Tumgik
#i know a lot of audio engineers
brightlotusmoon · 4 months
Text
Tumblr media
58K notes · View notes
theflyingkipper · 2 years
Text
“pants” audio from goodtimeswithscar and mumbo jumbo
177 notes · View notes
vashtijoy · 5 months
Text
Something I've noticed for a while is that Akechi doesn't appear to say that he was in foster care in the Japanese script.
Tumblr media
Akechi おかげで僕は、色んな所を転々とさせられて、まあ、今じゃ気ままな一人暮らしだけどね。 okage de boku wa, ironna tokoro o tenten to saserarete, maa, ima ja kimamana hitori kurashi da kedo ne Thanks to him, I was passed from foster home to foster home. But, I do quite well by myself these days. After that, nobody would keep me for too long, so I got moved about a lot. But now I'm alone and free to live as I choose.
There are a few interesting points here:
おかげで okage de, "thanks to"
Akechi does not specify what or who he's crediting here; the translator has glossed in "thanks to him". IMO it's more likely to be "because of the death of my mother"—the thing he was just speaking of. Shido is responsible, but (at least according to Akechi's flow of speech) he is slightly indirectly responsible.
転々とさせられて tenten to saserarete
tenten to suru, in this context, means moving around often from place to place; living at a lot of different addresses. But note the passive-causative on suru here, saserareru. This is something that was done to Akechi, something others inflicted on him, something he experienced as a profound negative. This was bad. Looking at what he goes on to say later—"so someone would want me around!"—I've tried to capture this with "nobody would keep me".
Also note that tenten to suru, while not usually violent in this "moving about" context, is also a term for e.g. kicking a ball around, which again makes it an interesting choice of words.
気ままな一人暮らし kimamana hitori kurashi
This is a set phrase, essentially meaning "a free and carefree life alone"; it's used, often with a little irony, to describe the joys of living alone, or of being single. Note that Akechi does not mean this—he sounds (JP audio) miserable as fuck, and he's brought this up, rather ineffectively, to try and lighten the mood.
It comes across as "I was alone, and I'm still alone, but at least now I'm alone on my own terms and can do as I please"—which he knows is untrue, and we know is untrue, and Ren and Futaba can surely tell is untrue.
By the way, this quick use of a throwaway stereotype, as if it explains everything—ima ja kimamana hitori kurashi da kedo ne—is one of Akechi's verbal tricks; he becomes laconic in this way when he touches on things he doesn't want to discuss, things that are sensitive to him.
This is how he explains to the others in the engine room that he's illegitimate, for instance—tsumari kakushigo sa, "In short, I'm his secret child", kakushigo ("hidden child") here being a popular term, with no real English parallel, for the secret or unacknowledged child of someone famous or powerful.
You could maybe render his line here as a detached-sounding "but now I'm footloose and fancy-free", for the same effect.
色んな所 ironna tokoro
This is what has been translated "foster homes", but it just means "all sorts of different places":
Akechi 色んな所を転々とさせられた ironna tokoro o tenten to saserareta I was passed around from pillar to post.
So: he was passed from place to place, from pillar to post. Like a pebble rolling on a beach, or a ball being kicked around a field. Do we know what any of those places might have been? No; he doesn't tell us. There's IMO nothing here to suggest that he was in the care of the state—but equally, there's nothing that excludes it.
But Akechi returns to this in the anime, in Proof of Justice—and he is far more specific:
Tumblr media
Akechi だから、母が死んだあとは、親戚の間を転々として行ったね。 dakara, haha ga shinda ato wa, shinseki no aida o tenten to shite itta ne After my mother died, I was passed around my relatives.
Anime Akechi gives us more detail, again with tenten to suru, but he removes a lot of the emphatic force—we gain the detail that he was with his relatives, but we lose that outraged passive-causative, that makes it clear this hurt him—what I've tried to capture with "nobody would keep me for long" up at the top. It's possible, of course, that the difference in tone is to do with the different tone in the two scenes—game Akechi is at a very low point, while anime Akechi seems reflective and chill.
But is this canon? Well, usually when the game and the anime contradict, I prefer the game for its lack of adaptation drift. But there are a couple of occasions when the anime seems to clarify things that were not clear in the game text—and IMO, this is one. Per the game, Akechi was passed from place to place; the anime clarifies that those "places" were with his relatives.
TBH, even the localisation's "foster home" doesn't necessarily imply state foster care; a relative who takes you in is a foster parent. Of course, if you want a backdoor here (which is in no way required, I'm not your mum), he never suggests how long he stayed with his relatives....
does anything in-game support this?
Well, there's one thing in the game that supports this reading, and it's actually on 8/28 itself. Immediately after Akechi says he was passed around after his mother's death, Futaba does this:
Tumblr media
Remember, Futaba already does not like Akechi. She resents him for his pursuit of the Phantom Thieves, even before she suspects him of killing her mother. Yet when he mentions his sad past, she connects with him.
Why is that? It's because Futaba, too, was passed between her relatives—with the results we all know: they were abusive, exploitative and cruel, leading to her being rescued by Sojiro. The game draws an explicit connection here between Futaba and Akechi—suggesting that they have this backstory in common, of being passed between abusive relatives. It suggests we can glean a little more about Akechi's past by looking at what we learn about Futaba's.
And she was rescued; he was not. They both turned to crime to work off some of what they endured—but Futaba retained her moral centre, while Akechi fell off the edge. This is why she tells him what she does in the engine room: "You thought [being alone and not trusting anyone] was enough, right? That part I totally get."
but isn't he just lying his ass off here?
BTW, as to whether Akechi is just trying to ingratiate himself with Futaba (or with Ren) on 8/28—I don't think so; I think he tries, and then gives up after his performative cut-in. We just saw him trying to ingratiate himself with Sojiro—his failure there, at the start of the scene, is what upsets him and opens him up. So far, so good.
Is he trying to get in with Wakaba Isshiki's daughter, to continue his pursuit of her research on Sae's behalf?—the reason he was at Leblanc in the first place? No, because he never mentions it to Futaba, ever again.
What Akechi will do later is stand up for her, on 9/13, protesting Sae's threat to remove her from Sojiro's custody:
Tumblr media
Sae: There have been frequent occurrences of mental shutdowns surrounding Okumura recently. Sae: If only there was a clear connection between him and the Phantom Thieves… Sae: Well, it would be problematic if there wasn't one. Akechi: So you're jumping the gun here. Akechi: You really told a man you would terminate his parental authority based purely on your speculation?
... and notice what he's doing here. Akechi clearly already knows about Sae's threats to Sojiro; she does not explain them in this scene. And Akechi has clearly not questioned her on it, as long as he thinks there's a reason for it. When it turns out there isn't one? He calls Sae out. Because Akechi knows what's it's like to be a child with nowhere to go.
Sure, it's not beneath him to throw Futaba to the wolves—or, ultimately, to try to kill her in the engine room. But he views it as distasteful, as unjustified, and as wrong. He knows gratuitous cruelty when he sees it—and it repels him. He knows the difference between right and wrong—he's just elected to ignore it.
And he expects far better than this from Sae.
revision history
click here for the latest version.
v1.2 (2023/11/21)—typos, plus extra context for the game and anime scenes.
v1.1 (2023/11/20)—reblog w/ additional commentary.
v1.0 (2023/11/20)—first posted.
991 notes · View notes
catskets · 3 months
Text
A more in-depth guide for creating visual novels, especially in the horror, horror-romance, etc circles
Some of you have seen my previous, smaller post on crafting visual novels, especially in this little space of Tumblr that a lot of us have found themselves in. Since that post took off, I've wanted to create a longer guide to help touch on some points I've thought about for the past few months.
In case you've never heard of me, I'm Kat, also known as catsket. I have a Bachelor of Fine Arts in Game Design. I've been making games for nearly 5 years, and I've been doing visual novels more "professionally" for 2. You may know me for Art Without Blood, 10:16, God is in the Radio, or Fatal Focus. I'm here to help you make your first visual novel.
Please note that my advice does not fit everyone, and you may disagree with what I say. That's okay! It doesn't work for all. That's why there's thousands of resources out there.
Tumblr media
FOR THOSE OF YOU WHO HAVE NEVER MADE A GAME
So, you have an idea for a huge visual novel. Horror, a shady and obsessive love interest, a little bit of woo-hooing. 100k words. Maybe a million. What is this, the 07th Expansion?
I notice a lot of people getting into visual novels are artists first. That's okay! I wanted to do art for games before I realized how much I enjoyed writing. And even less of you have probably touched Visual Studio. Again, perfectly okay. We all start somewhere.
My number one piece of advice? Make shitty games.
What does that mean?! My recommendation to those who have never done games is to make a bunch of shitty ones. Think of a theme, or hell, even join a game jam, where you make a game that fits a theme in a short amount of time. Spend about a week on your game. Focus on making something polished. Polish your mechanics. Polish your output.
I recommend, if you can, to make at least 4-6, if not more, kind of shitty games before hopping into longer projects. Making a game is a skill, just like art, just like writing. And game development is combining ALL of these together into one big soup being stirred by a skeleton hand puppet. You'll get into the rhythm and see what works for you.
It also helps you learn, perhaps, the second most important thing here: do you even like making games? There are cases out there where people have created video games (not saying visual novels) just for clout. That's no fun for you, that's no fun for your players. And you might go through this process and find that you don't like making games. That's completely okay! It's not for everyone.
Also, you can use these shittier games to gather an audience. I've built my audience because, for the past few years, I've been releasing games that slowly give me growing fields of eyes every day. A success story overnight is a rare one. It takes time. It's like building a brand, but you aren't a brand, you're an artist.
REV UP YOUR ENGINES!
Ren'py is the number one engine you will be recommended. It is very beginner-friendly, with lots of tutorials, assets on itch.io to use and download, and support. The engine comes with a few tutorials in the form of games, whose code you can freely browse. This is the engine I use most often. Most visual novels you see are made in this engine.
Twine is a text-based engine that most people use for interactive fiction. You can add images and audio, though, if you don't mind messing with HTML. I use Twine for text games and for outlining for my larger games. Ever played Degrees of Lewdity? Yeah, I know you have. Don't ask why. That game was made in Twine.
RPG Maker has multiple versions and has been used for exclusively VNs if you don't mind fucking around with plugins. It can definitely give your game a super unique feel. I recommend RPG Maker MV, since it has the most resources. This line of engines usually costs money, but it often goes on sale for under $5-$15.
People will recommend TyranoBuilder, but as a user and player, the lack of options and the format the games often come in is just...not fun to navigate. It advertises itself as little to no code, but it's often evident in the final results. Some good games have been made in it, though, so if you want to use it for prototyping/practice, you can. I'm not a fan, but that doesn't mean that fans don't exist! This engine costs money.
Not an engine, but check out Ink! Super useful scripting language that's used for more professional projects.
DEMOS, DEMOS, DEMOS
You've got an idea for a long-term project, and now you want to show it to the world! But wait, wait, don't do that yet!
When should I start advertising my game? This is a personal opinion, but I say that you should not start advertising your game until 50-60% of your demo is complete. Why? As I've discussed with some fans of indie VNs, they can name quite a few projects that have been in the "working on the demo" age for 1-2+ years. I've been in the Kickstarter MMO circles. If you, making a single-player experience with little mechanics to balance and polish (aka a visual novel), are taking that long on a demo, I am going to assume the game is not coming out. There are some games I have seen out here that have been in "working on the demo" phase where I haven't seen a single ounce of what the project will look like.
What should I put in my demo? The purpose of a demo is to showcase the mechanics and the vibes and the mechanics of your game. It's a demonstration. In my last post, I pointed to the Dead Space 2 demo that was showcased at E3 (RIP), that takes place about 2 hours into the story and shows how enemies are defeated, some animations, bits of the story, etc. Usually, because it's less about mechanics and more about vibes, visual novel demos showcase a certain percentage of the full thing (5-10%.) Can you showcase the vibe of the game here and what players should expect? If not, show off another portion.
How long should I work on my demo? Before, I said 3-4 months. That can be true, that can also not be true. Think about how long the demo takes you in proportion to how long the actual game should take you. Don't put too much effort. The demo is to showcase the vibe. It's to see how much the public and fans may enjoy the game.
