#i can only assume it's a result of many people not knowing how to read

[baconwaffle2016]

(weird rant) just a disturbing trend i've been seeing in certain fandoms x reader tags

Them: IF YOU'RE A CERTAIN GENDER DNI WITH THIS POST.

Me, personally: I mean, okay, I just won't like or reblog—

Them: DON'T EVEN READ MY STORY, BLAH BLAH BLAH

Me: ...

me and my ancestors did not put up with absolute SHIT (sexism, abuse, prejudice, ethnic sterilization, etc.) just to lead to some fucker gatekeeping fanfiction—of all fucking things on the internet—based on a part of my identity.

i read whatever the fuck i want, because believe it or not, that is the joy of reading.

if you don't want me to like or reblog, fine. but if i wanna read what you write i will fucking read it.

#rant #personal #gatgekeeping #a lot of what i'm seeing is giving sexism and i don't get how we got here #i can only assume it's a result of many people not knowing how to read #x reader

[feminist-space]

Cat in the Hat:

"The German Health Minister gave an important update on the Covid situation yesterday.

I’ve written up the section of his speech from the video below for easy reading.

It’s immensely refreshing to see a government minister warning of the harms of Covid in such a transparent way."

https://x.com/_catinthehat/status/1732092683508678954

Prof. Karl Lauterbach

Health Minister, Germany

4 December 2023

"This second (long Covid) round table was very interesting, lasting three and a half hours. It serves as a unique forum for dialogue among scientists, researchers and those affected by long Covid, facilitating the exchange of ideas.

There are many new findings about long Covid. Not all of them are good news. One piece of not-so-good news concerns the fact that long Covid is actually still a problem for those who are newly infected. One estimate that has been put forward is that the risk of contracting long Covid now, even after vaccination, is around 3%. Now you may say, "that's not such a big risk" , but there are tens of thousands of people who are repeatedly affected in a short period of time. And so, the long Covid problem has not yet been solved.

We have also established that there really are many subgroups of long Covid and that we do not yet have a cure. And it was clearly pointed out that we are also dealing with problems here that will challenge society as a whole, because vascular diseases often occur after long Covid. Throughout Europe, we are currently seeing an increased incidence of cardiovascular disease in the middle-age group - from 25 to 50. This is associated with the consequences of Covid infections.

We also very often find cognitive impairment in older people. And one participant pointed out that it may well be like the Spanish flu, where 20 years after the Spanish flu there was a significant increase in Parkinson's disease and probably also dementia.

This is something we must pay attention to, as the past infection afiects how the immune system in the brain functions, as well as the brain's blood vessels, potentially increasing the long-term risk of these major neurodegenerative diseases. This is why we need to conduct very intensive research. This research has played a major role.

What is the overall assessment of the situation now?

We have to be careful. Long Covid is not curable at the moment. We also know that over 40% of those who have several manifestations of long Covid, for example, five or more, still have symptoms after 2 years, so it doesn't seem to heal spontaneously. We also know that those whose symptoms are more pronounced at the beginning are less likely to heal.

So some of what we know from the demographics of long Covid has been confirmed, and we now know more precisely which mechanisms in the brain, but also in the blood vessels and the immune system, are responsible for this. Professor Scheibenbogan will explain this briefly later.

At this point, I can only say the following - this is particularly important to me:

First of all, long Covid is a disease that stays with us and that we cannot yet cure. And we are seeing an increasing number of cases as the waves of infection continue to affect us.

Secondly, Covid is not a cold - with a cold, you don't usually see any long-term effects. You don't see any changes in the blood vessels. You don't usually see an autoimmune disease developing. You also don't usually see neurological inflammation - these are all things that we see with long Covid. Therefore, one should not assume that Covid infection is just a common cold. It can affect brain tissue and the vascular system, and we still lack an effective treatment, making these studies crucial.

