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#i guess every actor stan base has this issue
not-so-rosyyy · 1 year
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“Later, it was decided that movies must be released theatrically on the same day that they debut on streaming and must play on the big screen for at least seven days in order to be nominated” as of 2023.
I guess that answers that. Googled it and an article from screenrant came up.
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thanks! now, like anon #2 said, I'm gonna wait for it to drop before even thinking about whether it's a strong enough performance to warrant awards talk. 🤔
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the-unconquered-queen · 6 months
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i need your opinion as an aerin stan (braver than any us marines): do you think pb always planned to make him a real LI in book two or do you think people were so obsessed w/ him and pb saw/took the opportunity??
Okay, this is like 30% answer, 70% tangent, but bear with me
I think it depends on when your idea of the planning would come in, because, for example, I don't think they thought when they were writing his fake-out route in b1 that it would be successful enough to merit a sequel, so at that point, no (I figure they must've tweaked their plans to make way for b2 at some point, which is reflected in the choice to capture him, but yeah, Blades was a really complicated book to make and it's not the most popular genre so I don't think they considered a b2 to be a given).
As for whether they meant to make him a real LI, I really don't know. I think that as soon as they decided he could have a sort of "redemption" (or at least a change of heart, to not be evil) in book 2, they might have realized that there wasn't much of an obstacle in making him romanceable to an extent. But while I had previously thought he'd achieve full LI status (there was no reason to think otherwise), by now it's clear that at most he'll be a hasty fling. For many, he's not even that, because unless you had his lake diamond scene AND captured him in b1, he has no route whatsoever. If you had the lake scene but didn't capture him, you only get two chapters with him, and if you captured him but didn't have the lake scene, there's no base to their romance because he simply doesn't have enough screentime for it to be anything other than rushed (and with the complexity of the in-universe relationship between him and MC vis-à-vis his betrayal, a fast-tracked romantic relationship feels completely inadequate).
But ultimately my issue is that I don't see why they wouldn't have made him a proper LI in book 2. If he'd only been gone for three chapters or so, then that still works, but the way they wrote him out all of a sudden with only two mentions of him in passing since, just feels like a structural issue. I don't know how to explain this, but it feels exactly like when you're watching a show and all of a sudden a character makes their departure and even without knowing about what's going on behind the scenes, it's glaringly obvious as a viewer that it's that the actor left and the writers were just scrambling to justify it, even if the reason they gave on-screen is plausible. It's like, sure, I could see Aerin needing to take his leave from the party to regroup after his life got turned upside down and back again, but more than anything it's obvious that the actor playing Aerin just got sick of being in Blades.
What I guess I'm trying to say is that there is every possibility that they might have wanted Aerin to be an LI in book two (iirc the writers really liked his character, and it's wild to me how much effort was clearly put into the few scenes he did have, to the point that his blew the others' out of the water imo) but for some reason the execution didn't reflect this and now I don't think the AerinMC route in canon will ever be able to fully recover from the decisions the writers made.
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nellynee · 3 years
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The makings of greatness, or why, as a ride or die Treasure Planet stan, I’m glad there’s no Treasure Plant 2
You ever see somethings that makes you unreasonably angry? Yes I understand exactly what I’m saying, and how that indicates that my emotions and opinions on this are exactly that. Opinions. There’s a good chance I have some objective truths mixed in, but that does not make my opinions based on those truths truth. If you disagree or have different tastes or opinions or interpretations, cool, let me know! maybe you’ll change my mind. That being said.
The plot synopsis for the Treasure Planet sequel makes me angry. Not like, actively so, just annoyed enough to be in a bad mood. And now you guys all have to be in one as well. Why?
Reason 1, and probably least important: Disney sequel syndrome.
Ok so Disney sequels aren’t inherently bad. I’ll stan the Aladdin sequels to my grave, who knew Cinderella could world build, obligatory Rescuers Down Under (the first one was better) blah blah blah.
But there is an inherit problem with sequels in general, and that usually has to do with cast and crew. An original piece of fiction has to grab the audience yes, but there’s also freedom in that. Media touches people in different way. The worldbuilding can mean more to some than others. Some are in it for the animation, or the character developments, or relationships. What connects with one person won’t connect with another. The problem with sequels is that different people who worked out the original material might and usually do not work on the new. And those new people are already working on that new material with their own personal lenses and experiences and interpretations coloring the old. The reason sequels (and remakes, and big budget presentations of other materials like books into movies) tend to bomb hard is because you are essentially being forced to accept someone’s fanfiction into the canon material. Usually, there’s a pretty strong correlation between more successful franchises/extension material, works staying true to the core material, original crew working on the material, and the enjoyment of the audience.
And sources say very few of the original crew remained. Some yes, but mostly voice cast. Even worse, TP2 was a DisneyToon production, not even a mainline feature. Now I’m not saying the new people weren’t talented, or passionate about the project, or were lacking in experience. It doesn’t really matter if any of those things are true or not. It’s the warping of their personal lenses I don’t trust. Fanfic I can disregard, meta I can disregard. This would have been canon.
And reading the Artbook makes is abundantly clear that the parts that touched me personally would have been missing. The very core of Treasure Planet for me was the relationship between Jim and Silver (and their exquisite animation budget). However you choose to interpret that relationship, you can not deny that Treasure Planet is a powerfully emotionally romantic movie. It’s quiet moments and emotional resonance shaped my views of intimacy with a sharp and fine touch. Silver and Jim’s bond is as undeniable and powerful as it is compelling and awe inspiring to witness unfold.
And a lot of that is owed not only to  the voice acting of Joseph Gorden-Levitt (Jim) and Brian Murray (Silver), But to animators Glen Keane and John Ripa, who were the head animators of Silver and Jim respectively. Not only did Gorden-Levitt and Brian Murray deliver stunning performances, but made sure to work together and jointly play off each other in ways most voice actors don’t have the opportunity to do. And the Masters Keane and Ripa took an already stellar and carefully crafted vocal rapport and took it one step further. I highly recommend the Artbook as a good read, both Keane and Ripa talk about the journey of discovering who Jim and Silver were with delight, acting out entire scenes together using their own body language to build the characters together, using the same animation reals to animate, tag teaming in and out of the program rather than do it separately, becoming so attuned with their characters attitudes and mannerisms that you can tell they poured entire pieces of themselves into Jim and Silver.
I’m not saying the Sequel would have been inherently bad because it’s a sequel, or because a new crew worked on it, but I am saying I wouldn’t trust it with a ten foot pole.
Reason 2: Thanks I hate it (I’m saying it’s inherently bad because the plot is bad and I hate it)
I’m sorry for the length, but for you to really understand just how bad this is, I actually have to pick through every single line and tell you why it fails critically at some junctures and where it would be so simple to fix. For those of you who were unaware that there was a sequel in the works at some point, I’m pulling these quotes pretty much wholesale from the AnimateVeiws article Buried Treasure: The ill-fated voyage to Treasure Planet 2, specifically the interview with Jun Falkenstein who was set to direct the now canceled sequel. Spoiler warning, I guess?
So, from the begining
“The sequel was to pick up where the first film left off, with Jim Hawkins going to the Royal Interstellar Academy. At the Academy, he is a hotshot “natural,” but he doesn’t follow the rules very well.” - Strong start but then dropped the finish. I think the interstellar academy would be a very compelling starting point. I see no fault in it at least, it’s a good opportunity to world build. Clemence and Musket like to make a point that Jim was crafted to connect with the emotionally wounded and distant youth in a age of divorce, so showing what happens when that youth hikes up their britches and gets to work can extend on that theme aaaaaaand you dropped it. Dropped that strong start. Yes, Jim was more than a bit of a bite back rebel in the film, but that was a reactionary response to the bad place he started in. Jim was abandoned, and tied his self worth into that abandonment. His kickback against society was a reaction stemming from an inability to see his personal worth and any sort of future he could craft from it. He outgrew this, his very character development was about this in the film. His character arc was about realizing his inherent worth, embracing a sense of confidence and learning what he could do. Even disregarding that, bonus material outside of the film shows that Jim has a very strong sense of respect for Captain Amelia, her military career, and the hard work she put into it, and he’s there on her recommendation. Why would he act out in this? He is a natural yes, but the film shows he’s incredibly sharp and intelligent, if unlearned, and more than ready to learn given opportunity.
“Hence, he gets off to a shaky start – especially with his classmate Kate, who is very smart and has a type A personality. Kate’s father is Admiral Blake, the Commander of the Navy. Jim and Kate vie for top of the class but have very different skills.” - So building off this to fix the problem before. I guess the dynamic they are going for is something like “the kind of a jerk hotshit hotshot who’s got it all figured out and the straight laced rule fallowing stick in the ass rival”? I’m not apposed to to a rivalry, but lets tweak this, given how “hot shot natural jerk” isn’t really where Jim settles at the end of the film. Jim is a natural talent, who excels under tutelage, but more importantly, he has practical experience. While the time period spent on the RLS Legacy is not defined, they do sail to a deep and unexplored part of the galaxy, probably well outside of regular settlements, so no small distance, though Jim is young enough that a very long period of time would be noted in physical growth. Given comparisons to classic nautical sailing of the source time, months, perhaps up to a year? That’s a long time to spend, learning the rough and tumble basics, tying knots, experiencing food and water rations, extreme temperatures, playing with the rigging and mechanical aspects of the boat. Jim knows what it’s like to actually sail. Meanwhile, this is the Royal Academy, who probably takes in upper class second born children and pumps out military accolades for well learned mathematicians and strategists. Jim doesn’t fit in because he can visualize, he can think outside of the box, he can weld a damn engine to a hunk of shrapnel and ignite it freefalling against a metal hellscape and outrace a boat in a high adrenaline situation. He adapts where the other’s frantically look through their notes for the answer. Worse yet, he’s poor and not classically educated. Make it a class issue. In this aspect I do like Kate. Being the Daughter of the Commander of the Navy, she probably has a very technical and far more expansive understanding of navel ships, particularly the running of them. In this way Jim and Kate are perfect foils. Jim representing the poor, instinctually and practically knowledgeable crew, and Kate the upper-class, technically knowledgeable command, a dichotomy representing the haves and have nots in their skills, experiences, an class.
I don’t want to post a picture and break the post, but I do love Kate’s design. I do recommend looking up the article and checking it out. that being said, being a feline species, they messed up not spelling it Cate.
“Captain Amelia is dean of the Academy, which has a brand-new vessel: the Centurion.” - I… why, why is Amelia the dean? Additional material shows that Amelia broke ties with the military because she didn’t like their rule stickling ways and red tape. Why would she want a red tape position? She helped with a war and then bailed first opportunity to become a freelance captain so she could fallow her own rules. Even if you don’t know any of that additional material, you do know that she is a freelance captain. Why is she dean? what happened to the old one? Are they dead? Did DisneyToon kill them? Did Disneytoon kill the old dean?
“Designed by Doctor Doppler, the Centurion is the fastest ship in the galaxy.” - HE’S NOT THAT KIND OF DOCTOR!
“B.E.N. is its pilot”. - NO
In all seriousness all three of those statements show a serious problem, in that none of those characters are in fact those things. Amelia I’ve already explained. But Doppler was a debatably youngish bachelor with too much money who was fascinated by astronomy specifically and who suffered from ennui. And BEN was a navigational unit, so maybe it makes sense for him to be a pilot, but why is a robot who was functioning under a galaxy feared pirate for who knows how long given any kind of agency over a brand new incredibly important ship? These decisions were probably made to incorporate as much of the old cast as possible, to not exclude fan faves. But any decision that makes BEN a prominent part of the plot and thus gets more screen time is a BAD one.
“The pirate Ironbeard desires to commandeer the Centurion. This ruthless villain is relatively all iron – almost nothing of whom he originally was, inside and out, is left.” - On the one hand, I have a weird feeling that this would somehow violate the 30-70 rule. Buuuuut on the other hand, the Artbook does describe the decision making process of what and how was mechanical on Silver (my favorite tidbit was the wheel on his head representing his constant thinking and assessing) and states that that they in a way represent the pieces of humanity he gave up looking for Flint’s Trove. Extending that to a pirate who has given up everything could be a powerful thematic tool if used right (or intentionally)
“He leads a group of pirates to hijack the Centurion while Jim and Kate are aboard.” - ok, yeah, I’ll buy that. If they are butting heads constantly, I could see them sneaking off to the new piece of hardware to one up each other on who knows their stuff, or maybe bond over wanting to learn about the said new tech and being frustrated with restrictions.
“The Navy can’t catch the Centurion, due to the vessel’s speed and armor.”- sure
“Jim and Kate escape the Centurion. Jim decides he needs a pirate to help catch pirates. They find his old buddy Long John Silver in the Lagoon Nebula, where he is running a smuggling ring. “ - So what Jim just goes “I know just the pirate to help us” and then finds him? That journey of itself deserves it’s own movie, anything less is a disappointment. Alternative. Jim and Kate escape onto a particularly lawless planet. Jim has some tricks to keep them safe and fed, maybe he even excels in ways he’s been straight up stop gapped at the academy. Maybe his knowhow is appreciated by others who society also rejects. But Kate is a frustrating fish out of water, getting offended and worked up over things that are big deals to an average citizen but not criminals and pirates. But such reactions are putting them in danger and she needs to get perspective fast. It’s plausible maybe that Silver tracks them down through interesting rumors, but more than that, let it be fate. Neither having any idea the other is there till the second they see each other. Bonus points if Jim and Kate get in a bind and Silver is the leader of the harassers. Better yet lets add some thematic mirroring not only to the scene where Silver saved Jim from Scroop, but directly contrast it to the scene where Silver doubled back and down against the notion of caring for Jim when called out before the mutiny. *kisses finger* Touching and hilarious.
“ Silver agrees to help when he hears about the Centurion. “ -  Silver agrees to help when he hears about the Centurion without Jim even having to ask. Storywise, lets make some kind of deal over how Jim, an upstanding enrollee of the academy, apparently is chummy with a pirate. Tension doesn’t just have to be external, and Kate is the daughter of the Commander of the Army. Maybe she’s recognized and this gets them in trouble. Maybe Kate has issues with her identity outside of her father’s career and need to learn a lesson about being outside of a rigid social structure?
“Jim and Kate receive a tracking signal from B.E.N. – who is currently hostage aboard the Centurion – and follow via Silver’s creaky vessel. They discover the Centurion docked near the Botany Bay Prison Asteroid. “ - While being the fastest ship yet is a good excuse for wanting it to get stolen, my suspension of disbelief breaks a little at any ship, let alone a creaky little pirate vessel, catching up to the fastest ship yet, or the tracking signal being the only way to track it to a guarded prison. Seeing as how I’ve written BEN out of this scenario lets fix it. After the events of the movie, the Royal Military swoops in after to confiscate the debris of Treasure Planet. For those in the know, canon lore states that the Planet was a giant computer, and it and the map were the byproducts of an ancient and advanced civilization. Studying the debris led to the Centurion, notable not for it’s speed, but for it’s stealth. It can cloak itself. Which is why no-one can find it. Meanwhile Silver lets it slip that he snagged the map from it’s pedestal as they escaped the planet as a souvenir. (handwave why the portal was still open with a “the whole thing was exploding, the computer froze). The map is able to track the remnants of said planet, aka the Centurion, meaning Silver has the only means of tracking the cloaked ship
“Ironbeard is using the Centurion to disable Botany Bay’s security systems. Jim, Kate and Silver sneak aboard the Centurion, where Silver reveals to Jim that he wants to take the Centurion for himself. He asks Jim to join him.“ YES. YES YES YES YES YES YES! Understanding that  Jim’s decision to not go with Silver in the first movie is key here. He rejected Silver’s offer the first time because Silver had shown him he had intrinsic value, and Jim finally felt that the natural gifts he had were worth cultivating, that he did have the chance to explore who he could be on his own terms. Jim was comfortable being on his own, because he felt capable. Now, Jim and Silver bring out the best in each other, and the time apart has done them harm. Jim’s strings of social rejections are starting to fell like a glass ceiling he can’t overcome, and is finding more and more comfort in being a big fish in a pirates small pond, and the emotions of of being wanted that come with Silver is a powerful drug. But it’s a one way ticket away from any opportunities he could work towards, not to mention his barely repaired relationship with his mother. Meanwhile Silver has been slowly slipping back into the colder, more selfish self he was, a necessity for his lifestyle, and doesn’t want to loose his connection to Jim and what Jim brings out in him, but is still far enough gone to make the offer and try for the boat anyways, even if he knows it’s not what’s best. It’s an emotionally compelling decision. You want them to say yes, you know they shouldn’t
“Kate overhears this and is horrified, especially since the two have, of course, started falling for each other during the adventure.” - Hate. this I hate. Leaving shipping to they way side, what’s that “of course��? why do they have to fall for each other? Why the Disneytoon sequel love interest? I have a feeling her characterization would come at the cost of it. Why can’t they be rivals? why can’t they develop a mutual respect outside of attraction? Why can’t they both learn an individualized lesson about finding their own place in the world outside of social constraints as foils without macking? I hate this concept. Kate overhears, and is horrified, because Silver is a Pirate which is actually in universe get yourself hanged offense, and Jim is considering this, and they are going to steal a VERY IMPORTANT BOAT and and leave her stranded in a dagerous prison, and are making an objectively morally bad decision.
“Ironbeard discovers the intruders, charging into a fight in which Silver is injured. Meanwhile, the other pirates throw down ladders to the prison below, allowing swarms of elated prisoners to climb up into the ship. Silver, Jim, and Kate exit the Centurion amidst all the confusion. However, Ironbeard shoots down Silver’s ship. They plummet to the prison asteroid below, crash-landing” - cool. Drama. But for my purposes, lets tweak it so Silver isn’t injured yet. But I really want to emphasize that this attack does not interrupt before Jim can react to Silver’s offer. Even something as tentative as “I’m not sure” has consequences. None of this “misunderstanding” BS.
“ Kate is angry at Jim and storms off. “- again, make it clear that Jim showed a real chance of agreeing to steal the ship. if she’s angry before he had a chance to answer that’s contrivance for drama’s sake. Give her a reason to be mad
“ Jim is about to blow her off as well when Silver tells him to give her a chance. He reveals a part of his past through a flashback, when a young (non-cyborg) Silver screwed up a relationship with the love of his life – a decision which directly led to his life of piracy. “ - nope. nope nope nope . I’m gonna put a big old * here because this is reason number 3 why I hate this potential movie, and I will get to that believe me, but here’s me, putting a pin in it. That being said, have Silver selfishly try to double down on getting Jim to join him in a three way argument instead. This is the conflict of the film. Kate, who was learning to grow outside of the strict restrictions of her life and do her own work, make her own way, is being rejected. She is as morally repulsed as she is hurt that she wasn’t included, and hates herself for that hurt as well. Jim is torn between the freedom of what he could be after the academy paired with the strict social constructs around it, and the freedom of a life “full of himself and no ties to anyone” but running from the law and the two friends they represent. Silver is the aggressor here. He likes Kate, he does, but he loves Jim and only has one place in his heart, and has spent his life being selfish. There’s already a crew on board, and Iron beard is hooked into the Centurion. With having the only other means to navigate, they take down ironbeard, the rest will surely fall in line. This is paydirt. A fantastic ship, a bloodthirsty crew, and Jim.
