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d-pennants · 4 years

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Everything we know about Aaravos

This includes stuff from the books, interviews and ComicCon, so spoilers. Updated with a few things from the artbook. I’ll try to keep updating when I come across new info.

Timeline

From Book 1: Moon

Callum’s Spellbook

Historical texts

The Art of the Dragon Prince

And a third page written in Italian was added to the historical texts.

“Last of the Great Ones” is interesting, because Zaird says to Sol Regem his staff was a gift from one of the Great Ones. Sol Regem is alarmed but doesn’t immediately know who Zaird is talking about. So apparently between that conversation and when this text was written all Great Ones except for Aaravos died, and even he ‘fell’.

Also this note about Aaravos not being at full power.

As a ‘fallen’ Startouch elf Aaravos can only access a fraction of his former power.

The spell Zaird used to absorb the sunbirds to create the fireball he used against Sol Regem and the spell that Aaravos casts for Viren to absorb Zym’s power are meant to resemble each other in their swirling vortex. The symbol for Dark Magic also has a swirl in it around a diamond shaped like the one on Aaravos’ chest. This absorption vortex seems to be pretty central to Dark Magic, and it only seems it can be done with the staff Aaravos most likely crafted.

The Show

Zaird staff is the same staff Viren uses. Aaravos recognized it. Given the historical text Aaravos is the “Great One” who gifted Zaird that staff.

Transcripts of all his lines in this post.

Aaravos is the narrator in the opening.

First appearance in S1 from the first war between humans and elves & dragons 1000 years ago.

Elves don’t seem to ride horses, but big cats, dogs, lizards, etc instead. Yet Aaravos choose to depict himself riding a star primal horse (He could make Viren see any creature he wanted). Considering it turns out that unicorns and Startouch elves are the only two star primal creatures humans know about, is he just being dramatic or does this have a deeper meaning?

Mirror in the Dragon King’s lair.

Cocoon

Dragon Prince Website

Bio;

Mysterious and charismatic, Aaravos is a rare kind of elf few have ever seen. He is secretive yet charming, and even Viren finds himself compelled by Aaravos’ cryptic words and gifts.

Height: 6’6 (6’9 with horns) Birthday: November 14th Age: ???

Birthday Vignette;

Aaravos does not count the passage of time in minutes, nor hours, not even days — he counts candles, one after the other, burning themselves down to the wick and a puddle of hot wax. He would run out of candles if it weren’t so easy to reform them with a wave of his hand, as though the burn had never happened.

He thinks sometimes about the way humans count their years: one day every year marks a precious point in their short life spans. They celebrate. They feast. He thinks that if he cared for the idea, he’d like to remember the taste of a smooth red fruit a human had plucked from a tree for him, once.

It had been so crisp, and so sweet.

AMA, Tumblr, Instagram Live

Who are the First Elves?

AE: First Elves are startouch elves, or possibly a subset of startouch elves...

When did the idea of Aaravos come up? How early in the planning of the saga did you guys come up with him?

AE: Justin and I came up with Aaravos very very early. In the early stages we referred to him as "Mirror Mage." We always knew he would be the secret long-game mystery villain... Aaron

Is the Key of Aaravos actually the key of where he was imprisoned?

AE & JR: We can’t tell you.

JR: We don’t even know. We haven’t even discovered the answer yet.

AE: We know! Actually, that was one of the first things we knew at the very beginning. We’ll get to it.

Did Aaravos create dark magic?

AE: No, it was discovered not created. Did Aaravos turn them onto it or help them discover it? That’s very possible. Whether Aaravos played a role in developing their ability to do dark magic. Exploring the possibilities of dark magic.

How could Avizandum (Thunder) imprison such a powerful creature as Aaravos? Can archdragons do such magic or who helped him? This required some collaboration between archdragons and elves

Were you surprised by all the thirsty reactions to Aaravos? Judging from everyone who worked on the show and their reactions, no we weren't surprised :)

Where is Aaravos walking in epsiode 6? And how and where did he a get a horse?

Aaravos can basically make Viren “see” him however he wants, so he chose to appear on the back of a purple horse. There was actually a line in there at one point that we had to cut for time that clarified a bit more heavily -- Viren grumbles at him, “Must you appear... that way?” as Aaravos is floating in the air, and Aaravos replies, “Ah, I can appear more naturally if you’d like,” and then he flips backwards onto the horse as you see in scene in episode 6. :P

which FFXIV classes would the rest of the cast be?

Aaravos - mysterious benevolent ascian

Interviews

There is no Startouch elf society as they’re not numerous enough.

Hot Brown Morning Potion Ep 5

Hypothetically, if Aaravos knew about his own fandom, how would he feel about them?

AE: He takes a special interest in humans, so he would be very pleased that humans appreciate him.

Wondercon 2019 panel Q&A

“The goal of healing and rebuilding the world is going to be a hard one, and especially a hard one when Aaravos, who may have been one of the mysterious forces who pushed the world into this situation, now seems to be on the cusp of returning or trying to return to the world.”

Inverse Season 4 interview

“Practical usable powerful magic, is drawn from the six Primal Sources, but there’s this idea that there’s this kind of earlier, less differentiated power. A kind of magic that’s deeper and more, (I don’t want to kind of say what all of them are). It’s not that important now. It has more to do with the history of beings and interactions and now I feel like I’m talking crazy, but Aaravos cares about some of this stuff and it’s funny, people have worked on a speech in season 5 where he kind of goes into some of this.”

...

“I think he’s complicated. I mean it’s, I think there’s a part of him that is kind, that is generous, that is giving and I think there’s a part of him that is arrogant and desiring to be, you know, worshipped and revered...

He never lies, I don’t know if he’s never lied about anything, if you understand where he’s coming from, he’s not lying about anything. But you don’t necessarily know where he’s coming from. He never lies, he always tells the truth. You’ve heard us talk about Aaravos before, is it Lucifer or Prometheus, who has a relationship with humanity and the gifts and sharing that he has historically have been, you know, you can interpret it differently.”

...

Q: We know he’s mastered all the primal sources, it that like could all of us do that or just him?

A: He’s very special.

Cartoon Universe Season 3 interview

kn: What’s your favorite Greek myth? AE: There are so many intriguing myths to choose from – I think if I have to choose I would say the Prometheus myth. The titan stole fire and gave it to humans, elevating them – and was punished by the gods for this. I feel like there are parallels to the biblical story of the serpent tempting Eve to eat the apple, and its effect on humanity… and the comparisons are sort of fascinating. I am interested in both the mythic/divine messenger who stole/shared these gifts with humanity, and the story of what humans chose to do once they had these gifts.

Korranews interview

Can I just jump back for a minute to the Star elves, can you talk a little bit about them?

Richmond: We can tell you their name, so they’re Startouch elves, is the type of elf they are and kind of no. [Laughs] They’re super, duper rare, they’re very mystical and we have a lot of plans for them, but that’s kind of all I want to give you. Ehasz: They’re mystical, mysterious - the mystical, mysterious Mr. Aaravos. [Laughs] Richmond: That’s the spinoff. [Laughs] Ehasz: Yeah, they are more - I mean, they’re Star Elves and they’re more associated with the heavens and they’re not immortal, but they have more of a time scale that is more like the stars than other elves, so they’re a little bit removed and big picture, but Star Elves have a, I mean, they’re part of mystery and myth and we’re going to meet one this season. I love the actor who plays him is Erik Todd Dellums, who I worked with on Avatar [the Last Airbender] who has an amazing voice and he’s perfect to embody a character like this and we’re excited about this character. We hope the audience is intrigued and ready for more.

Screenrant Season 2 interview

Going back to Aaravos for one second. We’re assuming there’s a reason why he seems to be telling this story — we see his hands at the beginning of each episode in the opening sequence. AE: Yeah, so he’s a Startouch Elf, and they are closest to the heavens of the elves. They’re kind of the most god-like, in the sense of they span much more time than more Earth-bound or Xadia-bound elves. So yeah, he has this thousand year perspective. This kind of mythic role. So he’s like this mythic character who now, suddenly, is kind of popping up in this contemporary story. JR: And obviously, he’s bad enough that they tried to literally erase him from the books. AE: He’s complicated. JR: He’s interesting enough that they tried to erase him from the books. AE: He’s disliked. That’s not the same as bad.

Hyperable season 2 interview

“The name of a very important person to Aaravos will be in the map of a novel, but it will be a long time before you know what that means,” Ehasz said. “A lot of his motivation comes from that relationship.”

Hyperable Season 3 interview (Possible names on the map are Skall’s Hook, the Ruins of Elarion, and Mount Kalik).

The team also teased The Orphan Queen, a new story they hope to tell in the series, books or even in a feature film, which follows a young human girl who starts from nothing and grows up without parents. She takes a dangerous journey to Xadia and ends up saving the world. She’s also Ezran’s first royal ancestor. Ehasz and Richmond said the idea was born when they were imagining where the Key of Aaravos comes from.

Ehasz and Richmond also dug into the timeline of Xadia, and how certain eras will impact both the books and the series. Five thousand years ago, Xadia was in its “mythical, Biblical first days,” a time long before elves and dragons were allied in which humans suffered and struggled. The “rise of Elarion” came around 2,000 years before the events of the series, and saw humans find their way to magic. Around 1200 years ago finds the arch dragon of sun, Sol Regem, as king of the dragons during this era, when dark magic became problematic and humans poached magical creatures for their parts. Shortly after came the division of Xadia. The next big turning point for the world was 300 years before the series, a time Ehasz and Richmond dub “the era of Avizandum.” Two stories they want to tell take place during this era: The Fallen Star and The Orphan Queen. We don’t know anything about The Fallen Star yet ... but we will. The team noted that history will one day know the modern era as “The Return of Aaravos.”

Polygon season 3 interview

Concept Art

Dorothy Yang’s design 'Fallen Star.’ Check out more of her work on ArtStation.

When they were first brainstorming ideas for the show Aaravos had a blindfold, but that was scrapped for being “too on the nose.” This is Giancarlos Volpe’s early sketches that he posted on Twitter.

#aaravos #my notes #tdp analysis #tdp spoilers #spoilers

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doomonfilm · 3 years

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Ranking : David Lynch (1946-present)

Film is definitely an art, and yet, it seems to be distinct from other forms of visual art such as painting or sculpture. Perhaps that is what makes David Lynch such a fascinating director, as he has the ability to tap into the surreal stimulus often found in the most famous paintings and transform it into brain-bending moments on film. Whether it his fear-fueled fascination with fatherhood present in his debut film Eraserhead, his ruminations on Hollywood society present in Inland Empire, or any of the stopping points in-between, it’s safe to say that David Lynch sits in the rarified air of directors like Ingmar Bergman, Alejandro Jodorowsky and the other few who can turn film into something deeper, more visceral and more meaningful.

With one of the most unique collections of films credited to his name, including a couple of curveballs in the early portion of his career, ranking the films of David Lynch is as perplexing as it is entertaining... so, without further ado, we attempt to climb that hill. I’m not even going to pretend that I can break down all of the symbolism and meanings of these films, but I can give my honest opinion about them.

10. Dune (1984) For a film that is supposed to be such a science-fiction gem, it’s a bit funny that nobody can seem to make a coherent, entertaining version of Dune. After nearly 15 years in pre-production hell (and three iconic names attached to versions of the production), the film landed in the laps of Dino De Laurentiis and Ridley Scott, but after another extended period delaying production, Scott bowed out, leaving the door open for David Lynch to step in. For what it’s worth, he did bring a huge list of names to the project, but the fact that the directing credit for Dune belongs to the throwaway pseudonym Alan Smithee should clue in any perceptive viewer that the project may not be one that Lynch cares to stand behind.

9. Inland Empire (2006) David Lynch isn’t the type of director that revisit ground he’s already covered, which is what makes Inland Empire (the seemingly final film from Lynch) such a confusing choice. Had this film not been released after a five year gap between it and the stellar Mullholland Drive, another film that focuses on the dark underbelly of Hollywood, fame and the tolls of the acting craft, perhaps it would hit a little different to me. That’s not to say that the film isn’t good, as it is definitely a slight adjustment from the style that Lynch basically trademarked, but when a director like Lynch experiments on what feels like general principle, it makes experiments that feel like a step backward lose impact.

8. Lost Highway (1997) Technically, you could count all of the Lynch “mystery” films as noir in some capacity, but Lost Highway feels like a direct skewing of what we know as the traditional noir structure. At its core, the film is a simple murder mystery, but it doesn’t take long for the Lynch signatures to begin appearing in every form from a mysterious, unnamed character to our protagonist literally changing into another person with no base explanation provided. Perhaps the latter choice was a look into split personalities and the disassociated nature that can come with brutal crimes... as I said before, I’m not here to try and decode the David Lynch mystery. While Lost Highway serves as a good entry point into the David Lynch catalog, it sits on the back half of the rankings due to no fault of its own... it’s more of a situation where the other mysteries are so stellar, that even the strange seems simplistic by comparison.

7. The Straight Story (1999) If you played a game of “one of these things is not like the other” with the films of David Lynch, it would not be difficult to make a winning choice, as The Straight Story is clearly the most accessible and standard of all the Lynch fare. What the film lacks in oddness and style, however, is more than made up for in terms of heart and performance. The use of a lawnmower as the main source of travel allows for some beautiful landscape cinematography, and the sheer force of will exhibited by Richard Farnsworth pays off in spades when he is reunited with Harry Dean Stanton. If you’re looking for something creepy, eclectic and mind-warping from Lynch, there are plenty of other films to choose from, but if you are looking for an excuse to shed a tear or two, this is the film for you.

6. The Elephant Man (1980) It’s funny to think that if not for The Straight Story, the Joseph Merrick biopic The Elephant Man would serve as the most normal film of the Lynch canon. This sophomore film dialed back on the abstractions present in Eraserhead, but it brought some extraordinary makeup and costuming to the table, not to mention it gifted viewers with a powerfully moving performance from John Hurt. Though memorable in its own right, the film really made its mark by tying Raging Bull at the 53rd Academy Awards, garnering eight nominations (and sadly losing in all categories, going home empty-handed). The backlash for the Academy’s lack of giving The Elephant Man special praise for its makeup effects also led to the creation of a Best Makeup award for the Oscars. It is quite possible that the combination of shock from Eraserhead in tandem with the skill and prowess shown in The Elephant Man opened all of the creative control doors for David Lynch, as not even Dune could derail his career and artistic oddness.

5. Blue Velvet (1986) While Twin Peaks is where I first heard the name David Lynch, it was Blue Velvet where I first got a taste of why Lynch was held in such high regard. The suburban paradise presented in the opening credits is immediately shattered by the discovery of a random ear, and the weirdness rabbit-hole gets deeper and deeper from that point on. The classic look of the film stands in powerfully beautiful contrast to the extreme darkness of the narrative, and Dennis Hopper turned it all the way up to 11 for his performance in the film. If Lost Highway serves as the best introductory film for those curious about Lynch, then Blue Velvet serves as a good midpoint to determine how much weirdness, abrasiveness and shock you can handle in a Lynch film.

4. Mulholland Drive (2001) I really and truly do not know where to begin with this insane rollercoaster ride of a film. The first time I watched this film, I thought I had everything figured out, every mystery solved and every bait and switch identified, but upon repeat viewings of Mullholland Drive, I’ve determined that I either had a brief moment of harmonic brilliance or I was fooling myself. The film makes sense at its root, if really and truly dissected, but when taken at face value and in real time, it’s almost impossible not to get completely lost in the sheer immersive nature of everything thrown at you. Naomi Watts is brilliant as the viewer guide through the film, and it’s good that she is so powerful in her lead role and guiding task, because Mullholland Drive is not afraid to get downright bonkers on more than one occasion. While films about the trappings of Hollywood and stardom are nothing new, I’m hard pressed to think of another film that approaches these in a manner even remotely close to that of Mullholland Drive.

3. Wild at Heart (1990) Quite possibly the most enjoyable of all the David Lynch films, despite some downright brutal moments of celebratory violence sprinkled throughout. The combination of Nicolas Cage and Laura Dern is nothing short of electric, and the presence of Willem Dafoe as antagonist is the perfect spark to ignite an already volatile mixture of leads. The energy level of this film starts on ten and only continues to rise as the film progresses. If/when I ever get the chance to program theater showings, I am putting this film on a double bill with Natural Born Killers immediately. While I can’t say that Wild at Heart is my favorite David Lynch film, I can say without a shadow of a doubt that it’s my favorite Lynch film to gush about with other fans.

2. Eraserhead (1977) More often than not, directors the caliber of David Lynch have stunning debut films to their name, and Lynch certainly exploded onto the scene with a gamebreaker in the form of Eraserhead. Upon first viewing, there is enough “WTF?!” going on to confuse most people, but for those brave enough to watch the film more than once, it becomes painfully obvious that all of the madness and shocking imagery on display is a clear metaphor for Lynch’s fear of fatherhood. The simple act of taking a fear that resonates with most humans and turning it into the equivalent of a black and white bad drug trip works perfectly, and Jack Nance’s iconic look and performance are almost recognizable enough to know without knowledge of the film. Eraserhead is one of those films that leaves you different than you were prior to watching it.

1. Twin Peaks : Fire Walk with Me (1992) In all honesty, was there every any doubt that Twin Peaks : Fire Walk with Me wouldn’t be in the top spot? Of all the properties that the David Lynch name is connected to, none of them have even come remotely close to touching the sheer size of the lore and fandom that has emerged from this modern day masterpiece. The story of the high school princess with deep, dark secrets to hide is not new territory, but the way that Lynch handles it all with Twin Peaks takes the familiar to all new realms of weirdness, including the creation of iconic places and characters like the Black Lodge, the Log Lady, the production mistake that created the infamous Bob, and the eternally iconic Laura Palmer, and oh yeah, the film’s not half bad either. I doubt that David Lynch ever had any intention of reaching the heights of fame that Twin Peaks : Fire Walk with Me afforded him, but it would be dumb to think that he isn’t impressed with the magnitude of the world he created based on that single idea for a film.

#ChiefDoomsday #DOOMonFILM #DavidLynch #Eraserhead #TheElephantMan #Dune #BlueVelvet #WildAtHeart #TwinPeaksFireWalkWithMe #LostHighway #TheStraightStory #MullhollandDrive #InlandEmpire

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jippy-kandi · 4 years

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Digimon Adventure: Last Evolution Kizuna Movie Review

I've seen the film. It was pretty good! Spoilers under the cut.

So, before I watched it, I did read a few bits and pieces of random spoilers. However, I did NOT read the novel – because I wanted to judge the film on its own merits and not be thinking about “what the novel did better”. But I knew things like most characters were sidelined, who the villain was, and how the movie ends. I still have not read the novel.

This is not a “proper” review of the movie -- because what’s the fun in that? You can google actual reviews of the movie by anime websites, if that’s what you’re after. These are just my personal thoughts, impressions and fangirl ramblings (I bias Yamato hard). Plus, a few comments from two others I went to the screening with for a different perspective.

It was like nerd city at the movie theatre, LOL. So. Many. Nerds. Some people even brought Digimon plush toys to the screening! I’ve never witnessed that before. It was great though, being surrounded by so many Digimon fans. I think the cinema was more than half full -- and this was an 800-seat cinema! 400+ Digimon fans? Whoa! I actually thought like only 20 people would show up, LOL.

I tried to put the following thoughts in “order” but some of it isn’t due to the nature of what they’re about . . . plus, I couldn’t 100% remember what order the scenes were in.

Screen time distribution (most to least): Taichi/Yamato, Koushirou, the 02 kids (roughly: Takeru, Hikari, Daisuke, Miyako, Ken, Iori), Mimi, Jou, a hamburger, a whistle, a beer, Sora. (Sora got shafted hard.)

Taichi was exactly just Taichi, which is 1000x better than tri. Taichi. He really did seem like a 22-year-old version of Adventure Taichi, beer-drinking and porn-watching and all. Thank you, Toei. Please don’t fuck him up in the reboot. (Although maybe that’s the idea?)

Yamato is the coolest motherfucker on a motorcycle. He looked SO DAMN GOOD in this movie. There were even a few gratuitous shots of his arse for no apparent reason, LOL. Or maybe that’s just me thinking, whenever he’s bending over or his back’s to us, “That’s a nice arse.” XD (HE IS THE ONLY 2D CHARACTER I THIRST FOR, I PROMISE. I’m actually engaged to Jungkook of BTS.)

Koushirou was the same old Koushirou we all know and love, doing smart stuff and generally being useful. He has no pointed interest in clothes or girls (Koumi began and died in tri., you guys). When it was shown that he was a company president, some people in the audience laughed, lol.

Takeru was pretty bland. I guess tri. Takeru will always be the definitive Takeru to me. This Takeru definitely evolved straight from 02 Takeru (who was also bland AF). But he was fine? I miss overly confident, charming Takeru. Also, where was your crush on your big bro??? lol

Hikari . . . was also fine? I don’t have much to say about her. I like tri. Hikari better (because she was cute? *shallow*). This Hikari was just serviceable. I think because everyone really is just playing second fiddle to Taichi and Yamato, they didn’t really add charms to the other characters. They just . . . serve the plot. And it seemed, at the beginning of the movie, that Takeru and Hikari were going to be in it a lot -- but they have most of their scenes in the first third-ish of the movie before disappearing until the end.

