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#i really like this way of writing about john
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headcanon: youre a new student at an MMA academy that the tf141 runs.
its just price in this one, but everyone will be present at a later point :))
the first time you walk into the gym, youre all wide eyed and nervous, the world of martial arts a part of your distant past. but with the state of the world you figured that some self defense classes were a necessity, lest you end up battered and bruised in an alleyway somewhere.
When you walk in, the gym is shockingly neat and clean, windows shining and floormats soft and new. you weren't exaxtly sure what to expect, but this was a pleasant surprise.
the prior class was finishing up, children running about and throwing punches at the punching bags scattered around the gym.
at the forefront was a man, broad shouldered and handsome...in a dilf-y sort of way (not that you were complaining!!) with a grin shockingly similar to a quokka, you thought to yourself with a small huff of laughter.
he must be the coach you had been in contact with for a bit to set up the trial class. John, you believe it was?
"ALRIGHT, first person to knock me over wins. You get two kicks each!" John calls out, his voice booming yet kind.
Laughter echoes throughout the gym as the children attempt to knock him down, but he remains still as a statue, evidence of the years of strength he gained.
A few minutes later the class finishes up, and you make your way over (a tad bit nervously) to introduce yourself.
"Hi! Um, I'm here for the trial class, I think I spoke to you over the phone?" you say, sticking out your hand for him to shake.
He smiles warmly, clasping your hand in his and giving it a firm shake.
'That's right, John Price, it's a pleasure. Welcome to Task Force Training Academy, I have a feeling you fit right in. Have you ever done anything like this?" he asks.
"Not...really? I mean, I did boxing for a few months last year but my skills are nothing to write home about. Taekwondo too, but that feels like a lifetime ago," you say with a nervouse chuckle.
"You chose the right class then, kickboxing combines a lot of skills from both of those disciplines," he says, clasping your shoulder in a friendly manner. "You did good," he says, and you feel yourself flush a bit.
"Th-thanks," you say, and wince at the stutter in your words, but John only smiles down at you.
"Do you have any hand wraps? Boxing gloves?" he asks, letting go of your shoulder. Somehow you already miss the warmth.
"I have hand wraps from boxing, but that's it," you say, shrugging.
"That won't be a problem, we have plenty of gloves you can borrow," he says, before you hear a bell ring out.
"Ah, class is starting. Just grab a jump rope for the five minute warm-up," he says, pointing toward the wall where a collection of jump ropes were before taking his place at the front of the room.
Grabbing one quickly, you hurry to an open spot and begin.
~
...5 minute feel like an eternity.
You're painting like a dog in the heat, your face warm with exertion as the timer finally finishes.
"Don't worry," John says with a deep chuckle. It was unfair how velvety smooth his voice was. "We'll get your endurance up in no time."
Somehow you feel your face heat up even further, and glance at anywhere but John's devastatingly blue eyes.
"I have no doubt," you murmur before rushing to put the jump rope back.
"Okay, we'll start out with partner work. Usually I would start with bag work but since we have a new member," he gestures toward you, and you wave awkwardly to the rest of the class, "I thought it might be best to return to the basics. Pair up, and we'll work on the basic punches first. Jab, cross, hook, et cetera. Go ahead," he says, before turning towards you.
"You, my dear, will be working with me. Let's see how much boxing stuck, hm?" he says. "Gloves are over there, grab a pair and we can begin."
"Yessir," you squeak, the prospect of training with the head coach a bit daunting.
"No need to be nervous," he says, nudging you lightly toward the shelves where the gloves were. "I just wanna get a grasp of how much you know, and what we need to work on, yeah?" he says with a kind smile, and you nod before grabbing a pair of gloves to use.
The one glove goes on without issue, but the other glove betrays you. The strap you struggle with, hand motions limited to crab movements as you try to grasp it enough to attach the velcro.
You hear John laugh lightly again as he watches you struggle before he grasps your hand in his, doing the strap for you.
"Thank you, coach," you say, and he hums in response, eyes seemingly lost in thought for a moment before refocusing on you.
"Let's begin, yeah?"
You nod in response, moving to a more centralized area of the gym. You move into the fighting stance you remember, and he nods approvingly.
"Good, that stance is what I like to see. Do you remember your jab?" he asks, and you hesitantly throw out a punch you recall being called a jab.
"There you go. Try adjusting your wrist to a vertical position rather than a twisting out. Its not incorrect, and I'm sure that's how you learned it, but," he explains, grabbing your gloved hand for a moment. "When your punch is horizontal, your wrist wants to take the majority of the impact. Instead, we want it vertically, so that the impact is distributed throughout the forearm all the way down to the elbow," he says, his fingertip barely ghosting down your arm, but it leaves goosebumps in its wake.
You nod, the heat in your face no longer just from exertion anymore. Adjusting your stance, he holds out the pad for you to hit again, and you listen to his advice.
A delighted grin splits his face at the impact.
"Atta girl, you listen well," he says, and you mutter out a "thanks".
Holy HELLS, the temperature in the room felt like it was rising by the second.
In your embarrassment, you fail to notice the slightly smug expression on John's face, your reactions priceless.
Recovering, you reset, glancing back up at him as he nods.
"Again."
a/n: THIS WAS SUPPOSED TO BE A SHORT BLURB, RAHHHHH. i was supposed to stusy half an hour ago :/ anyway, this fic is purely because i had my trial class for kickboxing today lol, and is almost based entirely on true events :p (though yknow, the coach was not john price and flirting with me, :/)
ANYWAY, i might start a series of this...we'll see what happens :))
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abiiors · 1 day
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HI HELLO HI this is a half-formed, fully horny, wedding guest ross concept. i'm not fully back to writing yet but ross in white is a damn good muse!!!!
cw: minors dni!!! smut, finger fucking in a bathroom, alcohol consumption, smoking, typos probably-i wrote this at work
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you haven't really met a lot of john's friends yet, that's probably why you don't remeber seeing this handsome stranger across the bar, cigarette dangling between his fingers, a glass of whiskey in his hands that he sips from so lazily.
he's busy in conversation, you're busy gawking at him, wondering how you've never seen him before (and this you're sure of because let's face it, there's no way you're forgetting this man if you'd ever had the chance to talk to him before.) much to your surprise, he's alone--well, his group of friends is there and he seems particularly close with the groom but there's no date in sight. at least you hope not, because you've definitely caught him staring a few times--long, hard, lingering stares that make you feel like you're about to spontaneously combust.
"this seat taken?" he comes up from behind you just when you're think he's too busy socialising. you smile to yourself, throw him a coy smile too.
"not if you're the one asking."
"is that right?" he smirks and settles into the chair. up close he's hotter somehow--the white shirt clings to him in ways that have you drooling. he takes a quick drag of his cigarette and exhales the smoke to one side.
"ross," he introduces himself quickly, "no one told me there would be gorgeous bridesmaids."
you take a sip of your wine and tsk, "'m not a bridesmaid."
