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#i'm also not saying here that angel's a random dude. or written like a random dude. obvi he's not. i was just trying to be funny
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I love how my favorite Buffy characters are Buffy, Cordy, and Faith--also Willow and Dawn--and then just Angel.
Like, all the girls and then just a random dude. Pfft.
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To All The Boys I've Written About Before - Beige Flags
In my never-ending quest to make things that appeal only to me, here's a little exercise for all the boys in my arsenal.
Angel Torres will always help you out around the house, no question about that, but boy will he act like he's a hero for simply loading the dishwasher. I'm talking wiping his brow every time you walk into the kitchen, grunting when he puts a plate on the drying rack. You offer to help but he flat out refuses, and will probably say some shit like "My hands look like this [soapy] so yours can look like that [slightly dirty from repotting your plants]."
Jesse Pinkman will call you "dude" until the end of time. It doesn't matter what stage of your relationship you are currently in, you will always and forever be "dude" to him. "Yo dude, do you want to grab Wendy's on the way home?""Dude, you look pretty today." You could be at the alter and it would be a "Dude, I do." He also 100% buys in to the "glasses make you smarter" myth.
Lemon bought himself a label-maker, and that man LOVES makin' labels. All the drawers in your flat are labeled, so are the spices (even if they already have labels), he labels which food belongs to who, all the wires/cables have a label for what kind of wire/cable they are and what they're for. You told him that you could probably remember which clear jar holds the salt and which holds the ginger-snaps, so he made the label "fuck off" and stuck it to your forehead.
Tangerine refuses to call menu items by their proper names, especially if they're stupid. A matcha latte is "green foamy shit, you know." If the dish is named after someone, this chicken shop you frequent has an Ike's Famous Wings Bowl, he will call it "that bloke's chicken thing, the one with all the spices and shit on it." The worst was when he wanted to order the Foxx on the Roxx Boxx from TGI Fridays (yes that's the spelling, I looked it up), he straight up would not say its name, he just kept pointing at the menu and saying "fucking- this one."
Harvey SDV, sweet man that he is, will always sign off his text messages. It doesn't matter how long or short the message is. There's the standard "darling, I'm running a little bit late, would you like me to pick up something for dinner? Dr H" but there's also the "okay honey (: Dr H" or the "[insert picture of flower] Dr H". You've tried to explain to him that you know that it's him, that he doesn't need to sign off every time he messages you, but it's no use.
Andrew Neiman loves to collect random bits of niche trivia, but will straight up forget incredibly basic things. You two were out at a live music venue, sipping on your tasty little beverages, and he'll just bust out something about the similarities between jazz and Indian music, and while he's expanding on the influence of Ravi Shankar on Coltrane, he'll flip through the menu in front of him and ask you what margarine is.
Carmen Berzatto, common knowledge at this point, always keeps a book on him, which on its own is a very good thing. It keeps him from getting bored, you think it makes him look smart, it's a win by all accounts. But, save for when he's at work, he will whip that book out whenever there's any sort of lull in a conversation or if he's not physically doing something. You were talking to him about weekend plans, and he'll be listening intently because he's a good boyfriend who cares about your thoughts, but as soon as you go quiet to turn around to grab something he's flipping open his copy of The Reivers to quickly read a sentence.
Randal Graves loves to fake propose at restaurants for free shit. He makes a big thing out of it, will pull you aside before you enter Olive Garden and show you the tiny plastic ring he's used about three times already and whisper about the ruse he's about to pull, and all you can do is nod along with him. He's gotten more elaborate each time, from the basic garden-variety proposal, to putting it in your water, to asking to have it put in your Chipotle burrito (you had nearly swallowed it that time), managing to score a few free desserts and, at one point, a bottle of cheapo champagne that he got so incredibly slurshed on at home.
Warren Rojas has this game he likes to play whenever you two go to bars or nightclubs where he will pretend like you two don't know each other just so he can hit on you in the most cheesy ways known to man. Asking to buy you a drink, dumb pick-up lines, saying shit like "My name is Warren, but you can call me anytime." It's so incredibly dumb and he gets the biggest kick out of it. One time when you and Eddie were having a conversation at a party he totally pulled out the "Is this guy bothering you, babe?" He thinks he's so funny.
Jimmy Bartlett, whenever you two are cuddling, will set a timer so he knows when to switch from big spoon to little spoon. He'll bring up the egg timer from the kitchen and set it to 20 minutes before he joins you on his bed. You'll be half asleep after a long shift from work with his head buried in the back of your neck, and the next thing you know he's shuffling around while tiny beeps are sounding and he's somehow got your arms around him before you even realize what's happening, before drifting off again. He says it's only fair.
Miguel O'Hara is like a big dog with the temperament of a house cat; thinks he takes up less space than he does and always at least slightly grumpy. He'll get confused when he goes to put on a sweater that was originally yours (the communal wardrobe holds no prisoners) and finds it tight around his biceps. He knocks his forehead on low doorways constantly, you've taken to shouting 'duck' whenever you see him about to go through one. Watching movies on the couch with him, during a rare moment of peace, can be an ordeal because he always wants to lie down on top of you and you don't have the heart to tell him that he's crushing your lungs.
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ink-flavored · 11 months
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soft asks! 🥀🌾 im so torn between saying pride and justice (and) or feriha just cause i love hearing about her too hehe
thank you!! i will help your dilemma and do one of each! :3
🥀 How would your OC decorate a notebook or journal? What kind of things are written in there? Could you give an example of a nice entry?
I'll do Feriha for this one. I think she'd decorate it with physical things, like dried flowers or scraps of paper as keepsakes, bird feathers, etc. etc. She'd use it like a daily journal, cataloguing her day and the things that happened very matter-of-factly.
🌾 Describe your OC through the eyes of someone absolutely head-over-heels in love with them
This one is for the P&J fellas. Because they are in love <3 And I kinda wanna write this in their voices so here we go--
Pride, about Justice:
Oh, where do I fucking START? For a dude who flipped Heaven the bird, you'd think he'd have less of a stick up his ass. Can't go two minutes without getting a lecture about "manners" or "common sense" or "basic public decency." Yawn. Over it.
Like, I'm just saying. He's NOT in Heaven anymore, right? But he's still so fuckin' nervous about being a perfect little angel, can't go two steps without dropping everything to fix some random person's issues. Helping people is fine, whatever, but it's like he never gives himself a break. I want to shake him sometimes, you know? Lay off the personal responsibility for five minutes, you don't have Gabriel checking your quarterly reports this week, or whatever the fuck.