“Silver has a very dangerous cargo with him that he had been trying to smuggle and sell for a fortune, which has the power of a neutron bomb. Jim, Kate and Silver reconcile and work together to fix Silver’s ship and prevent the Centurion, filled with the most evil pirates in the galaxy, from going on an insane robbing-and-killing spree. At the last second, Silver reluctantly gives up his “retirement fund” in order to destroy the Centurion, with Ironbeard and all the pirates on board.” - this entire section needs rewritten. That’s a mcguffin Silver put it away. I have retconned the mcguffin to be the old map, so that is now moot. Now to not blow up the ship. Afterall, Silver and Jim have both already overcome what Treasure Planet represented with it’s destruction. Rather, B plot
If we are that desperate to have past characters in, let’s have Amelia and Delbert back home. When the Centurion is captured, Amelia immediately volunteers to fallow, feeling responsible for Jim and secretly pining for some adventure. Delbert feels the same, and he to a bit of an adrenaline junkie after the events of the first movie, but they have the children to think about and only one can leave. Delbert is the one chosen to help by the navy officials searching for the Centurion. While Amelia bickers with the Admiral Blake over his pragmatic but emotionally distant decisions over the situation of his missing daughter, Delbert is an astronomer, and is blah blah blah science meta, fallow the flashing  and bending lights around the cloaked ship to find it. As in Delbert is helpful. Amelia in a reflation to Admiral Blake, is torn between her family and commandeering her own ship to help. Blake is frustratingly headstrong in his decisions, and the script makes it seem like that emotional distance is disinterests, but reveals to the audience that it incorporates a great deal of suppression of his anxieties and worries over his daughter, and trust in her abilities, though he has issues expressing this pride to Kate herself. Amelia, Delbert and fam make what is probably a poor decision in commandeering a ship and leaving on their own to track the Centurion, the navy hot on their heels.
Back to A plot, the navy is approaching. Jim has to make a decision. He is the only one who knows how to unmask the ship using the old ones tech without training, as it’s based off the map. While Kate and Silver are distracting iron beard, he has to either steal the ship and sail off, or uncloak it for the navy. Iron beard is taken down, but not without Silver getting injured. Jim decides that Silver’s life is worth more than anything, and after agreeing with Kate that she’ll commandeer a doctor and wont let Silver die, uncloaks the ship. The Centurion is retaken in a blaze of naval glory that is the action climax. The pirates fight back up are over run. Maybe Kate gets taken hostage as the Admirals daughter, as an opportunity for a resolution with her arc as Blake’s distant daughter, though obviously said resolution comes at her showing her abilities in taking care of herself and the practical skills she has learned.
“Silver again parts from Jim and Kate, telling them to take care of each other. A few years later, Jim and Kate graduate with honors, while a proud Silver secretly watches from the shadows, smiling” - Boooooo. Kate and her dad make up, and she challenges him that she’s going to one day Captain the Centurion, with him understanding that she needs less a mentor and more an emotional support while she works her way up the ranks. She invites Jim to be her first mate, to which Jim accepts as a navigator, (a thing I’ve pointed out to be his real strength in another post). But to Silver, who has been “pardoned” for his part in retaking the Centurion, the movie hinting that he to would be on the eventual crew there I fixed it fic to come I s2g.
yeah there’s a lot of good there, but it’s so easy to fix the bad it’s frustrating. which brings me to
Reason 3: that little pin
“ Jim is about to blow her off as well when Silver tells him to give her a chance. He reveals a part of his past through a flashback, when a young (non-cyborg) Silver screwed up a relationship with the love of his life – a decision which directly led to his life of piracy. “
Nope nope nope I’ll tell you why.
First of all, sources like the artbook say that Jim is so Important to Silver because he’s the first person Silver has ever let become important. he’s specifically stated to have no family, never married, no children. And that’s something he cultivated actively. His life of piracy, his metal limbs, his loneliness and moral failings were all gleefully accumulated for one reason and one reason only
Treasure Planet.
Treasure Planet was the great love of Silver’s life. It was a lifelong obsession. It destroyed his body, took his youth, his opportunities and nearly his life. He broke Jim’s heart over it.
And he let it go. For Jim.
And Jim understood this
This is the crux of treasure planet’s very themes. This is where Jim found self worth. Another person finally looked at him and said “you matter, you matter more than anything. I like being around you and I choose you first.” and it made Jim realize he’s someone worth choosing.
The treasure was EVERYTHING to Silver, and Silver let it go, for Jim.
That one line there, attributing the start of Silver’s fall to a girl? that actively retcons the entire theme of the previous movie. IT rewrite the emotional linchpin of Silver’s sacrifice of the gold. And actually fuck that. right into the ground. I do not accept. I do not pass go. I refuse. Fuck you non existent movie. That makes me mad. every single time. Hate I shall never let go.
No
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quinnfebrey · 3 years
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genuine question about the mia thing: when someone apologizes for or addresses something they did wrong what is the appropriate response from a fan account for that person if it's not the account owners' apology to accept?
so i wrote this earlier today and saved it as a draft and i just re read it now and it’s an essay and i’m sorry
mm it’s a nuanced question. basically, like, appreciate the actor as an actor. you really don’t know anything else about them, especially ones as new as these people. i will consume and discuss content related to the wilds that mia posts, and i don’t expect anyone to just pretend she doesn’t exist a la lord voldemort, but treating her almost like an untouchable work of fiction is what’s an issue
like, from the way i’ve seen people talk about her, especially in relation to erana, it feels like they think she’s a character or something, and that therefore her behaviors don’t reflect on who she is because she’s not really a real person anyway. it literally feels like people are character analyzing and headcanoning her and it’s so bizarre and it takes away from the fact that 1) she’s a person, it’s disrespectful, 2) she’s not perfect (no one is), so why are you putting her on a pedestal that only fictional characters could ever reach?
i think a large part of it has to do with not participating in stan culture in the first place. i also think that, from my time across various fandoms since i first discovered fandom back in 2012, the wilds fan base (ESPECIALLY twitter) seems to be the most involved in an almost unhealthy level of actor stanning, and i’m not really sure why. i’ve never seen this level of it. i don’t know if it’s because the actors are new so they seem more approachable, but it’s really quite strange. the behavior i was seeing from people was kind of creepy before the mia thing, but it’s even more frustrating to see people return to that
god this was a tangent im so sorry
but i guess the tldr is:
1. consume content from her in relation to how it pertains to the show. like, i will still love to hear what she has to say about shelby because i think she’s proven to understand her character very well. but i’m not going to be out here scraping the barrel for content of just her
2. she’s a person. think of her that way. making up stories about her and other cast members is weird. they’re not fictional characters you can one-shot, they’re real people. all those posts (there were a significant amount) about “do you think erana helped her write the statement 🥺” were weird as hell, and inappropriate for any situation, but especially one pertaining to real criticism about literal racism
3. stan culture is toxic and directly correlates to cancel culture. half the reason the mia debacle was such a big deal was because prior to this you had people writing twenty thirst tweets a day about one photo of her. maybe if people had been treating her like a person the whole time, it would have been less jarring
and this is true for every actor! it just happens to be a conversation about mia specifically because of what happened
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adiwriting · 4 years
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So I’m going to preface this by saying that I love Jeanine, Tyler, Vlamis, Heather, Trevenio… the entire cast. I love this cast, but they are human and like most of us, they make mistakes at times. None of them are perfect.
Still, it’s okay to hold people accountable for their mistakes. We don’t have to cancel somebody over them, but it doesn’t make you an anti-fan to question an actors questionable actions and ask them to do better next time. And herein lies the reason for why I’ve been so uncomfortable lately in fandom spaces (fandom spaces in general, but for today, I’m talking about RNM). Fandom has this unhealthy culture where you either stan somebody so hard they can do no wrong and excuse every mistake, or we cancel somebody over a single mistake. We don’t allow actors, writers, anyone in the business to be human… and because of that, I don’t think we leave much room to grow.
2020 has been a year many deeply seeded issues in our country have finally started to receive the spotlight they deserve - racism being one of them. And in that, I’ve been doing a lot of reading about the importance of calling people in rather than calling people out. But I’ve also been reading about how we as a society have to do better about calling out racism wherever we see it.
It’s alright to question your favorite show and still watch it. It is not out of line to question things like why the show allowed themselves to write a storyline that put a black woman in the middle of a queer endgame ship as if nobody could have guessed that it would pit the queer community (another oppressed group) against the only black woman on the show. I don’t think it’s out of line for a fandom to question why the show was allowing so much torture porn for their queer characters. Or ask if the show considered casting a disabled actor to play a disabled character.
If we don’t ask these questions, how is change ever going to happen? It doesn’t mean we have to stop watching (though it’s valid if you do). It doesn’t mean that we harass the show’s cast and crew to the point of being mean. We can criticize actions without criticizing people.
So that brings me to the point I’m trying to make… Or perhaps the question I’m trying to ask.
This past month, we learned from Tyler Blackburn himself that he is not Native. Now, before everyone jumps down my throat about DNA testing, let’s look at the facts Tyler himself gave us. On the Pretty Little Wine Moms podcast, Tyler informed us that he took a DNA test during S1 of RNM and discovered he has no native blood. One of the moms was quick to point out that those tests aren’t always accurate especially if they don’t have much native DNA to test you against. I’m not here to argue that fact or argue the accuracy of DNA testing that tribes themselves rarely use for determining membership. I’m here to discuss what he explained afterwards.
Way back when PLL was casting for Caleb, the casting called for an ethnic actor. Tyler went up for the part. He didn’t get it originally because he wasn’t ethnic and the show was looking to expand it’s diversity. Now, things should have ended there. The show should have been able to find a POC to play Caleb. The casting team should have held to their promise to bring in a more diverse cast and regardless of Tyler’s background, cast a POC, specifically a non-white passing actor. Nobody can tell me that there wasn’t a single POC talented enough to play that part. If they couldn’t find one, they weren’t looking hard enough. And that’s a big red flag on that PLL team and to Hollywood as a whole because these stories are so common and why Hollywood has such a deep problem with race.
The fact that Tyler was cast instead of a POC is a problem with the PLL casting team. But back to Tyler. The PLL team came back to him after they couldn’t find anyone to play Caleb and asked him if he was ethnic. Tyler, not knowing if he was ethnic (pointing to the fact that he had no connection to any non-white culture) went to his grandmother. And his grandmother told him a story. A story many of us have heard… A story of his native american heritage. A heritage that he didn’t know of or have a connection to until he suddenly was up for a job. And a heritage he claimed in order to get a job intended for an “ethnic” actor.
Does Tyler really have native heritage? He claims no. In his own words he says that he’s not native. Even if his grandmother was right, he’s at most 1/32 native with no tribal or cultural connection. But even that seemed like a giant question mark since the people he would need to ask to verify have all passed.
Tyler was cast as Caleb, and later cast as Alex, based in part to a native background he claimed for himself that he now says is not part of his culture or heritage.
This isn’t a stain on Tyler. It’s questionable behavior of a white boy raised in a society that has been racist since it’s founding. We are all guilty of committing racist acts because of this upbringing. It’s not mean to say that Tyler’s actions were questionable and racist. It’s fact. Doesn’t mean I can’t love and forgive him, but it does mean I’m no longer going to allow myself to use “But Tyler is native” as a defense against my own racist comments towards other cast members. And I would hope the same would hold true for the rest of this fandom as well. It’s simply not true and unfair to anyone that actually is indigenous to allow ourselves to defend Tyler as a POC. Especially when we have other cast members of the show who are native with tribal connections. And cast members of color who are repeated cast as villains on the show or otherwise put into very difficult positions that invite racial hate.
I hold the show accountable for casting a white-passing boy as a native. When they decided to cast Tyler, they should have changed his heritage and his disability. Or they should have cast somebody more diverse. That’s on the casting team. 
I’m hoping that Tyler’s admission on this podcast means that he will no longer allow himself to be cast as a POC, taking jobs away from POC who still struggle in Hollywood cause of racism. I hope he learns and grows from this cause I think he’s a great person and a great role model and has the platform to push others to do better.
My frustration with fandom comes in the fact that this podcast and admission has gone ignored. Even those that heard the admission, continue to make excuses for him and defend their right to call Tyler (Not Alex, TYLER) a POC. Yet, other actors continue to not get the same freedom to be human to make mistakes. Vlamis is dragged over the coals for profiting off of the LGBTQ community. I don’t even know if I can go into how badly Heather is treated. I guess I’m just confused why we can forgive some of our cast and not others for very questionable decisions?
I’m not here to drag Tyler. I love the guy. He’s a good Alex. I’m just tired of the double standard and the racism I constantly see in this community. I love this show and I love this cast. I’m not trying to call anyone out, I’m just hoping to call us in and ask our show, cast, crew, and fandom to do better.
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generalasshattery · 3 years
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MK Movie Thoughts and Reflections
It’s been a few days since I watched it, and it’s all had time to settle in my brain. Who wants a tangent?
So, I guess I should start with the like biggest issue. Cole. Like I get he was only put in the movie because the studio insisted, and I feel like a little bit of the resentment for having to do that is obvious by just how bland a character he is. If they had to have him, they could’ve at least made him a little more fun to watch. Like, you had the opportunity to make a new Mortal Kombat character, some of the most deliciously and wonderfully over the top and charismatic fighting game characters out there... like why didn’t they make any effort to justify his existence on screen? Want to give us an everyman that can be used to introduce the world to the public? Do it, make him an audience proxy. Use some wit and charm to make people feel like he represents how they’d act in that scenario. I’ve seen this done to absolutely beautiful effect, my favorite example is actually a short horror film on YouTube called Downstairs. Lean into the batshit insanity you’re introducing in the form of mortal kombat. This role is historically handled by Johnny Cage, but he’s a celebrity rich boy, how would Joe down the block honestly handle this shit? Would he be stressed the fuck out and anxious? Or riding high getting to live out an ultimate power fantasy? That’s what would’ve been fun to explore with a new character IMO.
With that out of the way, I’m not going to belabor all the things I didn’t enjoy. Because well, it’s obvious. Jobbers irritate me, like what the fuck was that they did with Reiko? Did not like. Killing a clearly post burns Kabal in a fire? Like that just upset me. And all the weird lore building choices were just that... fucking weird. They do not need to be super heroes. They do not need to awaken super powers. Tech based abilities make it more interesting against the more supernaturally influenced characters. Genre bending has always been a feature and not a bug in MK. The game was supposed to be a Jean Claude Van Damme game, it was supposed to be all these different genres of movies coming together to fight the Van Damme, in a manor of speaking. Taking away the absolutely fun part of the story where special ops, a celebrity, and monks team up with a god to fight ninjas, a sorcerer, criminal empires, and monsters, is like missing the forest for the trees with the franchise. And I just can’t even go into Shang Tsung. I just can’t. I like Chin Han, he plays assholes very well, but Shang Tsung is a special kind of asshole. Cary-Hiroyuki Tagawa just set the bar so high with how much intellectualism he brings to the lines. He can drop them in such a smart sounding way that it makes you feel like he’s three steps ahead of you. There’s something so obviously manipulative and toying in his vibe (god the best part of MK11 is him, I’ll fight people on this, he fucking stole that shit for me) that it makes him feel instantly threatening. Immediately you know this is a man you Should Not Fuck with. I need that from Shang Tsung, or I don’t even really feel like you should bother bringing him to screen.
But despite all that, I did actually enjoy the experience of watching the movie, admittedly because I expected not to like any of it, so there were quite a few pleasant surprises. The gore and fight scenes were so perfectly stylized with the excessive blood and choreography, showing off the characters fatalities and famous moves... yes feed me that fan service. Feed it to me.
And while I don’t love all the casting (Reiko and Shang Tsung for example), some of it was pure perfection. Kano, Jax and Sonya? Story was... A Choice but loved the actors and what they brought to the characters. Also, like Lui Kang being cast with just the prettiest actor made me very happy. Pretty boy Lui Kang can hang, especially with his belt/slash floating in the wind. I was here for that.
Holy god damn hell, Joe Taslim, what the fuck dude? You made all my Bi-Han fantasies and dreams a reality. Like god damn, I could feel the depth he was bringing to the role even if the script didn’t let him explore it. I seriously hope we get so much more from him because got damn. I was so pleased with his performance. Holy shit not to mention the ice effects, his Katara moment of stopping the rain and then wrecking the shit out of a street is the kind of raw destructive power that canon has always hinted he has but hasn’t really shown us. He’s so often relegated to being a jobber, and MK is so especially bad at telling you a character is powerful but not showing it. Oh boy the movie showed it. Not just him either, I felt a real sense of power from a few players, and that was deeply satisfying.
Also like Kabal? For as much as his death pissed me off, damn did they nail his vibe. I think we’d all rather have good guy Kabal (which would’ve been a more interesting story with Kano on both sides the fence [and I DO NOT have the energy to write the dissertation I have for that weird ass choice]) but I really thought they got the bad guy him just right. Side note: My sister watched it with me and just adored him, she loved his fight scenes and kept asking me who he was and telling me how damn cool he seemed. And I do agree. His fighting scene was so damn good. The way they handle his choreography and effects made him look every bit the intimidating opponent he is, even if he didn’t actually win. Very good work there.
Hanzo has some promise here, but man did they cock tease us with those trailers. Didn’t even toss a handy j for our troubles. I will say, assuming they do make another film (and that is a big assumption) I am cautiously optimistic about where it could be heading. The actor really didn’t get enough time to explore the part, but Scorpion has the potential to be fascinating and I feel like him and Sub Zero getting their own film properly could really give me some satisfying story telling in Mortal Kombat’s biggest rivalry.
Over all? Not super satisfying for the dedicated fans. Wouldn’t really recommend it if you don’t Stan Bi-Han specifically. But if you set your expectations as low as possible, you may find some fun in it the way I did.
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Polyamory CAN work (long post)
As a black, queer woman who could very well be poly, I am always looking for content to feed my soul and have for a few years now. I know I grumble about white/het couples a lot which makes me sound some kind of way but I ship a ton of white couples, that isn’t the problem. It’s the way representation is stepped on these days with toxic white couples being seen as true love that upsets me. And this is coming from a chick that lowkey ships Reylo.
I don’t understand and never will why writers in 2020 think that the only demographic there is are the people who can’t handle seeing anything but a white male and a white female be together. Interracial relationships CAN and DO work and f/f or m/m relationships or any race CAN work, so guess what, so can relationships involving three or more people and while difficult, it can work, even if the people are different races.
My annoyance also stems from Poly woman really getting shat on when writers hit a wall. Very few times have I seen it work out and that’s so stupid to me because she shouldnt’ have to choose.