"so you're not off limits then?"
"off limits for...?"
he takes a sip of his whisky and leans in, almost like he's about to divulge a secret. then he looks you up and down slowly, gaze landing on your lips. you get the vague sense that he's undressing you in his head, and it sends heat swirling in your gut. "don't pretend like you weren't undressing me with your eyes, darling."
"and if i admitted to it?" you challenge, "what will you do about it?"
ross leans even closer, his breath fanning your face, his fingers are on your wrist, cool from the whiskey and deliciously callused. he draws circles on the skin. "i hear the first floor bathroom is not open to guests."
"is that right?" you mimic him, smirking when he nods.
"we can sneak in though. if you want?"
in one quick gulp you finish your wine and stand, smoothing down your dress that reaches just past your knees. he's up in an instant too, towering over you and so close that you can practically taste the heat radiating off him.
"lead the way," you giggle and he takes your hand in his.
--------------------
the marble edges of the countertop dig into your ass, his fingers dig into your thighs, and yet all of that simply fades to the background when you kiss--hungry and feverish, teeth clashing against each other, your lip caught between his teeth until you hiss and he slips his tongue in.
his hand snakes down your side, effortlessly undoing the hidden zip until you feel cool breeze against your ribs, and then his fingers--his big, warm, rough fingers, tracing the visible skin, leaving goosebumps behind.
hastily you loosen his tie and move on to his belt, fumbling with it until it's almost undone. ross laughs into your mouth.
"so impatient!" he tsks, "is that how much you want me?"
"the undressing with my eyes didn't give it away?" you retort, and finally undo the belt, sliding it out of the hooks and off his waist. it goes flying in some corner of the bathroom, clinks against a wall.
"turn," he pants, and the moment you obey, his hand are on the straps, pulling them down and off your shoulders until the dress falls just below your chest.
"fuck, darling!" he curses at the sight in the mirror--you, utterly breathless with messy hair and swollen lips. your peaked nipples are fully on display now. his eyes turn darker, taking you in hungrily, then he moves.
the moment his fingers close around your nipples, you moan, head thrown back and eyes closed and ass backed into his crotch where you can feel him completely. he's painfully hard and deliciously big and just the thought of him in you makes you clench around nothing.
"oh you are testing me," you grit out, desperate to be touched. his fingers circling your nipples feels good, his hand snaking down your body feels good, but you need more and more and more, you need him until everything other memory in you brain is replaced by the feel of his cock pounding into you.
he laughs, mouth hot on your neck, "what would you like me to do then?"
"touch me!" you hiss.
"like this?" his hand snakes down, bunching up the fabric of your dress until it's lifted up and around your waist. you close your eyes in anticipation, waiting, shivering when his fingers trace the inside of your thigh--up and up and up and---
"oops," ross grins, and rips the flimsy lacy underwear off you in one smooth motion. you gape at him in the mirror, but then his fingers are on you, circling your clit at a delicious pace and the buzzing in your head grows so loud, you forget the stupid underwear and forget the cold marble digging into your hips.
you moan, clutching on to the countertops when your knees threaten to buckle. "yes--god, yes, like that..."
tentatively he dips a finger in you and your breath hitches. ross clearly likes the reaction because a moment later he plunges a finger inside you, rubbing your clit with his thumb, thrusting the finger in and out and in and out until without warning he adds a second and you have to bite on the palm of your hands to stifle your scream.
"fuck, you'll kill me with those sounds you make," he growls in your ear, and increases his pace. you barely care to answer, mumbling something in gibberish, entirely focused on the feel of his fingers dipping in and out of you, of his thumb pressing into your clit and his cock digging into your ass.
heaven...is exactly how you'd describe it. your body agrees too--tensing and tensing until you're panting and barely even controlling the moans anymore. fuck it, it's fine if anyone walks in at this point. you and ross can put on a good show!
"'m so close," you moan, "ke-keep going, shit!"
and he does, his other hand snakes around your hips, holding you in place so he can reach deeper, hit your sweet spot with his long, thick fingers every time. your head spins, overwhelmed, dizzy and---
there's no warning like there usually is, all you know is that your vision goes white, your body feels slack and with a cry you cum all over his hand, holding onto the countertop to stay upright somehow. ross holds you too, dipping his fingers in and out slowly so you can ride out your orgasm. his hand feels wet and slick, your release coating his fingers. he looks like he's enjoying it though...
the moment you open your eyes, he holds your jaw in place, making you look at him in the mirror, them he places his fingers on his tongue, licking and sucking every corner, making you watch the filthy scene unfolding, making you wetter by the minute somehow.
"delicious," he moans, right in your ear. "ready for round two?"
you bite your lip and nod. "ready for round two."
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bravo4iscool · 2 days
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Hey , you can just say Au, where call-off-duty work in an office (more precisely, according to my idea, they get a new job), they come to a new place, they are met by the boss (Reader)
Tall,fem! reader, who is dressed in an office suit(?) (I really don't know what they're wearing), a bright blue shirt with a slightly open fly, a jacket, and a skirt just above the knees (damn,shit what's it called? A pencil skirt? Bro I don't I know, in general, the skirts that office women wear in movies :/)
(König, Soap, Ghost and, and others, you can choose any, honestly it doesn’t matter to me!:)
this is amazing! i really like this request🤭.
and yes they’re called pencil skirt hahaha.
(i hope you can forgive me that i didn’t include könig. i’ve never played him and don’t know much about him, that’s why he isn’t present here😭)
i hope it turned out the way you imagined it :)) (this is all in the same universe btw!!)
tag list: @yazt09 @blackhawkfanatic @bumblebeesfromvenus
(masterlist | join my tag list!)
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simon “ghost” riley
he didn’t want to take the job. he never was one for office jobs or generally any thing involving sitting and writing.
he didn’t push all the paper work down to poor recruits because he felt like it. he hated paper work with all he had and now he was sitting in a office, in some chic skyscraper, waiting for his new boss to arrive.
damn price for throwing this job at him.
simon was sitting at his desk, playing around with the pen in his hands. he felt so free to already do background checks on all his coworkers but while he searched everything for intel about you—he found nothing. not even a single crumb. that was weird…
and then you walked in. blue blouse, a damn right pencil skirt and your hair pulled into a neat bun. you have a bunch of files under your arm and your phone in the other hand.
you walk straight towards his desk and he doesn’t know what to think. you were so, so—he couldn’t find the words. he’s never met anyone that held themselves the way you did.
you smile at him and plant the files in front of him. “lieutenant riley?” you ask and he nods. “great! john told me you’d be here today. i have this bunch of mission reports that need to be looked at.”
again, simon just nods and grabs the files. “and then?” he finally finds his voice.
“you need to look for any discrepancies. these files are maybe the only change we can win this case,” you explain. “you’ve been in the military for long, haven’t you?”
“yes ma’am.”
you give him a relieved smile and simon feels like he’s been struck by lightning. “then you know what to look for, right?”
