindy and reused some of the pet molds in pajama party packs:

And this one also sells for a lot and isn't really available in many places

I don't bring up the prices, btw, as a critique of vintage toy collecting or anything. I don't make these models because I think people should just make new ones all the time. I /like/ that we're preserving old toys.

Rather, I hope my sculpts are used for collectors who have part of a collection and can't find a real vintage one, or people who think it is sweet and want to make a custom one (like they could do their dog or just a fun new thing). It's just for fun and not a replacement

I think what really disappoints me about all the lil'litters characters is they don't have the colorful marks like the ponies. If you didn't know, the original pony marks were made to imitate the marks on an appaloosa horse

And to me, while they aren't the only reason the ponies did well, they're definitely one of the things that makes them unique, like the carebears stomachs or strawberry shortcakes' fruit hat

Like they made a dalmation dog and they didn't even give it like... heart shaped spots. Huge missed opportunity there imo.

Also they did the siamese in reverse dark-light colors and iut looks like a fox. Siamese cats don't work this way, they gotta be darker around the tips for a reason.

Hasbro did release a line called Little Pretty that had a similar conceit, but I find the sculpt of the toys... underwhelming. They look more like Proto-Littlest Pet Shop to me than My Little Ponies:

The one on the left is supposed to be a dog and I only figured that out because she has no ears, just hair...

I much prefer the Lil Litters sculpts, they look more detailed and unique to me, and more similar to the OG MLPs

the My Little Kitty / Lil Litters were actually released concurrently with the Little Pretty line, both around 1990, so the discrepancy in artstyle feels really weird. but also it's just such a weird choice to create two similar looking brands to me? I don't... get it.

This was also year 9 of my little pony so the brand was going wild with the ponies and its interesting to me how plain and early-years the dogs+cats were in comparison

they were giving the ponies neon colors, false eyelashes and built in pockets and decided that their other animal lines would just be... different colors.

anyways my send-off is here are the first releases of lil litters:

#my art #blender #sculpt #is this even an art post it got so long that i put a readmore #vintage toys #vintage lil littlers #mlp lil litters

[tgcg]

ms paint. you know her. u used her age 8 to make loads of rainbow ovals all over the canvas and then scramble it with selection tool. now u will know her true powers with my handyrandy tips under the readmore. some will be pretty basic and others are very special.

this post has 8 cool trix to learn for you. enjoy and i may do another in the future if i remember/learn more stuff

some of it might be common knowledge. but its got some deep cuts. all tips have gifs to show process easily.

🙂 enjoy and i hope this encourages you to fuck around in mspaint more

soundtrack for this post (loop it while you learn for advanced learning experience)

TIP 1) the right click trick

left and right mouse click correspond to col1 and col2 respectively, which u can see in the top bar. this applies to all brushes and the fill tool like above. when using shapes col2 will be the fill colour (if you have solid fill selected). right clicking with shape maker will reverse the colours use on the shape.

TIP 2) right click eraser

this one is extremely helpful for lineart or add shading. the eraser always uses col2. so your eraser can technically be any colour. but here's where you get powers: right clicking with eraser will only erase onto col1, with col2.

TIP 3) transparent selection change a guy destination

the beloved transparent selection tool works based on what is selected as col2. so long as you have the correct colour as col2 you can make any image transparent and put it on top of anything else. and yes this works with photo bg as you can see.

TIP 4) the gradience

this one is a little more complex. you want to start off with any canvas size, and make as many diagonal coloured bands as you want. (protip: holding down shift makes a perfectly diagonal line with line tool)

then you need to resize the canvas to a width of 1px (make sure you resize by pixels, and do not maintain aspect ratio). then resize again back to its original width (or a different width i cant stop you). you will have your lovely gradience.

TIP 5) superimposter

so. you got a cool gradient and wanna put a guy on it. heres what i do:

i open a 2nd mspaint with same canvas size and draw whatever i want on there. i then pick a completely unrelated colour to my entire piece, and set that as the bg. you could use white, pink, geen, whatever you want as long as it doesnt appear somewhere else in ur drawing. copy the guy.

go back to your gradient tab. ensure that col2 is set as that bg colour you picked (lilac for me). have "transparent selection" enabled. paste your guy in. cue fanfare

TIP 6) advanced superimposter

the great thing about this method is u can put multiple gradients in multiple areas of the image. this is where it gets all japanese printmaking type of shit. ukiyo-esque

all you need to do is make another canvas with a new gradient, ensure col2 is set as the colour you want to replace, then paste your original piece onto the new gradient. now my guy has a soft fade. you can do this as much as you want. (you could even make a canvas with a texture or photo and paste your drawing onto there)

TIP 7) "sketch layer"

so as you now know, col2 is what is removed when you click "transparent selection". which means you can also remove any instance of a colour from ur drawing. which means you can have a unique colour for sketch layer and remove it from the drawing later. i admittedly dont do this but it is a great trick to have.

now combine this with lowering your dpi for smoother lines. may seem obvious but it helps. its like a free stabiliser whenever u want.

TIP 8) rainbow art

now this is where you can get dizzee rascal "bonkers". check out my small and shitty rainbow trick. you can select anything and hold down shift, then drag with left mouse, to turn that selection into its own brush. i even did it with a guy. and you can of course do this with a photo as well.

🙂well that it for now. hope you liked it thanks for reading now back to your regularly scheduled tgcg programming

#randytime #mspaint guide #ms paint guide #tutorial #ms paint tutorial #mspaint tutorial #ms paint

[snaccpopstudios]

Hi everyone! We're here with the long awaited post on our newest bachelor, Simoun. We know you've all been abuzz with questions about him so we hope to answer some of that in this deep dive into his creation. This post is in lieu of our usual Wednesday devlogs as we've been writing this over the span of several weeks, and was co-authored, edited, and reviewed by Tobias, Jude, ToyboxToonz, Primarvelous, and Sauce. The above image was drawn by @toyboxtoonz.

You can read the full post for free on Patreon, or click the readmore to see it all!

Personally speaking, some of my concerns since Simoun's debut are thoughts like "Do people think I'm making SnaccPop Studios push an agenda?" and "Do people think I'm going through a checklist while making new characters?" It's made it difficult for us to write this quickly because this is quite personal to myself and the rest of the sensitivity consultation team on the DachaBo team.

Concept to Creation

The story of DachaBo begins way before SnaccPop Studios itself was even a concept (that's Sauce's story to tell though). Early Patreon art of Simoun exists from November 2022, back before I was signed on to manage the Patreon and any other projects besides Sunny Day Jack. Sauce had some ideas laying around for several other characters in the DachaBo universe that didn't make it into the proof-of-concept demo:

I dug up an old draft for the DachaBo cat character we teased and it featured a story concept where the cat character was originally a female DachaBo character, referencing the original female design. And overtime he got tired of how he was being treated and decided to change his own self to reflect who he wanted to be, not the sycophants who collected the toys and whatnot ... It was shelved because I didnt have the means to sensitivity check it The designs are half cooked is all but he was supposed to be Indian ethnicity coded for no other reason than I've never seen a character like that

One thing that's important to note is that there definitely are Indian folks who are gender diverse (see Hijra on Wikipedia for a quick primer on one of the traditionally recognized nonbinary genders in South Asia) so it's not a novel concept by any means, but it's also not very common in media whatsoever.

Why The Long Wait?

One of the other contributing reasons as to why Sauce wasn't able to do much with the concept at the time is because we didn't have a VA for him confirmed yet, as I explained in May:

One thing that's rather unique to SnaccPop Studios in all of my experience as a game developer is the fact that all of our series involve coordinating with Voice Actors from the start, which means we need to take the VAs themselves into account when making characters. Adding another layer of complexity in hiring is the fact that SnaccPop Studios is a strictly Erotic Adult brand focusing on masculine love interests, and even if we focus more on the softcore, there's still the unfortunate stigma that any 18+ work has when attached to your name. All of these contributing factors make the potential talent pool that much smaller. This isn't to make excuses: I know SnaccPop Studios can do better on this front. While we can't make changes to some of the existing series' main cast (we don't want to put people out of a role they've been promised), we will do better moving forward to incorporate more diverse characters into our future titles, and that's a pledge

In the field of voice acting, it's best practice to cast actors with similar backgrounds to the character they're voicing, particularly for characters from marginalized populations (ethnicity, culture, gender, etc.), because it's a recurring issue in all professions where marginalized folks are regularly turned down for employment or career opportunities. You don't have to look far for instances where other voice directors failed to cast the proper talent for a character, even in the AAA sphere where they ought to have the resources to be able to find the proper talent; at SnaccPop, we wanted to avoid that situation at all costs.

Finding Simoun's Voice

So we had to confirm a VA first before we could do anything. Sauce, Reece, and I all tried to put private ads out for a trans masc POC (any ethnicity with dark skin) actor for a R18 game, which was largely met with silence at first, then responded to by folks who didn't fit the role in a full capacity (many only hit one or two of the criteria we laid out, some of them none at all). And it's not hard to imagine why: it's common knowledge that the majority of erotic works often fetishize marginalized people who are otherwise underrepresented in mainstream media. Things such as skin color, body type, hair color, age, etc. are treated as traits to be objectified, and on the off chance that queer folks or people of color might see themselves in porn… it's usually not for the most flattering or empowering of reasons. How could we, an exclusively Adults-only studio, convince someone who isn't familiar with us that we wanted to make something for people like them rather than something that turns them into mere masturbating material?