I start with Wynonna Earp, a CLEARLY Poly woman with a strong sexual appetite that never gets shamed. She loved both Dolls and Doc and though Shamier left the show effectively forcing her to Doc, they still made it clear that she was poly and capable of having feelings for more than one man when they brought in Charlie. He was patient and sweet and while all three men wanted Wynonna to themselves, they NEVER gave her an ultimatum and even while PREGNANT WITH ANOTHER MAN’S BABY  Dolls still loved her and held her in bed. I believe that had Shamier (Dolls)  not left that they would have went on waiting for her to choose but also letting her know that she didn’t have to.
Then there’s my first real Poly stan, Bo Dennis from Lost Girl. Unapologetically bisexual and poly, Bo was in control at all times, both of her relationships and her sexuality. While she needed sex to feed like a vampire needs blood,she also enjoyed it and didn’t view it as a curse or burden and her partners were alwasy consenting, which was amazing. Lauren never shamed Bo (in fact she praised her sexuality and wished she could keep up) for liking men (thus not being toxic to bi women, which is an issue in the community I wont get into) and Dyson, Bo’s male lover never pressured her to submit to him. Here she is pictured with Tamsin, Dyson and Lauren, all her lovers, at once.
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If all three of them can be respectful and understanding while each of them were with Bo alone, not a quad, then why do they make it seem so hard to have three people love each other? And yes, I know that couples break up, but on Tv they just dont need to when it’s what a show is based on.
I could go on about Bo all day but I will move on to one of my favorite movies: Prof. Marsden and the Wonder Women.
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Now real or not this story had everything. It showed how slowly and steadily they grew to love each other, the highs and lows and the shame of the community that made them all stronger together. Was there jealousy at times, yeas, but they addressed it and learned that they didnt’ need to be and that they could all be together happily and that it could be easy to be in love with more than one person. Sure, it was the 40s but in this day and age it’s nothing to hide, and if they could have a happily ever after back then, why couldn’t it happen now? 
Could it be because of race? Without kidding ourselves, we know that every fandom is capable of being toxic and that it’s just fact that the black girl is often hated. I call it the Iris West treatment, where the clear canon couple is hated and the black girl is trashed for the white option. I quit Supergirl after Season 2 but I hear that Jimmy’s sister is getting said treatment now from a friend that still watches and I am not surprised.  You can’t force an actor to stay on a show and I get that having their ship destroyed build animosity, but I really can’t help but feel like had the other girl been white it wouldn’t have been such a huge issue. A Stefan vs Damon issue none the less, but still, less so. I say that because I have seen actual people defend Mon El in that fandom but saying “what’s wrong with owning slaves?” NUff said. 
Another reason I bring up why it could be race is because of You, Me, Her.
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I really enjoy this show and will be sad to see it and and while I recommend it, there are flaws, but none of these flaws seems to be that the three of them can’t work past it and get back together. 
Emma and Jack are married, Izzy comes in and shakes up their world and they both fall ass over elbows in love with her and her with them. They go through the usual things:jealousy, favoritism, hiding their relationship then coming out, but they always work through it. When Jack leaves to date an ex, he comes back. When Emma leaves to date and ex, she comes back. When Jack and Emma think about moving away and Izzy doesn’t want to, they come back. When Izzy has a thing with a co-worker, she still chooses Jack and Emma because they know they all need and love each other. They even have babies together! Izzy sees the sonogram and her heart stops. She realizes that she is going to be their actual mom and they all get married and even look into tri custody because they know they are a family and that it’s not an odd man out type of thing. They try it with other people and with just one another but they know where they’re hearts belong. It works. Does it work because they’re all white? NOPE
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Sense8 was a brilliant show. Here everyone was represented and it was such a shame they killed it. Still, they showed us that sexuality can be fluid and that a fandom can be supportive. Raj and Kala married in spite Kala loving someone else. They never made her choose and in the end, they accepted that she was poly and wanted both and guess what? The two guys even fell for each other! Here is a white, bisexual male with his Indian partners. India isn’t the greatest with being gay so for Raj this must have been stranger and scary but they both made him feel safe and comfortable, loved and supported and in the end it was canon that they were all going to be together and learn as they go. Like with You, Me, Her, the fandom is supportive of this and while we didn’t get much of Rajalagang, it is clear that they can work regardless of skin color, religion, and even long distance.
So then why not Polymarine? It was clear it tested well with the audience, haters aside, so what made them feel like they couldn’t carry on? Sure, people fall out of love, but in the show, they just didnt’ need to. Before Ryn Ben and Maddie were together without issue for almost a year. It was made clear every time that he was in love with her, that they had chemistry and that he was attracted to her, so how do they justify saying that this:
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Wasn’t real and meant nothing? That this
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Wasn’t the same?
If other relationships can survive and thrive then what is it that was so hard, so difficult for the writers that they remove the credit that they themselves paved the way for and throw it aside for something that has been done literally thousands of times? Why throw away what made you unique to fall in line? Why does a show about mermaids have to have this be the “realistic” thing?
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badedramay · 3 years
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I saw your tweet about how maya self sabotages her own career. Not that I disagree, I knew from the get go PSM was a bad choice but just wondering what she did now? (Or maybe lack of what she did is the better question…?)
I mean it's not like I have some exclusive personal insight to her life and her choices. My reaction is solely based of her actions in the public. Like..I don't know what she has in her kitty in terms of acting projects. I know she has shot for Shoaib Mansoor's film and God only knows when its second spell will be shot so that film is on hiatus. I know she has done a TVC for Oppo, a recent campaign for AlKaram, and maybe a music video with Azaan. But..what else? In a time when her contemporaries, her juniors, her seniors are all seriously switching gears and bagging as many "hatke" projects as they can..where does she stand? Does she not know what the audience want now? I am just tired of her one-trick-pony way of handling her career. She works far too infrequently. Which okay..not all the actors in her peer list are doing back to back work. But when they do work they make sure to do it in a project that has a spotlight on them.
PSM is bad. It's just bad. But I'd say it's bad because of how unbelievably long it has stretched a total of 2 conflicts. Had it been a 20 epi drama it would've had far more impact. Rakhshi as a character is just not great. I had sincerely thought Maya was done with the whole majboor damsel roles but guess not. Fuck..Rakhshi makes me appreciate Mannu more! Ffs Mannu had more of a spine in her body. She had snatched her agency away from the people who wanted to control her even if it was to drive her car off the cliff. She had turned into a masochist but by god she CHOSE to do that. Whatever the fuck is Rakhshi???? But I digress. My point is that when Maya did do a drama after years..she chose a script which put her character in the same vicinity as someone like Nargis who IS the kind of character audience wants to watch now. Fierce, fearless, someone who dares to speak the sense no one else would. Rakhshi would've worked in 2015 maybe. Not in 2021.
not to miss the fact how rabia butt and her pr has milked her character to the max by making sure all the entertainment pages only talk about nargis every weekend when a new psm epi is to be aired
And then there is Maya Pret.
*screams her frustration out in the pillow*
An overpriced clothing line that doesn't even bother to hide the fact that it has been overly "inspired" by Faiza Saqlain's designs. Is Faiza Saqlain a great designer? Not really. But she has a very signature look. A signature look that Maya has promoted and owned for years! She made Faiza Saqlain's designs desirable! There was a time she almost exclusively only wore Faiza Saqlain's designs. It was a mutually beneficial relationship for them. And then seemingly out of nowhere she comes up with a clothing line which is headed by her cousins but has her own name on it and the clothes are literally the same as what Faiza used to give her but only this time the name is changed? Like???? For years Faiza and Saqlain were by Maya's side. They were more family than friends. But with the launch of this clothing line Faiza is out of the picture. Nowhere to be found on her special days..nowhere to be found on social media. Gayab, khatam.
I know she isn't the greatest when it comes to maintaining relationships. But good god I'd had expected her to stick with the people who were with her in her toughest days. How people come and go from her life is just...I just can no longer keep up with that. I am frankly tired. Regardless of her personal life, regardless of her opinions, I stanned her because there was potential in her. Her career choices used to excite me. I dealt with her hiatuses cuz I had the optimism that she'd come back stronger. But that's just not happening anymore. I know she has health issues. I know a project she is tied to is being delayed. But goodness sab chorh ke beth jaati hai yeh toh. Doesn't even bother to take an initiative to experiment in the time being. Koi webseries, koi telefilm, kuch khud hi produce karle. But nope. She's too busy dropping the people whom she used to sing constant praises of to hang out with new people and making them a center of her universe. I just wonder how long her current relationships will last.
Plate mein sajj ke kuch nahin milne wala. Khud karna padta hai kuch. This is a time where a new crop of actors are being recognized and gaining fame..quickly moving up the ladder. And there's only very limited space at the top. Maya has all but abandoned her place there thanks to her choices which have made her complacent and lazy. Someone will replace her, if they haven't done already.
It baffles me when I say but..she's just a pretty face now. Her instagram pictures bring me more excitement than any of her projects (goodness the pics from PSM set in that orange dress had me screaming like she looked straight up ethereal in them!!!) I know her goodness, her positivity, her kindness are still there in her. But good god I need to see her BRAIN in action now! Kuch karle Maya please!!!!
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logicalstansadvice · 3 years
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Spoilery asks & answers about Ep 4 behind the cut!
Anon 1:
Bucky breaking down crying in fear that slowly turned to relief... One of Seb's best acting moments ever? I definitely thought so. I'm sure he's been waiting for a moment like that for a long time and he certainly made the most of it.
Anon 2:
Bucky was on trending right after the opening scene, as was Steve Rogers. But most today are talking about John Walker and the final scene.
Anon 3:
Now....what did you think of episode 4 of TFATWS? / I loved it ❤️ Can't believe we have only 2 more left 🥺
Anon 4:
I guess this is a spoiler but Seb really nailed that first scene of ep 4. Not that he didn’t do as well later but the first one stood out for me
Anon 5:
I'm kind of freaked out about the arm thing. I get that the arm is a weapon, but it's also HIS ARM. Bucky still doesn't have autonomy over his own body, which is devastating. And the fact that no one except Sam actually trusts him at this point is so sad, He even called himself crazy, after Sharon called him a psycho and his own therapist made a joke about him killing people. I trust Bucky and Sam and NO ONE ELSE lol.
Anon 6:
Every actor in TFATWS is doing an amazing job, but holy hell Seb better get some first-rate projects after this.
Anon 7:
Was I the only one shocked when Bucky's arm fell off? I had a mini heart attack when I saw it on the floor.
Anon 8:
I saw the last fatws ep. and when i was watching the Ayo&Bucky scenes i remembered the shitshow that went on here when people were shipping him with Shuri and accusing anyone who disagreed of racism. Maybe the reaction to Ayo&Buck will make these dum-dums realize what the real issue was.
Anon 9:
So the original plot of the series was about a virus that was killing thousands of people, only the rich were being vaccinated, so the scene of the flag stealing vaccines. There are writing problems in the series, but I think it is because of how much it was affected by the covid.
Anon 10:
What's with this conversation that Bucky can't be shipped with Ayo because she's a lesbian in the comics? Since when did a character's sexuality prevent something from this fandom? As far as I know, she never said that she is a lesbian in the comics, she can be bi. Want to see what the conversation will be when Bucky flirts with Sarah next week? BTW they have great chemistry.
Lady Danger - SO much happened in this episode, not only in obvious ways but on a micro-level. 💯 that opening scene was one of Sebastian’s best performances (but I’m not all “give him an Emmy” level). The look of betrayal he gave Ayo when she deactivated the arm killed me, especially given she was the one there when they tested Shuri’s work on the code words.
Heroine - Anon 10, people need to realize that, while based on the comics, the MCU has its own canon. This is how people who don’t read comics, like myself, can follow along so easily. You cannot perfectly line them up. Sometimes you just have to let it go and enjoy what they give you. However I do understand that some of the choices they make (ignoring disability and sexuality status of characters) are frustrating/upsetting.
Anon 9 - that makes the odd cuts/voiceovers in the last two episodes make a lot more sense!
Ruby Woo - what a fuckin' ride!
Favorite part: the Dora Milaje kicking CA and Battlestar's asses 😂! Bucky being a sassy lil shit on the sidelines was hilarious; I liked all his interactions with Ayo and anon 10, some of us are thinkin' they definitely boned, LOL. The look on her face as she deactivated his arm meant she hoped she would never have to use that 'Kill Bill exploding heart' move on him, but he forced her hand. And her Russian was A+. I stan Ayo! And Ayo-Bucky, lol. I can't wait to see if they make up.
There is also the super serum vials and whether or nor there are any left....we will soon find out, I'm assuming.
John Walker is a condescending pos who murdered a man out of vengeance using the shield that Steve carried with pride and honor. He desecrated it, that bastard! I can't WAIT for him to get what's coming to him, whether it's a beatdown by Bucky/Isaiah/the FS/Sam/all of the above.
I'm also assuming Zemo makes another appearance, so there's that to look forward to. Great episode!
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acuriouslilthing · 4 years
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Umbrella Academy S2 R a n t
~~~~~~~~~~~~~~~~~~~~~~~~~SPOILERS~~~~~~~~~~~~~~~~~~~~~~~~~~~
Note: This is totally my opinion. Don’t like, don’t read. Also, I haven’t read any of the comics. This is all based on the Netflix series. Please don’t attack me. 
I’d say, season 2 was a jumble. It was quite dizzying. The characters had many ups and downs in developments. The transitions were so w t f. There were too many arcs. The relationships were. . . And the plot had such a similar theme to the first season. With that, let’s dive in. 
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CHARACTERS
I’ll go into the characters each in a bit but here’s an overview. The characters were sort of a mess? I’d say in terms of the main characters, Allison, Vanya and Ben were the best (Ben wasn’t even there frequently). The worst being our Luther and Klaus? (Don’t get me wrong he’s one of my favorite characters but I think this season did him quite dirty?) 
-Number 1/Luther: MOON BOY!!! Yeah no I really didn’t enjoy watching him this season. Actually scratch that I didn’t enjoy watching him in season 1 either. It’s nothing against his daddy issues, I’m sure most if not all of the main characters have them. It’s just how he deals with it? His want for a father figure goes on to a mafia rich guy named “Jack” who he got acquainted with after getting stuck. I’m all for finding father figures who’d treat you better than the original but seriously? Lmao we don’t even see Jack after abandoning him for one lost fight. Which I guess parallels to Mr Hargreeves abandoning him but weren’t we supposed to let Luther develop? Idk, He’s just such a lost puppy. As well as his is addiction for Allison. It’s just so unhealthy I c a n ‘ t. I just couldn’t see his development. Hell, he disagrees for saving the world then goes on to do random ass stuff that is so unnecessary. I visibly groaned whenever he was on screen. Not caring about the apocalypse? Fine. Getting high with Elliot? oKaY. Telling Diego to find the siblings while he tries to coax Five, only to fall asleep? WHATEVER. Just, why did they have to make him so useless sometimes. The scene where he was with both young and old Five, he just bullshitted around. LIKE I’M SORRY LUTHER BUT PLEASE. His power was quite confusing too? He got shot by the bullet but survived a nuclear missile huh?? Anyways, the actor playing him did a great job. There were scenes I really just wanted to sigh but Luther looked so cute like a lost puppy. 
-Number 2/Diego: In the first few episodes, I was extremely iffy with him. Some of it came from the fact that season 1 Diego was just so ;-;. Anyways, his obsession to save Kennedy was a bit out of hand. I get it, he wanted to save a life he knew that was in trouble, especially one so important. But I wish he stopped to think first. I mean, he chose that over the end of the world HAHA. Mm though I suppose I think I started enjoying watching him more when he reunited with Mother? Speaking of the mother, his interactions with her were so cute. He loves her so much and just seeing her there alive..I don’t know he was more sympathetic. That Team Zero shit was so sweet even if it didn’t pull through. He became much sweeter though still an idiot. As always, he had daddy issues too and I wish we dwelled more into that. Seeing him vulnerable was nice. Also him entering the commission was so badass?? Like damn. I guess his character grew a bit more this season which I’m satisfied with. 
-Number 3/Allison: I loved her so much this season. She was such a badass queen. There were rarely scenes I’d facepalm at. I think it’s because Ray brought out a much better side in her. She was the most stable of all the siblings but I don’t think that says much. Her marriage was a bit out of hand at one point, I’m glad she was able to fix it. HOWEVER, the scenes where she abused her power was very irritating. It was never mentioned again. They brought it up but didn’t do anything with it. That can be highly used against black people as a whole. She did that in a room full of white people and I can only think of the consequences that could leave for their movement. Or it will go unaddressed. But I hope that isn’t the case. 
-Number 4/Klaus: I love this man. He’s one of my favorite characters as a whole. But. . . what the fuck happened this season? It’s like all his development by the end of season 1 was just tossed out the window. He was sober and although he didn’t like it, he was one of the ones who kept trying to bring their siblings to the problem. It’s just his sober self in season 2 just gave me vibes of his drunk self in season 1. I guess it’s more on his personality and who he is but it was so interesting to see him when he was trying. Instead, I watched him lead a cult. It shows that he’s really not the leadership kind because he doesn’t know what he’s doing with himself, better yet how is he going to lead a cult? I guess he needed some way to survive but damn. Also I thought Dave, if not his siblings, was going to be his first priority. I know he ended up finding Dave already but why was he after the cult.  Klaus half the time he didn’t do anything. There was a big waste of power for Klaus because he wasn’t even able to use his to full capacity. There was that one shot where he was falling and caught by other ghosts which was the only time other ghosts were seen. The only time he used his power. The season 1 ending had such an OP Klaus but it led me to expect more from him this season. Like, remember that point where they were trying to reach Vanya but it was from Allison to Diego to Klaus to Ben. The part when it was Klaus’s turn, I really think he could’ve used his powers to have the ghosts push him. He was giving himself the talk and everything and then he just flew back only for Ben to just stare. And as seen, Ben wasn’t affected by the whoosh the ghosts thing could’ve worked. He ended up feeling a bit like a plot device for Ben this season. I really hope in season 3, he’ll be able to develop his powers and develop himself as a character. Also for the record, I cannot believe he didn’t tell anyone of Ben?? I remember that clip with the “Klaus, is Ben here?” and he responded with ghosts can’t time travel and jazz. I THOUGHT THAT WAS JUST A JOKE?? But he ended up n o t telling AT ALL. Like I love you Klaus but your brother misses your family too. I was just so frustrated at him this season.
-Number 5/Five: This boy is one of my other favorites. He’s just so fun to watch. I guess it does with the amount of times he warps and uses his powers. His development on his powers were 10/10. In terms of personality, he’s still the same old grumpy pants but the amount of times I wanted to reach the screen and shake him I swear. I know he rushes so much but I remember he was watching a stripper or singer or something in the place where Luther was and was that really the time? He needs to tell his siblings before rushing head first. Funny how he keeps saying let’s think of a plan but as soon as he has one he goes with it. The Reginald Hargreeves plan wouldn’t even be able to go if not for the invitation. I swear this boy always has something going on which is why it’s so fun to watch him all the time. He just wants to save his family. And he’s just throwing hands every time a plan fucks up it’s funny and then he starts a new one. I’m sure he blames himself a lot for getting his family stuck. I wish he had time to develop his mental state. But I understand he was busy all the time. Though to be honest, Allison is probably the only stable one, they all needs help. Hmm I’d say he grew a bit more from the first season, though again the first few episodes of this one were sorta infuriating because he was basically repeating what he did in the first. I hope he can finally rest in the third season or at least take a b r e a k(HAmiLton). They made him super badass already, I’d love to see more of it but I want to see him more when he gets to actually talk to his siblings about anything else. I look forward to his season 3 arc.