Daisuke was also exactly the same. But I’ve never been a fan of him, nor do I hate him (though he did get on my nerves in 02 sometimes . . .). I just don’t care about him, or any of the 02 kids, personally. :P

I don’t think Ken had a personality in this movie, LOL. He was fine, though. Serviceable. I’m sorry I lack opinions here, but there really wasn’t much to go on. He has no Kaiser issues or anything, he just seems like a normal, well-adjusted kid . . . with no personality, lol.

Iori didn’t have a personality either -- but everyone has always known that. Ha! XP He is just an extra reading lines. I found it odd that he seems so short though? I kept thinking he was still a 9-year-old because of the height difference between him and the others . . . I think Toei forgot that HE IS 17 AND THUS SHOULD BE VERY CLOSE TO FULL ADULT HEIGHT. Puberty is amazing, Toei! (Yeah, he can just be a really short person, I know. I wouldn’t have made that design choice, though. Especially when he’s short compared to Daisuke . . . who is short compared to Yamato . . . and Iori really is a midget.)

Miyako . . . it’s probably due to her voice actress, but she was SO LOUD. And I found her annoying because of it. In fact, she was the only annoying character in the movie to me. Loud people can be charming . . . but I didn’t find her charming. Sorry, Miyako fans. =\

Mimi has an e-commerce startup at 21, lol. OK, you go girl. She was definitely shafted, but she was in it a bit more than Jou I think, and definitely more than poor Sora. Probably a few minutes? Yeah, not a lot, especially compared to Taichi and Yamato. In one of her (four?) scenes, she loses consciousness and ends up in the hospital -- and Taichi, Koushirou and Jou are in her hospital room when Yamato bursts in and goes, “Jou!” You know, instead of acknowledging Mimi, THE COMATOSE FRIEND IN THE HOSPITAL BED. I just found it funny that’s how they chose to frame that scene. :P

Jou only had a few lines, but he was still in it more than Sora. But he is really just a doctor here. He could’ve been an extra hired for a doctor role and I wouldn’t be able to tell the difference, lol. Oh, Toei, please give all the characters almost-equal screen time in the reboot? Please???

Sora had like four lines and thirty seconds of screen time, TOTAL. I think the decision to hold her back from THE ENTIRE PLOT was SOLELY to have the scene where she reacts to Taichi blowing the whistle, so you know that the sound is going out of Neverland and reaching the real world (or whatever dramatic effect they were going for). I really think that’s it. That, or her voice actress did something terrible to Toei and they’re punishing her. :P

The movie basically opens up with Parrotmon attacking. Takeru was the first to be shown, then Hikari, then Taichi. Taichi is wearing those special goggles Koushirou made for him and he looked goofy AF lol. At one point, Greymon tackles Parrotmon into a building where you see some people inside running away from the rubble. My sister said (without knowing anything about tri.): “Does Tai not care that his digimon definitely just killed some people in that building?” I chuckled because . . . well. ;)

Yamato enters the scene COOL AS FUCK on his motorcycle (most of his entrance is shown in a clip that Toei released) and thank you Toei for doing that for him. He deserves a showy entrance. :) Although I do find it funny that he’s obsessed with motorcycles, given I still remember giggling as a kid at him NOT liking riding on the back of some guy’s scooter in Digimon: The Movie.

The music was nice and nostalgic and I have no complaints.

There is a quick scene of Yamato seeing a kid in a music store getting a harmonica, and watching a street performer singing. Obviously he’s thinking about his passion for music as a kid/teen (and his childhood in general?) and it was a nice touch. I think by the end of the movie you would’ve understood that Yamato was letting go of his past (childhood) and heading towards the future (adulthood).

A friend of Yamato’s makes a comment to him that Japan’s Self-Defense Forces are going to recruit him into the military due to his experience as a Chosen Child. Yamato replies, “that’s the dumbest thing I’ve ever heard”. BUT . . . this is Kizuna telling you EXACTLY what is going to happen, lol. I actually “predicted” Yamato’s career path years ago -- but it wasn’t hard, as there is really only two ways it could’ve gone, lol. Military test pilot or commercial air pilot -- which one, especially given the context Kizuna just gave us, is more likely? ;)

Yamato is shown wearing GLASSES in class (looking nerd-hot AF). Toei Animation must not have researched Yamato’s astronaut career as intensively as I did, and therefore did not know that astronauts need 20/20 vision lol. Oh well, he can get it corrected. :p (Or, he doesn’t actually need glasses but WEARS THEM AS A FASHION STATEMENT. Because I can believe that. XD)

I think Yamato had about three different outfits in the movie? And he looked good in all of them. Are there people out there who think he’s not fashionable? I'd find that opinion strange, given the fact that the staff behind 02 and tri. were actively designing him as the well-dressed cool guy of the group. He wears exactly the kind of clothes the well-dressed cool guys at my high school/university wore. Sure, sometimes they force green tops on him purely for nostalgic reasons and it therefore clashes -- there is only so much you can do with a green top -- but overall, he is supposed to come across as someone who cares about his appearance. If you don’t think so, you’re either not into fashion or you aren’t aware of 2005-2010 fashion as a teen/young adult. (If Yamato was a millionaire, I’m sure he’d dress identical to BTS with super expensive clothes lol. But he dresses very well for a “normal” person. :p)

Taichi was shown with two of his friends who were asking him about his aspirations or something, and the guy looked like an unattractive nerd. My sister said: “I didn’t like how they showed Tai with sloppy friends, but showed Matt with good-looking people.” LOL. Her favourite as a kid was Taichi, BTW. XD;

Menoa and Imura were . . . OK characters. Menoa seemed likeable enough at first, but when her real intentions were revealed she turned into a typical, crazy, possessed villain. Imura was really just there to service the plot, like a necessary extra on set. There was nothing more to him.

Menoa’s English is terrible. And it’s very noticeable because she inserts random English words into her Japanese sentences, lol. I laughed when Koushirou told her that her Japanese is very good (because SHE IS ACTUALLY FLUENT IN JAPANESE . . . and not so much in English). Yes, I know it’s because it’s a Japanese voice actress -- but it was still funny every time she spoke heavily accented English, followed by fluent Japanese. :P

Menoa’s partner digimon, Morphomon, was cute in design. Eosmon was the villain digimon and was Menoa’s attempt at recreating Morphomon, who disappeared on her. Does this sound kind of familiar? lol

Omegamon devolves into Koromon and Tsunomon when fighting against Eosmon. Back in Koushirou’s office, Menoa explains that you only have a limited amount of time with your digimon before they disappear and that fighting accelerates it. Taichi has a circle of lights on his digivice that lose a bar of light every time he fights with Agumon. When the lights all disappear, Agumon will disappear. Koushirou and Takeru look at their digivices to check if they’ve got it – they don’t, and they are relieved. Yamato then checks his and . . . well. He has it. His eyes start watering and he storms out of the room saying something along the lines of his bond with Gabumon will not be broken. I FUCKING LOVED THIS SCENE. Top 3 in the movie for me, personally. We all have weaknesses. Emo Yamato is mine, lol. I like it when he gets so emotional he cries in front of other people. :3

The “porn stash” scene with Agumon at Taichi’s apartment was HILARIOUS. The funniest scene of the movie. Everyone in the cinema laughed so hard. It was Taichi’s reaction that sold it -- it was BRILLIANT. The magazines actually had girls on the cover wearing bikinis, so, at least Agumon kept his innocence! lol

Gennai randomly appears in Taichi’s apartment to confirm the thing everyone should’ve always known (but that they just made up for Kizuna and which DEFINITELY led to “creative differences” with Digimon series director Hiroyuki Kakudou). This, of course, would be the whole idea that the more you “grow up”, the more your bond with your partner digimon breaks until, eventually, they disappear. Does the idea have problems? Yep. Menoa lost her partner digimon Morphomon at age 14 because she decided to accelerate her learning and go to university . . . meanwhile, Koushirou is the president of his own freaking company and still has Tentomon by his side. Yeah, OK, Kizuna. And, sure, you can argue that it’s about BECOMING AN ADULT -- but I think you’d just be drawing lines where YOU want to draw them. How mature is 14-year-old Menoa to be an “adult”? Is Koushirou really not mature enough at 21? And what about Jou, who I definitely think is an adult in all sense of the word? And so on. So arguments about this I think are valid, but at the same time . . . it’s Digimon. I think it’s a flawed idea but I also just shrug and accept it as it is, lol.

I “love” how Gennai just pops in when it’s convenient to the plot. Hello Gennai, what’s dark Gennai up to? Have you seen him around licking underaged girls anywhere? No? You’re just popping by to confirm shit to Taichi? OK, cool. See you in the tri. sequel, never. (He actually does give Taichi a reasonable answer as to why the growth/bond thing was never brought up before: that it’s like talking about how long you have to live. I bought it.)

Yamato is basically the reason the 02 kids are even in the movie, lol. He asks them to investigate Imura and Menoa for him and they do so. They contact him later on with info and they ask that he take them out for okonomiyaki (which is awful by the way, lol) as thanks and he smiles and says he can do that. This is just a nice exchange between them. :)

Yamato eventually confronts Imura (or is it the other way around, lol) and Imura HAS A GUN. Which was surprising to me because I remember that in the English dub, Puppetmon’s gun was censored, so seeing a gun in a Digimon movie was a little surprising. Anyway, Yamato doesn’t seem concerned by the fact that this dude can just shoot him dead, lol. Gabumon is with him, but still. Imura can still kill you before Gabumon kills him, you know. XD But it’s all good because Imura turns out to be an undercover FBI agent who wants to arrest Menoa, THE REAL VILLAIN. I was spoiled with this so no surprise.

There is a scene where Yamato has his hand tenderly on Takeru’s face because he lost consciousness. It was sweet, but I would’ve liked it more if Takeru had more of a personality in the film so I could actually care about him, lol. Yamato’s such a caring big brother, though. :)

Yamato was perfect in this movie. PERFECT. I had a few issues with his characterisation in tri. (I think he was, overall, about 80% Yamato), but he was ALL YAMATO, ALL THE TIME here. He is my favourite fictional character of all time, so DEAL WITH THE BIAS. I love him and, honestly, Yamato>Taichi all day, every day. I totally understand you, Sora. DON’T @ ME TAICHI STANS. XP

The ONLY minor quibble I had was that Yamato asks Taichi if they should really try to save the other kids, because fighting means it speeds up their bonds breaking. My quibble is: YAMATO IS NOT FUCKING SELFISH. He’s SO selfless. He would fight to save the other kids NO QUESTIONS, even if it meant he’s accelerating the destruction of his bond with Gabumon. But I give this scene a huge pass because it basically had to go like that, because ONE person out of Taichi/Yamato had to be reluctant so that the OTHER person pushes forward and has a “hero” moment. And who’s going to get that “hero” moment? The actual hero and MAIN CHARACTER of Digimon, Taichi, of course. SO I GET IT. I even agree and would’ve written it that way too, for Taichi to be the leader and reassure Yamato that this is what they’re doing (unlike in tri. where Yamato 1000% deserved the mantle of LEADER and Taichi could’ve whinged off the edge of a cliff and I. WOULD. NOT. CARE.). BUT I will still rant about this 30 second scene in my blog and scream to the universe that Yamato Ishida is the most selfless fictional being on the face of the planet and you better fucking know it. :)

Menoa is Maki 2.0. As soon as Menoa is revealed as being behind the evil stuff, she is instantly psychotic. So Maki 2.0 she definitely is. But . . . I don’t really care. Could Toei have been more original? Yes. But I can’t be bothered to criticise them for recycling a plot, because I’d rather criticise tri. for doing it in the first place, LOL. OK, honestly? At least Menoa’s plot had an actual resolution, instead of Maki being revealed and then . . . fucking off out of the entire series so abruptly. Like??? Kizuna followed through with it, tri. did not. That’s why I’m OK with the rehash, because Kizuna did tri.’s plot better. (Maki’s plot would’ve been good if the tri. writers didn’t get lazy AF at the end and just . . . didn’t . . . finish it.) I might also be giving Kizuna a huge pass because it made me feel things, lol.

The movie really picks up after Menoa reveals her intentions and they end up in Neverland (a place she created in the Digital World?) where she claims all the Chosen Children can stay as children with their partner digimon forever. It became a lot more interesting after that. But that’s also near the climax, lol.

In Neverland, all the kids who have lost consciousness are in their child forms (from the first season) and are basically Menoa’s puppets. This was really cool; it not only gave you nostalgic feels to see them like that, but it was also pretty creepy to see them with glowing red eyes. The Chosen Children, as kids, attack Taichi and Yamato. I laughed when Patamon attacked Yamato’s face and Tentomon tackled Taichi, lol. But I have to say though that Sora’s absence was VERY glaring here. Because . . . everyone was there, but her. :(

Other Chosen Children from the past are present in Neverland too. I FREAKING SAW MICHAEL, MIMI’S AMERICAN FRIEND, STANDING BEHIND HER. I was so surprised at his appearance that I didn’t catch anyone else. There were definitely others, but I didn’t make them out at all because I was so caught off-guard with Michael. XD; (I DON’T EVEN GIVE A SHIT ABOUT HIM, LOL.)

Someone said that Taichi called out Meiko’s name in the movie . . . well, I’m pretty sure that Yamato does, and he calls her by her last name, “Mochizuki”. This is when they’re in Neverland and Menoa shows them her “collection” of Chosen Children. Meiko pops up for one second. It was like Kizuna went, “Oh! Hey, tri. existed by the way. Now let’s move on.” lol

While being attacked by the Chosen “puppets” in Neverland, Taichi manages to reach his hand out and grab Hikari’s whistle and blow it -- effectively “waking” them all up from their puppet states. Everyone in the cinema got hit with audible FEELS, because when Taichi blew Hikari’s whistle the screen flashbacked to that scene from the first movie. I found the collective audience reaction more powerful than the scene itself, lol. But I really liked it, too. :)

So while everyone else is in Neverland . . . SORA IS IN HER APARTMENT HUGGING PIYOMON. Thanks, Sora, you’re a real friend. *cough* After Taichi’s whistle blow, she intuitively knows what’s going on and says she believes in everyone . . . THANKS AGAIN, SORA, YOU CHEERLEADER. OK, look: I do think it is pretty selfish of Sora to choose not to fight. I understand all the reasoning behind it, I even think SHE DESERVES TO BE SELFISH FOR ONCE etc., and I am fine with it -- but I still think it’s selfish. Because it is. And that’s OK, nobody is perfect, and people are selfish from time to time. If only it wasn’t glaringly obvious that her selfishness happened only because Toei just wanted her out of the way for most of the film . . . her absence, as stated before, really was noticeable in scenes where literally everyone else was included but her. (I’d also just like to point out that her voice actress was STILL CREDITED THIRD after Taichi and Yamato in the ending credits. LOLing forever -- such little contribution, such big recognition. XD)

But don’t get me wrong, I love Sora. I really fucking do. Taichi used to be my second favourite character in Digimon for a long, long time -- but Sora managed to dethrone him from second place (fucking Yamato probably helped, LOL). I think, screen time-wise, Kizuna did her a bigger disservice than Our War Game did. Yes, let that sink in. Remember how little she was in that movie? It’s worse in Kizuna. But story-wise and character-wise? Kizuna probably did better, because Sora was angry over a hairclip in Our War Game lmao. If you haven’t already, check out her memorial story short “To Sora” that Toei Animation released online. It’s six minutes of Sora . . . which is 5 and a half more minutes than in Kizuna! XD;

There’s a scene where Agumon and Gabumon tell Taichi and Yamato that they like watching them grow up. It was very touching, but also very brief. It was one of my favourite moments though. It made me have quick flashbacks in my mind of itty bitty Taichi and Yamato growing up into who they are now. The enormity of everything they had been through since the first season. THE HISTORY. THE GROWTH. It hit me right in the feels.

Taichi and Yamato’s homoerotic-ness was actually toned down a lot, especially compared to tri.. They don’t have forced disputes where they get angry at each other and the gay sexual tension shoots through the roof. They’re just . . . friends. Two dudes who drink beer together and moan about their lives. The partnership between them and their digimon were the focus of the movie, more so than the friendship between them. I actually liked this, and I usually care more about the human connections over the human-digimon ones.

“Shipping moments” – if you squint hard enough. Takari: At the start, Takeru shields Hikari from harm. Sorato: While Taichi informs Yamato about the lives of some of the other Chosen Children, Yamato lets Taichi know what Sora is up to -- that she’s seriously studying flower arranging. Kenyako: Ken asks Miyako, and only Miyako, if she’s OK (when Daisuke is right next to her). Taiora: Sora says Taichi’s name when he blows the whistle in Neverland and she hears it all the way in the real world. (My sister legit whispered to me: “SHE DIDN’T SAY MATT’S NAME.” BITCH, he ain’t the one whistling! XP) Now, Digimon Adventure tri. shipbaited hard -- but Kizuna did not do this. All of these very small moments felt very organic and passed as if they were a natural part to the story, instead of something shoehorned in with the explicit purpose of shipbaiting. I really liked this approach. The Sorato one in particular (surprise, surprise) said a lot about Yamato’s relationship to Sora without being explicit about it. He knows what she’s up to when her childhood best friend doesn’t? Yeah, those two are definitely hooking up after classes. :P (I jest. But it does tell you with one sentence that Yamato and Sora keep in touch, which I appreciated. You gotta do that if you’re having babies together within the decade, you know?)

There were next to NO evolution sequences. I might remember it happening once or twice? Max. And . . . that was a REALLY lame choice. Especially when Agumon and Gabumon evolve to their newest forms; Taichi and Yamato are just floating with them up into the air and then, poof, the new evolutions are shown. Google tells me they’re just called Agumon -Bond of Courage- and Gabumon -Bond of Friendship- respectively . . . they were not named in the movie. Here’s the thing: I don’t really care about digimon and evolutions. But it was so underwhelming; they really should’ve amped it up with an evolution sequence to be like HERE BE THESE NEW AWESOME FUCKING DIGIMON ‘bout to kick your arse. It seems like such a no-brainer that I really don’t know who would sign off on a evolution sequence not happening. Oh well. As for the designs? They are OK, but definitely could’ve been better. I think “cool AF” when I see Omegamon and all his forms. I don’t think that of these new evolutions lol. (But my sister liked them and thought they looked cool, so . . .)

Also . . . the fighting scenes in this movie were pretty bad. Very underwhelming. Our War Game and Diablomon Strikes Back did a lot better. I both like and dislike the animation style in Kizuna. I do actually like the art of it, like how it looks. But I kinda dislike how it’s actually animated, because it doesn’t really look like they’re moving fluidly enough. It’s a bit too choppy. I just expected the fighting/action scenes to be more exciting (I was hoping Our War Game-level) and of a higher standard. But they are not, unfortunately.

Everyone in the cinema audibly GASPED when Taichi and Yamato were just talking to Agumon and Gabumon after the final battle, and then they turned around and they . . . just . . . disappeared. And then Taichi and Yamato CRIED. SO. HARD. And I actually started repeating in my head, DO NOT CRY, DO NOT CRY, lol. I didn’t cry! Almost, though. :p I really loved this scene. And I really think, narratively, it would’ve worked A LOT better for the movie to end on this scene. The actual ending scene that comes after it felt a little too out of place and tacked on to me. More on that later.

There was a small smattering of applause at the end of the movie, lol. But I did not clap, because I find that weird. :p (Even though I clapped, alone in my house, when Parasite won Best Picture at the Oscars LOL.)

The ending credits showed different photos of the kids. Unfortunately, I . . . don’t really remember most of them. XD; I think I saw Sora arranging flowers? And maybe Daisuke and Ken having dinner? I definitely saw Iori doing kendo, because I thought it was cool. And the one photo I definitely remember for sure: Yamato standing in front of a space shuttle. I stan astronaut!Yamato so hard, you guys have no idea how happy it made me that he’s pursuing his dream omfg my little baby boy. XD;

This is definitely Taichi and Yamato’s movie. Everyone else is just playing supporting/cameo roles -- some more than others, as outlined way above. (Well, except Menoa I suppose . . . and Koushirou to the extent that he’s just needed to be the Digi IQ.) But if you’re NOT a fan of either Taichi or Yamato? I think, though you’ll probably love all the nostalgia bits, you’ll also be really disappointed -- especially considering this is supposed to be the final instalment of the original Adventure continuity. It’s a great “love letter” to Taichi and Yamato specifically, but not for the other characters, sadly.

I saw the movie with my sister (a non-fan who used to like it as a kid) and a friend (a casual fan now, but she used to like it a lot years ago). I’ll refer to them as “S”(ister) and “F”(riend), respectively.

After the movie ended:

S: “Did you cry? Because two guys beside me were literally sobbing. SOBBING.” *Judging.* (LMAO.)

What was our favourite part of the movie?

Top 3 scenes for me were Yamato storming off with his eyes watering when he realises his bond with Gabumon has an expiry; the brief “speech” Agumon and Gabumon give to Taichi and Yamato about wanting to see them grow up; and Taichi and Yamato crying at Agumon and Gabumon vanishing. EMO EMO EMO.

