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#i have like three words written
elli3luvs · 1 year
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please I need part 2 of monster mash I love ur writing so so much :((♡
i actually am writing it rn! should be out sometime this week <3
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whatsanameanyway · 1 month
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"Look at it! They're different, aren't they?"
i drew a scene from chapter 9 of i am weary with contending by the incredible @ari--anon bc that fic is stuck in my brain and hasn't left it thank you
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averlym · 1 year
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May I please request some soft parrlyn please
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morning vs night gfs
#(it is just past midnight here as i post this) (which means in the us it's like noon. and in the uk like?? evening or late afternoon.#timings which make me giggle (oh what a word. stole it from e into my vocab) bc they don't fit hehe#anyways. coffee vibes bc the colour sprites make a reappearance (drew on phone and was lazy to properly colour) but i didn't want it to be#obviously green and blue. like elphaba and a smurf. so like. undersaturatef and wrapped in coffee coloured warmth.#today is a tuesday and because of schedules tuesday is my socialish day which means that i#(main lovelang irl is obviously physical touch people don't even have to guess anymore they just Know) go about hugging my friends.#one of the favourite most comfy stuff is this??? did this to like three people today bare minimum!#so like maybe me and friends are the insp behind some of the fluffy ship poses ig you're welcome#anon did you know this has been sitting in my inbox for a while and you were the first out of Four Requests for parrlyn#latest one being a very recent one that appeared in my notes as blank and then opened to bolder large font parrlyn written out#which was lowkey a driving force in remembering that this blog exists.#have sorted out the emotional stuff? romance rn remains a slightly sore spot but it's more or less scabbed over and i guess sometimes i like#to poke at it a bit because i won't feel the same way for a while may as well check out the novelty. anyway lots of complicated feelings#but shipping urge still strong. soft wlw for the win! yay#lately dealing w everything i feel like ocs more. but ah well? bit of fanart in the midst of everything#six the musical#six the musical fanart#catherine parr#anne boleyn#parrlyn#parrleyn
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peaches2217 · 2 months
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Okay, who kickstarted the return of the Mareach baby fever? Because I logically shouldn’t post even more Expectant/Parent Mareach when I literally just posted one such fic two days ago but DAMMIT NOW I’M IN A MOOD.
…in my defense, for all the crap I’ve posted, I still haven’t given my fankid a name. 😅
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resident-rats · 1 month
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I am 1.3k words into a metaltango fic 🕺🏻🕺🏻🕺🏻 I literally have no idea where the plot is going or what the fuck I am doing
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Famous Last Words -> Surrender The Night -> Save Yourself, I'll Hold Them Back
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djpurple3 · 1 month
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why do chapters take so goddamn long to write
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dancedance-resolution · 10 months
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i started a supercorp portrait of a lady on fire au like three years ago. i'm never going to finish it, but the writing style is pretty cool, so i want to share it. so um enjoy the prologue and a bit of chapter one?
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Prologue. Bonnelles, France. 1786.
“First, my contours,” Kara said, her voice soft and level. She looked out upon the dozen or so young women, their eyes darting back and forth from their papers to Kara herself. “The outline,” she continued. The increasingly swift sound of scratching charcoal prompted Kara to further instruct, “Not too fast. Take time to look at me.” She paused. “See how my arms are placed.”
At that moment, Kara saw the painting.
She swallowed and took in a breath; she schooled her expression before letting out the air with a pathetically soft “My hands.” Her students’ gaze followed her verbal direction, now observing as Kara’s fingers curled with remembrance. Their own hands now began to sketch the slope of hers—the slope that had once coaxed breathy moans from a lover, the slope that had once created that very painting in all of its hollow longing.
Kara felt her heart rate accelerating, and her attempts at calming deep breaths only made her shoulders shake unsteadily. “Who brought that painting out?” Her eyes darted around, landing on each possible offender, as she tensed her core and adopted a stern countenance.
Every student dutifully turned to look at the work.
It was an especially young girl who finally lifted her hand. “I brought it. From the stock room. Should I have not?”
Kara’s “no” felt like a brick, its weight threatening to pry tears from her reddening eyes. So Kara took another swallow, a handful of blinks, a few more steadying breaths.
“Did you paint it?” the girl asked innocently. Nia, her name was? She stared at Kara, oblivious to the flood of sound overwhelming Kara’s mind and echoing in the cavern of her heart.
“Yes,” Kara uttered softly, the word barely audible as they fell from her lips. “A long time ago.”
Nia’s head snapped back to examine the painting once more. It stood on an old but sturdy easel, tattooed and scarred but still standing. The artwork itself was brooding, with a white sun bleeding into a dark vignette. Heavy clumps of clouds occupied the sky and caged some of the sun’s rays, so the fire burning behind the woman was bright enough in comparison to create a dragging shadow of her figure. The flames crawled up the back of her windswept dress, bringing sharp tension to an otherwise lulling, melancholy landscape.