Significantly, we know that the risk of long Covid decreases when you're infected but have been vaccinated. That's why it's concerning that only 3 million people have been vaccinated with the new, adapted vaccine. That is a very bad result.

Please protect yourself from severe infections.

Please protect yourself from long Covid.

Currently, the danger posed by Covid is indeed being underestimated. Nothing is worse than infecting someone at Christmas who then becomes seriously ill and may not fully recover."

Alt text is included in all images of this post.

#covid #not a cold #please wear a mask #pandemic #pandemic not over #long covid #Karl Lauterbach #Germany #German health minister

[inkskinned]

i don't mean to sound ungrateful, but as a content creator on this site, there's a part of me that's like. they absolutely just stole my work.

i'm not, like, unaware that tumblr has been shuffling downhill for years now. sometimes i play with the idea of switching platforms, turning myself into the shark. i often get tens of thousands of notes - i could be "doing numbers" on a platform that actually pays me to do so. i could have statistics that i could use to sell myself, i could rebrand and make content pay-to-play and make brand deals. i could have the other life, i mean.

but i don't want to. i like the quiet nature of tumblr. i like that it still feels like i'm writing poetry, not like i'm fulfilling ad spots. i like the community, and that i can sometimes still take someone by surprise and write something that really speaks to them. i like the tags and reading things like oh of course it's fucking inkskinned i love you inkskinned you gay mess. my girlfriend recently told me that people tag things "inkskinned" because they assume it is similar to tagging "creative writing". that's wild. i made this word up when i was 19, and have always assumed people tag me in things so i read it (and i often do). i have nothing but love and gratitude for you all, for this tiny scoop of family.

and i haven't made any money off it. i had opportunities, and i turned them down. i could have sold this thing like a thousand times. i thought about moving my work elsewhere - over and over and over i thought about it. i weighed each option specifically. but my tumblr felt like ... it's for you guys, only. if you're still here and reading this, you deserve to do it for free.

tumblr has now, most likely, skimmed my work (and yours) in order to make money. i will never see a single cent for that violation. something about landlords, i guess - my work pays their rent.

i just lost my job on valentine's day, and am working on scrambling for solutions. i am writing this to a blog that they will probably scrape with AI. and like, what number to do you think it was? do you think it was only a couple hundred thousand? no way it was close to a million, right? my time, effort, energy - it belongs to someone else now. how many silver pieces for them to completely sell out their user base.

and it's kind of like - funny? when it isn't very-sad. because i personally don't know what to do, ya know? i might as well move to a different platform, where my efforts are ai-scraped but could eventually pay me. where i know my privacy is the cost - but it could result in actual money. anyway. i need to figure out how i'm paying for meds. i need to email like six people about COBRA benefits.

my work is powering someone else's AI. it will be a beautiful fabricated poem, made from words i've already said.

[arachine]

yes, i'm ready (to fall in love)

── ˚₊✩‧₊ genre: smut, fluff, mild angst

── ˚₊✩‧₊ synopsis: after reader is persuaded into putting herself back out there by long time friend, shoko, she successfully ends up scoring a date. unbeknownst to her, though, the gods have different plans—and one of them seems especially interested in her relationship with ex-husband, gojo satoru.

or in other words: a failed date results in a night of passion amongst former lovers.

── ˚₊✩‧₊ contents: 13.5k words, ex-husband!gojo + co-parent!gojo, slight dub-con (alcohol use), dumbification, overstimulation, vaginal penetration, unconventional form of contraception (pull-out method - don’t do this), pussy eating + one oc for the sake of plot

── ˚₊✩‧₊ note: i know this is really long and most people don’t have the attention span for it but PLEASE give it a chance! this is literally the longest piece of fiction i’ve ever written and i’m really proud of it :(

songs to listen to for best reading experience: donny hathaway - i love you more than you’ll ever know barbara mason - i’m ready partynextdoor - showing you bryson tiller - been that way

After you divorced your ex-husband, and decided to devote all of your time to being a mother, you never really considered getting back into the dating world. Not that you didn’t eventually want to settle down with someone new, but the dating world now was just so–different.