My game is 18+, what should I do? Make a splash screen when the game is downloaded to let players know your game is 18+. If it's going to contain sexual content, you can hide it with itch.io's adult content filter. Write it on the page itself that your game is for adults only. Don't put your demo behind a paywall. This is genuinely ridiculous. The purpose of a demo is to showcase what a game is like before a player purchases it. That defeats the point of a demo. I've seen this happen, and it discourages players from approaching, especially because most demos never make it past the demo phase. So...I'm paying you $10 for 2-3k words of a game that may never come out?
Should I make a social media for my game? YES! Go for it. These anchors are how people will find your game. Make a Tumblr and open that ask box. Make a Twitter. Go to BluSky. Advertising is not bad. Some YouTubers even take e-mail suggestions from developers. Feel free to shoot your shot. The worst they can do is not respond.
HOW TO SET UP YOUR ITCH.IO PAGE:
Getting your itch.io to a presentable state can be very challenging! There's many ways to do it. I highly recommend using this page image guide for learning how to size your images to make your page pop!
Itch.io themselves has suggested to not publish a page until the game or demo is released. You can make the page and keep it as a draft, but do not publish it until you're ready!
Your cover image is the image that will appear in the search of the website, on any front pages, in collections, and on your profile. What have I seen that works? Key art of one of the characters up close and the title of the game! If you can make it a .GIF, do it! Bitches love .GIFs!
Itch.io recommends 3-5 screenshots on your page. I recommend 1 of these 5 be a .GIF that shows how gameplay feels. This is effective, even for visual novels!
Write a 3-5 sentence summary about your game for the description. What is your story about? What is the draw?
DO NOT BE ONE OF THOSE PEOPLE WHO IS GOING TO SAY "This is not like other visual novels. It doesn't have that cheesy this or that or-" No one cares. Genuinely. You're putting down other games in your genre and elevating yourself to the pompous level.
TAG YOUR GAME! itch.io gives you a list of tags to choose from when you go to tag. DON'T USE THIS! Try to go for more specific tags. Arimia has a very good guide on how to use itch.io's tagging system to your advantage.
GENERAL GAME MAKING ADVICE
SCOPE KNIFE IS SUPER USEFUL! Everyone makes games that are way over their workload. It's okay to cut out features and add them later. Prioritize making a finished game before hitting those stretch goals.
PLAN, PLAN, PLAN! Writing outlines is super helpful. I use Twine for my outlines, because you can connect your passages together and make really well-thought webs.
IT'S OKAY TO ASK FOR HELP! Whether it's from friends, professionals, or anything in-between. They can help with assets, editing, etc.
HONE YOUR SKILLS OUTSIDE OF GAMES! Write some poetry. Do some sketches everyday. Improve on your craft to improve your games
MUSIC IS HARD. THERE ARE RESOURCES. Most of us aren't musicians. That's okay. Make sure the music you get for your game is allowed to be used. You can use anything non-commercial if your game will not cost money or donations. I try to do songs in the public domain or free to use overall with credit if I don't have a musician. Consult the Creative Commons website if you're unsure how you're supposed to use a certain piece of music. If you don't use the right stuff, not only can it put you in legal trouble, but it can put streamers in hot water if they play your game and they can't upload the video because music is copyrighted.
PLEASE, DO SOMETHING ABOUT YOUR UI. Wanna know an easy way to get your game to look more professional? Edit the damn UI for your game. Make a new textbox, even if it's just a black box. Change the font. Eventually, players recognize the defaults and patterns of games made in certain engines and may attribute a lack of UI changes to a developer being lazy. It doesn't take very long to change the colors around and move text! Please do it to add a little pop to your game.
DEADLINES ARE AWESOME. Not everyone works well under pressure, but if you give yourself an infinite amount of time to make something, it'll never get done. Set goals for yourself for how much you can work on something.
IF YOU HAVE TO GIVE UP, GIVE UP. Making things is hard, especially long-term. Emergencies happen, jobs happen, life happens. Let your fans know that a project isn't happening anymore. Don't leave them in the dark. You don't need to tell strangers your medical history or anything, but transparency + honesty are really hot traits. You should use those in your creative work. This is one reason why I advocate for not publishing or advertising things until you know it's stable.
SHOWCASING YOUR CONTENT
People love to see WIPs for games! This is what the devlog is good for! A devlog is a post where a developer talks about and showcases some things happening in the game? What can you add to your dev log?
PERCENTAGES! How much of the artwork is done? How much of this character's route is done?
SNEAK PEEKS AT ARTWORK AND SPRITES!
GIFS! GIRLS LOVE GIFS!
Anything else to showcase your game's content! Posting consistent updates retains and even gains a fan's attention for your work.
RUNNING YOUR TUMBLR
You've joined us, and you've made a Tumblr for your blog! Link it on the itch.io page, so people can come find you after playing your awesome demo!
Do I have to respond to every ask? No. It's your blog. Delete whatever asks you want.
I got a hate comment! What do I do? Delete it and move on. I have a more detailed section on hate below.
I want to interact with [blog]! How do I do that? Reach out to the devs for silly little collabs. If you come onto a developer slightly headstrong, they might feel you are being abrasive or using them for content.
If people make fan content, interact with it! Encourage it! Reblog it. Show your love.
OTHER IMPORTANT THINGS
PROFESSIONALISM IS KEY. These may be pet projects, but you want to appear some level of professional on your actual itch.io page.
Being dismissive of player and fan complaints or criticisms will make you appear childish.
If your game is broken, fix it. I have been told by some amateur developers to ignore game-breaking bugs. It does not make me, a player, want to engage with your content. It seems messy and unfinished.
With the above point, it's 100% okay to have bugs and errors upon release. Every developer and their brood mother has. To decrease these issues, get playtesters. Friends can play your games, spot any errors, and help you point out things that can be improved upon. I recommend having playtesters at every stage of development.
Make sure your game runs before you publish it. Please.
You can still be silly and giddy! There's no reason to not be, especially when you get positive comments! The point of this is to not be outright rude to potential players and fans.
IGNORE HATE COMMENTS. In this case, a hate comment is a statement that contains no constructive criticism and are only here to be insulting or malicious. People are going to leave you with actual piles of dog shit in your ask box. They are trying to provoke you. Giving hate comments any attention, even if you're there to "clap back" proves that they got to you, even if you don't take the hate to heart. They will continue to pester you. Delete any hate comments and ignore them completely. Laugh about them with friends in a private setting, sure.
THINK BEFORE YOU REFERENCE! I know one big thing in this community is adding references to other games in yours, such as plushies of other characters or putting them on posters. The best thing you can do it ask the developer before adding this. How would you feel if some random person you've never met put your character in a video game? Most of us would feel weird and potentially violated. Open communication with devs is awesome. I am usually okay with it as long as someone asks for permission.
As a complete aside, I prefer more tasteful references to other games as opposed to 523482346 plushies and posters. These have been slightly overdone. Why not theme a candy after another game's character? Maybe your characters know each other.
OTHER RESOURCES I RECOMMEND
Devtalk is a server dedicated to independent visual novel creators. You can find jobs, resources, advice, talks, and, like, everything there! Devtalk is super useful. Everyone in there is so cool. They have a really great and comprehensive list of resources that I could not even begin to cover.
Visual Novel Design is a great YouTuber. No other words, check the guy out!
Ren'py and whatever other engine you're using has documentation that's super useful to follow.
Arimia not only has amazing VN resources, especially for marketing, but she also just has? Amazing games that you should check out?
And for a shameless self plug, I'm the lead of Sacred Veins, a collective of devs creating narrative games, whether it be horror, humor, romance, or everything in-between. Come hang out with us!
467 notes · View notes
fifarts · 9 months
Text
Tumblr media
“it’s nice to know you work alone” 🪐⚡️
(click for better quality, more info and alt text below cut)
another jupeter piece and some recommended songs from my jupeter playlist!
I have synesthesia which means my brain associates certain audio and music with different colors and shapes, so I worked a lot with the colors on this piece and especially the background to kind of translate some of the visualizations I get when I listen to these songs together! If you read the lyrics of both you’ll see why I heavily associate them with juno and peter!
I have another piece that I’ll hopefully post circa S3 that goes along with There’s No Secrets This Year (the most jupeter song ever) and a comic for Waltz in E-Major, Op. 15 “Moon Waltz” by Cojum Dip that I really want to work on soon! My playlist is still a work in progress and I’m currently in the process of moving my spotify accounts around but as of right now the full playlist link is here: https://open.spotify.com/playlist/6SP3sUjzSTBCPhouCe4xXY?si=277Hd2pqTGmRzPLcSx6dvQ
I organized it partially by season so hopefully it’s easier to understand the character connections of the songs. (The first song of the playlist is an instrumental guitar piece that my dad’s guitarist is doing as a side project which is super cool and you should definitely check out his stuff (and also please send some streams his way) If you love vocal-like sexy guitar riffs and weird time signatures and video game-esque music, Vision Swords is for you lol)
Alt Text:
A lineless digital art painting of Juno Steel and Peter Nureyev from the Penumbra Podcast. Juno's face is visible in a profile view as he holds his blaster in his outstretched hand. Juno is a short Black and South Asian person with dark brown skin, a scar across his nose bridge, and black hair that is lit with purple lighting. Juno has short locs and a high undercut with a star design shaved in. He is wearing a tan trenchcoat, a white button up, and black tie. He is also wearing a cochlear implant, hot pink star earrings, and hot pink acrylic nails. Peter stands behind him with his face partially obscured. He is a tall South Asian man with medium brown skin and dark shoulder length brown hair. He is pointing his blaster and wearing a black suit jacket with gold details. The background of the painting is hot pink, neon purple, and bright blue. The background colors mix in with one another in a perspective blur from the center of the painting. [end alt text]
Thank you so much for the support while I’ve been on hiatus! I’m going to college this fall for Robotics Engineering and I’ve been dealing with some pretty big health problems as well (I literally just got out of surgery today lol) which has left little time for art (fanart or otherwise) 😅 Love ya!
669 notes · View notes
gamma-radio · 10 months
Text
I hate when people play phone audio out loud in public spaces. The screechy quality of phone speakers, the disregard for literally anyone's auditory comfort, my poor autistic ears — I rage mode.
I know I'm not alone, so I am going to share my flawless embarrassment-free technique to get them to stop.
1) Carry a pair of earbuds on you. Not required, but it helps give you the confidence to actually confront them
2) walk up to them and be as nice as possible, no matter how mad you are. However, do not explain yourself or apologize, just make a simple request: "Hi, would you mind using earbuds for that?" (You're not asking them to stop, just change their method)
3a) 90% of the time they will shamefully put their phone away, and because you were so nice, they aren't even mad at you!! Then you can thank them for being so thoughtful, and maybe compliment their shirt or something! Everybody loves compliments.
3b) Alternatively, they might say, "I don't have earbuds." Normally, this would put you in an awkward situation, but You aren't normal. You are Prepared.
OFFER THE EARBUDS: "That's okay," you say, "you can borrow mine!" dazzling smile, you are so nice and thoughtful, what a great guy you are
Don't worry about losing your earbuds (or if you don't actually have earbuds), because they won't accept your offer. THEN they will put their phone away of their own free will. You never even had to ask.
If you want a detailed explanation of why this works (for the autistic besties, I see u):
People don't like it when you tell them what to do, especially if that request is to stop doing their activity in any shape or form. It pisses them off, and rightfully so! No one wants to be controlled.
That's why this method is so good: you never asked them to stop their activity, you asked them to make a small change to how they are doing the activity, which is far less obtrusive.
This works for lots of things, and lots of people. Imagine being a kid, goofing around, and someone says, "Stop doing that." Upsetting! Compared to: "Would you mind being quieter?" Because really, the issue is not that you are goofing around, the issue is that you are being loud and disruptive about it.
Same goes for the stranger on their phone in public. It's totally fine that they're watching a video, the problem is that they're being disruptive, and chances are they know that being disruptive is rude.
The second half of why this works is offering the earbuds.
When you ask them to change how they're doing their activity, you are placing a burden on them. If they have a pair already, it is a very tiny burden. If they don't have a pair, it is suddenly an insurmountable burden, and that's very uncomfortable. In fact, it's so uncomfortable that by making the request, you might become the bad guy in the situation (according to them) even if you're being nice, and even if they're in the wrong.
That's why you offer the earbuds. Now you are actively helping them by alleviating the burden. You are being kind and thoughtful instead of demanding!
Sure, they might think you're a little weird, because it's not part of the social script, but they've got no ground to be mad at you.