“What’s the title?”
The sound of the sea began to swell in Kara’s head. Her lips trembled. Her body unwittingly swayed slightly. “Portrait of a Lady on Fire.”
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Chapter I. The island of Brittany, France, and the surrounding sea. 1779.
Kara squinted into the distance, her face scrunching up a bit as she desperately tried to shield her eyes from the harsh glare of the sun on the water. For all its gorgeous teals and sparkling peaks, it certainly did make her wish for one of those brimmed hats the rowers were all wearing. With every one of their paced paddles, the cork-like little canoe bobbed haphazardly. Kara rather felt as if she were in the wine glass of a thoroughly drunken Marie Antoinette.
At least she wasn’t prone to seasickness.
She still felt quite unsteady, though, being thrown about and forced to pathetically grab onto the boat’s low walls. She leaned forward, trying to regain her balance and ground herself despite the absence of ground.
The wooden pallet holding her canvas was, apparently, as unstable as she was, and the next thing Kara knew, it had been lurched off of the boat like vomit from a drunkard. Kara watched helplessly as it thrashed among the choppy waves, the sea carrying it a few feet from the boat.
The chief rower met her desperate look with exhausted resignation; he ceased his paddling as Kara shed her overcoat and placed a precarious foot on the edge of the canoe.
With a strained creak from the boat’s wood, she jumped into the water, dress billowing behind her. Her first gasp for air upon emerging from the water was audible; she could feel the effort in her throat. Her arms moved in laborious little arcs as she slowly made her way towards the floating pallet and finally made a desperate reach for it. Kara’s fingers grasped onto a wooden board, and she pulled herself up onto it with a grunt.
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The incessant wind upon the sea was certainly not helping Kara. Dripping wet, she wrapped herself up in her overcoat in a pitiful plea for warmth. She held the edges of the garment up to her lips, the sensation of the dry fabric bringing her some comfort as she closed her eyes and left herself to the mercy of the mighty sea.
But the interminable rocking of the feeble boat wouldn’t allow her any rest.
Kara wasn’t very religious, not anymore. Yet, the sight of the cliffs and coast of Brittany moved her to relieved prayer.
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The sun had already begun to set as Kara trekked up the sandy coast. Her legs ached with every stumbling, unsure step—maybe she was a bit seasick after all—and her hands were tired of having to grip her full skirt to keep it out of her way.
She paused on the rocks, taking a moment to manually wring some of the water out of her skirt. She filled her lungs with an arduous breath before slinging the rope holding the pallet over her shoulder. Next came the fabric sling, which housed her trunk of personal items—she positioned it on her back with careful poise.
The journey up the cliffs and towards the trees was exhausting. Kara’s skirt required repositioning every few seconds, the rope was digging into her shoulder, and the pallet and trunk slammed into her back with each wobbling step. By the time she reached the straight path up to the residence, her breaths were heavy and pained, and the sun was nearly fully hidden beneath the horizon.
A soft light emanated from the windows above the mansion’s door, helping Kara feel a bit more secure as she knocked. A short blonde woman answered her summon and introduced herself with a flat “I’m Eve.” She opened the door a bit wider and gestured with her body for Kara to come in.
Eve held a small candle as she guided Kara up the stairs, the sounds of their shoes echoing through the grand yet starkly undecorated hallway. The walls of the stairwell were cement bricks, and the wrought iron bannister was rather plain and geometric.
They came to a stop in front of a similarly void room, bare save a few heavy curtains and a daybed. The raised panels along these walls matched the white-painted wood of the window frames, and they gave the chamber some elegant character.
While Eve entered the comparatively less intimidating room, Kara stayed back a moment, taking in the shafts of muted blue light from the windows and the contrasting warm glow of leaping flames from the central fireplace.
Eve crouched down to poke at the fire as Kara set down her belongings. “It was a reception room,” Eve explained. “Though I’ve never seen it used.”
The fire crackled pleasantly. “Have you been here long?” Kara inquired.
“Three years,” Eve answered, directing her attention back to the fire.
Kara peeled off her overcoat and draped it along the wainscoting. “Do you like it here?”
“Yes,” Eve said simply as she stood up. She turned to Kara, meeting her eyes now as her hands smoothed over her skirt. “I’ll let you get dry.” And with a nod, she was on her way.
Kara watched her every step.
Once the door closed, she hastily began removing her overskirt. It fell to the dark herringbone floor with an unglamorous thud.
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There was no method or grace to the way Kara wrapped her hand around the rusting crowbar, but with a few jerks, she’d managed to successfully pry the top off of the pallet.