Different in the sense that meeting people organically was becoming increasingly difficult. It wasn’t like how it used to be in high school or college, and it really didn’t take that much effort then to get a man’s number by the end of your outing. 

When you were in your early twenties, a brush of your hand on a man’s arm would’ve worked. An ‘accidental’ bump into someone at a grocery store or cafe might’ve ended in a quick lay. Using these tactics today, though, might earn you some weird looks–have–earned you some weird looks. 

You’re on call with a friend from college when you begin recounting something embarrassing that happened to you recently. At first, the conversation started out about all of the professors you would’ve slept with (if given the chance), but then, one thing led to another, and she asked you something that made you wince: 

“‘How’s your dating life been since, you know, Satoru?’” 

There’s a heavy silence from your end, and she almost thinks you hung up. 

“I mean, if you want to share,” she splurts, attempting to approach this gently, “I know that after the divorce, I wasn’t there for you like you needed, but I’d like to make up for that–if you’d let me.”

Shoko’s always been like that. Blunt and charismatic, but gentle and zephyr-light in the way she cares for those closest to her. It’s a trait of hers that you admire, because not so many people would care to treat your heart with such fragility.

“No, it’s okay. You can ask, you know, it’s not this secret thing,” you start, sighing before continuing, “it happened, and it was a mutual decision.”

Shoko hums on the other side, “Well, I’m still sorry. I let us go without talking for far too long…”

“Well, I accept your apology, even if it’s unwarranted. Like I said, it was mutual and…there wasn’t really an intense grieving period for me? The only thing that hurt me is that you distanced yourself. I mean, the girls did miss their aunt Shoko…” you say, trying to make her feel bad but not too bad. 

“I know, I know, I’m a bad aunt,” she jests, then the tone shifts to something serious. “I think I was just scared because both of you were my best-friends. I didn’t want to ‘pick sides’, but I see now that it was a mutual decision, so I’m assuming you two are on good-terms?” 

Again, you pause, “I mean, yeah. Satoru will always be my best friend. We may not be together romantically but he’s such an integral part of my life, I couldn’t do this–all of this–alone.” After you say it, you feel a weight being lifted off of your chest that you didn’t know was even there. 

You think nobody would understand if you told them this. You think they’d question how a person could divorce someone who’s supposed to be their best-friend. And with the way you describe it, they’d probably think you were still in love with him. But Shoko’s different, she gets it. Which is why saying it to her came so easily. 

“He is a great father,” she chimes in, “but you two rushed into it so quickly, I don’t think either of you had time to discover yourselves after college.”

Although she can’t see it, you smile. Because she gets it. Even if time did place itself in between the two of you, she was there for most of it, when things were still touch-and-go. When things were fresh, and clumsy. 

“Exactly, that was our biggest gripe,” you admit, “We didn’t afford ourselves that time to grow, and I think that hindered our relationship. We weren’t husband and wife first, we were parents–and we were young, way too young.”

“You made it, though,” Shoko tries to brighten the mood, “you’re both amazing parents, and I know those beautiful girls that you created are lucky to have you.” 

The intimacy of the conversation sends your emotions into overdrive. You quickly realize how much you missed her, how much you yearned to talk to her. To reconnect on this level. 

A single tear cascades down your cheek, and you try not to sound like you’re crying when you say, “Ok, enough about that. You wanted to know about my shitty dating life, right?”

It happened last week, the grocery store incident. You were out picking up a few things for dinner when you spotted a cute guy standing outside of the aisle a few rows from you. He was fit beyond measure, in looks and strength, and was wandering around aimlessly in pursuit of red pepper flakes. 

Coincidentally, you just happened to be in the seasoning aisle, and like the good samaritan you were, decided to personally hand-deliver it to him. 