-Number 6/Ben: HE WAS SUCH A BEAUTIFUL CINNAMON ROLL THIS SEASON I LOVE HIM. The one iffy part was when he possessed Klaus and was about to have s e x in Klaus’s body and not give back his body LMFAO. Poor baby just wanted to feel it though. He missed it so much and he missed his family so much. HE ONLY GOT TO REUNITE WITH DIEGO AND VANYA. Both times, hit just as hard. Though Diego never asked about him again probably because Vanya told them all about how he...Ugh, I wish he was there more to interact with the other siblings. KLAUS THIS IS WHY YOU SHOULD’VE TOLDKFHJD. His scenes were so precious. My heart cried when he passed away to Heaven. He was just so gentle with Vanya. You’re my sister. AGH CHILLS. He was such a beautiful sibling to Vanya and I hate it so much how he wasn’t able to have more.  He was a true hero. He should’ve had more scenes. I don’t know what season 3 is going to bring for the “new” Ben but he looks more aggressive and edgy than the old ones so I’m not going to have any expectations. 
-Number 7/Vanya: This girl is always in such pain, it was nice to see her happy for once. Though I am a bit iffy with the relationship with her and Sissy because it looks like there’s an age gap but I don’t know, I’ll go more into it later. No, it’s not because they’re two girls, I’m bisexual myself. Anyways speaking of gender, most fans say she’s bisexual but I’d head canon her to be pan sexual more than bi. I feel like she really doesn’t give a fuck about who she is with as long as they love each other and that’s sweet. We stan representations. As for her character, hmm she was okay. She’s still unstable but in the end she’s just a hurt baby that’s been through a l o t and just wants a family. I’m glad she was able to use her powers more. High key Elsa vibes. She was not bad this season but I wish she knew how much she couldn’t bring them. The extent of the time travel world. But I know she just wanted love after having such a lack of it. I hope to see her get love she deserves in season 3. More specifically, self-love. Because these past 2 seasons, she’s been putting so much on that one person that I want to see what she does for herself. Maybe pick up that violin and go girl~
In terms of side characters, 
*THEY PUT HAZEL THERE FOR TWO MINUTES AND THEN HE DIED. WHAT. I know it’s probably better that way but damn, he was one of my favorites. I’m glad he was able to live a peaceful life with Agnes. He deserved it
*RAY IS MY MAN I LOVE THIS MAN SO MUCH! He stays calm and collected most of the time. He does what’s right. He’s a much better choice than Luther. I’m sad we had to let him go but it was going to come sooner or later.
*Lila..She was such an intriguing character. Just, she was so dumb at some points, especially near the end. I wish she thought more analytically. I guess she’s like a more emotional female version of Five. Her fight with Five was pretty cool. She probably got with Diego because they’re mummy’s children HAHA. Her powers were so bad ass though. We’re prolly going to see more of her in the third season which I look forward to. 
*Reginald Hargreeves, bruh are you an alien. 
*Pogo.. He was cute but I thought we’d see more of him.  But I mean he’s just a baby so I guess eh. 
*Mom was beautiful, she DESERVES MORE SCENES INSTEAD OF EVERY 2 EPISODES FOR 2 MINUTES. 
*The Handler was not bad I suppose. I mean I loved her in the first season. But here she wasn’t as terrifying anymore. She’s a hella good manipulator but of course it was going to bite her in the back. I was honestly looking forward to fish guy though. I hope she stays dead just so that we can see our future villains. 
*Speaking of the fish, he was sort of useless. We didn’t get to see any action of him. He’s just a f i s h. We won’t ever know if he was as good at his job as the handler or what not but that’s because he did n o t h i n g. A F I S H. 
*The Swedish villains, they were eh. Not gonna lie, the first few episodes or so, they were hella boring. Not as fun as Hazel(WHO THEY KILLED IN THE FIRST FEW MINS) and Cha Cha. But their sibling ship was really heart felt. And every time one died.. Just ;-;.
*Herb was such a precious soul. I hope he doesn’t die in season 3. 
I think the problem was that some of the characters were just on standby half the time. 
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RELATIONSHIPS
The way they treated and interacted with each other is what makes the story so appealing, the familial, platonic and romantic. The relationships here were fine but I just wanted to bring them up. 
Romantic
-Allison and Ray: What a 9-10/10 couple. The reason why is because there’s a line Allison said that made me so...what? I remember when she reunited with Luther she said something along the lines of “I just, I needed something to hold on to. And Ray gave me that” SIS. That sounds like such REBOUND energy. It doesn’t sound like she chose Ray, it sounds like she needed someone to depend on and Ray was there. I’m sure their relationship grew eventually but to say that about him to her ex or whatever they are. She’s in a vulnerable state, and to say something as minor as I needed him does not seem healthy. Relationships shouldn’t always be a need-need relationship. Allison needs to be her independent person and fall in love when she’s ready. If she’s just doing it because she needs someone to hold onto. What kind of love is that? Aside from that note, their whole relationship is so precious. I love how much Ray stays by Allison but he doesn’t take her bullshit. Like he is strict with knowing the truth because he needs to know he can trust her and that she can trust him. And you know what, she pulled through and told him. Because she loves him. I’m glad they didn’t kill him off or separate them because of Luther. It’s sweet.
-Diego and Lila: I didn’t like it until we knew of who Lila was. Because honestly if Diego got with her, that’d reflect on how much he changed from dating a cop to a complete psycho. But no, there’s more depth in Lila which made her interesting. Their dance scene right after was so nice. It was like a fight for dominance and it reflected how they thought of each other. Though, when she started choosing Five over Diego it went downhill. Diego was so lost because Lila didn’t trust him with whatever shit. Lila was just going around playing mummy’s girl and getting flustered whenever the handler mentioned him. It made her look young. Then when she captured Diego and called him boyfriend I got so lost. Then later Diego calls them exes. THEN WE FIND OUT THEY’RE ALSO BORN ON THE SAME DATE. They’re not as bad as Luther and Allison but still, they could’ve been siblings. Their relationship goes up and down so I’m not really sure what to think. I don’t see Lila bringing out the better side of Diego. I only see Diego doing it. I think Patch was a better fit because she was emotionally stable. But maybe when Lila gets her shit together then perhaps?? 
-Vanya and Sissy: Uh...This is definitely going to be an unpopular opinion(im saying that as if most of what I said is not unpopular) but this relationship gave me eh vibes. Like I don’t really know what to say about this one. I’m all for LGBTQ+ representation and of course Vanya being happy but. I think, again, Vanya must be her own girl. She shouldn’t be someone to be protected or get validation from protecting. She should be her own girl fighting and figuring out herself. I think another iffy thing is Sissy was a mother who was stuck in a bad marriage. My thing with that trope is that usually, the love interest saving the mother is someone who’s ready to take them. Yes I know Sissy shouldn’t have to live unhappily. But depending on a girl who doesn’t have self-independence, emotionally unstable with her own unstable family. Yeah, no wonder Sissy didn’t come with. Just the deal is Vanya depended on her like a lost child with a mother. It looks motherly. I’m not judging from looks, I’m judging from the treatment. Plus, their first kiss, they were drunk. That’s a sign within itself. Yes, they didn’t regret it in the morning. But Sissy was in a vulnerable state. She was crying. And I guess I thought it was going to be eased in like “I’m really happy you’re in my life Vanya.” BWAM KISS. Instead it went like “You tell me how you let her go. Tell me and I’ll do it.” “Sissy I can’t--” KISS. THAT DOESN’T SOLVE THE PROBLEM, in fact she interrupted Vanya because she was so emotionally drained. All the emotions and weight of it, into that kiss. It’s not like a drunken confession, she’s crying about a problem beforehand. Not a problem on her sexuality, but a problem on her life. And... kissing doesn’t make all the pain go away. Running away doesn’t make the pain go away. I don’t understand the message this show is trying to give us for this but I don’t like it. I know they were aiming for simple life simple family but.. as said, it’s never going to be simple.
-Klaus and Dave: I just felt sad. This was so pitiful. They did them so dirty. Also, I know it’s not the show’s fault because they changed actors but Dave looked so young. In season 1, he looked about the same age as Klaus if not older.. In season 2, he looks like a precious baby boy. Like, I know they changed actors but I couldn’t get the vibe out of my head. But back to the main point. I feel like their relationship was sadder. Dave ended up going earlier. As well as he might avoid anyone who looks like Klaus because it would sort of be creepy. What hurt most is when Dave punched him. That hurts. Poor Klaus, again, he didn’t even get to say goodbye properly. He has to deal with losing him again but since we get less Klaus scenes this season, we can only speculate. I wish they could be together but they never could. One of the saddest love stories. 
-Ben and Jill: I want Ben to be happy, I really do. But... he’s dead. He was doomed to have no love interest from the start. Though it is cute to see him crush over her. But the concept it a bit weird you know? He possessed Klaus to get to her and he was about to have sex in Klaus’s body. That says a l o t. Plus we didn’t really get to explore Jill as a character. So I didn’t really care about her and we prolly won’t ever. But I hope wherever Ben is now, he can vibe peacefully.
-Allison and Luther: I hate this. They’re siblings. It’s not all of them being under the same roof, it’s all of them being raised by someone who adopted them together. IT DOESN’T MATTER IF NOT BIOLOGICAL. I’m so glad it got called out this season. Though, it’s so hard to see them as just siblings now because of how often it gets called out. But no. just no.
-Sissy and Carl: Um. I don’t know what to think but both of them were unstable af. I wonder why Sissy married him in the first place if she didn’t want to commit to him. I guess Carl was a different person? Hmm, he manipulated her for sure but that’s because he wanted the family to stay together. Around the time he was about to shoot her that’s when it was clear they weren’t a fit at all. But I think Carl could have improved before that scene with Vanya. Fucking disgusting. But, honestly before that scene I couldn’t tell if he was genuine or not. Cause, he did look like he loved Sissy while Sissy would give off looks. It’s pitiful. But eh, this is the unhappy marriage trope so...
-Reginald and Grace: This was heart breaking. I genuinely loved seeing emotion on Reginald and Grace was a perfect match. When they broke up I AGH. I wish they had more moments. 
Familial(I’m highlighting important ones but feel free to skip) There were less. and there was a LACK OF FIVE AND KLAUS. Their dynamic was one of my favorites in the first season. 
-Luther and Vanya: I was hesitant in their reunion. Mainly due to the fact that we get a panel of Luther holding a gun. But, I’m glad he didn’t end up doing anything. I’m also glad he apologized. Their relationship is unsteady but it’s growing ish. But aside from the first few episodes, we don’t really get much. I’m just glad he’s not being shitty to her.
-Luther and Five: Ngl Luther’s incompetence gets made up from Five’s competence. It’s funny. When there were two five’s it was so f u n n y. Luther was just panicking everywhere. He was like “He hAs A  pOiNt” and then like “oh no we’re going to kill him???!??!”. It’s cute I guess. Though when they first reunited, it was annoying as hell. I thought their dynamic was going to be lame but this wasn’t bad I suppose. 
-Luther and Diego: Hehe. They are highkey two brain cells left energy. If I remember correctly, the first season contained them fighting over what to do or who’s “leader”. They didn’t have as much moments this season but I remember Diego chasing after Luther when Luther threw hands. It was cute in a sibling-y way.  They were okay. I mean, as okay as any unstable family but it was nice seeing their meaningless little fights out of the way.
-Diego and Five: It was like arcs talking to each other. Diego was basically representing “Save Kennedy!” while Five was like “END OF THE WORLD”. Lucky for them that it was connected. But if it wasn’t, imagine that huge waste of time. Anyways, they were okay-ish. Five didn’t want to deal with Diego’s shit half the time but that’s just Five. Their connection grew after Diego went to the commission because I mean, they can now both relate. However, Diego only stayed there for a little bit while Five stayed there longer. And Diego was only recruited because his “girlfriend” wanted him. But either way, they now have something more to talk about.
-Diego and Ben: This was a cute heartfelt moment. And.. honestly I wanted more. Not just with Diego and Ben but with Ben and well EVERYONE. But at least this small moment was given. Just, Diego’s realization that it’s Ben. His dead brother. It hurt you know. 
-Allison and Klaus: This duo I swear. I don’t really like it because I’d say these two are the chillest aside from Vanya. Their reunion was really sweet true but the way they dealt with problems? Allison is the more sane of the two yet Klaus’s influence helps her relax. However, Klaus is unstable and Allison didn’t really help him exactly. She just drank with him. Yes, she asked him how he was. But right after she goes to drinking. EVEN BEN WAS SMILING WHEN SHE PUT DOWN THE FLASK. And then she promoted more booze. That’s a way of coping for some people. But, I don’t think the time was right. Klaus was trying to be sober. I don’t think promoting what he’s not trying to be is a good idea, especially at that time. Then for Allison, I mean as Klaus said himself “Allison, your marriage is in trouble and your rally turned into a riot”. She shouldn’t be drinking either. She should be thinking of what to do. It doesn’t take until later. 
-Allison, Vanya and Klaus: Their dance was really cute. I loved it so much. It’s what I wanted from season 2 in the first place. The siblings to have fun with no weight of the world on them. Allison and Vanya’s reunion was so sweet. I loved every second except the part where they got drunk and started to be like LeT’S coNfEss mY lOVe. But, it did get the plot along. I’m just happy they found solitude in each other while their other brothers were a fidgety mess.
-Five, Diego and Luther: Speaking of that fidgety mess, these three were all over the place. There were some funny moments like Five being so done and changing his clothes. While Diego and Luther were like h u h ? And they also had moments where they talked about daddy issues. Also when Luther and Diego found Elliot dead and threatened a person until Five came was hilarious.
-Klaus and Ben: Ngl, I found this relationship very bitter because KLAUS WOULDN’T LISTEN. Ben keeps trying to say something or prove what he should do but Klaus keeps ignoring his remarks. It’s very unhealthy especially when Klaus has the upper hand. He doesn’t even give Ben the chance to interact with his other siblings. While Ben misses them dearly. It’s heartbreaking to watch. 
-Five and Vanya: I LOVED THAT MOMENT WHERE THEIR POWERS BATTLED. Even if it was for a split second, it looked so cool. Anyways, I don’t have much to say on this one because they didn’t interact as much I’d say but it was chill. A chill siblingship. Though, Five was being rude when he completely disregarded the fact that Vanya has people she care about in that time. He was too focused on the end of the world and that’s okay but he has to understand his siblings. I’m not using it against him though, he doesn’t exactly know how to read signs. But when you put them together by the end, it’s nice seeing Vanya having more control of who she is instead of being pushed around.
-Five and Reginald: It’s interesting. Five hasn’t seen his father in a long time and there he is. And, he’s scared or if not scared then hesitant, really hesitant. His father is someone who treated him like shit but he is someone who also raised him and has the knowledge to who he is.Of all the people, he looks to him when there’s no other choice. It’s interesting to see this because Five rarely hesitates. And seeing a man who has no real threat to him in that timeline but he knows how much he has hurt him. It’s breathtaking. Among all his children, I’d say Reginald gravitates to Five the most because as said he’s the most reasonable. As most theories for season 3 would suggest, Reginald probably chooses different kids because he’s seen how fucked up his kids are in the past. But, he talked to Five and I just wonder why he’d not choose him. I guess just speculation that Five was also fucked up. Anyhow, their bar scene was nice. It was simple yet had a lot of weight to it, especially to Five. Another scene I liked is when Five was spying on Reginald in the closet thing and Reginald stared at it. It was a shot of them looking at each other with Reginald having the authority while Five hides. It’s a nice frame to think on and what it means for them. 
-Vanya and Ben: I FUCKING LOVED THIS. Even if it was one scene, I could replay it all day. Because Vanya, a woman who has been numerously ignored or pushed aside as a threat by her own family, finally has one family member who thoroughly cares...And he’s dead. She’s been through so much and no one ever seems to take her as her own person which is so depressing to watch. Until Ben. Ben was so peaceful and gentle with her. He knew she could explode at any moment but he also knew that she’s hurting and scared so God damn much. She feels like there’s something wrong with her and she doesn’t even feel like she’s deserving to live. And Ben took the time to phrase it gently but had so much weight to it because of how true it is. “You aren’t a monster, you’re my sister.”He reassures her that she is not something to be afraid of, not a ticking bomb. But a person who he loves deeply, his sister. He reassures her she’s not alone. He makes sure of that and he lets her know he believes in her. I just loved that so much. He was the only one who reached out when it felt like everyone was against her. And she opened up to him because he was the only one who would listen. That’s so touching and I’m so glad they had that moment. I’d say that was the best moment in the whole season. Their relationship says it all in that one scene. 
-All of them: It would be such crack energy + daddy issues whenever they were all in the same room. It was entertaining but half the time they fought or bickered so it sometimes didn’t go anywhere. I wish they had more fight scenes though because they’d look united as a family whenever they were against the same enemy. But I suppose we’ll have to wait for season 3 to see that.
Other
-Five and the Handler: The Handler character gives major pedo vibes. So it’s very uncomfortable when we watch her have those little touches on Five. It’s very meticulous in showing their relationship. Five doesn’t want anything to do with her while the handler just keeps getting closer. Their fights back and forwards remind me of Sherlock and Moriarty. It’s all big game and gamble. Though for Five and the Handler it’s less of a game. It’s fun to watch I suppose but I would’ve liked to see another force opposing Five aside from just The Handler all the time. She’s a good contrast to his character though. He always refers to her when there’s nothing else. And we get to see his soft side with his siblings and how he wants to keep saving them and how he always emphasizes it. 
-Five and Lila: Half the time if not most, Five wanted nothing to do with her. It was hilarious in a sense that Five was oblivious for most of it. Lila was a pained girl who had anger to take out. And Five was there, being an asshole. Yeah, in the mental side, Five was a bitch while Lila being emotional is not a good match. Their power fights were really hard-core, I loved it. Their original connection was through the handler and Diego then morphed into the whole killing parents thing. It was fun. 
-Five and Five: This was hilarious. Too fucking good. Though, it gave me headaches thinking of all the times where if this Five dies then... Plus this time older Five has the correct formula now which could change? But that’s for a different timeline now or universe. I enjoyed watching them. When they were “fighting” it played one of my childhood bops. They oppose each other so well that it’s so comedic. It’s a nice touch.
