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hanna-water · 2 years

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Part 6 (last part) “I’ll Be Fine”: Talk about Popculture, Druck and Gen Z Popkultur Festival Berlin 2022, wednesday 24.08.2022 with Eren M. Güvercin, Nhung Hoang, Naomi Bechert (social media team during s5 – s6, writer of s7 and s8) Moderated by Aidan Riebensahm First question from the audience: Hey, whats up. I wanted to ask you two how was it for you as POC to play maincharacters in such a internationally celebrated series? Eren: I don´t know. It´s of course something special and I try to make it less special because for me it´s natural which characters I play. Nhungi: I see it like that too. Its sad that it is seen as something special but on the other hand I feel like we got a certain responsibility because of that, to show our experiences (Eren agrees). For Kieu My it was important for me to not tell my own story but to keep it as generally as possible. So that many german-asian, german-vietnamnese people who are queer can identify with it. And I think we succeeded in that. Eren: One time I… I realized “ok it`s a big deal”. One time when I was taking a walk on a bridge and a young girl came up to me, I would guess 16/15 years old. She came up to me and said how cool she found the series and she was very happy. Then she talked about her little brother, who was like 9 or 10 years old, and she watched the series with him. And her brother realized through the series that he is into boys and opened up about it to his parents. And those are the things that I think about when I play these roles. Nhungi: Sometimes there are days when the text does not work and everything goes wrong and you ask yourself “why am I doing this? Everything is shitty.”. But then one time I was on my way to work on the train and I looked unrecognizable. I was wearing a mask, a hood and sunglasses, so you could have thought I was a little 14 year old gangster boy. But then a mother approached me and and asked if I play Kieu My in the series Druck and I was totally tired and sleepy and was like “uhm yes.” And she told me that she is watching the series with her daughter and started to understand her daughter better now und knows how she can treat her better and that she can tell her daughter now that it is ok to be queer and to be in love with a girl and she thanked me for it. It was such a beautiful moment, it could have been out of a movie, in the same moment the sun was rising and I started crying. I came to the set crying and everyone asked “what`s wrong?” and I was just like “gibberish crying”. Whenever you feel like “why do I do this actually?” such moments happen and bring you back into the right lane. Eren: So yes it is very cool. Second question from the audience: I wanted to ask if you had the possibility to influence the script of the seasons or if you had wished to be involved more. Were the stories of your characters created with you or have you wished you would have been more involved in that? (laughter) Naomi: No, you can say it. (laughter, but not sure who is laughing) Eren: come for us! (jokingly) Start! Why are you trembling? (everyone starts laughing) Aiden: go hit each other! Naomi: (laughing) I am not the only person who has the responsibility. Personal remark from me: listening to the audio, it became clear that both Eren and Nhungi had some criticsm on the tip of their tongues and presumably already talked about that with Naomi. But they decided to stay professional and not throw shade at anyone directly. Which is understandable, because the Panel was maybe not the right place and time to go into details and be too negative. So they talked about things that went well and left blank spaces regarding the things that they were not happy with. Read between the lines. ;) Nhungi: So everyone who is working in film: do not listen now. No, uhm especially in the beginning it was very important to listen to us because all of us worked out the story together and filled the characters. After every reading, if we had something, it was changed. For example concerning youth slang. Aiden: Please give an example. Eren: There were words which I had never heard before. Nhungi: “Constantin ist ja voll fett, digga” (the audience is laughing) Well, in those aspects we had a lot of room for creating. Eren: (interrupting) “Yolo!”. Nobody says Yolo. Not anymore. I think that’s an ´68 -thing. Naomi: I did not write it. Nhungi: We were also allowed to phrase lines differently when we could not say/pronounce certain things. Regarding the storyline or the development of the characters, that was left to the writers. If something was too strange or out of character then we also said something uhm... but that was a task that we had to leave to someone else. In the end we are not responsible for the content which is written. Eren: I think I have to say that I never met an actor/actress who was completely satisfied with everything. Due to the industry and the people who are involved in a project, there is always something you would like to change. But I think that is good. That motivates you. Naomi: To write a series like this is a very collaborative process were many people have a lot to say and sometimes decisions are made very hierarchical. Its not even the writers who have the last say in things. There is also a broadcaster and a production and you try to figure out, ok what is valid critic, what is a matter of taste. And in the end of course everyone wants to say something about it and you have to find compromises, yes. Ideally you would develop such a series completely with young people from the beginning to the end but I think… Druck is created in a very very short timeframe and in this format its not possible to work even more collaborative. Yes ideally….if you had more time and more tries and more feedback, yeah. Eren: Yes sure but I would totally agree to say that it is ok if the writers write the script and the actors/actresses do acting. I am also a fan of collaborative projects, I don´t want to deny that but I think, a trustworthy (🌚) writers room can do so much. Naomi: yes. I would have liked it actually, to work even closer with you. Eren: We also have to mention that they (the writers) sometimes messaged us on IG like “do you still say this?”. Naomi: Yes I always did little surveys with the cast. Nhungi: Can I say this? One time Naomi had an argument with some people of the writers room and then we got a message via IG: “do you still use GIFs?” Eren: I was like “what do you mean?” Nhungi: “uuhm I am not sure, I don´t.” Aidan: Don´t you use any GIFs? Eren: I use stickers on whatsapp. I create my own ones of my friends. Naomi: I said that too. Eren: you can create your own stickers with an app. Aidan: But does that mean if we would chat and I would send you a GIF, you would find this totally old? Nhungi: ´68 right? No, I think we are that last ones who would say “oh that’s such a millennial thing”. Aidan: Sometimes you have to let old people just do their thing. Eren: I don´t know if that is an Gen Z thing but I don´t like it to text at all. Nhungi: Me neither, no. Eren: If someone wants something from me, the person should just call me. Or I call the person. Aidan: What?!! Unfortunately we have to end the talk now, its already 20 minutes past (joking). Eren: any other questions? Nhungi: Yes Eren is a huge fan of phonecalls. I still remember, her calling me in the middle of the night and shes like “Does this hairstyle suit me? Can I do this, are my curls too long?” Aidan: Hey, cool thank you. (laughs) We will hear each other on the phone later. I have to end the talk now, people are waiting, the next ones want to get in. Thank you very much. Oh there is a last question? One question is ok. Last audience question: What was your favorite scene of your characters in Druck? That is the most important thing I wanna know and then we can finish. Nhungi: uuh I don´t know if this is unprofessional but…do you remember Kieu Mys houseparty? There we said “ok the shoot will be very late and very exhausting” and then Eren and I took a shot together. Eren: Not just us two. Nhungi: right. I don´t want to throw anyone under the bus. Eren: no names. Aidan: How many people were sharing a shot? Nhungi: This was really the only thing that happened. We are all responsible. That was pretty funny. Eren: I have 2 favorite scenes. One time I was allowed to spend a whole afternoon just riding an e-scooter. And then we were in a skatepark and I was doing tricks the whole time. I really felt myself. I thought I was awesome. It was an e-scooter with some glitter on it, you know. The other scene was, I had to make dosas (samosas?) in one scene and I was cooking and baking the whole time and Chris was in the background saying “Eren, stop forming penises.” And afterwards I was allowed to eat them. Nhungi: the... Eren: the dosas. Aidan: Naomi what was your favorite scene? Naomi: To write, you mean? Mmh for Isi…. the party scenes or when Isi screwed something up together with the others. For example when they crashed the car. Whenever action was involved. Or fight scenes. That is fun to write. Aidan: Good last question. Thank you! Thank you a lot (to the guests and the audience) applause

#Druck #Eren M Güvercin #Nhung Hoang #Nhungi #Naomi Bechert #bts info #Talk #Popkultur Berlin #August 2022

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kagemajaya · 4 years

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So much to watch, not enough time in the week - What does Fall 2020 look like?

A list of what looks interesting in the next season and silly reasons as to why

I’m not the sort of person who likes finding out too many (in some cases even a smidgen of) details about anime I’m going to watch, so this will be a spoiler free preview of the season. Here is a list of anime I will try and you can expect to hear about on Kagemajaya.

Click on the show names to be taken to their MAL pages for more detail.

Hype

Taisou Zamurai

A male cast gymnastics anime from MAPPA (the studio of Yuri!!! on Ice.) Enough said.

Watch the trailer here.

Chuan Shu Zijiu Zhinan

This one’s a bit of a cheat as we’ve already seen 2 episodes of it (3 for those who have VIP accounts on weTV.) However, I was indeed hype for it before it started. Based on a BL novel by Mo Xiang Tong Xiu, the author of Mo Dao Zu Shi, this one promises a lot to people who enjoy transmigration, cultivation and a bit of gay. It is also a quite funny isekai parody. The only downside is that it doesn’t share the same visual quality as MDZS, and is entirely 3D. It’s a good thing I’m not much of a stickler for hot visuals.

Watch it here on its official stream.

Tian Guan Ci Fu

Another donghua based on a BL novel, well-known among the danmei fans also by its English name of Heaven Official’s Blessing. Also written by Mo Xiang Tong Xiu (boy, are they busy.) And a big plus: it’s not 3D, so really looking forward to watching handsome men cultivate together in pseudo-historic China. Beautiful setting, beautiful boys. Now one can only hope for an interesting plot too and we are set.

Watch the trailer here.

Cautiously Expectant

Yuukoku no Moriarty

I saw manga adverts for this one all around Akihabara and Ikebukuro last year when I went on a little trip to Japan. The bishie Professor Moriarty was an immediate pull, and as a Holmes fan, I feel attracted to most of its adaptations, despite almost always being let down. The one thing that makes me cautious about this one is that it is published by a shounen magazine that is not GFantasy, so I’m not sure if the bishie designs and the male cast actually mean what I want it to mean. Fingers crossed.

Watch the trailer here.

Giving It a Shot

Inu to Neko Docchi mo Katteru to Mainichi Tanoshii

A cute looking comedy short about a dog and a cat.

Jujutsu Kaisen

A mostly male cast Shounen Jump affair. Spring 2020’s Kakushigoto also implied that it has a fujoshi fanbase - let’s see what that’s all about.

Maesetsu!

A female cast gag comedy sol created by Lucky Star’s Yoshimizu Kagami. I watched Lucky Star fairly recently and found it quite entertaining with many sweet/funny characters. I suppose we will see if Yoshimizu still has it. Fingers crossed.

Adachi to Shimamura

I try to watch all queer anime as they come, and this comes in from the shoujo ai quota. Looks like a pretty straightforward romance. Hopefully it will have heart.

Kaeru no Pickles: Kimochi no Iro

All I know about this one is that it has a chill looking poster and has a slice of life tag on MAL. I’m not entirely sure whether we’ll get this subbed, but if we do, I’ll give it a shot.

Kami-tachi ni Hirowareta Otoko

Fell for the slice of life tag once again. This one is an isekai with a soft looking MC. Not entirely sure it’ll be up my alley, but no harm in trying it, maybe for a pleasant surprise.

Sore dake ga Neck

This one seems to have the cool setting of a convenience store. I did initially think this was going to be a sol as well, but seems like that might not be the case. Either way, cool setting.

Hypnosis Mic: Division Rap Battle - Rhyme Anima

Another anime whose source project I saw plastered all around Tokyo. I’m not a huge fan of idol shows but the rapping bit makes me a bit curious.

Noblesse

A manhwa massively popular among female fans which has also received one off adaptations before, it’s finally getting its turn for a full cour among the hype the industry seems to have for Korean webtoons these days (Kami no Tou, God of High School, etc.) I did watch one of the OVA’s years ago, and wasn’t entirely impressed but then again I can’t judge a whole work based on one arc adapted into a single episode. Male cast action stuff. We shall see and judge.

Magatsu Wahrheit: Zuerst

This was chosen entirely on my shallow criteria as usual: visuals with two dudes on them. Now we’ll see whether the German name is a cringe factor or it’s actually interesting.

Sequels

Osomatsu-san 3rd Season

Osomatsu-san has been a consistently high quality production for me since the beginning. The humor is definitely my cup of tea, though as with any episodic gag comedy, some sketches do miss. It is more often than not a hit. The seiyuu cast is a huge huge pull, as this is not them only acting out an already written character but you can actually hear them having fun as the sextuplets. It is also one of the rarer shows where I, as a person who isn’t great at focusing on visuals, appreciate the impeccable quality of animation. So hype for another season of this majorly fun series and to welcome Matsuno’s back home - coziness, here I come.

Quanzhi Gaoshou 2

I watched the first season of Quanzhi Gaoshou (or King’s Avatar) because it was made by the studio of MDZS, and it was the first time I had seen a good looking Chinese animation production. And it didn’t disappoint. Production quality was similar and more importantly, it had a very engaging plot - pro MMORPG players playing MMORPG, their personal dramas and the actual (surprisingly fun for me) gameplay and action. Its most important quality is still its charming cast for me, a successful ensemble cast, where with the exception of the antagonists, everyone and their relationships are lovely. Mostly a male cast show, it does also have nice ladies. Looking forward to going back to them. My only personal issue (definitely not a flaw on the show’s part but my attention span) is that it has so many teams and characters that I forgot most of who was who. Fingers crossed it’ll be easy to get back into.

Haikyuu!!: To the Top 2nd Season

Haikyuu is back again, to finish off the “To the Top” arc. The first cour of this season was probably the season that took me out of the Haikyuu hypnosis state where I assumed everything that came out with the name attached to it was great. It was still enjoyable in its second half but I do feel like the magic has worn off now. I hope I’m wrong and the tournament hype will bring it back again. Haikyuu is at its best when it’s tense in-match and funny with character interactions, so fingers crossed for that.

Ani ni Tsukeru Kusuri wa Nai! 4

The Chinese comedy short is back! As mentioned a couple of paragraphs ago, gag comedies are always hit or miss with their sketches, and this one is also mostly a hit for me, though definitely not at the level of Osomatsu-san. The pull of this show is the cute boys and their dumbassery. Looking forward to its easy fun and more Kai Xin.

Also continuing...

Mo Dao Zu Shi Q, Great Pretender

Have been enjoying both these shows greatly so far. 2 more cours of MDZS Q to go with their cute chibi fun, and Great Pretender’s last case (9 eps) is already released on Japanese Netflix so now we wait for Laurent and the gang to reach us. Really looking forward to the emotional drama of Laurent and hopefully some proper addressal of his feelings for Edamame. Either way, it’ll look gorgeous and will be heaps of fun if the first three cases are anything to go by.