“absolutely,” he confirms and nods.
you wipe a strand of hair out of your face. “amazing! let me know if you find anything.” you pat his shoulder and turn to leave. simon wants to start reading already but then you stop. “oh, and lieutenant riley,” you catch his attention. “i’m glad you’re on board for this case.”
simon smiles and gives you a small salute. ‘call me simon,’ he thinks but then you’re already gone.
john “soap” mactavish
“you recommended me to a law firm?” soap raises his eyebrow in a questioning manner. simon nods and crosses his arms in front of his chest.
“‘s the same one i work for,” he tells his best friend with a shrug. “i’m sure they’ll be happy t’ave ya.”
soap frowns and plays with the rim of his whiskey glass. “why would they? i haven’t studied law.”
simon huffs and rolls his eyes. “‘nd ya think i did? they’re workin’ on expandin’ their military law wing. they need more experts than j’st me,” simon explains while he downs his glass of whiskey.
the younger man thinks for a second before he signs. “they’re paying good?” he asks and his best friend immediately nods.
-
soap was here. he really was here waiting to meet the boss of the law firm. he didn’t know much about her, expect from what simon told him…
after a few minutes he hears the door behind him open. “sargent mactavish,” a friendly voice calls out and soap stands up to turn around.
towards him walking are you, your signature pencil skirt and blue blouse. today you fly was slightly open and soap needed to force his eyes back onto your face. holy heaven, you were something.
“hello ma’am,” he clears his throat as he extends his hand. “a pleasure to finally meet you,” he says and you smile while you return the hand shake.
you walk around him to take a seat behind your desk. “the pleasure is all mine! i’m glad lieutenant riley recommended you. your war crime wing is expanding and when i told him he immediately thought about you!”
you quickly sort through a couple of files before you look at him again. “if i understand correctly you and lieutenant riley served together?”
soap nods and folds his hands in front of his lap. he was having a hard time to concentrate. you were just—you were a woman. a real woman.
“great!” you smile. “i will show you your workplace then!”
kyle “gaz” garrick
“simon,” you sigh. “are you really trying to convince me to hire your whole team?” you tilt your head at the lieutenant in front of you.
he shrugs, “maybe…”
“i though you and john were mastering the work alone?” you lean back in your chair. “i can always send one of my people over.”
simon shakes his head. “i want kyle,” he says—his voice barely leaving room to argue.
you sigh again and massage the bridge of your nose. “simon…”
“j’st f’r this case,” he tells you. “ya can let ‘im go after that.” the look in his eyes is pleading and you curse yourself for letting him have such power over you. “i need him.”
“this case,” you agree after a few moments of thinking. “and this case only.”
-
you walk into the office you have simon and john for their work. you open the door and three pairs of eyes snap towards you.
you give simon and john an acknowledging nod before you turn to the third man—must be kyle. “sergeant garrick?” you ask and he nods. “good. there are a few things we need to clarify before you’re allowed to work on the classified files,” you explain and gaz shoots a look towards simon. the older man gives him a small nod and gaz stands up.
“of course ma’am,” he slightly bows his head and crosses his hands behind his back. he was having a hard time concentrating… he knew about you from what soap and simon had told him but damn. that skirt was wrapping around your hips like it was tailored just for you and the way it highlighted curves–gaz felt like he was living a dream.
you immediately notice the way the sergeant is looking at you and you clear your throat. “sergeant garrick, you might want to look at my face when i talk to you.” his eyes widen in shame and he's lucky one can't see when he's blushing.
“of course ma'am. i apologize!” he trains his eyes on you, trying to ignore the way soap was snorting out a laugh behind him. he thought he was being subtle. probably not so...
captain john price
“lieutenant riley told me to deliver these files to him,” price groans when the woman at the reception didn't let him through.
“i’m sorry sir but i’ve not been told about that,” she gives price an apologetic smile and continues typing on her keyboard.
price groans and massages the bridge of his nose. “this has to be a joke. either, you let me through to lieutenant riley or i’ll make a way myself and i don’t know which one you’d like better!” he bangs his hand on the counter.
when he gets nothing more than a scared look he takes a deep breath and just pushes past the counter. “everything you have to do yourself,” he whispers under his breath.
moments before he sees simon a voice bellows through the office space. “excuse me sir,” price twirls around. “i believe my receptionist asked you to remain where you were just minutes ago.”
price frowns and tilts his head. “and i believe i asked to speak with lieutenant riley since he requested me to deliver these files personally.”
you shake you head and walk towards him. “i didn’t know that lieutenant riley runs this firm.” a smirk creeps onto your lips when you notice how the shock slowly shows on his face. “captain john price? or am i mistaken?”
price clears his throat and shuffles uncomfortably. “indeed ma’am. i am captain john price.” his eyes dart from your hips to your eyes and back to your cleavage. that blue blouse was really…working for you.
you nod and purse your lips. “well, captain price… in my law firm i believe in respect and respectful conversation.” you cross your hands behind your back. “what you are doing right now—“ you look him up and down “—is not respectful in any way.”
the captain swallows and averts his gaze. he’s never felt so ashamed before. what were you doing to him?
“everything you want to give to my lieutenant to can give to me.” you extend your hand. “or you learn how to talk and behave in the correct manner.” you raise you eyebrow in a questioning manner.
you know you got him when he takes a deep breath and straightens his back. “of course ma’am. i apologize.”
“great.”
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hogans-heroes · 2 days
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if u ever feel like it i'd love to read ur hcs about how gales childhood affects his and john's relationship?? love ur blog and hope you feel better soon!! <3
Oooh this is always something interesting to explore.
I feel like Gale’s childhood would affect a lot in his relationships, with John specifically. I was talking with @avonne-writes about John and Gale’s attachment styles and it quickly gets into sad stuff but also sweet in the way they can help each other heal.
Gale isn’t used to having someone really *see* him and care about him, where it’s not about Gale having to perform well or be “good” or “useful” or not getting in the way but actually loves him for him. Bucky goes out of his way to take care of Gale in thoughtful ways, bringing him things, checking in with him, asking him to express something and actually listening, etc. and touches Gale freely in the affection Gale is craving but doesn’t know how to ask for. HC that John is very perceptive when it comes to Gale and knows how to read him.
What I feel like Gale would struggle with is security in the relationship, even though he trusts Bucky (which was a long journey in itself) he still lives with constant fear that he will leave, not of his own volition, but taken away from Gale by something or someone outside of their control. So he has this constant grief of pre-mourning almost, clinging and pouring all his aching love into John because it’s only a matter of time until he’s gone. The more he loves John the more that hurts.
John has a completely different attachment style (go send Avonne an ask about that) but he tries to understand and reassure Gale. Gale would maybe struggle to really be present in the relationship and always be in fight or flight mode, the anxiousness would add stress to him and sometimes the sadness eclipses the happiness for him. God he loves John so much it hurts and he knows John loves him but one day it’s going to be gone and sometimes Gale can’t breathe for that.