-The Handler and Lila: Mother Gothel and Rapunzel or Thanos and Gamora vibes-- Anyhow, their relationship was very manipulative but hey that’s the handler’s specialty. It was okay, just a regular villain deceiving lost child trope. Though this one had more loyalty on Lila. For, this one had more love put into it. I’m not sure exactly if the handler loved Lila for real but we see shots where she takes care of Lila and takes pictures on her in a pretty dress. That’s cute which is understandable to why Lila is always so hesitant in picking between what she wants and what her mother wants. But as seen in the first half, she chooses Five. She chooses her mother. That’s a strong bond they got even for the handler. Though I guess it’s safe to say that the handler doesn’t really care about Lila if she was ready to kill her. I suppose Lila just brought amusement and help but as soon as she’s useless, gone. (Same with Mother Gothel and maybe Thanos?)Honestly though I got confused at one point because didn’t the Handler badmouth Lila’s parents? She said “Her mother who rescued her from those gin-addled, neglectful parents--”. If Lila didn’t believe in those words, she would’ve interrupted. If Lila did, then why did she care so much if they died? Yes, they are still her parents. But, she was so defensive over who killed them in the second half of the season. She kept calling them innocent and such. It was a bit out of the blue I suppose but eh.
-Ray and Luther/Klaus: It’s important to note that Ray is fighting for black rights as well as his wife. Now, to find out that she might’ve lived in a “white” world is a  big shock to him. I can understand why that anger was built. I’m not going to go into detail because I’m sure others can explain it better than I can but in general, Ray felt betrayed by Allison. His expectation of her once he sees Luther and Klaus. Yet, Klaus is more likable since you know he helps him out of jail. They had cute moments in jail too. Luther looks lost af and I just don’t like how aggressive Ray becomes when he sees him.
-Harlan and Vanya: It’s probably setting up for the future plots but I found it unnecessary to give Harlan Vanya’s powers. honestly during the whole time he was screaming and shit, I was just like...Is that...Will from stranger things?? BECAUSE BOTH OF THEM WERE POSSESSED BY SOMETHING OUT OF THEIR CONTROL. But anyways their relationship is okay, Vanya helps him calm down but I guess it would’ve been nice to see more bonding. 
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PLOT
-There were so many arcs-too many. To the point where it was such a jumble of what was going on. From activism to queer rights to daddy issues to mafia to mental asylum to a broken family to more broken families to etc. All leading to the major plot of “the world is ending”. I get it, they were trying to make the story more eventful. However, some of them were pressing issues that should be used more than a plot device to move the story along.
-I know each character was separated to shine individually but I wanted to see more group work.  We already saw their individuality in season 1, this was just a different environment. The only group work where they all were looking badass was in a timeline that ceased to exist(Specifically the one where they fought during the Soviet Union-Us War). They sort of worked together in the end but LMFAO half the time some of them were pinned or just not doing anything.
-I have to say, this whole season just gave me a hardcore repeat of the first season. Again, all the siblings are separated. Again, Five goes looking for them but then goes and fucks around finding plans/leads. Again, the siblings fuck around. Again, the commission tries to hunt them down. Again, they are tricked to killing each other. Again, Vanya is the cause but this time they were able to mend it. Again Again Again Again. Just please. I was really looking forward to seeing something new. I wanted to see their younger selves because by the end of season 1 they turned younger?? But instead we get a repeat of season 1 with a bunch of differences that weren’t able to be fully expounded. It’s like this season was a plot device itself for season 3. It was used to find out more characters and find out more of the universe. While the mental stability remains the same.
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NOTES
~Sissy’s family. I don’t know what to say about this family. It’s obviously fucked up. Harlan is just like confused majority of the time. While Sissy and Carl have so many issues. I really had hope for Carl until that homophobic remark and the fact that he tried to shoot his wife. I know I know it’s obvious to see Carl as the asshole immediately but it would’ve been nice to see a change of pace where Carl is worth staying for: He cares about his son, he wants to keep the family together and he cares whether or not Sissy still loves him. And therefore giving Sissy more of a hard option. It adds more depth. But eh. 
~Transitions/Editing. I guess it’s the same as the first season but for me, the transitions felt more abrupt and off-timing. Like, sometimes it would show Luther after 2 scenes when I’ve been waiting for Five after four scenes. It made my head spin, especially with the amount of arcs. But I guess that’s normal. As for editing, the part where Ben possessed Klaus, I really wished they made it Ben sooner because for 2 minutes I’m just staring at Klaus. It was okay though. 
~The commission. As said earlier, the villains weren’t as entertaining. I loved the three brothers but to say they were more fun to watch than Hazel and Chacha? Mm. Not it for me. More heartbreaking sure. But not more fun. Anyhow, the commission seems like one big mess within itself. It’s so easy to go in their building and mess up time. I mean, what kind of security do they have? No one was protecting board control room thing. I’m not undermining Diego but ?? It seems like high school where people can just slip in and out easily. Also, the amount of commission that died from that last fight. That was a big yikes. I understand their role in the story but it was very undermining to watch them.
~Previous season 2 hopes. I really thought they were going down the child route. Like, I thought Five would bring them back to the time where they all were still children aka still being raised. This would include Ben being alive. This wouldn’t keep the same pressure as the apocalypse but instead a new one on how to prevent it but still being years from that time. They know it’s Vanya and this time they’ll take the time to understand her. They’ll take the time in understanding each other. Frankly, some of my favorite parts of this season would be when they’re bonding. Because they rarely get to do that in season 1. This season 2 would be bonding-centric, while dealing with their powers. I mean, aside from those few flashbacks in season 1, how badass would it be to see it in real time? We would get to explore their capabilities. It would make them look united, it would make their mental issues seem addressed and it would let them have the playful youth they deserve. I guess that’s more of a fanfiction idea though. Most fans probably wants more action than affection so I understand why they took this route. Probably because they wanted to keep the same actors too. But still, it would’ve been nice. 
~Season 3 hopes. Not going to lie, my season 3 hopes are probably a bit similar to season 2. The only difference is age. I want their mental issues to be a d d r e s s e d.  With the lack of apocalypse, there’s going to be less pressure on their shoulders. Especially Five. I’m looking forward to what he’s going to do in his free time. I’m looking forward to see what they all do without that much pressure on their shoulders. They’re obviously going to be more bonded now but will they just keep away again? As for the new group, I honestly thought they were going to be them but raised differently but I guess not. There’s definitely going to be more of an interest on Ben. It’s a whole new one and I’m interested in seeing how their powers and dynamics work. As well as interactions with the OG UA. Though, I feel like it won’t be major in terms of them going against each other. Like, of course they will have one point because I’m sure some of them are competitive af. But, it’ll be more fun than more of a problem. I’m sure they’re all going to unite as one against an opposing force. Maybe an alien arc. Reggie being an alien is also probably going to get addressed and will also maybe become a problem about alien invasion, unless they leave that for later seasons. Lila is also going to come back I bet. I hope no more handler. And if the commission is involved in any way, make them more fun to see in their world building. I’m looking forward to seeing them all though. 
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Overall, as most movies or shows, I think the Umbrella Academy is a wonderful concept with so many interesting stories to tell but execution could need more work. As well as script. Though I’m not saying it’s all bad. Of course there were moments I’d laugh at, of course moments my heart ached and of course moments I loved. It’s not all bad unlike-- Anyways, it was a nice adventure and I’m looking forward to what season 3 has to bring~~
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The Not-So-Amazing Mary Jane Part 25: AMJ #2.1
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Just like the first issue, I’m going to go through the issue page by page.
Believe it or not. the problems literally start on the recap page.
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For starters check out this line:
....and staffed with outsiders (like MJ) whenever possible...
This is incredibly odd as it seemingly contradicts what issue #1 established.
I say seemingly because it depends upon how you define ‘outsiders’. Outside of what exactly?
The Hollywood system?
Traditional film or TV circles?
By those metrics the inclusion of so many criminals and former felons could fit the bill.
However, the recap lists Mary Jane as an example of such ‘outsiders’, which muddies the waters.
I suppose from a certain point of view she might be called an outsider but in context it doesn’t seem an appropriate descriptor at all.
Mary Jane has  acting credits. She’s worked on Hollywood films before. She’s worked in TV before. She’s worked on stage before.
Alright, she’s not exactly Scarlett Johansson, but she’s not really an outsider.
More poignantly, the recap seems to be implying that MJ was included specifically because of her alleged outsider status. Putting aside how MJ isn’t really an outsider, this just doesn’t add up.
As detailed in parts 5-6, we the audience know  that MJ’s inclusion is either due to:
Mysterio knowing about her connection to Spidey or
Kindred ordered Beck to include her.
The latter is the more likely answer. But even if it wasn’t the implication here is that Mysterio always wanted Mary Jane in his movie.
This is imbecilic of him because he is aware of her connection to Spider-Man!
Beck could be viewed as an obsessive and an egomaniac, but he’s not an idiot. If anything he is dangerously cunning. If he really just wanted an outsider actress with talent he’d have endless options other than Mary Jane to pick from.
Regardless of your feelings on the matter, the reality within Hollywood is that actors are a dime a dozen.
If Beck knows who Spidey is and therefore knows about MJ’s connection to him, he must have a specific reason  for hiring her. He must have a particular need to keep her on set as he practically begged her to do in issue #1; a fact acknowledged in the recap itself. In fact in ASM v5 #25 Beck personally sought out Mary Jane’s former  agent in order to get her into the movie. He didn’t look at a pool of actors and cast someone. He was incredibly specific.
Based upon the information we’ve been given, MJ’s connection to Spidey is the only explanation for all this. So what the Hell is this nonsense about her being an outsider? If he wanted an outsider why did he personally seek out  Mary Jane?
I’m sorry, I can’t give the benefit of the doubt on this front. This is a clear cut example of incompetence. Either Williams and/or her editors weren’t paying attention to prior stories (including the first issue!) or they were and didn’t care.
Regardless it’s bad.
Moving on, we then have Cage McKnight referred to as a “superstar director”.
Wasn’t Cage supposed to be an indie director? Call me nuts but a ‘superstar director’ is surely someone like Spielberg or Ryan Coogler. An indie director is by definition not a superstar. It also further contradicts ASM v5 #29’s claims about McKnight harder to reconcile. In that issue McKnight was supposed to be a new and fairly unknown director.
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But I’ll let all that pass because he could be a super star on the indie scene.
Additionally, the recap in general fails to acknowledge the presence of criminals on set. They are simply referred to as outsiders and people who were on their ‘last hope of making something meaningful’. This totally obscures the reality of the situation and paints it as a lot less dangerous or irresponsible.
We then come to the most damning line in the entire recap.
MJ agreed to keep Quentin’s secret—even from Peter/Spider-Man.
That literally never happened in issue #1.
There was never a moment MJ agreed  to keep Mysterio’s secret from Peter. Sure, we never saw her tell him the truth. But the story never highlighted the fact she was knowingly withholding information from him. She was incredibly casual about the film project and showed no signs of apprehension about lying to her partner.
It’s not even that Williams was being incredibly subtle. The first issue simply failed to ever acknowledge the fact that MJ was lying to Peter; she just did it!
More significantly the implication is that MJ is keeping this secret from Peter specifically because she’s sympathetic to Mysterio and his crew’s desire to make something meaningful. So I guess Williams is maintaining the mischaracterization from last issue huh? See prior instalments for why lying to Peter, sympathising with Beck and trusting him is OOC for Mary Jane.
Honestly, how would Matt Murdock feel about MJ letting Mysterio tell his magnum opus before he dies? The last time he was dying and decided he needed a magnum opus his girlfriend died!
Surely Karen or Gwyneth or any of the other innocent people Beck killed wanted the chance to do something meaningful with their lives too?
Why should Beck be afforded such an opportunity when he denied similar chances to people far more deserving?
Now granted this is just the recap page but the importance of a recap page is not to be underestimated.
Every comic is someone’s first, Stan Lee himself said that.
Recap pages are important as they give new readers the opportunity to jump on ship and thereby hopefully buoy up the sales as they naturally decline from issue #1 onwards.
Speaking from experience here, growing up my UK Marvel reprints had fairly detailed recap pages that provided enough context for me to pick up basically any issue and generally understand what was going on.
Having the recap contradict the actual story is misinforming and can thereby create a false impression of the work. Screwing it up is also just a bad sign for the rest of the comic. That’s particularly true when it’s providing details that weren’t actually present in the stories it is recapping.
Anyway, as we get into the story proper, we see MJ performing a scene from the movie.
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I am not exactly sure if Williams is trying to make some commentary on Mary Jane here.
The dialogue her character says could be interpreted as commenting upon MJ’s growth as a character, on how she grew more capable of defending herself. Of how as she grew older she realised the real dangers in life were human beings not childish imaginings of monsters.
The main reason I suspect this might’ve been meant as commentary is that the dialogue specifically pints out how people wear masks to hide their true natures.
Masks are a recurrent theme in the Spider-Man mythos and particularly prevalent with MJ’s character.
If this was Williams intent it demonstrates a certain understanding of Spider-lore and of MJ that’s been woefully been lacking for most of the 2010s.
And one could justifiable argue the dialogue about how she grew stronger and more capable of defending herself is supported by her evolution over time. MJ never underwent a clear cut arc where she became more capable of defending herself. She was basically just shown to have bravery, common sense and resourcefulness. The frequent dangerous encounters she endured afforded her chances to put those skills into practice thus she got better at it, but she didn’t undergo active training towards that end like Batman.
Furthermore the dialogue can be argued to be talking about Mysterio as well, specifically the lines about monsters hiding behind pleasant masks. This is applicable to Mysterio’s masquerade as Cage McKnight.
However the comparison (if intentional at all) breaks down in two key areas.
The dialogue implies ‘Mary Jane’ learned that humans are the real monsters in life as she grew older. This is patently not true as MJ’s father was frequently abusive even when MJ was a baby.
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This was the norm for Mary Jane’s entire childhood and she herself created a mask of her own to cope with it.
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ASM #259
It was even implied MJ suspected Peter of being a ‘monster’ like her father precisely because she knew he hid the truth of himself.
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So MJ would’ve been acutely aware that people can be monsters and use masks to hide this fact.
The second way the comparison breaks down regards Mysterio. If we accept that the dialogue is commentating upon Mysterio then it’s Williams acknowledging that Mysterio is  a monster in disguise. This in turn throws her characterization of MJ into question. It implies Williams is knowingly writing Mary Jane as an idiot and out of character. It also doesn’t jive with his sympathetic portrayal in issue #1; nor in fact in this issue as we’ll see.
Of course all of that is hypothetical. I fully admit I might be reading more into this than was intended. Williams could’ve just thought this dialogue seemed cool and that was all.
I should also briefly discuss the artwork. In issue #1 I critiqued it because at times it made the intent ambiguous. In fairness that might be more down to Williams or the editors as opposed to Gomez. I suspect it will become a problem that will crop up moving forward. Nevertheless, it doesn’t detract for the utterly gorgeous aesthetic of his artwork.
With all that’s said let’s get back to the story.
MJ’s scene is interrupted when ‘Cage’ realises a pair of men are removing the wind machine. Actually, they’re removing several pieces of equipment the crew were renting. Mallorie, ‘Cage’s’ right-hand woman (sorry I don’t know Hollywood lingo), snatches a small piece of equipment and makes a point of withholding it from the men. MJ begins to ask what’s going on, turning on some of the charm for one of the men (named Noah).
‘Cage’ though is far less polite, demanding Noah’s attention. He warns him that, once Hollywood hears of this situation, he’ll struggle to find future work. Noah angrily retorts that ‘Cage’ hasn’t paid his rental fees in weeks, a fact confirmed when he checks his phone.
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There are a few things to unpack from these pages, most of which further confirms topics we’ve already touched on.
For starters, we could argue Beck’s rudeness and threat exemplifies the danger he poses. Not just because he is a violent man, but also because he is seeking to ruin an innocent man’s business. This is something he could theoretically use McKnight’s reputation to achieve even more effectively.
Admittedly, that’s a little nit-picky.
Beck in Cage’s role here didn’t act unreasonably. He’s a bad person but even a good person could be forgiven or at least understood in this situation.
The real Cage McKnight may well be miffed at his equipment being removed and the lack of professionalism. That wouldn’t necessarily be grounds for Noah’s business to be harmed either if he was genuinely being unprofessional. Not to mention, we could easily give Beck the benefit of the doubt and say his threat was simply a bargaining tactic to get what he wants.
However, what’s less forgivable is Beck’s carelessness.
In the grand scheme of his history, failing to check his phone or pay some bills is hardly his worse crime. But it is endemic of a larger issue. Beck has never made a real movie before, not as the director anyway. The closest he’s ever come are his crimes, which granted would demand certain similar skills. However, he pulled off those crimes with little concern for any henchmen he involved nor any legal or financial obligations. He funded his crimes through other crimes. He viewed his helpers as disposable. And as for breaking the law, that obviously wasn’t going to bother him.
In this story Beck has dozens of people who’s jobs (and possibly their careers) ride on his decisions. The narrative has even painted him as genuinely wanting to help them. And yet he has failed as an incredibly basic responsibility. He hasn’t even considered delegated that task to someone else. It’s exemplary of selfishness at worst, and poor leadership at best.
I’m not trying to argue any of this is out of character for Mysterio. Rather, it’s the implications of this within the status quo that are concerning.
On to of everything else, Mary Jane has decided to go along with Beck’s passion project without considering if he’s even qualified for the job. Creative vision isn’t enough, you need basic competency as well. You need to know how and who to delegate stuff to if it’s not your forte or not what you are interested in.
It’s also further exemplifies the potential damage Beck can bring to the real McKnight’s reputation. If word of this gets out suddenly McKnight at best might be regarded as rude, at worst a poor leader and incompetent. Incompetent with money no less, which (above anything else) is likely to paint him poorly in the eyes of the Hollywood power players.
This misuse of Cage’s reputation continues into the next page where Beck outright throws McKnight’s name around. He claims there has been a mistake because his movie was given a generous budget. Mary Jane tries to calm the situation down and sits in one of the fold out chairs. Her plan is to prevent the men from removing it off the set, a scheme Mallorie (literally) adds some weight to.
In spite of ‘Cage’s’ borderline verbal abuse, Noah expresses respect for Cage and the film project, suggesting he talk to the money people.
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By rights MJ in observing this entire scene should be much more sceptical of Beck. At the very least she should wonder if she’s made the right decision in helping him. SPOILERS: She won’t.
What she does do though, is use her charm/social savvy to defuse situations and keep Mysterio under control. This is clearly part of the direction Williams wants to take the series in. In fact it’s the central conceit of this entire issue.
On this front Williams does a superb job. No seriously, I might hate this status quo. I might loathe the mischaracterization facilitating it. I might despise the contrivance that keeps it going. But it’s stuff like this where Williams once more displays a deftness with MJ’s character.
She understands  that Mary Jane possesses superb social skills that can serve as a form of ‘super power’ within certain contexts. Williams has (clumsily) generated one such context and thus allowed MJ to shine. You could genuinely cite or post this scene to exemplify some of the strengths of Mary Jane’s character. If you want a Spider-Man comparison, it’s a little like citing Otto injuring Scorpion from ASM #700 as an example of Peter’s raw power. How we got to that moment was nonsensical but unto itself it is a great example of a singular aspect of the character.
Another example occurs when MJ prompts ‘Cage’ to seek out more money for the film.
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This moment demonstrates MJ’s practicality and determination. It’s just a shame that display entails her helping a criminal and suggesting they con yet more people!