I might pick up other shows and most likely drop some of these throughout the season but here’s hoping it will be enjoyable overall despite the small number of shows I’ll start with. What are you guys planning to watch?

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abigailnussbaum · 4 years

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The Boys 5x06, “The Bloody Doors Off”

I’m generally quite positive about this episode, but before I get to that, this really needs to be said: the trope of “doors open at the asylum, murder and mayhem ensue” is really poisonous to the mentally ill, and should have been discarded a long time ago. It’s particularly common in superhero stories, which are, after all, very fond of the setting of a superhero asylum. Off the top of my head, both The Gifted and Batwoman have employed it in the last two years. Which means that even as it’s patting itself on the back for skewering the tropes of superhero stories, The Boys is indulging in a particularly vile one. And while we’re on the subject of things this episode should have been above: that joke about transgender strippers. It’s not as bad as it could have been, because the gag isn’t “she’s got a penis!” (and MM’s response is immediately “I don’t care for strippers regardless of their genitalia”). But it’s still fetishizing the trans body - which, I suppose, is hardly surprising given the show’s generally judgmental attitude towards kink.

That being said, this is probably the best episode of the season, largely because it plays to the show’s strengths: tight thematic and plot coherence (finally justifying the decision to move the show to a weekly format after weeks of shapeless installments), strong characterization, and a willingness to complicate seemingly black and white situations that belies the show’s reputation as an outrage machine. So yes, this is an episode that features Homelander crushing a man’s skull while in the throes of passion (apparently we need to have at least one of those per season), not to mention a man with a giant, prehensile penis. But it’s also an episode that deepens our understanding of Frenchie, introduces us to a new character who is almost instantly compelling (while also complicating that reaction significantly), and forces us to reexamine our feelings towards Maeve without telling us anything new about her.

The common theme running through the episode is the things you’ll do for the people you love, how you live with the consequences of those choices, and what they make of you. We finally get to meet Lamplighter, the boogeyman whose murder of Mallory’s grandchildren broke the Boys apart years ago and has hung over Frenchie in particular. And we find out why that is - Frenchie was supposed to be keeping an eye on Lamplighter, whom Mallory had just recruited to her investigation of Homelander, and left his post to tend to a friend who was ODing.

Shawn Ashmore is inspired casting for Lamplighter. He’s got the sort of look that can just as easily convey sympathetic concern as selfish entitlement, and slide between the two with ease. Which makes Lamplighter both less hatable than we might have expected, given what we know of him, but also hard to trust. (To be fair, I’m reading a lot of Johnny Jaqobis into the performance, and that was Aaron, not Shawn; but honestly, those two are surprisingly similar for how solid both of their careers have turned out.) But the episode really belongs to Frenchie, who not only takes on Lamplighter’s admission that he didn’t know Mallory’s grandchildren were in the room he set on fire, but finds enough common ground with the man to confess his own part in that night’s disaster. When Lamplighter asks “did [your friend] live?”, it’s a moment of human connection that we don’t often see between the Boys and their quarry (and leads to Frenchie’s heartbreaking revelation that Jay lived, only to die of another overdose shortly after). The episode ends with Frenchie begging for Lamplighter’s life from Mallory (and also trying to make peace with Kimiko, who is otherwise sorely underused).

At the same time, the episode doesn’t encourage us to feel uncomplicated sympathy towards Lamplighter. As MM points out “I meant to murder an innocent woman, not her grandchildren” is hardly a defense. And even more disturbing is Lamplighter’s repeated refrain to Frenchie, “why didn’t you stop me?” Whereas Frenchie doesn’t want to be let off the hook even though he had a good reason for abandoning his assignment, Lamplighter is looking for someone else to blame for his own actions, even to the perverse extreme of blaming an opponent for not fighting back. And, as we see in the present, he’s still killing innocents, burning experiment subjects who don’t pan out or refuse to play along, while claiming that he’s being forced.

Which ties into Maeve, who for the first time is called to account for her part in the plane crash last season. Maeve sees the video of the crash as indicting Homelander, which is also how we’ve been trained to think about it. But when Elena watches it, she sees a woman she’s been taught to think of as heroic abandoning others to save her own life, begging fruitlessly for mercy but finally just saving her own skin. Like Lamplighter - and more importantly, like Annie earlier in this season, when she was about to kill Hughie at Homelander’s command - Maeve might reasonably say that she didn’t have a choice. But she still did those things, and hid them. Her final line to Elena - “why are you looking at me that way?” - sums up the episode’s core message.

It’s a message that is also echoed in the Annie-Billy-Hughie storyline, though it’s a bit more wobbly in that context. The idea of having Annie and Billy bond over their shared love of Hughie is a solid storytelling beat, but I’m not quite sure what to make of Annie’s “he’s too good for either of us”. Annie kills the driver to save Hughie, and the show doesn’t let her off the hook for that (her long look at the baby seat in the car once she gets in). But it’s still a choice she made in order to save someone. Hughie killed Translucent for no reason at all - or really, because he wanted to feel strong and powerful after weeks of stewing in grief and rage over Robin’s death (and Annie, though she knows the Boys were responsible for Translucent’s death, still doesn’t know that Hughie is the one who pushed the button). I’m not sure he’s too good for anyone.

(Meanwhile, the fact that Annie was on the verge of killing Hughie to save her own life just a few episode ago seems to have been memory-holed, even though it would have been a really obvious thing for Billy to throw in her face during their fight early in the episode.)

The other big thing that happens in this episode is that we find out Stormfront’s background, and between what she says to Homelander and what Lamplighter reveals to the Boys, it seems clear that her plan is to create a superpowered neo-Nazi army and use it to take over the world. It’s good to finally have some answers (and I admit that this is a more interesting turn of plot than the one I anticipated last week, a false flag terrorist attack). But I also feel that the show is in danger of outthinking itself. Having Vought be a company with roots in Nazi Germany was a clever touch earlier this season, but making Stormfront a German Nazi herself - and making the entire genesis of superheroes a Nazi project - undercuts a lot of what the show has been saying about American racism and how much its superheroes are rooted in it. Suddenly we’re back to that familiar trope, invasion by an army of foreign and foreign-inspired Nazis. It’s not unlike the way that Winter Soldier whiffed its central revelation, choosing to focus on a fifth column of hidden traitors instead of admitting the more terrifying truth, that after seventy years there’s really no way to disentangle “good” SHIELD from “evil” Hydra, because the former has been hopelessly corrupted by the latter.

When I wrote about last week’s episode, I praised it for skewering rainbow capitalism in its depiction of Vought’s plans to “sell” Maeve’s queerness and her relationship with Elena. Since then, several people have pointed out that The Boys was speeding well ahead of the actual industry it’s lampooning - in a blockbuster market dominated by superhero movies, there are currently no queer superhero characters (though there are several on TV). Which means that the show’s satire can end up missing its mark - instead of pointing out how capitalism squeezes everything good into an easily-digested, marketable form, one can easily read this subplot as saying that a gay superhero would be bad, full stop.

I think a similar dynamic is at play when it comes to Stormfront’s secret plot. An army of superpowered neo-Nazis is scary, but is it really scarier than the President of the United States not only refusing to condemn white supremacists on stage at a national debate, but addressing them directly in terms that can only be taken as an instruction to riot if he loses the election? Is it scarier than videos of police that repeatedly show their sympathy towards white supremacist, to the point of standing by when one of them fires into a crowd of people? It doesn’t take superpowers for fascism to take hold - it didn’t in Nazi Germany, and it doesn’t today. By pretending otherwise, The Boys is neutering its social commentary exactly where it should be most trenchant.

#the boys

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gra-sonas · 4 years

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Hello! Can you recommend me some good songs in German and some tv shows? I started to learn it and i think it will help Danke? I am not sure if that's the right way Please stay safe! Also i came for TW and i think i'll stay for RNM

Hallo German-learning nonnie! :D

Mhmm, good songs in German. 🤔 Let me think.

I would definitely recommend listening to songs from “Neue Deutsche Welle” (New German Wave”). That’s not a band btw, it’s a (West) German rock music genre from the late 70s/early 80s. Sooo many great songs, and great lyrics (which is kind of the point for you, right?)

Maybe you’ve even listened to one? “99 Luftballons” (99 Red Balloons) by Nena is probably the internationally most well known NDW song.

If you have Spotify or Deezer, just search for Neue Deutsche Welle, that should provide you with some excellent playlists. I’m sure YT also has NDW playlists.

I’m not overly familiar with the current German music scene tbh. I don’t listen to the radio and don’t pay attention to German charts.

There are several rock or pop artists and bands singing in German tho. In no particular order and not necessarily music I listen to myself, but at the top of my head I can think of the following artists (mixed genres across the board): Adel Tawil, Wincent Weiss, Annett Louisan, Glasperlenspiel, Silbermond, Herbert Grönemeyer, Die Ärzte, Fettes Brot, Die Fantastischen Vier, Sarah Connor, Mark Forster, Gil Ofarim, Tim Bendzko, Ich + Ich, Die Toten Hosen, Unheilig, and a million others.

Maybe just listen to some of them and see wether you like their music and then let the algorithm suggest you similar artists? Also check the lyrics and see whether that’s what you’ve been looking for and if it can help you to learn German.

Something I think could also be very beneficial: reading books. It doesn’t have to be Goethe (to Germany what Shakespeare is to Great Britain). It can be children’s books, or young adult books, also comics. (FUCK JKTERFROWLING TO HELL AND BACK, but if you liked Harry Potter, the books have been translated into German, pls just don’t buy them and make that transphobic asshole richer, the HP books in German are available as ebooks “for free”).

Reading a familiar story in a foreign language will be easier than trying to read something completely new. Pretty much any YA book series will also be available in German, same goes for comics, romance novels, the Lord of the Rings trilogy, crime stories and so on. My English VASTLY improved by reading books (and fanfic 😌) in case you like to read, that’s something I‘d definitely suggest you also check out.

As for German TV shows. LOL, I watch so little German TV, kinda difficult for me to come up with recs. One show I highly recommend is DARK tho, it’s 3 seasons, all done and wrapped, and it’s on Netflix. It’s a bit like Stranger Things, only in 3-D (it’s super complex with various timelines, but it’s glorious and so, so good!).

If you have Netflix, you could also see whether there are any other German shows available. IDK, Netflix differs from country to country/region to region, there are probably differences.

Oh, and I think on YT you can find several queer storylines from recent and older German soaps with English subtitles. We’ve had queer storylines on most soaps since the 90s, and international fans have been really great at curating playlists. Maybe that’s something you might enjoy.

Something that rather pains me to suggest: just watch your favorite TV show or movie in German. 🤦‍♀️ In Germany EVERYTHING (on TV and in movie theaters) is dubbed. Game of Thrones? Available in German. Wonder Woman? Sure, she speaks German fluently. This won’t help you with 1:1 translations (German dubbing tries its best to lip-sync, meaning that the spoken German is in sync with the lip movements of the original speaker, so dialogue translations are not always 100% accurate, certain jokes or word games will also be changed to make them work in German). A bit like reading a book you like in German, watching a familiar film or show in German can give you a better idea of the “flow” of the language.

Also pronunciation. Shows and movies are usually dubbed in “high German”, so no tricky German accents you’ll struggle to understand. And if possible, download GERMAN subtitles for whatever you watch. You might not understand everything they say, but reading what they say will help you to recognize words much better than watching sth in German with subtitles in your own language and than you’re just busy constantly “translating” instead of paying attention to the German.

Another genre we have in Germany, and German kids (and adults) LOVE: Hörspiele (audio dramas)! Whether you listened to Benjamin Blümchen (a talking elephant who lives at the local zoo), Bibi Blocksberg (a kid witch) as a kid or Die Drei ??? (The Three Investigators, most successful audio drama series world wide, the series recently celebrated its 40th birthday - the speakers started when they were kids in the late 1970s, they are all over 50yrs old now and still record 4-6 dramas/year and their live tours with more than 10K audience/show are legendary) as a young adult, most kids in Germany grow up listening to audio dramas.

Even adults continue to listen to them (I’m a HUGE Drei ??? fan myself, I don’t listen to the dramas to fall asleep tho, unlike most other people, but I went to see them live last year and it was The Absolute Best Thing In All Of 2019). There are so many different genres, and stories, there are audio dramas for almost any age group (and thus language skill level), and it’s really cool.

Okay, this got long. Not sure if any of this will be helpful for you, but I hope you’ll find something you’ll enjoy, that will also help you tackling the German language. Good luck and “viel Spaß”!

You stay safe, too, nonnie!

And yay for staying for RNM, chances are you won’t regret it! ❤️

ETA: German movie rec from @manesalex : Lola Rennt (Thanks, Molly!)

#nonnie asks #german things #my native language is a thing of beauty

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kitauji-king · 4 years

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‘Liz and the Blue Bird’ Recap Part 1

I recently watched KyoAni’s ‘Liz & the Blue Bird’ for the first time, and I have to say: wow, what a film. This is one of the few times where I finished a film and was left utterly speechless by the end of it. I’m not exaggerating when I say that this is my new favorite film. If you’ve ever felt like a movie had to have been made specifically with you in mind because it seemed to hit all the right notes with you emotionally, that’s exactly how I feel about ‘Liz.’ Part of me is wishing I had watched this movie around when it first came out so that I could’ve witnessed all the hype around it. However, I actually do think it was for the best that I waited until now to watch it. I honestly don’t think I would’ve understood it as well as I do now.

I really love this movie, and I really wanna talk about it. So, instead of harassing my friends about it, I’m going to be doing a scene by scene review of ‘Liz’ and share my thoughts. I promise you this is only going to be, like, half-serious.

This is going to be split into 3 parts uploaded sporadically.

Obviously this post will contain spoilers for the whole film as well as seasons 1 and 2 of Hibike.

Liz and the Blue Bird or Liz to Aoi Tori is an animated film directed by Naoko Yamada, produced by the prolific animation studio known as Kyoto Animation, and was released on April 21, 2018 in Japan, then November 9, 2018 in the US. To talk about Naoko Yamada for a minute, she started off at KyoAni as an assistant animator, doing inbetweens as so many animators do starting out in the industry. Eventually she was allowed to direct, where she has quite the impressive track record. She’s directed K-On!, Tamako Market, Hibike! Euphonium, and probably most notably, A Silent Voice just to name a few things. With that in mind, I’m not surprised why I enjoyed this movie so much. Yamada is known to show a real sensitivity toward depicting the different relationships between young girls in a naturalistic way.

