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#i honestly don't know what to write either
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Could you write a snippet about a sunshine civilian x terrifying villain?? The civilian doesn’t like “change” the villain but the villain does have a soft spot for them
"Would you like me to get involved?" the villain asked.
The civilian paused, halfway in the middle of doing the dishes. They started again smoothly enough - mind racing through their options.
Involved in what? Oh so innocent. An insult to them both.
How did you find out? Obvious. The villain made it their business to be aware of everything going in their general sphere.
Of course I don't want that. Of course I do.
"You're asking?" the civilian said, finally. "I didn't think your possessive streak would allow you to sit out on my battles."
"You enjoy your independence. I prefer not to upset you further."
The villain stalked across the room, taking a dish from the civilian's hand and beginning the work of drying it. It still caught the civilian off guard; to see them do such mundane things. A dark conqueror did not exchange his throne for a pair of sunny yellow marigolds.
Except, with them.
The civilian exhaled a slow breath.
"There's a limit, of course." The villain's voice was too casual. "If they'd laid hands on you..."
"I don't think any of your followers would be that stupid."
The villain didn't say anything to that, simply taking the next plate. The civilian didn't say anything either for the next few dishes, because dishes were annoying but easy and the villain's world was fascinating but hard.
"I can fight my own battles," the civilian said. "It's not a big deal."
"I know you can. And that's not the point."
The civilian huffed, finally daring a glance at their lover. The villain's gaze was an inferno. Dangerous. Teeming with violence. A carefully controlled fury. The civilian couldn't possibly look away from it.
The villain reached to turn off the hot water tap without breaking eye contact, head tilting a fraction. They raised an eyebrow.
"If you got involved," the civilian said. "They'd never dare so much as insinuate shit about me again. They'd be so polite."
"They'd get on their knees whenever you walked into a room." The villain's voice dropped instantly away from casual to velvet. "They'd ask permission before so much as looking at you. Would you like that?"
"No." Yes. Sometimes.
There was no judgment on the villain's face.
"It's not an impulse I want to indulge," the civilian amended.
"Mm, pity. I'd like seeing everyone on their knees for you. They'd grovel. Beg me for mercy and then beg you, when they realised I was not the one in a position to grant them forgiveness for their sins."
The civilian shivered.
The villain smiled. Their eyes lit up.
"Don't tempt me." The civilian elbowed them, gently, splashing soap suds everywhere. Then they pressed a kiss to the villain's shoulder. Their mouth only felt a little dry. "It would be terrible for my ego. I'd be insufferable. The power would go straight to my head."
The villain laughed and the civilian could finally look away, grinning ruefully to themselves as they shook their head. They turned the water back on and then did some more of the dishes, chest feeling a little lighter than before despite themselves.
"Thank you," the civilian said. "For asking."
"Do you know how you want to deal with the situation?"
"Honestly, I was just going to ignore it. I can handle people making snide comments."
"Boundary setting and discipline is important."
"This is why everyone is scared of you."
"This is also why no one would dare try and bait me in a conversation."
The civilian scrunched up their nose in acknowledgement of the point, glancing at the villain again. "Well, I don't want to sic you on them. As funny as their expressions would be, I'd feel really bad about it in the morning. And I don't want -" The civilian stopped.
"You don't want them to think you'll coming running to my coattails whenever the other kids on the playground are mean to you?"
"...not how I would have said it, but yeah," the civilian muttered, cheeks flushed.
The villain immediately leaned down to press a kiss to the warmed skin, seeming utterly unable to help themselves. The civilian could feel the villain's grin against their skin.
The villain would be delighted if the civilian did that, at least in part. It was the closest they could get to playing the protector, the anti hero.
"For what it's worth," the villain said, against their ear. "I don't care what they think about you."
"Lions rarely care about the inner workings of ants, it's true."
It was the villain's turn to huff. They switched the water off again, wrapping an arm around the civilian and bodily moving them away from the sink. Their lips dipped to kiss the civilian's neck. "Not an ant."
"Obviously, I'm the cutest ant around. No one's disputing that."
"You're my favourite thing," the villain said. They found the civilian's mouth and kissed that too, before straightening. When they looked down the inferno was still there (always there) but back down to its normal level of simmering. "My absolute darling."
"Yeah, yeah."
"So if you change your mind about your enemies screaming, sobbing for your absolution..."
The civilian rolled their eyes, and felt a smile tugging their lips even if they probably should have been horrified. They leaned in to kiss the villain in turn.
"I know who to call."
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cosmicjoke · 2 days
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Eh, well, that was disappointing. Or at least, it would be if I actually thought Gojo was magically back to life, which I never really did. I guess it's appropriate and supposed to be a reinforcement of the bleakness of JJK's underlying message, or whatever, that Gojo's body, even in death, is still being used as a weapon. It's just such a bore, is the problem. This whole manga has become a hideous bore with the way it's all been executed.
But I swear to god, if this doesn't kill Sukana and the stupid fight continues on with Yuta dying for nothing, and Gojo's body being desecrated for nothing, I'll call this the worst fucking trash I've ever read and it won't even be an exaggeration. It's already practically there with the god awful pacing and dropped plot points and foreshadowing that seemingly went nowhere. But we'll see.
I'm just done. I've been done for a while.
I mean, it is sad that Gojo's entire legacy is just one of being seen and used as a weapon, even by his own students, whom he cared for so much and wanted to preserve the youth of. That's definitely a tragedy. It's just... the whole build up to this moment, the execution, the horrible pacing and fake-out cliffhangers (including this last one, which anyone with any familiarity with this manga and the way Gege writes should have seen coming)... it's too exhausting and too cynical to feel like any of it matters or to want to become invested. It's honestly awful. Maybe I'm too hard on this story. Maybe I'm too dumb and my inability to enjoy all the complexity of the CT's and what it all means made it impossible for me to enjoy the story the way someone smarter might be able to. I really loved it at first, and anyone who knows me knows I'm never opposed to tragic endings. And it seems inevitably that JJK will have a tragic ending. I'm not opposed to cynicism or tragedy, if it's done well. Even if they beat Sukana, the way it seems they're having to go about it, assuming this actually works (which, again, I'm not holding my breath), it will be a tragedy.
It's just, between the convoluted, unending explanations of cursed techniques, the boring, meaningless, dragged out fights that went nowhere and meant nothing, the foreshadowing for certain confrontations and revelations and characters that have yet to be resolved or touched upon, even... I don't know. It's just not doing it for me, anymore.
I am sad about Gojo. What a shit deal he got. Maybe Gege really hates him, or maybe he just feels sorry for him. Either way, it's pretty heartbreaking. Well, hopefully the story will end soon, because I honestly don't see where else it can go from here.
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(Please bear with me through this forthcoming ramble, because I've had all of 6 hours of sleep in the last two days and I'm a bit all over the place. Hopefully this will be coherent 😅)
I don't watch Bridgerton (that's a whole other post that I don't feel like typing out write now), but I've been fascinated by what I've seen on here from this newest season.
I turn 40 this year, and depending on your age you either think that's getting old or you think that I'm still relatively young. I bring this up, because what I'm seeing about Penelope and Colin is honestly something that I never thought I'd see.