The next page is a montage of just that, with Hollywood money people turning them down. ‘Cage’ reacts by angrily flipping tables. In contrast MJ calmly and politely tries to inject some positivity into the meetings.
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Williams again does a great job of showing MJ’s personality. She keeps in control and is a great people person. She is practical and knows how to help Mysterio get stuff done.
But take note of ‘Cage’s’ misbehaviour in front of the money people. This opens up the possibility of him being dangerous and unstable, therefore a liability if left unchecked. Were this an exception to the rule or extenuating circumstances, that’d perhaps be understandable. But Mysterio, whilst not exactly defined by his rage, is  a violent person. He has inflicted physical and mental harm/abuse to people. And his bouts of bad behaviour are likely to negatively impact the real McKnight’s chances of working with any of these people in the future.
I’ll leave it there for now. We’ll pick up where we left off last time.
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January 2020 Pond LiveChat Recap - Writing RPF
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We had a great time chatting with Taylor,  @impalaimagining​! Thank you so much for joining us and sharing your thoughts and experience!
Our topic this month was Writing RPF, and we talked about the legal, moral, and emotional aspects of writing about real people.  A rundown of the chat, as well as general Pond news, is below the cut!
We started off the chat with the legal side of things, most of which was covered back when we talked about Monetizing Fan Works back in May. Here are the related links that were brought up:
Wikipedia: Legal issues with fan fiction (The section dealing with RPF is near the bottom under Right of Publicity.) Boiled down, RPF has to deal with a celebrity's Right of Publicity. Famous people have the right to control the commercial use of their name, image, and likeness, sometimes even their broader identity or persona. Most states’ laws on this only apply to uses for commercial gain. So, don't try to get paid directly for RPF, and you're safe.
From NPR: We Stan: Real Person Fan Fiction Comes To Life. This is a fascinating discussion about RPF, the legalities, and how it’s been changing in recent years. This argues that basically since “fiction” is right there in the name, RPF is inherently more legal than regular fan fiction based off of characters. No one is trying to say that the real people involved are actually doing these things, it’s just fiction.
Goodreads Genre: Fan Fiction - Real Person Fiction. When I was researching, this link came up, and I clicked it, not knowing what to expect. Finding that Fan fiction, much less RPF is on Goodreads was surprising to me. (I thought Goodreads was only about books that could be purchased and didn’t touch “unpublished” works, but I guess not?) What I found most interesting was exactly how many of the titles listed on that page are J2-related. There are more J2-related titles than all of the others COMBINED. As a fandom, we rock!
The discussion started with most folks saying they hadn’t considered the legalities of fan fiction, or RPF in particular, when they began writing. Their first concern was just getting the story out of their head and onto the paper. Also, since no one was getting paid for it and it’s so popular, no one questioned the legalities. Also, since it’s fiction, there’s no defamation of character.
@mrswhozeewhatsis​ (Michelle): Most people know that I generally don’t read RPF, unless it’s an AU. Way way way back, when I first started reading fan fiction, I used to read the occasional RPF. Honestly, before SPN, I never really liked an actor enough to want to know more about them. (I've been burned by some jerk actors in the past.) One of the first RPFs I ever read was from Jared's POV, and it contained a scene where he was on stage at a con, and detailed his thoughts. I forget what the inciting incident was, but suddenly he was thinking, "Great, now they're all thinking about how big my dick is," and it made him spiral. Something about that stuck with me, to the point that I cringe every time I see Jared on stage and anything remotely sexual comes up. That's pretty much what stopped me from reading RPF. I have no problem thinking about how big Sam's dick is, but I can't ponder too much about Jared's dick, or I can't look him in the eye when I see him at cons!!!
Taylor: I definitely think there is a very fine line to be walked when you write RPF, and I generally don't cross into the area of writing from an actor's POV.
Q: Is that how you keep it separate so you don’t stare into their faces at a con during a photo op and think about the smut you wrote about them?
Taylor: It can be hard to keep it separate sometimes but it's actually very easy in the moment of a split second photo op. They move so quickly, I don't genuinely think I have ever had the time to consider the things I've written about them while I was talking to and hugging them!
Q: Anyone else who doesn’t read/write RPF, do you think that the whole not being able to look them in the eye is an internal thing for anyone in your life, or just celebs? 
@manawhaat​ (Mana): For example, I have A. FUCKING. LOT. of sex dreams. With tons of people, celebs and people I know in my real life... and I don't want to say that it's jaded me as far as thinking sexual thoughts about people, but in a way it kind of has. I don't have that moral dilemma of not being able to look Jared in the eye after thinking about his dick.  Taylor: I completely agree. I think writing it has made me kind of impervious to it bleeding into my daily life. I see Jared and my heart goes ohmygodwelovehim first and in person, then later when he's not around is when the wowowowbutwhatabouthisdick comes in. Michelle: I don’t think I could write about anyone in a smutty way. Just characters.
Q: I wanted to talk about 'characterization' of rpf. Do other rpf writers out there think of the people as characters and treat them that way, or do you humanize them? Idk if that question makes sense but it's along the same lines of keeping them separate. 
@fogsrollingin​ (Alex): I cast them in other stories when it's rpf. I always write rpf AUs with only a couple exceptions. We know their onscreen mannerisms, so making them astronauts terraforming a new planet with evil aliens on it is like "oh easy". Taylor: Characterization is huge for me. If someone writes an actor outside of the way they portray themselves, it's impossible for me to read. While we don't know these people personally, we know how they act outwardly and in the public eye, and that's enough to get a good idea of the kind of person they would be.  Michelle: I have no trouble reading AUs, because it's just another character who happens to look like and have the name of one of my favorite actors. In AUs, they're characters. If they are actors on a show called Supernatural, then it's too humanizing for me. Taylor: See, Michelle, my mind can't separate it to that degree. If I'm reading about someone named Jared who looks like our Jared? It's Jared. AUs give me a lot of trouble, to be honest.  Both writing and reading. Alex: I feel like it's no different than if Jared did a scifi movie during his summer break from spn & it's so low budget they just kept his real name for his character name.
Q: Do you feel differently reading ship RPF than reader insert RPF?
Michelle: Most of the RPF stories I read are ships, but I do read some reader inserts, too. It’s not an intentional choice either way. Alex: I don't feel differently about it, rly. I know I prefer reading ships over reader insert but that's just my personal jam. Mana: I have a hard time reading ship rpf mainly because I like the versions of my ships that I've built in my head, so when someone deviates from that it is a little turn off for me. Like, your version of Cockles is not the same as my version, which is totally fine, you do you, but it isn't gonna tickle me the same way ya know. so when I get into like non-mainstream ships it's extra difficult to find writers who represent them in the 'right' ways. Taylor: I feel that way about pretty much everything I read, and I think that has a lot to do with the whole characterization piece of it. I know that my idea of and the way I portray Jared or Jensen is probably a million times different than the way other people, including my readers, think of them. I try really hard to make sure the way the actors come across is "right". Mana: I think the one big piece of characterization is kind of using the way they have presented themselves as a moral compass. Obviously they don't present their whole selves so there's always wiggle room and areas where you are free to project your ideas of them into the fic, but that's also the trickiest area and where so many people drop the ball.  Taylor: YES. So, so many people take that wiggle room and take it leaps and bounds beyond what is public (fandom) knowledge. 
Q: How do you feel about RPFs that support certain theories about the wives being beards and such?
Mana: I try to not write anything that would feel as if I'm slandering anyone, etc. I wouldn't want to write a Jensen x reader fic where Danneel cheats on him and that's how they get together. If I mention it at all I just say that they've peacefully and amicably parted ways. If I don't mention it then they simply don't exist in the timeline. But never anything negative about anyone, especially the wives.  @girl-with-a-fandom-fettish​ (Kaisha): I don't write smut (only read) so I have a very different interpretation on a lot of the things being discussed. I tend to stick with non-AU, sister/daughter!reader insert RPF fics because I don't feel creative enough branch out beyond that. I feel the same as Mana, and I actually won't read fics that are based on the premise that someone cheated for the storyline to work. Alex: I'm okay if ppl deviate far into fantasy realms tho. As long as it's not too support a real life conspiracy theory about the actors, if ppl wanna write it & others like it, all the more power to them. I mean as long as you're like "I killed the wives during the zombie apocalypse in my fic but I love them in real life please don't kill me" I'm like "cool". Taylor: I avoid bashing fics or beard fics. Admittedly I have one where Jensen and Danneel never got married, but they still had a daughter together and Danneel hid the kid from him until her 5th birthday. That doesn't feel like a bash/slander fic to me because I'm not painting anyone as a bad person - things just played out differently. 
Q: The person who suggested this topic mentioned “how to write your first RPF.” Any suggestions?
Michelle: Have Mana finish it for you! (The only one I’ve ever written, she had to finish for me!) Alex: My first rpf was a ballerina!Jared & yogi!Misha romcom. It was so goofy! Taylor: I don't know if I can even answer that question. It literally just poured out of me when I started. I took the tiny little idea I had in my head (my daydream, as it was previously and so aptly named), and put it into words and it ended up being a 10 part series. Mana: How to write your first rpf: READ RPF FROM A LOT OF DIFFERENT WRITERS. find what works for you and for the people you're writing about. do a couple of trial runs with shorter fics. you have room to play, but try not to stray too far from what they've presented themselves as in real life. Kaisha: For me, when I wrote my first RPF (which was also my first fic), I was in a mental place where I was watching a lot of con videos and reading a lot of sister/daughter fics. It was more "I need an outlet for how I am feeling right now and I don't have anyone to talk to"...so I talked to the image of the boys I had made in my head from what I saw of them online.
Q: Does character shipping affect the RPFs you read? Like, if your OTP is Destiel, do you mainly only read Cockles?
Kaisha: I will read almost anything that's related to one of the Js, either RPF or SPN. But I don't have strong ship feels one way or another that changes what I read/write for RPF. Taylor: I don't know if character ships have any kind of effect on RPF ships. Because there are a lot more people involved in cons than we see on the show, and cons are my primary source of RPF inspiration. Like, we see Henry, what, twice in the show? But Gil McKinney is a whole other story. He's all over the convention circuit (or at least he used to be) and also all over fandom twitter. It just feels easier for me to write RPF because I see these actors in my real life, interacting with other real people. I have interacted with them, which makes things feel a lot more real than writing about two hot fictional dudes from my TV screen. Alex: I'm definitely up for Sam/Dean as much as I'm up for J2. Oddly tho it's Mishalecki at real life con panels that's gotten me totally happy to write/read Mishalecki.
Q: (From Taylor) The piece of RPF I struggle with the most is bringing events from the actors' real lives into my stories. Writing about Jensen and the brewery, about their kids and stories they tell about them at cons, that's where my already grey area turns even more grey. 
Kaisha: I am right there with you Taylor! My fic started as mostly the reader and JJ interacting and then I remember the twins existed, too. And with my new fic I am trying to figure out if the San Jac and FBBC will work in or not. Mana: I'm interested in this, because I don't seem to have that issue or gray area. It just doesn't exist for me and I'd like to hear more about it from you guys. Taylor: It's so hard haha. I have something coming up that deals with Jared being arrested and of course I didn't post it before that whole event went down so now it looks like I'm taking that part of his life and twisting it for my personal fiction needs. Which feels kinda (adult word for "not good").  Kaisha: For me the gray area thing is because I want to write a believable story. A believable story has realistic details and if I am ignoring or overlooking things that my audience knows to be true, I feel it takes them out of the story. Mana: So it's a case of omit it entirely or commit to it entirely? I ask in regards to like FBBC and the kids. Do you feel differently about incorporating those aspects into your fics? would you be more comfortable writing about fbbc than you would the kids? Or does that gray area cover the same on both? Kaisha: The same thing goes for when I beta read something. A detail that I don't remember or agree with will take me out of the story and send me on a research rabbit trail to know if the author is correct with what they said. I want to stay in the story as much as possible and I want that for my readers too. That's probably a good way to differentiate it. If I state in the A/N that J1 only has 1 kid, then I don't have to consider what year the story is occurring in. But if I tell you it's non-AU, well then everything that is happening in our universe should be happening in my story (otherwise, it would be AU, even to the slightest degree). The kids vs. FBBC thing I think could be very personal on which someone feels more comfortable with. I say that because I know ABSOLUTLEY NOTHING about alcohol. Kids on the other hand I get. Taylor: For me it's the same. Just, actual concrete aspects of Jensen's life are harder for me to write about. Because then - again, just for me - that feels like writing from their point of view, which is something I try to avoid.
Q: Do any of you read/write RPF outside of SPN?
Taylor: SPN is my only fandom. Michelle: I tried to read fics from other fandoms, and just couldn’t get into it. I might be getting sucked into The Witcher fandom, though. Haven’t found any Geralt fics that really align with my image of him, though. Alex: There are CW network RPF AUs I read. Taylor: I feel like, as SPN fans, we have a wonderful privilege and incredible pool of writers to choose from when we want to read. I don't know, because like I said SPN is my only fandom, if any other fandom has this level of talent or dedication.
Q: Have you ever read an RPF fic that changed the way you viewed an actor? Or given you a sense of gained insight into their lives?
Michelle: That's actually why I don't read “canon-compliant” RPF, actually. Because then I might think that idea is real, and won't see that it's not, even when proven wrong. Like, maybe Jared actually loves it when we think about how big his dick is? But I can't stop thinking that it embarrasses him and makes him uncomfortable because I read it in that one fic. Kaisha: @crashdevlin​  has a Jensen x reader series that also heavily features Tom Hiddleston. My view of Tom has forever been changed because of her story!  Michelle: My brain is very malleable. Sometimes, I'm so open-minded, my brain falls right out. I have to be careful what I let influence me. Kaisha: It wasn't something that I intended to happen. Crash just wrote a very compelling character and I think my opinion would have been altered no matter who it was that she used as the face. Taylor: I've never read anything that has changed the way I view the actors. I've certainly read things that have given me new ideas about the things they enjoy (bitey and/or rough smut), but nothing that's changed the way they appear in my mind. I think the biggest part of all of this is just remembering that all of this is 100% FICTION and should never be taken as reality in any way, shape, or form.
To close out the chat, Mana requested fic recs! Here are the recs that were mentioned:
Michelle: If you're into serial killer AUs, There's a J2 AU in my AO3 bookmarks that's genius. Adoration. The other RPF bookmark I have is called Beholder. Jared runs an animal shelter, and Jensen is a homeless man with a TBI who gets dumped at the shelter one night.
Alex: My favorite rpf fic is Tails by keep_waking_up. Werefox!Jared & kitsune!Jensen law enforcement murder mystery AU.
Taylor: One of my favorites to read is by @thecleverdame​: Modern Technology. (Jared x reader) This is unfinished but it's quickly becoming one of my favorite Jensen-things I've ever written, AND IT'S AN AU!!! Rockabye. Also, there’s You Saved Me (Jared x Reader). And have a J2 x Reader for funsies! Something is Happening
Kaisha: This is my favorite RPF. Underneath verse (series) - J2 -  Jensen is the undercover FBI agent sent to take out Jared, the boss of Chicago. #Self-promo, but I am pretty proud of this one, too: Nanny, Sister, Daughter...Family (Jenneel with sorta daughter!reader)
Mana: Here’s the Cockles x Reader fic that Michelle and I wrote: Rumor Has It And, of course, (Jenneel x Reader) Fools In Love.
Feel free to reblog with your favorite RPF fics!!
Also, the February LiveChat info is still TBD. Feel free to send in your topic ideas and suggest guest speakers!!
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General Pond Updates and Reminders
What we’ve got cooking up next: Not much, at the moment, since everyone is busy, so we’re just trying to keep up with the day-to-day at the moment! Our to do list is still long, though, and will not be neglected forever! Next up is organizing the tagging system on the blog to make it easier for readers to find the stories they’re interesting in and for writers to find the help they’re looking for!
Reminders:
Angel Fish Award nominations are accepted all month long! No need to wait to tell us how much you liked a fellow Fish’s work!  IF YOU HAVE SENT IN A NOMINATION, BUT HAVE NOT RECEIVED A PRIVATE MESSAGE CONFIRMING WE RECEIVED IT, WE DIDN’T GET IT. Be sure to use Submit instead of Ask!
Don’t forget to submit your stories to be posted to the blog! When your stories are on the blog, then they are easier to nominate for Angel Fish Awards!
Say hi to December’s New Members and January’s New Members! (If we missed someone, let us know!)
Check the Pond CALENDAR to see when Big Fish will be in the Skype chat room/discord general channel and other Pond and SPN events are happening! Know of something that’s not on the calendar, send us an ask or submission with the deets info details!  The calendar offers a lot of features, such as showing you when things are in your own timezone! Since we’re an international group, that’s a definite plus!!
We’re getting lots of requests for more Big Fish, lately, but so far, only one applicant! If you know someone you think would be a good Big Fish, tell them to apply!!
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priscillvs · 4 years
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my dudes & dudettes ! it is i, ur fav local clown & matcha stan mila coming at u w/ another muse ! under the cut u will find more info abt my beautiful lil baby . imma try to keep it relatively short & sweet , but u know ... i never keep my promises :-) anyways ! give this a like & i’ll come to u with a dumb joke & some plots !  🤡
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chicago's very own priscilla visser has been spotted on madison avenue driving an aston martin rapide, welcome ! your resemblance to gigi hadid is unreal . according to tmz , you just had your twenty third birthday bash . while living in nyc ,  you’ve been labeled as scornful , but also steadfast . i guess being a virgo explains that . 3 things that would paint a better picture of you would be statement rings , random bouquets on the nightstand , lipstick imprints on a wine glass . ( i am adopted & i know who my real parents are, but i hate them for giving me up for adoption. )  &  ( cisfemale & she / her ) 
𝒊.  𝒕𝒉𝒆  𝒔𝒕𝒂𝒕𝒔
name : priscilla fleur visser
nickname/s : cilla , pris , prissie
age : twenty - three
pronouns : she / her
gender : cisgendered female
sexuality : bisexual / biromantic
positive traits : steadfast , independent , self-motivated , thoughtful
negative traits : scornful , selfish , fussy , judgemental
aesthetics : statement rings , random bouquets on the nightstand , lipstick imprints on a wine glass , candle light in the night , roaring 20s
𝒊𝒊.  𝒕𝒉𝒆  𝒑𝒆𝒓𝒔𝒐𝒏𝒂𝒍𝒊𝒕𝒚
fashion  inspo  : victoria beckham , alexa chung ,  chiara ferragni , olivia palermo
career  inspo : franca sozzani , anna M-FUCKING wintour !!!! , anna dello russo , carine roitfield
likes : her vintage rings , yoga classes , fresh berries , fashion shows & galas , giving back , orchids , statement shoes , being around others , baking , throwing parties , peppermint scented sweets , old hollywood movies 
dislikes : not getting attention , impulsive decision , being late , red wine , not taking care of herself , campfires , mess all over the place , loud voices , excessive cussing
𝒊𝒊𝒊.  𝒕𝒉𝒆  𝒃𝒊𝒐𝒈𝒓𝒂𝒑𝒉𝒚
so ! priscilla is v heavily based on franca sozzani who imo is a goddamned legend ( if u haven’t heard about her , she was an editor-in-chief of vogue italia for almost 30 yrs & in addition to that she was contributing to a number of charities & speaking abt different issues even thru the covers - this one is a good example of that ! )
she was born in chicago to a couple of college students , however , before the girl could even turn three months old , her parents realised they didn’t have the means to properly raise her. so at the tender age of only a few months the baby moved to the big apple !
she got adopted into a family of josephine and elijah visser ( a dutch supermodel back in the day & a famous actor ) , who spoiled the girl rotten w/ love & affection
she literally got everything she wanted . studying in the best schools ? sure ! travelling the world as a teen ? u got it ! a new pair of jimmy choos ? will be delivered in 15 ! & so on ... 
though this should’ve turned her into some spoiled lil bich , she chose to repay her parents’ kindness - she studied two times harder than anyone else , worked three times harder to get into a good uni & used every single opportunity to get into a place she is in atm
& currently my sweet baby priscilla has just become an editor-in-chief @ vogue us ! v young , v intimidated , BUT VERY EXCITED ! bc fashion is her entire life ; she’s studied journalism back @ columbia , started attending fashion show back when she was a teen & even dabbles in modeling sometimes - but her real passion lies within writing about the trends & setting them
𝒊𝒗.   𝒕𝒉𝒆  𝒑𝒍𝒐𝒕𝒔
a sibling plot ? p sure she has an adoptive sibling ( though, a younger one ) , who doesn’t even know priscilla is adopted . pris, josephine & elijah have chosen to keep this secret between the three of them purely bc the girl was never meant to find of abt being adopted in the first place
obv best friend plot DUH
a roommate ? pris def cannot live alone to save her life , if u want a roommate who’s gonna be spending 20hrs a day at work & coming home late at night , then she’s ur girl
also ! a fun thing ! back when priscilla was a lil romance obsessed bub , she found a boy ... long story short , this relationship got so out of hand that ... priscilla ended up married at the tender age of 20 ... however both of them quickly realised that this is a MISTAKE ™ but tbh who knows what’s between the two atm ...
career related plots ? rivals ? colleagues ?