We were almost about to give up on the Catboy until I decided to take a chance on contacting a VA whom I hadn't had any formal and proper interactions with before. I'd been a fan of his work and knew him from an audition he sent in from a previous game I had worked on, but he knew me solely by name at best since we were following each other on Twitter. Still, it was a lead, and after chewing my nails for half a day, I shot off a message to Soren Viloria.

And what do you know? He said he'd give it a shot as his first NSFW role.

Naming the Lad

Soren is a Filipino VA, and despite the fact that I myself seem to be mistaken as Filipino by other Asians quite regularly, I'm actually not as well-versed in that culture as I ought to be.

There's actually a reason why we were so secretive with Simoun's name for a while: he didn't have one yet, so internally we just kept calling him "the Catboy." We wanted to pick a culture-appropriate name for him, something that was meaningful: Soren initially suggested "Siopao" as it was a common cat name (it's a type of Filipino Steamed Bun, so think of how many pets you've seen who have names like Cupcake or Nacho Supreme), but that didn't seem serious enough for a tsundere catboy like him. A few days later, Soren did a little research on a few well-known characters from Philippine media/culture that fit the bill a bit better:

Elías from the Philippine Revolution novel Noli Me Tángere (a required reading in the Philippines). Cat may like his radical tendencies for revolution and his deep, devoted connections.

Simoun from Noli's sequel, El filibusterismo. Holds revolutionary values similar to Elías, but far less noble and more of a loner. Violent at times, and will do what it takes to get his way.

Panday/Flavio, a very popular hero. Part of his charm is that he doesn't have special powers, but took matters into his own hands and forged a magical blade. Has been portrayed in both 'cool' and comedic ways.

Ricardo "Cardo" from the Philippines' longest-running TV drama Ang Probinsyano. Just a cool action hero dude who cares about family, but is also very ambitious and angy.

Seeing as how we already had an Elias Gallagher, Simoun seemed to be the perfect fit, and the name stuck pretty easily.

Simoun's Boundaries

Now that Simoun had a name, we were able to talk about him more seriously beyond the simple "tsundere cat" tropes. You've all already met Gil Finnegan, who we originally brought into SnaccPop Studios to handle the narrative design for DachaBo but was then onboarded to help with Sunny Day Jack, and those of you in the Patreon Discord server are familiar with our mods Tobias and Jude; along with me and Soren Viloria, that brought the grand total of openly trans masculine members on the team.

We all talked about our personal experiences as trans masc/AFAB people, what things we rarely saw reflected in both mainstream and indie media, things we wanted to see more of. Something we all agreed that was difficult to find was trans masculine folks in sexually dominant roles in erotic media, whether that was live video, audio, writing, art, or a combination thereof; there was only a handful of series we could count on our fingers as far as sexually explicit content that featured trans masculine people in roles that weren't exclusively submissive/bottoms, and the majority of us had already seen those or at least heard of them before (ie. Gummy and the Doctor and Sasha From The Gym were prominent ones). Either discovering this content was difficult due to Search Engine Optimization favoring depictions of trans feminine folks, or it simply didn't exist.

All of this, along with the backstory that Sauce had for Simoun, led us to determine that Simoun would be adverse to submissive roles in intimate situations. Simoun isn't the type to want to be penetrated either due to previous trauma surrounding his gender. Bear in mind that this isn't meant to imply or suggest that there is only one "acceptable" sexual preference for trans masculine folks, nor is Simoun meant to represent all of trans masculinity; he may be our first trans masculine character but certainly isn't the last, as we hope to feature more types of characters at SnaccPop Studios.

As an aside, it should be noted that the trend of erotic trans feminine content being more readily available doesn't necessarily mean that trans women have more positive representation per se; for every kinky piece of art created by trans feminine folks out there, there could be ten more works that fetishize and objectify their bodies. We probably don't need to tell you about the common derogatory slurs that have been used to refer to them; trans feminine and trans masculine people deal with varying levels and types of transphobia as well as situations that oversexualize (or even undersexualize) them, and it's important to focus on content that doesn't strip them of their autonomy.

There actually was a period of time between the release of his concept art after Soren was onboarded where the team observed comments both on Patreon and in the Discord regarding Simoun, and we discussed how we could avoid having people try to ship Bo and Simoun together; because Simoun hasn't had bottom surgery of any kind, we wanted to ensure that tokophobia (fear of pregnancy) or dysphoria wouldn't become a thing for any of us involved in the team or for our trans masculine Patrons. It was a bit of a chicken or the egg situation, trying to keep up with the evolving comments about Simoun to try and anticipate what people might accidentally say.

Debut Day Thoughts, & Moving Forward

We were quite happy with the general reception everyone had with Simoun, and we're excited to see so many people taking a liking to Simoun after his reveal. SnaccPop Studios has always strived to provide inclusive and diverse stories for those who don't often get represented in media, much less NSFW media, and the team was quite elated to see folks who were just as happy to see Simoun.

We hope that the love and care we put into building Simoun has shone through in this post and will continue to shine as we write more of him for DachaBo, because we're just getting started.

#dachabo #character design #trans masc #transmasculine #transgender #minors dni #gamedev

[beesmygod]

today is webcomics day. i am bea and i make "A Ghost Story" - part 3: sketch 1

ed note from the future: this got long. its going mostly under a readmore for everyone's sake. and i didnt even finish sketching, just trying to explain what is going through my mind while trying to sketch. look, if i write down my process in exhausting detail people will realize im completely insane. this is a net benefit to anyone trying to interact with me in the future who thinks i can be reasoned with. community service. thank you for allowing me to post this shit lol

hmmm. giving up on the first few panels for right now. here's what i'm thinking about as i sketch this:

too many of my panels were talking heads or constantly relied on one point perspective. i have been trying to work against this for a while with mixed results. sometimes the result is so bad i have to scrap what i did and start over but sometimes it's "good enough for TV"* and i hit publish on it. no risks, no reward after all. can't get better if you don't try.

in this first panel, i have two people having a back and forth conversation through a weird magic hole in the floor/wall. maxine is laying on a couch with hole right above her head. homestar runner will demonstrate what i mean:

however, there are logistical problems with maxine that homestar runner doesnt have. maxine's right shoulder is dislocated, so she can't lay on that side, or any side that would put pressure on the joint. im realizing i don't actually know what position would be most comfortable in her situation or how she would instinctually arrange her body to avoid pain. i start looking up videos from physical therapists on how they recommend patients sleep for some ideas.

also i start looking up what women look like sleeping on couches. how does the human body fold up. because this isn't it.

anyway, this was my first effort with the first panels.

for reference, the last page ends like this:

the top left of the sketch would have been the hopi clown back on the shelf with the "camera" tilting above it to reveal maxine. while this keeps the relevant object from the previous page in frame as a piece of connective tissue between updates....i'm struggling to fit the second character in. the one talking from the hole. maybe there's still hope for this? it's not terrible. initially i nuked it but maybe i can make this work.

fuck! she needs a pillow or two to make this work. this video is right, that DOES look naturally comfortable compared to the standard fetal position that would pull the affected shoulder inward. i didn't draw any pillows into the stupid establishing shot of the office bc its not the kind of couch you are expected to sleep on!!! this is a man's business office!!! i thought i was so smart!!

basically every couch comes with decorative pillows though, and the shot of the room didn't include the wall the "camera" was up against. my 2-point perspective failure might have paid off here lol. if i can establish that the second character is talking through the hole, he can use his rayman hands to reach across the room and get the pillow for her. it can be part of his personal campaign to show maxine he means her no immediate harm. the pillows were just out of frame. lurking. ok let's try it again. uhhhh after i eat some lunch

---

*my friend kelly had an anecdote from working in animation that im going to retell badly from memory. her boss would take the work she labored over to meet by deadline and would laugh at it, saying "ah, its terrible! but good enough for TV". and while extremely mean, he had a salient point: it never has to be perfect. it just needs to be good enough to be seen. sometimes i seriously think about this anecdote when im dissatisfied with my own art. it's bad. but it's good enough for tv.

#a ghost story #web comics #webcomics #webcomic #webcomic day

[chaseprice]

hi!! hope i’m not a bother. i just came across u and i wanted to ask something,,,

basically, i joined the life is strange fandom in 2018 so i never got to experience the pre-bts era, meaning i didn’t get to experience what rachel was like to the fandom back then or see the different interpretations of her.

i did some digging and i found some fan content of her from 2015-2016 & i’m absolutely infatuated with all aspects of the fanon version of her, especially her personality & how she looked. i totally wanna embody her. also the love is strange vn was so interesting to play, i love how she was written. i’d love to know more!

i stumbled across ur blog while i was doing my digging and i saw an old long post of urs saying how bts didn’t live up to the fandoms expectations, as almost everyone perceived her differently.

sorry for all the yapping LOL but what i basically wanna ask is,,, how *exactly* did the fandom perceive rachel back then (2015-2016). what were some popular headcanons for her? things you guys even considered to be canon? what were some of your own *personal* headcanons? (can be silly, realistic,,, just anything you thought resonated with her)

do you have any favorite arts from that time period that you thought really captured her? what were your hopes for the prequel/rachels character before it was released? what did you want to see in terms of story? was rachel’s style, appearance, & personality extremely different than what you expected? what did you expect?

i assume that rachels treatment in the fandom was different then than what it is now. whether it’s better or worse, i’m not sure. i was hoping u could answer that too😞. recently i’ve just been seeing constant hatred or lack of care for her character so i’m starting to think that if bts was written differently and based on the fandom’s interpretations instead, the hate now wouldn’t be this bad.