I don't know. Maybe him being nice to literally everyone isn't so bad. He's nice to me, even though he probably shouldn't be. It saved my life, so I guess I should thank him for it. He's also a huge nerd, which is hilarious. I can't believe he got fake glasses for fun, what a dork.
Justice... makes me feel like I suck. But in a good way? I want to... suck less, so I'm worth it for him. That's probably dumb. But I don't know what else to say. He makes me feel like it's possible for me to not suck one day.
Justice, about Pride:
Pride is... a handful. He's very loud, he can be inconsiderate, he can't ever admit he was wrong, and no matter how many times I tell him not to smoke in the house, he seemingly can't help himself from wearing his horns to bed and making everything in his room stink. Sometimes I wonder if he even listens to me.
He's been through so much pain, though. I try to remember that. No matter how annoyingly stubborn or impossible to talk to he can be, it's all because he thought for centuries he would always be alone. I can feel it all the time, this... constant guilt and rage in him. I can't hate him, I can't even try. It takes a lot of patience to understand him, but I don't regret a single second of it.
Because he's also fiercely protective of people he loves. He's passionate, he's encouraging, he does whatever he likes without thinking about what other people might tell him. All his choices are his own, for better or worse, and I admire him for that. He's slow to trust, but once he feels like he won't be hurt by you, Pride is a beautiful person. Someone worth abandoning Heaven for.
[send me a soft OC ask]
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angelofthepage · 1 year
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From the 50 random character asks, maybe number 1 for Joey?
Canon I outright reject for Joey? Oh this is a tough one!
I think I'm a bit particular about what I consider "canon" in the first place, and that's gonna be important to understanding my answer here. Like, for example, if we're talking about The Illusion of Living, I will not say the canon is that Henry, Joey, and Abby sat on the floor to make Bendy. I will instead say that Joey claims they all sat on the floor to make Bendy in his apartment. Because that's more accurate, we don't know how truthful he's being. He is a fictional human being, he's allowed to have a skewed perspective and lie, not everything he says is the truth. (For the record, I don't think he's lying about this particular event, I do hope that it actually went down this way because it's a great scene, I'm just acknowledging that sources matter.)
So with that in mind, "canon I outright reject" for Joey is tricky. But I have an answer! I don't believe in what Memory Joey claims Allison's role is in all of this. During the big reveal of Audrey's origins, he tells us that Allison came into his life, saw good in him, and that was the catalyst for why Allison Angel exists and why he wanted to start a family, and I just, don't buy it. Part of it is that if she saw good in you, and that was a big deal for you, why did you continue to do unethical ink experiments doing who knows what to your failed children until you got Audrey? Like, my dude, that does not add up and you are not helping your case. I have a lot of questions about Allison Connor and the way she's written across the games and books. I feel like she's the right character to inspire this change out of our current cast given there's at least something of a positive relationship there (albeit a confusing one), but she could've used some more development to make it more effective. I'm already suspicious of Allison knowing more about the ink machine than she's let on, and I feel like her just "seeing good in him" isn't enough, I feel like she may have had a more direct approach in telling him that this had gone on long enough, it's time to end the cycle, either from a place of kindness or a place of knowing the dangers of the ink from Tom, her husband, who made the machine and would be concerned about things getting out of hand. Maybe Allison could have helped him try to do something with it.
The way I've chosen to adapt Dark Revival's plot point about Allison Angel and Audrey's birth is that it didn't start as an effort to build a family. I'd prefer to handle it as a band-aid with side effects. Joey has created an entire realm to torture a fictional version of his former business partner, but there's also a number of real people that are likely in there. Sammy and Norman we've seen either succumb to the ink or straight up die within the canon, Twisted Alice we're pretty sure used to be Susie Campbell, and we know that other book characters have become lost ones too, people who existed in the real world and got turned to ink, most likely ending up in the cycle. So Joey has the unique problem of dealing with real AND fictional people, and how the heck is he supposed to make life more bearable for all of them? It's a question a lot of us are asking if Audrey has an answer to for a potential follow-up game. I wouldn't even know where to start in his shoes. Change the cycle to be more habitable? That would make sense. But because there are real people, is there a way to repair their minds, and equally importantly, their bodies to be more human and comfortable, maybe, return them to the real world? That's what I think Audrey started as, a solution. She was the result of testing if you could make ink appear human enough that it could inhabit the real world, and the next step after her was to see if it could be applied to the residents of the cycle. The thing Joey didn't foresee was getting attached, and that is why she's his daughter. It's very found family, accidental, but incredibly powerful. I feel like Allison Angel is a similar deal, created to make things better temporarily while Joey works on another solution. But none of those solutions pan out before his death, and now that responsibility falls on Audrey as the new keeper of the cycle.
I wanted a little bit more from Joey in trying to be a better person, since that seems to be the direction he's going in. He's not a good person, he's not getting redeemed, but the idea that he can do something good and make a change before he died, even if it's not done as well as it could be, that's a really powerful sentiment. A small note about that, a little extra detail, would have been nice. So yeah, Joey's intentions for making a family is the thing I don't buy in canon. Thank you for the question, this was fun!
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4evamc · 4 years
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Misha Tweets
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Ed Levine: Welcome to Special Sauce 2.0. Serious Eats podcast about food and life. Every week on Special Sauce we begin with Ask Kenji, where Kenji Lopez-Alt, Serious Eats Chief Culinary Consultant, gives the definitive answer to the question of the week that a serious eater like you has sent us.
J. Kenji Lopez-Alt: Generally, sort of like delicate leafy herbs like cilantro, parsley, basil, they tend to not be very good in their dried counterparts. Thyme, rosemary, oregano, they actually work pretty well in their dried forms.
EL: After Ask Kenji, a conversation with our guest, today in house, Misha Collins. He is, of course, an actor best known for his role as the angel, Castiel. Did I pronounce that right?
Misha Collins: Castiel.
EL: On the CW television series Supernatural, and has now written with his wife Vicki Collins, The Adventurous Eaters Club: Mastering the Art of Family Meal Time.
EL: Now it's time to meet Misha Collins. He's, of course, an actor best known for his role as the angel, Castiel?
Misha Collins: Castiel.
EL: On the CW television series Supernatural, which has had an insane run, right? It's like 2008 to 2019.
MC: Yeah, we're in our 15th season right now.
EL: That never happens.
MC: No, it doesn't. I don't know why they kept us on the air.
EL: Collins is also the co-founder and board president of Random Acts, a nonprofit organization dedicated to funding and inspiring acts of kindness around the world. He's also a published poet. Very impressive dude.
MC: Thank you.
EL: And has now written with his wife Vicky Collins, The Adventurous Eaters Club: Mastering the Art of Family Meal Time. So welcome to Special Sauce, Misha.
MC: I'm very happy to be here.