U NAME IT , I WANT IT :-)
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serenagaywaterford · 4 years
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Cate fan here. Cate and Elise explained the focus on Sofie in The Guardian, and in the ABC article that asks "why is the cast so white" where they call Sofie as their "trojan horse". We fully trust Cate in handling this passion project, especially as she and Andrew, her husband, have experience with working on issues concerning refugees. This series also has the support of Rau's sister and the UNHCR. I believe they picked the best of all approaches given this project's long development period.
Good for you. “We fully trust”??? Wtf dude. Who’s “we”? Some Blanchett hivemind?Glad you PERSONALLY fully trust some actor you don’t even know (who names her son after a convicted paedophile, or just jokes about it. *shrug*). I don’t. Nor should I have to.
Why do I get messages like this every fucking time I post my own stupid opinions on this show?
Look, I am not a Cate Blanchett stan. And I especially don’t think everything any actor does is immediately blessed by God and can never, ever be criticized or have weaknesses. I literally said I am going to be patient and see how this show turns out. And me saying Sofie’s story is the least interesting is ONCE AGAIN not stating it is shit and should be erased! You people take everything so black and white. 
Here is a lesson for fans: not everything is an “all or nothing” situation. When I say Yvonne isn’t a great dancer, I am not saying she is fucking terrible and should never dance–which seems to be exactly what the lot of you heard last week based on the responses I got. I just said she isn’t the best ever at something that isn’t even her fucking job! FFS. I love Yvonne as an actress and think she’s absolutely fantastic, in Stateless and other shows. But that doesn’t mean I have to say she’s fucking fantastic at absolutely everything ever or else I lose my “cool fan” points. I don’t give a flying fuck what other people think about how much of a “true fan” I am.This week I say Sofie’s story is the least engaging and I get this random shit about how great Cate Blanchett is(?) and how Sofie is some “Trojan horse”. That doesn’t even make sense!!! Have any of you (them) actually read the Iliad? Being a Trojan horse isn’t a GOOD thing. Unless I guess you’re Achilles, lol. Generally speaking, it’s this: “Something that initially seems innocuous but is ultimately bad or malicious.” Maybe be more careful with words, lmao. I think maybe they meant “conduit”, or something similar. Unless they are actually insinuating that Sofie makes everything way worse for the detainees and is part of the problem. No, they mean she’s a trigger for recognition that something is very wrong in these places and she “brings down” the system–which is all idealistic, revisionist bullshit. Cos while Rau’s story made some big waves, it didn’t stop anything. Sure, SHE got out and so did the Palmer report, which changed some aspects of detention, esp for Australian citizens... And it unearthed like 200 other cases similarly brutal, like Vivian Solon. 
“In politics, the precise relationship between cause and effect is usually unclear. Some of the things that happened in the six months following the release of Cornelia Rau would certainly have happened anyway. Some, most likely, would not. What is clear, however, is that the case of Cornelia Rau shaped public opinion about the treatment of asylum seekers in a way no previous episode had. The Cornelia Rau affair taught the public that the lazy trust it had placed in government – not to inflict on innocents serious harm – was unwarranted. It was able to do this, as almost everyone immediately understood, because the person who had suffered false imprisonment and neglect was not a swarthy, dark-skinned, Islamic outsider. She was “one of us”. If, in February 2005, it had been discovered that a mentally ill Australian woman of Iranian descent had been wrongfully imprisoned, the transformative effect on public opinion would almost certainly have been immeasurably less.”
But activists and doctors are STILL fighting the Australian government over conditions and the mental health concerns of current detainees. Which is what I assume Blanchett and co. are trying to inspire reaction to? Which is a good thing and absolutely nobody is saying it’s not. I am not saying: “Sofie fucking sucks! This whole show is garbage and doesn’t have any compassion for the refugee crisis! Kill her off and just focus on everyone else!” I am saying, of all the stories, hers is the least interesting and the least relevant to the issue of detention camps at this moment (in the show, in history). Obviously. I don’t even understand why this opinion bothers people??? Like, it’s just objectively true that it’s the least relevant to the real crisis and plight of actual refugees jailed in these prisons for years on end. The Rau case happened 15 YEARS AGO. The problem right now is not what happened to her, it’s what’s continuing to happen in other centers--currently.And if you want to talk seriously about mental health issues of detainees in a fictional sense, using a character who IS ALREADY MENTALLY ILL to highlight how these refugees end up suffering serious, chronic, and sometimes fatal mental illnesses is not the best way to do it. Like, jfc, it’s just… okay, I will need 50 pages to explain why this is not the best approach if you really want to talk about mental health in detention centres. You can’t use a rich white girl who had a devastating pre-existing illness that caused her to BE THERE IN THE FIRST PLACE as your mascot for “Look, how terrible this place is! Everyone goes crazy!” She was already fucked up, she was already so, so, so vulnerable, and this made it a million times worse. The stories that are important are the healthy, perfectly capable refugees from war-torn countries that end up there for NO reason and gradually through constant imprisonment, abuse, neglect, isolation, lack of privacy, and stress DEVELOP illness, and it goes unnoticed and untreated until you have a prison full of broken people, especially children who are trying to kill themselves. And a lot of this is due to the guards and government employees who are actively awful, or merely wilfully blind.
So, excuse me, for stating that SOFIE isn’t the most important character to focus on, or the most interesting. All Sofie’s story does is highlight how oblivious the guards/officials/etc is to the mental welfare of their prisoners, and the inherent problems with the system. Which, yes, is important to a degree but if you can’t get people to care about refugees without insisting the story revolve around a white person… I just… I dunno what to tell you.
Oh, wait, am I stepping on the precious toes of Cate and Yvonne stans? Whatever. Boo hoo. I don’t care. If you’re gonna make a show about such serious issues (including the portrayal of mental illness based on someone’s ACTUAL LIFE!!!), be prepared for people to get critical about the lack of nuance and sensitivity, and the use of TV tropes. And how fucking WHITE-FOCUSED it is. Because, guess what–if it wasn’t and if Cate/Yvonne/Jai/Asher wasn’t in it–you all wouldn’t even be watching this. How about we all just admit that? It has so much attention not because of the story or the issues (that I assume Blanchett wanted to address), but because of the cast and the focus on the white people.
I do not care how much a massively privileged, white, Hollywood star has worked with refugees. That doesn’t absolve them from having bias, making poor decisions, or falling prey to tropes in their film-making. They are HUMAN BEINGS, an especially human beings that live in a very strange otherword of celebrity, constant validation, narcissism, and money. So much money. They can seem like the most grounded people ever but they are not. Anybody who’s spent even 10 minutes in Hollywood knows this. It’s a thick BUBBLE completely detached from the real world we all live in. So, quit acting like these ACTORS are suddenly experts on foreign policy, immigration, governmental processes, politics, law, sociology, economics, mental health, and whatever else. Especially not bigger experts than critics who have spent their whole lives involved in these issues. (I’m not talking about me. I’m a biologist lol.) She is producing a FICTIONAL TV SHOW to raise… awareness? I guess? To me, as of right now, it’s just using “Sofie’s” real story and vaguely touching on some of the issues. And without all that much depth either. Yet.And pardon me if I don’t really care for Rau’s SISTER’S support of the show. It’s not her sister’s story to tell. Sorry. This is about Cornelia herself. (Yes, I have read Rau’s article.) And OF COURSE the UNHCR is supportive. They are supportive of anything that helps raise awareness in a positive way. And, PLEASE NOTE: I once again never said this was a shit show that needs to be cancelled cos it sucks so bad. It does serve a purpose but I have issues with the NARRATIVE STYLE AND DECISIONS they’re making in order to do that. It has nothing to do with the actual issues.Yet. Like, I’ve said a million times and nobody seems to hear, YET. It’s only 2 episodes in and it has plenty of time to get really into the deep issues. They’ve only just brushed over them right now, so I’m happily waiting for the big pay off.
But let’s not all act like this is the first ever attempt to bring awareness of this humanitarian crisis to mainstream Australians and Blanchett is some sort of national refugee activist hero. Like I’ve said before Safe Harbour (in terms of (sometimes soapy) fiction) and Chasing Asylum (in terms of documentary) and even Go Back To Where You Came From (lol reality tv) have all attempted this, and with some stellar results. Go watch any of those and tell me what Stateless is doing that is so amazingly unique and affective. Stateless is just bringing big Hollywood names to the issue, and trying to bring awareness. AND, amazingly, guess what! It doesn’t even have to be a GOOD show to do that. It can be mediocre and still reach the people Blanchett & Co. clearly want to reach and get people thinking. That isn’t necessarily a bad thing. And me criticising little bits of the programme (like Yvonne’s dancing/accent/choice to have her speaking English all the time, or the lack of focus on actual refugee stories, ffs) is not me saying the whole thing is boring, useless garbage and a waste of time. So, y’all need to hop off my dick for two seconds and not just assume that me talking about my opinion of its small weaknesses is saying I hope your faves choke. Gimme a break. And just in case you all are still pissed off about my complaints that Sofie’s story isn’t the most important focus ever, I’ll just dump a few links here:
‘Begging to die’: succession of critically ill children moved off Nauru
Australia: Reverse Cruel Refugee Policy
'Australia is a bigger cage’: the ongoing trauma of Nauru’s child refugees
How Australia turned its back on the world’s refugee crisis
Mental health crisis in Australia’s refugee camps
The mental health of asylum seekers in Australia and the role of psychiatrists
Christmas Island detention centre’s conditions stoke tension, detainee says
Australia blocks asylum seekers held offshore from seeking medical care in the country
Nauru: MSF report shows disastrous mental health impact of Australian refugee policy
‘Someone needs to say, enough’: Mental health on Manus Island
Nauru asylum seekers’ mental health as bad as torture victims, doctors say
Nauru detention centre: Abuse and trauma reports leaked
Australia’s man-made crisis on Nauru: Breaking Women
The Nauru files: cache of 2,000 leaked reports reveal scale of abuse of children in Australian offshore detention
Australia: Appalling Abuse, Neglect of Refugees on Nauru
Australia to reopen Christmas Island detention center after defeat on refugee policy
UN body says Australia breached human rights laws and needs to review Migration Act
And yes, most of these are offshore centres (some of which have effectively closed now), but it’s not even counting the ones actually in Australia itself, many of which are still operational: List of Australian immigration detention facilities
And yeah… The unknown story of Cornelia Rau. Just as a reality check of what Sofie’s story is meant to be. It’s absolutely horrifying, devastating and incredibly sad, and not something to be glamourised or sensationalised for woke points. 
So, sorry (NOT SORRY) for saying Rau/Sofie’s story isn’t the most important part of this whole MASSIVELY COMPLEX thing, nor is it even close to the most interesting aspect of the crisis. I do get why they chose her story as a vehicle to unlock the issue for all the other white, middleclass Aussies (and others) watching but I still don’t think it’s the most interesting aspect of the SHOW. That’s all. I’m not saying it’s pointless to tell “Sofie’s” story, or that I don’t like it, or it’s entirely irrelevant. Just it’s not the most important thing to me.
I can’t believe I have to say this again but just so we are all on the same page:
I HAVE NO BIG PROBLEM WITH “STATELESS”. I DON’T HATE IT. IT IS A GOOD, WELL-ACTED, WELL-PRODUCED, ENGAGING, DECENT SHOW THAT IS ATTEMPTING TO TAKE ON A HUGE, COMPLEX ISSUE IN A VERY SHORT PERIOD OF TIME. I THINK IT’S ADMIRABLE THAT EVEN MORE ATTENTION IS TRYING TO BE BROUGHT TO THE ISSUE AND GOOD FOR BLANCHETT FOR PUSHING FOR IT. I JUST WANT MORE FOCUS ON THE RELEVANT ISSUES TO THIS TIME PERIOD.
What’s the point in raising awareness and putting heavy focus on something awful that happened 15 years ago and has been resolved (more or less, cos nothing is ever totally resolved in politics)? Let’s focus on the terrible shit that hasn’t been resolved yet. Acting like Sofie’s story would happen today is just so far from reality when you are aware of all the changes made and results of the Rau situation. Any criticisms I have of the show or its actors do not mean I hate the show and think it’s stupid and pointless. Just, if it was my show, I’d do it slightly differently. THAT’S ALL. But it’s not my show and I could never produce TV so don’t get all your knickers’ in a twist over my personal opinions about trivial shit. No need to come into my inbox on a weekly basis and try to school me about Yvonne, Cate, etc. I can have opinions on actors/TV shows, even if you think they’re stupid. If you think my opinions are wildly misinformed on politics/storytelling/etc, that's fair. Maybe they are. Tumblr is certainly not the best platform for me to lay out all my thoughts in a coherent way. But so far I don’t have anybody coming at me about the actual issues, just getting butthurt that I’m not kissing your fave’s ass. (Keep in mind, Yvonne is one of my fav actresses too. I’m just not insanely obsessed with her.)
God. I am turning off anon cos every week now I say anything even remotely, mildly critical of some minor aspect of Stateless I get bombarded with this kind of condescending shit from rabid stans of the actors. If you can’t put your name to it, I’m not interested in your thoughts anymore. Sorry. I’m tired. And my inbox is tired lol.
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migleefulmoments · 5 years
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More Crissmyglitz Wedding Guest Angst: part 2
OMG they won’t let it go. Crissmyglitz-Guest Gate. The ccers are still obsessing over the #CrissMyGlitz guest list. As I pointed out in my first post (X), every single photo posted in round one of Crissmyglitz-Guest Gate was taken while Darren was working. That’s right, every single photo the tinhatters presented as “Darren and a real friend” was taken at work. For a fandom who constantly remind the world they are astute and ALWAYS PAYING ATTENTION TO DETAILS, it was a supermassiveblackhole.  
In part 1 they presented Elvis (X), Alan Cummings (X),  Jenna Ushkowitz (X), Laura Osnes (X). In part 2 they added Jane Lynch, Matt Bomer, Matt Morrison, Kevin McHale, Lena Hall, Ricky Martin and Edgar Ramirez.  Idk what was worse, that they didn’t learn any lessons after part 1 or that the fandom egged them on in utter delight.
cc-still-going-strong
Keep on.
I love your guys’ game 🤣🤣🤣 
chrisdarebashfulsmiles
I like this game  
(This got SUPER RIDICULOUS LONG so under) 
This is the LAMEST shade ever thrown and they were eating it up. Abby spent her Sunday adding to the nonsense and trying out sarcasm. She brought up the algorithm nonsense again and I can’t stop shaking my head.  The fact that it’s easier for them to believe that someone wrote an algorithm to determine the guest list for Darren and Mia’s wedding rather than simply to acknowledge that they don’t really know Darren at all is absurd. Rational people would see Darren’s guest list and realize that they got it all wrong.  Rationale people don’t see wedding photos and spend 7+ months proclaiming it’s all fake because he clearly is much better friends with former coworkers, Edgar Ramirez and Lena Hall than he is with Jennifer Coolidge and Pamela Aldon based entirely on the fact that nobody posted social media pics with Jennifer or Pamela. 
Mysterious absence part 2- Let’s do this…
1. LENA HALL
(see part 3 (X) for further information)
ajw720
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(Opening Hedwig LA 11/16 from Lena’s IG)
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(From Lena’s Twitter and Instagram July 28, 2016 (X). They were Flying to perform at DNC see pic below) 
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(AGAIN- same night as #1-Hedwig’s opening night LA 11/16)
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(Dec 12, 2016-I don’t know the context of this one. It is obviously her photoshoot and he popped in for a pic.  See below: another pic from this photoshoot posted to her IG. This is actually a nonword photo)  
ajw720:guess the algorithm eliminated her for joking weekly that DC had all the privileges of homosexuality but none of the responsibilities…… 
(Oh ho ho ho...the shade of it all).
chrisdarebashfulsmiles: Probably.
ajw720: Or perhaps it eliminated her as when D was kissing her on stage, he was giving his PBB the finger?  Remember that time 
(No, actually I don’t because that is nonsense. Darren flipped someone off from stage? Right because that is such professional. You believe that perfect, well-mannered Darren Criss would flip off his fiancee while working? That’s very inappropriate behavior during working hours, especially in front of a big audience of people- each with a cellphone. It’s also very risky to flip off the woman he is engaged to- the cc secret might get out.  If Darren is terrified to come out and terrified to breach THE Contract, why would he risk if all just give Mia the bird? Giving someone the bird is hardly a satisfying diss for anyone over the age of 12).
flowersintheattic254: Maybe the algorithm excludes those who like way too many posts on that had Ch/ris in them? 
(OMG- Lena “liked” some pics of Chris....a pig just flew by my window. It’s almost like Hollywood is a small town and people know each other. 
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(No dates so it’s impossible to know what the context of the posts but that is typical of the tinhatting- they aren’t concerned with accuracies)
leka-1998: When the difference in chemistry is undeniable even in pics that show nothing but hands, that’s probably an issue. 
(I have never in my 51 years heard someone claim a married couple had no chemistry as evidenced by their hands in a photo taken specifically to show off their nail polish or that a PR photo for a Broadway show showed more chemistry than the actual couple. I mean seriously?)