Since I was twelve, I've dealt with weight issues. (At this point in my life, I know it's due to PCOS and some other health issues). I am barely 5'0" and typically fit into the 18/20 size clothes.
Being a teen in the late 90s/early 00s meant I didn't see people who looked like me get to be the romantic lead. Girls who looked like me were relegated to being the funny, supportive friend in the background. We got bullied and reminded that we weren't worthy of love or success because of our size. We went to school dances alone and sat on the bleachers while our friends slow-danced with their dates. We didn't get the love story, we got to watch someone else have the love story.
For such a long time I believed that my value as a person was tied to my weight. No matter what I did the weight wouldn't budge. Hell, I'm on Ozempic for my diabetes and I'm starting to think I'm the only person on the planet it doesn't cause weight loss for (it does however do a marvelous job of controlling my blood sugar, and at this point a healthy A1C is the thing that matters most).
I went on a few dates in my 20s with men who used my size as their reason to not continue dating (and yes, they all knew my size when they asked me out). When I started dating my husband, I went into it fully anticipating that no matter how much fun we might have he wouldn't be able to see past my size. I was wrong, and am so grateful for that.
It was only about 2 years ago that I started learning to see that I was far more than my weight. That whether I was my current size or managed to somehow be 100 lbs lighter, I'd still be the same person on the inside. I'd still have the same talents and skills, the same personality and humor. And while I've grown to see & love myself for who I am, it's still a day-by-day thing that I struggle with.
So, seeing this:
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And this:
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It hits me in a way that is hard to explain. I never thought I'd get to see something like this. Never thought I'd get to see someone my size and shape shown as beautiful and desirable.
Look at this woman, she is absolutely lovely:
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I don't really know how to end this because now I'm crying. I guess my main point is that I feel seen and it's been an emotional rollercoaster.
And I may have to turn Netflix back on so I can see this season 😅
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What the WIP Wednesday am I doing?
Okay, sooo apparently everyone is doing WIP Wednesday, today. (Okay maybe not the entire internet, but you know, there's a lot of wipsday action, today.) I thought, "Okay. Sure. I can get lost in this crowd. It's a good crowd."
So, I say to @alexalexinii, @monbons, @prettygoododds, @you-remind-me-of-the-babe, @mooncello,
@blackberrysummerblog, @fiend-for-culture, @shrekgogurt, @bookish-bogwitch, @noblecorgi,
@drowninginships, and @artsyunderstudy (who is the devil on my shoulder today apparently XD)... You are all to blame for this. Yup. Your fault. Peer pressure! (Thank you for tagging me though, I look forward to seeing what all you have happening in your creative minds. <3)
Cause. Well. I don't usually post art in progress. I'm far too anxious a person to do such a thing. It's fine if it's a sketch that's like... finished as a sketch. But in progress? *gulp*
Well, here goes.
This is what I've been working on, usually when I'm supposed to be working on something else:
Mermay!
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(sorry for the low contrast, my eyes are delicate orbs that shy away from bright light...)
I did three sketches. One of which I will endeavor to color and make all nice and pretty. I've already determined it's not going to be the first one. The other two are neck-and-neck and it will likely come down to who has fins I like better. Which will it be? Tender snowbaz or playful snowbaz?
(Either way, I'm very determined to give Simon mermay wings. So that's going to happen come hell or... high water... *ahem*)
Honestly, I just really love merpeople. I'm surprised it's taken me this long to attempt this. The very first thing I ever learned to draw as a little bittle babe was a mermaid. (My teachers did not appreciate my dedication to anatomical accuracy the way I did.) Soooo Mermay? Mermay is a THING? Well, twist my arm, guess I have to snowbaz it.
(Oh, and shoutout to another guilty party, the SSCoNE server. They put the idea in my head. OH, and @cutestkilla. For general encouragment. And @hushed-chorus. For general encouragment and writing a gorgeous fic with merman Baz in it. )
Even more tagged people under the cut:
HELLO OUT THERE! @rimeswithpurple @run-for-chamo-miles @youarenevertooold @whatevertheweather @that-disabled-princess
@arthurkko @raenestee @facewithoutheart @emeryhall @agni-ashes
@skeedelvee @thewholelemon @supercutedinosaurs @tender-ministrations @bazzybelle
@ic3-que3n @imagineacoolusername @valeffelees @roomwithanopenfire @ileadacharmedlife
@aristocratic-otter @best--dress @technetiumai @brilla-brilla-estrellita @onepintobean
@palimpsessed and anyone else who wants to join in/say hi.
(I love getting tagged, because I tend to miss out on things if I don't get it stuffed into my notifications. Feel free to hit me up on Discord, too, send links. I just can't often browse tumblr as I wish. Not if I want to draw and... read... I need to do some reading...)
*Pitch Manor is still happening, I'm just taking a break to draw fish boys in between doing a few too many other things. I like being busy.
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What i think of you based on your favourite Six of Crows character
Matthias Helvar:
You probably read a lot in the fantasy genre and take yourself too seriously (no offense) probably busy daydreaming about profound things and writing poems that you'll eventually delete. You love bleak and gritty stories and you listen to Coldplay, Conan Gray or The Tortured Poets Department. No shade though, you guys are probably great friends with value for loyalty. In summary, i think you're all either really intense and ernest or totally shy and quiet. You're probably heterosexual to be honest.
Nina Zenik:
I think people who's favourite is Nina don't tend to be much like her in real life, but are the type of people that would really want to befriend her. I'd say you're more introverted and quietly friendly, but then you act totally different and comfortable with the right friends. Technically disapproving of gossip, but turn into Regina George if the rumour is juicy enough- secretly judgemental but it all comes out to your best friends. You have a good sense of humour and probably quite a cynical/pessimist mindset overall. I know you like campy films like Legally Blonde and Clueless. Oh, and your favourite subject is definately history.
Inej Ghafta:
If you're drawn to the steady and honest beat of Inej's thoughts, I think you're quite an anxious or scattered person who enjoys how safe and comforting she feels as a character. I'd say you're a sensitive person with a keen eye for colour and art. Your favourite chapters in SOC are definately the backstory and romance chapters. You cry often at films and music and just when you feel bittersweet or happy. You have Hozier, Mitski or Radiohead on your playlists. You're either artsy smart or english smart, there's no way your a science/maths kinda person.
Wylan Van Eck:
This one is split. You're either one of those people that infantalises and simplifies his character and reduces both him and Jesper to their ship and nothing else, OR you're literally the best person ever. If you're the latter, you're probably super empathetic and appreciate depth as well as a good laugh, and i severley doubt you yourself enjoy maths and chemistry despite loving that look for Wylan. I've also never met a Wylan stan who wasn't a HARDCORE fan of SOC in general. You guys are the loudest complainers about Shadow and Bone being cancelled, and honestly, power to you. I bet your room is a bombsite right now too- pick up those dirty clothes, for christ sake.
