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#i don't have anything to say sorry
recovery-is-brutal · 2 months
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to that person whp kept complaining about no one saving them:
Imagine this instead. Your f/o or ocs or whatever go through the notion of accepting they can't save you even though they want to. They desperately, desperately want to. However, maybe it's more like this, you want someone to hold your hand through it. They want to be present through the process of you taking steps to "save yourself". It's about letting you know they want to choose you though it. To hug you and hold you through it. Saving you should be reframed as them saying "yes. I wat to help you. I want to be there."
You will be saved. You will save yourself, and you will be held through it.
.
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egophiliac · 15 days
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Serious question.
Do you think we’ll see the parents/family of each of the guys???
Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….
Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.
I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)
Anyhow, any idea/headcannon about this? Who do you want to see first?
I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)
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but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!
characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.
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beanghostprincess · 22 days
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Sanji and Usopp during The Sabaody Incident™ won't leave my mind.
Usopp standing in front of Sanji protectively because he is wounded and he can't fight, so Usopp will do it for him ("I'll do what you can't do").
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There is just something about Sanji's expression when he realizes he might actually lose Usopp. This is my interpretation, at least. He is literally frightened.
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Usopp helping Sanji stand up to run away. This is crucial for something I want to point out later: Sanji needs help to stand up. (Also, Brook disappears trying to protect them both and saying he will do anything to save them even if it costs him his life. I am feeling sick).
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Sanji being self-sacrificing and blaming himself for not being able to protect them/act sooner is not new. But he does manage to gain the strength to fight when Usopp is the only one left with him and the possibility of losing him is even more real now.
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The thing that I love the most about this is not Sanji sacrificing himself for Usopp, because he does that. He is like that. But Usopp not running away or moving in the slightest because he refuses to leave Sanji on his own.
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Something I'd like to point out too is that Sanji actually touches Kuma before Usopp disappears. He tries to fight and protect him and Kuma could've easily sent Sanji to Momoiro Island right away, and yet Sanji was just sent flying far from the scene and forced to see Usopp disappear in front of him.
And I am not saying that "not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew" but not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew.
Not to mention that we can't deny (right after Water 7/Enies Lobby) that Usopp is one of Sanji's strongest bonds within the crew. This specific scene focusing on them both is more than enough to prove it.
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Sanji seeing Usopp disappear in front of his eyes without being able to do anything to save him.
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Remember what I said about Sanji needing help to stand up seconds ago? Well. This is him the moment Usopp disappears. What adrenaline and the power of love do to a mf.
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They are so "I can lose everything, but not you. Oh God, not you" shaped.
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I know we haven't had the chance to talk properly, but I wanted you to know I'm sorry. Ya know, about leaving suddenly and losing touch.
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thunderboltfire · 2 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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emdotcom · 2 years
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The Mario movie thing is so funny to me. Here, look at this:
Sonic movies (1, 2, & w/ 3 on the way) come out, does INCREDIBLE in box office, decimates Marvel films, who previously had a stranglehold
Nintendo sees this, wants a piece of that pie, buckles down to make a Mario movie Incorrect order of events, as pointed out here! Mario movie announced before the public knew about Sonic movie.
(Potentially because the previous Mario movie was so out there, did poorly, & was disliked by fans & then promptly forgotten,) they pair with Illumination, a studio that is largely known for making very sterile films
Btw, is it just me that finds it weird that there is no mention from Nintendo or online of the previous movie, in all this? Maybe I'm the only one who remembers this film idk
They announce casting. Everyone immediately boos because they cast Chris Pratt as Mario.
Immediate outrage, as Charles Martinet, the voice of Mario for DECADES, was not cast in his claim to fame roll
There is a (unsourced) rumor that a test screening for the film was met with disappointment, making Nintendo unhappy
Slightly corroborating this, Nintendo buys Dynamo Pictures, to make Nintendo Pictures, with the intent to make future movies in-house
Anticipation for the movie likens it to other sterile animated movies of the last 10 years, like the Minions movies
Trailer comes out.
People continue to boo Chris Pratt, a bad cast for a beloved character who is putting 0 effort into his voice, in comparison to all other VAs putting in 110%
Chris Pratt goes to bed "depressed," at seeing the response I was incorrect, that is an older article, about when he was thanking his wife for providing a healthy child, to which people drew immediate parallels to his ex-wife's son, who has many health complications & needed many surgeries.
But with your help, we can make him being depressed after media backlash reality!
Lol, &, may I say, lmao.
