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#or having nightmares he definitely has nightmares about it
llamagoddessofficial · 21 hours
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How would the Bad sanses feel about kids?
Horror isn't a fan of how children have a habit of immediately bursting into terrified tears when they look at him. Kinda rude. He copes by deliberately scaring them; if a kid looks at him he pulls his scariest face. Might even say "boo" just for effect. Deep down, though, he does like kids - before it all went wrong in the Underground he used to dream about being an uncle to Papyrus' future children. When he's around you, he catches himself thinking about it... his own kids would like his face just the way it was, wouldn't they? So long as he was a good dad, it wouldn't matter what he looked like. That sounds so wonderful.
If he somehow finds a kid who isn't frightened of him, he will go full papa bear mode. Horror's the most likely of the bad guys to find a lost child and scoop them up.
Dust... avoids children like the plague. He shares Horror's habit of deliberately scaring them. He has a lot of reasons. He's a dangerous mass murderer, that's one; he also doesn't do great with noise. The sound of a crying or shouting child grates at him like nails on a chalkboard. Not to mention the fact that he's had enough of dealing with childish behaviour after a few hours around Killer.
... He also doesn't like being reminded of all the kids that used to live in his Underground. He doesn't like looking at little faces and remembering how Papyrus used to smile at him, the big brother who was supposed to keep him safe, the exact same way. The thing about having high LV is you get very used to being numb... those stabs of emotion, when they do get through, are too much.
He likes seeing you interact with kids, though. You're much better than he is, softer and kinder. Makes him think about what could've been.
Killer is great with kids. He's exciting, he's funny, he's got endless energy. He perfectly channels the 'fun uncle who clearly wants kids and would be an amazing dad', and the presence of children grounds him, taking the edge off of his worse traits and continuously pulling him down to reality. But he's also a terrible influence when left unattended. Give him an hour, and he'll be showing them how to properly hold a knife, telling them how crime isn't really that bad, and that they should totally just bite their bully as hard as they possibly can.
If a child lets him pick them up, Killer will constantly be trying to catch your eye. His huge grin speaks volumes; so when are WE gonna make our own one of these?
Nightmare says he doesn't like children. He definitely acts like it, too, he's cold and intimidating. But deep down, he's always wanted kids of his own - and he's bitter, because before he was corrupted he used to be really good with kids. Dream was (and still is) better at entertaining children but Nightmare could comfort the introverts; shy kids who cried around Dream would happily fall asleep on Nightmare's shoulder. Not anymore.
The thing is... when kids are around him for a while, you'll start to see hints of something underneath the grump. You'll notice he never raises his voice. You'll hear how his tone slips into something stern, yet calm. You'll see the 'strict but fair' edge to his sockets and mouth, you'll notice how despite all the talk of not caring his tentacles will ALWAYS catch anyone whose tiny feet are unsteady. There's a dad under there.
He's in no place for kids right now. But he does think about it - when you're around he thinks far more than he'd ever admit. He imagines giving someone the childhood he never had. If only.
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One thing about Orym saying that he can't put down the lens he sees the world with is that he's completely correct, he's always going to be viewing the moon plot and the conflict with the Ruby Vanguard from the perspective of "a guy whose husband and father were murdered by the Vanguard", but the same could be said about the rest of the party. They all have pre-existing experiences and attitudes that have shaped their perspective on things. Orym isn't uniquely biased in this sense.
The most obvious one is of course Imogen, as her long-absent mother is a Vanguard general. She heard Liliana's voice in her Ruidusborn nightmares telling her to run as long as she had those nightmares, and she came to associate that with her mother trying to protect her from whatever the red storm was. It resulted in Imogen giving a lot of grace to Liliana once she found out she was alive and with the Vanguard, a grace that more recent experiences are now making Imogen start to believe was misplaced, but a grace that was born over what she considered her mother's voice to be for years.
Fearne was raised in relative isolation in the Feywild by Nana Morri, and as result her approach to a lot of the events she's now embroiled in has an oddly naive slant to it. The whole would is new to her and she's approaching it like someone who is new to it; there's a lack of understanding of implications that she has that goes beyond her simply being fey. This is best seen in how she's grappling with the reveal that Sorrowlord Zathuda is her biological father. She's aware that Zathuda is terrible and that the circumstances that led up to her birth are dubious but there's also a large part of her that desires a connection with him as her parent and feels like they could have a relationship. She's naive to what exactly she is to him, and also influenced by having grown up longing for the parents that left her with Morri.