EDIT: I began writing this on Saturday, April 18, just a day or two after I watched the movie for the first time, and I swear I didn’t even process that the two-year anniversary was coming up! What a wacky coincidence.

ACT 1

The first imagery in the film we see are gorgeous, picturesque watercolor-style background paintings.

As the titular track plays, we are introduced to Liz; not the main character of the film, but certainly the main character of the book, also entitled ‘Liz & the Bluebird,’ featured in this film.

The first shot we see of her is a voyeuristic one; we are a good distance away and we are peeking from behind a tree at the intimate moment between Liz and her animal companions.I have to say, I had no idea what to expect when I first sat down to watch this movie, as I wanted to go in as blindly as possible. I certainly hadn’t been expecting to see this German picture book-esque art style with lush forest backgrounds in a Hibike movie, and I honestly thought for a moment that I had accidentally stumbled upon the wrong movie.

Liz spots a bluebird settled on a tree stump and she is immediately attracted to the creature. The bird flies over to Liz and lands in her hands as the music climaxes, but as quickly as it arrives, it flies away across the lake. A bittersweet moment.

As the camera pans downward toward the flowers, the scene fades, and we are finally brought into the real world. This is punctuated by the titular track concluding, and being replaced by music that is more abstract and minimalistic. This world is notably duller with cooler, more subdued colors, directly contrasting with the bright, warm colors in the picture book world.

Shots with the camera focused on feet or legs are a common motif seen throughout this film.

We are finally introduced to one of our main characters, Mizore Yoroizuka, now a third year at Kitauji.

I was also slightly caught off guard seeing this new art style being used. Initially, I missed the art style originally used in the show, but after watching this movie I now understand KyoAni’s decision in changing it up, and I also completely agree with it. Looking back, I believe that the show’s original art style simply would not have worked at all, or at least not as well as it could’ve. This new art style with thinner linework, slightly elongated figures, slightly smaller eyes, and subdued colors makes the characters feel more mature to match the tone of the film. Also, while the old style is ideal for showcasing exaggerated and wacky facial expressions, this style is suited better for more subtle emotion, which, again, better matches the tone.

She waits.

Something I enjoy about KyoAni films is how the camera is oftentimes used to show the audience what a character is seeing through their eyes, instead of the camera just acting as a third person bystander all the time.

We hear more footsteps approaching, but they do not belong to the girl Mizore is waiting for.

This is turning into an episode of the ‘Gushing Over KyoAni Power Hour’ but I have to commend their sound design and the way they utilize silence and quiet moments in this movie. So far in this scene, aside from the very minimal track played over this, all we can hear is the foley of the atmosphere, footsteps, clothes rustling, etc. This quietness shows us the solitude of Mizore’s world. It’s also important to note that all the music, not sure if this includes the music in the picture book world, was recorded in the school that Kitauji is based off of. Regular school items were even being used as instruments!

When the music suddenly picks up as another girl rounds the corner, we know she’s the one.

I like to believe that Mizore is so attuned to Nozomi that she’s memorized the sound of her footsteps and is immediately able to recognize that it's her as soon as she is within ear range.

:’)

Nozomi is in focus while everything else in the shot is out of focus. To Mizore, everything outside of Nozomi is irrelevant.

The two girls continue walking together, Nozomi leading and Mizore following behind. This statement alone accurately summarizes the dynamic between these two characters during the beginning half of the movie. Clearly there’s something of an imbalance. Mizore watches and waits for Nozomi to act before she does anything.

I read somewhere that Mizore’s seiyuu speculated that when Mizore is an adult and she looks back to her time at high school, she’ll find that her only memory of Nozomi will be the back of her head… and that got me… feeling some emotions….

Coincidentally, Nozomi finds the feather of a bluebird on the ground, and offers it to Mizore.

I have my own little theory that Mizore could be on the spectrum. Her habit of running a hand down her hair whenever she appears to be nervous or anxious, amongst her other mannerisms in this film lead me to believe that. I think I’ll elaborate further on that and explain my reasoning in a future post.

Mizore accepts it, but is still unsure of herself. Hence the questioning tone. Clearly Nozomi found the feather to be extremely pretty, but Mizore doesn’t know why she would give it to her of all people. She’s still under the impression that she doesn’t mean as much to Nozomi, as Nozomi means to her.

More shots of Nozomi and Mizore playing follow-the-leader as they walk through the school. Nozomi puts her hand on a locker as she rounds a corner, Mizore also puts her hand on a locker. Nozomi stops for a sip of water, Mizore also stops for a sip of water.

These walk cycles give us good indications as to who these characters are. Mizore is timid and hesitant, Nozomi is carefree and outgoing.

Kitauji has way too many different flights of stairs.

We are flashed back to a memory that mirrors this moment in time. Again, Nozomi walks with a skip in her step, her hips swaying, and her ponytail bouncing playfully.

Mizore puts the key in the door to the band room, but hesitates for a moment before unlocking it. When she does open it, Nozomi enters the room first with a twirl.

I’ve been watching a lot of video essays and reading a lot of discussions about this movie, and one of the points someone brought up really stuck out to me. This whole scene, from when they are walking through the hallways until now, when Mizore opens the door, offers the earliest hint in the movie that Mizore is actually the bluebird in the relationship. While Nozomi is the one ahead of Mizore on their journey, Mizore is the one who holds the keys to their destination. Mizore is the one in charge, but she holds herself back. While Nozomi makes it to the door first, she cannot enter until Mizore opens it.

That’s one of the many things I love about this movie, there are so many nuances that you pick up new things and make new interpretations with every single viewing.

Uh oh.

After putting their instruments together and warming up, in a rare moment, Mizore tells Nozomi how she’s feeling. Mizore is merely happy to have Nozomi at her side, but Nozomi misinterprets this as her being happy about the free-choice piece their band has chosen to play: Liz & the Bluebird. Mizore probably couldn’t care less about the piece, but doesn’t bother correcting her. She is only interested in the piece and the story behind it when she hears that Nozomi is interested in it.

Remember how I said this art style was ideal for showing subtlety in emotions? This is what I was talking about.

In this visually experimental scene, Nozomi explains the story of Liz and the Blue Bird while we also see the story of Nozomi and Mizore’s friendship unfold.

:’)

Sound familiar?

One of the first indications that Nozomi isn’t the best at listening.

Mizore: Same.

Me: Same.

Scenes that physically hurt me #1

A lot of people love to bring up KyoAni whenever the topic of queerbaiting arises; that’s neither here nor there. However, I cannot deny the inherent queerness of this scene, and really of the whole film. It’s made obvious that Mizore loves Nozomi in a way that’s more than just a regular friend. Other people make Mizore anxious, but not Nozomi. Mizore enjoys Nozomi’s presence so much that she wants to lean into her side. For a second, the two of them are frozen in time and in a world of their own. Mizore is forced back into reality when Nozomi abruptly pulls away.

The movement title, “A Decision Borne of Love,” sticks out to Mizore.

Just like their intonation, there is that imbalance in their friendship and this is the film’s way of hinting at that if you haven’t already picked up on it.

Throughout the film, Nozomi is always wearing this pink watch, showing how eager she is for the future.

To Mizore, the watch on Nozomi’s wrist is just a constant reminder that their time left together is fleeting.

Listen. I absolutely love whenever these two are on screen together. Love-hate relationships can be hit or miss, but this pairing is one of the better ones of that kind. They’re both great characters individually, but they also have amazing chemistry together.

Don’t get it twisted, Mizore is good friends with Yuuko and Natsuki, but them entering the room means that her moment alone with Nozomi has come to an end. Mizore and Nozomi don’t seem to share any classes together, so this is likely the only time of the day where they get to have a moment to just themselves. Mizore cares for Natsuki and Yuuko, in fact Yuuko was the one who stayed by her side after Nozomi originally quit band, but her relationship with Nozomi is a treasure more precious than anything.

I was wondering if we’d be seeing these two in this film, and I’m so glad that they are. I’m more glad, however, that they are pretty much relegated to the background here. They’ve already had their seasons 1 and 2 character arcs wrapped up, now it’s time to give the secondary characters a chance to shine.

I’m also very glad to see these two attached at the hip in almost every scene they’re in.

Nozomi leaves to go rehearse with her kouhais, and Mizore watches yearningly as she is being left alone again.

I’ll probably say this again multiple times throughout this recap, but I seriously identify with Mizore so much. I mean, we’ve all been that girl. We’ve all been paranoid that if given the choice, our friends would pick someone else to hang out with over you.

I admire KyoAni for including these casual moments of characters just chilling and talking about nothing. Of course they don’t add much to the overall plot, but they do contribute to the overall atmosphere of a high school. High school isn’t always about drama, it’s also about random conversations you have with your friends.

Mizore is still thinking about what Nozomi said earlier. In Hibike season 2, we know that for a time Mizore hated competitions until Kitauji won gold in the Kansai competition. I think that now in this movie, Mizore still hates competitions, but for a different reason. The national competition marks the last time the third years will get to play together. She fears that because they won’t be in the band anymore, Nozomi won’t have any other reason left to stay with Mizore.

As Mizore begins to read, we are brought back into the picture book world that strongly resembles a 1970s anime.

We see Liz again as she emerges from a train. This takes place in an early 20th century European town filled with friendly people, though Liz doesn’t seem to interact with them.

This world is also giving me Howl’s Moving Castle vibes?

She works at a humble bread bakery owned by a man named Arlt.

Liz doesn’t look exactly eager to clock out for the day. It’s safe to assume that her shifts at work are the only times where she gets to have any real human interaction. I’m getting the impression that even though she’s introverted, she still gets lonely. Much the same as Mizore. As Liz waves ‘goodbye’ to customers, her face sinks ever so slightly.

After work, Liz returns home to her cottage to prepare a meal for herself, eat it alone, and then retire to her bedroom to sleep.

In the morning, the same bluebird from earlier appears at Liz’s window and peeks inside the room.

Later in the day, Liz is caught in a storm as she is returning home from another shift at the bakery. After overdosing on berries, Liz wakes up the next morning still at the dining table, after the storm has already passed. She walks out the front door and notices a mysterious blue-haired girl passed out in the grass.

Liz realizes, “oh sh*t, I should do something.”

She’s dead.

After being woken up, the girl immediately recognizes Liz. The girl, who is actually the bluebird personified, reminds me a lot of Ponyo in how she pretty much claims Liz as her person, and quickly forms a bond with her, much like how Ponyo does to Sosuke.

Act 2 of the movie begins and we’re brought back into Mizore’s world. She continues reading the book and smiles to herself.

In rehearsal, the band president Yuuko delivers a message about auditions for participating in the national competition. Mizore is anxious at the mention of the competition again.

The flute girls have already given their senpai a cute nickname, and Mizore is understandably a little jealous. Maybe all of their problems would be resolved if Mizore and Nozomi would just give each other cute nicknames.

She’s literally so adorable??? I think she’d be considered a gyaru in Japanese culture based on the color of her hair and how she has it styled.

After some encouragement from her friends, a first year oboist named Ririka musters up the courage to approach Mizore.

Uh Ririka, birds are a bit of a touchy subject for Mizore right now.

When I watched this for the first time, admittedly I was a bit anxious about what these girls’ intentions were with wanting to invite Mizore to hang out with them. However, my anxieties in regards to that were quickly relieved when I remembered that bullying is just not a concept that exists within the world of Hibike. I’m really glad that this is an anime where most people are at the very least cordial with each other.

F in the chat.

Mizore isn’t ready yet to branch out and meet other people. She’s still tunnel visioned on Nozomi.

After rejecting Ririka, Mizore walks over to Nozomi. Nozomi tells her that she and the flute girls are going out to eat later today. I think that Mizore is unsure about whether this was an invitation for her to join them. Regardless, Mizore doesn’t want to impose seeing that she’d probably feel awkward around a group of people she doesn’t know very well.

Nozomi likes spending time with Mizore, but she’s just too high in demand with her peers.

Mizore puts away her instrument, and then pulls out the bluebird feather Nozomi gave to her this morning. She clutches it close and treasures it as a gift from the person she loves.

Forever screaming at how gorgeous the environment art in this movie is.

On the way out, Mizore runs into Ririka and her double reed friends again. The first years make another attempt at starting a friendship with Mizore, though the third year only spares them a couple words before she departs.

KyoAni is so good at creating such cute, appealing characters.

Ririka is really determined to get to know Mizore, so who better to ask for help from than the Mizore expert herself?

Was she about to call Mizore an ice queen? I thought that was Reina’s title.

Uh, same.

Ririka is worried that she may have gotten off on the wrong foot with Mizore considering she doesn’t seem to be reciprocating. I understand this situation extremely well; I’ve been through it multiple times, although more so from the perspective of Mizore. Mizore and I are quite similar in many areas, including being aloof and taking a good while before feeling comfortable enough to open up with someone. So yeah, I do get the frustration on Ririka’s part.

Nozomi, you literally didn’t actually offer her any advice at all, you clown.

I--

A nice egg in these trying times?

Back in the picture book, Liz has invited the blue girl into her home and is nursing her back to health. Apparently, she makes pretty good soup.

She’s offering the blue girl her home, so she might as well get some free labor out of it.

It’s a particularly windy day, and as the two of them are doing the laundry, a hankerchief gets caught in the breeze. The blue girl attempts to retrieve it but she remembers she’s lost her flight capabilities. She’s a human now, but at the cost of her wings.

Liz takes her to the local Panera Bread she works at. Arlt says... something?

The blue girl discovers she has a taste for human blood.

I’m declaring that these two are very much in love and I will not be taking any feedback at this time. The lighting in this shot is *chef’s kiss*.

The two girls have spent the whole day together, from going to the bakery, picking berries, and having dinner. The blue girl brings a light to Liz’s life that had been previously missing.

Now the duo are having a picnic on the side of a hill. It suddenly dawns on Liz that she actually doesn’t know anything about the girl she has living in her house. The blue girl doesn’t seem to know anything either. She lived a pretty nomadic lifestyle as a bird. However, one thing the blue girl knows for sure is that she came into Liz’s life so that she wouldn’t be alone anymore.