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boysareouttonight · 23 days
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macdennis - lover, you should've come over
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kyouka-supremacy · 6 months
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I think we should just bring back Wungo Wednesday and start a fandom collective anime rewatch
#Because otherwise I can feel I won't last much longer#Because like. The last two hyperfixations of mine ended the moment I started feeling like there wasn't any new content#And two days ago in one day I started a new manga a new book and rewatching a favourite show#Whereas I hadn't started anything new in the two years ever since I got into bsd. Which makes it NOT a good sign#But the bsd anime has now ended for one month and 25 days and that's the last time the plot actually moved forward.#And if I counted right. The manga took 4 chapters (that is chapters 110-111) to adapt 6 minutes#That means it's going to take another 12 months (18 minutes left to adapt. that's 12 more chapters) to catch up with the anime#Yeah I'm not. sticking around this long with nothing new to see I'm sorry#Best case scenario I take a one year hiatus but that doesn't make it sound likely that I'll be back#And I know it's fresh news as early as this morning that author said they were introducing a new character but like.#They also said they finished writing this arc like. One year and half ago if I remember correctly?#And we still have yet to see the end of i t so...#That is to say. I'll probably be starting an anime rewatch starting next Wednesday. I've been meaning to do it for a while anyway#I don't want to leave the fandom I like the one chapter a month format#On the positive news I still have a queue of original posts that spans over ten months#And I was meaning to start the reblogs queue too in these days. So there's that#random rambles
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alwaysoc · 21 days
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I think this is one of the most out of context panels I've ever seen
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sluttyhenley · 11 months
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Am I ever going to be able to understand what this is?
MISSION: IMPOSSIBLE III dir. J. J. Abrams
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uncanny-tranny · 2 years
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The thing about assigned sex labels (AFAB/AMAB) is that a lot of its usefulness comes from discussions around medicine (though there are still issues with this). In a social sense, AFAB/AMAB isn't very useful to describe peoples' lived experience.
Assigned sex happens to people as babies, and "AFAB" and "AMAB" describe very broadly sex categories. Assigned sex acknowledges past assignment, not current reality with regards to one's sex and/or gender.
I find that when people try to apply sex assignment to social settings (e.g., "all AFABs experience this!"), it comes very close not only to misgendering, but also to sex essentialism in many cases.
I simply think there are too many assumptions made about what every person AMAB has (such as a certain body, a certain gender, and certain lived experiences) and what every person AFAB has. We cannot make sweeping generalizations about people, and I think a lot of people seem to forget this especially with regards to transition and/or "rare" sexes.
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yencirilla · 7 months
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i think it's so interesting how people have just decided fearne has serious feelings for certain characters just because They ship it when i have yet to see fearne give any sort of hint to that in the game?? NOW if we're talking about people fearne treats differently/cares for differently, i think we should have a discussion on how gentle fearne is with imogen temult i think we should talk about fearne screaming imogen's name, fearne tying her and laudna's ribbons around imogen's wrist, fearne being so opposed to imogen giving in to the storm because she doesn't want to lose her. I think we should Discuss That.
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delborovic · 1 year
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can you draw Rellik x Karl
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seriousbrat · 1 month
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This is so insidious. "Be aware of your language because you might unknowingly be spreading Evil ideology!!" basically just means "don't talk about this at all because it bothers me". It's so so transparent. If I'm constantly having to be careful about what I say about female characters (regardless of my actual intended meaning) because this Supreme Arbiter of Truth might randomly decide it's Terf Rhetoric Actually how can I ever have any sort of meaningful discussion at all? Notice how it's framed as "unknowingly"– if I have no possible way of knowing HOW I'm using Evil Language, how can I possibly avoid it? By shutting up is the answer.
It's based on NOTHING. It's a strawman. There is not a single Lily fan that thinks that Lily is just a mother and nothing else. Seeing Lily as more than a mother and recognising motherhood is important to her story are not mutually exclusive. Furthermore, in what world is pointing out that women are sidelined in fandom terf rhetoric? This person is just deliberately conflating discussions about misogyny in fandom with hate groups because they know that's an easy way to get people riled. They're pretending the main argument against Lily's exclusion in fandom is about motherhood (it's not) and then doing a further mental backflip to stir up moral outrage about people defending female characters.
Be absolutely clear about this- this person KNOWS, deep down, that there is a reason why they only engage with male characters, and this bothers them. Instead of being honest with themselves about it they are inventing a bullshit faux progressive reason to silence any and all criticism and convince their own conscience that they're in the right.