Ashton lost their parents and found themself blown halfway across the world after a cult ritual went wrong, and had a spectacularly shitty life that he often found himself begging the gods to fix without answer, and as a result he's very down on the idea of gods and even more down on the idea of letting a cult do whatever they want in order to achieve the perfect world that is just beyond reach by whatever means they must. Especially after the entire shard debacle in which Ashton learned that their parents were definitely wrong to do what they did and there were no good ends for the means that they engaged in he's fallen even harder onto the line of, as he said himself, "I hope her ends are fucking great because these means are just not forgivable."
Laudna's sole experience with anything resembling a higher power for much of her 50-odd-years of life has been Delilah Briarwood, the woman who had her horrifically murdered and is still rather explicitly using her as a means to some unknowable-to-Laudna end. This has both made her one of the members of Bells Hells most open to the idea of there being no gods (no more puppet masters) but also the most broadly sympathetic towards Liliana's view of the Ruidusborn (that they are creations of Predathos with no choice but to be slaves to his whims). Her ardent belief that her lift ended on the Sun Tree thirty years ago also means that she often refuses to advocate for herself or her own needs, resulting in moments where she openly wonders if it's Imogen's destiny to join the Vanguard, despite having herself been at one point brutally murdered by a Vanguard general.
FCG made it his mission in life to help people; that desire drove a lot of what he did up to and including his final act of sacrifice for the Hells. They saw the people struggling against the Vanguard and with the world that the Vanguard created and chose to do what they could to help them. Their desire to help even extended towards the gods, as one of the first things they asked of the Changbringer upon gaining the ability to cast Commune was, "Do you need help?". FCG was also a character driven by a desperate desire to find purpose and to understand the "why" of their own existence, a desire that ultimately drove them towards religion as a means of shaping the meaning of his life, and made him the most openly religious member of the group up to the moment of his death.
Chetney, while the most able to look beyond his own biases by virtue of being the oldest and most emotionally mature member of the party, still carries with him the perspective of having been someone who ultimately made little impact on the world up until, in his twilight years, random chance granted him the power to affect change. He gained lycanthrophy, he met other adventurers in the Hells, and got caught up in an end of the world plot and is finally making a true difference in the world. It's made him, arguably, the most enthusiastic adventurer in the party because he views that adventure itself as a gift, and as a way to create a legacy. The desire of legacy is also the reason he made the bargain that he did with Nana Morri; to secure a legacy as a famous toymaker that would persist after he is gone.
Orym's right that he's biased, but it's fallacious to assume that an unbiased perspective exists, because everyone in the story has their lens through which they view the world that they can't put down, not just Orym.
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mouschiwrites · 3 days
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Sorry this is kinda short!! I just had thoughts and. here they are
Ninjago - Getting All Tucked In
Kai
BODYSLAMS YOU
I am so sorry but… that’s just how it is with him
He’ll wait until you’re all tucked in, then he’ll run at the bed and JUMP
Sometimes he aims to land on you, sometimes he aims for the place next to you
Just imagine that one markiplier gif (see below) but instead of going to punch you he has his arms open to wrap around you
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^ him every night
Once you’re done scolding him for. that. Then he’ll cuddle up next to you as an apology
Unfortunately no amount of scolding will ever deter him from doing this literally every night
It’s rather jarring to go from “ah I’m ready for bed” to “IM BEING BODYSLAMMED” to “ah time for bed” again, but you both somehow don’t lose sleep over it
Cole
Likes to carry you to bed :]
The way I see it, you’ll both wait until you’re super sleepy before heading to bed
Then, wherever you are, he’ll insist on scooping you up to carry you
Even if you’re both just in the bathroom brushing your teeth and the bed is five steps away
He won’t hear any protests you give
It’s lowkey an excuse to hold you and cuddle when you settle down shhhh
If you start to fall asleep while he’s carrying you, he’ll be extra careful not to wake you
He also likes to switch up how he carries you, depending on his mood
Sometimes he’ll carry you bridal style, sometimes he’ll give you a piggy back, sometimes he just throws you over his shoulder like a sack of potatoes (gently)
After a while you learn to just give in to it
Also always smiles while he carries you :)
Zane
He doesn’t just wait until you’re in bed; he waits until you’re at least half asleep
He’ll find something to do while he waits (usually chores)
Why does he do this? He doesn’t want to disturb you :(
But honestly it’s more disturbing how quiet he is when he finally tucks himself in
Like… does he think you’re going to murder him?? Why is he literally in full ninja mode