Liz is a pretty reserved individual and the blue girl is more of a free spirit. She fears that someday the blue girl will decide to leave her. So, Liz makes the very simple request that the blue girl should stay by her side forever.

Mizore wants the same thing from her favorite person.

Mizore is interrupted from her reading by an unenthusiastic library assistant telling her that she needs to get out so that she can lock up. I imagine she isn’t quite too fond of Mizore after this movie.

First years really do be getting younger and younger...

Those two are Satsuki and Mirei, two first years who join the bass section in the next Hibike movie, Chikai no Finale. We get a better look at their relationship there.

Mizore: !!!

Oh.

Nozomi explains the famous Minami Middle School ritual known as the “I Love You Hug,” or the “Daisuki no Hagu.” Basically you find a friend, give them a hug, and tell them all the things you love about them. Sounds very, very, gay.

Nozomi’s had her fair share of I Love You Hugs back in the day, but Mizore’s never had a chance to participate in one.

Scenes that physically hurt me #2.

Seeing that Mizore’s never experienced an I Love You Hug, Nozomi offers her one. She opens her arms waiting for her friend to reciprocate. Mizore is completely caught off guard, but she is more than willing to try it. Unfortunately, Mizore is too slow to respond and loses her chance.

Nozomi said “haha, just kidding… unless…”

Nozomi has to leave Mizore behind so she can go to class with Yuuko. Mizore is frozen in place and Natsuki’s creepin’.

Best moment in the entire film.

I literally love Natsuki so much, she’s quickly becoming one of my favorite Hibike characters. My face lights up pretty much every time I see her on screen. She’s definitely the type of girl I’d wanna be friends with in high school.

Mizore would much rather not think about the future at all, and enjoy the time she has left with Nozomi.

And that’s how Natsuki beat Shaq.

It’s time for Mizore to switch into their gym class’s basketball game, but she’s not really feelin’ it. I don’t blame her.

Okay I’m in love.

Being the excellent friend that she is, Natsuki takes one for the team and goes back in to play another round in Mizore’s place.

Nozomi listens in on her flute girls having a gossip sess’. Of course they’re talking about boys because what else do teenage girls have to talk about?

Hanayo Koizumi? When did you transfer to Kitauji?

*side eye emoji*

Mizore is in her usual hideout: the science lab by the blowfish tank. As of late, she��s taken a bit of an interest in feeding the blowfish.

She still hasn’t filled out the career survey; she can’t figure what to do for her future, and I don’t really think she wants to figure it out either.

Mizore still can’t help but see Nozomi as the bluebird. Nozomi is her whole world, she’s her miracle. Ideally, she’d keep Nozomi all to herself, but she already knows that that wouldn’t be fair to her at all.

Through the window, she spots Nozomi on the other side of the school.

Nozomi notices that her flute is casting a dancing light reflection on her friend, and the two make a game of it.

I want nothing but good things for Mizore.

Scenes that physically hurt me #3.

It’s very easy to doubt Nozomi’s love of Mizore and to even call their friendship one-sided, but I don’t agree with that. In fact, we already know that she cares a lot about Mizore based on their arc in season 2 of Hibike. Not only can you see it in the way Nozomi looks at her, it's also clear from small gestures she does in this movie: giving Mizore the bluebird feather she finds, inviting Mizore out (which we’ll see coming up a couple times), offering her an I Love You Hug, and standing up for her when the library assistant nags Mizore about returning the book (again, a bit later on in the film) amongst other things.

The issue is simply that Nozomi is very high in demand. She’s very pretty and talented; it’s only natural for her kouhais to look up to her. So of course Nozomi wants to look after them and form a bond with them. It’s kind of her duty as a third year. Yuuko had Kaori to look up to, and Kumiko had Asuka. As a matter of fact, Ririka is trying to get Mizore to do the same for her. And yeah, Nozomi is also a bit dense. But hey, no one’s perfect.

The kids are back in rehearsal and are admittedly a little stressed about the upcoming auditions. One thing they know for certain, though, is that Nozomi is most definitely going to be given the flute solo in Liz.

“Ganbarou!”

Nozomi catches a glance at Mizore doing her warm up. She tells her friend to do her best in the audition. She also has no doubt that Mizore will do well and get the oboe solo.

The title track is playing again, meaning we’re back in the fairy tale. The blue girl is enchanted by the moon and the night sky.

:’)

The blue girl is happy to be living with Liz, but she also loves her freedom. In the middle of the night while Liz is still asleep, the blue girl sneaks off and flies out the window.

Liz wakes up and finds her companion is missing.

Not much later, the blue girl returns from her night out at god-knows-where with god-knows-who, and climbs back in bed, relieved that Liz still seems to be asleep.

But she wasn’t.

Don’t make a Game of Thrones reference, don’t make a Game of Thrones reference, don’t make a Game of Thrones reference, don’t make a Game of Thrones ref--

You mean humans don’t go south for the winter?

Where the blue girl realizes that she can go anywhere she chooses, while Liz chooses to stay grounded. I’m wondering, why does Liz choose to stay isolated at her cottage? She works in the city, and surely she could move there to save herself the commute? I’m guessing it’s that although she does appreciate interpersonal companionship, she’s still largely an introvert, preferring to spend time in nature.

Jesus Christ, you guys need a marriage counselor.

The blue girl sneaks back in again in the morning.

While the two of them are feeding the animals, they both see a couple of birds flying in the sky above them, as if taunting them. The blue girl wants to be with them, though she stays grounded for Liz’s sake. She made a promise to stay with her forever, after all and she intended to keep that promise. During the daytime, at least.

At this point in the story, Liz realizes that a sacrifice is going to have to be made.

Part 2

Part 3

#analysis #review #recap #animation appreciation #liz and the blue bird #hibike euphonium #anime #kyoto animation #kyoani #mizore yoroizuka #nozomi kasaki

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annavolovodov · 5 years

Note

i feel like i've run out of things to watch, what would you recommend watching?

omg my time has come

Humans: one of my absolute favourite shows ever. The acting is on a whole other level and the last two episodes of the second season are some of the best television I've watched, period. HOWEVER, I'd recommend stopping at 3x07 as the finale is nothing but a big mess and you're better off not wasting your time.

Harlots: beginning as a rivalry between two brothels in 1700s London, Harlots is one of the few period dramas that actually acknowledges the existence of POC and queer people. The second season is particular is gay af. Unfortunately like Humans, the writers shat the bed when it came to S3 and I would recommend skipping since S2 provides a satisfying enough finale. Also there is potentially triggering content given the nature of the show but most of us generally agreed that the show handled sensitive content well in S1 and S2.

The Expanse: set in a future colonised solar system, The Expanse transforms from a mystery surrounding a missing girl into a much larger ensemble drama about humanity, progress, and the tenuous relations between Earth, Mars and the Belt. The majority of the cast are people of colour and there is some LGBT+ rep. So far there are three seasons (which aired on Syfy), S4 is coming to Amazon Prime in December and S5 has already been confirmed.

Call the Midwife: the true definition of an emotional rollercoaster. The first three seasons mostly follow the real accounts of a midwife in 1950s Poplar then shifts into an ensemble as we move into the 1960s. The show tackles pretty much every social issue under the sun and is maybe the only series ever to remain watchable going into its ninth year.

Downton Abbey: not as deep as many people tried to make it out to be but Downton was one of my first fandom experiences and boy was it a lot of fun. A pure escapist soap opera and I loved it.

Killjoys: Killjoys follows a trio of intergalactic bounty hunters over five seasons, the final of which is airing right now. I don't want to spoil the surprise with details but this show contains one of my fave wlw couples ever (there's a mlm relationship too!) and it's worth watching if only for them.

Charmed (2018): okay so I just finished watching the CW reboot of Charmed this weekend and holy shit I am invested. People got pissy when the series was announced and it's true that there are better-written shows out there, but you know what? I had fun. I enjoyed watching it, which is more than I can say for most TV recently. Plus, the three leads are WOC and there's a love triangle between three lesbians of colour, which I don't think has been done before.

Crazy Ex-Girlfriend: a musical comedy featuring one of the best depictions of mental illness imo. All four seasons are consistently excellent and the writers wrapped things up in a way that felt fitting. Fair warning: since the show has an emphasis on mental health there are a few potentially triggering situations, particularly during S3 when the protagonist reaches her lowest point, but it is not graphic or sensationalised in any way and the show goes on to depict her recovery and growth.

Deutschland 83: a German-language show set during the Cold War. I only started it because my friend told me to and I was planning on using that to make her watch one of my shows later but then I accidentally watched the entire first season in one day. More importantly there are multiple gays who don't die!!!!

Derry Girls: the only accurate depiction of being a teenager, ever. Genuinely hilarious and you can easily watch both seasons in a single day.

Lost in Space: I watched this last summer and enjoyed it way more than I expected to. S1 really valued hope, family and love which makes a nice difference to a lot of sci-fi shows out there right now.

#ask #anon #humans #harlots #the expanse #call the midwife #downton abbey #killjoys #charmed #crazy ex girlfriend #deutschland 83 #derry girls #lost in space

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ctl-yuejie · 5 years

Note

Do you have any recommendations for wlw dramas?? P. S. I love your blog! C:

aww, you are too cute! also: perfect timing, I was just ranting with @earthpodd about having no wlw shows to watch.

i’ll just give you the shows I’ve watched and would recommend, just note that there sadly is a lack of well-written and interesting wlw shows in general, even more so if I am solely considering the main characters or the main storyline. i don’t include fetishizing content, shows that bury their gays and those that have incest storylines (side-eyes Japan hard).

the sad reality is that most wlw content can only be found in super dramatic or artistic movies, often made by men. there are some wonderful exceptions (listed below) and there are promising things announced for after 2019, but not as many series.

i usually prefer asian series because they feel like elaborate movies (not a fan of too many seasons) and i am always on the look out for wlw content that’s not only “just” a romcom, but alas, there’s not much to choose from. (give me space lesbians with a solid adventure storyline! give me bi women as main characters in fantasy epics!)

(i also haven’t watched some popular shows like “The L Word” so they are missing from this list -> if anyone has further suggestions feel free to add to this list in the comments!)

going to sort them after my sapphic meter: the more wlw romance and the more important the sexuality of the main character for the story, the higher it is on this list!

Gentleman Jack (2019, HBO, USA/GB) - Historical Dramaperiod drama based on the real life of Anne Lister, lesbian and industrialist. I haven’t finished this yet but I live for the main character, she is a badass and she and her love interest are everything together. this show is also super intense, with all the conflicts that arise when male landowners and other industrialists want to get a piece of her land.

EDIT: finished it and it is brilliant!!

Sense8 (2015-2018, Netflix, USA) - Sci-Fii think most people have heard of this so i don’t think i need to write much about the plot. finally some sci-fi content with an unusual amount of queer main characters. netflix was a dick to this series but it was great and something different.

Skam España (2018 -, Moviestar+, Spain) - Teen Dramathis is the spanish adaptation of the norwegian tv series skam. innovative in its format it tells the daily life of teenagers in short clips and on social media accounts. the third season’s main story focuses on two girls falling in love and it is a GOOD. they tackle some serious issues but overall this is more of a school/coming of age romance. (note that the other adaptations and the og don’t feature a wlw couple in the main story)

Killing Eve (2018 -, BBC America, UK) - Spy Thrillerdespite horrifying killings that need investigating this series, genre typically, focusses on the relationship of its two main characters. we follow MI6 agent eve polastri (sandra oh) on her hunt for assassin villanelle (jodie comer), who takes an unsettling liking to her. we don’t know their sexualities but villanelle is canonically not straight and for eve, we have to wait and see. they do have insane chemistry and sexual tension which is also very important for the plot. and fiona shaw (actual lesbian) is in this so win-win for representation. the acting is superb.

Fleabag (2016 - 2019, Amazon, UK) - Drama Comedythe stories centers around fleabag, an angry, unstable, and sexually insatiable woman. great use of the fourth wall. even though the main love interests are male, fleabag is bi and it plays an important role in the story. the writing is so on point this series is pure perfection. phoebe waller-bridge is super attractive and a scarily relatable mess as fleabag. fantastic depiction of trauma and how people deal with it while being funny af. has fiona shaw (actual lesbian) and andrew scott (actual gay) in it, so win-win-win for representation. also: olivia colman is in it.

Brooklyn 99 (2013 -, NBC, USA) - Sit Commost people are aware of this brilliant sit com which features an amazing bi main character. it’s an ensemble cast so it counts.

Derry Girls (2018 -, Channel 4, UK) - Sit Comset during the Troubles in northern ireland the series follows a group of catholic school girls (plus their lovely male english rose) on their adventures. there’s a wee lesbian in the ensemble cast and she’s great and important.

Diary of Tootsies (2016-2017, GMM 25, Thailand) - Comedythe show follows 4 friends, 3 gay drag queens and a lesbian with terrible taste in women, on their search for love. this show is bonkers but has a super satisfying lesbian storyline

The Good Place (2016 -, NBC, USA) - Sit Com -> disclaimer: I haven’t seen the newest season so idk how heavily the bisexual part features in itthis show has a super interesting premise and focuses more on philosophical questions. nevertheless it has a bi main character and some wlw content.

honorary mentions (under the cut)

these are not ranked, just in the order they popped into my mind

Legend of Korra (2012-2014, Nickelodeon, USA)animated series so i didn’t include it on the main list but still a good story with a wlw storyline that took everyone by surprise.

Colette (2018, USA / UK) - Historical Dramabased on the life of the french novelist of the same name it is a great movie about feminism and emancipation. keira knightly is pure bisexual perfection in this and has multiple romances with women, including a fabulous butch lesbian.

Queer as Folk (2000-2005, Showtime, USA / Canada) - Dramaputting this here because the lesbian couple was more of a side couple. still a good series this somehow manages to be bold in 2019, even though it’s old. the lesbian couple get a tad more disappointing over the seasons.

Atomic Blonde (2017, USA) - Action Spy Thrillerthe plot is absolute nonsense and the production value is sometimes questionable. but it has charlize theron beating up people with great fight choreography and she makes out with female french spies. charlize theron puts the wlw in every scene of this movie.