EL: So the first question I always ask, in your case it's particularly relevant, is tell us about life at your family table growing up. Your family table was not exactly traditional.
MC: That is true. I was raised by a single mom. My parents separated when I was three years old and I visited my father on every other weekend for most of my childhood, but he wasn't really a cornerstone of my upbringing. But my mother and my brother and our dog were a very tight family unit, and we lived in Western Massachusetts primarily growing up and moved a lot. We were in a new home I would say on average once every nine months or so. I think I lived in 15 places by the time I was 15.
EL: So you were like an Army brat, only you were a different kind of brat.
MC: Right. An Army brat without the parents building up a pension plan.
EL: Right.
MC: Another thing I think that an Army brat family has is a cadre possibly, of other kids that are going through the same experience, and I was generally going to a new school every year and meeting kids that were in fairly stable childhoods and who knew one another and who were familiar with the school, so I was always approaching schools and new towns-
EL: You were the permanent new kid.
MC: Yeah, with a little bit of trepidation, and trying to figure out how I could ingratiate myself to the new communities and the new schools. My mother was very eccentric and iconoclastic. She talked about the revolution a lot. I was born in 1974, and we lived through a tumultuous political time in our country, and she didn't want to have us grow up being conventional young men, so she would do things like dress me up in pink tights and paint my nails and send me off to Cub Scouts. Which I think in 2020 might actually fly, but in a working class community in Massachusetts, when you show up at Cub Scouts in the boys' locker room with nail polish and long hair-
EL: Not so much.
MC: And pink tights, you're ostracized. So, I kind of had to find a way to blend in and disappear a little bit as a kid in new schools, and I think that it built a lot of character in a lot of ways, and made me more resilient and adaptable and independent than I otherwise would have been. But at the same time, there's a certain lack of stable foundation that was challenging.
EL: I had not the same kinds of travails in my own childhood, but you do become resilient and eminently adaptable, but it also has a cost. It exacts a cost that you can't deal with as you're going through it, but you almost have to deal with it at some point in order to really resolve some of the issues that came out of it, I assume.
MC: Yeah. I'm sure you've found the same thing, but I feel like I'm a 45-year-old man and I'm still discovering things and unpacking them and repairing them, I think. There are definitely things that you take away from a childhood like that that give you real strength.
One of the things that I love about my childhood is that I know that you don't need money to be happy and you can get by on just about nothing, and that gives you, I think, quite a bit of power going into the world because you don't feel beholden to the comforts of ... I don't feel beholden to the comforts of money. I'm okay with scarcity. At the same time, I don't know that I was really terribly good at connecting with people or making friends, and I probably still struggle with that.
EL: Yeah. So, you wrote this amazing piece in The Times, and you wrote that “times were often lean, but one luxury we always had an abundance was food, even if it came by the five finger discount. My mother taught me how to steal peaches from the Stop and Shop grocery store when I was four. We were stealing from the man. It was a justified rebellion against an unjust system.”
EL: So, whoa. Okay, those sentences made me stop in my tracks. That's pretty intense. I was actually thinking about this movie, Shoplifters. I don't if you've ever seen it.
MC: Oh yeah. Yeah.
EL: Because in there the father figure, who turns out not to be the father, teaches the kids how to steal so they can eat. And so, wow. I mean, talk about that. Talk about getting conflicting messages from your mother. It's like, whoa.
MC: It's funny, because now hearing you read that, it paints a portrait of a parent who was raising children without a moral compass, and I think that was not at all the case. This was righteous rebellion. We were stealing ... We would never have stolen from the local co-op, but this was from a corporate entity, and these corporations were out to exploit the proletariat. I actually felt the exhilaration of feeling like I was part of a rebellion at that point, and frankly indoctrinated into that at a really young age. At the age of four, I was aware that it was us against them. We were the little guys and that we had a justice on our side. At the same time, it's a complicated thing to be training a little four year old how to steal.
MC: I have a very distinct memory of the fruit island in the Stop and Shop, and me grabbing a peach. This was the first time that I remember ever shoplifting anything. I grabbed the peach and then I ducked down behind the island, and my mother said, "No, no, no, no, no. You can't do it like that. You have to take it. You have to be very calm. You have to not look around. You can't show that you're distressed at all or that you're nervous, and then you put it in your backpack." Then we would go up to the cash register and we would pay for some of the groceries, so that we were distracting them, and then scoot out the door.
EL: And you just, I assume, felt that there was nothing particularly abnormal about this because you had nothing to compare it to.
MC: Right. Yeah, this was my normal.
EL: Yeah. You weren't stealing from somebody or something that needed the money, you were stealing as part of an ethos. Right?
MC: Right.
EL: As part of like, this is the way we work the system to fight the man.
MC: Right, precisely. Yeah.
EL: You also wrote, and I'm going to quote a couple of more sentences from the piece because it was so beautiful, "My upbringing taught me you didn't need money to be happy, that you didn't have to play by the rules, that the whole world was just begging to be explored. But now by the hindsight of fatherhood and from the comfort of a therapist's couch, I see that while my childhood had been rife with adventure, it also had been lonely and frightening and wanting." So you were always reconciling those two things, weren't you?
MC: I wouldn't say I was always reconciling them, because as a child I struggled at times. I felt sad and lonely, but I didn't think that it was because of my childhood.
EL: Got it.
MC: I thought my childhood was full of adventure, and I was proud of my childhood. Up until when I was 25 I don't think I looked back on it and thought that there had been any damage done by that.
EL: Right, and that there was anything dysfunctional about it.
MC: Right. And on balance, my childhood was incredibly ... I think I had a secure attachment with my mother. My mother was there. She was loving. She never failed to convey that love to me and my brother. So she served as my anchor emotionally, and that was unfailing. But because the rest of our life was so fractured and so nomadic, she was my only anchor.
EL: Yeah, because as you said, how do you establish connections with any kids when you're moving every few months?
MC: Right, and when you're showing up at school in pink tights at a working class school you're also getting alienated by your peers, and so the other kids actually ended up being kind of frightening to me.
EL: I read your Wikipedia page, and somehow you escaped and you ended up at a prep school, Northfield Mount Hermon, and then the University of Chicago. What a narrative your life has been. How did that happen?
MC: Now that you're asking the question, I'm reflecting on it possibly for the first time. But one thing that I know happened as a result of my childhood and and partly as a result of feeling like I wasn't fitting in with other kids, is that I was a smart kid and I could win the favor of my teachers. So when I was in school, I did very well in school. It was like the thing I could throw myself into and be safe and get some accolades.
EL: Some positive feedback.