Which brings up the last point: offering to lend your earbuds isn't part of the social script. It's surprising, and so their default reaction is to avoid that path: they will decline your offer. So, you don't have to worry about a stranger wearing your earbuds with their gross stranger ears.
So that's the whole idea behind the method. Confrontation that is respectful and thoughtful of their autonomy and your comfort all at the same time. ~social engineering for good~
794 notes · View notes
devsgames · 15 days
Text
HOT GAMEDEVS DON'T GATEKEEP
Inspired by this post by @midwinterhunt, here's a compilation of all the game dev resources I have come across, most of which I use fairly frequently. Most of these are free, some are paid but fairly cheap. Feel free to add your own resources. ✌️
Important reminder: When using basically any works or programs someone else created in your games, make sure you thoroughly understand the licenses and terms it has been shared with. If you don't know what the terms are, reach out to the resource and ask. Don't be lazy about this; it's not only dishonest but it can come back to bite you.
Engines
Unity - Best suited for mobile and multi-platform.
Unreal - Tailored for shooters and high-fidelity experiences.
PICO-8 - Virtual console for simple games
Godot - Open source and free!
GameMaker - Good for 2D games
Bitsy - Great little engine for making simple games and experiences
Construct - Never used but have heard nice things
Scratch - If you've never coded before, this is the best place to start. Great for young devs and those who want to get their feet wet.
Adventure Game Studio - Best suited for adventure games
RPG Maker - Best suited for top-down classic JRPG style games
Twine - Text-centric games like Interactive Fiction
Assets
OpenGameArt - Many assets, various licenses, and plenty of CC0 content.
Unity Store - For Unity only. Some free.
Unreal Store - For Unreal only. Some free.
Godot Asset Library
Jean Moreno's Toon Effects - Some of the best effects available on the Unity store. Unity only but I've used them in basically every project.
Steamworks.net C# Wrapper For Unity - Unity only C# wrapper for integrating Steam compatibility to your game
Itch.io - Plenty of free art assets and game dev resources
Kenney - Kenney makes tons of open-source assets for devs to use.
Art
Mixamo - Generates rigs for your humanoid models and lets you apply a library of free humanoid animations to them. Super helpful for prototyping. Adobe.
Blender - Free, open source and fully featured 3D program.
XNormal - Free offline normal map generator
Normal Map Online - Free online normal map generator
Crocotile - Cheap tool for building 3D models from sprite sheets
MagicaVoxel - Free voxel modelling tool
Piskel - Free online sprite drawing tool
Aesprite - Paid sprite drawing tool
TurboSquid - Not always great quality, but can be good source of free placeholders.
Textures.com - Limited texture downloads per day but free for personal use.
Pexels - Free stock photo resource. Most are free for commercial use. Check licenses.
Clipstudio - Good for illustration or graphic design. One time payment.
GIMP - Image editing program a-la Photoshop. Free.
Audio
Audacity - Free and fully-featured DAW/audio editor.
sfx.me - Free 8-bit synth-style sound effect generator for games.
CastingCallClub - Easy forum to find amateur voice talent for your project (p.s.: you should pay them).
FreeSound.org - Free sounds, searchable by license. A go-to for my audio needs.
Incompetech - Royalty-free music by Kevin McLeod.
Scott Buckley Music - Royalty free with conditions. Generally more on the cinematic side of things but very good stuff!
SoundCloud - 'Search -> By Track -> Filter: Use Commercially' leads to songs posted with allowance of commercial use. Always reach out to the artist to understand their terms and confirm that it's okay to use with your project.
Project Planning
Keymailer - Handy for mailing keys to influencers (don't expect a lot of traction unless you're paying for some of the features though).
Trello - Kanban board. Great for organizing tasks, managing bugs, etc. Free.
Notion - Private text and wiki page editor. Good for project organization, note taking, and fleshing out ideas. Free.
Obsidian - Alternative to Notion, with similar features.
Miro - Free whiteboard for organizing thoughts, images, brainstorming, etc.
Wave - Free Bookkeeping site. Great for keeping finances organized.
163 notes · View notes
blogofreverence · 11 months
Text
and liek i dont wanna keep asking for help. but i'll die if i don't know how to ask for help. i'll die if my pain is imperceptible to anyone but me. i need to ask for help.
Tumblr media
i am going to write and publish at least one donation post by the end of the week. i will talk about how i am black and schiz and have debilitating adhd and how ive been involuntarily hospitalized (imprisoned) more times than i can count for psychosis and i already got medical debt out the ass from it and if i dont get some help i'll probably end up getting involuntarily hospitalized (imprisoned) again and put into more debt for having been involuntarily hospitalized (imprisoned) liek maybe next time im psychotic i wont be so lucky to get a short stay and debt and i'll end up arrested and imprisoned for a long time.
my fiance is suicidal! and i need money, i need work, i need money to fly to live with him and work to pay for us to eat and have a place to sleep because i dont want him to kill himself because he doesnt have anyone. i need to be there for him and i just cant fucking afford it. i need work and equipment and probably some music tutelage.
payp#l . me/quisps
c#sh . app/$m50f83
ofreverence.bandcamp.com
if u want to help me survive and u dont got the money to spare but u got time please post and please promote my music and tell people why they should donate to me and how they can donate to me. or i can work for u or ur friends. i'm an audio engineer, a producer, a songwriter, a digital artist, and a writer. drop links to my bandcamp talk about my music talk about my work. ask people to help me because it hurts a lot already and it hurts to ask for help
726 notes · View notes
nero-neptune · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
“Roy was the engineer, and anything related to engineering, in any specialism, would have to pass through his hands. This included assembling the plane’s radio, just like he’d fixed the small battery-operated Spika radio and made it work.
“Adolfo sat down beside him. He explained to Roy that it was not a matter of expertise in electronics but one of ignorance, and pointed out that Roy was the least ignorant of everybody in that department. Roy argued that he had never seen an airplane radio in his life, not even in a book. Adolfo put his hand over Roy’s. ‘I know that, Roy. We all know that. I only wanted to tell you that you were the best one at handling the wires and the terminals, that’s all. But right now that’s a lot, it makes a huge difference … you are the engineer.’
“Roy, almost breathless, added something that his older friend already knew: ‘I am barely in my first year in Engineering, I’m only twenty years old, and the only time I’ve ever been remotely close to anything like this was when I helped instal a damn audio system for my cousins.’
“‘And you fixed the Spika radio,’ Adolfo responded, as if it were a thermonuclear station and not a basic portable radio the size of a pack of cigarettes. Before Adolfo even said the next sentence he knew clearly that it was as painful for him to say as it was for his friend to hear it. ‘Roy, the group needs your abilities. All we’re asking is that you try.’ ”
– “Is Anybody Listening?” from Society of the Snow: The Definitive Account of the World’s Greatest Survival Story by Pablo Vierci
LA SOCIEDAD DE LA NIEVE | SOCIETY OF THE SNOW (2023) dir. J. A. Bayona
173 notes · View notes
imaginidol · 9 months
Text
Jongho: Backstage After-Hours
!!mentions of NSFW!! 18+ !! do NOT interact if you are not comfortable with smut!! as requested, here is a Jongho smut fic for you! This one is also pretty long so be prepared for that :3 IF you are comfortable, you may read more smuts here: hongjoong, san, mingi, yunho, wooyoung. PLEASE feel free to request more if you'd like! I'll get to ALL requests soon!!
Tumblr media Tumblr media
The last thing you would've expected of this year was to be screaming your lungs out at a front-row seat for ATEEZ.
The shock overwhelmed you the night that the ATEEZ tickets were released for their tour, and no more than four seconds into the queue, you managed to snag a front-row seat.
Front row. Front. Row. To ATEEZ.
Sure, this meant you'd be working overtime for the next few weeks, but it was a small sacrifice to pay for the unmatched excitement that would await you soon. You've never been so quick to put any purchase like this into your credit card, and now the day finally came and here you were--screaming you rabid lungs out for the boys who made you the happiest person in the world.
Your live-in-the-moment excitement bounced off and influenced the fans around you. Soon enough, your side of the pit was the most fun to visit by the boys. They loved the energy, the fact that you were hopping around and screaming your heart out, singing along to all of their songs, and you were one of the few fans who didn't have a phone up to your face capturing the perfect fancam for the entirety of the 3-hour long concert duration.
Now, if your luck for front-row hadn't been enough to convince you that fate was indeed real, you were surely re-considering it when a security guard briskly walked up to you as you started leaving your seat, asking you to follow him once the concert ended.
Am I in trouble? is all you can think in your head as you nervously walk behind the guard, going over the events of the night that might've caused a misunderstanding.
Maybe they think I'm a sasaeng. Maybe my tickets were a fraud!?
To your surprise, you weren't yelled at or interrogated at all. Instead, a tall, slender woman with a KQ shirt greets you with a smile.
"Before you accept to come backstage and we proceed with anything further, I'll need you to sign this," she hands you a pen and a clipboard with an NDA form for you to read and fill out.
I'm being given an NDA. A Non-Disclosure Agreement. These things only happen in...
You shakily hand back the form with your information and initials signed.
...fanfiction.
The woman takes you towards the back and you quietly admire a multitude of stretching backup dancers, audio and sound engineers, large camera and videography equipment, and so much more.
It's a lot brighter than I ever imagined a backstage to be, you thought, attempting to distract yourself from the impending elephant that would soon ensue.
Finally, you're introduced to Choi Jongho, main vocalist, main dancer, and the infamous maknae of ATEEZ.
No. Fucking. Way.
"Ah, I didn't think you'd agree to come back here," he bows his head, offering you a warmest smile and a water bottle. "I'm Jongho, thank you for coming."
He offers you a seat on a single-seater sofa, closing the door of his dressing room behind him. He sat himself on another single-seater to be closer to you, and now you were practically face-to-face with one of the most beautiful boys to ever cross your existence.
This isn't happening. This isn't happening. This. Isn't. Fucking. Happening.
"I know who you are," you giggle, introducing yourself and offering your warmest smile, ignoring the obvious screaming and fangirling raging on in your head.
"I wanted to meet you backstage because I wanted to tell you that I saw you up front," he smiles, "and I really liked your energy. I wanted to meet you so bad."
"You liked my energy?" you scoff, "Isn't it supposed to be the other way around?"
"You wouldn't be too surprised if you knew what it's like from the stage," he smirked. "There's always a camera on you. I don't blame anyone, of course, because you do what you want with what you pay for. But sometimes the crowd is too immersed in their videos that they forget to enjoy the moment. It makes me feel like a robot."
He turns to you, covering his mouth in slight embarrassment.
"I'm sorry, I didn't mean to invite you here to listen to me vent."
"No," you giggle, "I totally get it. I enjoyed the moment with you guys too, and I loved seeing you come to my side of the stage when we linked. Sharing interactions like that really made me feel like you guys noticed me, too. You're really great performers."
"Thank you," he smiles.
Several small conversations (and several arm pinches to make sure you weren't dreaming or anything) later, you manage to calm yourself down the more and more you talked with Jongho.
He really is just an ordinary person, just like me.
"Who's your bias?" the boy suddenly asks, leaning back against his chair.
"My bias? Currently you, obviously," you laugh.
"Nah, you're just saying that 'cause I'm right here," he says.
"Fine. My bias currently is Yunho."
"Currently? What, it changes?"
"Mm-hmm," you nod, "I can't ever stick to one bias. You're all just so fun to stan."
"Okay," he grins, "we could change it from Yunho to me then, right?"
You grin, covering your mouth as your cheeks flushed a deep shade of red.
"How about you?" you poke back.
"Me?"
"Yeah, who's your favorite fan? Is that even a thing?"
He lets out a loud laugh, turning back to you.
"You could be my favorite fan," he smirks.
"You're also just saying that," you smile.
"Can I be honest?"
You cock your head to the side, a curious smile beaming across your face. "Honest? About what?"
"You're the only fan I've asked to come backstage for this tour," he says quietly.
"You're lying," you giggle.
"I'm not," he whispers as a more endearing smile crosses his face. "I think you're also very pretty."
He eyed you steadily now, slow blinking and leaning back against his chair. You couldn't help but think about where this could lead to, if you allowed it.
"Is that why you made me sign an NDA?" you smirk, crossing your legs and leaning against the armchair.