The Handmaiden (2016, South Korea) - Period Dramasuper interesting plot, very enjoyable overall, i had some problems with the male gaze in this though

In Between (2016, Israel / France) - Dramavery moving film about three Palestinian women sharing a flat in tel aviv. the desire for personal and sexual freedom is the center piece of this movie and allows an unusual insight into the progressive Palestinian underground scene.

Cloudburst (2011, Canada / USA) - Comedy Dramaabout a senior lesbian couple that decides to elope to Canada to get married, after one of them gets put into a nursing home by her granddaughter. the last 12 minutes are horrible (mostly the writing) but everything before that is absolutely great. i live for badass grandmothers in love.

Boss in Love (2018, South Korea) - RomComsuper cute short movie with some great sex positivity.

Don’t Say Sorry (2018, South Korea) - Romancevery beautiful short movie about discovering one’s sexuality and first love.

The Favourite (2018, UK / Ireland / USA) - Black Comedyolivia colman as pitiful queen anne and rachel weisz and emma stone playing two cousins competing for her favour. absolutely hysterical, wonderfully shot and very gay. rachel weisz is so attractive in male clothes i don’t know what to do with myself.

iStories L (2018, Thailand)actually filmed as a commercial this lesbian short film is wonderful and has a great aesthetic. its about an assistant producer helping the main actress with her lines and developing feelings for her in the process.

last but not least: there’s some movies that I know are good & important but haven’t watched yet such as Rafiki (Kenya), Ek Ladki Ko Dekha Toh Aisa Laga (India) etc.

the Korean short movies are on vimeo, the Thai stuff has official uploads on youtube, and with the rest google should help. didn’t include any german wlw even though there is a bunch, because I have yet to find something that really satisfies me (don’t get me started on tv series).

#ctlyuejie writes #cutest anon alert #rec!#queer media

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missolitude · 5 years

Note

hi! so it seems that i’m highkey stanning patricia clarkson and i was wondering if you had any movie/show recommendations with her in them? (i’ve only seen lars & the real girl, sharp objects, and easy a oop)

Heyia! I happen to be a highkey Patricia stan too and I’m always happy to talk about her so you’ve come to the right woman 😁😘

These are some of my faves, Sharp Objects in particular! If you enjoyed her character and are curious to know more about her I absolutely recommend reading the book by Gillian Flynn as well. I feel like the show adaptation made some unnecessary changes and left some really relevant parts out, presumably because they wouldn’t translate well on screen. There is a lot more to Adora and her background than the show reveals.

As for recommendations (descriptions all spoiler free of course):

Cairo Time: A beautiful, enchanting (and nonetheless unconventional) romance that pulls at the heartstrings. Patricia’s charismatic aura and her character carry the movie every step of the way. Her performance is captivating and tantalizing and it will forever stay with me.

Learning to Drive: A movie about love and friendship, and how two people that, at first glance, have nothing in common but end up enriching each other’s lives in the most unpredictable of ways. It is very moving and touching, a totally rare gem and again, unconventional.

Elegy: The main story might interest you or not, but I’ve enjoyed this movie long before I’ve stanned Patricia because it has such a beautiful love story at its center. Patricia only has a couple of small but meaningful appearances in it but her role is extremely saucy and unconventionally sexual and she has some very hot scenes in it.

Out of Blue: The most recent of her films. It might be your cup of tea, might not. Patricia plays a detective that must solve a murder case. This is compelling for a number of reasons: Her character is queer coded, she has one sapphic scene in it, and she almost gives me soft butch vibes in this. Apart from this, Patricia carries the entire movie completely alone, personally I couldn’t take my eyes off of her. The movie is very mysterious and slowly unfolds and always keeps you guessing. If you found any of this interesting please give it a watch.

Jonathan: A sci fi movie with a really cool concept and a brilliant execution. A boy called Jonathan goes to bed every night. Every morning he wakes up and there is a breakfast prepared for him along with a video telling him about the second part of his day. Does that sound intriguing to you? Please check it out, it’s as interesting as it sounds. Patricia has some minor but meaningful appearances and they get more and more frequent as the movie unfolds.

Delirium: It was the movie that originally made me research about her. It’s a very well executed horror thriller but not the overly scary variety. It’s very psychological and character driven and there are a couple of really cool twists. Honestly check out that movie it’s so underrated. Patricia’s role is extremely badass and she only has a couple of minor appearances but they were oh so worth it.

The Party: Basically it’s a movie that more or less resembles a theatre piece, a couple of people, who all have their own problems, come together one evening and drama unfolds. Patricia looks like a Hollywood Goddess all the way through it and has the most sardonic and witty lines. And there’s an age gap lesbian relationship with Cherry Jones and Emily Mortimer, just to mention that as well. Not overly brilliant but it happened.

House of Cards: Now this is a problematic show that will leave you broken hearted at the end, because they did Patricia’s character so dirty and in the last season the writing is abhorrent. But I truly enjoyed it up to that point! If you just wanna watch it for Patricia’s scenes it is worth it. (Her first appearance is S5 Ep8) If you are a completionist like me you can watch the show from the beginning for more context because the writing is complex, but you don’t have to. Jane Davis is one of the most intriguing, multi-faceted roles she has ever played and there is a lot of sapphic tension going on. It often left me baffled to the point where I needed to rewind just because I couldn’t believe that these things actually happened. So it is more than worth it, just brace yourself for a broken heart.

These are the main recommendations that I would give to anyone who wants to watch the crème de la crème of her filmography.

Memorable mentions: Shutter Island, because the movie is brilliant but her tiny appearance is barely worth the mention. The Green Mile: again, a classic but don’t watch it just for Patricia. Her appearances are very memorable and emotional and she’s exceptional but they are short. The Station Agent: She is adorable in it and she has the lead! Really a classic and a fave of mine. October Gale: A really cool movie and she was badass in it, she also said in an interview that she worked out for that one and it shows! Last Weekend: Loved her performance more than the movie itself but her character is dear to my heart. Parcs and Recreation: She has two tiny but memorable and hilarious appearances, extremely lighthearted and funny. It’s Getting Late: It’s just a short movie and it’s basically just eye candy but she looks ICONIC in it and she also has a couple of scenes were she looks at a lady in the not so straight way. High Art: Patricia plays a German lesbian heroin addict, and she has some saucy sapphic make out sessions. It was the movie that eventually led to her career break through because the role was so unlike anything she had ever played before. She often mentions this role to this day and I think it’s worth knowing and watching.

There ya go! I hope this was some help to you and that you’ll enjoy the movies 😁💞💞

#missolitude replies #patricia clarkson #dobbypussssyindulgence

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pop-punklouis · 5 years

Note

hey hope!! i’ve completely run out of things to watch recently and was wonderinf if you had any recs of movies and tv shows??

HI!

It’s your lucky day because I have found myself in a hole of watching many new things lately that I’ve more or less found enjoyable so hopefully you will too? lol

1. Russian Doll: Nadia, a young woman who is on a journey to be the guest of honor at a party in New York City. But she gets caught in a mysterious loop as she repeatedly attends the same event and dies at the end of the night each time – only to awaken the next day unharmed as if nothing had happened.

(I know I’m late to the party with that one, but it is quite literally one of the best comedy-dramas I’ve seen in a long while, not to mention Natasha Lyonne, the ultimate babe, stars in it. It is, blatantly, obvious that the script was written by women (thank god) and it has a cool, mind-trip twist at the end that’ll have you guessing what actually was happening the entire time. Super easy to binge!! 10/10)

2. Perfume: When a woman is found murdered with scent glands excised from her body, a detective probes a group of friends who attended boarding school with her.

(A German mystery-crime-thriller that is way too convoluted and intertwined to know the real culprit of the grisly yet complex murders until the few minutes of the last episode. It has an incredibly intriguing script with intricate details and dialogue. Pleasantly surprised by how solid the entire storyline and characters were. TW though!! There are scenes of obscene sex, implied rape, domestic abuse, and sexual assault. So be careful if those things trigger you. Watching it in German with English subtitles is the way to go, though. Trust me.)

3. Handsome Devil: Two opposites, a loner and the top athlete become friends at a rugby-obsessed boarding school, and the authorities test their friendship.

(An irish coming-of-age LGBT film that, again, pleasantly surprised me with how well it was executed underneath the guise of an overly cliche storyline. It’s winning, compelling, and quite moving with how it tackles individuality in teens. It’s just a great film that takes tropes and turns them on their head by transforming the characters in their own way. Not to give too much away but the talk one of the boys have with the English professor on the rugby field at night is so, so important as an open dialogue.)

4. Dumplin’: The plus-size, teenage daughter of a former beauty queen signs up for her mum’s pageant as a protest that escalates when other contestants follow in her footsteps, revolutionising the pageant and their small Texas town.

(As you can probably guess this film is an emotionally-impactful conversation about self-acceptance that rides on the back of societal expectations of young women all tied together in a very heart-warming coming-of-age drama. Also there’s loads of Dolly Parton music. What else is there to say)

5. The Lobster: In a dystopian society, single people must find a mate within 45 days or be transformed into an animal of their choice.

(Isn’t a new watch, but I was reminded of it recently. Just an extended Black Mirror episode, pretty much. It’s odd. It’s bizarre. It’s engaging. It’s a lot of things, and they are great.)

6. Shirkers: In 1992 teenager Sandi Tan shoots Singapore’s first road movie with her enigmatic American mentor, Georges, who then absconded with all of the footage. The 16 mm film is recovered 20 years later, sending Tan, who is now a novelist living in Los Angeles, on a personal odyssey in search of Georges’ footprints.

(One of my favorite documentaries I’ve seen in a while, mainly because it doesn’t exactly feel like a documentary. It feels like you’re privvy to the incredibly frustrating, disheartening, and determined story of friendship, women-bound creativity, youth, and dishonesty when it comes to the mystery of where and why Georges disappeared. It’s also empowering in a way to see the transition of these young women reclaiming their lives after such betrayal.)

7. Grace & Frankie: For as long as they can recall, Grace and Frankie have been rivals. Their one-upmanship comes crashing to a halt, however, when they learn that their husbands have fallen in love with each other and want to get married. As everything around the ladies is coming apart, the only thing they can really rely on is each other.

(I’ve been living under a rock, sue me. This show is fanfuckingtastic. Just watch it. Just binge it. Just do it.)

8. Voyeur: Gay Talese investigates Gerald Foos, a Colorado motel owner who spies on his guests. Using a carefully constructed platform in the motel’s attic, Foos documents his guests most private moments, from the mundane to the shocking.

(Just a frustratingly and horrifyingly sad and strange recollection of two men who act as an incredibly interesting character study if nothing else. Recommend)

9. Some Freaks: A charming romance develops between a boy with one eye and an overweight girl, though when she loses her weight after going to college, their relationship is tested in devastating ways they never dreamed would happen.

(….. I still don’t know how I feel about this movie. I’ve watched it twice, once alone and once with a friend, and I’m still conflicted on my lasting thoughts about the film and its message. It’s definitely something I suggest watching, at least, to come to your own conclusions about how it made you feel. It’s just. uncomfortable in the strangest of ways, and I just need more people to converse about it with lmao)

10. The Kindergarten Teacher: A teacher sees such great promise in her 5-year-old student that she goes to unreasonable lengths to protect his talent.

(I watched this film on a whim one day while off from work, and I was pleasantly surprised by its depth and heartbreaking tendencies. This film does not evoke anything but unsettled feelings and yearning for both the young boy and the teacher. Many people tend to gloss over the fact that this film does so much more than its superficial narrative. it opens such a bigger conversation into what absence and neglect of personal creativity and art through someone’s marriage and family can cause them to in-turn have an unhealthy obsession with wanting to keep a child’s love/talent for art alive. Haunting but great film.)

11. Mr. Roosevelt: A struggling LA-based comedian goes home to Austin, Texas, when a family member becomes ill and finds herself in the awkward position of staying with her ex and his amazing new girlfriend.

(Friend found this hidden-gem on Netflix, and it’s such a quirky, comforting, easy-watch that I miss a lot in indie films. It’s progressive and weird in all the right ways, and it leaves you with a cozy feeling inside once the film reaches its end.)

12. Queer Eye Season 3

(You know the drill just more feel-good reality-television makeover that makes all of us a little bit happier about humanity’s ability to be kind)

13. Happy Anniversary: On their three-year anniversary, Molly and Sam are at a crossroads and need to decide whether to move forward or call it quits.

(Another hidden gem found on Netflix that I ended up thoroughly enjoying. It comes across as a real, genuine, non-exaggerated look at the inside of a couple’s relationship. It’s candid, fun, witty in dialogue, and heartwarming towards the end. I’ll admit I got a bit misty eyed at 1 AM lol also the dude who plays jean-ralphio is one of the mains so c’mon.)

14. Class Rank: When her class rank threatens her college plans, an ambitious teen convinces a nerdy peer to run for the school board to abolish the ranking system.

(Listen up, I watched this film because I was under the impression that it was going to be a b-rated teen film I could be amused by, but it ended up being a sorta cute story that I enjoyed a lot more than I probably should’ve RIP. Give it a shot).

15. Cam: A camgirl has her principles, until a mysterious woman who looks just like her takes over her channel.

(Don’t take the general critic review to heart and watch the film, yourself. It’s. a ride. It definitely gave me chills as much as it made me uncomfortable. A thriller with twists and uneasiness at every corner. Just a real creepy look into AI, especially in industries like the camgirl industry. I do want the girl’s play dungeon tho rip)

#hope you like at least a few of these!!#grey

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lightsandlostbells · 5 years

Text

Druck season 2, episode 1 reaction

we’re baaaaaack

I said I would finish my Skam S3 analyses before I caught up on the remake reactions, and I’m working on the one for 3.10 (the finale), but I also didn’t want to fall behind on another show. So here are some thoughts on Druck’s first week back!

Episode 1

Clip 1 - “Their tongues battled for dominance”

It’s the moment we’ve been waiting for, Druck has come back from the war. And our very first shot is an extreme closeup of some very tongue-oriented kissing, thanks for that.

Is it Matteo and a girl?

WAIT IS THAT KIKI AND ALEXANDER

HOLY SHIT

I definitely feel like Druck was playing with Skam fans’ expectations here. They know we’re expecting a kiss to open the season, but we’re expecting it to be Matteo and some girl, so Alex and Kiki throws us off. We’re also expecting Alex and Kiki to be completely over by now, not hooking up again - that changes the direction of the season, for sure.