Kaz Brekker:
All Kaz Brekker fans are somewhat infatuated with him. Your favourite chapters/scenes are absolutely the action and sexual tension scenes. All about high stakes and excitement, and you love to be surprised. That or you have a big thing for the bad boy trope. I think you have "dark achademia" or grunge-ey pinterest boards that don't match your real life style. I also think you think chess and piano are really sexy but play neither yourself. You and your friends probably read terrible Wattpad stories for a joke. Generally, you're somehow relaxed and simultaneously intense as fuck. 70% of you are Queer women/ nb people, other 30% are intensely heterosexual.
Jesper Fahey:
You have Queen on your playlist. Queen or Gorillaz. You're probably a quite casual person who is taken with Jesper's charm and humour, and you appreciate the comedic relief as you don't enjoy too much grit and heavy stuff with no humour breaks. But despite being not the most sensitive person in the world, Jesper's backstory caught you off guard and it HURT. I think you love comedies and action, you're decent at school and you're quite popular with a good circle of friends. A social person. Potential theatre kid, but minor roles/tech, and the only musical you really like is Hamilton lmao. You are generally a funny person, but you've definately experienced that moment where you tell a joke and nobody laughs.
Anybody else:
Non-existent.
OH AND ALSO, KAZ AND WYLAN FANS ARE THE ONES WHO WRITE ALL OF THE FANFICTION
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pretentiousgayguyidk · 24 hours
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Hey Hi Hello!
I saw your requests are open so here I am!
I was thinking about Ran, Rindou, Hakkai and Mitsuya with an slavic reader? Male preferably could be gn!
Also could I be the 🥟 anon If your making a list?
Feel free to ignore this!
Pre writing thoughts - Yes!! I absolutely can, I've studied a small amount of Russian and Icelandic - but it probably won't be accurate as I'll have to use Google translate to fill the gaps. I hope you enjoy this 🥟 Anon!
Post writing thoughts- Okay... Well, I wasn't expecting to write so much, so I'll have to make other parts for the other characters 😭 but I hope this is good enough considering how long it took. (Also sorry it wasn't gender neutral, I completely blanked on it)
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(Name) stuck out like a sore thumb, having moved to Japan half way into the school year; it wasn't often that foreigners moved to the area. The peculiar student had certainly caught Mitsuya's attention, piquing Takashi's curiosity... Well, (Name)'s caught the eyes of everyone not just Mitsuya.
One thing that stood out was (Name)'s accent, the mix of Japanese words with the addition of deep and throaty annociations strange yet amusing; the rolling of his r's and the emphasis of the ch's and k's pointed towards Slavic origins. That note inspired Mitsuya, and in an attempt to make (Name) more comfortable he started researching traditional Slavic clothing.
"What is that?" Yasuda questioned, her brows furrowed in confusion and slight judgement - as the current piece Mitsuya was working on was out of character for him. The red, black, white, and blue fabric stood out against his usual more casual colour choices - and the sketches of geometric embroidery patterns weren't at all like the usual Kanji he used.
Mitsuya sticks his pencil behind his ear, leaning back in his chair earning satisfying pops from his spine; he had honestly been expecting this question and was expecting it to be asked sooner. He gives Yasuda a tired smile, his arms lax as they hang by his sides.
"It's a uh..." He trails off, unsure how to properly pronounce the word - as it was either Russian or Ukrainian, he couldn't tell the difference even with the little research he did - all he knew was that it was a more traditional Slavic outfit. "Byshibanka?"
He felt a tad guilty, even though the certain Slavic student was nowhere near to hear his horrendous mispronunciation; it felt like a dishonor of sorts. Yasuda raises a brow, her hands on her hips as she looks down at her club captain.
"A what?" She asks, knowing for a fact that - one: Mitsuya mispronounced it - and that two: she would never remember to look it up later when she got home.
Mitsuya sits up, running a hand over his short silver hair; his expression filled with exasperation, not at Yasuda but himself.
"It's this like- traditional Russian or... Whatever... Outfit? I wanted to give it to the new guy." He explains, earning a knowing nod from Yasuda - who knew from her first meeting with Mitsuya that he liked guys... Even if Mitsuya didn't know it himself yet.
"Oh... So you like him?"
Mitsuya shrugs, not getting the implication - as it wasn't exactly the norm for guys to date other guys. He had no idea if he liked the new kid, he just wanted to do something nice... It wasn't like he found (Name) interesting or cute.
"I don't know, he seems like a chill guy - I've never talked to him." The teens nonchalant answer only furthered Yasuda's suspicions, she wasn't going to spell it out for Mitsuya just yet; but she was certainly coming up with a scheme.
"Well, I hope he likes it... And hopefully he's actually Russian... You do know there's other countries like that, right?" She narrows her eyes, doubting that Mitsuya actually did enough research; not surprising, many teenagers weren't all that informed of nations outside of Japan and the major powers.
Takashi's eyes widen, shifting away nervously as he realizes that he completely glossed over the fact that there are other Slavic countries; he didn't bother looking at a map or anything, just looked up some traditional clothing.
"I mean- I..." He trails off, glancing down towards the pile of cloth in front of him; he didn't consider looking beyond Russia, and he didn't even know for a fact that the Vyshyvanka was Russian or not. He shrugs, attempting to wash away his own mild concern over what could be a massive mishap. "I'm sure it'll be fine... Right? Maybe he'll appreciate the sentiment?"
"I'm sure he will... Whatever, I'll leave you to finish your little gift." She states, turning to pay attention to some of the other club members.
Mitsuya felt strangely nervous, holding a box in his lap as he waited for (Name) to enter the school gardens, a place where (Name) often stayed for lunch - since he didn't exactly have many people to talk to. Soon enough, the Slavic man rounded the corner; entering the school gardens, taking his place in the corner with his lunch. (Name) didn't even notice Mitsuya, far too focused on his hunger to realize he wasn't alone like usual.
The Japanese teen finally gains his confidence, standing from his spot on one of the benches. His steps were steady, and his expression showed a lack of interest - or rather calm despite his slight anxiety.
"Hey." Mitsuya calls out casually, causing (Name) to jump as he looks up from his food. It probably wasn't a good idea to interrupt someone in the middle of their lunch, but Mitsuya's mind was oddly scrambled when it came to (Name); his usual calm and collected self thrown out the window.
"Eh? Hi?" (Name) replies, glancing away as he rubs his throat; conscious of how he spoke. His accent has always been a problem, especially with the Japanese language; it's earned more than a few strange looks from locals - as if him being visibly not Japanese wasn't enough to earn strange looks on occasion. Yet, Mitsuya didn't seem to mind his accent, in fact - Mitsuya found it endearing.
"So uh... I just wanted to give this to you." Mitsuya states awkwardly, gesturing down to the thin box in his hands; which had his name written on it, which helped (Name) - as he didn't know Mitsuya's name till reading it on the box.
"Yeah? What's the reason?" The Slavic teen questions, shifting in his seat as he sets aside his lunch box; pulling one leg up in an attempt to seem casual - even though he was very confused and suspicious. Mitsuya glances away nervously, rocking back and forth on his heels; a nervous habit he rarely ever felt the need to do.
"It... It's just a little something I made- I just uh... Wanted to... I don't know-" Mitsuya chokes on his words, feeling his heartbeat speed up as his cheeks warm; he felt strangely embarrassed by his reasoning. "I just wanted to help you feel more welcome."