You wince as you vividly recall the embarrassing ordeal that ensued immediately after. 

“Hey,” you peer from behind the aisle, with a bottle of red pepper flakes in tow. “I heard you mumbling about finding this, and you looked pretty lost, so I thought I’d pick ‘em out for you.” 

The man’s brows furrow briefly before his lips up-turn into a grateful smile, “Oh, cool, thank you so much!” As quickly as the conversation started, it ends even quicker. He gives you a final nod of endearment before he’s turning around on his heels to resume his shopping. 

“God, could he be any more dense? The men today really make you work for it, huh?” you mumble to yourself, pulling the bosom of your blouse down until a good amount of cleavage is on display. “Okay, alright. You got this, you got this. This always used to work, right? Yeah, men love boobs.”

Walking up to the man again, you try a different approach–a bolder approach. “Not to be a bother but I was wondering if I could-”

“Babe? Oh, there you are,” a new voice interjects. The owner of the voice emerges from around the corner and walks up to the man with a cart and a baby in tow. You’re stunned, to say the least. All you can do is stand there and blink in complete and utter dumbfoundment. As you remain in their presence, you take a moment to analyze the woman. She’s gorgeous, and toned. A real model-type broad, with feline-ish features that make so much sense paired with the man who appears to be her partner. 

Oh, you think, and apparently say aloud, too. That’s when the woman turns to you, finally acknowledging your much smaller, and much quieter presence. 

“Hi, can we help you?” she smiles, and it’s actually genuine. Toothy and perfect, and totally not jealous. You blink once, twice, before gathering your wits to answer her question. 

“Yeah, uh, no. I actually, uhm, was helping your h-husband. He was looking for red pepper flakes,” you mutter embarrassedly, and point to the bottle in his hand. Upon further observation, you notice that she isn’t exactly wearing a ring. You find this odd, especially because his not wearing a ring is what encouraged you to pursue him. Carefully, you prod. 

“If I may ask, how come neither of you are wearing rings?” The couple gives each other a look, one that makes you feel like the odd man out. A look that is universally known, and without a doubt, could easily be translated to: ‘did this chick really just ask that?’

Still, you smile as you wait for an answer. The woman takes the initiative. “Yeah, we don’t really believe in rings, isn’t that right, babe?” she says so matter-of-factly. You blink again for what seems like the thousandth time, because of all things, you did not expect that to come out of her mouth. Her husband is quick to validate her statement. 

“Yeah, we think rings are unnecessary, you know? You don’t need a piece of metal to confirm your feelings,” he says walking to his partner’s side and wrapping an arm around her. 

Disgustingly, the two give each other googly eyes before locking lips briefly. You can tell they’re the type to probably share this information with just about any soul who asks. Today, you just happened to be that unfortunate soul. 

“Are you married?” she queries, tilting her head against her husband’s chest.

“I was, now we just…co-parent,” you purse your lips, ready for this entire interaction to be over. The woman frowns at your answer, and this time it’s not as genuine.

“Awe, well, I’m sorry to hear that.”

“It was actually a mutual decision,” you quip.

“Okay,” she smiles, widening her eyes at her husband to signal a departure, “well, it was nice meeting you, and thank you for the red pepper flakes.”

The family turns away and heads to the front where check-out is. You don’t even buy the items you intended to purchase, just leave your cart in the middle of whatever aisle you abandoned it and leave the store.

“Oh, baby, you didn’t?” Shoko asks in horror. You nod your head, still forgetting she can’t see you and the way you’re sliding down against the wall. 

“I did, and I shan't ever again,” a laugh erupts from your throat. 

“I mean, fuck, are we getting old? ‘Don’t believe in rings,’” she mumbles, “Don’t believe in rings, my ass! Is this what the youth are doing these days? Not proposing with rings?”