The boy scoffs, looking away in embarrassment. "No, I didn't mean to come off as--"
"Relax," you tease, "I'm just messing with you. I think you're really cute, too. Way cuter in person."
You eye him steadily now, a sly grin meeting his. "Can I be honest now?"
He keeps his eyes locked on you, marveling at the way the apples of your cheeks illuminated your face when you smiled.
"I'd love to put that NDA to good use."
Jongho smiles slowly, relaxing against his chair and man-spreading his legs.
"Come here, then," he whispers.
His expression fades to lust at the sight of you slowly making your way to his lap. One of the many things he loved about you tonight was your outfit. You were wearing a black and white blazer dress with a deep, plunging neckline. An outfit that made your pretty face stand out in a crowd, but also one that implied you were grown enough to fuck.
And man, was he glad that you were initiating it.
You lean over him as he pulls your legs over his lap, grazing his lips gently against yours, closing your eyes as you caressed each other's faces and bodies in unison. As he kisses you slowly, he brings a hand against your thighs, curiously outlining his fingertips over your curves. You bring a hand to his jaw and push further into his mouth, inviting his tongue into yours with each fervent kiss. Jongho glides his hand from your hips to your inner thighs, circling his fingers around your clothed groin. The feel of Jongho's fingers poking at you through your clothes was enough to make you crave for his warmth against your body.
"Jongho," you whisper into him, "let me entertain you tonight."
You begin sliding off his lap and start unbuttoning your dress, taking a few step backs as you slowly and seductively exposed more of your collarbone, shoulders, and breasts. You step out of your dress and fold it neatly on the floor, using it as a cushion for your knees.
Jongho bites his lower lip and brings a hand to cover his mouth to hold back a grunt. Seeing you bend to your knees in front of him was enough to ignite an emerging boner rising deep inside his black sweatpants.
You slowly glide your hands against his hips until you reach the waist of his pants, tugging at them slowly until his boxers were out.
Cute, you think, as you're greeted by a pair of pink AllSaints boxers.
"I ran out of black pairs," is all he can embarrassingly admit, his cheeks growing bright and hot at seeing your smile.
"No," you whisper, "these are so much better."
You pull his boxers down to reveal his long, hardened cock already pleading for your entertainment.
You dampen your lips as you begin stroking the erect member with your hands, pulling soft, deep strokes as the boy reposed against his chair.
He bites his lip harder to hold back a low grunt, his lust for you enticing further at the feel of your warm hands wrapped around him. He exhaled deeper and heavier breaths as you began twisting his member, gently stroking it over and over. Suddenly, he felt the warmth and wetness of your tongue delicately licking against his tip.
The boy reaches a hand to your head, calmly running his fingers through your hair before proceeding to nudge you further, bringing your mouth gingerly around his cock. You obeyed, sucking on him considerately before picking up the pace.
You experimented with your timing for a bit, switching between your hands and your mouth (and sometimes both) wrapped around his throbbing member. The boy's breathing intensified as he began to feel himself on the verge of reaching a climax. He massaged your scalp as he pushed you deeper into him, soft sounds of gagging and choking erupting in the air.
The boy lets out a whimper as he looks down to see you shying away from him, licking your lips and wiping your mouth as you stood up.
"Why'd you--why'd you stop? I.. I was so.."
You grinned, knowing that edging him was part of the entertainment deal you wanted to give him exclusively.
"Are you being entertained? I didn't say I was done," you grin, climbing back on his lap and wrapping your thighs around his cock. You leaned into him, placing your hands over his shoulders as you slowly began riding his dick, throwing your head back as your soft moans progressively got louder. All at once, the tempered boy was also thrusting himself underneath you, desperately wanting to take charge of what was about to come.
And so, when he couldn't hold himself back anymore, he did.
He stood up and carried you towards his vanity mirror, sitting you against the tabletop. Your legs wrapped around his waist, sinking your fingernails deep into his back, gasping as the boy started fucking you. And he was going in hard.
From behind you, he caught sight of himself in the mirror as he fucked you hard, and to his surprise, the reflection in the mirror had aroused him even more. The way your legs were clenched and buckled around his waist, the way you bounced up and down at every protruding thrust, the way your head was leaning into his shoulder as you desperately bit into his blades with hopes of silencing your screams. Now he was going in harder, clutching onto the sides of the desk as the furniture rattled underneath you both.
He turned to face you, sticking his tongue inside your mouth agape. At this point, he was taking full control of you and your body, and all you could do was try to ease the thristing moans repeatedly escaping your lips.
"Fuck," Jongho grunts as he feels himself on the verge of climaxing, and in a sudden instant you find yourself on your back against the floor in an attempt to make you more comfortable.
If only there was a fucking longer couch instead of single ones, he quietly cursed in his head, pulling your legs over his shoulders and mindlessly fucking you on the carpet. While the floor wasn't the most comfortable place to fuck, it had come in great luck as Jongho had managed to finally reach your G-spot.
You tightened your handgrip against the legs of the vanity desk behind you, letting out the last of your cries before feeling the hot release of your orgasm rush through your lower abdomen. You noticed the boy's face scrunch up as he was about to ejaculate inside of you, and then in an instant you felt the rush of his hot cum spilling in and all over your inner thighs, making a mess of the floor beneath you.
"Fuck," he panted, bringing your legs down from his shoulders and wrapping them around his hips instead. You looked in awe as the sweat drops rolled down his forehead, his mouth agape and eyes closed as he tried to steady his breathing.
You sat up and placed your hands around his jaw, giving him a quick kiss before he could open his eyes again.
"What was that for?" he smiled tiredly.
"For being a good performer off-stage, too," you smirk.
He laughs, repositioning himself on the floor to where you were sitting across his lap again, his hands wrapped around your waist and your arms around his neck.
"You're a good fan," he says, his eyes softening as a smile crossed your face, "both in a crowd and in private."
You smile, letting him pepper kisses all over your cheek, jaw, and lips.
"Are you gonna look for me when you come back for your next tour?" you say, cocking your head to the side.
"I don't think you believed me when I said you're the only person I've picked from a crowd for this tour," he insists again.
"You're lying, that's why I don't believe you," you tease.
"I'm serious. I mean, I've invited people over before... for my past tours... but none of them have had as much of a colorful personality as yours. You're the first who really stuck out to me in a long time, really. Both on and offstage. I hope you never lose that part of you."
"Awe," you smile warmly, "look at you being so sweet. It makes me kind of want to bias you, now."
"I haven't been able to change your mind from biasing me instead of Yunho?" he furrows his brows in annoyance.
"I don't know yet," you shrug, planting another soft kiss against his cheek.
"Then I guess that leaves me only one option," he grins, giggling into your neck and rocking you gently back and forth, "be my girlfriend one day, so I can make more time to convince you to always choose me."
small pt. 2 coming soon!! (sfw :))
798 notes · View notes
demilypyro · 10 months
Note
What are some things about being a streamer most people don't know/think about?
The setup, probably. The viewers probably just think I hit go and start streaming, but I had to teach myself to do a lot of stuff to get things looking as good as they do.
Smoothly switching monitor inputs, balancing different audio inputs, a good screen layout, combining all the different sources, restarting my capture card four times before it deigns to work. Sometimes something conks out and I have to spend all night fixing it so it'll work again in time for the next stream. Sometimes I don't have enough USB ports to work with. Sometimes using all the tech at once drains too much power. I'm always on the hunt for new accessories, new plugins that up the quality of the streams.
I'm my own tech support, my own audio engineer, not to mention my own producer and procurement. It's a one woman show over here.
472 notes · View notes
its-your-mind · 1 year
Text
guys guys guys
I have done some personal soul searching and I know why jonathan jarchivist sims made the professional decisions he made when he was a Newly Minted Head Archivist
He tried to apply logic to the managerial decisions of a megalomaniac kind-of-immortal servant of a fear god, who was at the time posing as a Respectable Director of an Academic Institution
like listen. clearly jonah did not give a single flying fuck whether or not the archive was organized. all he wanted was for jon to nom on some statements and get soul-tattooed by nightmare-fuel until he was good and traumatized enough to read like… a couple dozen words that would end the world.
But jon doesn’t know that! So he’s a researcher at this academic institution, and he receives a promotion out of nowhere into a completely different department. Obviously, he thinks, elias knows what he’s doing - he wouldn’t be in charge if he didn’t.
So now jon’s trying to reverse engineer the logic, because there must be logic and he’s not going to question the head of the institute. Like, you look at me and tell me you think S1 jonathan sims, wearing his armor of Prickly Academic, is going to admit that he has no idea what he’s doing to the person who has just promoted him. Definitely not.
So why, jonathan sims asks himself, would elias bouchard promote someone from the research department into this position? Obviously he feels that, along with reorganizing the archive, it’s necessary to go back and research all the statements down there!
And then jon poked that theory a bit by asking for tim and sasha to be transferred with him, and elias gave him the green light! So now you’ve got three researchers, and elias throws in one librarian assistant (who has a lot of experience, but not the background needed to guide the whole team), and so jon assumes that the job of the archive is proportionate: 3/4 research, 1/4 cataloguing, with the department guided by the researchers.
I’m gonna go ahead and assume that the only concrete direction jon was given was to “create audio recordings of the statements.” And thus, we have an archive that spends most of its time on research, creates borderline-impossible-to-reference audio recordings, and then catalogues almost as an afterthought.
1K notes · View notes
estrellami-1 · 6 months
Text
Keep You Company
So this happened because 1) I was babysitting and the little girl wouldn’t sleep until I laid in bed with her and my heart has NEVER been more full and 2) my dad’s an audio engineer with a home studio and my mom will just???? Sit in there with him????? He’s got a couch for when clients come over but 90% of the time if I can’t find either of my parents they’re both in there. I love my mom but I swear she’s tone deaf. Not to mention if any of you have heard someone else work on pitch correction you KNOW how annoying it can get after roughly .3 seconds. But she sits in there completely content because they just???? Want to be near each other????? After close to 30 years of marriage????? Where can I find someone who loves me the way my parents love each other. And the way Steve and Eddie love each other. Please.
Also side note if any of yall read Little Love I’m tempted to make this a future excerpt 👀 different name bc who knows if anything’s gonna come of this. and Joanie’s name comes from Joan Jett anyone who got that gets a gold star ⭐️ also Joanie is either 4 or 6. Idk which. But she’s one of those ages. Which if you know anything about kids you know there’s somehow no difference and yet every difference in the world between those two ages.
“Night, Daddy,” Joanie says, moving into Eddie’s studio to drop a kiss onto his cheek. “Love you.”
Eddie startles away from the computer screen, blinking as he realizes just how late it already is. The clock on his desk blinks 9:08 in red, incriminating flashes.
He smiles at his daughter and throws his arms around her as he stands, hugging her to himself and whirling them around the space, careful around the low coffee table. “Goodnight, my little rockstar!” He crows, peppering kisses to her cheeks and forehead, feeling laughter bubble up inside him in response to Joanie’s giggles.
“Daddy!” She shrieks, but doesn’t try to pull away. He laughs and finally puts her down, pressing one last kiss to the crown of her head as he kneels in front of her.
“Night, Joanie-bug,” he murmurs. “Sorry I’ve been stuck in here all day. I wish I could just play with you all day instead.”
He boops her nose and she giggles. “What are you doing?”
Eddie hums and picks her up, moving closer to the computer to save his project. “Well, y’know how Daddy’s in a band?”
“Yuh-huh.”
“Well sometimes, Uncle Gareth gets a note wrong.”
Joanie giggles. “Only Uncle Gareth?”
“Only Uncle Gareth,” Eddie agrees in a super-serious way that they both know he doesn’t mean.
“And sometimes Daddy forgets how not to be a perfectionist,” Steve adds from the doorway with a smile.
“Also very true,” Eddie nods, putting his computer to sleep. “But I did a lot of work today, so hopefully I should be done soon. How about for now, I do bedtime clean-up routine, and Papa can read you your book?”
“M’kay,” Joanie says happily, because she’s a heathen and prefers Steve’s storytelling skills over Eddie’s. Eddie wants to bite her cheeks, she’s so cute, so he does, takes a big chomp and makes a dinosaur noise that has Joanie shrieking and laughing.
“Okay, munchkin,” he says, swinging her around onto his back and trotting through the house, purposely jostling her. “Beddy-bye time, which means it’s time for teeth brushing!”
“Can you sing the song?”
Eddie fights back a groan. Somehow, he’d forgotten this was coming. “Sure thing, Joanie. Let’s get some toothpaste on that brush, alright?”