After setting down the wood cover, Kara extended her hand, letting it fall clumsily onto the slick canvas in front of her. It was still wet, and her hand’s small circular movement caused moisture to pool at her fingertips, as if her touch had beckoned the water. So her hand withdrew, and Kara slid the canvas out from its container. Her eyes danced over the surface as she considered how to dry it, holding it in front of herself like the Communion host of an evening Mass.
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Kara decided to accompany her drying canvas, which was now positioned next to the fireplace. Stripped naked, she sat in front of the fire and pulled her legs towards herself—she was vulnerable, sitting there bare and in a new environment, and the action made her feel a bit more small, compact, and safe.
Kara set down her candle so she could light her tobacco pipe with the flames. Her large, smoky exhales grounded her, in a way, with the familiar sight and smell acting as a sort of sedative. And she stared forward, expression blank but unmistakably worn.
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Kara walked barefoot along the cement floor, making her way through the hall and to the pantry room wrapped in nothing but her robe-like smock.
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hypodermicfroggy · 6 months
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I wished for a Bioshock movie for Y E A R S
but now that we're finally getting one I don't want it
I do not have faith this is going to be a good adaption, I'm sorry, maybe 10 years ago this could have been a great passion project (especially if Gore Verbinski had been involved like originally planned) but I just know it's going to be an over-actioned, improperly funded (since it's a Netflix production they're absolutely going to either dump too much or not enough money in it then write it off as a failure if it doesn't 'perform' well enough), CGI-laden slop fest that doesn't even acknowledge or properly handle half the themes present in the series.
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#Bioshock#Bioshock Movie#bonus points if it only focuses on the first game and doesn't include ANYTHING from the tie-in novel or BS2#they're going to cut Sophia Lamb's role from the plot I just fucking KNOW IT#like she was fucking important! she was the one who actually STARTED the class war! Fontaine literally just took advantage of it!#hell half the problems with BURIAL AT FUCKING SEA could have been fixed if Levine wasn't a shit and hadn't refused to use ANYTHING from BS2#like is BS2 as good as the first? no but it's still fucking better than that shitshow you call Infinite!#and the tie-in novel actually quite skillfully blended both games together to help account for certain plot errors between the two#(a novel that Levine also REFUSED TO READ)#like you could tell it was written by someone who wanted to do the series justice which is more than I can say for most tie-ins#if this movie ends up actually being good I'll fucking eat my words but considering this director's body of work includes#the Will Smith I AM LEGEND and the last three* Hunger Games films#we are not batting 1000 for quality here#I say this as someone who likes the Hunger Games movies#but they are not really the best adaptions of the novels and really downplay a lot of the more horrifying aspects for action scenes#and I fear the same will be true for Bioshock's film as well.#like the Little Sisters alone should elicit nothing short of visceral disgust and pity but I just know they're going to be so boring#they're just going to be like pale girls with glowing eyes instead of proper blood-guzzling corpse-looting parasite hosts calling it now#croak.txt#reblog.wank
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ghosttrolls · 4 months
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When I was a teenager, when I made this blog, I somehow always had a project going on in my mind. I had stories spinning in my head, and I couldn't write them down fast enough. But now im older and more tired and the stories aren't there anymore. How do you.... create things????
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pinespittinink · 6 months
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being able to write in the evening without any distractions at all really is amazing, i'm literally able to get so much done
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grocerystoretrip · 1 year
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Hey You, Sir, Should Be Coming Out in INKSOUNDS
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br1ghtestlight · 4 months
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I have been working on this fic as a passion project for like almost a year now so i cant say when or if it'll ever be done but i like thinking about it nonetheless. she sits in my brain & whenever the moment is right i resume working on her for days or weeks or months
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sharkface · 29 days
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Whether you like fanfic or hate it you kind of have to respect some of these people for just generating insane amounts of words that have basically no internal value like just chapter after chapter of the same interaction in a different setting every time to the point that it kind of eliminates all potential tension. Like ok they're baking together. Let me guess they're going to notice how close their faces are and describe features they like in each other in their internal dialogues and have a meaningful looking at each other moment and then bashfully look away while resuming overmixing this cake batter and then have some more internal dialogue about how they don't know what that was or what they want and it is forbidden but the other guy wouldn't want them anyway. And then next chapter they're gonna do that again while assembling an ikea desk. And then the one after that they're gonna do the same thing but then also fight about it. And then this is all going to culminate in a graphic sex scene for some reason at which point the reader will realize that that is the only part the author was actually interested in writing but wanted there to be like 60 thousand words of buildup to that for some reason. Like it or hate it their wordcounts are nuts
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scribbling-dragon · 1 year
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so many things to do. yet i am afflicted by the worst possible disease: fic thoughts
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starmagnets · 1 month
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i love writing. except when i don't.
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