Now that you think about it, you wonder how that would even work. “Yeah, right? I mean, how does that even work? ‘Will you marry me? But, actually, you should know I don’t have a ring for you, so people will have to guess that we’re together purely based on vibes and energy,’” you mock, in a not-so-great man voice. 

Shoko’s laughing so hard by the end of your bit that she breaks the sound barrier, and the sound that makes on the phone sends you into your own fit of laughter. You laugh so hard it seems like a stream of pee comes out. Curse your developed incontinence after motherhood.

“God, you’re so stupid, I can’t breathe,” she says exasperatedly, and you know that on the other side she’s probably keeling over in her bed. 

“Oh, please. I bet you haven’t laughed this hard in a long time, bitch.”

“I haven’t,” she cackles. This back-and-forth continues until the two of you settle down enough to continue discussing your (pee-inducing) love life. 

“You tried any dating apps?” 

It’s a simple and valid question, but it only makes you laugh even harder. You only stop when the other side of the line goes quiet. “Wait, seriously?”

“Yeah, seriously. It’s what everyone’s doing these days! You’re not that old, you know.”

“Shut up,” you kid, “ it’s just that I never considered it. I mean, dating apps feel so impersonal. How serious do people even take it?” 

“Sure, there’s people who use it for casual hook-ups and stuff, but a lot of people do come out of it with a relationship. Just don’t knock it ‘till you try it.”

“Oh?” you muse, curious. You wish Shoko could see your face, and the weird little dance your brows were doing. “Shoko, have you used a dating app before?” 

The brunette kisses her teeth. “Can’t get anything past you.”

“Never.”

There’s a sense of hesitance but you encourage her to elaborate because ‘she became estranged from you for almost a decade and needed to pay her dues’. Sighing defeatedly, she eventually acquiesces. 

“Fine, fine, maybe I’ve…been on a few dates,” she starts, “–and had a few one night stands, maybe more than a few, and maybe even dated a guy that turned into my stalker–”

“Ieiri Shoko! You naughty, naughty girl! Wait, stalker?”

“To make a long story short, I got a restraining order on that creep. Anyway,” she segues, attempting to change the subject, “We should make you a profile!”

For the rest of your phone call, Shoko guides you through all of the dating app basics. She offers her expert advice as you scroll through your camera roll for potential photos to use. You go through about a hundred before you finally settle on five that she really likes. 

The one that she tells you to put first is a photo of you in a bikini. It’s a few years old but she says you look ‘radiant’ and that your ‘tits were practically spilling out of the cups’. Plus, for further consolation, she says most people on dating apps are liars. 

“Everyone’s got at least one old photo on their profile, doesn’t make you a catfish,” she quips, “just means you’re a nostalgic person!” 

“Right…” 

The next one is a selfie. You’re smiling big in it, showing your gums, and it’s genuine. Shoko says guys like those types of photos because it shows them that you’re approachable. It also won her over because it’s fairly recent, too. 

Out of all your photos, there’s only a select few that were taken within the year. You had to admit to her that you never really took photos of yourself anymore. Satoru took most of your candids. Still, she had a mission. And she wasn’t going to be satisfied until she stuck around to see your first match. 

“After the selfie you should put the one of you with the girls.”

The picture she’s referring to is one Satoru also took. You remember that day fondly, and even now, the memories feel like a warm embrace. 

about 8 years ago . . .

“Dad, mom, look! Hurry!” Hana, your oldest, shouts. Satoru and you are sitting on a blanket up on the sand dunes with Haruki, who’s trying her best to make a sand castle–to no avail. 

“What is it, hon?” Satoru and you rush over to her, snatching toddler Haruki in the same breath. When you get to the scene, a flood of warmth washes over you upon discovering the ‘threat’. 

“See, it’s baby turtles!” Hana’s squatting in the sand, watching with pure and unfettered fascination as the hatchlings crawl north to the ocean. When she looks up at you, with eyes so bright, and a smile so big that’s missing two of her front teeth, you want to cry. 