Honestly there’s so many things we can go into with Gale’s childhood affecting his relationships but this is the first thing that came to mind. Please add whatever you guys think!
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velvet-vox · 3 days
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My Top 10 Favourite Male Villains of all time.
"How arrogant of you to think that any of us are anything but irrelevant". -John Greer, Person of Interest (2011-2016).
There comes a moment in a blog's life where some things are just long overdue, and while the argument could be made that this happened way too early, I'd say that as long as this helps me to find my groove, I am free to experiment as much as I want.
So..... Villains.
Gotta love them. As long as I do not meet them in real life. This post is in particular about male villains since I have one dedicated to their female counterparts in the pipeline so expect that to come soon enough and for this part to be rewritten. By the way, "villain" is a generalisation, I can totally put antivillains, antagonists or more general antiheroes in this list; your definition of "Bad Guy" can vary greatly and so can mine, someone like Walter White from Breaking Bad could have made it in here. My taste is very unusual, so prepare yourself for some unexpected picks.
Also, since these are meant to be some big celebratory posts, for the occasion I'll reveal my Italian heritage and translate every line of dialogue in Italian and publish it separately with a link, so that English readers who are learning Italian can exercise.
But first, some honourable mentions:
Oropo (Wakfu): Once you see the number 2 spot for both this list and the female villains list you might notice a certain pattern regarding my personal preferences when it comes to which characters I tend to gravitate towards the most, but while we're just talking about this guy, I cannot stress enough the amount of wasted potential that lies within his concepts and execution. Really needed two seasons of 25 episodes each to explore it to their maximum.
Tai Lung (Kung Fu Panda): Really like him, but not as much as others, I'll explain it better in one of the entries of my villainesses list. Also, unironically I feel like he's too sympathetic for his own sake and the movie's.
Bill Chyper (Gravity Falls): It's been way too long since I watched Gravity Falls, I really can't give you an accurate opinion on this guy anymore.
Flintheart Glomgold (DuckTales 2017): That season 2 episode. If you know what I'm talking about, you KNOW. Also the music for that whole sequence was a banger, really driving home the deranged nature of that twist reveal.
Big Jack Horner (Puss in Boots The Last Wish): I feel like when people praise Jack for being a breath of fresh air in a stale environment, they often forget just how good of a villain he was in his own right without the larger industry wide void of truly devious antagonists that act out of pure malice.
The Wolf (Puss in Boots The Last Wish): Two villain entries from one movie? Of course it was gonna be The Last Wish, what else could it be? Honestly I don't even wanna talk about this guy, you need to experience the movie for yourself.
Rob (The Amazing World of Gumball): Everything I have to say about this guy gets talked about much better by the number 6 Spot on this list, but as it stands Rob was my first villain OTP and the guy who opened the box of Pandora for me on what an antagonist could and should be, since then my perception of villainy only widened and now I enjoy their role in a story in much different way.
And now, with that out of the way, let's finally start with the ranking of my personal favourite male villains of all time.
Major spoilers down below:
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Number 10: Silco (Arcane)
This guy is the reason that brought me to specify who or what counted for this list as trying to simplify Silco into one specific group of characters is a challenge that can only end in a misunderstanding of what makes Silco such a complex and fascinating character with an amazing character arc, that ends with him not being redeemed, mind you, but allows the audience to grieve in such a way that would make a side character death jealous.
When writing an antagonistic character, Silco is my goal and high standard, and just for that he deserves all of my respect and endless praise.
Now, admittedly, Silco's arc takes a while to kick in, but it works out to his advantage by the end of it since you don't realise just how much you've grown to care for him until he's dead and you're left with the surprise.
10 out 10, the nation of Zaun would have been much better (worse) with him than with Vander.
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Number 9: The Riddler (DC)
The Riddler is literally my ride or die villain, when I'm in the mood for him, he's literally my favourite antagonist ever; when I am not in the mood for him, I completely forget about his existence.
When compared to many other entries on this list, Riddler is definitely more on the pop culture side of antagonism, and when you've been around for almost a century, you tend to have many different versions of the same character written by different writers, so I wanted to highlight here my favourite versions of him:
Arkham Games: He's hilarious. He's not my ideal Riddler, but whenever he comes on screen, his whiny rat's ass voice stimulates my pheromones.
Batman The Animated Series: I've heard somewhere that this version of him is disappointing, and to that I'll say... yeah, but only when he wasn't on screen, because otherwise, he kind of slayed.
Matt Reeves The Batman: This is the version that rekindled my love for him after so long. Out of every interpretation of The Riddler throughout the years, this is the one version that treated Edward more as a character rather than an obstacle for Batman to overcome, and for that I'll be eternally grateful.
LEGO Batman The Videogame: My very first introduction to The Riddler and the Batman universe as a whole, this version has a permanent place in my heart , I love how much information and emotion you can get out of him by just looking at his mannerisms and quirks alone; unironically, being silent helps him reach that quote on quote idealised version of Riddler that I was talking about earlier.
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Number 8: The Snatcher (A Hat In Time)
There are many things that can carry on a villain in a story, their evolution, stage presence, complexity, thematic contrast to their counterpart, and so on and so forth. While an antagonist can check off many of these boxes simultaneously (like the one pictured), there's one box that is almost impossible to truly nail perfectly: comedy.
You see, comedy is subjective, and when your main antagonist is also the funniest part of a given story, it becomes hard to also match a sense of gravity and menace that allows them to also be an imposing threat, even harder is to give said antagonist depth and a tragic backstory.
But somehow, out of nowhere, The Snatcher from A Hat In Time manages to simultaneously be the funniest character in his section of the game, carrie said energy throughout the whole experience even down to the DLC, simultaneously strikes the balance between being scary, wholesome, sympathetic and tragic, exude an insane amount of charisma, all while having a deeply disturbing backstory that touches on some heavy themes and re contextualises his actions into something more complicated and out of a broken man, everything I just said + he's the biggest bastard in his videogame and never repents nor does he have his actions called out.
Snatcher really has all the right cards that make a stationary character work and uses them to his maximum potential, and it works because his character arc throughout the game is more about becoming affectionate to Hat Kid than it is about redeeming himself.
Lastly, his voice actor, Luke Sizemore, aka Yungtown, really sells the performance of this devious soul eating worm and burns his catchphrases into your brain for the rest of eternity.
Fool.
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Number 7: Judge Claude Frollo (Hunchback of Notre Dame)
You can never say no to a classic.
There's nothing that I could say that hasn't already been said by thousands of videos on YouTube, but I'll try anyway: you see, Frollo is the reason why we need a new term to identify certain villains that aren't "sympathetic" but still make you feel some sort of human emotion and a form of "I wish someone could give you the care you need to fix your life", I guess the term empathetic exists, but when do you really see it used?