from my digging it seems like you guys had alot of fun sculpting rachel’s character on your own, and the interpretations were probably more realistic than what decknine put together.

anyway i’m sorry for the yapping essay on this random saturday, most old lis accounts are dead & i didn’t know who else to ask☹️. just trying to relive what you guys experienced the best i can. hope i’m not bombarding you with this. thank you so much if u respond !!

hiii u def did not bother me, i am not in a position to answer all of these questions, but although it makes me feel ancient, it's cute to see so much passion for rachel and pre-BTS fandom opinion, so i'll try answer some and for the rest (art, hcs, etc.) im just gonna have to direct you to my archive* (will continue under the readmore)

*(tumblr archive is so broken on mobile so you gotta go on pc for this, but also there's so many gifs from that time so it will Definitely slow down your browser). i was insane and 17 years old so like, just excuse all of the cringe content i guess. you can click tag and filter it by either #lis #rachel amber #amberprice or whatever to try and find stuff like art. and i got into lis sept 2015 so that's like, as far back as it will go, but i was fully lisbrained from 2016 through 2018)

to be honest, in alignment with pre-bts thought lmao, rachel is whoever you want her to be. there was less of 'this is a correct objective fact about her personality/history' and more 'yeah, this is an idea the fandom really likes and has become fanon, most likely because it is a nuanced and entertaining and realistic interpretation of what we have seen of her character in lis1' which means people whose opinions conflicted with that might've be contested/laughed at/unpopular, but they weren't wrong per se. there were plenty of people i'd criticise (and ridicule) back then for implying that this teenage girl was evil, and being a teenager myself back then, i'd call them morally reprehensible and cancellable and whatever, but tbh, as an adult now, i can just see that it was simply a boring interpretation of her character informed by misogyny

i'd disagree with the notion that fandom treatment of rachel's character was better before bts, back then there were plenty of people seemingly excited to characterise her as emotionally manipulative, a cheater, deserved what she got, etc. as well, bc tbh, the story did leave room for that interpretation, but it left room for so much more as well. i feel like bts just really locked in on a certain story they wanted to tell plot-wise, and didn't choose to explore a lot of the questions fans had about rachel as a person. it's hard to turn the ambiguity of a friendship turned situationship over a period of 4 years into a playable experience for an audience - so they didn't. regardless, it got people thinking about rachel more, putting a spotlight on her, hence increased attention both positive and negative. i feel like there's just a fundamental difference between what lis1 fans enjoyed about the potential for her character and how she related with chloe and the world around her, and what deck9 wanted to portray in bts (yes they hit the astrological headcanons, the charmingness, her rebellion, the emotional conflicts... but it personally felt hollow, contrived sometimes, i suppose). but there were a lot of people who loved bts (i enjoyed a lot of parts of it!). just, in my opinion, some of those were quite different people from who loved lis1, and with that wave it brought a lot of emotional immaturity to the fandom (like... ship wars, really? that was an insane change to fandom dynamics for me lmao, but maybe i was just spoiled by surrounding myself with people whose takes i respected)

anyway i highly recommend also that if you're hungry for that kind of content, read fanfiction on AO3 by the old fans - by Mogatrat (TON of rachel centric ones there), explosionshark and tippytypewriter, chicknparm (though Cusp is written post-bts, it's informed by pre-bts characterisations), vicepoint (me hehe), def many more good ones out there those r jus my friends so they come to mind first, e.g. i liked homecoming by kriegersan back in the day, but you could def find some more by sorting the lis ao3 page by kudos and reading the older ones that are highly rated featuring rachel. and lastly, my gf wrote a beautifully worded blog post called "The Assassination of Rachel Amber by the Cowards Dontnod and Deck Nine" which gets into some of this from a media crit perspective (not about fandom) in a very eloquent way thru comparison w twin peaks and i highly recommend that

rachel hcs that def started way before bts: skater rachel, stoner rachel, punk music listener rachel (but also like, fleetwood mac cranberries cocteau twins grungy hippy stuff rachel too), rachel's parents being distant and still living in california, curvy thick rachel, things that i've accepted as canon but were def created by diff people: bri explosionshark hc'd that rachel paid for chloe's sleeve, mogatrat (i think) hc'd that rachel initially went to get her nips pierced with chloe (that's a longtime fan hc now idk who started that one) but chickened out at the last minute, i think she also hc'd that chloe made the earring for rachel which is cute too

[foone]

The fundamental problem with comedy is that the highest form is improv. Not "Whose Line Is It Anyway?" style formalized improv, where you ask the audience for suggestions and build a comedic scene around that, but the basic skill of "something just happened, make a joke about that". This got long, so it'll be after a readmore

It's a life skill, not a type of art you produce. Jokes like this don't make it into movies and shows and blogs, it just happens. You're with a friend or two and something funny happens and you make a joke about it, everyone laughs. It's personal, you tell the best joke because you know your audience, you have shared history.

And you can see how we try to capture this in produced comedy: it's why we have comedy movies and sitcoms, literally "situation comedy". It's not just half an hour of stand-up, telling joke after joke, it's about setup and putting the protagonists into situations, and having it be funny, usually with them making a joke about the situation they're now in.

But there's an artificiality to it: the same people writing the situations are the ones writing the witty jokes. They set up the dominoes and they're the one who knocked them over.

And hell, even stand-up is rarely as simple as just "setup->punchline, rinse lather repeat". There are some comedians who can pull that off, but it seems far more comedians are "observational comedians", meaning they're making jokes about the absurdity of the world and modern life. They'll tell a story, even if it's as simple as "so I went to the post office and it was annoying and people were mean and I made jokes about it!". They're doing storytelling: here's the situation, and here's what I said in response, either in the moment, later during this retelling, or some combination of both. (Ed Byrne has a bit where he says "yes I was very witty that day, almost like I had several weeks to come up with the perfect response!")

And maybe the closest we can get to this "in the wild" (meaning in a produced media form) is MST3K and similar riffing. The people making the jokes didn't make the story, so they have plausible deniability. And even if they've seen the movie several times and written out jokes ahead of time, they can feel like they're reacting in the moment.

But the funniest jokes will never be made this way. No sitcom or comedy film will be the funniest, no stand-up one liner or knock knock joke, not even an improv scene that makes you nearly piss yourself in laugher.

The funniest jokes are when you and an old friend are getting ice cream and the person in front of you asks for vanilla with extra sprinkles then sends it back because there's "too many sprinkles" and you turn to them and say "I thought my ex-wife moved back to Chicago!" and you have to leave the establishment because you're crying with laughter and can't get it under control enough to actually make your order. It's something that'll probably only ever make sense to you and your friends, and in that particular moment. You could sit down and explain the situation and the back story but that would never capture one tenth of the humor, and even if they understood, so much of why it's funny is that it happened in that moment and without the setup.

Because even if you are truthfully recounting what happened to someone else later, and don't need to explain all the back story, you're still implicitly telling a story that sets up a situation. This is now a joke, and you might as well start it with "so an Irishman and a Rabbi walk into a bar..."

You're setting then up for all the expectations of comedy. And that inherently ruins some of the comedy! Because comedy, in a way, is an error message. It's a mis-prediction. It's your huge brain trying to do what it does and predict what will happen and what you'll say next and understand the situation and figure out how it'll go, and realizing it's wrong, and fundamentally wrong. It made assumptions that were reasonable to make, but it had those assumptions proven very wrong.

Like, one way this has been described is the idea that jokes are telling two stories: the one you assume, then at the last moment they pull the rug out from under you and reveal there was a second story, and you have to mentally backtrack and retrace your steps to see how the second story is the correct one.

Like, simple example, and I'm sorry to ruin the joke (as someone said, explaining a joke is like dissecting a frog: no one's that interested, and the frog dies)

Doctor: I'm sorry, we had to remove your colon

Me Why?

See, the humor comes from how the setup primes you to think that "colon" means the body part, but then the punchline reveals it's talking about the punctuation. The way the first line is interpreted is totally changed by the second, and the humor is how your brain handles to "whoops made a big mistake in how I understood/predicted that!"

And that's why it's never going to be the same level of comedy when telling jokes as just improv'ing a joke while out in the world. You tell someone a joke, they know a joke is coming. They have heard jokes before. Their brain is in joke mode. They are trying to imagine how things could be taken different ways, how the joke could work, what the punchline is.

This is why "a comedian's comedian" is a thing. Your Milton Jones style comedy ("My grandfather invented the cold air balloon but it never really took off"), where it's very absurdist and includes a lot of anti-jokes. It's why simple jokes like the above are often called "dad jokes", because they're the kind of jokes you tell kids. Not just because they're not raunchy or anything, but because they're lessons in how jokes work. They're jokes that only work on people who don't yet know how jokes work.

Whereas absurdist comedy and anti-jokes can work amazingly on people who know how jokes work, if you're aiming for that audience. You basically write your jokes so that the audience expects the joke, predicts the punchline, but SURPRISE! the punchline is completely different or not a joke at all. For example:

I'm not like other dads

I’m a 19 yo woman with no kids

The comedy is your brain going into joke-mode and getting ready to figure out all the ways this joke could go and then WHOOPS the joke is that there isn't one and this is a straightforward statement that you got mislead into thinking was going to be a joke.

