Having a plushie of your f/o is amazing, but also, consider: your f/o having a little plushie of you. Even if they're considered to be cold and stoic, they treat the plushie as their most beloved possession– because it is. They take care of it, they keep it near whenever they're watching or playing something, they even give it a goodnight kiss before holding it tight and falling asleep.
Bonus: imagine you and your f/o making the plushies of both of you kiss.
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IN DEFENSE OF ARIANNE MARTELL
My 1980s and Other Essays, Wayne Koestenbaum // Looking in the Mirror, George Tsui. // A Feast for Crows, Chapter 40, Princess In The Tower
for @alicentcole, my long lost twin
lyanna stark || elia martell || sansa stark || arya stark || alicent hightower || jaehaera targaryen || cersei lannister || myrcella baratheon || joanna lannister || aemma arryn || catelyn stark || sansa stark (2) || margaery tyrell || rhaena targaryen, daughter of aenys i || arianne martell || aerea targaryen
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We need to talk about Tartt’s character descriptions
More Donna Tartt praise.
She writes human physical descriptions in the most genuine and true-to-life ways. I didn’t even realize how many books do not go into the actual nuance of human appearances until I read TSH and Goldfinch.
I think most books kind of categorize people as pretty, ugly, or plain then lean into what generally makes people pretty, ugly, or plain plus hair and eye colors. I love how Tartt’s books make characters appear how the majority of people really do: an assortment of specific details. There’s Boris’s bitten nails and how Henry is big and square but does not carry himself as if he is. Bunny is a once-muscled guy (now more chubby) whose naturally good looks are starting to get a little sloppy. His nose is also a bit small/sharp for his face shape. Camilla is pretty, and we hear about her thick ankles and the way her curls rest at her temples. Francis is nice-looking because he carries and styles himself well, but we hear that those things compensate for his kind of beaky nose and boney angles.
Pippa is another great example! Theo describes her looks as tender and precious. She comes across as very cute in a homely way. But we hear that her eyes look “naked” because her lashes are so pale (I can imagine this so well!) and that her nose is long. Her cheeks are thin. Theo notes these things, and thinks she’s pretty anyway; he assumes he must have some personal affinity for her and is given a wake-up call when Everett also finds these traits cute.
OH actually let me squeeze in Mr. Barbour here. Because lol???
His eyes were a queer unstable gray and his hair was pure white, which made him seem older than he was until you noticed that his face was young and pink — boyish, even. His ruddy cheeks and his long, old-fashioned nose, in combination with the prematurely white hair, gave him the amiable look of a lesser founding father, some minor member of the Continental Congress teleported to the twenty-first century.
This is so specific and so easy to see. It stuck out to me when I read it, and my mom mentioned it to me when she read it. She said she was really hit by Andy’s dad’s description and thought it was funny but did a really good job delivering an image.
It’s just so real and gets at how normal people actually are: not always pretty in a “safe” way. Tartt has the guts to give you a description of an actual unique, textured person and say “This is nice.” Or, in Bunny’s case, give someone who is basically handsome but not necessarily pleasant-looking. Theres so much nuance, and it’s honest.
It kind of made me rethink how I write human descriptions. There are “safe” things to point out that become a little insubstantial if you combine too many of them: “The pretty girl has glossy hair and curves and bright blue eyes.” And then there’s going into actual shapes and the way people carry themselves and how some features look against others. It honestly just makes the characters really pop and they’re easy to envision.
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