They do, and Joanie looks at him expectantly. “Sing it, Daddy! Sing it!”
“Brush your teeth, up and down. Brush your teeth, ‘round and ‘round. Brush your teeth from left to right, brush your teeth in the morning and night.”
He goes through the entire song, helpless to the smile that grows as Joanie bops happily along to his singing. “Okay, baby bug,” he says finally, standing behind her with a brush. “How d’you want your hair tonight?”
Regardless of the rat’s nest it will be in the morning, Joanie refuses to sleep if her hair is at all in her face. Steve and Eddie started with simple braids until she discovered the magic of YouTube tutorials, which makes the bedtime routine both longer and less mundane.
“Two Elsa braids,” she says, resolutely not learning the proper name and instead using the one Eddie had jokingly said once.
“Two Elsa braids, coming up,” he says, because it’s cute and he’s not going to dissuade her.
“Can we do beads?”
“Beads are a daytime hairstyle, ‘member, munchkin?”
Joanie pouts at him in the mirror. “But they’re pretty!”
“They are pretty, but they won’t stay while you sleep. They’ll fall out, and then you’ll wake up in the middle of the night ‘cause you’re laying on beads, and you’ll wake us up, and then we’ll all be cranky.” Not that that exact thing had happened.
She narrows her eyes at him, trying to find a way around it, then finally huffs and agrees. “Okay.”
“You’ll look pretty even without the beads,” Eddie promises her. “And Elsa doesn’t have beads, remember?”
“Yeah, but Daddy, Elsa’s got magic powers!”
“That she does.”
Joanie pretends to shoot Eddie with her Elsa powers, and Eddie freezes in the middle of the first braid. “I can’t move,” he says, not moving his lips. “You froze me!”
Joanie giggles. “Unfreeze, Daddy!”
He dramatically relaxes and sighs. “Oh, good! Thank you!”
He finishes doing her hair and chases her into her room, where she picks out her pajamas: a pink shirt with ballet-dancing kittens, and a neon-green pair of leggings. “Bold choice,” Eddie comments. “You wanna do it yourself? Or do you want me to help you?”
“I wanna do it,” Joanie says, just like Eddie knew she would.
A few minutes later, she huffs, frustrated. “Daddy, help,” she asks, just like Eddie knew she would.
He helps rescue her from her shirt that had somehow become sentient long enough to wrap around her head, then gets her pants on and tucks her into bed before pressing a long, loud kiss to her forehead. “Nighty-night, Joanie-bug,” he murmurs. “Don’t let the bedbugs bite.”
Joanie giggles. “Only Joanie-bugs allowed in my bed!” She declares, and Eddie chuckles. “That’s right.”
He moves toward the door where Steve’s waiting to press a kiss to his husband’s forehead. “Sorry I was so busy.”
“You were working,” Steve murmurs. “It’s fine. I’ll come join you when I’m done, m’kay?”
“I’m gonna be in the studio for at least another hour tonight, babe,” Eddie says apologetically.
“Then I guess I’ll come keep you company.” He presses a quick kiss to Eddie’s lips before shoving him out the door. “Go work, I’ll be there in a bit.”
“Sir yes sir,” Eddie salutes, marching back to his studio.
The next time he surfaces, it’s to a tugging at his sleeve. He blinks, glances at the clock—10:37—and turns, ready to apologize to Steve, only to see Joanie.
A quick look reveals no Steve anywhere in the studio, so Eddie thinks he’s probably in bed. “Hey, munchkin,” he murmurs, picking her up and setting her in his lap. “We put you to bed an hour ago, what’s going on? Bad dream?”
Joanie shakes her head before resting it on Eddie’s shoulder. “Papa’s snoring.”
Eddie blinks. Steve does snore, but not loud enough she should be able to hear it from her room. “Oh,” he says quietly. “Did he fall asleep before finishing the story?”
Joanie nods against his shoulder, and he sighs as he cuddles her closer, once again saving his project before completely shutting the computer down for the night. “M’kay, Joanie-bug, let’s go get Papa into his own bed.”
“Daddy?” She asks on the way to her room.
“Yeah, baby?”
“Why’s Papa so tired?”
Eddie sighs. “He’s a teacher, sweet pea. He does a lot all day. And he loves his job, but it is very tiring. Then he comes home and cooks, ‘cause he’s better at it than I am. And there’s a lot of stuff that needs to be done around the house.”
Joanie’s quiet for a second. “And me?” She finally asks.
Eddie’s heart stutters painfully. “No, baby,” he murmurs. “Your Papa and I love you, so much, okay?”
“Okay,” Joanie agrees, wrapping her arms around his neck. “I love you too, Daddy.” After a few seconds of thought, she says, “Are there cooking videos on YouTube? Like for hair?”
Eddie blinks. “To learn how to do it? Yeah, I think so.”
Joanie nods. “You should watch those. And cook for Papa.”
Eddie chuckles. “Maybe I will,” he agrees, stopping short in the doorway to smile at the sight in front of him.
The bedside lamp is on and Steve, glasses askew, is halfway on the bed, on top of the covers. The book is open in his lap, hands still holding on to the sides. He is, as Joanie had said, snoring.
Eddie kisses Joanie’s forehead and puts her into bed beside Steve before taking the book from Steve’s lax hands, shutting it and putting it on her bedside table before kissing Steve’s forehead. “Stevie, baby,” he murmurs. “Wake up.”
Steve’s eyebrows scrunch and his eyes flutter beneath his closed lids before he takes an extra-deep breath and his eyes open. “Eds?” He murmurs. “What’s wrong?”
“You’ve gotta get up,” Eddie murmurs. “This isn’t your bed.”
He watches as Steve processes his words then looks around. He sees the confusion morph into understanding when he sees Joan. “Oh,” Steve murmurs. “Sorry, Joanie.”
“‘S okay, Papa,” Joanie answers. “You should go to bed.”
Steve chuckles tiredly and kisses her forehead. “I am, right now,” he promises. “Night, Joanie.”
“Night, Papa. Night, Daddy!”
“Night, Joanie-bug,” Eddie answers, wrapping his arm around Steve’s waist, half as a hug and half to help his husband stay steady.
“Sorry, Eds,” Steve murmurs. “Meant to join you.”
“It’s alright,” Eddie promises. “How about tomorrow I take Joanie out early for breakfast and let you sleep in?”
Steve frowns. “But you have work.”
“I’ve done the majority of it already,” Eddie answers. “You could take her out tomorrow afternoon if you want. Or just have a movie marathon here. I’ll finish up what I have to do. Tomorrow’s Saturday, right? So I’ll finish tomorrow, then Sunday I can make waffles for all of us. How’s that sound?”
Steve hums. “Good, ‘sides the you cooking part of it.”
“Oh, you little shit,” Eddie says delightedly, pressing a kiss to Steve’s temple. “Just you wait, you’ll understand the power of YouTube tutorials.”
Steve chuckles, quiet, tired, but no less full of love. “I can’t wait.”
Tumblr media
Permanent Taglist (which I’ve been COMPLETELY terrible at I’m so sorry I promise I’ll try to do better): @justforthedead89 @ilovecupcakesandtea @madigoround @bookbinderbitch @suddenlyinlove @nburkhardt @artiststarme @paintsplatteredandimperfect @i-less-than-three-you @alyelf @quarble @messrs-weasley @littlewildflowerkitten @vankaar @starman-jpg @bornonthesavage @steddie-there @goodolefashionedloverboi @andienotannie @cinnamon-mushroomabomination @platinum-sunset @just-ladyme @steddiestains @swimmingbirdrunningrock @imhereforthelolzdontyellatme @martinskis-lydias @notaqueenakhaleesi @sleepyboosstuff @bestwifehaver @m-owo-n @thatonebadideapanda @finalmoondragon @velocitytimes2 @callmeanythjing @ajeff855 @ilikeititspretty @knitsforthetrail @sillysparrow @that-one-corvid @ace-is-bored @muricel @harpymoth @weirdandabsurd42
245 notes · View notes
Text
model!steve and voice actor!Eddie (part 3)
part 1 here | part 2 here | ao3 link here | the temp is up on this one so like... dni if under 18 pls
Eddie is a superstitious person, always has been. Avoids cracks in the sidewalk, refuses to walk under ladders. Says ‘bless you’ despite his lack of goddamn faith (well… scratch the god, keep the damn). That’s why, when Eddie wakes up at 11:11 that morning, he takes it as a sign. A good one too.
Okay yeah, it’s a little gross that he didn’t wake up until now. But he spent most of the night tossing and turning. A thirstfest visual loop of Steve Harrington jerking it to him. Or just his voice. Maybe both, but Eddie would be a conceited fuck if he were to ask for clarity on Steve’s preferred fantasies.
Look, he makes a lot of digs about his appearance because it’s harmless fun. In reality, Eddie is aware that he’s not an un-attractive person. Could he put a little more effort into his skincare routine so that it doesn’t peel off of him anytime he’s in direct sunlight? Sure. But his features are decent enough to get him matches on that dating app he used for exactly four days before deleting. 
Steve, though… Steve is something conjured up by a young adult novelist - creating the dreamiest boytoy for the angsty yet endearing protagonist. Steve is that. He’s something from a fictional world of hotness. And somehow, he exists beyond coffee-stained manuscripts and bestseller lists.
He’s real. And Eddie Munson has a fucking date with him in exactly eight hours.
Holy shit.
It takes two hours for Eddie to decide on an outfit. He facetimes his audio engineer/closest friend after the first hour, because his room is starting to look like an M. Night Shyamalan adaptation of Grey Gardens. 
“Show me the jean options again.” Chrissy’s tone is all business, staring intently on the other side of the phone screen. 
They met at an escape room right outside of the city. After setting a record-breaking time at that location, they got to chatting and quickly discovered they were both in the audio production business. 
Each of them lives the freelance lifestyle now. Highly ideal for their competitive escape room fixation.
Eddie holds up the three pairs of jeans. One pair is his favorite, well-worn and loose around his thighs, just how he likes them. The other two, are pairs that Chrissy bought for him last Christmas.
Lets just say… he only wears those when she’s offering to pay for dinner on their weekly hangouts. 
She hums for a while, twisting her mouth side to side before speaking again. “The dark blue with the gray crew neck. Final answer.”
“These?” Eddie holds the skinny jeans up to his hip bones. He tugs on the waistband to show how very little movement will be possible in these pants. “My dick cannot breathe in these, Chris. It’s like you want me to embarrass myself on this date.”
“I’m doing you a favor.” She shrugs, concealing a smirk behind her water bottle as she takes a sip. “Those pants are so snug, he’ll have no choice but to get you out of them as soon as possible.”
“Are you insinuating that I put out on the first date?
“Absolutely not.”
“Good.”
“I’m insinuating you put it in on the first date.”
“How dare you.” Eddie points at his phone screen. Sucks in his laughter because yeah. Props. That was a good one. He can’t admit that though because no part of him wants to wear these boa constrictor jeans.
“You were just telling me how you fucked him with your words last night.”
“Fair. But I also explained that I was clearly possessed by the spirit of Blanche Devereaux.” Eddie slips out of his lounge tee, pulls over the one Chrissy picked out for him instead. “I swear, that woman had quite the knack for dirty lingo.”
Chrissy rolls her eyes and gives Eddie a halfhearted salute. “And that’s my exit cue.”
“What? Why?”
“Because anytime you bring up Golden Girls, we start arguing over who would play them in the gender-swapped remake.”
Wrong. Totally false. There’s absolutely no argument to be had. Eddie knows exactly who he’d cast right off the top of his head. Joe Pesci, Michael Caine…
Chrissy must see the gears turning in Eddie’s head because she hangs up before he can launch into his well-rehearsed presentation. Which isn’t a joke, he has a PowerPoint on this particular topic (with cited sources and fancy transitions).
Eddie does one last glance in the mirror before heading out. The pants make his waist look slender, nice. His skin is being squeezed in too many areas, but that’s kind of the point. At least the shirt is loose, albeit a little short. Reveals a patch of his lower tattoos every time he lifts his shoulders.
Okay damn, Chrissy probably knew that too. Maybe she’s the one possessed by the horny spirit of Blanche Devereaux. 
Spiritual possession or not, Eddie ruffles out his bangs one last time. Heads out feeling much more confident than he did after his initial interaction with Steve Harrington.