S: “Sora doing fuck-all.” (LMAO.) F: “Yeah! What was up with that? It’s like they forgot she even existed.” S: “Sora is just a cunt.” (Note: S has a dry sense of humour and isn’t really being malicious. BUT . . . I do think most viewers watching Kizuna would have a poor opinion of Sora in this movie . . .)

F: “I liked the 02 kids. I guess it was mostly Davis. And I liked when Veemon was riding on Armadillomon’s back and Wormmon was trailing behind. It was just this random thing but it was funny. Maybe I just like making fun of Wormmon.”

About the idea that growing up affects your bond with your digimon:

S: “What I took from it was that you shouldn’t grow up too fast. Cherish your childhood, cherish your memories. But, eventually, you do need to grow up.”

F: “I don’t understand how this whole “Digimon disappear when you grow up” thing wasn’t known. Weren’t there older people with Digimon before? You’d think they could have made a more specific threat that was just affecting their digimon, not be like, “Yeah this happens to everyone, it’s just a fact of life that we’ve never addressed before.” It felt a bit like they were telling the audience to grow up and get over Digimon.”

What would we rate the film?

I probably have to watch it again to give a definitive score, but at the moment, I give it about a 7/10. It was good, but not great. The last half was pretty great though -- it definitely started out slow (there was a lot of exposition via Menoa vomiting words). Is it better than tri.? Chapter 3: Confession, no. Confession is better, I think, but I also haven’t seen it in years. But the rest of tri.? Probably. Especially the pile of shit that was Chapter 6: Our Future. *cough*

S: “4/10.″ (LOL.)

F: “It was better than tri.. I guess a 7/10 too.”

Sequel?

I think it’s definitely a possibility. I feel like the very last scene of the movie was slapped on just to be like, “Well, if we don’t do a sequel, you know that Taichi and Yamato are definitely going to reunite with their partners eventually for the 02 epilogue to happen.” The scene is of Taichi and Yamato saying something along the lines of meeting Agumon and Gabumon again one day.

And while it’s an uplifting ending, I actually think the movie would’ve ended better with the scene before that -- with the digimon disappearing and Taichi and Yamato crying. It would’ve made a bigger emotional impact and raised the movie up just a notch higher to end on such a ballsy note. But, of course, it would’ve meant a sequel definitely had to happen. So the actual final scene was added on so that a sequel doesn’t need to be made -- but that it leads to the 02 epilogue “off-camera”, in case they really don’t do a sequel.

I think there’s a 50/50 chance of a sequel. The movie actually does close the Adventure story pretty well -- it has all the ingredients to lead to the 02 epilogue without actually taking you there. But it also keeps the possibility of a sequel open, where they can show you exactly how Taichi and Yamato reunite with their digimon.

And, honestly, the only “barrier” I see to a sequel happening is that the reboot is airing next month -- and it’ll be confusing for the next generation of kids to follow one continuity, and then have a movie released with characters they recognise, but in an entirely different continuity. Unless, of course, the sequel comes out in another two years and the reboot has finished after one season (though there’s always a possibility it goes on beyond one season).

S: “Yes, I think there’ll be a sequel.”

F: “It seemed quite final. But obviously if the 02 epilogue is accurate that can’t be the end. Unless Matt finds Gabumon again on the moon I guess. “Oh hey yeah we don’t really disappear, we just go to space!” Yeah, it could go either way. Maybe they are saving Sora’s big part for the sequel!” (XD)

And that’s a wrap! I’ll probably read the novelisation of the movie eventually . . . and it’ll probably be like 95% the same, lol.

#digimon #digimon adventure last evolution kizuna #digimon last evolution kizuna #digimon last evolution #digimon kizuna #review #spoilers #50% thirst #30% jokes #20% actual content #XD

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zoe-graham-photography · 3 years

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Moving Image Project: Research task/worksheet

Task #1 Research a selection of memorable adverts that have stuck with you since your childhood. • Describe what it is that you think makes these adverts so successful; • Study the way your chosen adverts have been shot and edited and the important role that sound and narration play in the production of these Ads.

https://www.youtube.com/watch?v=S2nBBMbjS8w

What makes this successful is that its not the ordinary advert of a person but with the polar bears it caters to a larger range of audience to the point its memorable for being a fun and easy to watch advert, unlike some adverts today were they are hard to watch and annoying to the fact the point is being forced in your face, this advert isn’t its easy going and memorable for giving the product but having a bit of fun along the way.

This advert is an animation but the way its been done is showing a variety of different viewpoints from wide views to close-up.

The music goes along with the tempo of the animation as well were at the beginning its nonchalant to when the polar bear is flailing around and falling it goes into a higher tempo to the end where it slows down again, showing the urgency that the bears were trying to catch the bottle to where everything was fine again.

https://www.youtube.com/watch?v=TnzFRV1LwIo

This advert is rather memorable because of the gorilla playing the drums was something that no one had expected from an advert for a chocolate bar, the thig that made this advert successful was the fact that it wasn’t the traditional advert and it was unexpected but funny and unique at the time.

This ad has a variety of different shots from extreme close-up to medium to wide shot al intermingling as it switches between a lot of different views editing in a way which flows perfectly together.

The music hit a spot with most people and the fact it was chosen for the drum section was perfect. The actual product doesn’t get shown in the advert proper at the start you have their iconic saying a glass and a half which tells you who the adverts for and the product doesn’t get shown till the end where the screen goes purple and the bar appears.

https://www.youtube.com/watch?v=JW0a70sPnNI

This advert for deluxe paint featured the iconic deluxe dog, this advert was funny and slightly relatable as at the start you see the product but the guy cant find anything to mix the paint and so we follow the dog on a journey to find something the guy can mix the paint with, it is almost like the dog multiplies as he is joined by several different dogs all carrying something different that he can mix with. I think this was mostly successful for the relatability of trying to find a tool to mix the paint also the dogs.

This ad has several different viewpoints medium close-up, Arial view, wide shots, panning, and a couple more.

The music going along with the dogs is very fast pace and shows that the dog is going as fast as possible to find things for the person to use. Also showing the ciaos that the dogs bring in while trying to find the objects, the music fades in as the dog starts running and fades to a stop as the dogs stop, sit and drop all the items that it found and then it starts over again at the end as the dog runs off again.

Task #2

Research a variety of Moving Image techniques: - Camera movements: panning, tilt, zoom, tracking, dolly, pull focus; Composition: a} Focal length, long / standard / wide; b} Viewpoint, high (birds eye), eye level, low (on ya hunkers); c} Action, identify what is moving in the frame (to aid the transition 'cut on a move')

Camera movement:

Panning – Panning is when the camera slowly pans from one section over to another like if you were to take a video of a room or wall to get it all in you would have to pan across itt to have everything in and still be able to see it properly. This usually takes place with the camera body being in a fixed position but moving the way it is facing horizontally.

Tilt – Tilt is when you move the camera vertically usually used when emphasising a point like the height of a building by looking up or the hight of a cliff by looking down. Again the camera body is usually fixed and its just the way the camera is facing that moves.

Zoom – Zoom is almost a transaction between viewpoints like going from a wide angle shot and zooming in to a mid-shot or close-up.

Tracking – Tracking is when the camera moves with the subject like takings a shot of someone moving through a room or shooting someone walking through a crowd. Tracking shot is the name used for when the camera moves through a scene these can be used to follow a moving subject or to simply show of a set/scene.

Dolly – Dolly is when the entire camera is fixed on a steady surface that can be moved around like a tripod on a track or a motorized vehicle, this allows for fluid movement of the camera like filming someone walking into a room from the front, this is similar to tracking, this method is used in sets and tv shows.

Pull focus – Pull focus is where the focus is shifted between two to three people or subjects to shift the viewers focus to these different areas of interest, this is done to refocus the audience to watch out for this object/subject and can often be used when the cinematographer wants the audience’s attention on different aspects within the action.

Composition:

Focal length:

Long – This type of focal length gives the photographer a close crop effect and can be useful for nature and close portraiture (without the need to be right in at your subject’s face).

Standard – This focal length gives the least amount of distortion and can be flattering to the subject at hand.

Wide – This focal length is best for landscape, interiors and when working in confined spaces, this focal lens can have distortion and in times where you don’t want distortion but want the wide angle you may need to edit.

Viewpoint:

High (birds’ eye) –

Birds’ eye = This view is shot directly above and overhead of the subject. This is often used to make the subject seem small and insignificant and can also be used to show a general view of the scene.

Hight view = This view/angle is not as extreme as birds’ eye, but it is high up at an angle to the subject this can be used for overall views of the scene while avoiding being overwhelming. This view is often used when showing the landscape and view of the land. E.g. when an intro is showing the city in a film or tv show this is the angle used.

Eye level – Eye level shot is basically how it sound it’s an angle of view of that and eye would see, these are a neutral view. These shots are more realistic in nature.

Low - Low angle/view supports the opposite effect of high angle/birds’ eye as this angle makes all actions and subjects appear taller or more powerful, this is often used when making someone look more intimidating or used when doing a point of view of a smaller character (like a child), this angle is also good for and overall scene if wanting to build suspense in the scene.

Action:

Identify what is moving in the frame (to aid the transition 'cut on a move') –

Often when switching between a mid-shot and a POV shot the actors eyes will move to where they will be looking or they will blink in which the POV will start blank as if they where just opening their eyes again.

Sometimes to transition between different scene you will get a pan that will fade into the other scene, or even you will follow a character/object/animal into a different scene #9ive seen one where you follow a dog into a different room and then it zooms out into a wide angle and the scene continues.

#movingimage #preproduction

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shirokodomo · 4 years

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STUDY : HAKUDOSHI

۝ BASICS

IS YOUR MUSE TALL / SHORT / AVERAGE? SHORT. Out of all the children presented in the Inuyasha series, Hakudoshi is probably one of the shortest characters I headcanon he is about 4′3″ / 130 cm which funny enough is also Rin’s non-official height. Even in verses where he grows up, I don’t see him being very tall, as an adult and comparing him to Naraku (who is officially stated to be 5′11″ / 181 cm) I would say Hakudoshi probably would probably barely reach Naraku’s shoulder. Using a height comparison that means as an adult he would be around 4′10″ / 148 cm.

ARE THEY OKAY WITH THEIR HEIGHT? No he is not, especially because many people often joke around with his height, he might not outright express it but he is very annoyed with those. That’s partially why Hakudoshi is quick to attack, because his height often makes him look quite harmless and while sometimes he may use it to his advantage most of the time he doesn’t as a way to show his position.

WHAT’S THEIR HAIR LIKE? His hair is always long, loose and down to the middle of his back, its color is white with a small tint of a rose color; during nighttime or in places with not so much light source his hair appears to gain a greyish purple tone (quite a contrast to his normal hair color). Hakudoshi has scraggly bangs framing his face. In the Modern Days Verse, his hair is much shorter but still scraggly and black in color.

DO THEY SPEND A LOT OF TIME ON THEIR HAIR / GROOMING? Not really. He is fine with how his hair looks, barely giving it a quick brush with his hand just to untangle some parts of it after waking up. In the rare times he actually ties it (only in situations were the hair would clearly get in the way), it’s placed in a low, fastened and messy ponytail tied with a white ribbon.

DOES YOUR MUSE CARE ABOUT THEIR APPEARANCE / WHAT OTHERS THINK? In general, Hakudoshi just cares the most about his clothes, his demand is that the outfit is made of fine fabric and preferably in white and despite him not minding getting his hands dirty in the jobs he can’t stand seeing blood on his clothes. He also doesn’t really care what others think of his appearance. In the Modern Days Verse, he cares a bit more about his appearance but that is only because of his family’s important status in the city.

۝ PREFERENCES

INDOORS OR OUTDOORS? Outdoors

RAIN OR SUNSHINE? He is fine with either but perhaps prefers the rainy days a bit more because his pale skin easily burns in the extremely hot days

FOREST OR BEACH? Forest

PRECIOUS METALS OR GEMS? Precious metals

FLOWERS OR PERFUMES? Neither, even though he doesn’t have a keen nose, both cause him to sneeze if he is around them for too long

PERSONALITY OR APPEARANCE? Personality

BEING ALONE OR BEING IN A CROWD? Alone

ORDER OR ANARCHY? Both. Depends on the situation and on his mood.

PAINFUL TRUTHS OR WHITE LIES? Both. Depends on how the situation may benefit him.

SCIENCE OR MAGIC? Magic

PEACE OR CONFLICT? Most of the time conflict but when it’s not about work, he does enjoy some peaceful and quite moments

NIGHT OR DAY? Both.

DUSK OR DAWN? Dawn

WARMTH OR COLD? Neither. He prefers the in between.

MANY ACQUAINTANCES OR A FEW CLOSE FRIENDS? Few close friends (though he doesn’t work much with the term friends).

READING OR PLAYING A GAME? Both. Though by playing a game, that usually involves playing with someone else’s life.

۝ QUESTIONNAIRE

WHAT ARE SOME OF YOUR MUSE’S BAD HABITS? Oh dear, where to start. Hakudoshi has the bad habit of being quite nasty, insensitive, cruel and manipulative especially to others he considers to be below himself (Kagura is a perfect example of that treatment). Though he changes quite a lot after his rebirth, before all that he is not friendly at all and does whatever he wants, how he wants and when he wants not caring about who he may hurt in process.

HAS YOUR MUSE LOST ANYONE CLOSE TO THEM? HOW HAS IT AFFECTED THEM? This question is more applicable to his AU verses.

In the Modern Days Verse, Hakudoshi lost his mother not physically but because of the divorce between his parents, his father used all the dirty methods he had to ensure his ex-wife wouldn’t get the custody of their son and even forbade Hakudoshi from seeing his mother ever again, keeping tabs on him through the several bodyguards he hired. Hakudoshi was already a quiet and reserved child before the divorce but he would smile and laugh especially if his mother was around, thus after the divorce and the custody situation, the smiles and laughs just outright ceased from existence, he became colder towards others, unfriendly, not easy to approach and stopped believing happiness is just a blatant lie people tell to each other and to themselves.

In the Demon Mage Verse (Fairy Tail AU), Hakudoshi was separated from his twin brother (Akago) after he hid him on a safe spot to prevent Akago from being captured by the Zeref following cult. In return, Hakudoshi was the one captured and taken to the Tower of Heaven as a slave to build it and once he escaped he made it his mission to find his brother no matter the cost. The situation itself didn’t affect much Hakudoshi’s personality but I would say he feels more lonely because his brother was the only one who truly understood him.

In the Midnight Fangs Verse, Hakudoshi lost his parents and younger brother at...his own hands. After being turned into a vampire, he wanted to quench his thirst no matter what and ended up slaughtering his whole family before snapping back to his senses. When he realized what he had done, he instantly regretted it but there was nothing he could do to save any of them; this made him become distant towards other people (mostly out of fear so to not hurt them) and seeking revenge by trying to find the one who had turned him into this hideous monster.

WHAT ARE SOME FOND MEMORIES YOUR MUSE HAS? Applies to several Canon Divergent and AU verses.

In the Wayward Divergence Verse, Hakudoshi eventually creates fond memories of his travels with Sesshomaru’s group, mostly with the interactions between himself, Rin and Jaken -especially if it included messing around with Jaken-, this was because while he still had the mission to defeat his creator, he was able to be the child he actually appears to be and not just a bloody warrior in the body of a child.

In the White Bell Verse, it’s almost the same as above but with Kikyo instead, for the first time in his whole -albeit short- life, Hakudoshi experiences how it is to be cared for, to be loved and to love in return, he feels all this towards the mother figure Kikyo becomes to him and doesn’t want to let go of that sensation. Hence why he is so promptly ready to do anything to keep her alive and out of Naraku’s reach.

In the Son of the Phoenix Verse, it’s almost a mixture between the two above, in this verse he has a big and loving family who love him for who he is not caring where he came from. He has a special adoration towards his mother, Mulan, who protects and soothes every fear out of him -especially when Naraku haunts his dreams- but is also fierce and trains him personally. Hakudoshi is trained to be the fierce warrior he was created to be but is also extremely loved.

In the Post Rebirth Verse, though he has now recovered all of his memories regarding who he used to be and what he used to do, Hakudoshi creates little by little fond memories whenever he has the chance to interact with Kohaku or any of the new generation (Moroha, Setsuna, Hisui), though he is awfully fierce with them whenever he is requested to come and help with the training and though he doesn’t show it on the outside, he actually has grown to care about them.

Last but not least, in the Modern Days Verse, most of Hakudoshi’s fond memories are with his mother as she was always a big influence on how he was shaped, had him been solely raised by his father he would have become quite difference but the care and love of his mother has made him into a more caring child even if that is often hidden after she was forced out of his life. Hakudoshi eventually uses this to slowly open up to other people, with whom he eventually becomes friends with.

IS IT EASY FOR YOUR MUSE TO KILL? Extremely easy, especially on his Main Verse, where he was basically created to be a ruthless killing machine. He has no qualms about slicing someone else’s throat open, the head or the throat is where he mostly aims for.

WHAT’S IT LIKE WHEN YOUR MUSE BREAKS DOWN? He rarely breaks down, in the canon world that would only be possible in verses where he drifts away from Naraku or after his rebirth. When that does happen, he prefers to be completely alone, he kicks stuff around, rarely punches and doesn’t scream. Then he just curls in a corner, hides his face from others and doesn’t speak for a long time. All in all he tries to keep the appearance of a tough demon despite his childish look but even the toughest demons break down eventually.

IS YOUR MUSE CAPABLE OF TRUSTING SOMEONE WITH THEIR LIFE? In the canon world, no, that won’t ever happen. Perhaps bend a little the rule after his rebirth and making an exception for Kohaku, whom he owns his life after those events, but as of something general no.

In Canon Divergent verses, I would say that only applies to his parent figures (Sesshomaru, Kikyo, Mulan).

WHAT’S YOUR MUSE LIKE WHEN THEY’RE IN LOVE? Hakudoshi doesn’t know how to express love, it’s just hard for him given his origins. I would say he would only falls in love with someone he is extremely close to and even then he won’t outright admit he is in love, he admits he cares about them but won’t say out loud that he loves them unless in private.

In public, it would be small and quiet shows of affection and not for everyone to see: a small brush on the significant other’s cheek, a soft smile, a quiet and quick hold of hands and deep look in the eyes. In short, when he loves someone he actually loves them but isn’t very open or obvious about it, if someone on the outside were to notice they would probably only know if they saw him and the significant other together all the time and if they saw him smile at the person in question.

Tagged by: @adversitybloomed (ty!!)

Tagging: @slaheir | @slayerled | @senpujin | @withagentleheart & whoever else wants to do this!!

#dash games #About Muse #About Hakudoshi #[headcanon]

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kinetic-elaboration · 3 years

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December 10: Endings

The posts that have been going around about all these bad, nonsensical, random tv endings we’ve been seeing recently (GOT, T100, SPN), have made me think about what makes a good television ending in my opinion.

I admit that concluding a series is probably quite tricky because most shows, if they’re not miniseries, are conceived without a known end point in mind. A show runner can build an idea around a 5-season arc, but he might not actually get 5 seasons. He might only get 1. Or he might get 10, if the show is popular. So unlike a movie or a novel, the first episodes need to set up a general premise, a universe, a theme, but not necessarily a specific plot with X number of specific plot points leading to a pre-ordained conclusion. There has to be a flexibility to the narrative. But when the whole thing is completed, it should feel, ideally, as if it WAS pre-ordained, as if the show was always meant to have as many seasons as it got and was working toward its conclusion the whole time.

So, roughly, I think shows that stick the landing do so because the showrunner knows what the show is, at its core, about, and crafts a finale that relates to the central theme(s) and brings the main narrative to a logical and emotionally resonant conclusion.

This is very rough and very general, and it’s a formula that applies more to some shows than others. TV is incredibly varied after all. I mean, first off, not all shows know their last season is their last season going in. You can’t judge the final episodes of, to use two examples of shows I liked that were unceremoniously axed recently, The Society or Altered Carbon as “finale episodes” because they were never meant to be finales. Then you have a show like My So-Called Life, which does have a Classic ending, despite ending all too soon--mostly because every episode of that show was classic, and it only had one season, so its season finale being a fitting ending to the season automatically means its series finale was a fitting ending to the series.

(It’s such an outlier that I can’t really compare it to anything but honestly--this is how to do an open-ended cliffhanger and still make it feel like a conclusion. But that’s a whole different post.)

My formula above also doesn’t apply well to sitcoms, because they aren’t really about anything, in terms of plot. Like the name says, they set up situations: a group of people who are family, co-workers, friends, and then lets those situations play out in a funny manner for as long as there are jokes to tell. Sitcoms to me end well if they don’t overstay their welcome, if they remain true to the characters (because it’s the characters, not the minimal narrative, that defines the show), and if they hit an appropriate ‘ending’ tone. But the biggest thing for me is if the sitcom went on for too many seasons. Even if the final episode isn’t the greatest, it’s fine. But if the last 2-4 seasons were lackluster, it tarnishes the whole legacy.

‘Procedural’ type shows are yet another category, and I’m not entirely sure how to characterize those, or what makes a strong ending for that sub-genre. I’m using ‘procedural’ broadly to include, like, Bad Guy of the Week type shows--for example, Charmed, which I thought should have ended after S7. Again, I think it’s about not letting the whole thing go on too long, and then staying true to characters and tone in the finale itself.