So, having said all that, hopefully you can understand what I mean. The best jokes are the ones that come out of nowhere because you are 120% not in joke mode. You're out somewhere with a friend trying to do something serious, something happens, then BAM! one of you comes up with something that just perfectly fits the situation and references some shared background/history you have together, and you were not at all expecting it. All your brains predictions were taken up with sensible boring things, and then suddenly BOOM! IN THE COMEDY!

And I think in a way, all produced, scripted (or hell, even unscripted) comedy is about trying to recapture that perfect moment. It's setting up situations for funny punchlines to exist in. It's making the setup so that the punchline works. But it can never fully match that unexpected moment, that perfection, because at its core its always artifical, or at least staged (as there's an expectation for this to be comedy). No one goes to an improv show expecting it to be Macbeth, but a production of The Scottish Play that turned into a comedy could be unexpectedly hilarious, if the audience wasn't expecting it.

But at the same time, even staying in the area of Shakespeare, there's clear differences between, say, Twelfth Night and Romeo and Juliet. The former sets up a bunch of elements that are clearly going to be used for comedy: identical twins, crossdressing, recursive crossdressing, metacrossdressing, unknowing homosexual relationships, disguises, and mistaken identities... All are clearly set ups for comedy. Even at the time, nearly half a millenia ago, these were old, well known tropes in comedy. Shakespeare sets up all the cans knowing he can knock them over later. These things exist in the story so they can lead to comedy, and they do. Maybe not in the ways the audience expects, but they'll lead to hilarity.

And even if there's not a specific punchline, the two-stories thing can be the joke, even when the audience is on it. Like, in the scenes where Olivia is professing her love for "Cesario" (who is actually not a man, but Viola dressed as one).

The audience knows Viola is a woman (and they presume a straight one), but Olivia doesn't (and she's also presumed to be straight). Even without a punchline about this situation, there's inherent comedy in the two separate understandings of the situation. Olivia thinks she loves this nice young man, and wants to woo him. Viola is stuck trying to politely reject her advances, without revealing her disguise. That's uncomfortable (for her) and amusing (for the audience) enough, but then Shakespeare goes one step further and has Viola asked to woo Oliva for her employer, Duke Orsino. That would really twist the screws and make the situation more awkward as Viola has to attempt to woo the woman who is already in love with her, but under false pretenses... Except Shakespeare goes ONE FURTHER and has Viola fall in love with Duke Orsino herself! While Viola can't herself express this love, because as far as Duke Orsino knows, she's a man named Cesario.

And then Viola's identical twin brother shows up and marries Oliva, who thinks he's Cesario, and IT JUST GETS WACKIER. There's plenty of jokes to be had at this absurd situation (and many of them are made!) , but the "first joke" of the whole situation is the way different characters have completely different understandings of what's going on. Olivia thinks she's just in love with a nice young man, Duke Orsino thinks his page is wooing Olivia for him (and definitely his page isn't in love with him), while Viola is stuck in the middle, having to balance maintaining her disguise with not offending Olivia, not failing her master, and then her own love for the Duke just makes everything more complicated.

It's an old story. Literally and figuratively. You set up a weird situation so that it's inherently somewhat funny, then you can put jokes in the moutha of the characters, and you can make the audience laugh at how you took a bunch of people stuck in this absurd situation and then made it weirder.

Anyway, so the reason I wrote this was because I was leaving my house this morning to go grab a coffee, and I saw a truck for a local construction company, "Tech Line". I immediately shouted "Tech L9ne! Cha!" which would have been the funniest thing in the world except no one else was there to hear it, and explaining it ruins the joke.

So instead I just rambled on about the nature of comedy and the truest form of it for 28 paragraphs. This is called a "Shaggy Dog Story". It's also called "ADHD".

#Comedy #The nature of comedy #my writing

[mummer]

hellooooooo smart person!!! i have two asoiaf questions to ask you. so i was reading adwd, the chapter with ellaria sand making her big speech (can i take the skull to bed with me, to give me comfort in the night?) which was literally one of the best monologues ever. but i think it frames justice in a bitter, bloodthirsty manner. the martells are completely understandably pissed off by the lannisters, is george saying in this instance, even though vengeance is good (emotionally), it’ll screw everyone over? and does this apply to the starks/boltons too? we have so many good speeches on war and justice: broken man, this one, bathe in bolton blood, the mummer’s farce is almost over, etc. but they do conflict. is that the point? justice is better not pursued? or needs to be thought out?

ALSO. your vibe is that you’re a theon enjoyer. so i was wondering where his story is. it’s about identity, yes? but who is he? he’s not a greyjoy, i don’t think, he seems so disconnected from that violent culture, but he’s no stark. i think he wants a family, but the north will never accept him as a stark. so what’s theon’s purpose? i’m so sorry for talking so much but i always love your answers

ok ok ok. anon ily. i might answer the theon one in a separate post if i have time; im gonna try to be as brief as possible but i am gonna put this under a readmore because you touched on uhhh probably the central question of the whole series lol! in fact you could probably write a phd thesis about violence and justice in asoiaf lol, but lets see if i can boil it down quickly maybe not clickbait???? (i lied, this got egregiously long)

ok ok ok some disclaimers up front. I personally am probably a bigger pacifist than most people lol, so this may colour my take somewhat. secondly spoilers but my answer is that i dont think the series actually has a solid answer to the question of retribution/vengeance. my favourite kinds of art are pieces that ask questions that can't be answered. and: is violence ever acceptable? can it be used as a means to a good/just end? <- is like, a hugely unsettled matter in the entire human experience. this is a question we all ask ourselves at some point. it's even more complicated and tangled in real life! is the death penalty ever okay? how can we wage just wars? how do we protest subversively? can people be rehabilitated? even: can we change? that's what politics are all about! the q of violence is something i am constantly thinking about and am still unsure of my answers! most people are!

what asoiaf does so well is pick at the idea of violence in about a hundred different ways and though a hundred different lenses. not all violences are equal! of course not! it is very clear about this, as well as that said violence is not always physical, is most often institutional. and justice.... well justice is completely incoherent in this world!!! the first chapter opens with the protagonist executing a man we as readers KNOW did nothing morally wrong! the thing with asoiaf is that there is always an added nuance to challenge you when you think you've made up your mind. someone shows a glimmer of humanity, or else descends into unexpected cruelty, or else complicates the narrative. there is always a 'but'.

for example: take robb's war for ned. he is trying to avenge his father, save his sister. okay, that's noble. that's just. you want to root for that. BUT: their warpath endangers hundreds of thousands of smallfolk, not to mention the thousands of innocents in their armies forced to fight one another and die for the sake of one man. how could that be worth it? BUT: tywin's army was desolating the riverlands anyway, so wouldnt it be a net good to defeat them? BUT: protecting smallfolk was never their priority; their 'justice' is only for the highborn; politically, an independent north would probably not be any better or worse for the peasantry. a tree of hanging women who lay with lions. "the north remembers", when it's first used on page, is not a joyous rally; it's robb reflecting bitterly that harrion karstark cannot openly forgive him for killing rickard, or risk losing face. rickard, who was killed for killing lannisters, because the lannisters killed his sons-- because robb waged war, because the lannisters killed ned! a poisoned cycle that can't end, an ideology defined by war, remembrance and loyalty as its own sort of sickness.

the thing about violence as justice in asoiaf is that it is never portrayed as revelatory. it's not... like... cool lol. did tywin deserve to die? idk, maybe. but this does not lift a weight off tyrion's shoulders. it doesn't feel like he won. this is something all characters must bear and grapple with. arya in particular is rich with this and that could be its own essay ofc. at its simplest, though, we have sandor. he killed her friend. a child. do child-murderers deserve to die? a lot of people in the world would say yes. but when he is at her mercy, when he is literally begging for her to kill him, she can't. it's too much. when dany orders the disembowlment of the slavers, she questions the choice internally. does torture have utility, here? what is it worth? ("But later, when she passed the men dying on the posts, when she heard their moans and smelled their bowels and blood... Dany put the glass aside, frowning. It was just. It was. I did it for the children.") again, i dont think the narrative has a straight or easy answer, which is why she's asking at all! if these answers were easy there wouldnt be a book. or things like jon's babyswap, which i consider its own kind of violence— but it is born from an unflinching desire to avoid worse violence. so... can it be just, then? theon murders the miller's boys. little kids. does he deserve to be punished? yeah, right? but then we are confronted with reek, and the empathy in the reader flinches, says: nooooo not like that!!!! and then feels bad for ever thinking it! so if he can change, did he ever deserve to die? when joffrey dies-- joffrey!!!-- there is very little catharsis to be found. ("He has Jaime's eyes. Only he had never seen Jaime look so scared. The boy's only thirteen.") the prose focuses on his purple face, his futile desperation to breathe. the way he looks like a child, because he is.

and then there are all the logistical, logical ends that need to be dealt with when seeking retribution. you got back at someone: great. now their family or allies or loved ones will get back at you, and on and on it will go forever until no one remembers the original injustice (see: the brackens and the blackwoods). now there is a power vacuum, or a counterrevolution, now the crops have burned and everyone is starving, now there are orphans. so... was it worth it? this is generally never the intent, but none of this can be sidestepped, either. a large point: no matter how justified in war you may feel, these consequences must still be borne. whether they are worth it in the end is your decision to make.

so we come to ellaria, with no clearer answer than what we started with. and i agree, it's one of my favourite quotes too. the endless question of: what do we do with what has been done to us? the violence has already been done, there is no way to bring someone back, there is no retribution. the victims are dead and so is their killer. and yet it is a hollow justice, because nothing has changed. women like elia are still bartered as political pawns and discarded. again, there is no coherent justice in westeros. it is only by chance that gregor died anyway. the systems of power are still functioning, and the aberration of that is felt. the sand snakes are grieving, but they are grieving the only way they know how. oberyn walked past obara's weeping mother when she picked up a spear. the only language in westeros is violence, the only power in blood. well, it's better than being powerless, right? .....right?