Now, don't get me wrong, Frollo is absolutely not sympathetic in the slightest, he wants to r##e a Romani woman that's way younger than him, but you can still feel that he's very troubled about it in the Hellfire scene and has definitely a lot of unidentified issues and internalised bigotry that could be worked through, even if it's too late to work through them right now.
In general, I feel like people forget that the main reason why past Disney villains worked had to do more with their human traits juxtaposed to their malice rather than just their plain wickedness, otherwise the Horned King from the Black Cauldron would be top of the Disney villains league and that couldn't be further from the truth.
We should really strive towards writing more villains like Frollo, less omnipotent beings that end up falling flat because they don't have much thematic relevance aside from being a threat (Bill Chyper works because he represents Ego and he's used sparingly) and more average vicious individuals who use their power and influence to get what they want.
All in all, if you've seen The Hunchback of Notre Dame, then you know why this guy is here.
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Number 6: The Spot (Spider-man across the Spiderverse)
"You've hit me with a bagel!" It's still the greatest villain origin story of all time. There's truly something maniacal about this reveal, like the entire universe was shattered and reality was shocked at the mere realization that while Miles was having his coming of age moment back in the first film, this guy was having his normal life completely and utterly shattered by a combination of both our heroes stepping up to do the right thing and our doofus lack of foresight and self reflection; all of this stuff is hilarious and completely made up for the film but good god they did such an amazing job tying all the elements together in an unexpected way that makes sense and parallels the journey that our protagonist faced in the first movie.
Like with Rob from The Amazing World of Gumball, and a little bit like number 2 on this list, I just really enjoy the concept of turning background characters who had no relevance whatsoever into the big bad of the story who's been there all along and the heroes (and the audience) just couldn't notice.
With The Spot in particular, there's that sense of satisfaction of turning the wasted potential of a villain who has been underestimated for literal decades and treated as a "villain of the week" (God do I love the meta narrative of this movie) into an actual competent, well written antagonist that is aware of his reputation and strives towards bettering himself and his powers.
He's also the funniest character of his movie too and the voice acting of Jason Schwartzman only accentuates his mannerisms and pettyness.
He also has the coolest usage of portals I have ever seen and his whole "There's a hole inside all of us" is simultaneously hilarious and very deep personal information that can only be understood if you put yourself into his shoes.
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Number 5: Lord Shen (Kung Fu Panda)
"Happiness must be taken. And I'll take mine"
.....
What a character.
What a movie.
You cause so much pain and suffering, because you don't understand the people around you, and then those people banish you, and you can't understand why, so you start to believe that they hated you.
They never loved you, so you keep causing pain and suffering but it's not that easy anymore; the guilt starts to resurface, all those bodies keep piling up, but you can't stop because then it would have all been for nothing; so you keep chasing those dreams of grandeur because that's all you have left; the emptiness in your heart can no longer be filled by love, so you try to fill it with something else.
You try to fill it with power. You try to fill it with glory. You try to take everything else for yourself so that you can fill that cup, but it doesn't work, because that cup has no bottom.
And so you're left... with yourself.
And the damage you've done. But now it's different; you've failed. You are left with nothing. Nothing.
And so you outrage, for the last time... And then it all ends. Forever. And you've finally come to accept this, after all....... Who could ever love you?
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Number 4: Spamton G Spamton (Deltarune)
You know, in retrospect, it's kind of insane what Toby Fox managed to achieve when creating Spamton.
Not only because Spamton feels like the most insane combination of ideas ever conceived, but also because Toby Fox created such a complex character with such a complicated language and personality and then not only shafted it all aside for the players to go out of their way to interact, but also made all of this in what are officially 2 or 3 cutscenes at most (4 if you consider his shop encounter as one) and only one of them being truly mandatory.
You spend so little time with Spamton, and most of that time is spent fighting him, and yet by the end of it you've become enlightened by the knowledge of him, that after a while... you forget how scary it all was.
All the memes comparing Spamton with Turbo are 100% correct and justified, Spamton truly is Turbo but better; you go through an insane rollercoaster of emotions with this character that you are left absolutely dumbfounded when it all comes to a stop and you go back to play the rest of chapter 2 normally.
I'll admit, I've considered putting Spamton in place of the Number 3 spot on this list; but then I've realised that on an objective level, the next entry totally deserves to be ranked above Spamton; plus, with at least 5 more chapters of Deltarune on our way, whose to say that one of the next gremlins won't be able to dethrone even the number 1 spot?
Drumroll for our top 3:
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Nox, the Watchmaker (Wakfu)
There will never be another experience in my life as cathartic as watching the first season of Wakfu for the first time ever again.
On a later rewatch, the initial problems of the problems you've noticed throughout the season become too apparent to ignore, but the first time everything that goes from the tournament to the finale is one of the best paced arcs of television, and everything that happens when the team reaches the Sadida kingdom is just peak Wakfu.
And the king, the culprit, the crown jewel of properly paced stories and arcs is no other than the sad clockwork dilf himself: Noximilliem Coxen the Watchmaker.
Arguably, the greatest sympathetic villain of all time. There has never been another case of a character who has committed such vile, unspeakable crimes, and yet still managed to make me root for them while simultaneously not putting down the heroes.
And let's not be mistaken here, Nox is pretty evil:
Aside from the generic murder, Nox also defiled and stitched together the corpses of multiple victims and turned them into his obedient puppets in order to commit even more murder and genocide in order to achieve his goals.
Also, this is one of the funniest crimes Nox has committed: he abused his dog. It's really not that funny nor that important in the context of the show, but if you look back at it from my perspective then it's really like: Oh yeah. That happened too. Lol.
By the way, he fixes the one problem I had with Tai Lung from Kung Fu Panda, where he's too sympathetic of an antagonist for Western audiences, so the writers had to go out of their way to make him more evil than he really was and that's why in retrospect his death scene really sucked, but with Nox his defeat may actually be the best part of his entire arc and I want a One Villainous Scene video with the "20 minutes" scene.
Words alone cannot do justice to the treacherous, gut wrenching emotional rollercoaster that is experiencing his story for the first time. An hour long video essay would only serve to cover the basics and fundamentals, while for the real deal you need to watch the first season of Wakfu for yourself.
Number 2:
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Bradford Buzzard (DuckTales 2017)
And now it's the perfect time to pull out my final wild card, the hole of the sink of my autism, the masterpiece of wasted potential that is Bradford Buzzard from the DuckTales remake of 2017.
When you'll also see the number 2 spot on my villainesses list, you'll come to realise that this spot is more of the "I really wish I could put this at number one but I can't because objectively he doesn't deserve it and the majority of things I love about him in canon were probably an afterthought and in fanon were never plausible to begin with."
And that's how I feel about Bradford Buzzard, an antagonist I spent more time thinking about than probably anybody else on the Earth.