“Oh, hon, that’s beautiful,” you gasp, lowering to your haunches so that you can join her. Satoru is about to follow suit before deciding at the last minute to go back to the blanket. When he returns, he snaps a picture unbeknownst to you. Eventually, though, you turn your gaze to him and he captures–what he used to think then–the ‘prettiest’ photo of you.

“You sneaking photos of me?” you squint, pointing at him. He trods closer until he’s standing above you. Then he snaps another. Your head’s tilted up, and you’ve got one eye open, and the other closed because of the sun. He always liked when you squinted like that because it made your nose do this cute little scrunch. 

“Yup, ‘cause you’re my muse.”

You’re pulled out of your daydream when Shoko says your name on the other line.

“You still there?” 

“Yeah, it’s just…”

“Just what?” she queries, waiting for a response. 

“I wanna use it, but my ex-husband took it. It feels weird, you know? And do I want to use a photo of me with the girls?”

“Hon, who cares if Satoru took the photo? It’s still a good photo, and to answer your second question, why wouldn’t you include a picture with your girls?”

“I don’t know, I guess I’m just afraid no one will be interested. Nothing about a picture of a mom with her two daughters exactly screams ‘fuck me’.”

Shoko lets out a small chuckle but you’re being serious. “Oh, sweetie. You’re so cute. Milfs are in these days, I don’t think I’m the one getting old, I think it’s just you!”

“Ha-ha, laugh at the mom,” you feign annoyance, but give her a laugh in return.

“But seriously, please use that photo. Nobody’s going to skip you just because you’re a mom. A lot of men on there have kids of their own, just gotta tweak your settings,” Shoko reassures you.

By the end of your call, the profile is set. You thank your old friend for the previous heart-to-heart conversation, and the time she spent helping you set up your profile.

“Keep me updated, and don’t talk about mom stuff, okay? Now, I’m not saying you can’t talk about them,” she begins, “but show these guys your personality! I know she’s in the closet somewhere hiding next to our old slutty clubbing clothes.”  

Then, the both of you say your goodbyes and she wishes you a good-luck on your newly established dating journey. As you lay in your bed, you give your profile a final onceover. Not too bad, you think to yourself. 

You ended up using all of the photos she had originally picked out for you. Even the beach photo. To compensate for your old photos, though, Shoko made sure that your prompts were witty and full of personality. 

“I’d match me, I think. No, yeah, these are funny. She did a good job.”

The following day, you open your phone to fifty notifications from the dating app. A tingle of excitement shoots through your body from the tip of your toes, to the top of your head. It takes all of your might not to squeal in the office. 

“Holy fuck,” you whisper at your desk. The amount of notifications that you initially saw on your homescreen read ‘50’ but when you opened the app, it showed you an overwhelming ‘100’ with a fat plus sign next to it. “Wait, are these all the people who liked me? Shoko’s gonna flip.” 

Getting up from your chair, you make a beeline to the nearest bathroom. Not that you have to use it, but so you can scroll through all the potential prospects without your boss seeing you on your phone. 

Pulling open the door to the bathroom, you close it shut behind you and lock it. A few minutes pass in the time you’re able to get through about half of the people who liked you. You end up skipping a lot of them. They’re either too young, too self-absorbed, creepy, or just downright not your type. 

Some stick out, though. Even trick you into thinking they’re potential matches, but then the other shoe drops–because there’s always another shoe. You’ll scroll through their profiles, and they’ll seemingly have all the perfect traits: intelligent, witty, handsome, tall–and then, boom. You see their ‘don’t want kids’ preference. Every failed match only discourages you more and more. 

It’s weird, because your profile preferences are set to ‘have kids’ and you even have a photo pictured with your girls. So why are men liking your profile despite that? After a few more scrolls, you’re just about ready to head back to your desk but then–you have a hit. 