So looking just at dramas that have a season’s warning before their finale--which, really, are the type of shows that are most likely to make people ANGRY with shitty endings, because they lure the viewer in with the idea that a singular, coherent story is being told. Maybe it’s convoluted. Maybe it’s winding. Maybe it’s hard to tell where they’re going with this. But if it all comes together in the end, none of that matters--and if it doesn’t come together, what was the point of all the seasons that came before? It becomes, retroactively, a betrayal.

The more plot-driven the show (if it has a mystery, a conspiracy theory, a quest), the greater the betrayal if all fizzles out. But I think the same feeling can arise from shoddy conclusions in dramas more generally. The L Word is one of my comfort shows but that last season is a MESS all the way down, the finale especially. There definitely wasn’t a point to anything, and it wasn’t even entertaining as, like, a dramatic soap.

But then I think about shows whose endings I really liked. For example, Six Feet Under had a great final season and one of the best finale episodes/ending sequences ever. The show up to that point had been about death, and that theme had always been centered most particularly on Nate: his fears of the family business, his previous brushes with death because of his AVM, etc. So of course the show had to end by killing one of its mains, coming full circle with the pilot, showing real grief hitting home--and of course Nate’s personal journey as the main character had to end with his death. Everything about the conclusion was fitting, not even counting the final montage.

I also really liked the conclusion of Big Love, for similar reasons: it was thoughtful, and it successfully teased out the main strands, both of plot and theme, that had run through the show up to that point. The most important thing had always been depicting this family, their problems but also their strength and their love for each other--so, as the showrunners said, it had to conclude by showing you that the family survives. They are strong, and their bonds endure. But the ending was, and had to be, bittersweet too, because anything less would seem to sweep under the rug the real tragedies of the last seasons. Not everyone gets happy endings. And the unhappy endings relate specifically to the toxic patriarchy that’s haunted all of the characters from the pilot. Alby has a chance to turn away from his father and the compound life--but the forces arrayed against him were too strong, so there was no deus ex machina for him, and he ultimately just became fully the evil villain. And Bill is taken out not by the state or by the compound but by an aggrieved man who feels he’s been emasculated, forgotten, who is raging against being so Unseen. What a way to make clear what the common denominator in all of the threats of the past 5 seasons has been.

I also give major points to shows whose finales feel like they’re trying, even if they’re imperfect, especially if the imperfections are because of factors outside the showrunner’s control. For example, I saw someone list Dollhouse as one of their ‘worst endings’ but I have to disagree. I like the ending of Dollhouse. It wasn’t supposed to be 2 seasons. That’s well known. But that’s how many seasons it got, and I think honestly they turned that into a plus rather than a minus. Dollhouse was its best when it was rushing to a conclusion, when it was fast-paced and exciting. Did it always make complete sense? No. Were there some pretty big holes in the plot? Yeah--S2′s Big Bad was absolutely and transparently a retcon instituted between S1 and S2 and I get that, and I forgive the show for that. I thought bifurcating the epilogue as two extra episodes after each of the two seasons was genius, and I liked that it allowed the show to have its cake and eat it too: a happy ending, with the main, immediate, singular Big Bad eliminated, at the end of S2, and a more bittersweet, more complicated, post-apoc ending in the bonus episode. Yeah, I can see the seams; I know there were a lot of constructed work arounds in there because the show was intended to be longer. I think the ending was presented in good faith.

I also, perhaps controversially, liked the ending of Veronica Mars (the original 3-season show; I didn’t see the reboot). The way the season aired was weird and didn’t do it any favors: having a long break before the last couple of episodes, which existed outside of the two Big Case arcs of S3, makes those final stories feel tacked on and random. Basically impossible to have a strong finish with that kind of structure. But the very end of the last ep had the bitter, dark feel of a noir, which is what the show was, a mash up of a noir and a high school drama. I liked that they leaned on the noir rather than the high school aspect, because it was the more creative way to go imo. Also, I appreciated that S3, in general, learned from S2′s mistakes. Yes, the college years are always going to be lackluster compared to high school, in any series that starts with its characters in high school. But VM recognized that no overarching mystery was going to compare to the Lilly Kane murder, so it split the Big Mystery into two Medium Sized mysteries, and I thought that was smart. All of which makes me inclined to think fondly of the conclusion. As with Dollhouse, its weakest points seem to be compromises it had to make, not really its fault but just an inevitable imperfection of the form.

It’s pretty easy to list aspects of a bad ending: a sense that events are arbitrary, a disrespect of characters, a rushed construction, a jarring tone, and most importantly a disconnect between the finale and what came before. If the show appeared to be a narrative (as opposed to a situation), but it doesn’t feel like a complete and coherent whole at the end, then the conclusion was bad.

I didn’t watch GOT or SPN and I stopped watching T100 at the end of S4 (though I do feel confident from tumblr that the ending was Bad), so I have somewhat of a hard time thinking of shows that I thought had really bad endings. I can think of dissatisfying endings that came from shows being cancelled without warning. I can think of shows that lasted too long in general or otherwise had fallen from their greatest heights by the time they limped to a conclusion (unpopular opinion: Friends fits in this category--that show should have been 4 seasons, maybe 5 tops; Boy Meets World and Dawson’s Creek are comfort show favorites of mine but they both should have ended with high school, like, pretty objectively speaking; iZombie started a slow downturn after S2 and by the end of S4 was kinda unwatchable. I literally stopped halfway through the finale.). I can even think of shows that lost me by the end even though objectively they probably had good endings (for example, Crazy Ex-Girlfriend--I couldn’t get through S4 and the finale sounded... technically well-constructed but like it would have driven me nuts).

But then I guess most shows with shitty finales technically had shitty last seasons in general. Truly notorious crash-and-burns don’t come out of nowhere. I mean I’m sure there are counter-examples to this (what’s that one with the kid and the snow globe lol?) but unless you try for a weird last-minute twist, or unless you’ve got your audience hoping against hope that an impossibly twisty story is actually very smart instead of very ill-planned, it’s generally clear before the last episode if a narrative has lost its way. I don’t tend to watch a lot of ‘twisty-turny conspiracy’ shows, and when I do I am supremely skeptical all the way through, so it’s hard for me to think of examples I’ve personally watched of a last minute “what the fuck was that” conclusion.

#the year 2020 #2020: fandom thoughts #the entire purpose of this ramble is for me to avoid introspection rn because i'm in such a bad mood

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wadey-wilson · 5 years

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CHARACTER CHEAT SHEET: PETER PARKER / SPIDER-MAN

Peter Parker’s abilities, traits, and history can be complicated, so I gathered up all I know from comics and all the website I’ve visited in my life, revisited them, and put them together. I hope that the Marvel fanfictions writers will find this useful, especially that more and more Spider-Man fanfics are written nowadays.

[fun fact about the hyphen between ‘Spider’ and ‘Man’ - the creators of the character used it to differ Spider-Man from Superman.]

Full name: Peter Benjamin Parker

Spider-Man aliases: Spidey, Webhead, Webs, Web-Slinger, Wallcrawler/ Wall-crawler

Date of birth: - comics: Peter is a Libra, making his birthday sometime between September 23rd and October 22nd. - MCU: August 10th, 2001

Characteristics: - gender: male - current height (age 28): 5' 10" / teenage years height: 5' 5" - current weight (age 28): 167 lbs (76 kg) / teenage years weight: 140 lbs (64 kg) - eyes: hazel - hair: brown

Family: - Richard Parker, Mary Parker (parents, killed in a plane crash, spies) - Benjamin Parker (uncle, killed by a thief) - May Parker (aunt); (- Teresa Parker (sister) ) (- William Fitzpatrick (maternal grandfather, killed) )

Address: - grew up on: 20 Ingram Street, Forest Hills, Queens - currently living in: Queens

Core personality traits: - loner - neurotic (anxiety, fear, jealously, loneliness, worry, envy, frustration) - funny and witty, yet respectful (uses humor as defense/coping mechanism and to distract an opponent) - strong willed, brave - nerdy/geeky - shy, socially awkward - caring, loyal, kind, trusting, considerate - always worried, cautious, hopeful

Intelligence: - he graduated Midtown high with the highest scholastic average in the school's history - Octavius stated that Peter's “smarter than all of them” - Peter’s more intelligent than anyone he knows and he doesn't understand why Peter doesn't use all of his intellect - Peter's IQ is 250, making his position in the Highest IQ Ranks of Marvel characters in the top 5 (it's a made up universe, ok)

Equipment:

Costume: - in the early days after the spider bite when peter was making money via wrestling, peter made a costume because a TV producer told him it would sell as an act along with the wrestling - he created a mask to avoid the embarrassment if he lost a match, later it served him to protect his identity and hide his fear during fights

Utility Belt: - a utility belt holding extra clips of webbing (later: Spider-Tracers, Spider-Signal), placed on his waist under the suit (- recently upgraded to hold cartridges of different types of webbing, freeze capsules, new Spider-Tracers as well as a newly upgraded Spider-Signal that has a UV light setting for forensic analysis.) (- in the MCU, the belt was changed into clips on the hip height of the suit)

Web-shooters: - he first created the web-shooters so they can give him the advantage over pro-wrestlers - they're made of materials that don't trip metal detector alarms (the material changes as the comics go, it's plastic, carbon fiber, and so on) - they're pressure sensitive - work only when peter taps on them twice very quickly with his middle and ring finger. the pressure, though, is really big, given the super strength. in that way, the web-shooters don't go off in a fight or when he shakes someone's hand. it also means that an average human wouldn't be able to use them, given that they need a certain degree of pressure put on the trigger. - over the years Peter's learned to use the web-shooters in more ways than just shooting single strings - he can make a parachute, web up a cast for a broken arm, a shield, and more and more variations he needs at the moment - from marvel.com: “the webbing [is a shear-thinning liquid (virtually solid until a shearing force is applied to it, rendering it fluid) whose exact formula is as yet unknown, but is related to nylon. On contact with air, the long-chain polymer knits and forms an extremely tough, flexible fiber with extraordinary adhesive properties. The web fluid's adhesive quality diminishes rapidly with exposure to air. (Where it does not make contact with air, such as the attachment disk of the web-shooter, it remains very adhesive.) After about one to two hours, certain imbibed esters cause the solid form of the web fluid to dissolve into a powder. Because the fluid almost instantly sublimates from solid to liquid when under shear pressure, and is not adhesive in its anaerobic liquid/solid phase transition point, there is no clogging of the web-shooter's parts."

Superpowers:

[fun fact no2: he's holding back in every fight and on daily basis - both in the intellect and physical departments.]

Mutations: - he's got harder bones and tougher skin, hard for a syringe to pin through - his organs' tissue is most probably stronger to not get squashed under the pressure of impact forces (such as g-forces while he's swinging)

Strength: - he can bench press up to 10 tons but it was stated that it’s the average strength he uses - he's holding back a lot (supporting the weight of the Daily Bugle building, landing a private jet with a landing weight between 175,000-215,000 pounds, breaking through Iron Man's armor, even breaking through eight of Doctor Octopus' carbonadium tentacles, lifting a large pile of iron-debris equivalent to the weight of a locomotive approximately 130 tons) - he can jump to a height of several stories in a single bound - he’s strong enough to knock out people with normal durability with as little as a tap to the head - he can throw a human sized and weight object across, like, New York

Speed, agility, reflexes: - his perfect sense of balance is complemented by the generally elastic nature of his body - he can adjust his position by instinct, which enables him to balance himself on virtually any object - he can outrun moving cars - according to the comics, he can run 70-115mph - it was stated that he can go around 120 mph when swinging the fastest he can - he's agile and quick enough that in a combat fight the foe can only see a blur, dodging attacks and bullets the second they’re put in motion - according to the official bios, his heightened reflexes are about 40 times better than the ones of an average human (with the help of spider-sense, he can dodge a bullet before it’s even shot)

Spider-sense: ( a form of unconscious precognition / extra-sensory perception tuned to danger or threats that might cause him physical or mental injury) - it can make Peter feel off when his loved ones are in danger - it can differ a loved one/a very close friend and a foe (best example: Aunt May once sneaked up on Spider-Man and smashed a vase on his head) - it can help Peter navigate in the dark - it’s a bit off and overwhelmed and Peter doesn’t react to it right when he’s very tired or distracted or when there's too much danger around (like in a big fights with many opponents and weapons) - when it goes off and “buzzes” without imminent and instant danger, Peter may think it’s just gone a bit bonkers, therefore he doesn’t react it much. - it helps with instinctive shooting webs at places that won’t crumble under Peter’s weight - it reduces stuff like the need to look sideways when crossing the street or the need to cover up 100% when Peter changes in an alleyway - Peter was banned from playing poker with F4 because the spider-sense helps him detect when someone is bluffing - sometimes it takes control over peter when there has to be less thinking and more reacting done in a fight - it can hurt peter when it's triggered hard enough

Healing factor: - he can heal from bullet wounds, concussions, broken or sprained bones, and third-degree burns in a matter of days - his body produces less fatigue toxins than ordinary humans which allows him to exert himself for days - he can go a couple of days with no sleep; - he's got a weirdly high tolerance to radiation - he can hold his breath for eight minutes or more

Metabolism: - he’s got a bottomless belly - high metabolism means he needs more food to function, but then again he can go without food because of the healing factor - he can even shrug off some toxins - the toxin resistance makes it harder for someone to knock him out with toxins (such as drugs, for example)

Enhanced senses: - he’s got enhanced sight, hearing, smell, touch, and taste - they can be as much of help as of a nightmare. each of his senses was enhanced which means he can hear his neighbors as they roll over in their bed, but going to a concert isn't that fun

Wall-crawling: - according to Spider-Man Vol 1 #26 it’s a mutagenic, cerebellum-wide alteration of his engrams resulting in the ability to mentally control the flux of inter-atomic attraction (electrostatic force) between molecular boundary layers - which basically means electrostatic attraction between Peter’s skin and a solid surface - it’s mentally controlled

Quotes/mottos:

“That's not why you do it. You do it 'cause it's the right thing to do. [...] Now it's my turn. [...] I'm going to give it my all. [...] I'll never quit.”

“With great there must also come great responsibility.”

“Life sucks sometimes... but it's always worth living.“

“Everyone can be saved.”

Other:

- the Spider-Man mask supposedly muffles and changes Peter’s voice enough to be unrecognizable - Peter’s a NY Mets fan - Peter’s witty personality works on every hero’s nerve except for Deadpool (Wolverine one stated that being in company of one of these two is a nightmare, and being in company of both of them is one of the worst things he’s gone through) and Tony - the adhesive skin allows Peter’s mask to stick to his face in case someone tried to pull the mask off - he’s a skilled photographer.

#writing #marvel writing #peter parker #character #writer cheat sheet #spider-man #heywriters #writeblr #fanfiction writing

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babyybitchhh · 4 years

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Shikamaru or Senku?

Damn, anon. You really just came for my throat like that. I don’t know what I’ve done to hurt you but, from the bottom of my heart, I apologize. I swear it won’t happen again. 🤧

Okay, okay. All jokes aside. This is a real toughie and I’m gonna have to reveal just how much of a dumb bitch I really am to explain my answer. Yes, I fall back on the zodiac to fill in any gaps in characterization and determine just how compatible I actually am with fictional men. Sue me. As per usual, this post got a bit away from me so if you want to skip down to the TL;DR for my final answer, please do. I encourage it, actually. lol

Ishigami Senkuu

January 4th - Capricorn

Strengths: leadership, responsible, disciplined, self-control, good managers

Weaknesses: lack of compassion, know-it-all, unforgiving, condescending, expecting the worst

“Capricorn is a sign that represents time and responsibility, and its representatives are traditional and often very serious by nature. These individuals possess an inner state of independence that enables significant progress both in their personal and professional lives. They are masters of self control and have the ability to lead the way, make solid and realistic plans, and manage many people who work for them at any time. They will learn from their mistakes and get to the top based solely on their experience or expertise.”

“Known for their rational approach to life and their emotions are often well hidden from plain view. Not only is it imperative for them to stick to the realm of absolute intimacy to open their heart for someone but they are often not fully aware of their feelings before hardships occur. This will put pressure on their love life as they have to make a strict and specific equation out of everything, distancing them from carefree and smiling partners who wish to have fun in a relationship.”

“There is nothing easy in the love life of these individuals but they will not see this as the end of the world. They have enough passion and warmth carried within and if mutual respect is found and strong boundaries respected both ways, they will be prepared to let someone into their world and protect them with their shield.”

“As an earth sign, Capricorn has a powerful and instinctive sensuality which expresses itself in a straightforward and natural way without the need for props, frills or adornment. Is it somewhat bereft of romance? Well maybe, but what Capricorn lacks in the way of sentimentality, it more than makes up for in terms of responsibility and discretion ... once it overcomes its initial reserve and caution, it can usually be relied upon to give full satisfaction, no matter how long it takes. As with most other things in its life, Capricorn prefers to take its time over its lovemaking, and its highly developed self-control gives it the stamina to stay the course.”

Nara Shikamaru

September 22 - Virgo

Strengths: pure emotion, loyal, analytical, kind, hardworking, practical

Weaknesses: sensitive to toxic environments, shyness, worry, overly critical of self and others, all work and no play

“Virgo’s are always paying attention to the smallest details and their deep sense of humanity makes them one of the most careful of the zodiac. Their methodical approach to life ensures that nothing is left to chance and although they are often tender, their heart might be closed for the outer world. This is a sign often misunderstood, not because they lack the ability to express but because they won’t accept their feelings as valid, true or even relevant when opposed to reason.”

“Feelings of love and life may be a bit like ocean waves that move with the current. With so much water flowing through their primal nature, their rational mind will easily fade around those that touch their heart. This makes them vulnerable to all sorts of betrayals and wrong compromises along the way. They need to be stable and firm in understanding and deciphering their own feelings before anyone else’s or they might lower their guard too far down.”

“They need a partner who is as fragile as they are but also someone who is aware of the strength of their emotional world.”

“ Many Virgos aren’t particularly comfortable with demonstrative displays of emotion or dramatic, over-the-top outbursts. Normally quite shy by nature, they prefer to express their affection in tangible, down-to-earth ways: love for them is about actions, not just empty words. Big worriers who don’t find it easy to show their feelings, Virgos are prone to internalizing their anxieties about their physical desirability – frequently making themselves ill in the process – and can often be a bit uptight around sex. To balance this, they need lots of reassurance that they’re actually perfectly okay!”

Now ... y’all can correct me if I’m wrong, but that all sounds pretty spot on to me. Like, it’s accurate. I’ve mentioned this a few times when replying to comments on my Dr Stone fics, but I really enjoy how nuanced Senkuu is because there’s a lot going on under the surface of his cool facade. He’s very task-oriented and objective about what needs to be done, but he’s also extremely sympathetic towards others even if he tries to play it off. It seems hard for him to be honest about his feelings because, frankly, they’re not rational enough for his liking, so he tries to find ways to justify them. On the flip side, Shikamaru is a little similar with his cool, objective-oriented outer shell but he’s conversely quite sensitive. Like, hella sensitive. That boy is not anywhere near as tough or impenetrable as he acts and I do think at least part of that is a defense mechanism of some sort to shield his heart, even before Asuma died but especially afterward. They’re both tough to penetrate emotionally and they guard their true feelings so well that it actually does manage to fool people. I mean both the characters around them and also the fans watching at home. So at this point, there doesn’t seem to be a conclusive winner and it should come down to a simple matter of preference, right?

Well, let’s see what the stars have to say about throwing a Leo into the mix.

Capricorn + Leo

“... have one thing in common and it’s their awareness of self. It will be a rare occasion when Leo is attracted to Capricorn but the other way around seems more probable.”

“Both are extremely devoted, especially to each other. Although they may seem to be an unlikely couple on the surface, their love will grow as they discover similarities.”

“Like Barbie and Ken, you’re a good looking pair ... your shared love of achievement and impressive ambition sends power couple fantasies running through your heads. If you’re out to conquer the same goal, your combined skills make you quite an awesome force to behold.”

“The physical intimacy between a Leo and a Capricorn is where this mismatched couple can come together. Leo is hot, physical, feminine, [and] enjoys giving pleasure. In a day to day life, Capricorn is reserved and proper but when it comes to sex, he wants it wild, woolly, rough and tumble. Lucky for him, Leo has a similar sexual appetite. It’s in bed where Leo has the power to make customarily reserved Capricorn throw caution to the wind and become a bit crazy in love.”

“What you’ve got here is one sign with a forensic eye for detail and another who paints with an incredibly broad brushstroke. The possibility of driving each other crazy is real.”

“Capricorn is more likely to be attracted to Leo than the other way around - they’ll watch the lion prance, preform and captivate with their personality and either instantly dislike or feel uncomfortably drawn to them.”

The good: both seek success, Capricorn teaches Leo patience, Leo teaches Capricorn passion

The bad: Leo thinks Capricorn is a cold fish, Capricorn thinks Leo is a show off, it all gets too hard to compromise

Virgo + Leo

“Their rationality might turn into an intellectual battle for sexual dominance, that is, if they ever reach the point in which they both want to have sex with each other.”

“Leo shows Virgo good times and fun, and introduces the spontaneity that is often missing from Virgo’s life. Virgo teaches Leo patience and focuses their intellectual energy.”

