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#idk what you expected
oujamon · 13 days
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Belly pic
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joy-drops · 11 months
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This blog was better without the constant politics
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honestly, this is on you
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eurydicees · 2 years
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the good side by troye sivan but it’s daishou thinking about kuroo and their almost made it / could’ve been relationship that treads the line between love and friendship until daishou starts dating mika and everything falls apart
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posallys · 2 years
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any poseidon hcs to share?
i might have a few lol
I feel like overall he’s pretty laid back. He’s got a go-with-the-flow attitude for the most part. 
That being said, he also has a very fickle temper in the sense that you never know what’s going to set him off. Somedays it takes a lot and others it takes literally nothing. 
We’re all aware that I’m going to die on this hill, but he truly did/does love sally unlike anyone else, Amphitrite included since godly relationships aren’t the same as mortal relationships (imo) and he loved sally like a mortal. 
Contrary to what the majority of people seem to think, I don’t think he was a bad father to Percy. Like yeah for extraneous reasons he couldn’t literally be there, but he definitely helped behind the scenes. 
I’ve made a post or two about this before, but since sally didn’t necessarily want his help and he didn’t want to overstep what she wanted, he would mainly do things like make sure rent and/or percy’s day care fees were taken care of because those were things that affected percy, too, and not just her, so she wouldn’t really argue them. 
He did, however, get her something she was looking at in like a magazine or something and she was very pissed at him because that’s just how she is. And after that he didn’t really get her things she didn’t absolutely need because, again, overstepping what she wanted
I’ve also talked about this before, but he definitely stayed around a while after percy was born. Percy remembering a glow and a smile???? It’s because he was there. 
Of course, after percy was old enough to 1) start remembering things and 2) start attracting monsters (which canonically happened at an extremely young age) sally made poseidon leave (even though he really didn’t want to)
He still kept tabs on them, though. And he doesn’t have the best impulse control so when he saw something that really put him on edge he would pop in to see sally because he needed to make sure that they were alright. 
Also his love language is either acts of service or gifts for how he shows love, but he’s more of a quality time guy for receiving. 
Which is part of the reason I write the beginning of their relationship the way I do....just the two of them sitting on the beach and talking about anything and everything....him telling her stories about his past, listening to her talk about things she loves, etc.
also with the gift giving, sally has like a whole drawer full of things he’s given her over the years. There’s jewelry, shells/relics, things from old shipwrecks, etc. 
 She has a pearl necklace (that he made for her) that she pretty much always wears, even if it doesn’t match everything else she has on. 
This one is one of my favs, but it’s the whole past lives thing. But specifically the fact that when he was briefly mortal (because that was a thing that happened), he ran into one of Sally’s lives. Right. So like they fell in love in that life and THAT’S the reason why in all of her subsequent lives, he can’t help but love her like a mortal. He can’t see her as anything less than a true love because he knows what it’s like to be mortal with her. And it’s like…nobody other than Sally will ever be able to live up to that, you know? She truly is the only one
Also idk if I've ever said this one before, but at one point he asks her to marry him and is like 100% ready to give everything up to stay with her. She says no, of course, because she wouldn’t want him to do that, but he does give her a ring and she wears it anyway. 
She doesn’t take it off until she marries gabe, actually. And she puts it in the back of her drawer in the same box he gave it to her in. and like the second she kills gabe it goes right back on. And it’s less of a Thing and more of the fact that there are a lot of memories tied to that ring that she likes to have on her. 
And not to keep rehashing old ideas, but he definitely visits sally in dreams and such to tell her what’s going on when he can’t get there in person (see my fic “hurricane”). 
And I think that he’s a lot more gentle than people tend to think. But like it’s a Thing, especially with sally and percy. He makes a conscious effort to be gentle, both psychically and with his temper.  The former because humans are a lot more fragile than what he’s used to and he doesn’t really have a good idea of his own physical strength in comparison, but also with his temper because he knows that it’s like a switch and he doesn’t know he’s angry until he is most of the time
Going off that last point though, he doesn’t really get angry or upset when he’s with sally. There’s something about her that calms everything, that makes him see more clearly, if that makes sense. He has a much easier time understanding situations before reacting when he’s with them. 
Idk there’s probably more somewhere but my brain is dry atm. 
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xaeneron · 2 years
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I decided to dig out my normal pens at least once this year, lmao.
I think one of my favorite headcanons that I've never done much with outside of personal writings is Ive's fear of loud sounds that he can't really touch the source of, like fireworks. Once Trahearne figures this out, it's pretty commonplace for him to sit with Ive and cover his ears to help him calm down. Usually with cuddles, ofc.
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wendynoire · 11 months
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🦋If you get this, answer with 3 random facts about yourself and send it to the last 7 blogs in your notifications, anonymously or not! Let's get to know the person behind the blog🦋
I broke my arm by falling onto a mattress while having a pillow fight when I was a kid
I have chronic pain issues. They suck.
I own 3 chickens (one died this week, we're not sure what killed her)
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vindictiae · 1 year
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Ratchet 💕💕
VISUAL ATTRACTIVENESS: 💗💗💗💗💗💗💗💗💗💗💗
FRIENDSHIP LEVEL: 💗💗💗💗💗💗💗💗💗💗💗💗💗
SEXUAL DESIRE: 💗💗💗💗💗 💗💗💗💗💗💗💗💗💗💗💗💗💗💗
ROMANTIC INTENT: 💗💗💗💗💗💗💗💗💗💗💗💗
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arthursknight · 2 years
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So are you pissed at Starbucks too?
idk what you're referring to but yeah, probably. any corporation that capitalises off of things that play to either people's sympathies or biases without actually taking a stand or doing anything about those things is trash. actually, scratch that. all corporations are trash.
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spacehero-23 · 2 years
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lmao. guess who just lost like 15 followers, less than an hour after I posted about how much I love Annabeth's actress.
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stygicniron · 2 years
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‘ hey, um - i made this for you. ‘ the bracelet is mostly woven with black, grey and dark purple string ; white used to make tiny skulls. ‘ you don’t have to keep it if you don’t like it. ‘
Nico is putting it on before Zagreus even finishes speaking
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autobotmedic · 2 years
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daddy
GET OUT.
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solidwater05 · 6 months
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i want the cat gun
gimme >:(
*shoots you with the cat gun*
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oh,,
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cat's...
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My addition… scooped Michael cat
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nettleparade · 7 months
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his one-sided love for life
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horang-07 · 6 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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one thing about ik is that she will always reach out
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