Eddie agrees to pick Steve up at his last photoshoot of the day. It’s close to his side of town, which means he doesn’t have to fight his way through LA traffic. 
A good sign sent from his lucky wake-up time, no doubt.
He doesn’t expect the photoshoot to be at an amphitheater, but it is. A small one, probably only used for local productions. There’re cameras lining the outer rim of the stage, shuttering and flashing like headlights on a highway. Eddie can hear the director and photographers spewing directions from his car. There’s an audience of producers and crew members, seems like a big fucking deal by the looks of it.
The set is, well, breathtaking - way better than that knockoff fantasy shit from the cologne ad. It’s full of greenery. Trees swaying with the breeze and ivy carpeting the stage floor. A forest that’s almost too beautiful to be synthetic. Eddie wonders if any of the plants are real or if the props department was just that damn good at finding fake ones.
After a few minutes, he checks the time. The shoot is running long. No biggie - Eddie is enjoying the view anyways. Especially, when he finally spots Steve. The view is exceptionally priceless now.
Steve perched on top of a tree trunk, feeding some other model grapes. The dark and stupidly jealous part of Eddie hopes they choke on those grapes. 
His costume almost blends in with the backdrop, dark hues of green. Subtle shades of browns. Perfectly camouflaged by nature. There are vines wrapped around his bare arms, leaves tucked into his tousled hair. 
Honestly, he looks a lot like a wood nymph that Eddie would selfishly design for a DnD campaign. Better, actually. Eddie should take notes. Steal the designer's sketches when nobody's looking.
He’s positively itching to get out of his car, get a closer look at Steve in all his botanical glory. But that might come across as too impatient. Or worse, too presumptuous. So Eddie picks one of his lengthier playlists and settles into his seat.
There’s a tap on Eddie’s window, startling him out of his nap. He must’ve dozed off about twenty minutes ago because the last song he remembers listening to was from the mid-90s section of the playlist. Now, they’ve moved into early 2000s territory.
Seriously, math is way easier when music is leading the equation.
Steve is right there, peering in, still tapping incessantly. His eyes are wide, concerned maybe. Which, yeah. Concern makes sense, considering his date is yawning before the date has even started. Fucking yikes.
Eddie rolls down the window, gives Steve a toothy grin as he rubs the sleep out of his eyes. “Heya, FernGully.”
Steve doesn’t acknowledge Eddie’s costuming reference. Probably missed out on that era of cult classic cartoons. “Up late?” He leans against the car and smiles, far more dazzling than the sun setting behind him.
“You would know.”
Oh, and that earns Eddie a wink from Steve. The nun-converting wink he saw months ago and still thinks about.
“I have no idea what you’re talking about,” Steve reaches into the empty space, pushes the latch down to unlock the front door. “Come on.”
“Uh-”
“I’ve gotta change before we head out.” Steve swings the door open before Eddie can protest.  “Unless you want to have dinner with me dressed like this.”
Eddie raises an eyebrow. “Don’t give me any ideas.”
If there were a Renaissance Festival in town or a Medieval Dinner Show still in business, Eddie would definitely trick his way into getting Steve to go dressed like that. But he tucks the idea away for now, walks down the hill with Steve to the amphitheater. Does his best impression of a civilized human.
“So… what are you supposed to be exactly?”
Steve points to the body glitter on his cheeks. “A fairy.”
Yup. A new file of woodland fantasies starring Steve Fairyington have downloaded into Eddie’s mind. If voice acting didn’t pay so well, he could make an impressive career out of his whimsical porn concepts.
So he deflects. Humor is the only solution to keep the conversation PG-rated. “Just because you’re into guys doesn’t mean you’ve gotta use outdated terms like that.”
“You know what I mean.” Steve knocks an elbow into Eddie’s arm. “I’m a literal fairy.”
“Are you implying that literal fairies exist?” Eddie teases.
“No.”
“Seems like it.”
“Jesus, you’re a piece of work.”
“I can tone it down.”
Steve stops walking, places a hand in the center of Eddie’s chest to stop him too. His playful energy fucking warps into something new. Savory and seductive. Bewitching.
“Don’t even think about it.” He answers, slipping his hand down a little, almost between Eddie’s ribs. The motion sends static through Eddie’s core, up his spine. Raises the hairs on his arm and the back of his neck.
It shouldn’t be alarming that Steve’s touch is powerful. Look at him. 
Eddie has a hard time focusing on the conversation after that. Luckily, the timing works out for him to get his shit together, as Steve heads into the trailer that's parked next to the stage.
He tells Eddie he can take a closer look at the set that he suddenly can’t seem to shut up about. It really is stunning. The size, the details, the color choices. Eddie is fairly certain this is the closest he’ll ever be to experiencing Endor in real life.
Most of the crew members are gone, a few still packing up equipment while Eddie observes a variety of plants used for decorating the wooden platforms. Learns that some plants are real and some are fake, which is actually genius. The mixture of the two distract from the plastic-y finish on some of the vines.
“This is for a special-edition cover of some Shakespeare script.” Steve says, joining Eddie at his side. His outfit is rather colorful. It checks out that he's one of the few people that can pull off a purposeful athleisure aesthetic (Eddie hates that he knows what that style looks like, ugh). “Hence the fairies and forests and shit.”
“Wait.” A lightbulb goes off in Eddie’s head. “Is this for A Midsummer Night’s Dream?”
“That’s the one.”
Eddie does a sharp turn, starts shaking Steve by his shoulders. Absolutely bursting with excitement. “Steve literal fairy Harrington, this is ridiculously cool! Like… the history-making kind of cool!”
“If you say so.” Steve agrees calmly.
“How the hell are you not more jazzed about this?”
“You sound just like my manager.” Steve mumbles. “Truth be told, the only Shakespeare play I’ve ever read is Macbeth.”
Eddie gasps, sucks in enough air to fill an inflatable kiddie pool. “We’re on a stage, you can’t just blurt out the Scottish Play like that.”
This is not good. Horrible, even. Not a damn chance that Eddie can be mellow about this. Superstitious person, believer of traditions, blah blah blah. 
And while hiding that piece of his personality should be a simple task, he cannot blatantly ignore such a major fuckup on Steve’s part. No matter how accidental of a fuckup it might have been.
“Okay, what are you talking about?” Steve asks. Still calm. 
“It’s bad luck.” Eddie explains. “The closest thing to cursing a theatrical production.”
“Well, good thing this isn’t a theatrical production then.”
And as Steve laughs off the thoughtless joke, a loud thud is heard at the back of the stage. 
There it is. A warning of impending doom in the form of a loose stage light, hanging by a few loose wires. 
Almost everyone is gone, only two crew members remain on the sidelines. One of them gets on their walkie talkie, mumbles something about a safety hazard incident.
Pfft, not just an incident. A fucking threat from the ghost of theater, that’s what it is.
“See?” Eddie waves both arms at the light structure swinging upstage. “You’ve pissed off Thespis with your loose lips.”
“Who?”
“Oh my god, you’re so-” 
A high-pitched scream cries out from a nearby street. Both Steve and Eddie jump at the sound. It’s a long, frightening scream. Something straight out of a slasher film, which is a likely possibility, for sure. Things are filmed out on the streets of Los Angeles quite a bit.
But the fear ringing out from this particular scream sounds real. Gritty and hoarse.
Fucking terrifying. 
Once the screaming stops, no sign of returning, they share a look. It’s not an ‘I’m gonna jump your bones’ look either. It’s awkward. A fine line between guilt and ‘I told you so.’
“That was just a coincidence.” Steve waves off the scream like it’s just a daily occurrence. Nothing out of the ordinary. “Curses aren’t real.”
Eddie doesn’t want to shout ‘you’re wrong’ from his metaphorical megaphone. Not on a first date, at least. Outright dogmatic behavior shouldn’t come into play until like… the end of the third date.
All he can do is shrug, swallow back the urge to correct this beautiful person standing beside him.
He’s so rigid now, almost timid from the lingering anxiety that more freaky shit is about to happen. 
“Come here.” Steve motions his head to the side, peering softly at Eddie’s expression. His shoulders are relaxed, arms reaching out for Eddie to follow. Join him.
Which he does. Can’t help it. Fully dazed by Steve’s patience, legs moving without a chance to reconsider.
“Wanna get out of here?” Steve thumbs over Eddie’s cheek, skims his nail against the scratchy bits of stubble along Eddie’s jaw. His movements are slow, precise. Only a smidge of pity in his smile. 
Yup. That’s what this must be - Steve probably thinks Eddie is being dramatic. Must assume he can smooth over Eddie’s knotted nerves by just touching him. Tracing hypnotic patterns over his skin.
Eddie is mildly irritated that it’s working. If he can’t find the strength to look away from Steve’s sunny-tinted eyes soon, he’ll float away. Slip through the air as particles. Dust. Nothing but his slutty wishes will remain.
“Not yet.” Eddie gulps.
“No?”
He can’t in good conscience let this theater stay plagued by Steve’s words. This place is on verge of being the location for a Final Destination sequel.
So Eddie removes Steve's hand from his face, squeezes once before returning it back to Steve’s side. “Gotta reverse the fuck out this bad omen first.”
“There’s no such thing as-”
“Don’t.” He pleads. “Put my superstitious mind at ease. Can you do that for me?”
Steve at least has the decency to look away while he rolls his eyes. Pretty and considerate. “Fine. How do I break the curse?”
Eddie has spent enough time in theaters to know there’s a few variations on this process. Changes from director to director. The most common one is going outside and spinning in a circle three times, then knocking on the door till someone lets you back inside.
But that’s where the problem comes in. They’re already outside and there’s no door to knock on, while pleading for forgiveness.
Hmm…
It’s a good thing Eddie remembers a few adjustments to the protocol. It’s an even better thing that he was captain of his improv troupe for three years back in college. Thinking of solutions on the spur of the moment? Adapting for the sake of the scene? Eddie lives for that shit. Comedy fucking chameleon, that’s him.
And what’s better than all of that? His leftover luck from waking up at 11:11am.
Guess it pays off to be a superstitious person. Sometimes.
Eddie clears his throat, delivers the instructions with a southern drawl. Fucks around with it because he can. “So first, you have to walk around the theater three times.”
“Okay.”
“Backwards.” That’s definitely not part of the procedure, but oh well. Steve doesn’t have to know that.
Steve scoffs, shaking his head. “Yeah, fuck that.”
“Sorry. I don’t make the rules, gorgeous.”
Except he does make the rules. Currently having way too much fun watching Steve squirm at the stupidity of it all. He’s quickly learning how easy it is to push Steve’s buttons. That shouldn’t be so thrilling for him but whoops. It is.
“Whatever.” Steve kicks a piece of gravel off the stage and sighs. “Then what?”
So he wants more? Eddie can do that. “You have spit on the ground to show your remorse.” 
“This is a bunch of shit.”
“I said spit, not shit.” Eddie leans into Steve’s ear, uses his studio voice, watches as Steve turns pink all over. He lowers the volume down to a whisper. “Try to keep up.”
“Asshole.” But there’s a grin plastered all over Steve’s face as he grumbles. Eddie’s chest is fizzing, total carbonated joy inside him knowing that Steve is a vicious little monster, just like him.
He shoos Steve off to complete the reversal process. Sits on the edge of the stage, legs dangling over the rim, fingers fidgeting with a thread on his jeans.
He’s so smug, watching the prettiest boy on the planet become the grumpiest goofball. Steve might look like an angel, but he has the aura of a full-bred Pomeranian left in the rain.
“I’m making a new rule!” Steve shouts from the back of the theater. 
“How ambitious of you!”
Eddie swears he can hear Steve growling in response, which fuck, that shouldn’t be such an adorably hot combo. But Eddie pictures the curve of Steve’s upper lip as he snarls and the zigzag of his arched eyebrows, and that’s exactly what it is. Hot. Adorable. Sensational.
Steve Harrington is a game of Mad Libs. Every adjective, every word that invokes head rushes and heart flutters, they’re all about him.
“As I was saying before you rudely mocked me,” Steve is in Eddie’s peripherals now, still stepping backwards. Toe to heel, hands loosely in his pants pockets. Not fair that he can make walking backwards look slick and cool. The nerve, the gall. “My new rule is that I get to ask you a question each time I get to the front.”
Eddie pulls one knee up to his chest, lets his chin rest over top of it. “Well then... ask away, o’ cursed one.”