"Ah... Makes sense... I guess." (Name) mumbles, glancing down to the box as he accepts it; his mind racing for any sort of clue as to what this gift could be.
The silence that falls between them grows more and more awkward and uncomfortable by the minute, neither of them knowing what to say in the moment. Finally, Mitsuya mumbles a small goodbye before turning on his heel to leave the garden.
Once Mitsuya was gone, (Name) hesitantly opened the box - his eyes widening at the sight of familiar clothing. He can't help but smile, setting the lid aside as he runs his hand over the embroidered fabric; he wasn't Ukrainian, but he had childhood friends who were - they always leaned towards traditionalism. They often wore vyshyvankas, and some other clothing that (Name) couldn't remember for the life of him... But either way, the sight of the clothes brought back fond memories.
Lifting the clothing from the box (Name) notices something, there wasn't any sort of tag or label printed onto the fabric... Did Mitsuya make this just for him? There was a note at the bottom of the box, which (Name) quickly turned his attention to.
Hey, I just wanted to make you feel more comfortable and welcome here - we Japanese aren't always the nicest to foreigners or whatever. So I did some research and made you this, I hope you like it.
It was such a simple note, but it made (Name)'s heart skip a beat. It wasn't as if Mitsuya had bought him a gift, which would have been greatly appreciated as well... But the fact that Mitsuya made it - well that was a whole other level.
"I'll have to thank him later..."
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yolowritter · 1 day
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In Defense of Chloe Bourgeois Part 1: Who is Chloe?
Well...shit, here we go again! Hello there everyone, welcome back to the source of my endless exasperation! Before any of you pick a side to the argument, I want to make it perfectly clear that this isn't a post about whether or not Chloe should have had a redemption arc. This is not my point, and any argument for either side have been repeated so many times by now that I can recite most by memory. So, let's begin by establishing why exactly I'm even writing this post!
Chloe Bourgeois is one of my favorite characters in Miraculous Ladybug. The...the fanon version, obviously. Canon can go keel over in an alleyway, it already has more holes in it than the average swiss cheese. I've been a part of this fandom for a good few years now, and at the time of watching Miracle Queen was understandably upset at the...direction, that her character was taken. It left a sour taste in my mouth because I honestly didn't see it coming, but I'll get more into that later. Point is, I was once a defender of Chloe's redemption arc. I am not stating if I am or not still one of those at present, because that's not what the point is. Regardless of what side of the fence you're on, we can all agree that her character was horribly mismanaged in the latter half of this show. Erratic, extreme and oftentimes illogical choices that sound stupider than Lila's average gaslighting scheme, and a character who previously had an arc going for her now being defined only by the sheer inconsistency that writhes every moment she's on-screen. I'll be honest, I no longer particularly care if Chloe "should" have been redeemed or not, because either avenue could have allowed for some brilliant (or at the very least pretty decent) storytelling.
This defense strives not to strip anyone of their arguments, nor to challenge anyone's headcanons, or make a point about what the "correct" way to handle Chloe's character should have been. Again, I lost interest in the debate a long time ago. I'm simply here to examine who Chloe is as a person, what drives her, what her life experiences have been like, and where all this could logically lead from both a writing and human perspective. I care about Chloe as a person, and about a character who if nothing else, at least acts consistently, in a way where the audience can watch them and understand why they're acting like this. I'll be trying to give context to some of her actions and fill in as many plot holes as I can, as well as giving a glimpse as to how a possible Redemption or Corruption Arc could have gone. So without any further ado, let's dive right in!
Firstly, let's start by laying out some common ground. After the Gabriel Agreste post, I think it's necessary to establish some clear lines as to what exactly we're talking about here. So before anything else, let's look at what we learn about Chloe in Season 1, yeah? Without going episode-by-episode, we generally don't get a good impression of her. Chloe is clearly spoiled by her father, used to always getting her way, and has no problem pressuring others into making that happen. She treats her classmates more like annoyances if not outright minions (Sabrina and on occasion Kim), has little consideration for other people's feelings, and likes appearing superior to everyone else. A pretty bad start, all things considered. She bosses Sabrina around, and we're explicitly told that Chloe often bribes her with her second-hand stuff, or whatever she wants to get rid of. Sabrina clearly doesn't know how to stand up for herself, and Chloe seems perfectly willing to take advantage of her doormat status. She also has the roots for a sweet sweet superiority complex firmly planted, considering how she rejects and humiliates Kim when he tries to confess his love to her. I'll be damned if I ever understand such bad taste, considering how Chloe is generally disliked by the rest of the class, but the point stands. She could have just told him no, even rudely if need be, and left it at that. Instead, she actively chose to humiliate the poor guy. Something similar happened with Nathaniel, whose feelings about Marinette she made public to everyone else for what seems to be entertainment value.
All in all, Season 1 Chloe has all the stereotypical makings of a popular girl from a 2010s American high school movie, including the narcissism, bullying, strong-arming school staff into not punishing these behaviors, inflated ego, and the complimentary minion! Except...Chloe isn't popular. With anyone, actually. Most of the class dislikes and barely puts up with her on a good day. They don't laugh along or jeer at whomever she's giving trouble to. Instead we have several instances where people actively try to either push the teachers into doing something or remove her from a situation where Chloe is causing problems. Think about the filming scenes in Horrificator for example. Chloe is acting like her usual self again, and refuses to allow Marinette to be the lead actress because she'll get to kiss Adrien. A tragedy, I know! Therefore, there's a whole plot to get her out of the room long enough for the scene to happen. People actively consider her at the very least a pain in the rear, and probably someone they just don't even want to talk to.
Obviously this isn't an excuse for anything she does. My point here is that from the perspective of the narrative, even while acting the part of a "Queen B", Chloe reaps none of the benefits, and in fact only serves to make people dislike her more with every episode that passes by. Even Adrien, who I'll circle back to in a second, her childhood friend who has a good opinion of her when he first comes to school, eventually stops trying to defend Chloe's behavior. There are, I think, a lot of reasons as to why she acts this way. Precisely none of them are an excuse or a "get out of jail" free card. Chloe still chooses to behave the way she does, regardless of the motivations.
About Adrien, we know that he and Chloe have known each other for a long while now. She was quite possibly his singular friend during his otherwise relatively isolating childhood, and she's very clearly attached to him. Chloe constantly clings to Adrien and drapes herself over him, and while he seems to find it annoying, there's still never a sense of disgust like with Lila in later Seasons. She's being suffocating, but there is never a connotation of romance here. Still, Chloe does everything she can to keep Adrien close to her, and (in Origins) "teach him how things are" in school. She's the one who got him signed up as a student in the first place, mind you, so she very clearly wants him to be around her. And while Chloe does brag about him being a famous model, she could just...do that without ever actually bringing Adrien out of the house? Clearly that's not the reason why she went through all the trouble to actually get him in the class, because bragging about it would probably go worse if she did it in front of him, or in an environment where Adrien could easily hear about and react to it. Chloe is very possessive of her "best friend" (and only friend, discounting Sabrina), and constantly belittles Marinette for trying to get close to him. Mind you, she doesn't find out about her feelings for Adrien until Season 3 I think. We never see Nino get bullied for befriending him, so what gives?