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(I will give this one to them as as personal photo )
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(Is “hand chemistry” a thing? I’m only speculating here but is the degree of hand chemistry a function of the depth finger-penetration-on-finger-penetration?  Cuz.....that would make total sense amiright?)
cc-still-going-strong: Keep on.
I love your guys’ game 🤣🤣🤣 
(Blergh) 
ajw720: Seriously is that his wife on the left…..oh 
(hahahah nice try Abby, you have every single photo of Mia memorized- its actually a very sweet photo) 
(I can’t with this entire post. She wasn’t invited because he kissed Lena on stage as per the script? Oh wait- no- she was not invited because he kissed Lena on stage and he flipped off Mia (how they know he is flipping off Mia is anyone’s guess. I like to imagine he is flipping off the tinhatters). But wait- is he actually flipping off anyone? No, no he actually isn’t because that would be terribly unprofessional. Darren is at work and his bosses would not appreciate him flipping off anyone the audience. No actor who wants a career is going to  flip off someone in the audience while just-fingers crossed- hoping the message is received by the intended person and not a critic or investor.). 
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(Work Pic. He is NOT giving anyone the finger- his finger is actually just in the shadow from Lena’s outfit). 
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(Lena is working: As for Mia banning Lena from the wedding- in a recent post by Lena,  she talks about catching up aka they don’t haven’t spent much time together lately and notice the Mia hashtag) 
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(The tinhatters like that she alls Darren wifey but in fact she calls all the Hedwig’s “Wifey”. She has a lot of Hedwig photos on her social media- the vast marority are NPH).
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(Lena’s Christmas photoshoot as mentioned above)  
(I probably should have led with this but I wanted to prove them wrong in all the ways possible  Lena was busy on February 16, 2019 performing at Lincoln Center. She may have very well been invited. See my update (X) 
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2. EDGAR RAMIREZ
 leka-1998: Yet another person missing on February 16
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(PR for ACS: A photoshoot for promotion aka PR) 
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(I am not sure about this pic. Darren posted it on his Instagram and Edgar responded  “love you brother”- that’s sweet and all but what does it prove- nada. I am sure they really had a great time together filming ACS and felt close, but they haven’t maintained that relationship-at least not publicly -since they end of awards season. I’ll give the tinhatters half a point for this one- but  bear in mind- I’m being generous because it looks like a PR pic) 
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(PR for ACS; ”GQ Style & Hugo Boss Celebrate Amazing Spaces”- see photo below). 
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(PR for ACS Emmy: This is from the 2018 Emmy “For Your Consideration” on 3/19/18.)
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(PR for ACS. This is hilarious....so Edgar is doing a red carpet interview and Darren walks by him and Edgar walks away with Darren. OKAAAYYY-what does this prove? Again, they are at a work event- so far all the pics with Edgar are from work events except maybe 1) 
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(PR for ACS- photoshoot. While the sentiment is sweet, Edgar hashtagged it #ACS and #Emmys. OMG how much ccproof do you need to understand that this is PR? ARE YOU PAYING ATTENTION? Me think not cuz he freakin’ tagged it for you and you still don’t understand that it was promotion for the Emmy. He-lar-E-ous!)   
chrisdarebashfulsmiles: I like this game 
(of course you do- it’s catty, bitchy and pointless.  I’m glad it makes you happy because this has been eye-opening as to the extend that you are collectively super bad at separating Darren’s personal life from his work life) 
ajw720: @leka-1998​ this friendship seems very contrived to me, constantly calling each other brother, they aren’t nearly as close as say D and J/ennifer C/oolidge or B/en F/eldman or P/amela A/ldon…………… 
(Ohhh ho ho ho sooo funny. It’s so funny I forgot to laugh...har har har aha  Since Jennifer, Ben and Pamela actually got invites to the wedding, it is clear that they are indeed close to Darren or Mia, soooo the joke doesn’t actually work. As for Edgar being his closest friend because he called him “brother” during a big ACS promotion push-I’m not feeling it.  What is so baffling to this “stupid stan” is how the tinhaters CAN’T SEE the details right in front of their faces.  The Darren-Edgar love-fest was hot and heavy during the promotion of ACS and then it stopped all together...THAT is the definition of PR. I am sure they actually did like each other during the production of ACS, but when the project ended they both moved on to other projects and other friends. I’ve had coworkers -and I’m sure many of you have too-that I adored and I never wanted lose the connection we shared while working together but alas, the romance fizzled after we no longer had the workplace in common. Obsessing about the meaning of the almost-2-year-old photo of 2 strangers is pretty silly)
ajw720: The Algorithm is a very scientific way to figure out the wedding guest list-no doubt it knows who D is closest to and would not lie….. 
(The problem is simple- there are no social-media pics of Darren (or Mia) with Jennifer, Ben, or Pamela which means, according to the cc-logic that it didn’t happen-aka they aren’t friends. In order to explain why the trio were in fact, at the wedding, the THE Algorithm was created. This Algorithm is a very scientific way to figure out the wedding-guest list-no doubt it knows who D is closest to and would not lie. The cc posse hate it when they don’t know what is going on Darren’s life which is why we are talking about a fake “CrissMyGlitz Invitation” algorithm 7 months after the wedding).   
ajw720: @chrisdarebashfulsmiles It is seriously my new favorite game and there are so many people that the algorithm eliminated.
(Seriously? There are what- 2 or 3 photos that aren’t definitively traced to work This game isn’t working out the way the posse believes it is. This is however, THE definition of confirmation bias clouding their judgment).  
3. KEVIN MCHALE
ajw720:Poor KM didn’t make the cut either. Perhaps his invite was eliminated by the weird algorithm for tagging d at his 30th right below c, yet d not pictured? He clearly considers d a good friend as he invited him to the party.
(Did Kevin suggest he was devastated to miss the destination wedding of his former coworker? Kevin and Darren went out with their former-Glee castmates maybe once or twice in the last four years- they are hardly besties. I don’t remember Kevin and Darren as being particularly close while Glee was in production. They are literally former coworkers.)
(Kevin inviting Darren to his birthday party doesn’t indicate that he “clearly   considers d a good friend”. It seems like I remember the party was a surprise party?) 
ajw720: Thankfully I think they’ve made up as d had no problem straddling him recently.
(OMG seriously? They are former coworkers in which some level of friendship exists. Darren straddled his leg while sitting on a very crowded seat- he wasn’t riding Kevin while they had sex in public.)
(ARE YOU PAYING ATTENTION? Darren invited the Glee peeps that he has consistently been close to over the years - Max, Harry and Chord).
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ajw720: So many mysteries. But hey D&M’s new straight couple besties, Al/len & his wife, made the cut!
(Nope, no mysteries at all. Darren simply cared more about inviting people that mean something to him and Mia rather than those who mean something to the tinhatters.)
flowersintheattic254:  @ajw720 I expect old habits die hard with K and D. They were always flirty and fun. Maybe Mr and Mrs Le/ech are stricter regarding lap sittering. That’s probably why (nods head).
(nods head and wonders if tinters were drinking early on Sunday because this thread is petty, dumb and not at all funny or clever.) 
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ajw720: @flowersintheattic254​ they are WAY too comfortable together, way more chemistry than D has with his bride.  I’m thinking that was the algorithm’s issue.
(Comfortable? Chemistry? WTF, he looks like he is passing a kidney stone and Kevin is coaching him through it.) 
flowersintheattic254: @ajw720 especially when you consider that the only similar pose with M has D holding his own arm to his chest. No chemistry at all!!!!
(Do you guys actually believe the nonsense you write or did you give up on 2/16/19 and you're just blowing smoke up each other’s ass now because I gotta tell you, the second-hand embarrassment is really uncomfortable now)   
 flowersintheattic254:It’s the pic on the boat with the fam. Can someone add it as I cannot find it?
leka-1998
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ajw720: Not even close, if i didn’t know, i would say KM&DC were the couple and i t think the algorithm knew.  It is magical how that algorithm works.
(Ooooh right...it’s so confusing, I can totally understand your befuddlement!) 
(In all seriousness, watching this fandom’s toxic nonsense is like watching Kellyanne Conway and Lindsey Graham defend Trump’s baloney.  Everyone knows they are full of shit but we are powerless to stop it. The damage they are doing will take years to repair- if not decades)   
(Oh....Will you look at that. That is a screenshot taken from a video that is actually cute and shows a smitten Darren cuddling with Mia. Color. Me.SHOOK) .  
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4. MATT MORRISON
standingoutsidethefire: I thought of another ..
That the algorithm just didn’t seem to include ...
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standingoutsidethefire: Clearly these two don’t have any affection for each other
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standingoutsidethefire: Not friends at all
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standingoutsidethefire: I get why MM wasn’t included ..I really do 
(Maybe a personal- photo though likely at an show or industry event)
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ajw720: Hate each other
(Once again, almost all -if not all - work pics)
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5. MATT BOMER
leka-1998: “He’s just a really, really good, grounded person, and I think someone who I’ll probably always be friends with.”
- M/att B/omer
(Holy shit, Matt said something nice about Darren when asked about him by during an interview... no doubt when they worked together either on Glee or ACS) 
(According to Bride’s Magazine, “How to Make Your Wedding Day About YOUl” June 2017. 
5. The guest list is one of the most difficult decisions. Should you invite your mom’s work associate? Great Aunt Gertrude whom neither of you have met? Everyone from the gym? Communicate communicate communicate. One piece of tried-and-true advice is ALWAYS invite the person who said nice about you to the national media. You won’t regret it and most likely that person will give you the best gift).  
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(Work event) 
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(Work event)
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(Wait -isn’t this Blaine and Cooper?)
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(Work event)
Leka-1998: But the great algorithm said no.
ajw720: My understanding is they despise each other, cannot stand to be in the same room together. 
(Nobody ever suggested that).
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ajw720: #funny #so many of the univited #queer
(seriously “#queer”? No, not cool)
flowersintheattic254
True they have clearly and from the beginning disliked each other intensely.
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ajw720: But see @leka-1998​ there is D calling him handsome, we don’t want to have anything that even hints at d talking about a boy in that manner at the sham mockery, i mean nuptials……………….  Because D is the STRAIGHTEST MAN ALIVE!!!!!
(OMG,,the sarcasm isn’t working).
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“After the disappointment of the Andrew Garfield-led Amazing Spider-Man movies, everyone’s favorite wallcrawler has been having a renaissance. Entering the Marvel cinematic universe in 2016's Captain America: Civil War, the webslinger fully redeemed himself with well-crafted live-action film in Spider-Man: Homecoming.”
 Yes...okay...that was definitely what Homecoming was....
 “and a wildly successful spin-off film Venom, ”
 I mean financially successful sure...
 “In the midst of all his success, Spider-Man has quietly become one of the most inclusive and socially conscious superheroes of today.”
*raises eyebrow*
 Okay...go on...
 “Last week, it was announced that Spider-Man: Far From Home would feature two out transgender actors playing trans characters, the first big-budget superhero film to do so. Spider-Man: Homecoming also featured a queer character, as well as numerous people of color.”
  Wait who was the queer character in Homecoming?
 “It’s also worth mentioning that Spiderverse included a Jewish version of Peter Parker, who is typically portrayed as either secular or Christian.”
 ....ehhhhhhhhh....yes and no.
 In media adaptations barring maybe one (the 1994 show cos I do not remember where he got married) Spider-Man is portrayed as...I guess secular but really it’s more that they just don’t say anything.
 It’s not that the character is not a believer in a faith per se, especially if you go by older adaptations during times when hardly anyone was secular. It’s just that they, understandably, aren’t saying anything.
 In the comics Peter is some kind of Christian but probably a Protestant (unless you go by Amazing Grace where he is an atheist but that’s hot trash we don’t talk about) but we don’t really talk about it that specifically.
 We just know that he and his family celebrate Christmas and very, very occasionally Aunt May references going to church and that she, Peter and MJ believe in a monothetistic deity they refer to as ‘God’.
 And really apart from the Church thing there is no clue to Peter’s religion and Marvel probably (wisely) would rather keep it that way. He even got married in a civil ceremony!
 However in the SUBTEXT...he’s Jewish. And it’s basically an open secret that he is and always has been Jewish.
 “The Spider-Man video game also featured a wonderful easter egg for queer fans by having a giant rainbow flag, as well as several smaller ones, scattered around the game’s fictionalized New York City map. ”
 I mean that’s wonderful but I wouldn’t call that an Easter Egg so much as...it’s just what you’d find in modern NYC.
 “Even the Venom film got in on the fun, with fans shipping Tom Hardy’s Eddie Brock and the titular male alien-symbiote after the two kissed in the film. Sony even encouraged the pairing, releasing a romantic comedy-esque trailer for the film to promote the home release. While some complained of queer-baiting, most felt that it was all in good fun and included queer people in on the joke, instead of making us the target.”
 Again, good for them but I don’t think that was the movie actively trying to be positive towards queer people.
 Brock and Venom kissed when Venom was bonded to Brock’s ex-fiance and had a pronounced female form, being an adaptation of a character literally called She-Venom.
 And it was based upon a script written in the 1990s so really it was more the movie did it and then people took it as a thing that was shipping Venom and Brock (even though Venom is sexless). Brock and the symbiote have been shipped numerous times in the comics but the subtext has always been that the symbiote, if any sex, is female. In the Spec cartoon it is referred to as Symbi (a pun on Cyndi) and in the Spider-Girl comics it is marked out as female (granted this happens after it’s bonded to a woman).
 And again, headcanon away but like...that probably wasn’t intentional at all Sony were just being goofy or unintionally made something people took a certain way.
 “Indeed, even in the comics, Spider-Man has always been a fairly inclusive hero. Miles Morales was introduced in the early-2000s, taking over the mantel from Peter Parker for several years. ”
 Okay, this is so weird for me to be correcting such a praising point but lets really look at this.
 First of all Miles didn’t take over Peter’s role for several years he did it permanently.
 Second of all Miles is from 2011 so that’s not the early 2000s, that’s the early 2010s, but okay maybe that was a typo.
 Third of all, is it really all that logical to say this franchise that began in 1962 has always been fairly inclusive and then cite a character from 2011 as proof of this? Wouldn’t examples from during the FIRST quarter century have been more apt?
 Fourth of all...eh. Has Spider-Man been fairly inclusive from the start? Yes, no, its complicated.
 Look there were exactly 0 LGBTQ+ characters in Spider-Man until maybe the 1990s and even then I couldn’t off my head tell you who they were. Felicia Hardy is bisexual but we didn’t find out until the 2000s and it was most prominent in an AU. Really the most significant LGBTQ+ character who’s had the fact that they are queer be more than a one off reference was Max Modell and he debuted 2011 and IIRC wasn’t established as queer until 2012. In defence of Spider-Man the Comics Code literally FORBID any character be anything other than straight until the 1990s and even then it was relatively rare, even in X-Men which you’d think it wouldn’t be.
 If we’re talking POC again this one is a bit complicated Glori Grant, Joe Robertson, Randy Robertson are frequently appearing POC characters but not in every run and they aren’t usually as prominent as like Jameson, Aunt May, Harry Osborn, MJ, etc. Characters of other ethnicities are even less frequent and I don’t even know what we should make of Puma/Thomas Fireheart. I mean A for effort, they wanted a Native American character who wasn’t really a villain and wasn’t exactly a sterotype so there is that I guess.
 Again though...most other Marvel franchises decade by decade weren’t much better with this and we should give credit where credit is due to the same guy who created Black Panther writing a nuanced scene where 2 black people in the 60s separated by age discuss different approaches to civil rights with neither being proven right or wrong.
 When it comes to disabled people, outside of evil insane villains, forget it, there is nothing before Flash Thompson in 2008 unless you count Aunt May’s chronically poor health.
 “Spider-Gwen quickly became one of the highest-selling female superhero comics. Spider-Woman was a prominently featured bisexual character, and the female Asian-American hero Silk also had LGBT supporting characters, Rafferty and Lola, who were in a healthy relationship. Additionally, many view vampire villain Morbius, who is getting a spin-off film starring Jared Leto next year, as a metaphor for those suffering during the HIV crisis of the '80s. ”
 Again...Spider-Gwen and Silk are 2010s characters so that’s not ‘always fairly inclusive’.
 I don’t even know if Jessica Drew is bisexual, I’ve never heard that but I don’t think she is.
 Morbius as a metaphor for HIV...MIGHT be true if we are specifically talking about his 1990s solo-book which I’ve never read. But the character as originally created 100% was never about that because he was created in the 1970s before HIV was known about.
 “Unlike his Marvel counterparts Thor, Iron Man and Captain America, Spider-Man’s world has accurately reflected real world diversity for years.”
 ....Not really.
 I’m not even saying Spidey maybe haven’t been comparatively better at it than those guys but he’s deffo not been accurate.
 Plus to be fair to the other guys, Captain America and Iron Man have had at least one major black supporting cast member and in Cap’s case he was fairly candid about social strife and issues.
 And with Thor it’s not that fair to throw shade at him for not reflecting the real world given that 90% of this characters and stories are literally pulled from fantasy and myth. I don’t even know if there are any queer figures in Norse myth let alone poc.
 “While it’s a seemingly simple idea that any of us can be a superhero, it’s sadly still a radical concept in a endlessly growing film genre that has predominetly centers straight cisgender white men. ”
 Well that’s mostly because the comics the movies adapt are about those types of people.
 “That is because relatability and inclusion has always been core to Spider-Man’s appeal and message. It’s why the late Stan Lee decided that, unlike other superheroes who expose parts of their faces, Spider-Man had to wear a full-face mask.”
  Stan Lee only speculated that that was part of Spider-Man’s appeal, he never had any input on that design choice it was all Steve Ditko...who frankly was unlikely to have been thinking about that...
 “Even further, Spider-Man isn’t the king of a country, a billionaire, a woman out of a Greek myth, or a brilliant scientist. He’s just an average high-school kid from Brooklyn who always strives to do the right thing even while struggling to balance his everyday life and hiding a secret identity.”
 WHOA there buddy...Spider-Man isn’t routinely ‘a kid’ nor is he from Brooklyn.
 MILES is from Brooklyn but Peter, as evidenced by that great big caption in Captain America: Civil War, is from QUEENS.
 “And it’s the idea of balancing a secret identity with everyday life that has always allowed Spider-Man to connect with queer audiences long before comic writers were allowed to explicitly include LGBT characters.”
 ...I’m not denying this necesarrilly but whilst i’ve heard stories from poc who connected with Spider-Man I’ve never heard this about LGBTQ+ fans of Spider-Man.
“Indeed, perhaps the strongest part of Spider-Man’s inclusivity is the subtlety to which it has been done. While Black Panther, Black Lightning, and Wonder Woman rightly put issues of identity front and center, Spider-Man’s quiet diversity allows audiences who typically cry “SJWs are ruining my favorite characters” to actually see diversity showcased without it being overt.”
 Errrrrrr...sure....*represses memories of when Miles Morales was first announced*
 Lets um...wait and see what happens when those trans characters show up in the movie this year okay.
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