You actually get scared when he does this at least once
One moment you’re alone in bed and the next you sleepily open your eye and THERES SOMEONE NEXT TO YOU—oh it’s just Zane
You’ve tried to talk to him about it before, but he always insists on “not disrupting your routine”
He’s definitely anxious about getting in your way/disturbing you, but he also likes how peaceful you look as he silently slips in beside you
It’s relaxing for him to see you like that before he starts to recharge himself :]
Jay
Insists on being tucked in
He HAS to be the first in bed; he will literally run ahead of you to ensure this
If you ever get in before him, he’ll just sit on top of the covers and stare at you
If you play dumb (bc you know what he wants) he’ll clear his throat like “um I’m waiting”
Literally so needy 😭
He just loves the way you pull the covers over him and kiss his forehead
And when you slide in next to him? Bliss
It makes him feel safe knowing that you’re the one seeing him off to sleep
Not only does he get to see you before he drifts off (so he knows you’re there with him and you’re safe), but he trusts you more than anyone
He may be needy but he deserves someone like you who will do this for him :( my boy has trust issues
Lloyd
He likes to get in bed at the exact same time
You guys get ready for bed at the same time too 😌 I think you’d have a shared routine :3c
You’ll both go to one side of the bed and climb in, scooting closer together until you meet in the middle
Bc of course you’re gonna cuddle, it’s Lloyd
I like to imagine that you both wrap one arm around each other and use your free arms to pull the covers up together
Some teamwork right before sleeping 💪
You’d probably fall asleep first
Mostly because he can only relax once he feels you relaxing too
Your slow breathing becomes his slow breathing, your heartbeat becomes his heartbeat
A soft smile comes to his lips as he drifts off, and internally he’s thanking you for being there with him :)
It definitely helps with nightmares to wake up to another body next to his; one that’s calm and grounding
Nya
She gets in bed WAY after you
She likes to stay up, what can I say
An early bird and a night owl 😔
Dw though, she always tells you goodnight when you go to bed
Then, several hours later, she’ll come in and slide into bed next to you
OR BEHIND YOU AND SHES THE BIG SPOON OUUGHHHHH
She’ll wrap her arms around you and pull you in to kiss your head
If you stir awake, she shushes you, already half-asleep herself
But she doesn’t really try not to disturb you; she’s way too sleepy for that
So you probably will actually stir awake at some point
But then you both fall asleep pretty quickly, just cozied up together <3
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Thank you so much for reading!! Take care my loves <33
(divider by saradika)
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duckies27 · 3 days
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Some pre-season 2 headcannons for Dndads
Spoilers for both seasons ahead!
Read at your own risk!
- Ron retwists Terry Jr's hair while in the forgotten realms to the best of his abilities. Afterwards, Samantha would teach him how to do it better and it becomes a bonding experience for the two
- Lark and Sparrow would notice one day randomly they have pointy ears. Henry would have to explain to them that they always had pointy ears, they just thought it was normal because Henry had pointy ears. They're actually, y'know, half elves.
- Nicky would call Glenn "Dad" half the time on accident. Pisses Jodie off but Glenn would just shake his head and be like "just cuz I'm cooler doesn't mean I'm your dad, ayeeeeee". Makes him a little sad in the beginning but it becomes a running joke between them
- Terry Jr and Grant 100% had a short dating stint in the forgotten realms but both of them said "Nahhhh" after
- Darryl realized he's bisexual post forgotten realms. He goes to pride parades with Grant wearing little pins but he keeps it in the down low.
- Lark is on the aspec spectrum, Sparrow is pan like his father. They wear shirts that way "All or Nothing" with both flags as a joke.
- Ron takes up fishing with Terry Jr but half the time they just would go feed the ducks instead of catching any fish. They use popcorn instead of bread
- Henry, Darryl, and Ron have a weekly get together where they hang out and sometimes talk about what happened in the Forgotten Realms. It's a lot of trauma on them all so they confide in each other
- All the dads were at Sparrow's wedding and definitely cried more times than anyone could count. Henry and Darryl danced like idiots while Carol and Mercedes talked over a glass of wine
- All the wives have book club every week, which often turns into just them talking together and enjoying each other's company
- Ron has nightmares a lot of the time about Willy. Henry has nightmares about Barry. Both often spend time post nightmare together, with the other dads as back- up if needed
- Henry has a giant fear of throwing up post doodler, to the point he only throws up if his body forces him to. Otherwise he swallows it down.
- Grant met Marco on Fortnight
- Lark and Sparrow got their tattoos updated when they were 18 to fix them. Because, y'know, child making the tattoo wouldn't last long. Sparrow adds Normal and Hero's names to his other arm after both of them are born.
- Normal and Hero used to play with Lincoln during the summer. Hero and Lincoln play one on one while Normal would cheer them on!