Your finger hovers over the ‘x’ at the bottom of the screen, then retracts. The guy’s profile at first impression is miles better than the rest, it’s almost too good to be true. His first photo is what piqued your interest. It’s of him posing for a silly photo with his sons, and he’s got his arms draped around their shoulders. 

As you scroll down his profile, you see that there’s even more of him with his children. You take this as a green flag. He wants people to know he has kids, and that he isn’t embarrassed to show them off. You admire him for it. 

The last few remaining photos are an amalgamation of selfies and full-body photos. To the average, well-adjusted adult, looks wouldn’t be a deal breaker. But he definitely wasn’t too bad on the eyes, and you were not complaining about that–especially, after the odd men you had to scroll through to get here. In other words, he was gorgeous and still fit despite being older than you (him, respectively being in his early forties). 

Checking the time on your phone, you realize that you’re pushing your little ‘bathroom break’. Before heading back to your desk, you decide to respond to his first photo.

You: Cute! Could never get my girls to stand so still for a photo like this now haha :)

Work goes by slower than you’d like, but finishes up just in time when you get a notification from the dating app. You’re a little more excited than you’d care to admit. Tidying up your workspace, you say your goodbyes to your colleagues and head to the elevator. Absent-mindedly, you rush to answer his message but realize it won’t go through because of the elevator’s poor service.

Kazuki: Oh, they’re moody and grown now, don’t be fooled. I can't remember the last time I saw my youngest smile. 

You don’t answer his reply until you get home. Actually, you do just about everything but answer his reply: check on the girls, shower, prepare dinner, pour a glass of wine–you’re nervous, and you don’t know why. But you know you should probably answer soon before he becomes disinterested. So you get comfortable in bed with your glass of wine and pull open his chat.

You: Lol, know that all too well. Kids are little assholes, aren’t they?

The speed in which he reads your text is startling, you don’t even have enough time to close out of the chat. Then, he responds. 

Kazuki: Hell yeah they are! 

Kazuki: Sometimes I want to strangle my youngest. He’s at that age where he’s starting to rebel and question everything. I told him he was supposed to be the ‘easy’ one, but his knucklehead brothers are bad influences on him…Tell me, does it ever get easier?

You: Sounds a lot like my oldest. She used to cling to me like a koala but now she’s the ring leader, and I’m the enemy. My youngest still loves her mama, though (for now lol). 

You: And to answer your question, I’d like to think so? 

You take a second before continuing your response. Shoko told you to keep the mom talk limited, but this seems to be working for you so far, and he’s genuinely interested in what you have to say. So for once, you’re going to ignore her advice. 

You: Kids go through phases. It's our job to reassure them that we’re not going anywhere. No matter how much they push us away or try to, that is :)

Kazuki’s chat bubbles pop up, then disappear. You think he’s deciding on what to say. 

Kazuki: I can tell we’re gonna get along great. It’s nice opening up like this, you know? Talking to another parent. If I'm being honest, dating apps have always intimidated me…

Kazuki: People see kids as ‘baggage’, and it really bothers me. My kids aren’t baggage. They’re the best parts of me. And if someone doesn’t see that, then we have no business getting to know each other. 

Kazuki: Sorry for getting all sappy. Just felt like I needed to say it. 

His apology makes you frown. It feels like a breath of fresh air to hear someone talk about their kids so lovingly, because you feel the exact same way. You’re glad you downloaded the app, and you make a mental note to thank Shoko again later (after you debrief her about this). 

You: Never apologize for speaking about your kids! And if we’re being absolutely transparent, that was my biggest gripe with downloading this app, too. 

You: I’m so glad we matched each other. I’d like to get to know you more. And I’m hoping the feeling’s mutual?

Kazuki: It’s more than mutual. 

Kazuki: Don’t want to get ahead of myself but how do you feel about dinner? There’s a cool high-scale restaurant in the city that I haven’t been to yet. Heard it’s got two Michelin stars despite opening up not too long ago. 