I'll talk about reasoning later down the line. For now, let's move onto Season 2. Amidst the beginnings of Ladybug handing out Miraculous jewels like candy to her best pals, seriously Season 4 overdid it, Chloe also exists. And during Despair Bear, Adrien finally puts his foot down about her behavior. He tells her that he can't be friends with someone who acts like a bully, and Chloe is genuinely hurt by this, to the point where she does her best to put on a good show and convince Adrien that is capable of not being an ass. Which is actually the case, believe it or not. She holds back the snides, does her best to make casual conversation with the people she considers to be inferior to her (I'll get to that, don't worry), and makes a real effort to keep at it for the sake of their friendship. The reason why she blows up here is made very obvious by the episode itself. Chloe is in unfamiliar territory and clearly reining herself in a lot, which Despair Bear pokes fun of in several back-to-back scenes. She doesn't want to do this, clearly has mutual dislike for the people she's forced to put up with every day and has made up her mind about a long time ago, for the sake of the one person she considers a genuine friend. And mind you, Chloe never uses Adrien for something. She brags about his job in Origins, and preens about their friendship often, but she never takes advantage of him like she does Sabrina. I will get to their toxic friendship in a minute, don't worry, but Chloe chooses not to try doing this with him. Adrien is...oblivious, to put it nicely, and she could easily try and play around that to serve her own goals, but she doesn't. Keep this in mind.
Anyway, she blows up because Armand (also c'mon, if you wanted to make the joke that Chloe doesn't know her butler's name, Jean "insert today's last name" was more than enough, Thomas) keeps lugging her teddy bear and playing pretend with her in a room full of people. I'm sorry, but that may be the most relatable Chloe moment in the whole show. Are you kidding me??? Of course she'd be embarrassed by this! I mean sure, her reaction to the situation is wrong, she shouldn't have screamed at him or threatened the man's job, but Chloe has serious anger management issues. That is obvious, because she acts like this every single day! Why would Armand do this??? She's already way out of her comfort zone by even hosting the party in the first place, surely there's easier ways of reminding Chloe not to be a bitch? Just tap her on the shoulder and say "miss, remember Adrien?" because that's the whole reason this is happening! The teddy bear is completely unecessary! Especially the voice acting! It made me laugh so hard when I first watched that episode but can you blame Chloe for being pissed? Again, she reacted poorly because her self control is comparable to Plagg's when there's camambert in his field of vision! So yeah, it's wrong to scream people's ears off like that, but she was also upset. And she's fourteen mind you!
Anyway, my actual point about Season 2 is that we get to see Chloe's character development. Thank Nooroo, finally a proper arc in this damn show! And we also get to see her family life. Side note, Andre Bourgeois is a spineless coward who I'll be bashing momentarily. But Chloe's mother is horrible! Audrey Bourgeois is blatantly neglectful, if not abusive to her daughter! She treats Chloe the same way Chloe treats everyone else! As disposable, expendable things that don't "deserve" her attention because they're not good enough. Like, if this doesn't give a six year old some hefty trauma along with an inferiority complex, what will??? And the situation becomes even worse as Chloe becomes incresingly desperate during Style Queen, trying again and again to please Audrey by copying her behavior (which she's been doing this whole time) even more intensly, and acting like the entitled, self-absorbed narcissist that her mother is! And this is where we see exactly why Chloe does what she does! Again, none of this excuses her actions, but it does help us understand the behavior. Audrey constantly puts Chloe down and belittles her the same way she does to Marinette...only to later pick the kid that Chloe is jealous of (I will explain this in a second!) to come with her to New York, where Audrey had presumably yeeted herself off to years ago and never bothered to come visit! We already know that she pressured her husband into giving up his love for film to stay with her, maybe even during her pregnancy or after Chloe's birth. Only to promptly vanish and leave him (a person who never grew a spine or managed to stand up to what is undoubtebly a toxic relationship) with her miniature copy. It's obvious that Chloe's barely ever seen Audrey, but she idolizes the woman because that's her mother! Heck, Adrien idolizes Emilie even if she was arguably not a great person (see here) and Chloe is always kicked to the curb for just doing the same!
Audrey is a horrible person and an even worse role model, but when you're five years old and she disappears from your life, is it any wonder that there's a steaming hot pile of mommy issues here? If Chloe has been told by Audrey from the moment she was old enough to understand words that she isn't "exceptional" enough to "deserve" her time, then isn't it obvious why Andre tries and fails to make up for this by always coddling his daughter and giving in to her every whim? He's trying to please her and give Chloe a sense of self-importance that Audrey made near-impossible to develop, and also makes up for his own absence by basically bribing his own child! Not that Andre is innocent in this! If anything, he's even more at fault than Audrey! Because while she flew off into the sunset to fire her twenty-seventh unpaid intern of the week, he was still in Paris with Chloe! Who grew up with him, mind you! And sure, he got elected into office and had a busy job as a single parent! You know what else he did? Crime! Almost everything he does in this damn show is completely illegal! Bribery, blackmail, undue termination of Roger's position as a police officer, who Andre doesn't even have juristiction over mind you (because Paris had the National Police until like 2021-ish if I recall correctly), he's just a corrupt, scummy politian whose ideas (see Megaleech) are harmful to the people he's supposed to be serving and outright motivated by greed! And also, we are explicitly told that he taught Chloe to do these same things! Andre Bourgeois is a total idiot who's probably been committing tax evasion for all we know, and Audrey is a self-absorbed diva who bullies her own child constantly, when she even bothers to go see her! Which is never, unless she needs to be in Paris for some other event related to her job!
Thomas, what the heck do you mean Chloe is evil? Lila is an accomplice to a domestic terrorist, and a psychopath against whom the only protection is the show's PG rating! If Lila could, she'd burn Marinette's house down for shits and giggles my good man! Audrey is everything I just mentioned, Andrey is a corrupt, spineless politician, Tomoe physically abuses her daughter with fucking katanas on the daily, Gabriel Agreste is that domestic terrorist who almost fired every nuclear warhear in the USA by the way! Because that was stupid of the NYC special to do! But he still did it! Plus the genocide in Shanghai! Accident or not, Hawkmoth is still responsible! And later on he also put his son in a room! A rubber room! Thankfully there weren't any rats, as if he needs another OSHA violation! Are you people insane when you say "I don't know why Chloe acts like this"? Have you lost your marbles??? Do you want me to have an aneurysm? Of course a child is going to act the way Chloe does if this is the shit she's been dealing with since Day 0 of her life! Does that make it okay? Absolutely not! But does it mean that she deserved what happened to her canonically? Also no! I'll talk about how the corruption arc could have worked at the end, because they tried and failed to do that, so let's circle back to the "jealous of Marinette" thing from a minute ago, kay?
Note: We're doing this in part 2 because this is closing in on 3k words already. The whole rant is done, no you don't want to know how long it is, I'm just splitting it because nobody will ever read 7.5k words worth of anything on Tumblr dot com.