“Leo plays cheerleader to pessimistic Virgo while levelheaded Virgo steps into the therapists role, mirroring Leo’s angst until a breakthrough is reached. This is a safe emotional harbor for both of you.”

“Virgo and Leo see their time together in bed as a celebration of their love and commitment. Both are hopeless romantics so there will be plenty of physical foreplay, including morning kisses, long evening embraces, candles, flowers, and massages. A creative and open minded Leo is always willing to try something new and Virgo, who is no prude either, will be a willing follower. Together these two can reach sexual heights they’ve never experienced before.”

“A comedy of errors ...Leo and Virgo are forever working through misunderstandings and mending communication fences. Often it’s as if they speak different languages.”

“Leo pounces and Virgo, invariably, plays hard to get, rebuffing the lion and appearing completely underwhelmed by their charms. This of course drives Leo into a frenzy of heightened passion - they pull out their A game and deliver super hot maneuvers. The funny thing is that such scenarios are usually Virgo devised and orchestrated. They’ve probably observed the flamboyant lion in action - noted that everyone submits to their charisma and decided to go in the opposite direction. If played correctly Leo becomes a lovesick pussy cat ...”

“Virgo is a bit of a tease - for much of the “falling in Love” phase they love-starve Leo who shamelessly begs for morsels of affection. It actually makes the attraction between them electric.”

The good: Virgo teaches Leo patience, Leo teaches Virgo to have fun, they are fascinated by each other

The bad: messy Leo drives neat freak Virgo crazy, negative Virgo brings Leo down, poor communication abounds

So ... what did we take from all that? Well, first of all, both of them are apparently going to teach me patience which I admit I sorely need. Conversely, I’d bring passion, fun and spontaneity to their lives. On one hand, Senkuu seems like he’d be much more drawn to me than Shikamaru because even though I do stay drinking my dumb bitch juice, we have similar driving forces in our lives and I’m not a complete idiot. I love science, especially when it comes to learning about space and how the world works, just not the mathematical portion. That part can eat my ass tbh. On the other hand though, if Shikamaru and I could sort of find a common ground to stand on it sounds like it would be a very healthy relationship for the both of us which I need so badly it’s kind of not funny. Like, I’m self-aware enough to realize what I need out of a hypothetical relationship and it (unfortunately) is the kind of emotional connection that facilitates healing and growth rather than stagnation. I don’t think either of them would just sit there and watch me flounder in my angst, as one of those quotes put it, but everything is pointing at Shikamaru being much more well equipped to tackle the problem while simultaneously needing the same in return, which I would be more than happy to give him.

TL;DR: I actually cannot pick between them. I just can’t do it. I love them both for strangely similar but also drastically different reasons and, objectively, I can’t say I like one more than the other. Both give me soft, doki doki feelings that I don’t know what to do with and even after thinking on it for about two hours, I’m incapable of saying with definitive certainty that I like one more. So all I can go off of is what the zodiac has to say about our compatibility which is pointing at both potential relationships being rocky with their ups and downs, but Shikamaru being the more sensitive of the two comes out the winner in the end. That’s not to say I wouldn’t work with Senkuu to truly become the power couple we both secretly crave, but I know my emotions can get away from me at times and it seems to me that Shikamaru would be a smidge more understanding in that department.

I realize this definitely isn’t the answer you were expecting, anon, and I absolutely considered scrapping this whole post more than once. lol But I didn’t want to shrug off the question just because I couldn’t decide which of them I liked more. Anyway, for the sake of posterity, here’s what the zodiac has to say about me for comparison.

August 7th - Leo

Strengths: Energetic, creative, passionate, generous, warm-hearted, cheerful, humorous

Weaknesses: Hasty, arrogant, stubborn, self-centered, lazy, inflexible

“Love is the focus point of these individuals, and while their intellectual and instinctive sides are the first ones to show, we will see that they seek someone equal, to share their inner states with. They need a lot of support and a calm partner that soothes their Soul, someone quiet enough and intimate enough to feel safe with. Easy to detach from reality and our planet Earth, their relationships either speak of the unseen and the impossible or present a safe haven where their bodies can rest, and their routine can be brought to balance.”

“Open for new things and often ready to openly show their sexuality, they need a fine touch of love they are worthy of in this lifetime. Romance can be obstructed by their need to prove a point or become the image of something they admire, but as they get closer to their inner truth and become aware of their talents and potentials, they invite the right partner to be within a strangely peaceful union. Although they sometimes stand opposed to marriage and structures and forms that put any relationship in a drawer, they will gladly commit to the right person by their side, in all those surprising and unusual ways.”

“This Fire sign is passionate and sincere and its representatives show their feelings with ease and clarity. When in love, they are fun, loyal, respectful and very generous towards their loved one. They will take the role of a leader in any relationship, and strongly rely on their need for independence and initiative. This can be tiring for their partner at times, especially if they start imposing their will and organizing things that aren't theirs to organize in the first place. Each Leo needs a partner who is self-aware, reasonable and on the same intellectual level as them. Their partner also has to feel free to express and fight for themselves, or too much light from their Leo's Sun might burn their own personality down.”

“Sex life of each Leo is an adventure, fun and very energetic. This is someone who has a clear understanding of boundaries between sex and love, but might fail to see how important intimacy and emotional connection is to the quality of their sex life. Every Leo needs a partner to fight through their awareness and reach their sensitive, subconscious core, in order to find true satisfaction in a meaningful relationship.”

(Spoiler alert: this is all true, except the part about taking on the role of leader in relationships. I genuinely love being dominated in bed, but only if I deem my partner worthy or adequate enough to get the job done. Other than that though, I can’t say any part of this is horribly incorrect. Oops. : / )

#inane rambling #naruto #dr stone

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lyllyan-weiss · 5 years

Text

LONG Character Survey: Lyllyan Weiss

BASICS.

FULL NAME: Lyllyan Aster Weiss

NICKNAME: Lyl, Lily, Lil' Lily.

AGE: 21

BIRTHDAY: 11th Sun of the 6th Astral Moon (November 10th)

ETHNIC GROUP: Auri|Xaela (In Eorzea)/ Human (Out of World)

NATIONALITY: Eorzean (In Eorzea)/American (Out of World)

LANGUAGES: Eorzean, Draconic, basically anything due to the echo.

SEXUAL ORIENTATION: She is Bi. Swings both ways. She loves all.

ROMANTIC ORIENTATION: Biromantic

RELATIONSHIP STATUS: Depending on the different routes on the story, she will be either single or taken.

CLASS: Jack-of-all-trades

•Knows everything and knows how to play everything.

• Favors caster classes above everything else.

HOMETOWN / AREA: N/A

CURRENT HOMETOWN / AREA: Shirogane is where her apartment is, but she sees Ishgard as her home that she spends her time in, and then the Crystarium had became home to her as well.

PROFESSION: Scion, Adventurer, Full time hero in both her world and Eorzea. In her world she is a waitress and an artist/animator.

PHYSICAL.

HAIR: Right now it is Brown with Light brown Highlights

EYES: Purple (Right), Green (Left)

NOSE: Small and Sharp

LIPS: Small and full

COMPLEXION: Pale but fair.

BLEMISHES: None.

SCARS: In Eorzea, her scars are battle scars that is more aligned on her back. They do not show up when she is in her world.

TATOOS: The Scion Tatoo on the part where the neck and back meet.

HEIGHT: 5'0

WEIGHT: 130lb (Eorzea)/ 150lb (Her World)

BUILD: Short, Thin and fit.

FEATURES: None really.

ALLERGIES: Rolanberries in Eorzea, Strawberries in her world.

USUAL HAIRSTYLE: Long hair with a half braid in the back in Eorzea. In her world she has short hair that stops in the middle of her neck.

USUAL FACE LOOK: Warm color Eye shadow applied lightly to the eyes and a very nude color for lipstick in Eorzea. In her world, she hardly puts make up on, but usually has dark circles due to being tired all the time.

USUAL CLOTHING: Depending on her mood, she'll go very modest, or wearing a bikini with thigh boots. In her world, she is always modest with usually a t-shirt and sweats.

PSYCHOLOGY.

FEARS: Bugs (Mainly Arachnids, spiders are the worst.) Antilions that hide in the sands. Losing her love ones. Becoming Sin Eater. Being alone. Falling.

ASPIRATIONS: Explore all of the worlds she could go to, but also to make animations that can change the world.

POSITIVE TRAITS: Stubborn, happy go lucky, Compassionate, tries to take care of everyone, protective, loving, friendly, trusting.

NEGATIVE TRAITS: Stubborn enough to push past her limits, usually getting her hurt. She so selfless that she tends to forget about taking care of herself. She can be too trusting of others that she often gets hurt in the end. She usually bottles her problems with the worry of being a burden to others. Very emotional driven (Just ask Ser Zephirin).

ZODIAC: Scorpio.

TEMPERAMENT: Artistic and Motherly

SOUL TYPE(S): The Priest, The Artisan, The Server.

ANIMALS: Cat

VICE HABIT(S): From the definition that I read, her faults are that she feels like anything bad that happens to her or her friends are her fault, and that she sometimes Envy others. But her hobbies that she enjoys are reading, triple triad, drawing, and writing.

FAITH: The Twelve. Even in her world she believes in the Twelve.

GHOSTS?: Definitely

AFTERLIFE?: I hope there is one.

REINCARNATION?: Well so far that we know, reincarnation is a thing, right?

ALIENS?: I doubt the world was made for one type of civilization, plus multiple worlds. Yes.

POLITICAL ALIGNMENT: Uh...Alphinaud does politics for me.

ECONOMIC PREFERENCE: Just trying to survive, man. Stable, I guess.

SOCIO POLITICAL POSITION: Uh... Alphinaud???

EDUCATION LEVEL: Lyllyan herself has had up to some college in her own world. In Eorzea, she has an understanding of Aether and well has learned all the classes, so being able to pick up something new, she can learn fairly quick.

FAMILY.

FATHER: Captain Carebear (Mykel Weiss)

MOTHER: She doesn't have the ability to go to Eorzea so her name is Lynn Weiss.

Siblings: Lucas Weiss(Rafien Dalarain(Deactivated)), Nathaniel Weiss(Random Guy (deactivated)), Olivia Weiss (Never been to Eorzea).

EXTENDED FAMILY: Grandmother(Nana)(Deceased), Granfather(Poppy), Fortemps Family (Rest in Peace Haucherfaunt).

NAME MEANING(S): Lyllyan is based off of the Lily flower. Aster is based off of the Aster flower, and then Weiss is a name given to those with white hair or pale complexion.

HISTORICAL CONNECTION: Um...Ascian? Amourotine?

FAVORITES.

BOOK: If its Manga, It's Rurouni Kenshin. Books would be the 'Septimus Heap' series by Angie Sage.

MOVIE/PLAY: Movie would be 'Wizard of Oz'. Favorite Play would be 'Hamilton'.

5 SONGS:

•'Seasonal Feathers' by Len and Rin Kagamine

•'Drakkar' by Distrion and Electro-Light

•'Light it Up' by Robin Hustin and TobiMorrow (feat. Jex)

•'Stitches' by Shawn Mendes

•'Perfect' by Ed Sheeran

DEITY: Thaliak

HOLIDAY: Valentione

MONTH: November/ 6th Astral Moon

SEASON: Spring

PLACE: Rak'Tika Greatwoods

WEATHER: Rain

SOUND: Ocean waves.

SCENT(S): Cherry Blossom, sweet.

TASTE(S): Favorite food is Bacon so....also likes sweet things.

FEEL(S): Fuzzy blankets, warm cloth, soft.

ANIMALS: She loves all animals! If she had to narrow it down, it would be Cats, Pandas, and Chocobos. Does Pokemon count?

NUMBER: 8 but screw Construct 8

COLORS: Purple, light green, light blue.

EXTRA.

TALENTS: Drawing.

BAD AT: Math. She used to bring her homework to Eorzea to have Alphinaud and Urianger help her.

TURN ONS: Oooo. Funny, kind, calm, generous, but also romantic.

TURN OFFS: Selfish, rude ass hoe, and killing my friends.

HOBBIES: Singing, Drawing, Reading, Exploring, Triple Triad.

TROPES: Mother Hen.

AESTHETIC TAGS: Chocolate and Caramel. Honey. Lavender and Leaves. I think that's how this works???

FC INFO.

MAIN FC(S): Scions of the Dawn. It consist of Dad and myself.

ALT FC(S): None.

OLDER FC(S): We did have an FC on Gilgamesh called Lionheart with the Tag FF8. It was one that we had started the game when we got out of beta, but moved to different server/data center.

YOUNGER FC(S): *Confused Au Ra noises*

VOICE CLAIM(S): ??????

GENDERBENT FC(S): *Even more confused Au Ra noises*

MUN QUESTIONS.

Q1: IF YOU COULD WRITE YOUR CHARACTER YOUR WAY IN THEIR OWN MOVIE, WHAT WOULD IT BE CALLED, WHAT STYLE WOULD IT BE FILMED IN, AND WHAT WOULD IT BE ABOUT?

•So, I'm already making a comic that I want to make as an animation for the story of FFXIV with my character and her friends. This character was specifically built for FFXIV, but it has a twist. Kinda like a Sword Art Online ordeal, but instead of Millions of people playing are stuck in the world, it's just like 100, but they aren't stuck, in fact they are just chosen to go between their world and Eorzea. If they die, they don't actually die, but respawn, even in their own world, but they feel how they die and the only way for them to die in any shape or form is by natural cause like old age or sickness. This would be a 2D animation in the anime style and be a multi episode series with multiple seasons. I even though about branching out to go certain routes so that Lyllyan can end up with all my favorite characters. I would call it Final Fantasy XIV: A World Reborn.

Q2: WHAT WOULD THEIR SOUNDTRACK/SCORE SOUND LIKE?

•With it being a Final Fantasy story, it would have Final Fantasy Music.

Q3: WHY DID YOU START WRITING THIS CHARACTER?

•Lyllyan Weiss was made to represent me and she still does, but also inspires me to be more like my courageous heroic self. Because of this, I have been able to do things like crossing a bridge that's in bad shape to get to the other side without the fear of falling, just to get back to my mom who went to the other side on a trip we had.

Q4: WHAT FIRST ATTRACTED YOU TO THIS CHARACTER?

•She is literally me.

Q5: DESCRIBE THE BIGGEST THING YOU DISLIKE ABOUT YOUR MUSE.

•Just like me, she is stubborn and hard working, but there are times she pushes herself way too much. She hesitates to ask for help, not because she doesn't trust the people around her, but more of trying to not burden them. Others wish she would open up to them and also rest when she can. Raha has to literally force her to rest, and she nearly gets herself killed against the first battle with Rahjit because she kept getting back up to fight even when the others beg her to stop.

Q6: WHAT DO YOU HAVE IN COMMON WITH YOUR MUSE?

•Almost everything. Major thing is that she doesn't look like me, but also I know when to quit.

Q7: HOW DOES YOUR MUSE FEEL ABOUT YOU?

• I feel like if Lyllyan and I were to meet in person, we'd get along just fine. We would play video games all day long if we could.

Q8: WHAT CHARACTERS DOES YOUR MUSE HAVE INTERESTING INTERACTIONS WITH?

•OH BOI HERE WE GOOO

- Leveilleur Twins: Alphinaud and Alisaie are very close to Lyllyan. Alphinaud used to pull Lyllyan out of class to have her hurry up and go through the story, now its chill and play ace attorney. Alphinaud, depending on what route is taken, is definitely in love with Lyllyan and is constantly teased about it by everyone. Alisaie is like a sister to Lyllyan. They have had many nights where the pulled 24 hours playing Sims. Alisaie is who Lyllyan tries to protect the most between the two. She's also the reason why Lyllyan is now Bi. Lyllyan absolutely adores her and if the route is taken, they end up being the cutest couple.

-Leon D'hart: An Alt character that I made that depending on the story and route, he is also Lyllyan's Lover. He is a character made by Square Enix to be the Warrior of Light replacement if Lyllyan did not succeed in preventing herself becoming a light warden. His story with her is a bunch of trial and tribulations, but in the end they do end up married.

-G'raha Tia/Crystal Exarch: The main story Lyllyan's Lover. Great friend to start out and tears were shed when he sealed himself into the tower. He really kept Lyllyan guessing when he was Exarch. When Emet-Selch kidnapped him, Lyllyan was hellbent on getting him back. Now she visits him at the first everyday bring stuff from Eorzea for him, and even occasionally stuff from her world. He is her world as she is to him.

-The Scions: Thancred and Lyllyan are like Big brother, Little sister. He protects her, and scolds her as such. They may act like they hate each other, but the moment either gets hurt, the other is at their sides. Though rumor has it that Thancred had feelings for Lyllyan. Y'shtola is close to Lyllyan, but is usually not around often. Shtola usually is often around to keep an eye on Lyllyan's aether since her amount is quite high compared to the others and her fellow Warriors of Light. Urianger is someone who used to hardly talk to Lyllyan, but started opening up more after the years. He had watched her grow from 15 moons to now 21 as the others, but they seem to be more special to him. Lyllyan swore to protect him if anything ever happened especially after he asked her her thoughts on his new attire. Tataru is a precious angel and if anyone was to hurt her, Lyllyan would kill everyone and then herself. Ryne, even though she is not a scion, she is a scion. Ryne worries about Lyllyan, but is often in awe of her. Lyllyan and Thancred adopted her, and she's ended up calling Lyllyan mom on many occasions.

-Ser Aymeric: Depending on the route, he would be Lyllyan's Lover and he tries to protect her when he can, be it politics or in war. He has a dream to journey with her, and though he can't do so with Lylyan Weiss the Au Ra, there is nothing saying he can't make a character and become a Warrior of Light himself and travel with Sakura Yue(Lyllyan's Alt).

-Zenos Yae Galvus: So this guy commits Seppuku and then shows up at Lyllyan's job as her new Bartender. They end up becoming friends through the job, and the fact that Zenos is bored out of his mind that he can't go kill people,but finding out later that he is back makes Square Enix themselves worried about this guy.

-Estinien: Lyllyan had adopted him as her Edgy Son. He hates it. He reminds her that he is older than him, and she retorts about beating him as a Lalafel. He usually starts brooding after that on a high building that usually takes Alphinaud and Ser Aymeric to get him down.

•I'm only stopping this cause there are so many more characters!!!

Q9:WHAT GIVES YOU INSPIRATION TO WRITE YOUR MUSE?

•Music and Playing Final Fantasy. Mainly XIV, but others do count too, but also reading all the other fanfiction and comics about final fantasy XIV.

Q10: HOW LONG DID THIS TAKE YOU TO COMPLETE?

About...4 hours? Maybe more? My hands definitely hurt from all the typing! XD

============

Tagged by @amandafullmetal

Tagging @ladyramora @ranier-layarte @scholarlostintime @fabledtactician

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unproduciblesmackdown · 5 years

Note

Primez!

hell yeah thankyou!!! [2, 5, 17 been answered]

(3) maple - is there a hobby / skill that you’ve always wanted to try but never did?

i’m that theatre gay who’s never Really been in any theatre production. and there was an archery place like 10 min from where i grew up and i was like “ooh archery how cool” b/c i’m a gay but never tried it

(7) amber - share an unpopular opinion that you may have.

hardly unheard of but i Don’t Like the approach to astrology that ppl have been getting in the past few yrs like. the Joke someone on twitter had that we’re like, on the verge of some astrological discrimination lawsuit……..and idk ppl get like pseudo-christian-style Smug about it like, don’t apply this to everyone??? and it’s just strange to like. tell people what they’re like. or explain their characteristics via this really strange westernized vague concept of astrology rather than like, tell me about the life experiences that affect the way that you are. like it’s almost condescending and ppl are being way too serious about it sometimes in (see: the on the verge of the lawsuit thing lol)…..anyways and i guess some of my Killjoy tendencies make me like, haha i’m the Hater b/c idk i’m real opinionated. but a lot of the times it’s not Really b/c i hate other’s joy or some shit, it’s just crap along the lines of like, “these ideas abt love which are meant to be Very Romantic actually strike me as being the Less ideal interpretation of love between people and the potential therein? and colder? and unhealthier / more unpleasant / not as nice / etc etc etc as my ideas on romance which i guess seem like i’m wanting to just shoot down some Lovely Concepts but i’m like. that doesn’t seem lovely. i’m on the very of launching into another essay abt Isolation Isn’t Romantic and Romance As Very Human And Ordinary And Even Mundane Seems A Lot Better Than The More ~Magical~ Approach and did i mention romance should be the Opposite of isolating and yet it’s so taken for granted sometimes that you’ll know it’s True Love when you [bass boosted DIE FOR EACH OTHER] and stop giving a shit about anyone but this one other person and etccccccccc [me screaming for hours]”

and a lot of times things that i guess are would-be Cute / Charming / Wholesome / Positive / Etc start to grate on me if i have to see it too much and i’ll probably end up hating or resenting it but like, not because i hate happy stuff, but b/c it just like. is like, i like things to be Genuine, and it will just feel like this is Performing genuine…ness………..which i don’t like. b/c it’s being Not genuine to try to appeal on the grounds that it’s genuine? yknow. which also extends into the realm of “i hate this Cute music over this cute animal video. don’t tell me how to feel about it” and when something tries to be Surprising in the realm of like, pseudo-dissonant like. oh this is a cute harmless white girl on the ukulele but she just said “fuck” and “std’s” or some crap!!! whaaaaaat!!!!! like, i hate this actually? can i die

i could give a ted talk just showing vines that make it into plenty of people’s compilations and being like “this is why this vine is Not Funny (Enough)”

(also i do sometimes hate Having Fun. doge speak was so awful. of Course gop congress adopted it briefly in its original heyday. even now i hate the derivatives. i’m not about to rb something that contains the word birb. can i die)

also i think star wars is boring. i think cargo pants are fun and fine.