- Taylor would be the one guy in summer wearing a full jacket and long pants and boots because he's constantly freezing
- Hero has round ears, Normal has pointy ears post church of the doodler
- Hermie had a crush on Normal pre-joker story but he had to drop it for the ✨ character✨ of it all
- Normal is trans (duh), and most of his binders were handmade by Lark
- Taylor has a ton of different arm crutches, mainly decorated, but he only has one sword cane.
- Grant is in therapy and on antidepressants but his true antidepressant is his family (he says this and it is not true, he's just cheesey)
Hope you enjoy
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jakes3resin · 2 days
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im an advocate for bucky's curls™!! they're a very important character. it does mean i think about what if when they met and for the rest of the canon bucky has a military cut (or anything short) and that's how gale has known him. those curls don't make an appearance until they're in the camp and bucky's hair grows. gale already is "spacing out" when he sees bucky's longer hair but it's still matted with blood and dirt so he doesn't really get to see it properly. he doesn't get the full force of it until after the war when bucky has let it grow out more since and no dirt and grime can hide them. gale feels like he might lose his mind because he didn't think bucky could be any more prettier than he is but he nearly loses it when bucky mentions he might get a cut soon.
Anon you're so right about his curls being an important character. In my opinion and heart, they are the Main Character, and even thinking about them not being there hurts me. But I do like this scenario you've brought up!
Bucky with a shorter hairstyle during the war would be interesting. Maybe he lost a bet the first few days of training where he had to cut them short and decided he liked the shorter cut since he doesn't have time to take care of his curls during flight school. Gale never sees his curls at full power thus develops his obsession with them late.
Imagining the boys making it through the war without Bucky's Emotional Support Curls because Bucky just cuts them when he thinks they've grown out too much, its wild. But it compels me.
I think he'd look like the picture below.
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(I'm adding this photo because I found it when I went on a wild internet journey this morning looking for pics of Callum. Enjoy)
After the war, Bucky decides to grow his hair out again, maybe to reclaim his Old Self, maybe because now he has time to take care of them which in turn is calming for him. The routine of haircare would potentially be very therapeutic for him I think. Maybe he even decides to grow them out to cover the scars on the back of his head. The reasons are endless, but very importantly, Gale does not factor into them (outside of Bucky potentially being into Gale pulling his hair during sex) because Gale's never expressed an interest in Bucky's hair. This will soon change.
His hair once grown out would look closer to these pictures.
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Gale barely notices how Bucky's hair has been growing longer. It's one of those you see it every single day and don't really catalog the minute changes until it hits you like a frying pan to the head. The pair are both still trying to transition back into civilian life, and he's too focused on Bucky's health and his own nightmares to notice Bucky's hair, which he's never had to focus on before. Outside of battling for bathroom space now that Bucky's hair products take up most of the counter space (there are so many products, I lived with a curly haired girl for a few years trust me) Gale is oblivious to what is about to happen to him.
A while after he starts growing out his hair, Bucky goes back home to Wisconsin to see his mother for a few weeks. His hair grows more before the pair are reunited, so he definitely resembles the above photos. Bucky shows back up on their doorstep with a cheerful "Honey, I'm home!" that goes unanswered because Gale is frozen solid staring at him. Eyes wide, mouth open in shock, Gale experiences his first real look at The Curls.
Gale gets hit full force with the reality of Bucky's Curls, something he'd been vaguely aware of but didn't think about, and he wonders why he was denied such a sight until this moment.
With the sun setting just behind Bucky's frame, his curls are lit up. The rays showing off the highlights in his chestnut curls. The curls aren't tight and springy but loose and wavey. Bucky runs a hand through them, and Gale nearly falls to his knees.
It's official. Gale is enamoured. He's obsessed. He's running his hand over the soft curls (and pulling them just so), and Bucky melts into the touch. Gale will take any opportunity to touch Bucky's hair now. Walking by Bucky asleep on the couch? Perfect opportunity to run a gentle hand over his curls. A curl refuses to stay put and falls onto Bucky's face while he's reading? Gale's there to tuck it back into the style Bucky prefers. Bucky hurts his shoulder on accident and can't really lift his arm while it heals? Gale will gladly help Bucky wash his hair whenever he wants.
After a while, Bucky's hair grows too long, nearly hitting his shoulders, and he's starting to remember why he kept his hair cut short all those years. Maybe he offhandedly mentions over breakfast how he's gonna cut his hair, cut his curls off. Maybe he asks Gale to help him. Maybe he even mentions shaving them all off.
Gale would have preferred Bucky to shoot him.