There are no laws, obviously, saying you can't change lily's story or make her a side character if you want. I myself once made her a side character in a prongsfoot fic. The problem is when this is an overwhelming tendency in fandom, which IS significant and IS, in my opinion at least, worth pointing out. When arguably the most important character in the Marauders Era is routinely sidelined in favour of male characters who are literally irrelevant, that does actually say something about what sorts of characters fandom likes to engage with and why. When she's routinely bashed and hated for not really doing anything wrong while male characters who range from bullies to murderers are excused and idealised, that does say something.
It's never pleasant to have to critically examine your own interactions with fiction and accept that your preferences might be rooted in deeper-held beliefs about the world. But it is important, and one way to do this is to facilitate open conversations between different points of view. One way to NOT do this is claiming that everyone else but you is "accidentally" "unknowingly" using evil language so they might as well shut up about their opinions and about women in general.
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aprilblossomgirl · 7 months
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# mood 1 + mood 2 (basically)
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piningpebbles · 9 months
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the dream smp journey: attempting to make the lore of the dream smp more accessible.
so back when i first wanted to get into the dream smp i had absolutely no idea where to start. i asked some people and they told me pretty much “look up dream smp + [insert youtuber name] and start there” and so i did, but i quickly came to realize how much i was missing from the story by not seeing all the different points of view.
so i decided to make my own playlist.
it was just for myself at first, but as i got more obsessed with the story, i also gave the link to some friends of mine so they could have the full experience, and they loved it. so i kept updating it.
my goal was to try and make a capsule of the entirety of the lore on the dream smp across almost every single POV, because while i do appreciate those who make recap videos, they always miss something and it’s usually with peoples’ POV who aren’t considered to be “main characters” which sucks because one of my favorite things about the dream smp was how everyone was their own main character with their own individual storyline you could get invested in.
i’ve seen every single video in the playlist, and did my absolute best to discern what should be included and what didn’t need to be. 
for instance, while i personally enjoyed streams where they’d just goof off, this is a lore-centric playist so i didn’t include all of them unless one of the jokes or such gets mentioned/becomes important later on. or if there is a lore event happening but two people have almost identical streams to one another then i decided between the two of them which one to keep. or if the cc themself made an edited version of their experience, i would decide whether to go with that or keep the original vod
it’s far from perfect. i tried to keep up with it as long as i could I STILL HAVE VIDEOS IN MY WATCH LATER THAT I PLANNED TO ADD but simply put while the dream smp storyline got longer and longer it became harder to keep up with. i watched pretty much all the streams when they happened but failed to update the playlist accordingly so right now it has almost everything up until ”Hitting on 16.”
i always wanted to finish it before i posted it, but i’ve been seeing people talk about how they miss the experience of watching the dream smp and while i obviously can’t provide the full interactive experience that the dream smp offered as it came out, i knew i couldn’t just keep this in my back pocket and thought i could at least offer a good chunk of the experience for you guys to still be able to keep!
here’s the playlist, spanning over 300 videos.
there’s also a semi-canon playlist (not nearly as thorough) for events that get mentioned by the cc’s a lot or are just cool to have and i wanted to include them somewhere so here it is also!!
to go along with it i also made a masterpost (can you tell i love making lists) which is what every single video on the playlist is supposed to be (and was last i checked, but videos get taken down every so often so there might be a couple missing here and there).
i hope to update this one day and have it fully finished, but with my schedule (full-time college student babyyyy) and simply the hundreds of hours of content i’d need to sift through it just seems impossible (and frankly just really intimidating) to challenge alone right now. so i also wanted to give this to the community to maybe be able to do what i couldn’t!
my hope with this is that if someone in a year or two (or whenever really) is interested in the dream smp they won’t have to sit through recap videos and instead can watch the real thing in a single playlist connected to the doc. my dream is for the masterpost and the playlist to go hand-in-hand, being like a guide people can follow that would also link to other moments and lore that is saved but just not avaliable on youtube, so we don’t have all these moments just lost to time.
i want to make this collaborative, i’m hoping this will maybe spark others to share what videos/moments they have saved and stored with each other for the dream smp and maybe together we could complete this thing somehow!! make the playlist and masterpost i dreamed of (the one right now is scuffed, but at least it’s something). the dream smp is one of my absolute favorite pieces of media out there and i want to share this with people but (as you can probably tell) i have no idea what i’m doing!! any step to help make the story more readily accessible is a good one, though!
i know i’ve missed things but i’ve done my best. and while not the perfectly polished thing i hoped it would be when i sent it out to the world maybe it could be a good building block for the community to use. so please share this!! reblog it!! all that jazz!! i want this to be for everyone!!
anyways, this is a long post. but the whole reason i got into the dream smp in the first place was because of the awesome fan content i saw and this crazy and creative community and i want to be able to give back, if i can.
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