MC: And some positive reinforcement. So I did well in school, and we lived in the town of Northfield for a little while, which was where Northfield Mount Hermon is. They had a program that had been implemented from the inception of the school where local day students could get pretty much a full ride if they were in need, and we were in need, so I could go to a fancy high school for free as a day student. Then I ended up basically getting the same deal at the University of Chicago.
EL: Amazing.
MC: Yeah. At the time, I thought I was going to go into politics, so I was sort of on a very clear path. And that wanting to go into politics was also born of my childhood and of my mother talking about politics all the time, and making me and my brother very aware of the plight of people in need in our country and around the world. It felt like that was the right place for me.
EL: Yeah. Again, and this is the final sentences I'm going to read from the Times piece, because it gets us back to food. Which is, "I recently found an old journal in a box in the back of my closet, and on the page from a decade ago where I had taken inventory of the good and bad of my upbringing the word cooking is circled and underlined with urgency in the plus column, as if I was thinking that food had been the cornerstone of happiness in my youth." Elaborate on that. I mean, that's an amazing statement.
MC: I think as a nomadic family, we moved around and we brought with us what we could, and in terms of material objects, there was very little that was a through line. But we did bring with us from place to place the tradition of sitting down for family meals every night.
EL: Even if you were in a teepee or in a park.
MC: Right. Even if we were sitting on a log in the woods in the rain, we would be sitting down and eating together. There were no distractions. There was never a television on, and there was no coercion in getting to the dinner table. There was no question about it. Not because it was an edict from an authority figure, but because we all just coalesced around dinner and loved it.
EL: You needed it.
MC: Yeah.
EL: It was a permanent form of glue for the family, right?
MC: Yeah. It really was important to us. We would go spend Christmas with my mother's mother, my grandmother, and she was a cook as well, and food was a centerpiece of that family interaction. And for me now that I have kids, I notice that when I'm feeling like a guilty or absent father, the way that I most quickly show my affection and love for my kids is I just make them food. It's like the way that I know to convey to a child everything's safe, everything's okay, and I love you.
EL: Yeah. But in 21st century America, and maybe all around the world, it's hard to do that, right? There are lots of pressures that are forcing people not to eat together.
MC: Right.
EL: Both parents are working, kids are all over the place. But you obviously, I think as a result of your upbringing, it was important when you had a family and a wife that you made that same time for dinner.
MC: Yeah. It feels very important to me. I think sometimes I'm actually kind of maybe forcing my agenda of cooking on my kids. Like, "Come on guys, let's make something in the kitchen." A lot of times they want to go outside and I want to work in the kitchen, and I have to check myself and say, "Okay, we'll go play a little bit of soccer first before we get to canning the pears."
EL: Right. Because the act of eating a meal and preparing it is imbued with so much more meaning for you than it is for them.
MC: Yeah, I think that's true. Yeah.
EL: So you end up being an actor, and I'm just assuming that like all actors, you struggled for many years before you found yourself on the set of Supernatural. So, tell us in a few sentences the arc of your acting career.
MC: Well as I mentioned earlier, my intention after college was to go into politics. I interned at the White House and I got a job at NPR in Washington, DC, and I was really disappointed with what I saw at the White House, and I thought, "Oh God, I have to come up with a whole new plan here." I thought it was going to be the best and the brightest minds under one roof. This was the Clinton administration. And instead what I found was the halls were filled with people who were sycophants, whose parents had donated money to the campaign. They were all yaysayers. There was no real discourse about political ideas, which of course is actually what you need in an administration. You need people who are going to be in lock step and are going to support your decisions, but I was too young and naive to know that.
So when I saw it, I thought, "This is not for me." I thought, "I will try to find another way that I can have an impact." I think there's a lot of hubris in this, but I thought, "I know what I'll do. I'll become an actor. I'll get famous and then I'll parlay my celebrity into some sort of political influence."
EL: Oh, because that happens all the time.
MC: Right. I mean really, really completely naive, and totally full of myself. Then I moved to LA and I thought it was going to take a couple of years to attain a certain level-
EL: To become rich and famous.
MC: To be rich and famous. And it took a long time to become-
EL: It took a decade, probably.
MC: To become moderately comfortable and a C-list celebrity. But somewhere along the line I stopped thinking about that end goal of I'm on this path so that I can have influence, blah blah blah, and I just started becoming an actor, and I was just acting for the sake of acting and not for this aspirational, high-minded goal.
Then a couple of years ago we got a new president, and that lit a fire under me. It was actually during the campaign when I started to think, "Oh, Trump might get elected. Oh, this is serious," and then my C-list celebrity started to come into play and I thought, "All right, well I can use the platform that I have."
EL: By the way, I think it's at least B-minus, okay?
MC: Well you, as everyone knows, grade on a curve, so thank you for your charity. In a strange way it feels to me a little bit like it's come full circle, and now that the show's ending and after 15 seasons I'm asking the question, "Okay, how can I be of use in the world?" I don't know what's next for me. I don't know if I spend a lot of time on television sets after this or not. I'm trying to do some soul searching and figure out what I really want to be when I grow up. But that's, in a nutshell, my path.
EL: It's an amazing path, and you accomplished much more as an actor than almost any actor I know. To be a working actor and to have made some money doing it is actually an incredible accomplishment, and maybe it's to the resilience you discovered you had in your childhood.
MC: Yeah, I think possibly. I think obviously there's a lot of dumb luck that comes into play. It's not my fault that the show that I'm on has been on for 15 seasons or has the devoted fan base that it has.
EL: There are conventions for Supernatural. I notice this-
MC: We have conventions. There are tattoos with face on them. I mean, it's hard not to be full of yourself in this context. But yeah, we have a really, really devoted fan base, and it's quite remarkable to be a part of.
What was it? I think it was Freakonomics at one point. Maybe it was in the book Freakonomics, but they said that pursuing a career in acting is like pursuing a career as a drug dealer. It's very, very difficult to be one of the kingpins, to be successful in the field.
EL: Right.
MC: The odds are so bad that it takes a certain personality that's defective that wants to even pursue that in the first place, because 99 out of 100 people are going to fail at that and then you're just going to be a low level street corner drug dealer, or barely getting food on your table as a background actor.
EL: Yeah. Well Misha, we have to leave it right here for this episode of Special Sauce, but you're going to stick around and tell us all about your two terrific kids, West and Maison.
MC: We just say Mason.
EL: West and Mason.
MC: Yes, we anglicize the French spelling.
EL: And your wife Vicki, and your family collaboration on The Adventurous Eaters Club. Thank you for spending so much time with us on Special Sauce.
MC: Thank you so much for having me, and I can't wait to talk about the book.
Listen to the podcast here
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A Liam Dunbar Imagine. 