Listen, those Curls are the 2nd most important thing in his life at this point (the first being Bucky himself of course). Gale won't admit to how much he relies on them to calm down on his bad days, but he will admit that he doesn't want them cut short, lost to him once more after he's just seen them. Gale begs Bucky not to, desperate to save Bucky's hair.
So the pair compromise. Gale will help Bucky cut his hair to whatever length he wants. He just won't help Bucky shave his hair off. Gale gets to run his hands through Bucky's hair, and Bucky gets to make Gale smile. A win-win if you ask them!
Bucky's Curls- keeping your flyboys sane since 1940!
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beanghostprincess · 21 days
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Sanji and Usopp during The Sabaody Incident™ won't leave my mind.
Usopp standing in front of Sanji protectively because he is wounded and he can't fight, so Usopp will do it for him ("I'll do what you can't do").
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There is just something about Sanji's expression when he realizes he might actually lose Usopp. This is my interpretation, at least. He is literally frightened.
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Usopp helping Sanji stand up to run away. This is crucial for something I want to point out later: Sanji needs help to stand up. (Also, Brook disappears trying to protect them both and saying he will do anything to save them even if it costs him his life. I am feeling sick).
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Sanji being self-sacrificing and blaming himself for not being able to protect them/act sooner is not new. But he does manage to gain the strength to fight when Usopp is the only one left with him and the possibility of losing him is even more real now.
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The thing that I love the most about this is not Sanji sacrificing himself for Usopp, because he does that. He is like that. But Usopp not running away or moving in the slightest because he refuses to leave Sanji on his own.
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Something I'd like to point out too is that Sanji actually touches Kuma before Usopp disappears. He tries to fight and protect him and Kuma could've easily sent Sanji to Momoiro Island right away, and yet Sanji was just sent flying far from the scene and forced to see Usopp disappear in front of him.
And I am not saying that "not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew" but not being able to protect both Brook and Usopp (especially Usopp) is needed for Sanji to realize he has to become stronger and find more reasons to go back with the crew.
Not to mention that we can't deny (right after Water 7/Enies Lobby) that Usopp is one of Sanji's strongest bonds within the crew. This specific scene focusing on them both is more than enough to prove it.
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Sanji seeing Usopp disappear in front of his eyes without being able to do anything to save him.
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Remember what I said about Sanji needing help to stand up seconds ago? Well. This is him the moment Usopp disappears. What adrenaline and the power of love do to a mf.
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They are so "I can lose everything, but not you. Oh God, not you" shaped.
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pathetic-gamer · 3 months
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south-sea · 1 year
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as someone who grew up with Sonic X where he’s largely depicted as this sassy unbothered local hero-cryptid, it’s been wild seeing sonic get absolutely wrecked in IDW/frontiers/prime lately. like i’m just not used to seeing him so exhausted or beat up, and honestly, give me More
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becauseplot · 2 months
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Nightmare of Nightmares
a tiny Roommates/Cellmates AU fic to take a break from writing Prime Meridian and bc im thinking abt them. takes place mmmm definitely within a few months of the events of Shared Living Space. Cell is just starting to become a more-or-less 'common' fixture in Felps' apartment, staying for as long as two days at a time before heading out again. he spends a majority of his time out doing...whatever it is he does when he's not at Felps' apartment. it's not uncommon for Felps to see Cell show up at odd hours with a new bruise or bandage wrapped somewhere, and sometimes Cell walks in with a grin that's just a bit too wide, even for him. Felps tries not to think about it too much.
(TWs: nothing really? there's some vague descriptions of violence that aren't that graphic save for like one well-detailed threat. it's brief tho. and references/allusions to cannibalism because obviously.)
It's the middle of the day on a lazy Sunday, and Cell has been tossing and turning on the couch for the past several minutes. He’s not typically a restless sleeper—quite the opposite, actually—so it’s strange for Felps to see him shifting around, restlessly tilting his head side to side.
Felps figures he must be dreaming, or something like it. What does someone like Cell dream about, anyway? Probably eating Felps, or putting Felps' head on a pike. Or eating Felps and putting his head on a pike. Or just murdering people in general. He must get a real kick out of that. Felps shrugs it off and continues working, reclined in the armchair and sorting through his email. Whatever Cell is dreaming about will pass eventually.
And then he whines.
Felps pauses and blinks for several seconds, processing that yes, there was a noise, yes, it was a whine, and yes it most certainly came from Cell. Felps glances up from his laptop again to look at the known murderer sleeping his couch. He's still shifting around, perhaps a little more animatedly than before. He settles for a moment, and Felps can see his eyelids twitching. Another half-whine, half-groan wheedles out of his throat. His lips move, barely parted, but whatever Cell might've said is much too soft for Felps to hear, if he said anything at all.