(11) orchard - share one thing that you’d like to happen this autumn.

we get confirmation that any Winston Footage is filmed for billions s5. soph i know that like, fitting in almost 3 hrs of subway travel / going into nj and back / probably having to do all this on a weekend / having like a 5 second window maybe makes it difficult but we all agree it’d make another epic gamer moment if you got to see lihn

(13) bonfire - describe your dream house.

lol being in my teenz in 2008 i haven’t thought about it much tbh. i think i’d like a pretty cozy (smallish) bedroom and just a lot of physical Niches yknow. i like to frequent very specific spots which are not too out in the open. and really everything would be kinda Cozy Smallish but not the kitchen. get some space there, and like, raised counters like for julia child being 6′2″ b/c Standard Height is not comfortable for me either at my tender 5′11″ or 6″ness. and i always think that those sitty spaces that are like, Depressed into the floor are fun. i know there’s a word for that, but whatever. there’s a bunch of very disparate color schemes i’d think i’d like, so like, idk if i’d just go for totally different Aesthetic Approaches from room to room to try to cover all of them lol

(19) pumpkin - do you think that humans are inherently good or bad?

i mean i think it’s more important to recognize that anyone is entirely capable of Doing good or bad, and arguing about what they Truly Are In Their Hearts is beside the point. but i also think the idea that like oooh if Polite Society crumbles enough we’ll all just be roving in bloodthirsty packs, looking to kill each other and loot / probably eat the corpses, etc etc ~dark gritty bold~ apocalyptic material that’s like wow yeah that’s really confronting the Uncomfortable True Nature of society. like, capitalism is already a brutal and inhumane situation to exist in, but it’s not some emergent expression of Human Nature like, oh, life is just like this, empty and alienating and unfulfilling unless you [physical violence b/c it is Genuine], or that people would turn on each other if we were in survival mode, like…..no. survival mode always entails helping others to survive like. yeah not for necessarily Every individual? but that’s just more of anyone’s capacity to Do good or bad. but humans as a species are not solitary, we’re social b/c that’s how we all exist in relation to each other, society is innate to us and not some Luxury that distances us from our True Natures. we communicate with each other and want to work together even beyond helping each other survive and want to connect to each other and total / imposed isolation is Bad for anyone. and i think that love and altruism are Human Nature too. like, it’s weird when it’s treated like some evolutionary mystery why humans (or individuals of other species) would exercise altruism and/or self-destruction (or the risk of it) for the sake of others? like “but it doesn’t make sense b/c for us survival means Passing On Genes, we protect ourselves and our ability to exist and procreate, and we protect those most genetically similar to us, down the line to favoring your most distant cousin over a random stranger,” etc etc What A Mystery Why We Are Altruistic!!! but it’s not?? like? we don’t just see ourselves as individuals and we recognize the self in the other, and that we are all just Arbitrarily the self that we happen to be, and are all The Other to everyone else’s Myself…..and why would humanity not Preserve itself beyond just individuals looking out for just their individual existence? we just like. don’t only prioritize the preservation of our own genetic code. why should it be a less Survivally Successful approach for any individual to look out for any other individual? of Course we give a shit about other randos who don’t have any familial or even any other personal connection to us at all b/c we just care about the survival of other humans.

anyways! no yeah so i think that Love and Altruism are intrinsic human nature. like creativity and communication. we aren’t like, always doomed to destroy each other b/c That’s Humans For You. denying the humanity in others inherently requires actually just reducing one’s own humanity, yknow??? re: human nature anyways. i know we’re all still technically human regardless of how we act. and that the self-destructive destruction of others is a feature of humanity, but i don’t think it’s one which is Inherent or Inevitable. i.e. the Self-Destruction thing. capitalism is out here threatening everyone’s existence and just so happens to require placing the Wealthy Few above the worth of the lives of all the rest, who are the cheap labor force rather than Just As Human as the richest. anyways. mostly Good! but the point is still that anyone can do Bad regardless so like, who cares if you have some good in your heart, bitch we all do.

(23) ghost - is there someone that you miss having in your life?

still a bit effed up on missing the theoretical concept of an in-person group of people who are consistent in genuinely enjoying / being enthusiastic about time spent with you. one reason it’s theoretical is that i’ve never Really had a whole in-person friend group exaactly. and it’s theoretical b/c idk, it’s not easy for me to feel comfortable Being Myself around others and like, i like being in groups as a rando amongst strangers really easily, but if it’s like, we’re all in a group and talking and stuff, i can just go into [stifled mode] real easily, idk, it’s hard to say whether the times i’ve been Uncomfortable in groups like that is just like, it not being the right people, or that i just will always like smaller groups or just one-on-one or smthing i dunnooooo. either way i get depressed about Wouldn’t It Be Nice though so idk? i guess i would still ideally seek it out. but i also can’t feel like i can actually expect this to happen. on a related note i forgot to mention Briony Atkins as this minor character who is very like me in being someone who is outwardly v withdrawn and quiet and comes across as not speaking b/c she has nothing to say but in reality she’s a passionate and boisterous person who just rarely shows / expresses it around others. i’m out here never talking (and getting the chance to talk aloud and it’s like a mile a minute all at once trying to compensate) and being pretty quiet and people get surprised when i have An Opinion even though i’m super opinionated lol and i just find it really hard to be myself around others unless i’m operating completely on my own and beholden to no one, but even then. anxious

#i'm Not being very cryptidly with all these............#Anonymous

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nemirutami · 5 years

Note

DUDE HOW ARE YOU ABLE TO THINK THINGS THROUGH SO WELL??? Whenever i come up with a story thing i can never sort things out or how i want them to go or organize things just how do you go about this junk because i live for the set ups you have

Since you seemed to like those AUS, I’ll share a few more that I’ve never talked about! Most will be pegokita bc i’m… predictable.

Pegokita Ice Skating AU) Akira pairs up with Haru in the couple’s ice skating world cup, and they’ve been a pair for ages now, but once Haru gets injured, Okumura decides to force her to keep participating…. unless, Akira can find someone just as competent to replace her. So… Akira has to go find a skater to take Haru’s place. But since their routine is so… strict? He has to find someone that matches Haru’s height, weight, and stamina. Otherwise, they’d have to change the routine, since Akira has to be able to lift, spin, and skate next to them in that same routine. He’s about to give up when he sees Minato skate on the ice, practicing for the singles tournament. Long story short, Akira mistakes Minato for a girl because of his physique, and Minato is obviously bothered and will now refuse to entertain anything Akira says lol. The only thing that convinces Minato to lend Akira a hand is seeing just how bad off Haru is, and knowing what type of man Okumura is, Minato knows he will force Haru to skate in her condition if they don’t have a replacement. So, Minato agrees. However… there’s a catch. It’s not like Okumura would be ok supporting two dudes on the ice. Which means… that’s right… Minato has to crossdress. Incredible. Cue the frustration of having to dress up like a girl and suddenly developing feelings for your partner with worrying whether or not those feelings would ever be reciprocated because Akira keeps mentioning what a convincing girl he looks like. Minato just assumes Akira sees him as a girl or wishes he was one, which is why he never pursues anything, and Akira assumes something along the same lines. “I forced him into this, kinda. Why would he not hate me?”. Miscommunication…on ice!

RRAU King Akechi) I haven’t talked about this variation of RRAU, but I mentioned a long while back on twitter something like… “What if Akira and Minato were both retainers for a corrupt King”. Now, what if that king was Akechi? It seems like an interesting dynamic between the 3 of them, since both Akechi and Minato would be more law aligned (Messiah, Robin Hood), and Akira would be the rebellious outlier (Satanael). It also means Akira would be the first to raise his gun against Akechi if Akechi actually decided to do something that would put people in danger. Ally with an enemy, kill off prisoners for kicks/to prove a point, anything really. Or, perhaps, even execute Minato for a crime he supposedly committed just because Akechi had to do so in the name of the law. I wholly believe that Minato and Akira would become the closest in this AU, which means Akira would betray Akechi for Minato, but Minato’s alignment would mean Minato would ultimately side with Akechi if they were about to throw down. I don’t think Akechi would have a preference between Akira or Minato, but I do think Akira’s more unpredictable nature (that rebellious side) would pique Akechi’s interest more, and so, he’d favor siding with Akira, perhaps because he knows Minato will ultimately side with him if he says the word. Minato’s predictability would be why Akechi would favor Akira. Siding with Akira wouldn’t ever leave Minato opposed to his choice. So long as the order comes from Akechi, Minato will do it. At least, that’s their dynamic for this setting. I have no real plot, only a stand-off where all 3 of these idiots point guns between each other, and one of them bites a bullet. I have different scenarios for this too, just because it’s fun to think about who would ally with who and who would betray who depending on the context.

Pegokita Minato’s Palace AU) This one is different from the one I drew ages ago (this drawing, Minato’s phantom thief outfit). I have a lot of notes for this one (the whole plot actually, start to finish) but I’ll be…. brief. YES THIS IS BRIEF, I HAVE LIKE 7 PAGES LMFAO.

Essentially, a palace forms in Minato’s heart from a distorted desire to date Akira. THIS SOUNDS OOC BUT HEAR ME OUT… In his palace, there’s multiple Akiras. They serve different purposes, and they all look completely infatuated with Minato, but Minato is never shown to be affectionate with them. You know how the shadows mistook Ann for her clone in Kamoshida’s palace? The different looking Akiras wouldn’t know Akira was an intruder because he looks just like them. They’d assume he was just walking around doing his job, but Minato (just like Kamoshida) would be able to tell who the real Akira is just by a glance (even if he’s not in his PT’s uniform. Minato wouldn’t consider Akira a threat, so he would never actually look like a target to anyone, kinda like Ann before her awakening). In Kamoshida’s case, the “real” Ann was the one in his cognition, but for Minato, the real Akira is the real Akira that enters the palace. Minato doesn’t actually consider the “clones” Akira. They’re merely… replicas. He explains as much later. However, for the time being, Akira has a crush on Minato, and upon entering Minato’s palace, it’s clear Minato also has an obsession with him. But… you can see where this is going, right? Minato’s feelings aren’t healthy if they’re this distorted. Which means, Akira has to get rid of the distortion. Which means… Minato won’t have feelings for him anymore if he actually follows through, leaving Akira with unrequited love.

So, what does Akira do?

Attempt to change Minato’s heart by giving in to his desires. He figures, maybe, just maybe, if he can convince Minato’s shadow/cognitive self that Akira (the real Akira) actually loves him, then maybe the distortion will go away on its own. This leads to Akira staying in his palace for… much longer. Hours. Days, even. All the while, he’s only making Minato more distorted. More clones begin to show up in the palace, and it infuriates Akira because “What am I supposed to do, nothing works, is the only option really to steal his heart?“ but Akira’s the one who’s causing all the clones to appear. You know how in P5 you can OPEN a person’s message, arrive for your date/plans, but still refuse to hang out with them? I assume Akira did this a number of times to Minato, enough for Minato to stop messaging him completely, convinced Akira had gotten bored of him. It also means Akira isn’t able to actually get in touch with Minato in the real world now, since Minato has “shut him off” for his own sake. Any message Akira sends to him like “let’s hang out” will be ignored, since he burned Minato too many times (lmao the arcana reversed). It’s funny how Akira is the reason this palace exists in the first place. Since Akira pretty much maxed Minato’s link and then… prioritized everyone else. Minato’s cognitive self pretty much asks Akira to stay “forever” which… Akira can’t do, of course… can he? He actually considers it. Though, this can’t be allowed. When Akira finally decides he wants to steal Minato’s heart (for the both of them), his PT’s uniform actually starts to show, and he sticks out like a sore thumb among all the other Akira, making him ridiculously easy to spot and capture by ALL THE OTHER CLONES. I guess i’ll leave this au off on the note that once Akira is captured, Minato plans to fuck him to death. Yes, you heard right. Wham, bam, thank you mA’AM.

As for how i come up with aus or ideas, IT’S REALLY HARD TO DESCRIBE, I usually go with “what do i want these two characters to feel in regards to one another with this scene and how will it tie into the plot”, I just write what I find interesting. My own comic works the same way. I’m very simple, if I want to see Akechi stab Minato with a sword I will create a whole scenario around it to make stabby look more fun. I don’t really care about actions as much as I care about the feelings the people behind the actions are experiencing. That’s the real fun part.

I think I have more aus… but here u go. A taste of AUS I haven’t rlly mentioned before.

#tnt answers asks #mushy-lin #long post

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andaleduardo · 5 years

Text

Rooftop N.8

Ao3 N.7 N.9

Friday 21.05.1993

Unlike the few other parties that Eddie attended, this one was already being different without having started. Usually, he’d be in the company of six, or five if one of them was the host. This time, however, he was able to sit in the back of Bill’s parents’ car without having to squeeze himself between shoulders. There was even an empty seat.

An empty seat.

That’s a big deal for them. As he shut the door on his side of the car along with the other boys, his usual internal pep talk came into play, which happens every time Eddie is forced to attend a social event.

It’s just a party. Everyone goes to parties.

Then he freaks out because everyone is a lot for him.

Still, you’re supposed to have fun.

Despite the short time it takes to get to the barn, the quietness inside the vehicle is enough to break the built-up courage. Eddie busies his hands scuffing the end of the navy pants he reluctantly put on earlier, one ankle balanced on top of his knee. Some minutes ago, as he hopped down the stairs and announced that he was leaving, Eddie felt confident. His mom couldn’t have done much after their fight, they barely interacted, and Eddie had to show her that he was independent enough and responsible by himself. He kind of doubted that, now.

Here, inside this car, he feels unprotected by simply knowing that there’s no one worrying about him at home. Ridiculous way of feeling. So, when Bill parks the car among many others on the street where the Hanlon’s residence is located, Eddie puffs air in his chest and grips the door handle, ready to have a good time.

Or so he hopes.

The four of them approach the dirt trail that guides them towards the reddish barn, although it looks greyish in the night sky only illuminated by the dim lights pouring out of the open gate. Music was already playing as they go inside. He scanned the place only to realise how many people already crowded it. Bad idea.

As per usual, Ben and Eddie stay together, Stan hovers closely, and since Bill doesn’t want to go around alone just yet, the four of them stick together while trying to find their remaining members.

That’s when, while on his toes to see over the heads, Eddie sees the made-up stage. He was awestruck at first, couldn’t look away, but examining it for longer made him notice that it was not that impressive. Sure, it had some height, maybe like two steps higher, and he could see it was made from reclaimed wood from the farm. The setup looked cheap, no surprise there. He could see a full drum set, although the various components had different colours, which was a give-away that it was put together by older parts, and there was also what looked like a keyboard, plus some extra keys that didn’t belong on a piano, set upon a stand so that whoever played would be able to be standing up. In the middle stood two guitar stands, one held an electric, all wood and heavy looking, and the other had an acoustic, which looked incredibly like the one that usually stands on a corner of Richie’s bedroom.

And well, that only meant one unfortunate thing.

“This can’t be happening.” Stan’s words were a little bit muffled by the general noise. Eddie shot him a knowing look, both were desperately hoping it was some kind of joke or coincidence.

“That’s…” Eddie gulped and pointed back to the stage, specifically to the guitar both of them had seen many times before. When Stan nodded and draped a hand over his face, Eddie needed a miracle of some sort. Unaware of their discovery, Bill dragged Ben over to one of the tables filled with food and various coloured drinks, separating the group in half.

“They can’t be that dumb. Tell me they’re not that dumb, Eddie.” Oh, how similar both of them are. Only that Eddie can’t really find words to voice his concern right now. His mouth hung open, ready to answer that yes, they are that dumb, but Mike walked up behind Stan with a nervous grin at that exact moment, shutting Eddie up immediately.

“That’s not the support we were hoping to get.” Mike shot him a wink while Stan turned around in a startled jolt. Eddie didn’t have it in him to be playful back.

“It’s a prank, right?” Stan asked with big eyes. Eddie could see that Mike was taken by surprise, his eyebrows furrowing and the smile faltering. Being mean was a gift to Stan’s existence. “Mike, everyone here isn’t like us, they’re mean.”

Mike shook his head and laughed poorly. “You’re the one being mean. They’re just teenagers, students-”

Stan’s throat did a funny noise. “My point exactly. They’ll make fun of you!” Deciding that this was going too far, Eddie elbowed his ribs, which successfully toned him down. With a long exhale, Stan rubbed his eyelids. “I’m sorry. I just don’t want you to be the target of mockery.”

There was a hurt frown on Mike’s face. “We’re just having fun here, friends having a good time.” His eyes met Eddie’s, probably expecting backup. He had yet to say something so he chocked up, caught by surprise.

“Uh…” He awkwardly cleared his throat and glanced between the two boys. And if guilt wasn’t already eating up his insides, all Mike did was roll his eyes, nod his head and move to another topic.

“Where are the others, anyway?”

Eddie was sure that the devil had fiery hair and a fuck ton of freckles, because she appeared just then. Beverly came from the back entry, probably there smoking, skipping on her steps with a giddy smile on her lips. There was a happy energy radiating from her that could be noticed miles away. She swung herself on Eddie’s shoulders and started jumping up and down, shaking him in the process. The shame was adding up along with a fastening heartbeat on his chest.

Not now. That’s all he wanted. Don’t panic now.

“You actually came!” She shouted over the other voices. The music playing changed.

In order to keep himself stable, Eddie placed both hands on her wrists. She kept laughing, Eddie wanted to breathe the outside air but she smelled of nicotine instead. With a forceful grip, he tore Beverly’s hands out of his shoulders but didn’t let go of them.

Not now.

But her laughs died down, and he felt even worse for ruining something they probably looked forward too. He shot a glance at the stage again and felt her tugging at his wrists. She was smiling softly, a cure for his worry.

“I think you need a drink, Eddie.” She meant those words.

For the first time in his life, Eddie didn’t think that was such a bad idea. “I think you might be right.”

Eddie’s little freak-out took him outside, elbows resting against the wooden fence.

Previously, he had pretended to be present while a cup was placed in his hand, he couldn’t remember which of his friends did it. Then, he had hovered around the group religiously and pretended to drink whatever he was given. He just needed the right moment to back away without them noticing.

Ironically, it was beer pong that saved his ass. His thoughts drifting completely from what was in front of him, which was pretending to agree with whatever Stan was babbling on about and watching a fair amount of people (Beverly included) cheer whoever was heavily invested in playing the pointless game. All it took was Stan giving up on being answered, turning his head to the other side to talk with Mike instead, and Eddie was out of there in an instant. He ignored the girl he run into on his way to the back entrance and took the longest breath of his life as soon as the chill air of the night hit his nostrils.

He tried hard to keep his head out of futile worries. With a swirling cup, Eddie’s mind hovered above many things, desperate for a healthy distraction:

Stan is quite talkative when he’s out of his comfort zone, which is very out of character.

Where did Ben and Bill go?

He stared quizzically at the party cup. What the hell do they put in this? Why am I still holding it, anyway?

I wonder what my mom’s doing.

Probably snoring.

I haven’t seen Richie yet.

Damn it. That’s not a healthy thought.

But it was impossible to stop once it set. Richie, what he could be doing. Who he could be with right now. And how they could be together outside, instead. Eddie would probably ruin his wild fun by begging for his company, not that he would do that anyway.

Maybe internally.

He licked his dry lips, then remembered Richie’s.

“I’m a lost case.” He huffed out, exasperated.

“Woah, don’t think so high of yourself.” Every muscle in his body jolted, startled. Yep, there goes the drink spilling out onto his fingers.

Parties, greatest human invention.

It was Richie, he acknowledged without turning around. Eddie was hit with such gratitude and relief that tears prickled his eyes. So, like the lost case he claimed to be, he lowered his head to let it rest against his upper arms that sat upon the wood railing. Now staring at the way his shoes were digging in the grass, the gravity pulled one on him and made it easier for the tears to escape, falling near his feet almost as soon as they abandoned his eyes.

Laboured breathing made its presence, he left the sense of reality behind and began to shake compulsively. Whatever was done to him for the following minutes would go subtly fogged up.

Up until now, Richie had been with both Bill and Ben inside, convincing them to try the pot brownies they had previously baked for the party. Before, he had taken a little container, filled it up and put it aside to share among the Losers once they were alone.

Bill had agreed to eat them eagerly after listening to how Mike had to steal his mother’s recipe so that the three of them could bake them in his kitchen. How hard it had been to get her to miss the part where they added the best ingredient hidden in Bev’s coat pocket. His mom had bought it when they said the scent came from a burnt batch. Ben refused them kindly, Richie didn’t push him.

There was this annoying press near his heart due to Eddie’s absence that was pushed behind with a stupidly, fake, contented grin as he hung around with his two friends and some other teens that suddenly seemed to realise he existed.

A bunch of turds, if you asked him.