The show runners were so genius for this: we are going to create an original character that will probably struggle to maintain a foot print on the franchise due to the way the Duck verse works, we'll give him an insanely cool backstory and motivation, all coupled with interesting character traits and ideology, we'll make him the ultimate foil to Scrooge McDuck that has been working with him for literal decades, we'll make him the one who has got the closest to isolating Scrooge and destroying his family, and THEN we'll turn him into a generic anime villain that shoots lasers and fumbles his own plan and loses because of insane plot armour and contrivance. Good job writers.
And now, for the one and only,
Number 1:
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(Note: I specifically chose this picture to avoid spoilers)
Qilby (Wakfu)
Boy oh boy, where do I even begin with this guy, he's the first Wakfu related post I've made on this blog for a good reason, nothing can compare to the level of bastardy that this thumb sucking old fart is capable of putting you through.
If Nox is the single greatest sympathetic villain of all time, then Qilby is by far the greatest twist villain of all time, and the crazy thing is that he surprises you two times in a row, at first by revealing himself as more evil than you could ever imagine, and the second time by being more complex than you could have ever anticipated.
Let me paint you the picture: you just finished the first season of Wakfu after being drawn towards the show by the hype surrounding Nox, so you think to yourself "Oh, now there won't be any more thought provoking, well written antagonists" and you start the second season.
So far, everything is normal, even better of the first season in terms of engagement value, but you can't help but feel the lack of a Nox like figure inside of the story, but at this point, you just accept it.
Then the final six episodes roll around and OH MY GOD WHAT IS HAPPENING, HAS THE WHOLE SHOW JUST GONE INSANE? ( The answer being that it was insane from the start)
But hey.
That's just Qilby for you.
Good job, you old sad bunny man.
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entropicbias · 2 days
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Last couple asks has me wondering what kind of johndave rep DO you like to read/see? Any examples you can think of in fanworks? And just your own interpretation. Thank you
i have got to reiterate that this is just a me thing. i'm not saying this to police anyone on their writing! i'm just really specific about the way i see these two get portrayed.
this is gonna suck and i'm gonna ramble about it for a while cause i'm mentally challenged. i have a hard time explaining my own thoughts with accuracy. sorry i can't keep this short and sweet. i am the type of person to just know when something is done right. i can't tell you why, but i'll try for you, anon. if you don't want to read all this here, i summarized it.
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even more simplified
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this is so crude. canon dave is really hard to nail for writers for some reason let alone the specific way i see him. i like a more chillaxed dave. some of the things that really throw me off with dave writing is missing the mark on how annoying he is and dumbing his character down to either angst, obama and apple juice jokes, or him being gay. i think john also encounters this issue. not enough research goes into their interests so writers can only represent them with the bare minimum. nicholas cage, con air, and 'dave i'm not a homosexual'. john and dave are assholes. they tease each other and aren't shy of doing that to other people. not that they're bad people! they care about each other and their friends a lot! but they're not afraid of being really honest about their thoughts or overexaggerating something that doesn't really bother them to poke fun at someone. they can make mendacious remarks to be polite, it just doesn't occur to them as often as just blatantly stating their thoughts on something or someone. i also like seeing them have more naturalistic dialogue. for some reason, when i think of that i think of zach from oneyplays or his character charlie from smiling friends. which is dumb even if it gives you an idea. i feel like a lot of this kind of banter is missing from these fanfics i read. at least, in the way i want it to go. think powerup comics.
gay part upcoming. i think the john and dave's relationship is best portrayed as a childhood crush that is unspoken of. a term i recently learned was "demiromantic", and i think that very perfectly describes how i think john's homosexuality would work. i mean, he doesn't really have a problem admiring dudes, which in itself could be called gay but that's not why i think he would be attracted to dave. i think it's kind of hilarious when people attribute john's homosexuality to him being "romantically interested in cage". john's idols are more like heroic figures to him. i don't like it when that is used as evidence that he's gay unless someone is making fun of him. this is the part where i talk about how john insists on the fact that he's straight. i'm not doubting that at all i think john still likes women and it's easier for him to do so. but he can also develop feelings for someone like dave. hence why i think he's demiromantic in that regard. this is exactly what my sexuality is like, so maybe i am projecting. i like to imagine i'm not projecting incorrectly, though. i think he'd only be able to develop feelings for dave in a setting where he is really a prominent figure in his life. earlier acts of homestuck were like this, but unfortunately the johndave relationship wouldn't work out on john's end with the way homestuck went. their friendship was kind of forgotten after a while, which sucks. in an ideal world, they would have remained in contact and then gotten close again in earth c. but dave was written to be with karkat and jade, which either nulls his feelings for john or opens up a whole new avenue of internalizing it. which is dumb and convoluted and i don't care about postcanon.
dave on the other hand would think about his feelings towards john a little more. i like to think that homestuck dave definitely had feelings towards john. i like to imagine they both developed a crush on each other around the same time, but unlike john who doesn't give it the time of day or even considers it as a crush, dave would. and he'd know that but he wouldn't want to act on it because of a plethora of reasons. probably to retain their friendship and his self image. i guess that could give them some 'angst'.
but you know what? i don't even care for romance all that much! they're bros before they're anything else! and that's all that matters to me! just nailing their friendship in itself is gold. john and dave mean a lot to each other in a platonic sense. even if they pursue other romantic avenues or don't, i don't care! i just like people putting them in a similar setting and showcasing their awesome bromance!
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fig. 3, i also like davejade. thinking of iterations of him and john in fanworks that i like is really hard cause i don't read much in that department. what comes to mind is mr. tambourine man and some of deacon_blues's comics. kgtac has a really good dave and karkat too. cole is a spectacular writer. but i've finished neither of those comics so i'm just basing it off the very little i've read. also, none of these examples are particularly johndave related. i just wanted to note down examples of john egbert and dave strider writing i enjoyed. i read like, one comic faygos made but that was also pretty good. pinballhazard is also a phenomenal writer and artist. especially for john! you guys should check all these guys out. anyways, thanks for reading all that!
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torchlitinthedesert · 8 months
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Elton John, John Lennon
We began spending a lot of time together, whenever I was in America. He'd separated from Yoko and was living in Los Angeles with May Pang. I know that period is supposed to have been really troubled and unpleasant and dark, but I've got to be honest, I never saw that in him at all. I heard stories occasionally - about some sessions he'd done with Phil Spector that went completely out of control, about him going crazy one night and smashing up the record producer Lou Adler's house. I could see a darkness in some of the people he was hanging out with: Harry Nilsson was a sweet guy, an incredibly talented singer and songwriter, but one drink too many and he'd turn into someone else, someone you really had to watch yourself around...
But I genuinely never encountered that nasty, intimidating, destructive aspect of John that people talk about, the biting, acerbic wit. I'm not trying to paint some saintly posthumous portrait at all; I obviously knew that side of him existed, I just never saw it at first-hand. All I ever saw from him was kindness and gentleness and fun, so much so that I took my mum and [Elton's stepfather] Derf to meet him. We went out to dinner, and when John went to the toilet, Derf thought it would be a great joke to take his false teeth out and put them in John's drink: there was something infectious about John's sense of humour that made people do things like that. Jesus, he was so funny. Whenever I was with him - or even better - him and Ringo - I just laughed and laughed and laughed.