A few seconds pass. Then, Cell's face briefly twists, his lips moving again; and though it's still hard to decipher, Felps isn't certain that it's actual words that he's speaking. His chest heaves a few times, he makes another small noise, and he murmurs something again—no. Those...sound like they could be words. Garbled, but words nonetheless. Not Portuguese, though. It might be another language. (Cell speaks some English, doesn't he?) Or maybe it is just gibberish, Felps really can't tell; but whatever it is, it sounds urgent. Very urgent. And Cell is starting to breathe harder.
Huh. Felps starts to consider trying to wake him up before he shoots that thought down immediately. Why even bother? And he knows for a fact that Cell sleeps with a weapon under his arm—Felps can see it now, a small blade revealed in all of his tossing—and Felps doesn't want to wind up on the wrong end of it if Cell wakes up swinging.
Still, Felps' email has become an afterthought at this point. Felps watches, almost amazed, as Cell continues to toss more violently than before, breathing harder to the point of gasping, voice high and reaching and cracking and begging—
A shout. Cell's eyes fly open as he shoots up and yep there goes the knife arcing through open air. He's got a hand braced on the side of the couch as he bares his teeth at some middle distance, panting like he's just sprinted several miles. There's a thin sheen of sweat clinging to his face. Cell is sporting a furious expression so tense and wild that Felps—if he didn't know any better—would say pitches over to the other end of the curve and lands somewhere in the realm of terrified.
Cell, the murderer, the cannibal, the nightmare of so many people's dreams, just woke up screaming from a nightmare. It's almost novel, but Felps supposes that Cell is still just a human. And humans, people, get nightmares. Basic psychology. Though, it's hard to imagine Cell to be really, truly afraid of anything in particular aside from, possibly, getting caught by the police and being hauled back to Alcatraz. (Once in Alcatraz, he would end up spending quite the stint in solitary—one of the only things they found that could actually get Cell to behave, if only for a little while.)
A beat passes. Cell's eyes dart frantically, but it doesn't look like he's really seeing anything. He's still gasping. His legs have kicked away the towel Felps makes him put his feet on when he's sleeping, instead digging the heels of his boots into the cushions and pushing himself back against the arm of the couch, knife still in hand.
Felps hasn't exactly woken up fighting before, but he's had his fair share of nightmares. He knows how disorienting they can be. Best not to have the guy with the weapon and the horribly violent impulses forget where he is. Felps clears his throat. "Hey Cell."
Cell snaps his head towards Felps. He blinks several times. He stars at Felps, and he looks around the room...
...And his breathing starts to slow. And his shoulders start to slump. And the fury-terror starts to melt away. And the hand brandishing his knife drops into his lap.
And Cell is quiet. No threats, no growl. He just stares at the floor and drags a hand down his sweat-soaked face and breathes—something like relief. It's eerie, coming from Cell, and Felps, frankly, doesn't know what to make of it.
"So," Felps says. "The Monster of Alcatraz gets nightmares, huh?"
A beat. Then, Cell scoffs at him. "Inspiration," he snarls, voice dripping with venom despite his breathlessness and sleepy croak. "For when I carve out your guts and drag your entrails across the floor, Felps."
Felps raises an eyebrow. "You know, you could just tell me you want to be left alone."
"Fuck off."
"See, there we go." Felps closes his laptop and glances at the clock on the wall: just past twelve. "Eh, actually, before I do that—are you planning on staying for lunch?"
Cell makes a vague noise. He runs his free hand through his messy hair and scrubs one of his eyes with the heel of his palm. He sighs heavily, like a half-aborted yawn.
"...Yeah," he eventually decides.
"Did you bring me anything?"
Felps knows he did. Felps won't make him anything if he doesn't pitch in somehow—one of their new 'rules'—and Cell's backpack is looking a little more full than usual. In lieu of an answer, Cell picks up his bag from where it's slumped against the foot of couch and drags it into his lap, rummaging through it. Felps, meanwhile, stands, dumps his laptop on the armchair, stretches, and grabs the TV remote. A moment later, Cell produces a small paper bag and holds it out to Felps.
Felps crosses the living room and peeks inside: tomatoes and lettuce, in decent enough condition. Felps has certainly used worse. He could add in some of his carrots, chop them up, put some dressing over it and make it a salad. Rice and some seasoned meat (chicken—no red meat allowed when Cell is present) to go with it could be nice.
"This works." Felps grabs the bag. Cell lets him have it, and Felps tosses him the remote. "Your pick. And either fix the towel or boots off the couch."