REQUEST: Can you make an imagine where Y/N starts to date Liam but Y/N is Scott's little sister. Scott and Stiles start to mess around with him like pranks and stuff.
Acting normal was the easy part, stopping the butterflies that invaded my stomach every time I saw him was the hard part. Liam Dunbar, the new wolf on the block, he has these gorgeous eyes and the most perfect boy next door bone structure. Oh and his smile, his smile, it somehow manages to tell you that ‘Saturday is for the boys’ and ‘you’re the only thing I need in this world’ all at the same time. It’s not these feelings that are the problem, it’s the parasite that’s feeding on the romantic feelings that I let slip, otherwise known as my big brother Scott. 
‘You can’t leave it alone, can you?’ I said to Scott, as he slowly pulled into the school’s parking lot, making sure to wave in a cheesy manner at Liam as he walked by. ‘I’ll leave it alone when you ask him out.’ Scott looked at me with a smug smile, knowing that I would never ask him out. I just groaned and unbuckled my seatbelt, opening the car door and swung my legs out before turning back to Scott 'I'll ask him out when you leave me alone’ and slammed the door behind me. 
As I was making my way across the parking lot to the pearly gates of hell, that was school, I was stopped in my tracks by none other than Stiles Stilinski, if my big brother is the angel on my shoulder, he’d be the devil. ‘Hey Y/N, discussing ways to stop drooling over Liam. You know, you take after your brother, you should have seen him when he first saw Kir-’ Stiles was interrupted by a punch to his gut. His response being a solitary ‘Dude!’, I took this as a chance to walk ahead but was yet again stopped by Stiles, ‘Dumb and dumber, tell me what you want, because I would like to get to class before it starts’. I looked at them expectantly, ‘Now would be lovely.’ Scott looked at Stiles and then back at me, ‘If you don’t ask him out, then we’ll just have to mess with him a little. Maybe we replace his water at practice, or hide his clothes so he has to wear lost and found kit.’, at this point Stiles chimes in ‘yeah, or maybe we convince him that he’s being stalked, we anonymously call his phone and write him letters saying that we know all his secrets.’, it was Scott’s turn for the solitary ‘Dude’. I directed myself towards Scott ‘So what you’re saying is, that if I don’t ask him out, you’re going to play pranks on him until I do?’ Scott nodded at this. ‘And we’re going to write him anonymous lette-’, ‘dude, we’re not going to write him anonymous letters.’ I walked away, leaving tweedle dee and tweedle dum to bicker about the prank warfare that they were going to unleash upon Liam. 
I took my seat in my first class of the day, it was history with Mr. Yukimura. It was an interesting lesson, well what I was paying attention seemed interesting.  I spent most of it staring out of the window, deciding whether or not I’d let my brother and his “hench”man start pranking Liam. Surely Stiles and Scott wouldn’t do anything dangerous to him, they aren't that stupid are they? Although I felt unsettled and slightly worried about what they might do, the jury’s verdict (the jury being my last three brain cells) was to ignore it. They must have been trying to intimidate me into asking Liam out. So for the rest of the school day I did exactly that, ignored it and by home time I had forgotten about it. 
It was a Tuesday and that meant Scott, Stiles and Liam all had practice. So there were no chances of me running into any of them or their shenanigans. Tuesday for me, means that I don’t have a ride home. But on the upside, I do get thirty minutes of pretending I'm walking in a coming of age movie, whilst listening to fun indie music. I arrived at my front door, the sound of HAIM, buzzing softly through my earphones, I opened the door slinging my keys to the right onto a little dish and my bag onto the floor, next destination, the fridge. With HAIM still buzzing slowly into my ears, I searched through the fridge to find some leftover pizza and then headed up to my room. 
My room was like any other teen bedroom, photos of my friends littered on the walls, random souvenirs that I had saved from day trips and concerts and receipts from nights in diner’s after Scott’s lacrosse games. I flopped onto my bed, stuffing the pizza into my mouth, earbuds still buzzing and let time roll by. Time doesn’t feel real when you have pizza, music and homework, it sort of feels like a montage at the beginning of a cheesy high school movie. 
Hours went by, soon it was well after dark, but the music was still my soundtrack to the mundane routine. I checked my phone, it was 7pm. Which meant it was time to reheat the lasagne that was probably in the freezer from a week ago. As I made my way to the kitchen I heard a sort of thumping sound. At first I thought it must have been in the background of my music, but I soon realised it wasn't. It was probably Scott being a clumsy mess. I got to the kitchen and put the lasagne in the oven. I took out an earphone and breathed in, preparing myself for the monstrosity that was about to leave my lungs. ‘SCOTT, IM MAKING LASAGNE, HURRY’. I waited for a response, instead I heard more of that mysterious banging and what sounded like Stiles attempt at whispering. I rolled my eyes, charging towards the idiots who seemed to be hanging out in our bathroom. ‘Scott, you know the deal. I make dinner you set the table and your little friend Stiles isn’t getting any garlic bre-’, as I turn the corner into the bathroom I skid to a stop. Apparently in the time it had taken me to do my homework and put dinner in the oven, Scott and Stiles had turned into Reggie and Ronnie Cray. And how did I know this? It had something to do with the Liam shaped body that was duct taped in my bath. 
'What the fuck do you think you’re doing?’ I yelled at the pair, who stood idly in the bathroom. ‘Oh hi, Y/N, fancy seeing you here. What are we doing? Oh we’re, you know, just doing the usual. What do you think we’re doing?’ Stiles blurted out, doing the over-talking thing he does when he’s nervous. ‘It looks like you’re having a tea party in here, without me’, Stiles mouth hangs open and he looks at me as if to say “what the?”. ‘You guys are actually idiots. Do I have to actually say it to you? Why the hell do you have Liam Dunbar bound by duct tape in my bath?’ I give them both a look asking for an answer. After what felt like ten minutes of silence, Scott decides to give me an answer, ‘We told you what we’d do this morning.’ My eyes roll back into my head and my hands flail about at my sides telling the boys that they are in fact stupid. ‘I thought you were joking.’ I shouted at them. ‘Never underestimate the power of Batman and Robin. Now you should tell him why he’s here’ Stiles looked at me with the same look that I had given him moments ago. ‘For god sake. Why are you punishing me.’ I whispered underneath my breath. ‘Untie him you idiots.’ I scowl at them, folding my arms. ‘Not until you tell him’ Scott imitates me. ‘Ugh fine.’ 