Elton John, Me (2019)
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ignitesthestxrs · 6 months
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
#tlt#the locked tomb#i don't really have an answer lmao this is more#an expression of frustration and discomfort#over the way posts about john gaius seem to have very little connection to the background muir actually gave him#like you cant describe him as an educated leftist bisexual man#without INCLUDING that he is māori#that has an impact! that has weight and importance!#that is a background to every decision he makes#from the meat wall to the nuke to his relationship with the earth#and it also has weight and importance in the decisions that muir makes in writing him#it is not a neutral decision that he's known as john gaius lmao#it's not a neutral decision that the empire is explicitly of roman/latin extraction#it's not even neutral that this is a book about necromancy#it's certainly not a neutral fucking decision that john was at one point a māori man living in the bush#when the nz govt decided to send cops in#like that is a thing that happens here! that is a reference to nz cultural and political events that informs john's character and actions#and with the nature of who john is in the story#informs the narrative as a whole#and i think the tiresome part of this experience is that#in general#americans are not well positioned to understand that something might be being written from outside their experience as a default#like obviously many many americans in online leftist & queer spaces are willing to learn and take on new information#but so much of the conversation starts from a place of having to explain that forests exist to fish
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chiropteracupola · 1 month
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granby + iskierka + keynes
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sampilled · 2 months
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doing a lot of thinking about how scared sam was as a child
in the pilot we learn sam left hunting, not because he wanted normal but because he wanted safe.
in a draft of the pilot script, sam says he doesn't want to help dean find john because he "just stopped having nightmares" (obviously taken out because it would contradict later plot lines with sam having nightmares about jess dying but i wish they had replaced it with something similar because i think a lot less people would think of sam as selfish if we had got to hear it)
we also get this scene in 1x04
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this is four episodes into the show! sam has been back in hunting for a month? maybe? and he is already having nightmares about the job again (and while dean tries to act tough, sam sees straight through him and knows that he's scared too)
hunting again is bringing back bad feelings that he thought he'd left behind but at this point, he is motivated to find his father and avenge jessica so he pushes through his fear, as a kid he didn't have these things to fuel him. he was just this sad lonely little child who was terrified out of his mind about all of the evil in the world that he should have been sheltered from!! terrified that his dad and his brother were going to be killed anytime they were out of his line of sight!!
in conclusion, i could've raised him, i could've kept him safe
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laniemae · 29 days
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Not gonna get into danganronpa another spoilers because this whole scene is something else that I’m still processing but I absolutely love this line. Like to bring up milgram I think this is an idea which can reflect on lots of the characters as well. The idea of basing your entire existence off of a certain thing/person/ideology and then for something to happen that completely destroys that. Your entire person has been stripped away and just what’s left? You can’t comprehend your own existence or meaning without that specific attachment and you start to question all of your actions based off that…
I can only really think of John, Kotoko, and Es here (and possibly Amane and Mikoto to an extent). And John bases his life off of Mikoto, Kotoko upholding justice, and Es being the warden.
John’s idea of his whole existence and reason for being is Mikoto. It’s the only reason he believes he exists and if he were to fulfill his role he’d “disappear” as he would be completely worthless without him. John tries to repress and ignore his humanity and reduce himself as a tool to protect Mikoto and that’s all he can see himself as. But now Mikoto’s starting to not deny his existence and feels pure hatred for everything about him. And what will happen to John, when the person he’s dedicated his entire life to and desperately wants praise from, denies his existence? What will he be but some worthless existence that is only a burden, to him.
Kotoko. An ideology of upholding justice and punishing evil that has completely overtaken her. She has pushed herself into a role of a “fang” for justice, protecting the weak and persecuting evil. But even so matter how much she tries, she knows her goals are unreachable. She denies relationships and attachments to other people based on this ideology. Kotoko admits that she does feel attachment to the prisoners, but has to deny them in order to fulfill the role as a tool. And believes that pain and violence is necessary to achieving a greater good. Trying to deny any regret because wouldn’t it be easier to believe you’re entirely in the right? She latched onto Es, believing them to be similar as the warden who carries out judgement on wether the prisoners are forgivable or not. But now, Es has denied her whole ideology, her whole existence due to the pain she’s caused. Kotoko wants to believe that what she did was right and that Es, another enforcer of justice would accept her, because that’s how it is.
And Es… they’re the warden of the prison. There’s nothing more to them than that they believe. Es has no memories of their identity or past before Milgram and immediately latched onto the identity given to them, of being the guard. Es took this role as their entire identity, an extension of the milgram system in order to interrogate and judge prisoners. I think Muu put this best.
“Warden-san, we call you "warden" because that's what you are, right? And I was assigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me.”
Es has an unstable sense of identity, to the point they latched on to the first thing they were given in order to give themselves a purpose and a meaning for existence. And Kotoko calling them “imperfect caused them to question their identity. But as the story progresses Es will probably begin to learn about the audiences control and the truth behind what they assumed to be their verdicts. That their will never was 100% their own. Who knows what Es’ past was, but eventually they’ll likely have to tackle it and their whole identity, the warden, the arms of milgram, is gone.
gonna think about Mikoto and Amane here as well. Mikoto, although may not seem to be as first, focuses his entire identity around other people. He’s the friendly sociable guy who’s easy to chat with. But that’s all he believes he should be, I guess. As perhaps this mindset is upheld by an inherent fear of other people rejecting him, so he focuses all his attention and identity on being a social person. He’s never truly friends with people, as perhaps that would be “too close” and open up the possibility for danger. He doesn’t completely deny his identity like the others, but he molds and shapes it in a way that is acceptable to others. He likes what everyone else likes and does what everyone else does so the fear of being rejected for being different won’t hurt him. But now he’s stopped denying John’s existence and his DID, believing himself to be crazy, and to be completely rejected from other people, his entire sense of identity to an extent. And especially with John scaring other people off with the mindset that will help Mikoto, he has now been completely distanced from everyone else and now has to come to terms with himself, but not the ideal persona he put on to be acceptable to other people.
Amane is a more different case as she in a way has rejected that idea, but not completely. Growing up in a cult it’s very likely that she was always conditioned that she was just a servant for god. That all the good things she did were actually god blessing her and all the bad things a fault of her humanity, herself as a person. She is in a unstable relationship with the whole submitting her personhood to her religion, as she sacrificed her ideologies in order to help a cat. But at the core, that wasn’t about herself and her identity, rather a focus on the cat’s life. Amane’s murder was her will. Rejecting everything and fighting for her life in direct opposition to what she has been taught her entire life and how her identity should be, a rejection of that and a glance into “herself”. But once again, this murder wasn’t entirely self motivated. She’s still broken enough that she can’t fully grasp herself as a person besides god and religion. And a large cause of her murder was out of the death of the cat, rather than simply protecting herself. Amane still slips back into the belief that her personhood is entirely dedicated to god. As she tried to convince herself and Es that the only reason she killed is because they deserved religious punishment and she is in the right for carrying out god’s will, once again denying her personal reason for doing so. Reducing herself to “we” on behalf of her religion, that this isn’t herself anymore. Amane is in a limbo between rejecting her personhood for god, but at the same time rejecting the suffering she’s been through in order to save “herself”. Amane’s case is so interesting, as there’s no clear answer of what she believes in here, and it is truly fascinating.