Cell huffs, but he swings his legs around without protest, boots on the floor. As he flicks through channels, Felps brings the produce into the kitchen and opens up the fridge. He pushes aside his own tomatoes and lettuce to get to the carrots.
Sometime later, Felps finishes putting together lunch and brings a couple plates into the living room. There, he finds Cell curled up on his side, fast asleep yet again—no tossing or turning this time, though. Just sleeping.
Felps rolls his eyes with a sigh. He puts the extra portion down on the coffee table, lowers the volume on the TV just a bit, heads back into the kitchen, and returns with a cover for the plate.
(A nightmare having a nightmare. What could Cell be so scared of?)
(Well, whatever it is, Felps hopes he never has to meet it.)
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sovonight · 7 months
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xan's candle event is so funny to me. you have to choose 1 specific option for the candles to even be significant to your charname, and yet the next day xan presents you with a lit candle no matter what you said, and if you're like um is that supposed to represent something, he's like yes but also no, and i will not explain, and also i'm still going to use this as a symbol to make a promise to you, even though i literally refuse to elaborate
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aroaessidhe · 1 year
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2023 reads // twitter thread    
City of Nightmares
1920s insp fantasy city where people can turn into their worst nightmares if they don’t take dream-preventing medication
a girl with anxiety & pstd from her sister turning, living in a maybe-cult, ends up in the centre of a criminal conspiracy
you can pry a platonic reading of the main relationship out of my cold dead hands
#City of Nightmares#aroaessidhe 2023 reads#i really enjoyed this!!!#maybe theres some eh thigns about it but i have decided to love it. thanks#it definitely kept going in directions i wasn’t expecting#i think i enjoyed the first half more in terms of plot direction tho?#a lot of times i had to just stop what i was doing and make a face jdghkjfs#girl u sleep curled up in the closet……#also sy bestie you are so kovit-coded. he just has daddy issues instead of mommy issues#i respect an author with an agenda#also#alloromantics are so fragile. theres so many reviews like ‘this character went on a SEVEN PAGE RANT about how TERRIBLE relationships and mon#monogamy are’ ‘the author’s SHOVING her views about HATING ROMANCE into her book AGAIN’#bro…..literally there’s just some musings on being sad when your friend abandons you for a relationship and personally not getting it#and how romanticisation of abuse is bad……….it is not that blatant and also all perfectly reasonable….#and then there’s people butthurt about the ending of MoM. like wow so sorry a series ended in friendship instead of a romance.#sucks there’s no other books in the world that do end in romance. i can’t imagine what it would be like to not be able to find books like th#at.#no romance#***probably i guess we'll see how book 2 goes#at the very end her other friend teases her for ''liking'' him and shes like yeah hes my friend.#which is of course One Of Those Tropes#but idk.....i think i trust the author...#also wait i said sy but is it cy. i listened to the audiobook
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redxriiot · 1 year
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Lovin’ the idea of Kiri and electroreception again
#//Looking over old hcs#//And I love this so so much#//Let's see new ones...#;mun has spoken#hc#//Mans most definitely was the kinda kid who drew fucken nightmare fuel art#//Bc he picked up on electrosignals from others and he made up stories about how haunted they were based on intensity#//And imagined the kindsa creatures that would manifest based on the signals. Got v creative; he did#//Not that he KNEW what it was for the longest time; not until he learned about sharks and went !!! Thas ME. I do that!#//Nah; mans just noticed smth weird; his friend didn't see/sense it; concluded he must be psychic#//Both the teacher and his mom were Not Amused whenever he explained why he drew the things he drew#//Fast forward; the people he can most pick out from anywhere; even out of water are Midoriya and Kaminari#//Kami obvi bc he is practically a walking electrical current#//Which is good; bc Kiri liks having eyes on him All The Time; and like this; he can always know where he is and what he do without looking#//Midoriya; unwittingly bc if the vestiges and OFA#//He doesn't know what's up; he just knows Midoriya screams MASSIVE energy and danger#//Esp when OFA is thrumming and being used in more and more capacity#//But he loves it#//Loves it LOTS when Deku uses OFA near him and makes his survival instincts go haywire#//Can get a sensory overload if he sticks too close and is with him for too long; but he likes that too#//Tsu is easier to distinguish than most others too#//She more water than most of them#//But yeah; Kami and Deku? He can track 'em down p easy#//Though it might be a little trickier in a super busy super urban area or if there's a massive generator of electricity nearby#//Too much of that muddles him up#//Which is why he tends to get headaches a lot; both bc Quirk and bc of that sense#//He can pick people out if he focuses/zeroes in on who he wants to find but the incessant buzzing of man-made electricity is Oof#//It made him real irritable as a child and he got used to it over time; but boy oh boy he Does Not like when that threshold is pushed#//Save when Midoriya does it; he'll happily indulge simply bc it him. And he gets too starry eyed to care he's being overwhelmed#//& Kami; but he might wince through his ultmoves. though hardening does take the edge off; in combat is fine