there is no good option. doran picks a side, having agonized over it for decades. this was not easy for him! the martells are understandably pissed off by the lannisters— of course— but... who is left to seek justice from? tywin is dead. robert is dead. aerys and rhaegar are dead. gregor is dead. amory lorch is dead. they could war against/kill cersei... i guess. jaime, maybe? myrcella? tommen? great, what would be the point? will their deaths feel good, emotionally, to the martells? or will they just feel hollow, like so many scenes of retribution in the series?

so i might favour ellaria's vision-- peace and submission, anything just to survive, to avoid hurting people. but this has its own very very obvious problems! pacifism is not a get out of jail free card lmao! "war will come, whether we wish it or not," obara says. it's highly possible this move would be seen as a sign of "weakness", and would only invite worse violences from the ruling power. again— the misery of this world is systemic, not individual. that's what feudalism is. that's what power is. it requires violence to maintain. but violence is also almost always required to challenge or protest it. so, ok. fuck. fuck! how can a world like this be borne? and how can we change it?

god i wish i knew!!!!!! — george rr. martin, 2011

#asoiaf #this is nowhere even close to my full thoughts on this. at all. but a little taste a little glimmer #'a little glimmer' i say about a 1500 word post #i spent so long on this im not gonna be able to get enough sleep oops. Oh well

[peachiseas]

okay i am very new here, so i need a through introduction to your mcs! like eve for example, pls post his whole biography o(╥﹏╥)o

fr tho, tell me anything and everything :D

TOOK SO DAMN LONG SINCE I WANTED TO DRAW A STEP ONE REF OF EVE BUT ITS GONNA TAKE A MINUTE so here are the sketches,,, Anyways- gonna introduce the main two mcs/ocs you'll see here: Eve Cortez Williams and Aaliyah Dubious

(dont mind my ipad scribbles on the screenshot iofqiowogi) Lemme put this under a readmore actually so yall dont get slammed with a long ass post:

Starting with Eve:

He's my Tamarack MC, but I figured since uh. all my art that was a given

He has a strained relationship with Qiu in step 1 but they become besties by step 2 and by step 3, they are like family to each other. If no one got Eve, Eve knows Qiu got them, amen 🙏

He comes out as transmasc by step 2, and by step 3 he gets top surgery and starts taking testosterone and firmly identifies as a butch lesbian

He's from the southern part of Miami, Florida. He's Golden Grove's residential florida man

He practices martial arts religiously, he's a big fan of Goku and Dragonball in general so he wants to be like his idol

His story deviates a bit from the OL2 generic mc story, he did have a dad! Opal and his dad wanted a kid but they both didn't want to get married and since the two of them were best friends, they decided to have a kid together (or well two but we'll talk about that later)

What's important to note from above is that his dad isn't around anymore because his father passed away a few months ago due to a car accident and Eve was hospitalized as a result

So by the time he's at Golden Grove, he's in anger stages of his grief and he doesn't want to be bothered. Which sucks cause hes neighbors with the two loudest kids on the block

Doesn't help he's a ESL speaker (English as a Second Language) and Golden Grove's population is majorly white so he has even harder of a time adjusting to it

He gets into fights in step 1... a Lot. Someone will look at him funny and they'll get punched in the face

He does adjust but he still doesn't like Golden Grove by step 3 but funnily enough, he moves away at the end of step 3 for treatment but moves back in step 4, crazy how that shit works huh

He has two emotional support bunnies; Bulma and Chi-Chi! He gets them in step 2, Qiu and Eve bond over them LMFAO

As for Aaliyah:

She's my Qiu MC, to the shocker of no one. Tamarack is also her best friend <3

Aaliyah is from New Orleans, Louisiana! She's full blooded Haitian and she has family in Haiti

She's also transfem! She passes for cis in step 1 thanks to hormone blockers and some makeup and then starts taking estrogen in step 2 and onwards

Her being black and transfemme is integral to her character and how she navigates around Golden Grove, she doesn't tell anyone she's trans until near the end of step 1. By step 3, the girl gang and Qiu knows shes trans

^^ That's because she had a very negative experience coming out to her community who previously loved her but flipped on her just as fast

So moving to Golden Grove was supposed to be a fresh start for her as herself but by that point she feels like she has to keep up her "cis-sona" lest she gets bullied again

She still gets bullied for other reasons in step 2 though (being a pretty black girl and the one person who has a crush on her is the most popular kid in school... its rough! 😭)

By step 4 though she is proud to call herself trans and will let people know!

She lovessss animals! And the animals love her back! She feeds them all the time and keeps animal food on her for that purpose when she goes to the park to read by herself, she got a flock of crows and stray cats that like to follow her

She has a cat named Kiki!!! Kiki loves everyone except Qiu though, Aaliyah doesnt know that though-

I hope that was enough of a info-dump! If anyone has anymore questions please ask i have so much lore please-

#candy girl answers #our life 2 #our life: now and forever #our life mc #aaliyah dubois #eve cortez williams

[destielomegaversebigbang]

Love Potion Number 17

Posting 21st October 2023!

Fic by MalicMalic

Art by Hexentaenzerin

Rating: Explicit

Summary: Omega Dean has spent his life hoping to find his truemate, but all he managed to do was to introduce other people to theirs. It just never seems to be his turn. Looking to help, Charlie takes him to this witch that sells love potions, but all Rowena has to offer is some good time. Dean leaves the shop with a little bottle with some glowing blue liquid swirling inside. The tag on it says: Potion No.17.

Castiel works his days as an accountant in the “Smith, Banks and Associates” and spends every free minute gazing out of the window at the Delaware River. His parents are retired and live in Florida and he has a roommate Balthazar who is his only friend and loves to party. He longs for a meaningful connection. One time he lets himself be persuaded to join Balthazar on a night out, he ends up bored enough to talk to a perfect stranger. He even goes so far as to trust Crowley when the man claims he’s got something that will allow him some fun. That night he goes home with Potion No.17 in his hand.

Tags: Alpha/Beta/Omega dynamics. Alpha Castiel. Omega Dean. African dream root. Dreaming. Idiots in love. Some angst. Some fluff. Bookstore owner Dean. Accountant Castiel. Falling in love. Dean and Cas first kiss. Oral sex. Voyersm. Exhibitionism. Anal sex (alpha Cas enjoys anal sex, but it isn't described in the story). Happily ever after

Excerpt: Below the readmore

“Like I said, I call it The Love Potion. It’s a mixture of herbs and spices that allows you to have a better control of your dreams, in a manner of speaking. See, with each of these you can form a scenario that brings your… deepest desires to life. Gives you some fun time during your nights. Of course, most use it to conjure a partner and have wild sex, but it can be so much more than that. You can imagine someone nice to talk to and spend time with, or work out what kind of a person fits you best, the possibilities are endless.”

Castiel bites his bottom lip, staring at that one little bottle, unable to look away. “Is it… Is it some sort of a hallucinogen?”

The other alpha huffs a laugh. “I am not a drug dealer, darling. It is all perfectly safe and legal. The main compound of the potion is the African dream root, you can look it up.” Crowley must have noticed how entranced Castiel is because he still hasn’t closed the case. Castiel doesn’t even make it past his first breath before he reaches for the vial with that transcendent green. His entire body tingles as he wraps his fingers around it, a small tag with the number 17 swinging off the neck, grazing his fingers. Castiel knows that he won’t be able to put it down until he tries it. The idea is simply too tempting and he has been so lonely for far too long.

#destiel omegaverse big bang 2023 #fic promo #destiel #omegaverse

[its-short-for-jackalope]

click for quality, she's just a wee bit fuzzy :')

Now that we know exactly when episode 3 is coming, I think it's time to reveal this goofy little thing I've been working on for... a while. 😅 (with tons of feedback and suggestions from the wonderful, incomparable @man-down-in-hatchet-town, of course!)

I think I've seen people make bingo boards like this for other fandoms, and I've been so psyched for TGOA and having an absolute blast tossing theories back and forth in me & Brooke's dms—and sharing some with the rest of you in unreasonably long posts—that I thought it would be a lot of fun to make a little Bingo card with my own predictions for episode 3! some of these I'm really rooting for, but I'm just so excited for a new episode in general.

obviously space is limited, so i had a tough time choosing what to put on here. (special shout-out to "oops... somebody falls off the boat!" which I swapped out after we got the cover art. thanks, Jackie 😂💙) I also feel like some of my selections here might be a little too obvious/guaranteed, but look, guys... I wanted to make sure I had a decent chance of getting at least some of these right, okay???

what, do you think you could do better? 🤨

/jk but, really, I've got a blank card AND a .png of my little anchor stamp below the cut if you want to make your own and play along!!!

and hey, since I've got this handy dandy readmore, I'll also give a quick rundown of how I plan to do this light-hearted lil game.

Unless we do get another transmission or smth that completely confirms/disproves any of my current predictions, my card is locked in. I'm probably not gonna change anything between now and the 24th, and I DEFINITELY won't be changing anything once episode three starts broadcasting.

I'll repost my card before part 1 airs and (hopefully) start a reblog chain with stamped updates after each part goes up. The post will be tagged for spoilers right off the bat!!!