#milgram#Milgram theory#milgram analysis#amane momose#mikoto kayano#john kayano#john milgram#kotoko yuzuriha#es milgram#uhhhh this was meant to be a quick analysis how did this turn into an exploration of the identities of 5 characters#And comparing it to a scene from dra which focused a lot around the loss of someone’s beliefs completely destroying their identity?#May analyse that scene directly because the whole philosophical and psychological concepts coming into play there is just soooo cool#and man I was kinda figuring out stuff as I was writing this but like I said it’s so interesting how Amane isn’t completely dedicated to go#Like the other characters I mentioned who have dedicated their whole identities to something#And Amane’s at the struggling between her true self and her perfect religious self#But perhaps she doesn’t entirely realise this conflict going on within#Which is interesting as a realisation of their identities would probably cause the other characters to lose it#But Amane it’s coming to her in a different way#She’s so strong uahhhahhajajshshshs#Tw cults#Ok now thinking about this more I’m starting to see this whole ideology apply to other dra characters as well#Man this is just so interesting#Like Kinji although having nowhere near as bad of a situation of amane was in a way forced to repress his emotions his entire life#Due to religious reasons and to devote his life to god and reject personhood#Surprisingly he’s actually not a bad person but still is very stoic and avoids other people due to being taught those values#And kinji’s a whole parallel to Tsurugi so this would be really interesting#I would talk about Tsurugi here but this is primarily a milgram post so for everything he’s like kotoko with a dedication to justice#But handles it in a very different way#His story is just way to long to analyse now#But hey this is an invitation to play (or watch bc downloading the game is hard technically) danganronpa another
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grimgummies · 20 days
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Not going to lie, I’m surprised the fandom isn’t eating up the new tone shift and characters’ struggles in ep5. Maybe I’m not looking in the right spaces but fandoms usually love that stuff.
I KNOW I mean the amount of angst art that was made prior to the episode really made me think people were gonna take everything from the new ep and run with it. Though that's not to say people didn't. I've seen plenty of people discuss what happened in the episode (especially regarding John and his daughter/his family in general,, people were going insane over that and I get it like we're getting deeper into what happened to him and his family which I'm also super interested in. Plus seeing his photos in Ignacio's house really got people discussing his connections/past with the cult and how there's such a specific focus on John).
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teecupangel · 1 year
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(6:51 am thought) I really enjoyed Desmond having a journel of drawings of his ancestors. So imagine him having that same thing in the CoD/AC idea and the boys finding it! Just think it'll be interesting and like Soap night show off his journal as well.
I do plan on making him have his own journal as a reference to a certain character. The idea was his journal would be written in a mix of Arabic, Italian, English, and a bit of Latin and French. Soap will probably see it after one of the missions and they’d be like… sorta journal buddies?
Then there would be Isu-writings as well for super important and super dumb things.
Like, there’s one that just says “I just saw Ghost draw a dick on Soap’s cheek while he was sleeping but no one would believe me if I say Ghost did it. The asshole knows that because he stared at me while drawing it” in that weird Isu language and people are just thinking “oh, this must be CIA related” or “this must be important as hell”.
Another important thing about his journal is that it is filled with doodles as well, not just of 141 and the places they’ve been but of the people in his memories and the memories of his ancestors. It’s fascinating because on one page you would see a sketch of Sofia like how Ezio used to draw then on another page you would have an exact replica of Maria’s sketch from the Codex. Also, any time he starts to write in the same language for a paragraph, the boys will notice that it seemed like he was talking to himself. Like…
If this is the current state of England, then it is a… - completely written nice English cursive. Just below it: Fuck the monarchy! - written in crude English Below below it: Please don’t fight. - written in another language that they found out was one of the languages of the indigenous tribes in America
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talentforlying · 3 months
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one of these days i'm going to write up all that i've changed from azzarello's bullshit era and the one (1) piece i've kept from milligan (and also changed) and the only thing currently stopping me is that it is going to be so, so inside-baseball incomprehensible. and i almost never want to go reading/screencapping azzarello and milligan to add references but i Want to add references.
canon is goop, just know that we continue to ride the bus down "hellblazer ended at #250 and looks like swiss cheese before that" street.
#( ooc. ) OUT OF CIGS.#i'm doing page maintenance before i fuck off to work rip it's got me thinking#anyway i think i said WAY back on this blog that a side goal of mine is to make hellblazer lore accessible to non-comic readers where i can#bc it's such a Heavy comic & i love it so much & i always felt Terrible recommending it to people only for them to be disgusted#and like. @ past me that particular goal is NOT as easy as you thought it would be lmao#esp because i have a habit of getting VERY detail-oriented when it comes to talking about hellblazer i think#but by GOD it's still a goal. i can put in some motherfucking references here and there when i talk about The Lore#like. azzarello's writing style never translates well for me in synopsis bc he Loves to put the audience in the outside perspective#where we are bystanders/with the rest of the bystanders to constantine's actions and not to his motivations/inner monologue#and i HATE that. hellblazer has ALWAYS been about what this guy has going on underneath the masked exterior#all the things you can't say out loud when you're queer and working class trying to survive in 70s-80s-90s england#but that you FEEL with your WHOLE fucking chest. how that feeling drives you to enjoy little rebellions wherever you can get them#(also azzarello just fucking Sucks LMAO but i'm talking style rn)#so i end up relying on frusin's art to tell the story a little more bc i think he understands the Theatre of constantine's public persona#and when that theatre is Absent then it's really REALLY noticeable. so frusin keeps me in it most of the time#and if i'm digging into frusin art then i'm Going to want to compare it to older panels bc i like body language consistency#milligan on the other hand has NOTHING to save his sorry ass bc his writing is drop-jaw fucking terrible AND the artist seems to like it#but the loss of john's thumb being tied to his mental health (ignoring the bullshit with shade) has always felt. important to me somehow id#anyway MUCH thinking about my favorite loser on this about-to-be-annoying day shdjksd he has been done so dirty#hellblazer brain go brrrr
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thinking about pepsisprite,,,, man
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paperbackwriiter · 13 days
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one two three four by craig brown is SO good so far but there's a bit where he says: Each personified a different element: John fire, Paul water, George air, Ringo earth.
the hill i'm gonna die on is that paul and george should be swapped round, and everything he's written in what i've read so far supports this
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