So, there he was, a deep need for a second smoke in less than two hours. Frustrated and disappointed, he snapped out at the sight of some brainless group hanging around the couch meant for his friends and his friends only. He was cursed at while hushing them away, head a bit weary due to the stupid drinks he downed already.

Once he turned back around, Bill and Ben weren’t with him anymore. He kicked the side of the couch with a curse lost among all sounds.

“Hey, easy!” Bev’s careful hand curled around the fabric of his sleeve. He turned to face her, surprised. How did he not see her? Taking a short glance over her head, Richie saw the rest of his friends laughing hysterically at something that he failed to catch.

Bev tugged at his sleeve again so he locked eyes with her.

“Sorry.” He said. “I didn’t-”

“Have you been drinking? You shouldn’t have, Rich.” He shrugged in response, careless. Worried, Beverly took his hand between hers. Richie lowered his eyes to stare at the faint bruises marking his skin.

“It’s healed, you know. I’m fine, all good. Fully operational-” He had to stop himself from babbling on and on.

With an excessively happy smile, she squeezed his fist and nodded her head towards the back-barn doors. “He’s in the back, you know?”

She laughed when his eyebrows disappeared behind his curly bangs. “You should go get him while we finally break in our red beauty.” She motioned towards the sofa he angrily kicked.

Suddenly hopeful but anxious, Richie silently mouthed fuck under his breath. “I shouldn’t have drunk.” He said to the air. As soon as those words left his mouth, Beverly flicked his forehead and hushed him away. Richie complied on heavy feet, unsure of how to approach Eddie.

At the sight of him outside, alone and tense, Richie felt guilty for making him come. He knew Eddie didn’t deal well with these things, and just a few days ago Richie had been the cause of a family fight. Way to go, dickhead.

As he got closer and closer, Boys Don’t Cry by The Cure became less ear deafening and gave him a chance to hear the incoherent mumbling that fell from Eddie’s mouth. Richie was watching his profile, noticing that he was frowning and staring deadly at the cup in his hands.

Now, that’s new. He thought.

Eddie’s distressed expression mirrored into Richie’s features as well. He seemed out of it, not even acknowledging his presence only a step away from touch. Richie was about to lay a careful hand on his shoulder when Eddie’s mumbles became clearer.

“I’m a lost case.”

“Woah, don’t think so high of yourself.” Richie couldn’t help it as the words left his mouth. At least he hadn’t acted like an asshole this time, that alone was a great achievement.

Eddie was startled, that much was expected. He was also waiting for the inevitable bickering that would follow next, but when all that happened was Eddie melting in his own body, hiding his face from the world and shoulders shaking compulsively, Richie had a hard time figuring out if he was laughing or crying.

Slightly freaked, he started by taking the full cup out of Eddie’s hands, which were doing a poor job at keeping it stable anyway. He balanced it on top of one of the vertical wood posts that constituted the fence. Then, he maneuvered Eddie’s body around until he saw how blotchy his face was. There were almost no tears staining his skin, but his breathing was irregular and faltering, a certain rasp to it.

“Hey, hey.” As if he was dealing with a child, Richie ducked his head and pouted, an attempt at making Eddie smile. It didn’t work, Eddie looked away and rubbed his eyes quickly.

“Sorry.” He said between wheezes. Confused, Richie studied him. What was he sorry for? He must have stared for a long time, because Eddie started looking around in every direction, anxiety once again filling him as he stared at the few people crowding the outside space, along with the both of them. Unshed tears filled his vision, fogging his eyes. Richie broke out of his trance once Eddie’s throat gave a pained and squeezed whistling sound as the air passed quickly.

“Don’t apologize, you moron. And don’t look around.” Richie fully crowded his space, hands coming down to circle Eddie’s waist, pulling his body flush against himself close enough so that he’d block the outside from him. “They don’t care about us, promise.”

Eddie stood unmoving. His hands limp by his sides as he let himself be hidden from the world and submerged in the heat Richie was providing. After some hellish minutes of trying to keep his heart at a normal, painless beating rate, he had to admit with, agonizingly but still.

“My mom’s right.” And how it hurt him to say something like that.

Relief washed through Richie. At least Eddie was speaking coherent sentences, mostly. “I don’t know what you think she could possibly be right about, Eds, but your mom is wrong about everything.”

Squeezing him a little bit closer, Richie felt him shake his head against his chest. “I should have just taken the stupid inhaler.”

“What?”

“I’d be better by now and not-”

“Not what? Anxious?” He asked incredulous. “That crap’s fake medicine, wouldn’t have helped you.” Eddie’s arms made a shy way around Richie, making him smile. “You know what’d help, though?” That made him finally look up, searching for another type of comfort out of Richie, which he got just by watching him under the poor lighting. He looked… well, words are overrated.

There was glitter on his cheeks, which was new. Weird, but welcomed.

“Making good use out of that cup.” Richie answered his own question. “Never thought I’d ever see you holding alcohol.”

Ignoring the suggestion, Eddie nodded towards the boy’s glowing cheeks. “You’re sparkly.” He stated. A shit-eating grin took over Richie’s face, smug and victorious. Eddie felt embarrassed for no apparent reason. “What?” He asked in a warning tone.

“Nothing!” With a shrug, Richie tried to hide his amusement.

“No, what is it?” He demanded.

For a second time, Richie shrugged. “S’just, staring at my face calms you down?”

“Like hell it does.”

“Oh, so it’s the opposite? Gets you all worked up?”

“You need to stop putting words in my mouth.” Eddie warned with a typical roll of his eyes.

See, he could have gone for ‘I could put something else instead.’ But he settled with for other words.

“Yeah? Some nights ago, you wouldn’t have valid arguments.” Which weren’t really better.

Eddie’s face paled up, whatever hints of a smile lost. Richie should really think before speaking.

"Fuck, okay, I'm an asshole." He licked his lip in a nervous habit. Mentally, Eddie stabbed him. "I didn't want to make you uncomfortable… I was too, you know…?"

The confusion behind Eddie’s eyes was noticeable, so he tried to explain it without really doing it. "You know... You couldn't feel it, but..." He spoke sheepishly.

Yeah, there it was, the moment of recognition he was waiting for. Embarrassed, Eddie adverted his eyes somewhere else.

Right.

"Shouldn't have said that, either…? Okay, well, we can just... we can pretend it never happened, right?" Richie gulped down, dry scratched throat. "If that's what you want."

But Eddie’s response never came, despite the fact that neither of them were doing much effort to let each other go of their embrace. Talk about awkward.

With a heavy sigh and pleading eyes, Eddie whispered. “That’s not what I want.” It was enough to relieve the tension, although both of them failed to see how fucked up their friendship was becoming with each and every one of these occurrences.

Whatever. As always, worry about it later. As usual, ignore the consequences.

Deciding it was best to leave it at that, with a much clearer mind there were some things that Eddie needed to confirm. “Just to be clear, hm… the live music is you guys?”

With an enthusiasm that Eddie himself couldn’t feel, Richie nodded eagerly, a large smile taking over his features. “Aye, captain. We sure are!”

Figures. Eddie groaned, dropping his head to let it hit Richie’s chest.

“See lots of excitement right there, uhm?” Despite the twist his stomach did, he hid the disappointment.

“Sorry…” Eddie sighed. “I need to apologize to Mike and Bev, too. I’m being kind of a jerk about this but… I feel embarrassed.”

“Embarrassed?” That was weirdly unexpected. “What’s there to be embarrassed about?”

“…Your voice isn’t exactly up to society standards.” Upon seeing the true impact his words had on Richie, Eddie started spitting out words. “I mean, I’m afraid someone may pick on the three of you for it and then turn it into another way to mess up with you guys. And, and I just feel embarrassed, okay? I hate that I do but I’m being honest with you, Richie-”

“Eddie.” He frowned, reluctantly starting to step back from his space. Eddie’s heart broke.

“I’m sorry.” He pleaded.

“Hey, it’s fine. Hear me out.” He placed both hands on Eddie’s shoulders. “Do I need to tell you you’re overthinking? This isn’t really a big deal.” Well. “If it ends up being horrible, I promise you no one here will actually remember most of it.”

“Won’t we?”

“I sure hope not.”

“I’m the asshole tonight.” He said sheepishly. “Not you.”

Turning to look at the plastic cup, Eddie thought ‘fuck it’. He grabbed and gulped it down in one go, almost chocking up. Richie was stunned, looking at him as if he’d grown another head. Once Eddie finished, his face was scrunched up from the burning sensation rolling down his throat.

“You know that doesn’t have any alcohol, right?”

Richie almost lost it when Eddie’s skin burned red, even noticeable in the night, eyes so big and ashamed that, for a moment, he thought the boy would dig a hole in the ground and disappear. He finally cracked up, hunching over the railing to laugh until his eyes stung.

“God, I’m joking! Your face, dude.”

“Fuck you, you’re suck a jerk.” He threw the cup at Richie’s head, feeling guilty as it fell to the floor and picking it up immediately so as to not litter anything.

After straightening himself up and shaking the last remains of chuckles out of him, Richie started pushing Eddie in the direction of the barn once more. “There’s vodka in that, by the way.” It took them a little longer to actually get inside since he fell into another fit of giggles upon seeing the terrified look on Eddie’s face.

After what felt like hours for Beverly, Richie finally decided to appear, Eddie by his side. She, along with the other four, were sprawled in the comfortable sofa waiting for them, barely any space to fit anyone else.

“You turned us into a charity case.” The smile painting Richie’s lips fell at those words. With both hands resting on his hips, he looked at Stan comically.

“What do you mean?”

Stan rolled his eyes, a maddening habit, and spoke as if it was the most obvious thing in the world. “You guys put this couch here for us.” Eddie hid a laugh under his palm when Richie looked at him, lost but trying to follow along.

“I’m… not following?”

Ben, however, laughed freely. “It feels like you’re protecting us from the beasts.” He motioned around.

Richie kept staring at Eddie, who was having a hard time keeping a serious expression.

“Is that a bad thing? It’s a nice-looking couch.” He stated, still confused.

“You’re babying us.” Eddie concluded. Richie’s eyebrows shot up.

“No, no I’m not. I’m VIPing our club.”

“That’s not even a verb.”

“Oh, spare me, Stan. If you don’t like it why are you sitting on it?”

The piece of furniture was diagonally positioned to the stage. Now that they were closer, Eddie could see that the stage’s shape wasn’t regular, like the common rectangle. Instead, it was almost hexagonal, which made sense because they’d be standing in the middle of a large room and, this way, people would be able to watch from every corner.

Yeah, it’s not that bad at all.

“So, how long for us to see your talent?” Ben interrupted their little argument. Mike and Richie shared a look along with shrugs.

“We planned waiting until more people were around.” Mike explained.

“Yeah, but how much more can you fit in here?” Bev had a point, the place was crowded with familiar faces who kept trying to stick around their little hangout, but not tonight. Tonight, they had a silent agreement on staying close, for comfort and support.

To say that Eddie felt clingy as soon as the three of them excused themselves to go get ready (more like mentally prepared), was an understatement. The passionate kiss shared between Ben and Bev had him turn his face around, always felling wrongly intrusive when it came to public romantic gestures.

As the time passed, he found himself lower and lower on the couch, until most of him was hidden by the back part of it. Somewhere to their left, he could hear the far, yet familiars, ‘chug! chug! chug!’s over whatever crap was currently playing. A faint scent of what could be recognized as weed mixed with puke painted the air. It’s only been what? Three hours? I mean sure, they never arrive on time to these things, having come probably a little over an hour ago, but people lose their shit too easily.

Ever since he came back inside, his curiosity was stolen by Bill, drinking. Probably for the first time in his life, not probably, for sure, Eddie had finished a full cup of alcohol. He feels slightly looser, but he wasn’t sure it was due to that. Maybe, maybe not. He wouldn’t be caught accepting to be, what his friends called, a lightweight. Back to the main point, he wanted more. Might as well get it over it, get drunk once, regret it, never repeating it again for the rest of his life. But, unfortunately, he wasn’t really able to go get it himself, just because.

Because, well, he’s just Eddie. That’s a valuable reason. And like the coward he is, as soon as Bill gets up with an empty cup in hand, Eddie grabs him by the arm. Bill jumps and curses as if he was being attacked. Drama queen.

Trying to act nonchalantly, Eddie asks him if he could possibly bring something for him, too. He has never felt as thankful before as when Bill simply nodded and asked if he could bring the same stuff he was having. As expected, though, once the drink was in his hand and Bill by his side, there was no courage to actually drink it. Paranoid that everyone else was watching, he just twirled the liquid around for a while.

That’s when the music stops abruptly, a chorus of complaints emerging quickly. Eddie’s heart skipped a bit, looking around for a moment until the lights go off and suddenly, his pupils grow significantly, for the place is nearly pitch black. The grunts of disapproval were replaced by gasps, then an eager silence.

If he could see, Eddie would bet that Stan was probably rolling his eyes from the extravagant and unnecessary suspense that they wanted to cause over something like this. But on the other hand, Eddie was finally excited, even giddy with anticipation. His worries about Richie’s voice failing or any other components were tossed to the side momentarily, and he took this chance to gulp down half of what Bill brought him, which Eddie recognized as the same thing he had outside. Its taste was okay, besides the burn. However, he choked up when, out of nowhere, these beautiful lamps over the stage glowed an orange tinted light over the space.

It was still a dark environment, but warmer and cosier. That turned out to won’t be the big surprise as Mike, Beverly and Richie were already on their spots, having come up while it was room was dark, mysteriously not tripping over the dozens of electric cables crossing the surface. Eddie wanted to melt through the floor.

A round of cheering came and Bill placed two fingers between his lips to give a high pitch whistle that Eddie envied so much. Once the shouting, whistles and clapping began to fade, Richie’s impertinent voice was amplified through the one microphone standing in front of him.

“Fuck yes! What an entrance.” Even Eddie laughed along with all the others. “So, I’m not gonna make a pretty speech about how thankful we are. You’re all drunk by now, just enjoy the shitty entertainment.”

More cheers. Why is Eddie surprised. He should have guessed this, but now it’s too late to take back that mild insult to Richie’s voice and hope for the best.

He took his time to watch them in this specific setting that he never would have guessed to see them. Beverly was all smiles, torn between looking at Ben and scanning her eyes through the room. Ben, on the other hand, was at the edge of his seat, right by Eddie’s side, giving her a silent pep talk every time they locked eyes.

Mike, his cheeks were glowing. Oh. Now he sees, all of them have glitter on, which he failed to notice and feeds into his guilty state. Mike’s cheeks are the most noticeable due to the contrast between colours. He looks amazing, no doubt, sending goofy, genuine smiles at the back of Richie’s head while he talks nonsense into the mic. His hands are skilfully turning the drumsticks as if they were bendable and the tank-top he chose to wear does him justice on showing off the strong arms he built over the years of hard farm work.

“I’m making the fine assumption that we’re all broke here.”

Right, Richie’s speaking. What’s all of that about? Eddie finishes the second alcoholic drink of his life, distracted by the happy sight in front of him. Richie’s still the same, dishevelled person. Nonmatching clothes and big teeth for a big mouth for a regular-sized face. Uncombed hair, which is the best way to go around it, and a non-filtered brain-to-mouth way.

Yeah, Richie’s still the one Eddie fell for two years ago and hasn’t been able to let go yet. Nor is he trying to. And, holy, if that’s not a hard thing to admit to himself after so much time of dancing around his feelings. So, maybe it’s the vodka-ish drink. Or maybe it’s his screwed-up appearance. Or the lightness that settled upon Eddie’s stomach moments ago.

Right now, in this room, if someone asked him who’s the most attractive person present, Eddie wouldn’t have thought twice before flinging himself at the mess that Richie Tozier is.

“Dear poor, empty-walleted high schoolers, this one was meant for us.” Richie started by running his fingers over the frets in such a rapid motion that Eddie gave up following it with his eyes. The tempo of the song was quick, his ring finger held a golden slide, and the sounds produced by it were actually good. It was really, really good. If there’s one thing that he’s actually committed to, is self-learning guitar. He had begged for one a few years back, and his parents gave in to his request after making him do all types of chores to prove how far he would actually work for it.

Eddie watches, with big shinny eyes, skilful hands and a concentrated face. A bitten tongue as he focused on the repetitive pattern and tried not to mess it up. The rings are missing from his fingers, tonight.

When the first hints of Mike’s drumming skills started to show, Richie began to sing, if you could call it that, and Beverly busied herself with the sound effects produced by the keyboard Eddie’s seen so many times before in her house.

It wasn’t really singing, it seemed to him that Richie was speaking at a fast speed with a certain rhythm, which made perfect sense. They had certainly picked songs that go along with his voice, what a relief.

Eddie paid attention to the words, and an inevitable groan made its way under the music and all types of encouragement everyone was giving as feedback. He was fucking singing about a prostitute, and using his famous voices to impersonate her within the song. He chose what seemed to be British hooker.

‘If you can pay the right price, your evening will be nice But you can go and send me on my way.’ I said, "You're such a sweet young thing, why you do this to yourself?”

And the rest of it went subtly ignored once Eddie turned to stare at Bill who looked like he was having the time of his life. To his right, Ben was laughing, reasons unknown. Stan was hiding his amusement behind a hand. After the prostitute, came a robbery. What the fuck’s this song about? Yeah, got it. Being broke. Unbelievably, Richie was putting another voice into action every time a new character made an appearance.

The robber sounded from the south. But maybe it was a failed attempt at any other accent really.

‘Give me all you've got, I want your money not your life But if you try to make a move I won't think twice I told him, "You can have my cash, but first you know I gotta ask What made you want to live this kind of life?”

Was it bad that Eddie was enjoying it? Richie either had his eyes closed or stuck on his guitar, and if he knew him well enough, it was from being nervous or afraid to face an audience. But if Richie did dare to look, he’d see so many faces of contentment. Everyone seemed to be enjoying their selves once Eddie turned to steal a glance. Mike was killing it, too, lost in his own world and feeling things to their maximum extent. There were other faint background sounds that made everything better, those were Beverly’s contributions. Eddie could hear bass, xylophone, too, played by her skilled moving hands over the keys.

Sure, the song’s also about a priest stealing money from the church.

By the end of it there were so many whistles and cheering that Eddie saw the exact moment of realisation hitting Richie in the face. Take that, he thought. The idiot should think better of himself, and Eddie can be a real horrible being sometimes. To prove his point, he got up from the couch to applaud them that way, a genuine smile to go with it.

Richie seemed surprise, eager to get some kind of support. Eddie shot him a wink and didn’t think twice before puckering up his lips in a quick air kiss.

So, I’m drunk. Okay.

With eyebrows suddenly flying off his face and a stupid grin, Richie didn’t look away from him as he tried to switch guitars, blindly feeling for the stand. When things got messy and he lost his balance for a second, he had to actually look away and do the task properly. Once the electric was hanging around his shoulder and properly connected to the speakers, Richie started a new combination of chords without a word. Eddie let his body hit the couch again, face red and suddenly overly shy. He placed both hands on his cheeks to check the temperature rising on his skin. What’s gotten into me?

It took him exactly 3 seconds to realise what song they were playing. It wasn’t shocking, either, to anyone, that tonight they’d be hearing Teenage Dirtbag. What a classic. Richie sings it all the time at Losers’ hangouts. Once again, it’s obvious that the voices will come into play, for every time he sings or performs, hat song he always sounds like a clogged-up chicken in a puberty-hit preteen boy.

“That’s my Noel impersonation!” It’s what Richie claims once the ‘I’ve got two tickets to Iron Maiden, baby’ part comes along and someone mocks him for how bad it sounds.

Truth is, Eddie doesn’t think it sounds so bad this time. Maybe Richie does it on purpose when they’re all together, but tonight he sounds different, there’s effort, there’s rehearsing. There’s an expectation he put on himself and that he won’t fail to achieve. Eddie is in love. Tipsy, likely, but in love.

It's a great surprise when Beverly’s voice joins Richie’s in some harmonies. Their voices crash, not at all alike. Bev’s serious, Richie’s playing around. When people hear the first words out of her mouth, most of them wowed, stunned, which made her giggle in between words and her chest faulter with quick breaths, probably nerves, after returning her full attention to the keyboard. Ben was ecstatic.

By now, a lot of people are dancing around the weird lyrics, singing along too. This song makes better justice to Beverly’s capacities, along with Mike’s. The electric guitar is louder and different to Eddie’s ears, it does sound amazing, and Richie’s eyes are open for a change. Something quite great strikes his chest when that famous girly voice comes out of his lips. Eddie laughs because it sounds girlier and perkier than ever before, improved. And what were the chances of Richie singing those exact words without breaking the eye contact with him.

‘I've got two tickets to Iron Maiden, baby Come with me Friday, don't say maybe I'm just a teenage dirtbag, baby, like you.’

Instinctively, Eddie bites his lip, and it stays between his teeth right until the very end of the song. The only thing that pulls him out of it is the intervention that follows.

“Alright, alright, chaps! There’s one last song we’re gonna play, and if you wanna get yourself laid tonight, you should take care of the arrangements in the next three minutes.” Richie took a small step back to laugh at his own joke and catch his tired breath. “I’d like to dedicate it, personally, to a lovely human being tonight.”

That’s when Richie winked in his direction.

That’s when his heart stopped.