If anybody else wants to fill out a card and play along (please? 🥺💕 it would make my day), y'all can use whatever rules you want, I'm not ur dad lol. get silly with it, make a card full of guesses about what your fave gets up to and no one else, make the craziest guesses, whatever you want! also feel free to tag me! even if it's to show off that you're much better at guessing than I am, lmao. 😁🖤

and hey, maybe I'll do this again with future episodes? even if it's just me and Brooke playing along, lol. making this was fun!

now, without further ado, the blank card and the stamp, which mostly exists because I'm extra and I personally wanted to be able to do more than 'x' out stuff, lol:

#jack jabbers #pulp musicals #matt dahan #pulp musicals bingo #tgoa bingo #pulp musicals episode 3 #the ghosts of antikythera #pulp musicals tgoa #tgoa #pulp musicals theories #pulp musicals theory

[tezzbot]

Happy early Christmas!

anyways i wanted to ask, how do you draw Sonic’s muzzle and eyes? You always seem to make it so simple, yet so expressive all the same time, i love it! They all look so goober and silly in your style!

(i can literally drawing anything but the eyes and muzzle pff)

Oh wow this is very sweet thank you so much!!! Happy holidays to you too!!!

This got a bit long so I'm putting it under a readmore lol

This is by no means a THIS IS HOW YOU HAVE TO DO IT it is simply me trying my best to explain my methods heehee draw however you like!! Art is meant to be fun first and foremost do whatever is comfortable to you!! ^_^

I usually just start w his goofy little nose, it's a teardrop shape so you gotta make sure it tapers nearer his snout, and it usually sticks up at the end!! Other characters will require... different noses... lol! usually a little triangle or circle will do for a non-hedgehog individual (world's most interesting image from a "tutorial" award goes to vvv)

Then, the front part of the muzzle is the part that, if you're drawing him profile, sort of sicks out so it doesn't really like. move? if that makes sense?? It's very round so I think it would help to picture it as a sort of orb? Like an oval behind his nose! It's a very similar case with most of the rest of the cast, with a couple exceptions ofc!

After that you get to do the fun part which is the cheeks!! They're very important when it comes to 2d art of a Sonic character's expression imo!!

When you want him so happy smiling, just like on a real person's face, the mouth pushes the cheek upward and into the space where the eyes rest, this is also generally how they rest on default in the 3D renders no matter the expression

But if he's frowning, or his mouth is small for whatever reason maybe he's going :o or something lol, I like to bring those down

The boy usually ends up lookin like this!! (resized the noses a bit they were bugging me, no shame in editing as u go lol)

Another thing is how I draw their mouths Open, what I usually do is draw the nose and mouth First, it's how I know how to shape the rest of the muzzle around that first oval I talked about lol

Sometimes when I'm drawing I feel it looks fine as is without much change needed,

But if it looks weird with the rest of the drawing, I stretch the bottom around it more (sometimes it does depend on the angle of your boy's face too)

Here's it highlighted in some art I've already posted!!! (sorry if it's difficult to see orz)

It even works on Espio!! lol

If you'd like me to go in more depth on anything, or maybe cover how I do eyes since I didn't really get to it in this one, don't hesitate to ask!! I love talkin art baybeee<3 Thank you for the ask!!!

#tezztalks #mydoodles #I have no idea how to tag this lmao #tezzthoughts #maybe idk #Also I don't generally like to sketch underneath my art so if the ones that I sketched in pink look a little wonky I'm just not used to it #lol #n e way THANK YOU!!!!<333

[katy-l-wood]

Sigh.

Don't really want advice, I just need to vent a little. Gonna stick it under a readmore too, because it got a little long.

I'm burning out so bad at work. I love the idea of this business, it's super fun in theory, as is what I do there. But the way the business is run is a nightmare, and the job does not pay anywhere near what it should. And I thought that was going to get better this January, because the owner finally admitted that we need a full marketing department and asked me if I wanted to run it if I were to be given an appropriate raise, and I told him yes. Then we had our January meeting where we were supposed to discuss everything and he said he's actually decided to interview outside candidates and only consider me as one of them.

Which is fucking bullshit. I built this marketing department from the ground up. They didn't even have fucking business cards when I started. Every initiative I've done has gone massively well for being nothing but hit-the-bricks marketing with zero budget.

I get that, legally, they are required to post the job within the company, but they aren't legally required to post it outside the company as far as I can tell. (Nor have they ever done that before anyways...)

And before this was revealed to me, I sat in on an interview and all the owner talked about during the interview is how much he loves people coming into the business and finding their own way and building new skills. He went on and on about the two main people who have done that, and how much he values them. Neither of them had to reinterview against outside candidates to run the departments they now run. Just me.

I know why it's happening too, which makes it even more annoying. The owner has ZERO idea what I do. None. I do not report to him. Every time I'm in a meeting with him and start trying to explain stuff I get some version of "oh, I just don't understand all of that." I think there might also be a touch of not liking me because I stand up to him. There was a big issue with Twitter over the holiday marketing season because I explained how, despite being our best platform, Twitter was too unstable to be as useful as normal due to the Musk takeover and the owner went OFF about it, about how I shouldn't be "bringing politics into it." Nevermind that ANY corporate takeover is going to be destabilizing for a time and the man has never used Twitter in his life so how the hell would he know what's going on. (Also, not even 5 minutes later he told me he didn't want us using TikTok "because of the Chinese." What was that about not getting political, sir?)

It's really clear that I'm just never gonna get the respect and support I need at this job, despite how great my direct boss is. I'm also really fucking tired of working somewhere with an HR lady that can't do her job and refuses to give us direct deposit because it's "too hard" and doesn't put our accumulated sick time on our checks like she's supposed to because she can't figure out how to make the system do it, so we just have to email her if we want to know.

And I've been applying to jobs! I've had interviews! Some of them have seemingly gone well, it's just that none of them have gone all the way to hiring me.

Even if I get a new job it isn't going to fix the fact that I'm burnt out, because I can't afford to take time off between the jobs to actually rest. I've got, like, $100 in savings right now and nothing in checking until my paycheck shows up this week. (And because we don't have direct deposit, the check could show up anytime between Wednesday and Saturday, unless HR had some random shit come up and didn't get the checks out on time, which has happened before.)

And I should (should) have two weeks paid vacation now that I've hit my third year at this job, but I don't want to just use it all up in fucking January in case I am stuck here for the rest of the year, but I could really use those two weeks right now.

Then, in the background of all of this, is my art and writing stuff. Especially The Pits/its Kickstarter in a couple months. If that Kickstarter goes as well as I'm hoping I probably COULD afford to take some time off. But I won't know about that until the end of March when it finishes. And also, I really don't want to be putting all my baggage from my day job on this one project. That's not good for me OR the project.

I'm fucking tired. I was so close to finally getting ahead of all this before inflation hit last year. So fucking close. And then it all went away. I just want a job that pays me what I'm worth and respects what I can do. That shouldn't be so fucking hard.

#Venting

[godbirdart]

first off, i just want to say that i love your art, you are a huge inspiration to me and i love how expressive your characters are! would you have any tips for someone trying to grow a following from their art? specifically within the furry community ideally. im just not sure where to start

i hope youre having a great day!

thank you so much!!

okay i gotta preface this with: i have been doing commissions for over a decade. everything i say here i've been doing since roughly 2014, but my career as an artist didn't really Take Off and become reliable until 2019. success isn't immediate. some artists will grow faster or slower than others, not every tactic is going to apply / work for every artist; and that's okay. just keep pushing yourself and adapting and figuring out what works for You!

i’m putting this under a readmore as it got a bit long. every time someone asks me for advice on professional Anything i always write up a five page essay despite trying to bulletpoint it oof

post on multiple platforms and keep them all updated. i’m putting this one in bold because it is possibly the Most Important thing. we’re all watching twitter sinking over there, and many of my mutuals there were floundering because they hadn’t established themselves on any other social media site. i strongly recommend three or four socials minimum. my main four sites are tumblr, deviantart, twitter and toyhouse. furaffinity is also good. inkblot and artfol are new and i use them frequently as well. if you don’t like posting manually to every site each and every time you post art, Postybirb exists and is what i use to crosspost all my art to most of my socials at once.

avoid venting a lot on main. we all have frustrating days where our art isn’t getting the recognition we hoped, or we’re feeling petty about a controversial topic or the latest drama. it happens! it’s okay! however, many people just don’t like seeing dozens of negative posts on their feed. most people will sympathize, but if your negative vents are constantly clogging their dashboard they’re not gonna stick around.

shamelessly self promote yourself. reblog your own art. retweet it again. repost it. mention your other socials. we live in a world of timezones! when you post art, only a fraction of your audience is going to see it. i recommend reblogging / retweeting one to four individual pieces periodically over the course of a day and change it up each day. you can also repost your own work into photosets and title it “recent commissions” or the something like that.

don’t hide your linktrees and carrds. seriously! the amount of times on twitter i went to try and follow someone on another platform only to find they had no carrd or linktree link,, it is infuriating. put your socials link in your bio or pinned or SOMEWHERE readily at the top of your profile that’s easy to spot.

if you’re offering commissions, make a telegram channel or discord server for your announcements / openings.

post regularly. this one is a lot harder for artists that don’t make a lot of content, but posting even a status update once or twice a day can go a long way - especially if you’re on twitter with that platform’s hideous algorithm. alternatively as i said earlier, just retweet/reblog your work a few times a day and you should be good.