I don’t know how much Mia’s issues will reflect Noora’s, but considering that Noora’s season opens with scandalous sex pics/media, and that it ties into not just what happens with Niko but Noora’s overall issues about sex that are threaded throughout the season, it’s kinda interesting to open with this sloppy kiss for Mia’s season, if she has similar hangups.

The lyrics of the song are on point:

You're a poison and I know that is the truth All my friends think you're vicious And they say you're suspicious

The other girls watch in horror and befuddlement, like the OG girl squad did with Isak. HI, GIRLS! Lovely to see you again. Sam is the only one who seems not entirely appalled by this coupling.

FUCK FUCK FUCK, Alex drives off in his car with Kiki. Kiki is so eager, staring at him with such wonder. It really makes you feel bad for her, when this dude was such a jerk to her previously! He apologized but he still acted like that! And now she’s back with him. Not great.

I guess this is an unpopular opinion, from what I can tell, but … I like Kiki. Not necessarily as a human being, I completely understand why people find her the least tolerable, meanest Vilde, but something about her character just feels real to me. Like this is a version of Vilde I completely buy as a person I’d meet in real life. Hell, she does remind me of people I’ve met in the past.

Lmao, the camera swivels between each girl, I guess to emphasize the confusion/bafflement in the group. Mia does not get what Kiki sees in him. Amira’s like, he’s hot. Sam’s like, what’s wrong, they’re finally together! Sam, my beautiful girl, they weren’t a sitcom couple. This wasn’t the will-they won’t-they flirtation of the century. They did, and it was a disaster.

Mia says they’re not a couple, Sam is like … but they spend every night together? This is kind of adorable coming from her, tbh.

Amira points out that Sam spends every night with her camel and Sam’s points out that they’re together! Lmao, I love this bit of continuity. Shout-out to Carmen!

Mia thinks Alex will drop Kiki once he finds another girl. Well, he probably will, it’ll just be Mia. Amira says, pfft, that’s all western relationships. Mia is like … do you want us all to become lesbians? Mia, there is a segment of your audience who would be completely OK with that.

Mia and Hanna air kiss and I know it’s not gonna happen but by God I wish it would. I’m so apprehensive about how they’ll handle Mia’s sexuality this season, with her smooching Hanna last season to get Axel off her back, but also her being bi via word of God.

Amira says she has to go to prayer. Mia asks whether Amira was just there? Amira says no and leaves. So maybe Amira is doing something else and keeping a secret from the girls? I guess one other possibility is that Mia (a non-Muslim) doesn’t realize how much Muslims are supposed to pray, but I think the first is more likely from a story perspective. Anyway, it’s small but I like little nods to Amira’s religion, things like her mentioning going to pray so it feels like it’s more integrated into her character.

Sam asks the girls to swing their legs and it’s super cute. It was also an IG story she made, so that’s a nice inclusion. It’s cool when they tie in the clips to actual social media posts (much like how Matteo posted a video of Hanna and Jonas last season that seemed to be taken within the clip itself).

People got seriously fucking mad with this clip, lmao, but honestly, it’s such a big departure from the original that I wasn’t pissed. There’s too much we need to know about how the Kiki/Alexander relationship will play out in the long run before I get angry at what’s happening.

In the credits after the clip, we see a pillow fight scene with the girls. I’m gonna guess that’s maybe a snippet from the Easter cabin episode (or whatever’s taking place of the cabin episode). I wonder if we also got a slumber party scene as a makeup for not getting the full girls’ sleepover in S1? It was just Mia and Kiki.

Clip 2 - Santa Claus is coming

Mia observes their toilet at home at German Kollektivet. It is gross. There’s pee all over the seat, what even looks like a curly hair??? I want to puke. I take it back, I’ll watch Kiki’s and Alex’s tongues for an hour if Druck never shows me anything like this toilet again.

Mia angrily stomps over to the bedroom of German Eskild (Hans) and bangs on the door. German Linn comes up to her, saying Hans has a visitor. Mia explains that Hans peed all over the toilet seat, Linn asks if she should clean it up. Mia says if they always do it for him, he’ll never learn. This is a small moment and not necessarily like, groundbreaking feminist commentary, but it’s why I have some faith in Druck for this season? Mia is adamantly against women cleaning up men’s messes (literally and certainly figuratively). I’m not saying she’s a perfect feminist, but she actually seems like a believable feminist teenage girl, with a lot of feminist principles that seem integrated into her life, which not all of the remakes have captured, imo.

Mia bangs on the door, Hans doesn’t open it, so eventually she does and of course Hans is getting his dick sucked. He’s wearing a Santa hat. There are so many directions you could take this joke that I can’t settle on anything, sorry.

I will say that I’m pretty sure there are multiple shitty Christmas slasher movies where the killer is driven to hack people up because they spied someone in a Santa costume having sex, and that scarred them for life or whatever, so Hans better watch his back. And clean up the toilet from now on.

Hans makes excuses for his wayward urine, Mia asks him to clean it up. Hans is like, tomorrow! Hans, people are probably going to use the toilet between now and tomorrow. It is not going to take you long to do the bare minimum and spray down some cleaner and then wipe it off.

Uhhhh the other dude who’s putting on his Santa jacket seems kinda cute. Good job, Hans? Except apparently the guy, Michi, is boring and talks too much about Trump, Nazis, refugees, etc. So bringing in those aspects of S2 a little early, which is nice and topical. (But lol @ Mia and Hans talking about how boring this guy is when the door is still open a crack.)

Mia asks why Hans meets with him then, and Hans says it’s because Mia is always in school and who knows what Linn is doing? He was lonely. And by lonely, let’s be real, he means horny. Something neither Mia nor Linn can satisfy for him.

Hans compares Michi to a boomerang: you throw him away but he always comes back. Mia is appalled by this. You all suck! Not “you all” as in gay people, “you all” as in men. Hans is like … well, you’ve got me there!

I liked that already, this scene ties into the plot thematically. Hans is basically doing the same as Alex, or at least what Mia thinks is happening with Alex. Hans is using Michi for hookups, Alex is using Kiki. Throwing her away, but like a boomerang, she comes back. Mia thinks what Amira said earlier about relationships is right. Guys are awful.

Hans didn’t make the best first impression here, with comparing Michi to a boomerang, and being dismissive of serious political issues, but I mean, this is only his first scene, and it’s not like Eskild’s first appearance revealed too much about him except that he thought Disney was a good fellatio soundtrack.

Clip 3 - Hello, Jotteo

Hanna and Mia walk to school. Mia says that her parents decided to go to Berlin without telling her, and they got into a fight. Her relationship with them is a nonstop cycle of arguing, basically. So Mia is going to do nothing for Christmas, basically, just stay at home and read - which sounds nice, personally, but also probably not that nice when it’s because you’re estranged from your family and have nowhere to go. Hanna is like, not on my watch! She invites Hanna to Christmas Eve with her and her dad. Yay, Hanna’s dad! I liked that guy, I hope we get to see him again.

Jonas and Matteo show up! Interesting because obviously Mia didn’t escape to Hanna’s yesterday to see Hanna and Jonas all snuggled up watching TV and talking about dating (like Noora did).

Hanna and Jonas seem a little awkward together. MY BABES. You still love each other!

Also, these are some fucking stoners, man. Are they high already? It’s like 8 in the morning. School hasn’t even started. They’re like, we have to go take a biology test! They’re laughing like this is the funniest shit ever.

Mia asks if Hanna has talked with him lately. Hanna is like, “Jonas?” at first, and I can’t wait to hear how that relationship is going (or not going) but Mia meant Matteo. Hanna has no idea how she’d bring up that they found porn on Matteos’ phone and that they think he’s crushing on Jonas. Mia is like, just drop in a subtle hint, like asking if he watches Queer Eye! Lmao, Mia, have you seen Matteo’s hair and wardrobe? Bless him, because I love this messy, perpetually stoned version of Isak, but if he’s watching Queer Eye he’s sure as fuck not taking inspiration from it.

Hanna says she and Matteo don’t have much contact lately, because of Jonas. It’s not working out just being friends and he doesn’t seem willing to give as much on his end. Mia asks if Jonas has a new girlfriend, Hanna says no, that they promised to tell each other when that happens. Something tells me that isn’t going to go so smoothly this season. I wouldn’t be surprised if Jonas gets a girlfriend but Hanna doesn’t hear about it from him. I mean, Eva didn’t hear about Jonas being with another girl straight from him, and they were on much better terms than Hanna and Jonas (superficially, at least).

Mia seems doubtful, too. I’m sure her current “Men are the worst” attitude isn’t making her more optimistic.

Clip 4 - Mia vs. Alex in class

Mia is in class. Kiki’s sitting next to her; Alexander is on the opposite side of the room; because he got held back, they’re in the same grade. Mia looks to him. I will note that Alexander does a kind of laugh to himself before he looks up, so maybe he sensed that Mia was scoping him out?

Mia, who is looking very pretty by the way, pulls up her shirt so it’s not baring her shoulders so much. I vastly appreciate that they did this part differently than in the original! In that one, William texts Noora that she looks good in the shirt, causing her to put on a jacket - it’s his direct advances and comment making her uncomfortable. In this scene, Alexander is just looking at her - which might make her uncomfortable but at least he wasn’t doing it in an overly lascivious way.

We also see him respond to that, and it’s hard to tell because he doesn’t avert his eyes totally or anything, but he doesn’t completely keep staring at her.

Like in Skam, their teacher is filmed below the neck, although this guy’s nipples aren’t the main attraction. Rather, it’s his festive reindeer sweater that draws the eye. (NGL, this gives me an idea for one of the S3 remakes where instead of checking out the female teacher’s boobs, the Isak is like … staring at his male teacher’s nips poking through a polo shirt or whatever.)

This is like a history/social studies class and the teacher has been talking about institutional oppression. He asks for comparisons between apartheid in South Africa and the Third Reich.

A girl is like, why can’t we talk about something relevant like Syria? Lmao, random girl, of course it’s important to talk about Syria, but what’s this insinuation that it’s not relevant to talk about past atrocities? This is part of why we study history, to draw comparisons between the past and present. Not to mention the repercussions of those periods are still felt today.

Mia and Alex’s argument about Israel being an apartheid state is more in line with how I think Noorhelm was meant to be, with the two of them having debates and William challenging Noora’s opinion. However, it never really worked for me because I felt these arguments leaned too heavily on not just like ... intellectual debate for the spirit of it, but Noora objecting to something William had done, and then William trying to argue why it was actually OK. There weren’t many debates about stuff unrelated to their relationship and William’s behavior, not much verbal and mental sparring for the pleasure of it. So maybe this isn’t an enjoyable debate, per se, but it’s at least a heated one between two parties with different strong POVs, on something besides trying to justify one’s own behavior.

When Alex quotes David Ben-Gurion, Mia says there’s a difference between a German saying that Israel is an apartheid state and an Israeli saying so. Alex is like, nah. Mia asks, so there’s no difference when I insult your sister and when you do? He seems to get a touch more serious and says while emotionally there’s a difference, practically there isn’t. No one should insult his sister.

People were reading very literally into this comment, that she’s aware of his sister, but I think she’s just presenting a hypothetical scenario as an analogy. It’s not that she actually knows he has/had a sister. It’s that her hypothetical scenario happens to have more baggage attached to it than she realizes. Assuming that Alex maybe has a dead sister, this is actually a very good moment! It makes sense why he’d get more emotional over her at this mention, like it struck a nerve even if it’s not what Mia really meant.

The teacher is like, thanks for your contribution, it totally misses the point! Lmao, between that comment and the reindeer sweater, I like this guy.

Behind Mia, Kiki seemed pretty into Alex’s talk, by the way.

As the class packs up, Mia says Alex is a dick, Kiki says he’s not and that Mia doesn’t even know him. He’s insecure and just wants his parents’ attention. Mia is like, lol, didn’t know he was sensitive and vulnerable. She says it like a joke, but Kiki takes it seriously and says it’s all a front.

Mia asks why Alex is repeating his grade, Kiki says he didn’t want to talk about it. INTERESTING. I know from a Doylist perspective, this is so they can keep Alex on the show rather than him graduating, but I really hope they integrate it into his characterization. But he also said it’s none of Kiki’s business so like, he’s still an asshole. Mia agrees with me. He doesn’t have to tell her but don’t be a shithead about it.

Alex accompanies Kiki out of the classroom and gives her his hand, but appears to shoot Mia a look as he leaves.

Clip 5 - Kiki’s a vegan

Mia rides her bike in the morning and passes Kiki on the street. They have class now, but Kiki still needs to go home and shower. Mia is surprised because they’re pretty far from Kiki’s house, meaning Kiki has to run even more. However, Kiki seems pleased about how much she’s run.

Mia invites Kiki to go shopping with her and Hanna, and Kiki wants to go somewhere with vegan croissants. Mia is surprised by Kiki suddenly being a vegan. Kiki explains that she saw a documentary - not about factory farming, but about how healthy it is. Although then she adds she thinks factory farming is bad when she sees Mia isn’t pleased - that’s a nice touch because Kiki seems like she thought Mia was judging her for not being politically aware enough, and that Mia’s going to go on an activist diatribe or something, when Mia is really concerned because of Kiki’s extreme workout and diet.

Mia clarifies that she thinks veganism is great, it’s just that Kiki is working out so much as well as becoming a vegan. She said they talked about it and Kiki needs to be careful about this stuff. Kiki says she doesn’t see the problem with eating healthy and doing sports.

I like that moment because it’s kind of toeing the line, like … well, what is wrong with working out and eating healthy? And Mia can’t quite object to that in itself. On the surface, Kiki is making it sound reasonable. It’s just that we know more is going on with her than simply adopting healthy lifestyle habits. She’s taking it way too far.

Clip 6 - Mia vs. Alex, take two

Mia sees Axel in school and confronts him, saying they need to talk. He doesn’t seem that into it. When she asks him what he’s doing with Kiki, he plays dumb, she tells him that she’s going to get her hopes up for something serious. Alex is all, define serious. He says that he’s hanging out with Kiki and no one else, so what else is he supposed to do, propose to her?