“Eds, this one goes to your mom and all the amazing nights we spend together.” If he hadn’t looked away right in that moment, Richie would have seen the disappointment painting Eddie’s face. A hand made contact with his elbow, Bill was babbling on while the beginnings of a new song were born.

“A duh-douchebag once, a douchebag f-for life.” He’s high, Eddie thinks. He doesn’t bother with a reply, instead sinking down on the couch seat and trying to pay attention on this lovely tribute aimed for his overbearing mother. He begun to lose hope after some horrid words like:

‘I hope it's not a one-night stand

It's just you're so cool, and I wanna steal this moment with you.’

The images in his mind were worse than ever. But some made him laugh.

‘I miss your pain, I miss your brain, I miss your kiss, already’

And Richie was using this as a way to mock her, so Eddie felt thankful for the obvious hatred behind the words he was singing. Things only started turning the wrong way, a better one, when something changed in his voice. Eddie just knew, right when their eyes met without further interruption. Eddie was sure, when hating sentences softened and eased the lines on the skin of their foreheads. It was clear that, unlike before, Richie had a new subject of dedication. It was Eddie.

‘I'll hold you dear I hope that you don't think I'm weird’ I don’t.

‘Pretend it never happened’ That’s not what I want. That’s not what I want, Richie.

‘Cause we made a pact And I'll try my best not to get attached …I'm such a fool for you’

And like all good moments, there’s only one person to ruin them.

‘Well, I miss your sex, I miss your lips, I miss your tits I miss your kiss, already’ Richie smiles playfully, still a hint of seriousness hiding underneath. This time, Eddie blushes and mouths at the edge of his cheap party cup with a fire growing inside his chest.

Maybe parties aren’t so bad after all.

Eddie didn’t have any sense of what time it was. Late, probably.

“Why’s everyone leaving?” He pouted and turned to look at his friends, who were entertained by the sight of Eddie and Bill dancing comically in front of them. They had their arms linked, facing different directions and spinning around in circles. “Woah, the room’s spinning.”

Beverly lowered the cigarette from her mouth, Mike allowed her to smoke inside now that the space was clearing up. “That’s because we shut the power down half an hour ago so they’d get bored and leave.” Tightening the grip he had on Bev’s mid-section, Ben chuckled.

“You’ve been dancing without any music.” Bill started to sing some tune they all remembered from childhood, tugging on Eddie’s arm to keep spinning. He wasn’t prepared for such movement so he fell on his butt and dragged Bill along by the arm, who started laughing as soon as he hit the floor, and Eddie.

Their little show had ended some hours ago, with a lot of success, anyone would say. A group hug was shared, along with some drunken apologies from the ones that hadn’t shown support previously. Needless to say, everyone was forgiven without resentments.

Eddie let his head hit the floor, laying there with Bill half on top of him. It was very warm inside.

“So, what now?” Stan asked, although he would regret this as soon as Richie dizzily got up without a word. “Oh, no.”

“Shhhh.” Richie said while rounding the couch to stand behind it. He placed both hands on the cushioned back and pulled so hard his knuckles turned white. At last, he gave up and huffed out an exhausted breath.

“What, exactly, are you trying to accomplish?”

“Stanley, I’m starting to believe you have a fixation on me. I’m flattered.” He ducked his head to lick a long stripe on the side of Stan’s face. He jolted with disgust and desperately rubbed the spot with the back of Mike’s hand.

‘Such weirdos.’ Eddie thought. But he was still on the floor, maybe Bill was snoring by now. Who’s the weirdo, in the end?

“Miikeeeey.” Richie keened. “Come save me with your guns.”

The said boy turned his head around in his seat. “My what, now?” But he got up anyway at the sight of Richie’s baby pout. They both stood behind the sofa and started pulling again, moving the piece of furniture along, gaining speed at each step.

“What the fuck?!” Stan jolted in his seat while being moved backwards.

“We wheeled the couch, babes!”

“Why would you do that?!” But Stanley didn’t get an answer, watching Ben and Beverly have fun. The room was moving in the background. Soon, Mike and Richie were giving one final tug and running out of the way, the couch rolled around at a fast speed until it stopped right before hitting a wall. Richie mocked Stan for the high-pitch scream he let out.

Eddie sat up, shaking Bill out of his sleepy state, to stare with amusement at the little wheels he failed to notice drilled on the couch feet. When Richie and Mike resumed their previous place ready to push their friends to the opposite wall of the barn, Eddie got up and tried to run without falling. He messily threw himself on top of the legs of those who were sitting, earning a groan in response. No one tried to move him away.

“I don’t think we can move the four of you as easily.” Mike stated.

“Cowards, do it.” Eddie retorted back, and everyone laughed at him. What’s so funny?

“Hop off, Eddie. I’ll help.” Beverly pushed Eddie off of the couch. He ended up on the floor for the second time that night before sitting on Bev’s previous spot and bending his legs underneath his weight.

Bill stumbled to his feet and tried to look for the main power switch to turn on the stage lights again while Bev, Mike and Richie finally started their little race. A collective scream came from the group at the speed they were gaining. The barn was wide, sure, but they were close to hit the wall if it wasn’t for the sudden turn the ‘drivers’ managed to do. The sofa started to spin at a slower speed until they decided to keep doing that instead of running around. The three of them pushed the right places to keep the couch rotating until Ben begged them, with tears streaming down his face from laughing, to “Please, stop, I’m going to pass out.”

It was the most stupid thing they could have done, but it was also the most fun.

That fun was instantly killed when Eddie threw up outside after getting up. He had ended up crying, too, maybe because he was pissed, or maybe because his feelings were all over the place.

It was probably around 4 a.m. that Mike announced he would get everyone some blankets and throw pillows from his house. He was gone, approximately, 15 minutes. That time was enough for Bill to park his car inside the barn and scrape his right rear-view mirror even though the barn entrance could fit a bus.

By the time Mike came back, the lights were already off and he was greeted with the sight of Bill’s car inside, every door opened and the couch placed directly underneath the trunk. Both Beverly and Ben were already squeezed on the red sofa.

Bill was awkwardly trying to curl himself inside the trunk without stepping on the couple sleeping. Mike suppressed the urge to laugh and helped his drunk friend inside while giving him one of the many blankets he brought, along with a pillow.

Another one was draped over Ben and Bev, but no pillows for those two, lucky ones. When Mike peered inside the car, he saw, fondly, that the backseat was slightly tilted back, minimizing even more Bill’s space. Richie and Eddie looked very uncomfortable in there, bigger legs hanging outside. He threw them a blanket aggressively, startling both of them up. He was flipped off, worth it.

Lastly, both front seats had also been tilted back as much as they could go. Stan stood on the driver seat, laying sideways and looking at Mike with interest. He was minorly tipsy, but his cheeks were the most flushed. No words were spoken as he climbed on the passenger seat and gave Stan the last pillow. His arms curled around it. The remaining two blankets were sorted between them, deep breaths already being heard by some of their sleeping friends.

That night, the only reason Eddie woke up was to curl around Richie’s body and being held tighter right back.

Happiness was truly intoxicating.

rooftop taglist: @richietoaster @rainydayriots @reddieloves @thetrashmouthclub @lemonboi03 @noodleboyshane @pillsandglasses @studpuffin @dandelion-stan @reddiesetrichie @squishynonbinarytwink @itschunky @burymestanding @duderrific @its-rye @salty-kaspbrak @youtubequeens @reddieseggrolls @addimagination @pastelstozier @sleepysirenprincess @constantreaderfool @mrs-vh @eds-trashmouth

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themisadventuresofcando · 6 years

Text

Life #13 - Adventure Time

Character Sheet

Face Claim:

Basic

Name: Carmencita

Pronunciation: Car-Men-SEE-Tuh

Meaning: Little Song

Nicknames: Carmen, Angel

Name Origins:

Carmen: Shortened from Carmencita

Angel: A little nickname Finn gave me in reference to my position and the fact that I tend to wear mostly white

Aliases: Meadow Princess

Alias Origin: I wear a lot of flowers and at the time I didn't want anyone to know who I really was so…

Titles: Emissary of Life, Princess of Life

Orientation: Heterosexual

Gender: Female

Age: 16

Date of Birth: Pre-Mushroom War

Star Sign: ??? (What is a star sign? Is it something humans used to do? I didn’t pay much attention to them before the Mushroom War...)

Birth Flower: Lotus or Daffodil (I happen to think they relate to my life)

Meaning: They Both Mean Life and Rebirth

Birthstone: Aquamarine

Meaning: Good Health (Especial during long travels or on the sea)

Species: Our species doesn’t have a name as there are only three of us in existence (some would call us angels and others reapers)

Affiliation: The Kingdom of Samsara

Social Status: Crown Princess (I may be younger, technically speaking, but I suppose I’m more level headed)

Representation: Life, Birth, and Rebirth

Dead?: I suppose we all die someday...

How?: Hmm… I wouldn’t know our names aren’t in our books (though they might be in fathers)

Death Date: ???

Last Words: ”Dying is the one thing I’ve never done… How exciting!”

Appearance

How Old They Appear: 16 (though I could choose to appear any age)

Eye Color: Deep Blue

Glasses/Contacts: N/A

Skin Tone: Pale (which is odd as I’m in the sun quite a bit)

Hair Color: White

Hair Length: Hip Length

Hair Type: Straight

Hairstyle: Loose Messy Ponytail (Good for Adventuring) or Pinned to One Side and Curled

Height: 5’1 (As Marcy likes to point out I’m an ”itty bitty thing”)

Piercings: N/A (I’m a bit of klutz and I’m afraid they'd get caught)

Tattoos: N/A

Scars: N/A

Birthmarks: Lotus Symbol on Left Side of Ribs

Other: I tend to bruise pretty easy so there's probably a couple of those on my legs and arms

Wardrobe

Style: Girly, Floral, Mostly White with Splashes of Color

Favorite Outfit: White Overall Dress, White Loose Long Sleeved Shirt, White Thigh High Stocking with White Bows on The Front, White High Top Sneakers with Pink Flowers on The Sides, White Flower Crown

Casual Outfit: White Knit Sweater, Pink Lotus Print Skirt, Plain White Thigh High Stockings, White and Pale Pink Flower Crown

Sleepwear: Short Sleeve Mid Thigh Length White Nightgown

Winter Outfit: White Hooded Dress Coat with Light Brown Fur Trim and Bear Ears, Knit Thigh High Stockings, White Knee High Boots with White Fur Trim and White Pom Poms, White Knit Fingerless Gloves with Knitted Flower, White Flower Crown

Formal Outfit: White Asymmetrical Long Spaghetti Strap Dress, White Rhinestone Floral Flats, White Elbow Length Floral Gloves, White and Light Pink Flower Crown, Silver and Diamond Floral Tiara

Accessories: Flower Crowns

Scent: Sugar and Lotus Flowers

Relationships

Mother/Mother Figure: N/A

Relationships: My sister and I were created purely by our father

Father/Father Figure: King Thanatos

Relationships:

My father is a very strict man and doesn't tend to show his affection often. It is for a very good reason as he is not only king but in charge of the entire cycle of life, death, and rebirth and must follow strict rules or very bad things could happen. One slight misstep could throw the whole world off balance. As such he is very strict with us to make us follow those rules. He does love us, he just shows it through much smaller actions then he does with larger affections or words. He will frequently leave us little gifts in our rooms when we’ve been away a particularly long time or give us breaks away from what we do if we experience a particularly “rough patch” (in my case either preventing ‘wrong’ births or a lack of births and in Olivia’s incredibly frequent deaths). Our father is not an emotional man but we’ve been with him so long we can tell how he feels through the slightest of changes. Most particularly when his frown is a little deeper and he looks a little older it means that he is sad or disappointed that he must punish us for breaking a rule whether it was knowingly or unknowingly. Usually, after this, we also get a small break to recuperate as punishments are quite severe fitting the severity of breaking the rules. I love my father more than anything despite his lack of affection because I don't need him to show how much he loves hs to know he does.

Brothers/Brother Figures: Jake the Dog

Relationships:

Jake is quite the funny dog and very helpful too. I usually go to him for advice instead of Olivia because she is quite bleak about everything. He is much more balanced, not too pessimistic and not too optimistic and it helps me think things through more to hear it put in such a way (even if it doesn't always make sense). I particularly like to cook or garden with him as I always end up laughing too hard by the end of it. He gets really concerned whenever I tag along on adventures because I don’t tend to want to fight the creatures and can very easily get hurt because I won’t defend myself. He is frequently the one arguing against my going with him and Finn and is usually the one who ends up having to patch me up. I shouldn’t but I find it very funny when he freaks out the way he does as he usually over exaggerates and overreacts. He is also usually the first or second to freak when I get kidnapped by Ice King and won’t hesitate to rush to my rescue like the loyal friend he is. I do consider him one of the closest friends I’ve ever had. I suppose that's why I’ve befriended a few of his past lives as well.

Sisters/Sister Figures: Princess Olivia, Marceline the Vampire Queen

Relationships:

Olivia tends to look down on my befriending of people through their lifetimes. She thinks it hurts me to have to start our relationships all over again even if insist otherwise. I know it’s just because she’s looking out for me and she wants me to be happy but she needs to start worrying about her own problems instead of pushing them away to deal with me. Outside of that the only other thing we fight about are near death experiences. She hates them because they’re a complete toss-up as to which one of us is needed but I think it’s exciting so I usually have to stop her from just ending it for them. She thinks its a waste of time waiting to find out if they’ll die and go to her or be reborn, in a sense, and go to me. Outside of these arguments, we get along quite well. It isn’t as if we talk to each other about everything or know everything about each other it’s more that we trust each other enough that we would feel comfortable telling each other anything even if we don’t. We know just what to say to each other and we can read each other with just a few looks. Olivia usually knows the difference between when I’m really happy or when I’m forcing myself to be but even she makes mistakes, after all, I’ve had centuries of practice. I know one thing that aggravates her about me (as it does everyone else) is my refusal to fight to the point of not fighting back when being attacked unless I deem it absolutely necessary. We are definitely more affectionate toward one another than our father is toward us and I am definitely the most affectionate out of the three of us by a long shot.

Marcy is an odd case, to say the least. She is both alive and dead yet neither! It’s very confusing but also quite exciting! I suppose that’s why Liv is dating her. Though another reason might be that she is immortal and she won’t ever have to worry about losing her to old age. Marcy is really laid back and is very fun to hang out with. Her pranks are very amusing and her music very entertaining. She has been trying to teach me to play guitar and so far I’ve managed to learn a few chords but I have a wandering mind sometimes and it can be hard to teach. I like to join in on her pranks (especially those against Bubblegum) and, according to Marceline, I have a very creative mind to “put our pranks over the edge of hilarity”. I don’t spend as much time with her as Olivia (they are dating) but I would say we are pretty close.

Current Guardian: King Thanatos

Relationship:

Father actually doesn’t watch over us much as we all have our own duties to attend to but I do love him very much.

Current Significant Other: Finn the Human

Relationship:

Finn is very awkward and very sweet. He gets very flustered around girls and just doesn’t understand how to talk to them. He doesn’t understand how his actions can affect others at first. He is very kind and very loyal to those he cares about and would do absolutely anything to put a smile on their face. Finn apparently (according to Jake) had a crush on me for a while before he plucked up the courage to confess his feelings to me and had planned out this whole adventure that went awry to do it. Even though the whole thing went topsy-turvy Finn still managed to confess, though it was completely out of frustration and by accident. Finn has always been quite protective of me and it increased quite a bit when we started dating. He always looks out for me and “scopes the area for bad guys” and he has a habit of trying to show off to impress me even though he already does that by just being him. Olivia claims that we are so cute it’s disgusting but I tend to ignore her as I’m very happy with our relationship. Finn, like Jake, tends to overreact and over exaggerate when I get hurt or kidnapped or something of that nature, which I find a bit odd considering he’s usually all for me joining in on adventures which directly cause those things to happen to me most of the time. Of course, as with Jake, I have met Finn’s past lives and have befriended them in the past and fallen for a few as well. He always seems to draw me no matter who he is. It’s sad to watch them die, as I know everyone is meant to someday, but I find solace when I get to meet them again in their next life even if they do not know me anymore. I have loved Finn for a very long time and I suppose I always will.

People

Mentors: King Thanatos, Marceline

Advisor: Jake the Dog

Confidant: Jake the Dog

Teammates: King Thanatos, Princess Olivia

Friends: Olivia, Marceline, Jake, Lady Rainicorn, Ice King

Best Friend: Olivia

Love Interest: Finn the Human

Rivals: Olivia

Enemies: The Lich, Princess Bubblegum

Person Hated Most: Princess Bubblegum

Most Important Person: Olivia

Awkward Around: Princess Bubblegum

Admires: King Thanatos

Past

Hometown: The Land of OOO

Childhood: I didn’t really have one considering I was never really a child.

Childhood Hero: King Thanatos

Most Important Memory: Helping someone be born for the first time

Worst Memory: Stopping someone's birth for the first time

Present

Current Location: The Land of OOO

Living With: King Thanatos and Princess Olivia

Occupation: Princess of Life

Pets: Elephant named Lotus

Health

General Health: I don’t get sick unless someone curses me or if someone messes with the balance to stop births

Reason: Magic

Mental Health: Okay

Reason: My entire life

Sleep Habits: Very Light Sleeper

Diet: Vegetarian

Exercise: I run/walk around every day

Allergies: N/A

Injuries: N/A

Disorders: N/A

Deformity: N/A

Disabilities: N/A

Mutations: N/A

Handicaps: N/A

Medication: N/A

Abilities

List of Powers/Abilities: Bring people into the world, Help people who are reborn adjust to life, Prevent Births, Invisibility, Teleportation, Flying

Origin: Creation

Elements: Life

Alternate Forms: N/A

Strengths: Invisibility, Evasion, Hiding, Teleportation, Manipulation

Weaknesses: Fighting, Stopping Births, Watching Deaths

Restrictions: Stamina

Immunities: N/A

Personality

Good Traits: Sweet, Optimistic, Kind, Cheery, Generous, Observant, Very Good Memory, Smart, Clever, Pacifist, Loyal

Bad Traits: Stubborn, Childish, Hides Negative Emotions, Forces Self to be Happy to Optimistic Even When I’m Not, Holds Grudges, Can Be Manipulative (only if I have to be… I don’t like it), Won’t Defend Self

Neutral Traits: Soft Spoken, Curious, Dreamy

Likes: Dresses, Skirts, Flowers, Elephants, White, Friends, Pancakes, Cooking, Gardening, Sleeping, Crystals, Painting, Baking, Music, Ice Skating

Dislikes: Dark Colors, Bugs, Fire, Princess Bubblegum, Playing with The Balance, Waking Up

Pet Peeves: Leaving things in the sink when you can clean them, Stepping on flowers, Princess Bubblegum

Superstitions: Believes in the Properties of Plants and Crystals

Ambitions: To be a good leader when I take over for my father, To help people adjust to their new lives, To learn to play guitar

Talents: Cooking, Painting

Sense of Humor: Laughs at everything

Darkest Secret: I feel guilty for helping people come into this world who will end up hurting it

Does Anyone Know? Who?: No (everyone thinks I’m just happy to be bringing life into the world or helping them adjust to their new life)

Greatest Fear: Messing up and breaking one of the big rules

Why?: Well outside of punishment, one of my big rules involves not helping bring new life into the world (the same as letting them die before they were meant to) and it just makes me feel guilty especially if they were going to do something great.

Other Fears: The Balance being destroyed

Why?: The world would end...

Most at Ease When: Baking or Gardening

Most Uncomfortable When: Arguing/Fighting

Enraged When?: People I care about are attacked and hurt

Depressed When?: I have to stop the birth of a new life

Frightened When?: Being punished or attacked

If Granted One Wish What Would It Be?: To live a normal life and die old

Habits

Bad Habits: Lip Chewing, Trying to Hide Face When Embarrassed, Daydreaming Often, Quiet When Upset

Good Habits: Gets Work Done as Quickly as Possible, Likes to help People

Hobbies: Gardening, Ice Skating, Baking, Cooking, Gardening

Instrument?: Hopefully, guitar

Sport?: N/A

Spending Habits: I Don’t Spend

Drinks?: Water

Smokes?: N/A

Drugs?: N/A

Nervous Tics: Biting Lip

Favorites

Prized Possession: FLOWER CROWNS

Color: White

Quote: “I’m a simple person who hides a thousand feelings behind the happiest smile”

Genre: Fantasy

Season: Spring

Flower: Lotus

Flavor: Lemon

Food: Blueberry Lemon Tart

Dessert: Carrot Cake Parfait

Soundtrack

Theme: Upside Down by Set It Off

Reason: I try to be very cheery and optimistic person in my life. I’ve always tried to be since I started my life. I know bad things happen and they suck but I try to look on the bright side even if it's really hard for me to do sometimes.

Past Theme: Circle of Life

Reason: My sister and I are the circle of life. We connect everything. We represent the one thing everything has in common life and death.

Couple Theme: A Thousand Years by Christina Perri

Reason: I feel like this is very accurate to my relationship with Finn. I have fallen for his past lives and his current life over my very long life and I have no doubt that I will fall for his future lives as well. It was a scary thought at first but now I embrace it and will happily stand by him in any life.

#Adventure Time #adventure time oc #finn

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