I approach the bath tub looking down at a somewhat scared and confused Liam. ‘My brother and his idiotic friend, who are definitely not Batman and Robin, brought you here today because they want me to grow some balls and ask you something.’ I turn to look back at Stiles and Scott who are both now invested in my every word, Liam is staring directly into my eyes at this point and the butterflies are back. I take a short breath in to prepare and finally say ‘Would you like to go on a date, with me?’ there’s a silence in the bathroom as we all wait for a response. Liam writhes around a little, his words are just sounds. ‘Oh, yeah, sorry. This is going to hurt a little.’ I rip off the duct tape from his mouth. ‘What’s your answer dude?’ Stiles shouts a little too eagerly. ‘Yes, I'll go on a date with you. But you didn't have to kidnap me to do it.’ Liam finally exclaims. ‘Trust me, I had nothing to do with it.’ I turned around to look at Stiles and Scott, who are both smiling at me. 
I roll my eyes yet again and head towards the door, turning back to yell ‘Untie him you idiots’ at Stiles and Scott who both stumble around clumsily trying to let Liam out. As I make my way out into the hallway I look back at them ‘Dinner’s almost ready and neither of you are getting garlic bread.’ 
A/N: I haven’t written anything in years for this Tumblr. I hope you enjoy it (and i’m really sorry to the anon who requested this ages ago.  I also went a little rogue with the plot line. But all the basics are there. 
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La Pomme ~ Chapter Eight
Pairing: Sam x OC (eventual Dean x OC and Dean x Castiel. And I mean eventual.)
Series summary: George is a casual French-Mistake-universe Supernatural fan living in no-COVID 2020, who's life is upended when she's suddenly launched between realities, two years into the boys' past (S13E22). What begins as an insane, immersive fan experience turns into more when Jack goes missing and George offers up her AU information to help track him down. Soon it's discovered that she and Sam may actually have history. But that's impossible, right?
Word Count: 3,900
Warnings: {smut, fluff, angst, show level violence, swearing, mentions of suicide} ***Detailed warnings will be tagged for specific chapters.
A/N: Following the events of my prequel Paradise and second story From My Eyes Off. Reading those first gives context but isn’t necessary to start this one.
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Collapsing into one of the comfier library chairs set between some stacks, George took a sip of the small glass of whiskey she figured she'd earned. She'd just scolded a fucking demon from hell. What was she thinking?! It had been pretty cool, but pissing off an evil, powerful being was maybe not the smartest. She could have gotten herself killed!
It had been unavoidable though; upon realizing that Demon Tim must have been the reason they suspected her of being involved in Jack's disappearance, she had been furious. Not only was it not true, it was insulting, humiliating, and just plain rude. It was also simply a bad plan. So, she took it upon herself to enlighten him and to correct his offensive insinuations. Hopefully, it wouldn't come back to bite her in the ass.
Her focus shifted then to Jack. Reflecting over her time there, there were things she remembered having happened on the show. The refugees in the bunker, AU Michael attacking, Jack losing his powers, Lucifer dude being just a regular human dude now; all of it was familiar, even when it terrified her (see: AU Michael attack). But, when they told her Jack was missing, she was thrown off at first. It wasn't something she remembered seeing on the show. Then again, she'd only just finished binging from season 10 to the end of 13 a couple weeks ago and hadn't started 14 yet. So, maybe she was past the point of being able to tell when things were part of their prescribed timeline or not? Therefore, even if Jack had been kidnapped on the show, she wouldn't have any info for them, right?
The problem was, the more she thought about it the more she began to believe she had seen something about this storyline. Jack being missing, the three of them going to save him-
Was it Ryan telling you about some episode where they rescued Jack in the redwoods? They had filmed it on location at some tourist spot you went to as a kid all the time and she thought you'd think it was cool… where was that?
She couldn't remember, and it frustrated her. She was also worried that she was making this all up just to be helpful.
Taking another sip, she allowed her thoughts to wander between episode scenes like an internal microfiche as she tried to nail down her recollection, No, I can definitely picture all four of them in the woods and fighting. Someone had kidnapped Jack, wanting his powers for something… was it the angels?
"Well, that was interesting," Dean stated, startling her out of her thoughts. The three of them were walking into the library a surprisingly short while after she left them with Tim.
Looking up at them, she set the glass down on a nearby shelf and stood up. Dean didn't elaborate further while he poured his own glass. The expressions each one wore were indiscernible and she grew nervous.
"Oh?" George raised a brow and looked between them, "Did he talk? Because you know, I've actually been sitting here thinking about this whole situation and something about Jack going missing is very familiar. Now, unfortunately, I am a few seasons behind, and-""
Dean took a sip, looking at her with curious amusement, and interrupted, "I was talking about you."
George looked surprised and then grimaced, "No, no. I'm not interesting, not at all. I'm the exact opposite of interesting. I'm-I'm… I'm…"
"Uninteresting?" Castiel offered helpfully as she struggled to find the words. Sam and Dean rolled their eyes in unison.
"Right! Thank you, Castiel. I'm highly uninteresting." She gulped a bit and wrung her hands as the three of them kept watching her. In the silence, she nervously looked in Castiels direction and blurted quickly, "I'm also George! Hi! Really nice to meet you! Big fan!"
"Nice to meet you," Castiel smiled awkwardly and nodded a greeting, looking at the other two with a confused expression, "...fan of what?"
"Right, positively boring," Sam interjected sarcastically before he could stop himself. He definitely thought she was interesting. First she's just a beautiful woman, then she's a beautiful woman he may or may not have had a life altering dream about ten years ago, and now she was a beautiful woman from an alternate reality where his life was a prime time television show… who he may or may not have had a life altering dream about ten years ago. 'Uninteresting' was definitely not an adjective he'd use for her.
Dean snorted, "Yea, boring is the last word I would use to describe that scene earlier. You caused Tim to sing like a canary, by the way."
Her jaw dropped in disbelief, "Say what?"
"I almost say we hire her to be our monster torture hypeman," He joked, looking at Sam with a raised eyebrow.
Sam ignored him and addressed Geroge's question, "After you left, Tim-"
"Cleetus," Dean interjected sarcastically.
"Cleetus… well, he sort of... started crying? He said he'd tell us everything we wanted to know if we promised to keep you away from him." Sam looked strangely apologetic and she let a few nervous chuckles escape, unsure whether to believe what they were saying.
"We think you hurt his feelings," Castiel explained further. "Which fortunately seemed to motivate him to talk, so thank you."
"I guess his demon mommy didn't teach him about sticks and stones," Dean cracked, taking another swig.