Steve stops at the front of the stage. He doesn’t turn all the way around or start walking forward again. He turns just enough to look at Eddie. Focusing on him.
The sudden attention to Eddie’s face gets him all stuffy. He tries to hide the color that’s surely settled on his cheeks by digging one side of his face into his kneecap. It’s a dopey move. Too bashful, even for him.
“Alright.” Steve says. “How do you know so much about theater?”
An easy question with an easy answer. Relief surges through Eddie. “Most voice actors start out as stage actors. Not always, but a lot of us do. Gotta start somewhere, ya know?”
“Yeah. I know.” Steve nods, and continues with his second lap.
Once his footsteps are far away enough for Eddie to think properly, it dawns on him - they’re getting to know each other. Like authentic people would do.
Like… an actual date.
Shit, it’s been so long since someone in this artificial fucktown has wanted to know things about Eddie beyond hookups and screenames. A genuine moment was right in front of him, and he almost missed it.
That sobers him up. Eddie shoves away his need to Cause Chaos and accepts the sincerity. Gives it right back to Steve. “What about you?”
“What about me?”
“How did the modeling gig start?”
“Agents found my instagram again.” Steve replies. “Liked my pictures enough to offer me some shitty jobs to build up my resume. The usual story these days.”
“Right.” 
Eddie can’t fathom being that attractive. So attractive that people seek him out. 
Different worlds is an understatement. Different realms is more like it.
“Next question.” Steve says, arriving to the front again. “Would you rather visit the beach or the mountains?”
Eddie has to think about that one for a minute. He doesn’t take many vacations, can’t afford to on a single artist’s income.
But he remembers a trip to Colorado that he took as a teenager. Vaguely recalls not appreciating any of the landscapes because he was too busy texting his new girlfriend during the whole damn trip.
“The mountains.” Eddie answers, just as Steve begins to walk again. “The Rockies and I have some… unfinished business, if you will.”
Steve chuckles. “Sounds like there’s a story behind that.”
“Definitely.”
“Maybe I’ll get to hear it sometime.”
“If you want.” Eddie says, beaming at the implication. 
Steve’s footsteps stop. “Like I said on the phone, Eddie. Hearing you talk is...” The Earth feels silent. But the tension in Eddie’s ears is audible. “Well… I'm into it, I guess.”
Eddie has to switch knees to ease the thump in his dick. “And is Steve Harrington a mountain man or a beach bum?” 
“Depends on the season.”
“Such a diplomatic answer.” Such a vague answer too, Eddie thinks. 
“Okay. Last question.” Steve arrives at the front, shorter of breath than he was the first two laps. He hesitates for a second, then takes a couple of steps towards Eddie. “All those tattoos you have… did getting them done hurt?”
“Like a bitch.” Eddie bunches up his shirt to show off the sleeve of ink he has on his left arm. Took years for it to look this intricate. This complete. He’ll never get tired of staring at it. “Why? Itching to get one or something?”
“Nah. Never got the appeal of putting yourself through hours of pain or whatever.”
“It’s all about the art. The memories. The stories.” Eddie stretches out his bent knee. Lets it drop back down, relaxing into his explanation. “All of those things stitched into designs that I get to admire every damn day for the rest of my life.”
“Art, huh?” Steve takes a few steps closer, close enough to touch.
“What can I say?” Eddie is shamelessly studying the specks in Steve’s eyes. How all the colors blend and separate the closer he gets. Can hear himself grinning as he speaks. “I’m a big fan of gazing at pretty things.”
He’s so tempted to reach out, pull Steve in. Have him straddle his waist while they taste each other for hours.
But he’s still mooning over those eyes - the ones that deserve myths and legends to be told about them for ages. Centuries. Whichever is longer.
“Um.” Steve’s voice snaps Eddie out of his spell. “So… spit?”
“Sorry what?”
“The curse.” Steve says. “I’m supposed to spit on the ground, yeah?”
“Right, yeah. Uh huh.”  Eddie rambles, still internally choking on the fact that Steve just said spit to him. In public.
Steve backs away, puts some space between them. He begins making this nasty, gravelly side with his mouth. His jaw sags slightly as he does it, the lump in his throat bobbing the whole time. 
Eddie gawks, fully unable to look away while Steve swishes the spit around. Filling one cheek, then the other. He’s getting harder with every noise, every swish.
All at once, Steve forcefully hocks the stream of spit onto the ground. It goes diagonally, lands way closer to Eddie than he was expecting. Gets some goddamn distance, which makes Eddie’s eyes roll back. He’s pretty sure he lets out a wobbly ‘fuck’ at how obscene it all looks.
Steve wanders back over, avoids stepping in the wet mess he made on the ground. He places a hand on Eddie’s knee, works his way up the rough edges of denim.
Eddie’s vision is still spotty from what he just witnessed, so he decides to talk until everything clears up. Steve is into that right? The talking bullshit?
“There’s one more step to complete this.” Eddie watches the blurry outline of Steve’s hand rubbing his thigh, slowly blinking the image into full focus.
“And what’s that?” Steve’s voice is low, eyes fixed on Eddie’s mouth.
“You gotta…” Eddie licks his lip. Places a hand over top of Steve’s. Moving where it moves. Going where it goes. Buys himself some time to get the words straightened out. “You gotta kiss the nearest sewer rat loser.”
“And if I don’t do that?” Steve leans in till their noses touch. “Then what? The curse won’t be broken?”
Eddie nods. Only able to give a thin ‘mhmm’ in reply. He wraps two fingers around Steve’s wrist, the hand that's still trailing heat along his thigh. Needs to press against the pulse there, feel it jump. Spike.
Steve is so quiet. So controlled compared to his pulse. “Can’t have that then, can we?”
His lips part, hovering over Eddie’s mouth. The kiss starts out like that. Lips treading, only meeting between breaths. Neither of them pushing for more than seconds of warm contact, brief and sweet. 
That is until Steve’s free hand starts twisting into Eddie’s shirt, tugging him along by the soft fabric. Eddie sinks forward, dives fully into the kiss. He holds his breath or maybe it just gets caught in his lungs from how good it all feels. How Steve touches him like he's captured. How Steve kisses him like he’s dessert.
Eddie can't help but smush their lips together, forcing their faces closer than faces can scientifically be. He hears the wet smack of their tongues echoing underneath the amphitheater, waking his lungs the fuck up. Lets out the weakest sigh, hopes most of the sound gets trapped between Steve’s lips. 
Oh god, his lips. They’re fuller than Eddie’s, puffier now from kissing this hard. He wants to squish them around with his fingers, push them into pout so he can suck on them. Turn them nice and red. Eddie gets his hands tangled in Steve’s hair, knots them up enough to resist the lip-squishing temptation that’s burning him up inside.
“Here.” Steve exhales, hooks one of Eddie’s legs around his waist. 
That… okay, fuck. That’s so hot, so unexpectedly assertive and right. Eddie takes the hint, wraps his other leg around Steve. The heel of his scuffed boots is digging into Steve’s ass, not too hard, but enough to earn a dirty whine out of Steve. He pushes them together, clothes rubbing back and forth, scratching loudly. Muffles their mouth noises though.
“Can we…” Eddie wants to move this elsewhere, anywhere less public. He’s so fucking selfish for that. Needs to swallow every sound Steve makes, secure every expression with a lock. Nobody else should be allowed to see Steve like this besides Eddie.
He lets one hand unravel from Steve’s hair, glides down to the collar of Steve’s tank top. He yanks the material lower, presses his lips against the new area of exposed skin. Sips and sucks over that spot, claims it like he could extract a piece of Steve’s soul if he sucks hard enough.
“Yeah, fuck yeah.” Steve responds, whimpering into the top of Eddie’s hair. Not entirely clear if he’s saying that out of pleasure, or agreeing with Eddie that they should relocate, but whatever. It's all too good to overthink the meaning.
Eddie unhooks his legs and kisses the deep purple mark he just made. Too fucking proud how easily the color spreads into reddish tones around the edges. 
His vision goes fuzzy again as he stands upright, has to blink away all the white specks of dizzy lust. Eddie offers a hand to Steve, but there’s no damn point for that. Steve is already hopping up onto the stage, makes it look effortless. Cool as shit.
“Follow me.” Steve grabs the crook of Eddie’s forearm, pulling him into the forested scenery.
As if there were any need for Steve to request that. Eddie Munson would follow Steve into the sketchiest alleyway of Hell, if it meant they could kiss like that some more.
They duck underneath a few tree limbs, weave through the maze of green. A few leaves get into Eddie’s mouth, but he hardly notices anything besides the dent that Steve’s fingernail is leaving in his arm. It would make the sickest crescent moon tattoo, inked and perfectly shaped. 
Damnit, Eddie’s thoughts are getting more fucked the deeper they hide. Steve slams Eddie against the trunk of a large tree. He realizes with the thud on his back that it’s plywood, not tree bark. Doesn’t care one bit if his shirt tears from the nails jutting out. Cares even less if he gets splinters from the slow grinding of their hips, hitching his shirt up further with every thrust.
“These are sexy.” Steve tugs at Eddie’s empty belt loop. Didn’t need an actual belt with how suffocating they are. “But they’ve gotta go. If that’s cool.”
“Get them the hell out of here.” Eddie is subconsciously thanking Chrissy for suggesting these stupid pants. She’ll be insufferable when he tells her about the jean's success rate. But right now? Worth it.
Anything seems worth it to have Steve popping the button out, ripping the zipper down. He’s so focused on getting these pants off that his forehead wrinkles, little beads of sweat gathering on his temples. 
Eddie can’t resist any longer, not after seeing Steve equally covered in desperation. He palms the front of Steve’s pants, wants to give him some relief for this valiant jean-removing effort.
“Steve.” Eddie huffs, brushes his lips over Steve’s ear. “You have no idea how much I’ve thought about this.” He bites over the skin, nibbling carefully with the tip of his teeth.
It must tickle because Steve laughs while shrugging the jeans lower, boxers going with them. 
“So tell me then.” He kisses Eddie. It’s harsh, mostly panting into his mouth. Steve sinks to the floor and looks up. “Keep talking.”
This. This goddamn view. Eddie wasn’t expecting to get a view of Steve on his knees tonight. Wasn’t expecting his head to go limp, looking up at Eddie the way he eyefucked the camera on the day they first met. 
Only difference is, Steve’s not acting - not pretending to be needy.
He just is. He’s all of those coy and sinful things, exclusively for Eddie this time.
“Spit in my hand.” Steve stretches his hand up towards Eddie’s chin - gives him those big, midnight eyes that could make dormant volcanoes erupt instantly. Defy physics, end climate change. 
Eddie doesn’t use brain cells anymore, just does what he’s told. He gathers enough spit in his mouth, then watches it trickle out. Pooling in the center of Steve’s hand. It’s gross, sure. But also, it’s the hottest thing he’s ever done. 
Gross and hot. Those sensations are fucking synonymous right now.
“Tell me, Eddie.” Steve gets his fingers around Eddie’s cock, the warm wetness makes it twitch in his hold. Apparently, no part of Eddie’s anatomy can believe this is really happening, not even his dick.
“Uh-”
“You said you’ve thought about it.”
“Lots.”
“So tell me while I get you off.”
“Oh.. god, okay.” And Eddie is good at that. Talking nonstop. Revealing all of his filthy secrets when asked so politely. He did it last night, slipped into his darker persona with ease so Steve could feel good.
But that’s just it, isn’t it? Eddie would say a flurry of fuckery for Steve Harrington’s approval. Get him to come until he shakes because Eddie wants that. Wants Steve to feel like liquid gold dripping between his fingers. Wants Steve to bend and break under his words and touch.
Talking dirty to get himself off is new territory. Eddie is a perpetual giver, loves being that way most of the time. Especially for someone as spectacular as Steve.
“Go ahead, babe.” Steve urges, licks the muscle of Eddie’s inner thigh till it tightens.
Right, he can do this. Even if he is short of breath. Eddie can be as confident as he was last night while Steve strokes him. “Thought about you since the commercial production.”
It’s a start. He bites his lip and keeps going. “All I could think about was… fuck. Opening you up. Leaving my fingerprints on your hips.”
“What else?” Steve purrs, working Eddie roughly with his spit-slick fingers. Sounds just as ruined as Eddie does.
