🌿🌲In the Deep of the Trees 🌳🍃
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audience: adult (explicit violence and sexual content)
genre: high fantasy
pov: dual third person limited, present tense
rep: pansexual characters, asexual character, mental illness, agoraphobia
🌿 SUMMARY 🌿
When an expedition of deep delvers led by their spade Adrianna returns to the opulent tree-dwelling forest court of Palatruza, they arrive with a strange new flower brought from below. Sabine, an in-tune of the trees, seeks to divine the flower's secrets, but her pupil, Harmonia, cannot help but feel that the flower is a danger to all of Palatruza.
Meanwhile, Titus, an advisor within the court, is seeking an upper hand, ever climbing the ladder toward his ambition, fueled by his hunger for power and dominion. As the flower’s malignant properties begin to show, Titus realizes he can use it as an advantage toward his goals, but when the flower is destroyed, Sabine is determined to obtain a replacement, regardless of the danger and budding consequences.
🌾 SETTING 🌾
The world of In the Deep of the Trees is known as the Viridian; an unending forest of titanic height that appears to cover the world indefinitely. The people of The Viridian live in vertically stacked societies—courts and settlements—built in tiered structures upon the trunks and branches of the trees themselves. The lowest social class are the serfs, who live among the roots upon the forest floor. The trees of the Viridian grow packed together, leaving very little visible sky. They range from the size of giant sequoias to colossal class, some reaching the same size as the Erdtree in Elden Ring.
The floor of the Viridian is split far and wide by mammoth trenches and crevasses, a system known as the deep. Lush, dark, and verdant, the deep is the greatest uncharted territory of the Viridian. What little light penetrates all the way to the floor (and it is very, very little) disappears entirely upon a descent into the deep. Bioluminescent plants grow there in abundance, and deep delvers rely on belaying to navigate the steep vertical terrain. Of all the courts, Palatruza exists the closest to the edge of the deep, and its deep delvers make the most frequent descents, but even they only explore the topmost zones.
🌱 CHARACTERS🌱
Sabine 🐱
An enigmatic recluse of Palatruza’s court, Sabine is an in-tune of the trees, a diviner who is the first to know of any ails within the ecosystem of Palatruza. She studies botany, toxins, and medicines, analyzing the plant specimens brought up from the deep. A year or so before the story begins, Sabine made a solo descent for the sake of her research. She came back to Palatruza changed, an enameled veneer over her personality, and does not speak of her time in the deep to anyone.
Titus 🩸
Born amid the serf class on the Viridian floor, Titus climbed up toward power, rising into the court of Palatruza and never looking back. While he feigns altruism, his ambitions have never abated. He is hungry for greater power and authority, seeking to wear the glove of the Left Hand of the Heartwood, and take the seat of the High Chancellor herself, and he will use whatever means he deems necessary to attain his goals.
Harmonia 🌺
The sole child of High Chancellor Lialaci and Ormarie the Heartwood Priest, Harmonia is a pupil of Sabine, studying the flora of the deep. Mostly nonverbal, Harmonia is prone to disassociation and daydreams, and spends her idle time painting. She feels an innate, unexplainable draw to the deep, though she is forbidden by her mother to leave Palatruza for any reason.
Cyril 🍵
The shy, anxious Lotus-Keeper of Palatruza, Cyril suffers from intense agoraphobia and never leaves the den and grounds he is charged with the care of. Sabine is his closest friend and most frequent visitor, occasionally offering new insight on her botanical studies.
Adrianna 🛡
Boisterous and proud, Adrianna is the favored spade of the court, lauded by Palatruza. She has led multiple delving expeditions, a famed explorer of the deep, returning often with treasures and foreign oddities. The flower she brings back from the deep upon her most recent descent is unlike anything that has ever been brought to Palatruza before.
taglist (ask to be added or removed!): @aninkwellofnectar, @bebewrites, @sentfromwolves
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the more I read and re-read other fantasy, the more impressive asoiaf becomes to me in its unabashed embrace of the darkness in its characters' POVs. and I don't mean in the "edgelord grimdark" way that so many people (wrongly) ascribe to it, or even in the "historical accuracy" way that so many people use to defend it. I mean more in the way it actually aids in the immersion of the world and story.
other fantasy series will relay the events and the world through their characters, sure, but I never realized just how censored they feel in comparison to asoiaf. things happen, characters feel a certain kind of way about them and relay that to me-the-reader. then they do things, plot happens, etc. sometimes it's quite compelling, even! but in asoiaf, I-the-reader am a brain parasite. the characters think thoughts they would never tell me. I see their worst impulses, their immediate instincts, their intrusive thoughts. a lot of it is unsavory, but it's done in such a way that it all feels deeply real and true to life.
in asoiaf, the characters are not telling me the story; I've invaded their internal dialogue am drinking it in through their biased yet genuine perspectives. I feel less like a reader and more like a ghost that's possessed them through the page. and I think that's the thing that the sets the series apart from others for me
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From @samplewriting
Emerald, Lapis, Jasper
Emerald: Which of your characters is hardest to write?
I don’t anticipate any of them being particularly hard to write, but Sabine is perhaps the most nuanced to portray correctly. She has a very particular manner and personality that I’m going to be meticulous about.
Lapis: What makes your antagonist 'the bad guy'
In the Deep of the Trees doesn’t have a traditional antagonist; there’s a malignant force, and while Titus is one of the protagonists (it could be argued that he is the main protagonist over Sabine, but we’ll see how that unfolds), he is very firmly a villain, which I don’t believe can be equated easily to antagonist in this case. He has adversaries, but morally they are usually in the right. Titus is deeply dark on the morally grey scale; he frequently utilizes blackmail on his opponents and has zero qualms about killing people to keep them quiet and out of his way.
Jasper: What is your antagonist's greatest strength / weakness
Titus’s strength is his ability to read people. He is incredibly perceptive and has a eidetic memory which he uses to his advantage throughout his machinations in court. His weakness, insofar as character, is his temper and insecurity or rather shame about his roots.
Sabine is too self-sufficient and capable to be a weakness of his, though he would do just about anything for her and absolutely has a trigger finger when it comes to anyone else dealing with her affections.
💎 Gemstone Writer Asks 💎
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