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theelvishfiddler · 7 months
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dootznbootz · 3 months
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You've been blocked so you won't see anything I post. ¯\_(ツ)_/¯ You're safe from my fanfiction now. I literally tag my own silly shit with a different tag with #shot by odysseus so it won't go into the main stuff. You don't HAVE to see it. And AGAIN! This isn't constructive criticism!!! You're just saying you don't like it!
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lord-squiggletits · 10 months
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>be me
>looking for MegOP fics on AO3
>see fic tagged IDW1
>fic has Megatron/Optimus as the main characters
>there's only a couple other ships so I know they're going to be at least one of the main ships and not a background ship
>I click
>see the author's note
>"I tagged IDW but it's mostly continuity soup" etc etc "and archivist Orion Pax"
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not-poignant · 6 months
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very, very late question to an old work and I will perfectly understand if you don't want to reply to this and prefer not to bring the discussion toward your old works.
out of curiosity, how much did the hunger games, divergent, maze runner or other dystopian YA works of the time influence TGATNW?
the curiosity stemmed from the fact that while my initial perspective on your works were that they were a complete divergence from mainstream media due to its rawer, kinkier nature, a thought popped up that your works might have (purposefully?) satisfied the trends of the times they were created. the golden age (and fae tales soon after) was an appropriate dystopian rebellion story in the midst of the YA fever in 2014-2015 containing similar tropes.
On the other hand, falling falling stars and other efnisien centric works which address mental health and recovery more heavily than other works were published in the present day while shows on mental health discourse (for instance sex education and euphoria) are increasingly more popular. there are definitely exceptions, but those mentioned are some of your most prominent works.now that I think about it, my question might actually be: if at all, how do current trends influence your narratives? I think I remember a mention of these works' influences being old tales, so it would be interesting to hear how contemporary works have inspired you as well if it all.
thanks Pia! even if you don't reply, thanks for all the time and effort you've put into these works. they mean a lot and so much more to a many people.
This one is easy to answer:
my question might actually be: if at all, how do current trends influence your narratives?
So the TL;DR upfront -> I don't read, and often don't know about current trends. I have zero interest in writing to market. I hadn't read any of those books you mentioned when I wrote The Golden Age that Never Was with the exception of The Hunger Games, which came out over half a decade beforehand (except for the last installment in the trilogy, which was my least favourite lol).
In more detail:
I was inspired to write The Golden Age that Never Was - I can't believe I'm saying this - based on a dream I had in August, 2015.
I read Divergent for the first time in 2016 (er, so after I'd started TGATNW). I read book 1, gave it 2 stars, and don't remember anything about it. I haven't read Maze Runner and I know nothing about it.
Going back through my Goodreads account in 2013 and 2014, I read what looks like almost no books actually published in those years. I read books on cod (literally, the nonfiction book Cod, it's really very good), I read Manna Francis (defo not YA), I read nonfiction books on trauma, I read a bunch of Tricia Owens (M/M not YA), I read Eleanor & Park (YA but contemporary), I read a bunch of M/M, Hagio Moto's Zankoku na Kami ga Shihaisuru manga took over my life for a few months, and then I read a bunch more BL manga (none of it recently published that year) for consecutive months and checked out of anything written in the western world for almost half a year.
I got back into M/M at the end of / beginning of 2015 and it looks like that was all I was reading through all of 2015 with very few exceptions (one more Rainbow Rowell book, Station Eleven by Mandel, and nonfiction). I read no dystopian YA in the 2 year lead up to writing The Golden Age that Never Was. Not a single title. Out of like 200 titles. I didn't even read historical dystopian YA. I think we can safely say that was in no way a direct influence and I can bet you around $500 I had no idea it was a trend lmao.
I do not know exactly how to convey how little I give a shit about reading or responding to publishing trends. I don't care and have never cared. No, wait, I think I attempted to care for about 2 months after seeing a Facebook post about it and then was like 'wait, this is extremely demotivating' and stopped. There are some - few - absolute favourite authors who if they release a book, I will read it that year. (Like the latest Murderbot by Martha Wells). Otherwise I prefer generally not knowing what the trends are, and I don't read author blogs etc. that keep me updated on this. New genres rise and fall and by the time I hear of them, they've either already vanished, or new names have been invented for them.
I feel the same way about music and a lot of television as well. I started watching True Detective for the first time this year. A lot of the music I've listened to and discovered didn't release that music this year. And while I have watched and listened to things that did release this year, it was less because it was 'trendy' and more because they are musicians I've always listened to (Manchester Orchestra) or TV shows I would have wanted to watch anyway.
Also The Golden Age that Never Was isn't dystopian YA. But I wasn't reading much by the way of any dystopian romantic science fiction anyway (and certainly nothing released in those years), and no space operas or anything like that. If TGATNW synced up with any trends at all, it was a happy coincidence. But given I don't think it's YA, if people who only wanted to read dystopian YA found it, they were going to be really disappointed! Lmao.
Around 2013 I also just stopped reading anything heterosexual because I had a choice in the moment and exercised that choice. And I tell you - it's low key hilarious how much you get locked out of almost all the trends (certainly almost 10 years ago) anyway, if you exclusively read same sex.
I also just have general disdain for the idea of purposefully satisfying any kind of fiction trends in fanfiction. Like, no, that's not for me. I think that's a waste of my time, and it's not why I write fanfiction. I write fanfic for fun, and to me, looking at trends and writing to trends is one of the least fun things I can actually think of doing.
(Re: Your Sex Education / Euphoria example, I had to laugh. I haven't seen the latter, and the former I only watched for the first time late last year, when I'd already finished Falling Falling Stars.)
No trend has ever inspired anything I've ever written. And no book / show has ever directly inspired anything I've ever written too. I definitely have inspirations - everyone does - but like, yeah no, one of the reasons I let other people rec works similar to mine is because I can never think of any, because I write because of a perceived vacuum providing what I want to read. If what I want to read is already present and there's a lot of it, I won't write anything, because I don't need to. I am the opposite of an 'adding my book into the pile of a trend' author, like literally, that's a reason to not write for me.
I write what I don't see in the world, and it's pretty much that simple.