If he’s explained to Kiki that this is a FWB thing, then honestly, it’ll be on Kiki not to hope for something more serious. It’s certainly not the best course of action for him because of how he behaved last season, and he should know by now that Kiki will probably take it too seriously. However, if he’s made his stance clear to Kiki that this isn’t a serious relationship, then it’s on Kiki to listen to that.

I like that her posture seems more stiff and ramrod straight, and he’s leaning against the railing, relaxed. She’s on guard and trying to make a point to, he’s not threatened by what she’s saying.

He says “If I didn’t know you were a lesbian, I’d think you were jealous,” and arrrrgh. Best case scenario, this at least suggests he has been backing off Mia because he thinks she’s a lesbian and not approaching her, and he respects that. However, I don’t think he buys that she’s really a lesbian (and this is confirmed by the end of the episode) so it comes across like a taunt instead. “If I didn’t know you were a lesbian” is him being ironic because he doesn’t believe her.

Mia says if he hurts Kiki, she’ll kill him. She walks away and Alex seems more amused than anything. He better take her seriously, she’s seen Santa getting a blowjob so the desire to kill should be setting in any moment.

Clip 7 - Gym class

Mia and Hanna are in gym class. They’re on the bleachers. They are both faking having their periods because they hate volleyball and PE. I can respect the fuck out of that. Jonas is playing volleyball, and he and Hanna are having some awkward eye contact.

Hanna mentions that Kiki is a vegan now. She doesn’t get how one can go without meat, but Mia has more serious concerns about Kiki’s sudden veganism.

The girls talk about Alexander and whether he’s doing this thing with Kiki as a tactic to make Mia jealous. God, I hope not. I hope he legit thinks she’s unavailable and is trying to move on or something. Because even taking the end of the episode into consideration, he wasn’t pursuing Mia on his own. He wasn’t texting her, calling her, starting conversations with her outside of class, and it was when Mia kept initiating contact and pushing him that he said he’d break up with Kiki if Mia went on a date with him. I’m not excusing him for that, but best case scenario, he was doing this thing with Kiki without the end goal of exchanging her for Mia.

The ball flies at Hanna, Jonas comes to pick it up and says sorry. I truly hope that was an accident, because otherwise, dick move. Anyway, another little beat of awkwardness between the two.

Clip 8 - Christmas party

Party time! Linn sits on the couch, appropriately. She’s wearing a Santa hat, so she’s a little bit festive, at least?

The girls bake cookies, Hans seems to be making drinks. When Mia goes to the fridge, we get a nice glimpse of her, Hans, and Linn in some photo booth pics, awww.

Amira recreates the Salt Bae meme, which is fucking adorable, I love her.

Mia is a very pretty girl but I have to say that the styling is suiting her even more this season, and this is a really great look for her.

Kiki checks her phone. As we know from the social media, she had something planned with Alex. She’s sent some texts to him, but he’s ignoring her. Though I wonder if they actually had something planned, or if Kiki just assumed they did.

The doorbell rings and it’s Jonas, Matteo, and Carlos! I think they’re integrating the boy squad more into this season because they know fans love Jonas and Matteo, but that’s hardly something I’ll complain about. I live for more combined girl/boy squad content.

Hanna doesn’t seem totally OK with Jonas appearing - not like, shook to her core, but that she’s a little ruffled.

Carlos greets Kiki and says she looks good tonight and I don’t want to pair up any random boy and girl who interact, but if it will get her off Alex, then by all means, deliver us German Magnus/Vilde.

Mia asks Hans if he invited Michi (the guy from the BJ Santa clip) and he says no. Michi isn’t the kind of guy you date, he’s the guy you get to rim you. Well ... thanks for letting us know!

But it’s kinda interesting to me, because Hans is pretty dismissive and not complimentary of this guy, but at the same time… it’s his choice to just hook up with him and not go for anything serious. Mia seems like she’s meddling or judging a bit, disapproving of Hans doing this. I wonder if it’ll come into play later and if Hans will get as tired of Mia’s meddling as Kiki does. Still, it’s a nice parallel to her interfering with Kiki’s affairs, too.

This is a small, cute Christmas party, I dig it. The squads dance to All I Want For Christmas, the girls hug, it’s cute. Matteo sits at the table drinking, awww. Get up and dance, dude!

I wonder if Matteo not dancing is part of him checking himself not to be ~too gay? Or maybe he’s not in the mood because he’s been going through shit at home? Or he’s too drunk to get up? There are a lot of references to him drinking and getting stoned this season, and I mean, that’s not a great thing for him, but it’s a very interesting development in terms of what it will mean for his arc.

Hans and Matteo have met now! Maybe they didn’t talk much, but they were in the same room!

WHO WAS TOUCHING MATTEO’S HEAD, I CAN’T TELL

Matteo and Kiki share a moment where she’s singing to All I Want For Christmas at him and he’s just at the table. Are they actual friends or something? Elaborate, please!

Everyone’s having a good time until Hans suddenly cuts the music, then they’re angered. How dare he cut off Mariah!

Hans announces they’re going to the club and goes into the bathroom to take party drugs. He says he’s going to pee, but the others are aware he’s taking drugs. Matteo mentions that Hans said he partied last week and it took him 72 hours to notice that he didn’t eat anything. Oh no, Kiki’s going to latch onto that. Mia seems wary.

Later, after the party’s over, Mia is cleaning up when the doorbell rings. Kiki comes back in. She’s going to party with Hans and Sam. Cotton pads fall out of her purse. Wait, Kiki is eating them??? Uh-oh.

Mia asks her not to take drugs, she saw how Kiki reacted when they were talking about Hans. Kiki gets mad and asks why she doesn’t get on Hans’ case. Mia says it’s because Hans doesn’t eat cotton pads as a snack. Kiki gets very upset. Mia wants to know if this is because of Alexander.

Truthfully, I don’t think dating Alexander helps, necessarily, since Kiki will feel like she needs to be at her best to hold Alex’s attention, and if he’s not 100% interested in her, she’ll find the faults in herself rather than him. It doesn’t help that he’s already told her she’s not worth it, and even though he apologized, she might still feel the memory of that. But this problem with Kiki goes well beyond her dating Alexander. I’m not absolving him of everything, obviously, but I think she’d be engaging in these behaviors regardless of what he thought, even if it’s for his approval. Mia is using Alexander as a scapegoat here for a much broader issue with Kiki. Like I have no doubt that these problems originated before Alex.

Kiki yells at Mia to stop interfering in her life and that she’s obsessed. I’m really interested in what Druck is doing with these two, because there are two sides to this. I think when it comes to Kiki’s eating disorder, while Mia ultimately can’t control what Kiki does, she’s not wrong to mention her concerns. This is one situation where your friend’s health and physical well-being are at stake. Mia has likely been where Kiki has and recognizes the signs. When it comes to Alexander … Mia probably should back off by now. She’s made her case, she’s stated her concerns. Kiki is making her own choices with who she’s hooking up with. They may not be great choices but they’re Kiki’s to make. But mixing the two sides is that Mia thinks the relationship with Alex is exacerbating Kiki’s eating disorder, so Kiki’s romantic life is entangled with her health.

Mia lies in bed later. She goes through her text messages, first Hans, then Axel. If you look closely, you’ll notice that she sent something to him about the David Ben-Gurion quote being misattributed, which means they kept up the debate outside the classroom. Mia, I know you want to win the debate, but contacting Axel again to make your point isn’t going to convince him that you don’t care about him.

Mia texts Axel to leave Kiki alone. Again, this is messy because I think this is probably crossing the line, Mia’s said her piece already, and this is Kiki’s life. I’m glad they’ve emphasize that Mia thinks this situation is making Kiki’s eating disorder worse, though, because that is a very serious problem and if Mia thinks Alex is making it worse, then it’s easy to understand why she would keep intervening.

Mia is texting something like “Do you want to ...” before Axel writes back, and I’d be really interested to know what she was going to say.

Aaaand Alex wrecks a lot of the good will we wanted to give him by telling Mia he’ll break up with her if she goes out with him and admits she made up all the lesbian stuff. Ugh. So he’s a) willing to break up with Kiki and hurt her just to get with Mia b) putting pressure on Mia dating him c) not taking her being a lesbian seriously which is sadly a common attitude among straight dudes. Obviously lesbians can’t be real, it’s impossible for women not to want me men! Even if he thinks she made it up about her sexuality, he should fucking leave it at that. I mean, she made it up for a reason and that reason is that she doesn’t want to date him, take a hint. Whatever Mia’s flaws have been in this whole situation, that doesn’t let Alex off the hook, either.

We close on Mia from above in her bed, with some distance. I like that, it makes her seem smaller and less in control of what she feels she has to do.

General Comments/Social Media

I’m really happy to see this show back! So far this was a promising start; I think they’re working on some of the production issues of last season and listening to the fans, so that’s encouraging.

This week there was a TON of effort put into the social media, with many IG posts and stories and multiple text messages. There were also clips every day, sometimes more than one. This was a really smart choice, because the constant flow of content grabbed people’s attention - remember that one week in S1 where the show took an unexpected hiatus and people wondered if Druck had been cancelled mid-season? Not great for holding viewers’ interest. I very much hope they can keep up the steady roll of content - personally I would not be surprised if they tone it down a little after this week, and the large amount of content this week was to drum up hype for the show, but I hope we can keep it at higher levels than last season.

However, the constant content and the increased promotion seem to have worked, because the amount of views per clip and subscriptions to Druck’s channel have increased quite a bit! A lot of the clips seem to have as many or more views as clips from S1, which have been out for months. At the beginning of the week there was something like 63,000 subscribers to the channel, I think? As of writing this, they have almost 100,000. They gained more than 35,000 subscribers in a week. That’s incredible! I also noticed several of the clips and episodes were trending by the time I watched them, so that’s got to help attract new viewers. When there are new clips out frequently, they can keep trending, which will grab the attention of new fans. I poked through the comments and there seemed to be a LOT of people who are not existing Skam fans, but German viewers discovering Druck for the first time, which is amazing.

I realize it’ll be very messy with the timeline, but I hope that we can squeeze in at least one more season of this show, hopefully two so we can get both Amira and Matteo seasons. If the momentum keeps up, it’ll be a huge shame to end the show when it’s doing so well. Don’t pull a Julie Andem, Pola Beck. (Lmao, I’m willing to drop realism and pretend this is like Buffy the Vampire Slayer or Veronica Mars when they graduated high school after 2-3 seasons and then all happened to go to the same university.)

About Mia being a lesbian or bisexual, or having a romance with a girl - as much as I would love for this to happen, I’m not going to get my hopes up. I don’t want to be disappointed. What I do hope is that the stuff with Mia isn’t queerbaiting - I really hope that she isn’t straight. I get that she’s probably not going to be a lesbian and that she’ll likely end up with Alex, because otherwise it would be an enormous diversion from the source material, one that would not go over well with a big part of the fanbase that loves Noorhelm and is looking forward to seeing that story again. But let her be bi, at least. I get that it’s a pipe dream to hope for Mia/Hanna or Mia/Kiki, but let the f/f content be stronger than it was in S2 of Skam. Make it better than just drunken makeouts between ostensibly straight girls.

The thing is, I do understand if they have her get together with Alex. However you might feel about it personally, Noorhelm is a popular ship (S3 was the biggest internationally but I know S2 was huge in Norway) and there will be tons of people looking forward to it. So really, I’m not expecting them to throw out that relationship and the Mia/Alex endgame. Later in the season, I might change my mind. But right now, while I’m expecting some of the story details to change (as they already have), I’m not going to predict a radical overhaul of S2. I think I’ll be more disappointed if I expect them to reinvent this story so dramatically and they don’t. And if they do? I can be pleasantly surprised.

There’s going to be a fuck ton of drama this season in the fandom - hell, there already is - because Noorhelm is already polarizing, and we’ll be seeing people who still want this ship to succeed and people who don’t. But I do want to point out one thing: a huge amount of people, until the final clip, were being positive about Alex and Mia/Alex’s potential, pointing out ways they preferred Alex’s behavior to William’s. This included people who straight-up hated Noorhelm. I think this says a lot, that many people are willing to get on board with the pairing if it gets rid of the stuff they disliked about the original S2. Of course many others are never going to like this storyline, and many people who had high hopes then dropped them after Alex’s text message to Mia. We’ll see how fandom attitudes change or stay the same over the season.

I like how they’re characterizing Mia this season. They seem to have a clear idea of her motivations, they’re giving her flaws that seem naturally integrated into her character. One of the best ways to create a character, imo, is to think of their flaws and their strengths not as existing on completely separate spheres, but as personality traits existing together that have both positive and negative qualities. For instance, Mia is kind and protective of her friends, overall a positive trait, but that leads her to interfere with their lives, which can be a negative trait.

There were a ton of IG posts and text messages, both this week and before the season even started. I might have missed something - I didn’t expect Druck to hit me so hard with SM content, lmao.

One pre-season text had Hanna wanting to meet up with Jonas, and he initially agreed, but then when she asked for details he didn’t reply, and on the day of, he suddenly couldn’t meet. Oh, kids. This is such a different dynamic from Eva and Jonas in their S2, when they appeared to be on friendly terms and were hanging out together, totally platonic, nothing to see here!!! Unfortunately, Hanna and Jonas still have some friction.

There was a really excellent text message prior to the start of the season, about the girls meeting with college/career advisers at school. It did the double duty of both telling us about the girls’ aspirations and dreams for when they graduate, as well as exposing various difficulties and societal inequalities that they face. For instance, Kiki wants to go to university because no one in her family has done so before, but the adviser tried to talk her into some apprenticeships. Amira jokes that it’s because the adviser saw Kiki’s grades, but that also sees like an issue of classism - Kiki expresses interest in university but the adviser discourages her, possibly based on her background and not coming from a family that went to university. Sam wants to study fashion design and the adviser said that goal fits, presumably due to her personal style. With Amira we see blatant racism in the system, as she wants to become a chancellor, but the adviser laughs and singles out her hijab as a reason why she’ll find it difficult. Hanna was told to do better in school, continuing her academic struggles from her season (the Evas have never been great students). Mia, on the other hand, is told she could be anything. And true, I think Mia’s supposed to be a good student, but note the disparity in that a young white girl is told her future is full of limitless possibilities, whereas Amira (who I’m pretty sure is also a good student) is told how she’ll struggle to achieve her dreams.