“Wanted to fuck you in my lap.” Eddie pauses to moan, chest falling hard. He gets another glimpse of Steve’s hand on him, picking up the pace. A tempo so delicious that it shuts off Eddie’s judgment skills. His mouth running wild. “Let you ride me just like that. Use me till your legs go weak.”
Steve huffs out a laugh. His grip gets a little firmer, loosening up between strokes. Makes a fucking pattern out of it, has Eddie craving it. Needs more.
“And what if I wanted to fuck you, huh?” Steve’s question hits his ears like a whip. Cracking every nerve in Eddie’s body.
“I’d let you.” And it’s true, so very true. Eddie’s mouth is still going rogue, uttering truths like he’s on trial. Ready to testify all his desires to Steve. Sign his name on the dotted fucking line. “You could wreck me any way you want, sweetheart.”
Eddie seems to have found the secret words to Steve’s wild side. He’s taking Eddie down his throat, almost too fast. So fast that drool forms at the corners of his stretched lips, mouth gurgling already.
Eddie is swearing, not even real words half the time - just moans that sound explicit enough to get bleeped out on public access television. One hand goes over his own mouth while the other keeps combing through Steve’s hair.
It’s so damp now, sticking out erratically at the sides. Eddie curls a few strands over his thumb, watches the color drain from his finger. So demented, so good.
Steve is taking his cock so damn well, so Eddie tells him. Truly, all that he’s capable of is sex-drunk praise. Letting Steve know how gorgeous he is, how bruised his throat will be from sucking this much cock, how swollen and sore his lips look at this angle.
Eddie can’t stop because every phrase makes Steve get messier. Whining and whimpering each time he pulls off. Looking up at Eddie before taking him in again. Getting louder. Loud enough that sidewalk pedestrians definitely could hear him if they linger nearby for too long.
Eddie's knees buckle as he gets close. Doesn't have the energy to straighten back out, let alone warn Steve that he’s about to come. None of that seems to matter though. Steve nods twice, still bobbing around Eddie, like he just knows. Knows Eddie is there and is fucking willing to work him through it.
“Holy fuck, Steve.” Which yeah, Eddie gets it. Uttering someone’s name while he comes in their mouth is a little tacky and cliche. But saying it is involuntary, totally out of his control. Truthfully, Eddie relinquished all control to Steve hours ago.
Steve swallows, cleans Eddie with a few swipes of his overworked tongue like it’s nothing. No problamo. Like that’s the only way to handle the aftermath of an orgasm. In the most delightful way, or whatever musical shit Mary Poppins sings about. 
He gives the laziest, dreamiest grin as Eddie collapses down to his level. Both of them heaving, kissing with aching lungs. 
“Fucking fantastic.” Eddie whispers, brushes his knuckles over Steve’s pink-stained cheeks. Hopes his rings don’t hurt too much, absently forgetting how chunky they are.
Steve leans into the small touch. “Glad to hear it.”
“You’re fantastic.” Eddie clarifies. Means it more than any superstition he’s ever heard in his life.
He’s more than ready to get his hands all over Steve, make him come until he faints. But Steve is adamant that he’s chills with waiting. Says he actually enjoys the buildup from staying horny for hours and hours. Mentions something about that being a new discovery that he wants to explore. 
With Eddie. 
Steve fucking Harrington wants to explore new sides of himself with Eddie. That sends him reeling. Smitten and spiraling.
“Are sure?” Eddie paws at Steve’s hard-on, ready to jump in and save the day via orgasm.
“Very sure.” He lifts Eddie's hand away, snickering as he lays a quick kiss on each finger.  “I like being around you. That’s not gonna change overnight.”
“Like being around you too, Steve.” He takes Steve’s face into his hands, smushes it back and forth until Steve smiles. “Crazy about it, actually.”
The sun is low, barely any light left in the sky. But as Eddie holds Steve’s face, watching him smile, he notices that Steve is glowing. Not beaming, actually glowing. Even through the dimness of sky and the shadows formed by tree limbs, Eddie can see all of Steve’s features.
How is that possible?
They each look up and see it. Taking it in, this mysterious glow.
“Wow.” They say in unison, almost matching pitch. Matching levels of disbelief too.
Between the branches and leaves, they are tiny lights. Floating, orb-like lights. The brightness shining off of them is warm, soft on the eyes. They’re scattered high over the forested backdrop, orange and yellow hues twinkling against rich greens. 
Enchanting is the only word to describe this new addition. Incredibly and unbelievably enchanting.
“Set designer really popped off with this cover shoot, I guess.” Steve throws the theory out there, barely sounds like he believes it himself.
Eddie rubs his eyes. His voice comes out hushed, doesn’t really mean for it to but it does anyways. “Steve… those aren’t attached to anything. No strings, no wires. They’re just-”
“Floating?”
“Well, yeah.”
“Be serious, dude.”
And Eddie is. Completely serious. No jokes or snarky replies in his system right now. He points to the nearest light, then back at Steve. “You broke the curse, right?”
“Apparently.” Steve shrugs.
“So maybe Thespis is showing his forgiveness.”
“Who the hell is Thespis?” Steve pinches the skin between his eyes and groans - acting like Eddie’s hypothesis is giving him a migraine. Honestly, it might be. Wouldn’t be the first time Eddie worked someone up to the point of desperately needing tylenol.
He switches tactics, nuzzles into Steve’s shoulder with his nose. Attempts to lighten the mood with at least one joke in these trying times of bad luck and headaches. “Or he’s giving us his blessing for copulating on his holy grounds.”
The lights answer, flaring out all around them. They pulsate for a minute, maybe two, before returning back to their normal glow. Eddie tucks in a grin because Steve’s gorgeous little head looks like it’s about to detonate off of his gorgeous little body. So if he smiles right now, Steve will undoubtedly explode on this very flammable set piece.
Which would be a wicked awesome way to die. Post-orgasm, then up in flames. But alas, they have dinner reservations. It would be rude not to show up.
Really, it’s no surprise to Eddie that the ghost of theater is into partial voyeurism, signaling his approval with twinkling lights. Semi-public sex probably classifies as its own unique strand of performing art in Ancient Greece.
Or the dead dude is just into taboo stuff. 
If so, good for him. You do you, Thespis.
“Look.” Steve says, standing up. “Maybe it’s… an optical illusion.”
“Or magic.”
Steve lets out a deep sigh and offers his hand to Eddie. Pulls him up in one swift motion. Doesn’t let go of his hand afterward either. “How about we drop it and go get some dinner?”
Typically, Eddie is all about a verbal bloodbath. But Steve laces their fingers together, connects them in a way that has Eddie forgetting all about his need to be right. 
“Consider it dropped.”
The lights flicker out as they walk further away from the stage. And as they get into Eddie’s car, they go out entirely. Steve flicks on the radio, defaults to the classic rock station, which is playing “Magic” by The Cars.
“It’s a sign.” Eddie sings to the tune, poking a finger at Steve.
“Just drive, you big dork.” Steve swats him away, placing a hand on Eddie’s thigh while he drives. He turns up the volume, surprisingly knows every lyric by heart. Belts them out. Full on screams the parts he likes best.
Which Eddie totally can relate to. He wants to scream about all the parts he likes best about Steve. About their date that’s not even finished yet.
On their way to dinner, Eddie avoids the cracks on the sidewalk. On the drive home, he taps the roof of his car whenever he makes it through a yellow light at an intersection.
And when he drops Steve off at his apartment precisely at 11:11pm, he doesn’t say a damn word. Keeps his mouth shut, only opens it to kiss Steve goodbye (with tongue, obviously).
Sure, it’s just a dumb superstition, Eddie can admit that to himself.
But tonight… it feels like more than that.
More than a coincidence.
More than a good omen.
He sends a ‘got home safely’ text to Steve as he pulls into his designated parking spot. Totally obsessed with how fast Steve texts him back, it’s too fucking cute.
Steve: glad :) had a great time btw
Eddie: really?
Steve: yes *really*
Eddie: i had a great time too
He quickly taps the voice-record button before Steve can respond:
“Actually,” Eddie sneers. Uses the voice that Steve goes crazy for. “I had a magical time.”
Steve: ugh
Eddie: ;)
535 notes · View notes
Text
The Ineffable Detective Agency presents: Hidden Audio in Gabriel's Returning Memory
Ok everyone, I found a big mystery and I need your help! Are there any sound engineers in the Good Omens fandom? Please spread our search for them by reblogging this!
Remember when I posted the slowed-down video of Gabriel's memory returning and we all analyzed the scenes as they flashed by?
Well.
Eventually I realized that if you play the "memory tunnels" at different speeds, there's hidden audio. Mostly it's people talking, heavily masked by lots of extra sound effects which I've done my best to minimize unless they seemed meaningful, but realistically there are probably multiple layers of meaningful audio to decode, because that seems to be how things are with Good Omens!
There are also parts of the audio I can't decipher, and I'm hoping a skilled sound engineer will be able to do a better job manipulating this than I was able to do. (Plus, if you'd like to help, there's more hidden audio in other places, but that'll be the subject of another post 👀)
And … we're all Ineffable Detectives in this fandom, right?! The audio clips aren't anything we recognize from either season of Good Omens so far. Maybe some part of this will be familiar to you, from somewhere?? Sit down someplace quiet, pop in headphones if you have them, and listen to this (the first few seconds are silent):
Before we've influenced you, what do YOU hear??
I know a lot of people just hear noise at first, so if that's what you heard, you aren't alone! Now, here it is a second time, with captions for what we THINK we're hearing, and with gratitude for input from the @ineffable-detective-agency featuring @noneorother, @thebluestgreen and @eybefioro:
And here are the video captions again, with their timestamps: 0:03 oops... oops 0:05 you say you're a musician 0:08 it helps a lot as well 0:14 pssst, musician 0:16 crying or gasping 0:17, 0:19 musician 0:23 {music} 0:27 {singing} how good it feels (to pray?) 0:33 ? 0:41 ? 0:49 …what do you think… 0:50 glass crashing 1:03 ? 1:10 things look... things look super… 1:14 you say that the musician is negotiating his business …?… 1:24 things look super… super...
Do you recognize any of these clips from any other media? If not, my assumption is it's audio that was pre recorded for season 3, and left here as a hint about SOMETHING. But what?? As always, we'd love to hear your ideas!
Also, please reblog!
And if you have the skill/knowledge/interest to make this easier to understand, please let me know. We can collaborate, or you can just run with it, whatever suits you.
See more of our posts plus a link to a Google doc with metas and clues from all over the fandom, here!
159 notes · View notes
star-wrld · 15 days
Note
What do you think the bad kids would do in their spare time to hang out, if they had spare time?
Thank you anon!! I think about this a lot so here are some rambles
I think that Fig and Gorgug have weekly band practice which honestly is very little actual practice and more banging out their emotions for an hour until they feel better.
I know in my heart that Kristen and Fig have had a very intense guitar hero rivalry ever since they both moved into Mordred. You'd think because of her shit dex Kristen would be very bad at this game but she has lots of experience from having little brothers™️ and Fig is of course an incredible bassist so those skills transfer.
Adaine and Riz do actually enjoy studying so when they have some free time I think they will meet at the library or Mordred to work ahead a little bit or dive into a niche topic they won't learn in school since they're both very good study partners. As Gorgug gets more into the artificer aspect he sometimes will pull up to these study sessions just to learn good study techniques and body double.
I know Kristen and Fabian have some truly HEINOUS gossip sessions. Every conversation is ended with, "But who are we to judge." When Riz happens to walk into these conversations he always drops some new detail that neither knew that completely changes the conversation and Kristen and Fabian lose their shit every time.
Even after Gorgug leaves the team he and Fabian will still scrimmage sometimes, because Fabian will whine about whatever next game is coming up. I think Gorgug and Fabian can both sometimes be people who can't really process their emotions so they'll play and play and play until they've sweated whatever breakdown was coming away.
I also feel like Adaine and Kristen both get really into baking/cooking and will bake/cook together. A lot of times it is in complete silence but they still manage to work in tandem with one another and make a gorgeous dish.
Finally, as a group, the Bad Kids feel like the type to do music video nights. They'll sit together and play their favorite music videos and sometimes even the music videos that are so bad you have to see it. Fig and Gorgug dissect the actual music and instrumentation. Fabian will point out cool things in the choreography and Kristen will pick apart all the cultural references and symbolism. Adaine and Riz use their skills from A/V club to talk about how the music video was filmed and any cool things from the audio engineering.
98 notes · View notes