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posting on here is like my sisyphean boulder i'm constantly rolling tbh
#god i am trying so hard to just have fun and be myself#but when i do that i'm immediately a strange outsider creep#and since i can't really mask my version of masking is just not talking and then obviously you don’t find any joy in fandom spaces either#i will always be a shitty unlikable freak no matter how much i pretend otherwise. it was obvious from the start that getting involved in#fandom spaces was a fucking mistake. it's always a mistake because you're some laughing stock at best and a horrifying freak at worst#i don't blame people for not liking me i've realised what an awful person i am long ago#but it's always so hard witnessing something like fun social groups from the sidelines knowing you'll never be a part of it#this is why my mental state has been deteriorating so severely in the last few months. that Realisation once again nothing fucking changed#i know it's stupid to get so upset over fandom but it's only a pattern for me#i stopped trying to be friends with people when i was a teenager because it hasn't worked a single time#this attempt at integrating myself into the wotr and bg3 fandom by sharing my shit was just one mistake#gortash/zeke is so different from anybody else’s work and i wish i could find joy in something that it isn’t fucking deranged but i can’t#like yes it’s just fandom bullshit! gortash/zeke is a fucking oc x canon ship! why am i getting so upset over it!#i love writing them. i’ve never been this happy writing anything. and it’s entirely indicative of a common pattern in my life#when i earnestly share parts of myself/things i’m passionate about people get creeped out. and honestly? rightfully so#i would leave the discord servers i’m in because it’s fucking crushing me dude. this is so petty but i’m so jealous of what you people have#but in one i am server owner and i don’t want to just dump that responsibility onto someone else and then dip#and in the other two i’m not sure anyone would even notice that i’m gone but i still worry about being rude#though i’m not entirely sure i didn’t get invited to one of those just so people could laugh at me. idk probably just being paranoid but i#it’s been gnawing at me#ok no if i’m being this vulnerable on tunglr.com i can also say that part of me staying is also still having the hope that i could fit in#one day. logically i know it won’t happen but it’s nice to have hope sometimes#watching you all from through the window having fun like a creep#so yeah. i’ve always felt like this but it’s been rapidly getting worse with my failed attempt at the bg3 fandom#idk just been crying non-stop for the last few hours. went through an entire pack of tissues in an hour it’s very disgusting#they’re all lying around me as i’m typing this like a pillowfort of snot lmao#so yeah. idk. if someone could come over and lobotomise me that’d be nice. orin where are you when we need you most#i never had any friends irl so i foolishly gave this a shot. i’m sorry#also doesn’t help that i can see someone dropping me for people that are easier to be around in irl rn#it just hurts because it’s always like that. someone you are around when you have no other option at best. not even that sometimes
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zackmartin · 1 month
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Z THE CONCEPT OF YOU REBOOTING VALIANT KNIGHT LITERALLY HAS ME FROTHING AT THE MOUTH. it literally never left my head i am always thinking about it at least a little bit. literally recently i came up with a concept for how some of my original characters for my spinoff would fit into valiant knight fnsnskdj and so i technically have like a rewrite/sequel concept that includes zenry and jasper/[redacted] fnsmdnkxnsn which included me rereading the chapters i beta'd for you to remember some details and i was like UGH THIS WAS SO GOOD I MISS IT
LASKDJOSKJVMODKMVLDSKJFSOKJFSLDKFJ HELLO?????????? ARE YOU AWARE THAT I'D LAY DOWN MY LIFE FOR YOU???? CAUSE I SERIOUSLY WOULD LAY DOWN MY LIFE FOR YOU!!!!! BUT AHHHHHHHHHHH
SERIOUSLY THOUGH, THIS IS ONE OF THE HIGHEST COMPLIMENTS I'VE EVER RECEIVED, I'M LEGIT GONNA CRY (affectionate), I'VE BEEN STARING AT THIS ASK FOR LIKE SIX HOURS, LIKE THERE AREN'T ENOUGH WORDS IN THE ENGLISH LANGUAGE TO ARTICULATE HOW MUCH THIS MEANS TO ME
but seriously, like I'm not trying to rag on my writing or anything, but I also know like. I'm not writing anything that's gonna be winning awards anytime soon or anything ground-breaking or anything, but that's never been my goal; and I just say all of that to say that the fact that you're still thinking about something of mine years later and it stuck with you so much that you want to put your own characters into it??????? That's literally so wild to me in the best way, I can't get over it. I'm so serious when I say again that this legit one of the best compliments I've ever received. (Also, if you're willing, I'd very much like to hear about this rewrite/sequel of sorts)
You have me legit thinking about it now. Like I told Pearl in the replies, I feel like my writing is leagues better (i reread stuff from that time period and just cringe now; but to be fair to my past self, she was a novice who was coming back to writing after a 10+ year break so it stands to reason) so I feel like I could do a lot more with it. There's soooo much of that world I want to flesh out that I wasn't skilled enough to do when I first started it. lsakdjf idk man, I might actually do it
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heartofstanding · 28 days
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I want to talk about anne neville and Elizabeth of York. I always thought they knew each other very well. They all have vague personalities in the eyes of passers-by, turbulent fates, tragic experiences caused by their father's death, good relations with husbands who have blood feuds indirectly through marriage, and unstable dynasty rule caused by death ... Because of their vague personalities, both women are easily used by historical authors to express their views, and they also have some connections (such as clothes that are often discussed, Elizabeth once had marriage rumors with Edward and Richard in Lancashire ... Their biographies were also criticized by readers as biased (I think this is because these two women are not extroverted, so the author can only imagine themselves ...)I am very frustrated that historical novels mostly use them to shape the men around them, and rarely pay attention to the inner thoughts of "silent" women. I can see some vivid characteristics of these two women in historical literature. One of my favorite facts about Elizabeth of York is that she arranged for her sister to marry her uncle's former supporters, and had a good relationship with the relatives of the Delapol family, which reminded me of her father's attempt to reconcile with Henry Beaufort. Unfortunately, the novels I read do not describe this at all. The marriage between Anne Neville and Richard III is originally described in the novel as Richard saving her, but from her escape from George's supervision, there is reason to believe that they are in a cooperative relationship, as well as Lancaster. Edward, in the novel, is always just an "evil ex husband..." But I think their brief marriage is not so shallow…
I think your frustration with the way Anne Neville and Elizabeth of York are written about is very justified. I'm not very knowledgable about their lives (honestly, I'm a little confused why you sent this to me) but even from a distance, I think they must have been a lot more complex that historians, commentators and novelists typically suppose they were. I think they largely serve as Ricardian mouthpieces now - Anne as Richard III's one true love, tragically lost and Elizabeth as his chief mourner and as another victim of Tudor rule - but it's also very easy to turn them to mouthpieces for Lancaster and Tudor, which was the image that dominated in Tudor times - Shakespeare's depiction of Anne as the chief mourner for Henry VI, the story Richard murdered Anne in order to forcibly marry Elizabeth, the depiction of Elizabeth as purely the idealised, virtuous and dutiful prop for her husband's rule). I think that, because there's a lack of information that lets us build up a more detailed idea of either women, they tend to be written in a way that expresses how the author really feels about the events and personalities of the Wars of the Roses. I can understand this impulse but I wish this impulse was focused more on them as individuals and less on being mouthpieces for the author's feelings about Richard III or Henry VII.
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crown-ov-horns · 1 month
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I was looking through my notes for Good Omens fanfiction, and realized almost every damn story includes Crowley having a baby.
There's the one where Heaven and Hell decide to use an angel baby carried by a demon as a diplomatic tool, leading into Crowley being protected by Michael, and them falling in love.
There's the one where she leaves her baby with Anathema and disappears, which triggers all the following events - from the search, to Aziraphale's trial, and everything else.
There's the one where she has to supply the new Antichrist, which leads to her and Lucifer falling in love, and her being crowned the Queen of Hell. (Well, this one is really two stories set in different timelines, in the second one the "baby" is like 27)
In the one inspired by a dream, she does have a baby eventually, but that's far from the worst thing that happens to her. Gabriel's treatment of her after is... How the Hell will I write this damn thing if I can't even think about it.
There's no baby in the one where she gets tortured with diluted holy water.