I think that sort of sets up some of the tension to a degree with Mia’s character. I’m not sure how much we’ll go into this, but Mia (and the Nooras) have frequently been like the golden girl of Skam. Like I agree that S4 made a lot of mistakes in giving Noora too much importance at the expense of Sana, but I also think there was an awareness that Noora was perceived so differently than Sana even though in many ways they were similar, because of racism, and how Sana knew this and was hurt by it (it was just that S4 was a weird mishmash of knowing this and portraying it critically, and indulging in Noora’s greatness and playing it straight). So we could have that with Mia and Amira at some point. But also, I think this is a big issue with Mia and Kiki (and Noora and Vilde). Because we saw Vilde basically have to deal with Noora being seen as a “better” version of her. For example, Vilde planned to tell off William and have that as her big moment; but William tore her down and Vilde ran off in distress, and it was Noora who stepped up to roast him and put him in his place. What Noora did was great but it snatched Vilde’s moment. Noora is pretty and skinny, she stuffs herself with pancakes and is model thin, something that Vilde aspires to be. Vilde has a crush on William and he uses her and throws her away; Noora gets William’s attention and she doesn’t even want it, then ends up in a serious relationship with him as William decides Noora is the girl worthy of his loyalty. We saw a lot of this play out with Mia and Kiki already in S1. Now in S2, the tension between the two is going even harder than with Noora and Vilde. Vilde never snapped at Noora the way Kiki does in this episode. Honestly out of everything, I think I’m most interested in seeing how that relationship develops over the season. Remember that Mia is the only one who was there to help Kiki with her pregnancy scare last season, so now they’ve got this other big situation and secret between them.

Girl Sam invited one of the boys to the Christmas party, but it’s not clear from the texts which of them it was. I’m pretty sure it was Jonas since he says Sam invited them in the clip, but still, that’s one downside of Druck’s text system, we can’t always tell who the conversations are between. Although on the other hand, I do think there are instances where that ambiguity could add some suspense and mystery. (She greets mystery boy as “Hi bitch!” which is pretty funny and suggests they are on reasonably friendly terms.)

I wonder if Sam invited the boys on behalf of Hanna? Then Jonas would have an excuse to hang around Hanna without the pressure of it being one-on-one, or seeming too much like a date/like they were back together. And he might respond more positively to a “neutral” party like Sam rather than Hanna, with all their history.

By the way, Hanna had a pic of her and Jonas before the season started that’s like “When lovers become friends!” and she looks significantly happier about it than he does.

Carlos (the Elias from S1) got an IG and his name (car_lospolloshermanos) is a Breaking Bad reference. I remember him as being fairly decent and not too shitty in S1, so it’d be nice to see him as a member of German boy squad.

Kiki posts a pic of her healthy vegan meal and Matteo responded by posting his currywurst. Lmao, so they’re friendly enough that they can have this banter???

Matteo posts a bunch of memes on his IG. How Isak of him.

Amira had some utterly beautiful pics of her summer where she’s riding a camel and visiting the pyramids in Egypt.

There were so many Christmas party pics and videos! I loved the effort put into it. The kids were adorable.and the activity made it feel more like an actual party.

We’ve had Skam and the remakes take place on holidays, but never on Christmas, so I’m quite excited to see what Druck gives us! Even if it’s just Mia, Hanna, and Hanna’s dad chilling out, that’ll be good enough for me. Plus, we should get New Year’s too - what if we get a clip that drops around midnight on New Year’s Eve?

If you got this far, thank you for reading!

I’m not German, so if I missed any language or cultural context, feel free to let me know!

#druck reactions

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sideofwritingsandramblings · 6 years

Text

A little salt, A lot of Sheith Meta

Alright... So there’s just a lot of things that have been on my mind since the big reveal. (Updated with even more meta!)

Beware there are some s7 spoilers under the cut. (And since I wrote this instead of the prompt for sheith month today I’ll use this as my entry instead @sheithmonth if it is considered appropriate / next)

So as probably most everyone in this fandom knows by now, Shiro has been confirmed gay with the release of the first episode of season seven. As I explained in a previous post, Shiro being confirmed queer has made me beyond excited, simply on the basis of what incredible representation this is.

However, once again I have heard a bunch of people (honestly... probably not actual sheith shippers) yelling “Sheith is dead” because of Shiro’s ex-boyfriend. Well, first of all, it is an ex-boyfriend according to the vld staff. And, while I will admit I have not seen the full episode nor will I seek out any more spoilers, I can still say with full confidence that Sheith is not dead. Which, honestly, I think most Sheith shippers would agree.

(Also, side point: a ship cannot even “die” like... the point of shipping is looking at two characters and thinking they would be interesting together regardless of canon.)

Anyways, I’m just going to go ahead and break down exactly why I actually believe Sheith to be closer to canon than ever before.

I usually never have hope for a canonically queer ship, mostly because I’ve learned to not expect it. Voltron, however, has amazingly made me hope again. And I even dare to hope that the canonically queer ship will also be my otp.

However, my bias aside, there is plenty of evidence pointing to canon sheith. Starting with the entirety of season 6.

Like, don’t get me wrong, I was shipping Sheith from seasons 1-5 too. Keith’s very first scene in the show is his rescuing Shiro, followed by tenderly touching his face while saying his first word of the show: “Shiro?” Following this scene we see how Shiro and Keith have the deepest bond of the group and are consistently looking out for each other. In season two we have Shiro trusting Keith to succeed him as leader and the Blade of Mamora trials with the famous “Your friend desperately wants to see you.” Since then we’ve gotten hugs, tender looks, and promises of: I’ll save you “As many times as it takes.”

Despite all of this I still doubted they would become canon, but then season 6 came along.

First of all this post which is not mine but goes in to all of this a lot, talks about how many of the romantic scenes expected for other ships happened for Sheith instead. Things like: Sheith’s bond being the focus of the season, Keith’s mom picking out Shiro because Keith told her so much about him, backstory, sacrificing themselves for one another, and even an emotional confession of “I love you.” Honestly, if we were looking at any sort of heterosexual ship, they would already be considered a couple by now.

Additionally we have seen some incredible parallels for Sheith as well. Both with Sheith and Keith’s parents and with Zaggar. On one hand we have the very similarly animated rescue scene between Keith’s dad and Krolia vs Keith rescuing Shiro in episode one. On the other hand, we have the very telling jaw-dropped reaction of Shiro with Keith and Zarkon with Honerva.

And now, with the new information from season 7, it adds a whole other layer to Shiro’s reaction. We were joking about his stuttering and complete focus on Keith during that scene was him being a gay disaster. But the truth is he is a confirmed gay disaster. Literally, how else do you explain that scene? Plus, while I know the 2 year jump wasn’t some move by the showrunners to address the “too big of an age gap” claims, I still think it’s an important moment for Shiro. Shiro has never treated Keith like a kid in the series, and they have been shown to be best friends and reliant on each other since the beginning. But I genuinely believe that this moment was when Shiro realized that Keith really has gotten older/more mature/(hotter). “You really have changed,” Shiro said.

And, if we take the parallels a step further (and while some people may call it a stretch, I personally really enjoy this one). We all know how Lauren and Joaquim also worked on Legend of Korra, another show that pushed for lgbt rep and that ended with canon Korrasami The ending scene of which had a very visually similar theme repeated in Voltron. A pillar of light between the two queer characters.

But, regardless of all the observed parallels and incredibly heartfelt moments, we now have an interesting problem(?) on our hands: the introduction of Shiro’s ex-boyfriend Adam. I will reiterate that I have not actually seen the new episode in full (and correct me if I’m wrong), but a lot of the episode’s focus is on pre-Kerberos backstory.

Within this backstory we meet Adam, someone Shiro loves and cares for deeply, to the point that they were practically (if not actually?) fiances. However, as Shiro deals with a chronic illness and pursues his dream of piloting in space anyways, Adam leaves Shiro and tells Shiro that he will not wait for him.

Now, from this information alone I immediately believe that Adam is meant to foil Keith. Where Adam (for whatever reasons, good or bad) could not stand by Shiro through everything, Keith has repeatedly proven he will do anything to protect Shiro and stay by his side.

Additionally, from a narrative standpoint, it really wouldn’t make sense to make Shadam endgame. Now it is true that anything is possible in 26 episodes. It could turn out that Shiro will have his reconciliation with Adam on Earth and they will get back together. In the event that this happens, (and if it happens in a way that is healthy and is good for Shiro), I hope everyone will support the relationship regardless of ships. Because that will still be amazing representation!

However, I doubt that would happen. Simply because we have never heard of Adam before. If the vld staff was shooting for this big queer couple for a while, why only mention him in the last 26 episodes? Especially since a majority of the episodes of season 7 (I assume) will be them just trying to get to Earth, leaving very few to flesh out a Shiro/Adam story. From a story-telling standpoint Shiro should have been talking about or mentioning Adam from the start to more easily introduce this couple to the audience. However, Adam only gets brought up when Shiro has to face the reality that he is making it back to Earth and there is a chance he will see Adam again.

[Edit: Plus, just think of how much has changed since Shiro left. He has been imprisoned for a year by the Galra and forced to fight, had his arm replaced with a robotic prosthetic, been experimented on, has become part of a universe-defending team fighting in an intergalactic war, literally died, spent who knows how long as just a consciousness in a giant robot space cat, and then revived and given the memories of a cloned version of himself. He’s been through a lot. And who knows what Shiro’s gone through better than Keith?

Adam, on the other hand, has most likely had no idea what happened. If I assume this correctly, for this entire time Shiro’s been gone, Adam has believed Shiro to not only be dead, but responsible for the Kerberos mission’s failure. I would assume when the mission was called Pilot Error, Adam would have had his fears confirmed: by taking the Kerberos mission despite being ill, Shiro put his life and the crew’s lives in danger. I honestly cannot even imagine how Adam must have reacted when he heard the news. I honestly can’t wait to see how he reacts to Shiro being alive.

After everything they’ve gone through, will they really be able to rekindle that old flame so easily?]

Additionally, we can argue that season 6 was one of the biggest Sheith seasons of the series. We got that two year age jump with Keith that has Shiro reacting like the disaster gay he is. Plus, Shiro’s reaction to Keith saying “I love you” (while not reacting to the “you’re my brother” line) still sticks with me, along with Keith refusing to let go and accepting to fall to his death with Shiro. We got Keith astral projecting himself by screaming Shiro’s name and then cradling Shiro in his arms in the last five minutes of the season. And to now immediately follow up that season (that was so focused on Shiro and Keith’s bond) with a confirmation that Shiro is gay? I really don’t think that’s a coincidence.

[Edit: Not to mention how I’ve seen multiple posts going around talking about the different dubs. One being the German dub’s ich liebe dich, which is apparently for a stronger/more profound love than ich habe dich lieb. And of course, the Japanese dub’s aishiteru which is also much deeper than the more commonly used daisuki. Like, if you’ve ever watched subbed anime, confession scenes will almost never use aishiteru. Aishiteru is rarely used because it denotes a deeper love akin to saying “I am in love with you from the bottom of my heart.” It is almost exclusively used between romantic partners, and rarely (if ever!) used between family/friends. The choice of aishiteru over suki/daisuki is honestly incredible.]

[Edit: Also, something I wanted to add before but couldn’t find a source at first: I found this article by DenofGeek from this past February very intriguing. It said that quote:

“Montgomery adds, ‘When we set out to make this show we wanted to make one where no one character was solely defined by being in a relationship.’ She’s quick to clarify that the Avatar and Korra characters were of course incredible and fully formed characters themselves but, ‘when we really looked at what was at stake with this show (Voltron) the relationship or romance aspect of it just didn’t feel as important as the work that they were doing to save their universe.’ Both showrunners don’t rule out the possibility of it happening down the line, but only if it happens naturally within the story. ‘We’re not going to try to just put it in there for the sake of needing romance in the story,’ Montgomery explains.”

The parts I bolded were what stood out to me from this article/interview. The showrunners have never wanted the focus to be just on relationships. The focus has, and always will be, on these characters defending the universe together. However, they will include romance if it happens naturally within the story. I really believe that if we were looking for a naturally developing relationship in the show it would be Sheith, and not between Shiro and some brand new guy (or at least new to the audience). In order to truly convince us Shadam is a good ship, the showrunners would have to focus on it a lot in the remaining two seasons. Why go through that effort when they could instead develop the relationship Keith and Shiro already have in the show?]

Not to mention, despite the introduction of Adam in the episode, the episode’s main focus was still on Shiro and Keith. The new episode has yet another Sheith hug, Keith worrying over Shiro in a pod, and many pre-Kerberos scenes (without Adam) that feature Keith and Shiro’s history. (Oh and I just got spoiled this next screenshot, there is apparently a rainbow above Keith and Shiro in one scene?! Also, it’s yet another example of a sunset as a romantic backdrop between them.) In other words, I really believe that Shiro will ultimately have his reconciliation with Adam, but they won’t get back together. Shiro will probably end up having feelings for Keith instead.

Although, I can’t know that for sure and anything could happen. But then, I can’t help but go to stuff outside of the show as well.

The staff have repeatedly shown support for Sheith or at least the bond between them. We have the famous “Shiro Loves you Baby #he’s looking at Keith” from Chris Palmer:

Art supervising director Kihyun Ryu drew this miracle:

And Eugene Lee’s recent Keith he drew on Chris Palmer’s Shiro’s chest like some kind of romance novel:

[Edit: And I almost forgot these two gems (which, while I know voice actor’s don’t have much control of the show’s story, they’re still great): The fact that Josh Keaton (Shiro) at the very beginning of Voltron coined the ship name “Sheith” and Bex Taylor-Klaus’ (Pidge) famous snapchat and quote:]

The staff’s support of the ship, in both fanart and interviews has been incredible. This post has an entire masterlist of the support the staff has given Sheith or their strong bond.

But, anyways. Overall, regardless of where the story heads I will always ship Sheith. If the staff decides that Shadam is the way to go for positive representation I’ll happily take it, but it doesn’t end my love for Sheith.

Honestly though, I think Sheith’s chances of becoming canon are better than ever before and I’m so excited to see how these last two seasons play out.

#voltron #sheith #sheithmonth #sheithmonth2018 #shiro #keith #meta #takashi shirogane #vld s7 spoilers #voltron spoilers #adam #shadam

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