art trends are cool and fun and an easy way to get your work seen by others. see a “draw your sona in this outfit” meme? go, have fun with it. this one’s a bit tricky as timing is everything when it comes to ~trending~ content, so try and draw quick. that said, it’s never outdated to drawover reaction memes with your fursona.

try not to clog your socials with memes and shitposty images. this one is directed at twitter specifically. with twitter moments now gone, your media tab is the last way for people to hope to find your work organically on your profile without having to use the twitter search. they can’t get invested in your work if they can’t find it!

it’s okay to change course if you’re not vibing with where you’re headed. if you want to move onto a new aesthetic - that’s fine! you may lose some followers if they don’t click with your new vibe, but you’ll inevitably gain some new ones.

avoid frequent name changes. so many of the artists i follow have changed their brands / urls over the years that i don’t recognize them anymore.

tag your work properly. on tumblr, the first five tags on the original post are the tags your work will pop up in in the search feature. make those first five tags the Most important ones; example: #furry, #anthro, #art #fursona etc. twitter’s algo seems flip-flop if it likes tags or hates them. if you see a tag trending, repost your art in a photoset with the hashtag in the post [example: if #pokemon is trending, repost some of your pokemon fanart with the hashtag in the post body]. if the tag isn’t trending,,, i’ll be honest it’s a gamble if twitter likes your post or not at that point. i have no advice for that hell algorithm.

hosting raffles or doing a mini art request event [example: “leave a ref and i might draw your oc”] is good for traction while simultaneously giving back to the community + your audience a little!

try and reply to / like comments on your work. it’s not required per se, but it’s good to express gratitude.

engage with other members of the community. comment on other peoples work. like it. retweet it. follow other people. obviously don’t be disingenuous about it, but this is what the professionals call ~networking~

don’t compare yourself to others. this one is one you have got to keep in mind constantly. you’re going to find 17 year olds with huge followings and 30 year olds that are doing professional industry work whose level feels alien and almost out of reach. if you’re not doing as well, don’t let yourself get discouraged. we all gotta start somewhere!

related to the above point: be nice to your followers. venting on main about not having the same audience volume as others can come off as a huge middle finger to the audience you already have.

gaining a following takes time. unless you get a really lucky break, it’s going to take a lot of work and self promotion to build up your brand.

slap your name on everything. i mean it. any art you do - sign it. watermark it. people can and will share art in telegram channels and discord servers, and if the art interests someone they can easily source it back to you if your name is on it.

you can buy adspace. if you’re catering to a furry audience specifically, you can buy adspace on furaffinity pretty easily. inkblot i believe also offers adspace for artists though i haven’t looked too deep into it. this is really a “if you’re okay burning money” situation, as the huge chunkk of internet users have adblockers now and it’s a gamble if people will see or even click on your ad.

just have fun and do your own thing. you can hop on trends and draw art that caters to your audience’s tastes, but don’t forget to draw what YOU want and what YOU’RE about. Draw what makes YOU happy.

hope these help!! ;w;

#long post

[pancakeke]

I wrote a bunch of paragraphs about nothing in particular again so here it is under a readmore so it doesn't take up space.

like 8 years ago when people used tumblr more via desktop browser than its app, I put a 3rd party metric tracker in my desktop theme that logged how people were referred to my blog. it also captured what pages of my blog people viewed.

at one point during this time I reblogged a piece of pixel art from a japanese artist. they came to my blog through their activity page, and then searched my blog in a couple different ways for the terms "ドット" and "ドット絵" ("dot" and "dot art", as in pixel art). I checked those search urls myself to see if they found anything but there were no results because I never used those terms or specifically tagged pixel art in any other way.

ever since then I've made an effort to tag all pixel art I reblog with the term "pixel art". that artist was probably hoping to find more art to check out and it bums me out that my tagging system wasn't thorough enough to help.

this is why I have my current specific tag system lol. it keeps evolving but having the ability to find stuff you're into without jumping through hoops is really handy. (the site-wide post and tag searches return sooo much bullshit. it's a slog sifting through thr noise whenever I use those to fill my queue due to the sheer amount of manga caps, polls, liveblogs, personal posts, and fics posted without readmores...)

if only the way to view all tags you've ever used still worked. I think it caps at 500 or 1000 now and is also chronological so the first 500 or whatever tags you ever used show up in the list. then there's a hard stop and it does not update as you delete posts or use that mass tag editor to remove certain tags for your blog entirely.

I went through my used tag list earlier this year to unify certain tags and remove tags that I stopped using in favor for other ones, but I only got like 400 tagged terms down the list. maybe downloading my blog data would show more. the trick I mentioned uses your desktop blog's archive page. the tags are in its code so you can use "inspect element" to view it. I remember scrolling a lot to load a bunch of posts on the page but cant remember if this was required or I just did it to see if I could access more tags.

it's formatted all fucked and hard to manage but you can copy and paste the long chunk of tags into one cell of a spreadsheet and then use Data options to split them into columns by commas (or whatever punctuation separates them, I forget). a wide list is a huge pain to view so from there you can click on a cell containing data, click ctrl+a to highlight all data in thr row, copy, then paste special as "transposed" to turn the copied row 90° so it pastes as a column. the spreadsheet will wide as fuck from the hundreds of columns so honestly its easier to paste the transposed data into a new tab and delete the original vs clicking in the column to the left of your transposed data and then pressing ctrl+ shift+right arrow to select all rows to the right, then deleting the extra rows.

if you're in Excel you may have to use the "delete rows" option from the "home" tab and then save the sheet using "file > save" (do NOT save via the save button on the upper left corner or ctrl+s). this returns the sheet to a manageable size for scrolling (plus reduces its file size). this piece of shit software usually retains the sheet width/length even after you delete hundreds of columns/rows unless you use this trick of deleting specifically via home tab + saving specifically through the save menu.

I got a round number of tags when I did this which makes me think there's a cutoff.

[mokutone]

🌿🌱 Mokutone Masterpost 🌱🌿

Hi! Welcome. This post will function sort of as a FAQ and will be updated as such. You don't need to read it, but if you've had these questions, here are my answers:

"Do you take Commissions?"

Not yet! I do, however, have a Ko-fi, where I'll do some little thank-you doodles!

"Do you have a shop?"

No, not at the moment! I am considering it though...

"What materials do you use?"

By far the questions I get asked the most are about this, so this will get very long and I'm going to put it under a readmore. I will address the papers, inks, watercolors, dip pens, brushes, and other materials that I have used.

I also answer questions about my materials under the "my ninja tools and scrolls" tag, and give art technique advice under the "my jutsu" tag. Yes it's silly, but this is a Naruto art blog. this is what we all signed up for.

Mostly, this will be a list of my traditional materials. I will address the paper, pens, inks, and various types of watercolor that I use!

📄 PAPERS: 📄

—Strathmore 400 Series Heavyweight Drawing Pads 100lb/163gsm. (these numbers refer to the weight/thickness of the paper. thicker paper is less likely to buckle) ———> This paper is extremely cheap (a 9"/12" pad is often under 10 dollars), takes inks EXCELLENTLY, but it's a much lighter paper, and it will buckle under watercolor. For this paper, it's good to only paint small sections, to paint very slowly, or to paint with the paper taped down to another surface.

—Fabriano Hot Press (Hot Press means the paper is smooth, not rough) Watercolor Paper, 140lb/300 gsm ———> I use this paper the most because it's fairly cheap to buy in bulk, while still being good enough quality that my picky watercolor teacher approved it, Lol. I can usually find a 9"/12" block of it with 50 pages for about $20 if i look hard enough—and the paper is hardy enough that if I'm careful, I can paint on both front and back of the paper. Bad for archival purposes maybe, but great for having fun and not spending more money. [Example]

—Vision Cold Press (Meaning the paper is rough and textured) Watercolor Paper, 140lb/300 gsm ———> My watercolor teacher said this stuff was garbage, but...I don't really care! It is DIRT CHEAP and YES it buckles a little despite being thick, and YES it feels like cardboard in your hand, and YES it ONLY comes in coldpress, but the texture is grainy and even and nice... and like. when I say dirt cheap I mean dirt cheap. I used to get the 6"/9" 30 page pad for like 6 or 7 bucks. [Example]

—Arches Watercolor Pad/Block, Hot Press, 140lb/300 gsm ———> This is that expensive shit. I got a pad of it for a class back in college, and I dip into it now and again—I also bought a little bit more when there was a sale recently, a 12 page. It's 100% cotton, and it takes pigment based watercolor REALLY well, but it's not so good about dye based (I'll discuss the difference between those later) [Example]

🎨 WATERCOLORS: 🎨

DYE BASED:

Dye based watercolors, because they are based in dyes instead of pigments, are not lightfast. They are not archival. If you expose them to sunlight, they will begin to fade, and some will fade rapidly. That said, if you hoard your art in a dark place once you've documented, go hog wild! The fact that they're all liquid already makes them really easy to use.

—Ecoline Watercolor [Liquid] ———> These are a little watery, but they are cheap and easy, and I used them for the majority of my early watercolor art on this blog!

— Dr. Ph. Martin's Radiant Concentrated Watercolors [Liquid] ———> They are expensive, and sold in small quantities. They are, however very bright, like that label isn't lying! They're super concentrated! I have not actually run out of any of the ones that I bought (at a store closing sale bc otherwise they're too expensive lol) because they only use a small amount at a time

— Dr. Ph. Martin's Synchromatic Transparent Watercolors [Liquid] ———> They are also expensive, and also sold in small quantities. They aren't really made for paper either. They're fine. Probably not worth it though!