"Huh. OK. Neat!" George didn't know what to say; she was confused and strangely proud of herself. But she didn't want them to think she wasn't chill, so she shrugged nonchalantly, "You're welcome, I guess. Anyway, as I was saying, I'm not caught up to the current season of my timeline but I think I remember this whole Jack-gone-missing thing a little bit. I want to say you all track him down somewhere in… Oregon? Washington? I'm getting a Northwest-ish feeling." She began unconsciously pacing around the room, gesturing energetically with her hands. "I can picture a battle taking place in the woods...Jack being in danger, you all being in danger, too...some fighting...maybe someone losing the fight? Or getting really hurt," She glanced worriedly at Castiel. He'd be the only actor they'd axe of the three of them, so it stood to reason he'd be the most likely to die if she was right.
Dean and Sam shared a look before Dean asked, "Fine, I'll bite. Do you know a city? A time-frame? Who we're fighting? Anything specific?"
George paused and then slumped a bit in defeat, "No. I've only really watched up through, like, literally now. Other than random things I've heard or seen in passing, I don't know anything that's happened since ya'll got back from the apocalypse world. Been purposefully trying to avoid spoilers, too, which is a decision I now regret, obviously."
"OK, well look, sweetheart, it's OK," Dean began, in an embarrassingly condescending, douchey tone, "We don't expect you to help us. I mean, we're grateful about the assist with Cleetus, obviously but this-" Dean vaguely motioned in her direction and she raised an offended eyebrow, "-was obviously just a weird magical mess that Rowena left for us to clean up yet again. So, you just sit back and relax, and once we find Jack we'll figure out how to get you back home in a jiff, OK?" He winked and finger gunned at her, adding, "Don't you worry your pretty little head about it." In his way, Dean was trying to convey to her a sense of ease and comfort that they would take care of things. But, unsurprisingly, he came off incredibly dismissive and patronizing. Her cheeks flushed an angry red; she'd had it up to here with him by now.
Sam and Castiel exchanged nervous glances at the look on her face and Sam tried to stop it before the inevitable happened, "Uh, Dean, mayb-"
Cutting him off, George slowly walked toward Dean, eyes blazing, "Listen sweet cheeks." She had a polite smile on her face as she tried her hardest to muster up the same condescending, silky, sweet Dean-tone, "I'm sympathetic to the fact that you can't help but be an insufferably arrogant ass most of the time-that's just how you were written," for a split second she saw Dean's cool-guy-smug-face falter and she relished it. She could tell she landed a blow, even if it was a small one, "but maybe you could do us all a favor and try to ignore your cro-magnon dated natural urges and attempt to be open minded for once in your life? Just try to consider the fact that, like it or not, I might not be a total useless red-shirt? That maybe I-once again the lone female in the entire world according to Supernatural-might actually be useful? Hmm? Might actually have useful-albeit vague-information for you? Or would taking your lead from a woman be too threatening to you overbearing, uber-macho, 'we-get-it-you're-totally-straight' masculinity?"
Dean's head jerked back in offense, "Now, wait a minute! What's that supposed to mean?"
"Don't worry your pretty little head about it," She mocked him in a deep, goofy tone, high-fiving herself internally. Nailed it! She'd always hated how damn smug his character was. Yes, fine, he was hot and charming and smart as fuck and right at least like 75% of the time, but he didn't have to be so fucking arrogant about it all the time. She preferred a man with some humility.
Sam was smirking at the look on Dean's face and muttered teasingly, "How does it feel, Cleetus?"
"Except, you actually don't." Cas interjected begrudgingly, as he thoroughly enjoyed watching Dean get verbally bitch-slapped. In fact, he could watch it all day, but they needed to focus on Jack.
"Scuse me?" She said, maintaining her sweet tone while staring daggers at Dean. "Don't what?"
"Have useful information for us," the angel said begrudgingly matter-of-fact.
"Er," Sam interjected seeing the look on her face, "Uh, well, it's just according to Tim-Cleetus-whatever, Jack is being held captive inside an old church in a small ghost town outside Butte."
Dean slapped his hands over his mouth in mock surprise and then, taking a few steps toward George, he mimed a balloon being popped by an impractically large needle. He had an impossibly large grin spread across his face.
"She still has a point, Dean," Sam sighed in an annoyed, if not slightly embarrassed, tone at his brother's display.
Cas nodded in agreement, "Yes, you were incredibly condescending and unfriendly in your attempt at being friendly earlier. Even though she's wrong about Jack, she's right about your inability to relinquish control-to anyone, though, not specifically women."
"You all suck." Dean said flatly.
George ignored him and shook her head. She was more and more sure about her information by the second; despite her doubts she could feel she was right. "Listen, I'm telling you, Jack is not in some bullshit church in Montana. He's…" She struggled to remember. "Erg, somewhere rainy and wooded!"
"Rainy and wooded, you say?" She cringed angrily at the sound of Dean's voice. "That's really great, very helpful. Say, maybe we should look up your little murder buddy-OwnsHisOwnAxe69, was it?-and ask if he's got Jack stashed in the Marin Headlands?" Dean's voice dripped with sarcasm.
George shook her head at him and closed her eyes tight in an effort to block out his negativity. Walking slowly away from him and into the map room, she started talking to herself, in a pointedly loud voice. Her focus bounced between episodes from the show and conversations with her friend, Ryan, a Supernatural Encyclopedia. She was hoping she could piece together something useful.
"OK, hang on, Jack is born, gets sucked into Apocalypse World, comes back, has his grace stolen but he's safely with you guys, he's happy, he's great-albeit, moody and not the best at video games. Then he disappears and you can't find him, yadda yadda."
While she rambled, her mind's eye began conjuring images of what she assumed were scenes from the episode she was trying to think of. While helpful, it was also disconcerting since she'd never actually seen it. She thought perhaps she'd seen clips on youtube while watching bloopers? She never could stay away from them, even if she hadn't seen the episode yet; they were just too funny. Maybe her overactive imagination was just creating scenes around what little knowledge she did have, "...and there's an epic-potentially deadly-fight scene at the end of one of the last episodes of the season. An episode that was, oh so noteworthily filmed on location iiiiinnn…" She tried to demand that her memories behave for her but it was challenging, considering she shouldn't have any memories of having watched the damn thing at all. "...where? Fuck me!" She snarled, chasing desperately after her murky visions as they swirled too abstractly for her to discern.
In a sudden moment of unusual clarity she could see the words displayed behind her eyelids. '...False Klamath? Where the fuck… why does that sound familiar? She flashed to the location in her memories and saw big wooden statues towering outside the scenic little tourist trap
Her eyes popped open with a gasp, "Johnny Appleseed!"
"Johnny Appleseed?" Dean teased, mock exasperatedly, "We're trying to find JACK."
"The Johnny Appleseed statue at The Trees of Enigma! Just outside False Klamath, Oregon!" She slammed both her hands down on the table in front of her in uncontrollably jubilant victory. "HA! Take THAT!" She jumped up excitedly and punched her fist in the air. "I did it! I remembered!"