I see I have no storyline with male Crowley just yet... Fine, that's not true. I do have some thoughts for Crowley x Fem!Lucifer... It could include a new Antichrist, too. And, Crowley wouldn't be the pregnant one for once. But, dealing with pregnant Lucifer would probably be even scarier.
#diary pages#writing journal#fanfiction writer#ao3 writer#good omens fanfiction#good omens fandom#crowley#good omens crowley#lady crowley#fem!crowley#writers on tumblr#writer life#ffs what's with me and torturing miss/mr. snake#she's either pregnant or she's in some horrible situation or actually it's both#yes i feel damn guilty for doing that but i can't help it#in first two bullet points the dad is aziraphale but he screws up (without even knowing it) so michael steps in...#in the first one and not immediately as a love interest at first just as a protector#don't worry she's in on using the kid for politics and crowley know's there's drama#the second i'd rather not spoil because of the detective/investigation plot#hey but she chose michael herself she was supposed to be with hastur#in the antichrist one all is obvious and honestly it's one of those “good for her” stories for crowley#but in the time jump she is kind of riddled with worry for maxine fearing she'll burn out and so on#grr the dream storyline... the dad is gabriel and don't worry in the end she ditches him i can spoil that this story is so heavy#this story is the ugly crowing jewel of my frustration with crowley saving aziraphale over and over again#what she does to protect him here almost ends up killing her or breaking her it's... seriously no idea how i'll write it#i'm also worried people will think i'm romanticising it when it's supposed to leave the reader sickened like i am#no comment on the holy water thing rn it's a simple hurtfic that develops into a survivor - the previous one is survivor in the end too#i haven't given too much thought for the crowley/f!lucifer but it should be good#fr hell would be so frustrated she chose this moron as her king consort but could do nothing about it#her pregnant would be SCARY - she's terrifying already... well terrifying and to die for
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The Sandman.
I can’t properly put into words how The Sandman show makes me feel. But I’m going to try. So, lets start at the beginning.  I’m the youngest of three and there are large gaps between me and my sisters 7 and 12 years older than me, they were mainly my semi-reluctant babysitters. My eldest sister was big into the grunge and goth subculture that flourished in the 90′s and my middle sister was more into the boho chic and me? Just a weird amalgamation of a child. We didn’t bond very much which isn’t something I hold against them, our ages were so staggered, we were in such different journeys in our lives. However they always shared their books. Books on mythologies, Goosebumps and too many comics to count. My middle sister introduced me to Death: At Death’s Door by Jill Thompson. I was enthralled. I was in love. It was strange and like nothing I’d ever seen. I would read it over and over again. That comic was with me all the times, it brought me comfort like a teddy bear or blanket might do for another child. I would proudly show it to anyone who would give me a moment to talk about my interests.  Later in my young life my oldest sister would introduce me to Volume One of The Sandman. Preludes & Nocturnes. A dramatic difference to Death: At Death’s Door and I was once again enraptured by the comic. I latched onto the weird and colourful world that was sprawled upon the pages, at a different look at characters I’d come to love. This book too would now come with me everywhere, tucked in beside the love worn pages of the other for whenever I had a moment to read.  Things rapidly changed as I hit my teens, my life entirely tipped over and emptied by divorce, drugs and abuse. My sisters now old enough to have their own lives left and had taken their belongings with them as one does. And the once cramped room we all somehow managed to not kill each other in was empty. All their books now lined their own homes and the only ones I had were those tucked away in my bag. The only two pieces of my sisters I would have for many years as family arguments chased away any get togethers and divided us.  Pieces that felt like they were apart of the building blocks of me would be taken from me as my school councilor would deem the reading material too old for me and take them from me. They said it was to protect my young mind but it felt as if they had done it for any reason but to protect me, I was distraught beyond reason.  Libraries became my solace. A place where no one would take my books from me, a place where I could come to visit the stories that brought me so much comfort, a place to discover more than I could imagine. A place where free coffee went unwatched and may be the reason I am only 5′5″. The librarians there were unbelievably kind and always kept two copies of both books in case anyone else wanted to check them out there would still be a copy for me to read. All their kindness however could not bring me the feel of the worn edges of my books, they could not give me back the memories that flooded my system as I’d look upon the pages I’d coloured in my youth.  Eventually CAS tore me from my home and my school was forced to give back everything they’d taken from me over the years. I was reunited with my books, books I would need more than ever as I was thrown around the unmonitored foster care system. My weird amalgamation of self was stripped until I was more or less deemed normal enough to be placed with my mother, enough therapy until I could answer correctly. Books and trinkets no longer kept in my bag but lining a shelf neatly as all rational things should be. Comforting items such as were meant for babies and toddlers not teens heading into adulthood.  Angst, trauma, hormones and all that comes with being 16 dragged me far from books. Years spent angry at the world, at family I had believed abandoned me, Anarchy ever on my mind after suffering at the hands of flawed government agencies. I was barely home to sleep let alone look at my book shelf.  My anger dissolved as I got older and was replaced with the feeling of being lost, trying to reclaim who I was and discover the new parts of me, the ever massive question of finding my path in life weighing on my mind. Waiting for me dusty on my shelves were books that when I opened still gave me such a sense of comfort. Words I could recite with my eyes closed still filled me with wonder when I stared at them on the page.  That brings us to the fairly recent, the release of Neil Gaiman’s The Sandman on Netflix. To spite having typed so many words here I’m still at a loss. It brought me to comforting tears, tears of joy, unshed tears of loneliness and of belonging. The first 5 episodes and a bit of the 6th are from Volume One of The Sandman. Preludes & Nocturnes. I could barely believe it as I watched the pages I’d become to familiar with sprawl upon the screen just as enthrallingly beautiful as the first time I’d opened the comic. Watching the series brought me back to being small, in the room with my sisters, sitting on our bunk beds and just reading together without a worry in the world, moments where the tenderness had been lost upon me were brought back full force. The immense warmth that filled my chest to the point of bursting. Each actor enrapturing the character they played, leaping from the pages with grace. Every actor clearly chosen for capturing the character’s essence. Lines of dialog dripping from the pages and into my ears. I can’t describe The Sandman as anything other than perfect. It happened no moment sooner or later than it was supposed too, all those who were right for the job found at the right time.  When I finished the first 5 episodes and it started with the new arc I worried I would feel disconnected. I make no claims to be the biggest Neil Gaiman fan or even the biggest Sandman fan for that matter, I know two comics very well and have read a handful of the others, whatever was available at my library at the time but that was many years ago and my library didn’t have all his comics. I didn’t recognize Rose Walker, I didn’t know about Vortex’s and so I was worried that I may not experience the same level of joy, that I would fall out of love with these characters. I did not.  It was wonderful. It was the opposite of what I had feared. Instead now my brain was enthralled with ‘what would happen next?’ as I no longer had the answers. And the same way I had fallen in love with the books and their unknowns I fell in love with the rest of the season and it’s unknowns. I see new parts of characters I feel I’ve known for most of my life and I adore it with everything in me.  As I introduced, I don’t have the words to describe what the books and this show means to me. But I’ve tried and I can only hope that in reading this I can convey my Endless love for what The Sandman has given me for nearly 20 years. 
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