PIGMENT BASED:

—Black Sheep Art Supply's Pans And Half Pans! [solid watercolor] ———> These have been very enjoyable for me to work with!! They're very bright, affordably priced, and the paints are from a small business, as well as being handmade and from the first Black-owned art supply store. I've had wonderful experiences ordering from this store, and I wholeheartedly recommend them!

[EDIT: apparently the shop is on a break or something! oh well]

—Dr. Ph. Martin's Hydrus [liquid watercolor] ———> These are liquid watercolors, like the dyes, but they are archival and somewhat light-fast, which means they can be exposed to moderate amounts of sunlight without fading. I haven't gotten to use them much yet, but they seem fine. You do have to shake them a lot to mix the pigment in. They can also be a little difficult to rewet, and may appear somewhat flaky.

—Turner Professional Artists' Watercolors [tube/semi liquid] ———> These are watercolors stored in tubes, you know, the traditional way! I used these for class, back in college. They're cheap, but well pigmented as far as cheap watercolors go. If you're really on a tight budget, this is probably the best pick.

—Holbein Artist' Water Color [tube/semi liquid] ———> My best friend (the one who got me into naruto!) gave these to me! Usually they can be very expensive. They're very high quality, and gorgeous. I'm so enamored with them and touched by the gesture that I use them very rarely, I don't want to lose them! They're special to me!

✒️ INKS: 🖋️

I only use permanent inks which will not bleed (much) when water is applied, due to working in watercolor. This list will reflect that

—Dr. Ph. Martin's Bombay Black India Ink ———> I use this the most frequently. It's a little shiny, but not too bad, and it is completely waterproof once dried. Of the Ph. Martin inks, it's the cheapest by far, and a 1oz bottle (which lasts me months) can be found for about $5. —Dr. Ph. Martin's Black Star (Matte) Ink ———> Very waterproof, does not shine much at all. If you record your art with photography rather than scanning, this may be useful to you! Unfortunately, it's about $10 a bottle. —Dr. Ph. Martin's Black Star (Hi-Carb) Ink ———> Very waterproof, very shiny. I don't use this much because I don't like my ink to shine, but it can be very nice with the right application. Unfortunately, it's also about $10 a bottle.

—Yatsumoto Sumi Ink ———> you can get this stuff cheap. Like, you could get a 12oz bottle of it for like $12. That's very cheap. Unfortunately it's not completely waterproof, and if you agitate (rub the brush vigorously) over the ink, it may seep into the watercolors. If you're careful though, this won't be a huge problem. It's also good for ink-only work.

—Liquitex Acrylic Ink ———> This is also very waterproof, but it also takes longer to dry than the other inks, so I find myself smudging it a lot. It's also about $7 for a 1oz bottle, but about $20 for a 5oz bottle, so if you're committed to the ink, it can be cheap to buy in larger sizes.

—Diamine Registrar's Blue-Black Ink ———> Expensive. Really more of an interesting find than a practical ink for me. This is mostly waterproof, but a very thin ink, and you can feel the nib get scratchier when drawing with it. That's not a bad thing, it's just a textural thing. It's produced in a similar way to medieval inks, with iron and oak-galls, and because of this it has some interesting properties: When first applied to paper, it's a pale or sky blue, but it darkens rapidly as it dries, becoming almost black over time. It runs the rusk of corroding metal pen nibs due to its chemical makeup, and so nibs which use this must be washed extra thoroughly.

✍️ PEN NIB HOLDERS: ✍️

—Speedball Sketching Pen Set: ———> Easiest to get your hands on. Comes with two nib-holders and 6 different nibs to try out, available at most art stores, and usually around $10. It's also not bad quality—I don't use the tiny little nib-holder any more, but I use the standard black one all the time.

—Tachikawa Comic Pen Nib Holder, Model 40/ Model 36 ———> My Favorite. Thank god it has a little rubbery thing around it, because I grip pens hard 😭. It is able to hold standard-size AND small-size nibs. Occasionally, I find that some "standard-size" nibs might not fit, but I've never had this issue with the small size nibs.

Honestly, those are my favorites, but it's really hard to go wrong with pen nib holders. If they fit comfortably in your hand, and they hold a nib, they're good!

🖋 NIBS: ✒️

Nibs are difficult to acquire. They can be expensive too.

— Speedball ———> If you want to get a variety of nibs to experiment, this is my first recommendation. They have a wide variety of nibs to experiment, and find out what your favorites are.

—Tachikawa Pen Nibs ———> They've got less robust options than Speedball, and a little more expensive too, but they're very good nibs! The G-Nib is the standard nib used in comic making, and especially for lettering. It's a very stiff little nib, so it doesn't flex too much. This makes it pretty reliable, and especially good for lettering/writing.

—Manuscript Leonardt Pen Nibs ———> A lot of options for everything from caligraphy to cartography to sketching, also a little expensive—what is notable is that their pen nibs tend to be on the more flexible side, allowing the artist to get a lot of line weight variance. This is bad for lettering, but fun for drawing! They also have pens shaped like hands. Neat.

—Brause Pen Nibs ———> These were always super expensive where I was. I got a few. They come in this dorky plastic case with a sliding top, and I kinda wish they didn't bc that's a whole lotta plastic for something that coulda been stored in cardboard or paper, lol. I now use the cases to hold perfume samples. They're good pens, they're just expensive and the packaging is dumb.

—Whatever the hell is on Etsy. ———> People love to sell vintage things on etsy, and pen nibs are no exception. Often, you can find random samplers of pen nibs, or collections of pen nibs for sale. Sometimes you can find a whole box of one kind of pen nib, often times with a lot of nibs in it. I once bought one of these for like $45 and i don't even regret it because it's got a shitton of nibs and I realllly like using them. It will literally last me the rest of my life.

🖌 Brushes: 🖌

I don't have a lot to say about brushes! Ultimately, if it makes a mark on paper, and you like the mark it makes...I think that's a good brush.

I've been told you should go for ones which hold a shape, I think, and don't spread out in a big puff. Ones which use animal hairs are apparently best, but they are also very expensive. Generally, with watercolors, you will want to use "round" brushes, especially for beginners. If you want to experiment, I recommend Filberts, but there are also sword/dagger brushes if you're painting something like grass. Mostly I use:

—Creative Mark Mimik Kolinsky: ———> As the name implies, these are meant to mimic (synthetically) brushes made from Kolinsky fur. These are nice and I like them. They're cheap, but hold their shape well, and feel good in the hand. —Creative Mark Mimik High Performance Synthetic Squirrel Hair Watercolor Brushes: ———> What a name. I find these to be just as good for me as the Mimik Kolinsky, but a little bit cheaper. As long as ur careful not to treat them too roughly you'll be fine.

—Princeton Watercolor Brushes ———> Good. Expensive, but good. They have a variety of synthetic + natural materials, they are well made, if you have a little money to throw around + want a brush which will preform very well but will not destroy your bank, this is a solid brand. I've used ones from their Velvetouch, Mini-Detailer, and Heritage collections before, and enjoyed them all very much.

Additional Supplies:

—Porcelain Palette ———> I highly recommend using a porcelain palette instead of a plastic palette, both because I like to cut down on plastic when I can, and because the porcelain palettes are just....so much more convenient. The glass-like coating means that they will be easier to clean, whereas all of my plastic palettes over the years have gotten permanent stains. They're a little harder to accidentally knock around because they're heavier, which probably isn't a problem for most people, but I can be kinda clumsy. I can't tell u the number of times I've sent a full plastic circle-palette of watercolors flying lol

[misanthropiczombie]

Word of Honor Live reaction, pt. 2

Okay so in an effort to not have stupid long posts even with every episode under a readmore, we're onto a new thread starting with Episode 17.

Episodes 1-16 ⪻⨀⪼[future third post link]

He's too earnest. i know its silly but i have such a hard time feeling anything for him. too pure not interested

I guess beauty is just like out and out with him for now? no questions asked. does he know she's also a ghost? or does he know and just not give a shit because of ~love~

couldn't keep it in his pants or break it off X years ago for a wife he disliked, but fuck the sects man

too pink and avocado for how much of an assholw both of theseguys are

look at her ears theyre so cute

;lksajfd "I wasn't hot but once you started speaking I did feel annoyed"

lmao BABY

j;hklas;dlkfj ZZS being a hardass as a teacher but also he loves that boy and keeps putting himself in The Situations to save him and smile at him and WKX being like "well this is a character shift be nicer~" the back and forth is so good

"he acts like a wife" i mean, buddy.

wooooaaah ALL THE GHOSTS?

wkx trying to sneak his child out of practice for ice cream but daddy said no

"how did you survive all of these years without someone strangling you?" "i'm good at martial arts" everyone is bratz or over-earnest those are the archetypes

zzs's resting bitch face is great

Ye Baiye is suuuuch a brat

there is ome 4d chess going on here and i am a 2d child

Man the mental hold he's got on scorpion king is something else. that relationship is the furthest from healthy

this is SUCH MARRIED COUPLE SHIT

god i cannot get over this a;lsdkfja;skldfj

THEYRE NOT FAKE IM GOING TO FUCKING DEVIATE MYSELF

lsitensltieslkjntesilsadkjlfha anyways im very normal about this

tell him how fucked up u are DO IT

RALEJHlk:JDS;flkj lsiten listen the man is ride or die you know.

also its not like he's not been a Bad Person just tell him and kiss and make mroe babies

#tian ya ke #word of honor #live bloggin #Episode 17