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epicdogymoment · 2 years
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well i think mobcop has everything to do with hijikata being an alivegirl
#leologisms#gintama#gintameta#so if 'we're' (i am) talking about hash tag alivegirl hijikata im gonna have to talk about mobcop#hijikata who has been assigned the title alivegirl on the basis that he does not want to be the alivegirl. his lose condition is still being#left alive after everything. farewell shinsengumi arc beheading nightmare and kondou 'death' come to mind#but also the chapter where kondou gets shot protecting that frog amanto. specifically the part where hes addressing the men afterwards#(lesson 15. truly one of the chained government dog moments ever.) 'not the bakufu nor the shogun. i only take orders from kondou-san'#<- words from the mouth of a dog on a short chain#shinsengumi crisis as well. 'you are the soul of the shinsengumi we are the sword that protects you'#and of course rengokukan arc and 'you know how kondou gets'. which also brings up hijikata and his oni mask#which he dons in an attempt to save kondous face in exchange for his own. to redirect any animosity towards himself#AND in an attempt to remove himself from his own humanity (something which merely gets in the way of the duty hes imposed on himself)#gestures broadly at mitsuba arc. of course both that arc and rengokukan (wherein the actual unmasking takes place) reveal that hijikata#really is nothing but human (with vices like mayonnaise and smoking. behaviour of a guy who thinks he is Definitely going to live to see the#ill effects of his own actions) but yes. hijikata and hes desire to be stronger. to be helpful. to justify his own existence#hes decided for himself (pre timeskip) that his sole purpose in life is to protect kondou and that anything else should be (SHOULD be)#discarded. hes someone who would gladly never have been alive (a living human being) in the first place if it meant he could carry out his#self imposed duty better. enter mobcop#yamazaki fellow resident alivegirl of the shinsengumi. by virtue of his mob nature. of being so jimmy.#yamazaki former hooligan reformed into a Normal Guy. and hijikata 'self flagellation is always the answer' toushirous treatment of him#yamazaki who did what hijikata couldnt and actually became the Most Normal Guy Youve Ever Seen. and then went on to die and become a robot.#but also interesting is that this happens post timeskip. at which point hijikata is less single mindedly driven by his self imposed#duty to kondou. we even first meet him and realise who the hell he even is once hijikatas tracked gintoki down.#which doesnt necessarily mean that hes let go of the oni mask human mask sword thing.#i dont have a good way to end this. theres a lot of implications here and i dont know what to make of them. good night to one and all
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purplegn0mes · 2 years
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Gnomeo & Juliet gets a lot darker when you realize how many of the characters have PTSD of some kind
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righteousruin · 1 year
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Do you ever think about the fact that the only reason Bane ever did all that to Batman is because some low-rank Gotham gangster who ended up in Peña Duro decided to tell Bane that Gotham was paradise and Batman was its ruler
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anxiously-going · 30 days
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#i had an uncomfortable realization this afternoon#i think part of what makes me uncomfortable with more...intimate versions of mckirk is because the age gap there#is similar to the age gap between myself and two of the people that abused me#of course i recognize that the context is wildly different there#two consenting adults vs one minor being incredibly inappropriate with a much younger minor who was unable to consent in any way#but i think even just that very minor piece of pattern recognition is enough to get my hackles raised#because it's not about the characters themselves there has been nothing in bones character to ever indicate that kind of malice#its nothing to do with the actual ship or characters it's literally just the age gap that every once in a while just makes my insides squirm#i dont think i would have ever had the realization at all if i hadnt had a nightmare about jim being attacked and assulted last night#bones wasnt even in the dream it was just a couple of older officers but it kept replaying in my brain till i wrote out the aftermath#and getting him patched up and it was the context of jim going through a similar trauma to mine and coming to me for help#that i connected the dots#i mean within in the context of how i usually write bones jim didnt want to tell him at first becaus i write bones as being an sa survivor#and jim didnt want to trigger him in all of this so he asked me for help instead#but writing him going to someone closer to his own age over some closer to the age of the people who hurt him kind of connected the dots#it's definitely a me issue and its not actually anything to do with the characters or the ship in general#its just a really unfortunate happenstance
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