"Sam, can you translate any of this?" Dean asked, annoyed.
"On the show," She started smugly, before Sam could say anything, "the battle that you two get into when you find Jack, takes place at a tourist spot called The Trees of Enigma. The episode was filmed on location at said tourist spot, in-say it with me now-False Klamath, Oregon. Oregon, Dean. A place that is known for being both rainy and wooded." Her finger was placed on the map table in the general area of Oregon, "that's where you'll find Jack. I'm sure of it." Her adrenaline was pumping and she was so stoked. It felt really good to be useful; like she was part of the show!
"Yea, that's great, sounds fun," Dean started dismissively, though toned down a bit, "but we're not risking Jack's life to follow your hunch."
"Excuse me. Why is my so-called hunch less believable than a demon's word? Especially a demon named Cleetus. Rude," George looked particularly offended now.
"Tim gave us real, solid intel and we've never had a problem when we've relied on our trusted resources in the past," He answered confidently. George's head jerked toward him like she hadn't heard correctly and she gave Sam and Castiel some crazy eyebrows.
"Sorry, you understand that I do watch the show, right?" She asked rhetorically, with a doubtful expression. When he rolled his eyes, she let out a frustrated huff. "Dean, think about this! He's a demon! He lies! Look, I know you have no reason in the world to trust me but you've got to; just think about it. Even IF it is demons that have Jack, don't you think it's possible that the prisoner demon you're threatening to torture might give you a false lead? Especially if he's naive enough to think he'll be able to escape and doesn't want to get in trouble with his bosses? C'mon, this is not-the-sharpest-tack-Tim we're talking about!"
Sam and Castiel had agreeably expressions but Dean's was stubbornly disagreeable, though she could tell he knew she was right. The thought of them going to Montana gave her a dreadful, suffocating feeling, like death.
So, she tried one more tactic and held her hands up in prayer, "Dean please, I don't know what and I don't know how I know, but I know in my gut that if you go to Montana, something terrible will happen. And Jack's not there, I promise you." She dropped all the bullshit and gave him her best seriously-just-listen-to-me face but Dean still wasn't budging.
"Christ, I knew you were stubborn but this is ridiculous, ugh. OK, fine!" She threw her hands up and turned on her heel, heading toward the dungeon.
"Wait, where are you going?" Sam asked quickly.
"Obviously I didn't hurt his feelings badly enough the first time, so I'm going to go have another chat with Cleetus and get him to admit that he's a liar, liar, pant-"
"Er-you... can't do that," Sam cut her off apologetically.
"Sam, he's handcuffed to a chair. I appreciate the concern but-"
"He means you really can't," Dean added. George looked toward him annoyed and Dean continued, "After he gave us everything we needed we pretty much, chk," he finished, slicing a finger across his throat in demonstration. When she looked like she wanted to strangle him, he shrugged and offered, "RIP Cleetus."
George rolled her eyes in exasperation, "But he was lying! Don't you confirm the information before you cut off the source?! Oh my god, why am I even asking? You're the Winchesters, of course you don't." The three of men looked between each other guiltily and she placed her hand on her hip, "What if that was just an act and Tim saw an opportunity. Feeding you some bullshit so that you couldn't actually find Jack? Or, maybe Tim has nothing to do with Jack at all, and sending you to Montana is just a good old fashioned ambush?!" She paused for a moment and gave a surprised, appreciative nod, "Hmm, maybe I underestimated ole' Cleetus a bit. Could have been smarter than I thought."
"She does have a point, Dean. The chances that he was lying are incredibly high," Cas conceded slightly, giving Dean a questioning look. "We have no proof that his lead is any better than hers. Demon's lie."
"Damnit, alright, fine," Dean said, sighing angrily. "Sam and I will go to Oregon to look for Jack; Cas, check out Butte-carefully, strictly recon, do not engage-and call us if you find any trace of him." He shot a quick warning look at George. "We'll turn around and come right to you. Sound like a plan? Great, let's go."
"Wait, no! Don't send him to Butte! Didn't you hear me? If it's an ambush, he'll get his ass kicked!"
"Hey." Cas looked hurt and George softened her face at him.
"Oh, I'm sorry Castiel. You're a total badass when the plot calls for it, otherwise, getting beat up is just kind of your MO." Ignoring the confused look on the angel's face, She turned back to Dean, "and besides you need Castiel in Oregon, Dean. I've seen it!"
"Oh? I thought you hadn't 'seen this episode yet'?" Dean said sarcastically.
"I-I… Well, OK, I haven't, but I've seen the three of you and Jack all together for this fight. Just trust me, you need him there. What if Jack is hurt when you find him? Cas can heal him, right?" She made a questioning face to Castiel; at the moment she couldn't remember the extent of his powers on the show and he was always losing one or another for whatever reason, anyway. But if she was right, she figured that even if Dean wouldn't trust her gut, he might trust that having a healing angel on their journey would be a benefit. "Is that a power you have? I feel like I've seen you do that."
"She's right, Dean. I can heal him if we find him injured," Cas offered her helpfully and she shot him a grateful expression, actually looking him in the eyes for the first time, albeit fleetingly.
"Have you seen Jack get hurt?" Sam asked her, trying to help, too. He remained a neutral party at this point, but if he was honest with himself, he believed her. Maybe a little too much, which is why he was trying to stay impartial. If he was being blinded by his confusing memories and the undeniable-yet-currently-being-denied feelings he was developing for her and ended up wrong, Jack could be killed.
"Uh… I mean, no… not definitively, but it's pretty standard for the show. You're all constantly getting hurt during fights and when it's close to a season finale the danger factor is skyhigh for anyone who isn't you two…" After motioning to the brothers, she trailed off, afraid that this reasoning was going to hurt her more than help her.
Sam gave her a long, contemplative look before finally offering, "I can have a small team go check out Butte. Maybe Garth can join? Last time I talked to him he was near there."
Dean's teeth and fists were clenched as he took a deep, exaggerated breath, "Fine. We'll send a group to Butte and call Garth from the road-No arguments!" He held up his hand to her as she opened her mouth to speak. "The three of us are going to Oregon, just as you demand, but I'm not leaving anything to chance on some alien's hunch. Garth can handle himself."
She made an indignant face at him-she wasn't an alien, she was from an alternate reality! Get it right. But, while she was afraid of someone getting hurt in the obvious trap that had been set for them in Montana, the thought of Garth going instead didn't give her the same full-body fear shudder. So, she figured she'd take what she could get and not push the issue further. Besides, she knew Dean wasn't going to be happy about her next move and she had to pick her battles.
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