The prospect of going on a sit-down dinner date has your stomach in knots. It’s been a hot minute since the last time you’ve done so, but you’re eager to know the man behind the screen on a more personal level. Plus, being treated to a high-scale restaurant with two Michelin stars doesn’t seem too bad either. You’re never one to turn down free dinner.

You: I’d love to, but how soon we talkin’? Gotta see if it’ll align with my schedule.

Kazuki: How’s this Friday at 8 sound? :)

The days leading up to Friday breeze by in a blur. For the majority of the week, it feels like you’re walking on cloud nine. Eventually, the conversation transitions from the dating app to exchanging phone numbers, and since then, the two of you have been texting back-and-forth everyday.

You talk about mundane things. Work, shows, movies, books you’ve recently read, what your kids are up to–but the other things? The other messages are flirty, and sexy, and filled with so much tension that it could cut a rope in half. 

In between messages, the two of you have also exchanged a few photos. Nothing risqué or anything of that nature, just random photos of you throughout the day. The last one he sent was a few hours ago of him at work, captioned with: ‘Could this meeting be any longer?’. 

You reply to the message with the ‘ha ha’ reaction, in consideration of not wanting to get him in trouble at work (even if he was the one who initiated the conversation). As the days go by, though, you make it a habit to update Shoko every step of the way. 

Her first reaction to hearing about him was enthusiastic. That is, until you showed her screenshots from his profile. You vaguely remember her saying something that was meant as a compliment, but came out more like an insult. 

“‘Oh, he’s a dad!” was her initial response, “oh, he’s a dad…and he really loves his kids. You’re meant for each other.’” 

When you tried to ask her what she meant by that, she changed the subject. Every update since then has earned slightly more positive reactions, though.

Today, you ask her for more advice. Only this time, you’re on video call. 

“Shokoooo,” you drawl, “our date is tomorrow! You have to help me find something to wear.” The panic in your voice is so palpable, she can almost feel your shaky hands through the screen. Flipping the camera, you hurriedly pan your phone around the closet. 

“Breathe, girl, breathe,” she demonstrates first, before telling you to repeat the same motions. “Take me to that section over there–no, not that one–wait, yep, there.” You amble over to the area she’s directing you to through the phone.

“What’s that black little number right there?” She points. You prop the phone up on a shelf and scour through the section, tugging out a dress you haven’t seen in ages (which has you questioning how she even spotted it because it was pretty far back into the closet). Walking back into frame, you hold the fabric up to your body. 

Shoko nods in approval, “That’s the one, babe. Try it on!” 

It’d been about a decade since the last time you wore this dress. It’d also been about a decade since you were ever this small. Looking in the mirror, you run your hands over every surface inch, every crevice of the dress, in a newfound sense of appreciation for the adult weight you’ve gained since becoming a mother. 

The dress was always stunning but it hugged everything perfectly even more so now. When you walk back into frame, your friend gives you a look of pure adoration. She’s so enthralled that she snaps a few screenshots for keepsaking. 

“Thank god it’s Satoru’s turn to get the kids tonight,” she says, “‘cause you’re definitely getting some tonight.” 

You roll your eyes, reminding her she’s on speaker phone. “Oh, please. It’s just dinner!”

“Not in that dress,” she retorts, wagging her finger in the camera. While the two of you continue to chat about the details of tonight, a knock on your bedroom door draws your attention. 

“Mom, can I come in?” the voice sounds. It’s Haruki. 

“Come in, hon!” 

After you give the ok, you turn to Shoko and mouth to her to behave. Haruki turns the knob and enters, closing the door behind her. She sees you standing in front of the mirror before you see her, and silently utters a ‘wow’. You’re just about done putting your earrings in when you join her in the other room. 

“What do you think, bun? Does your mom look hot?” you spin around, smoothing your hands down the length of the dress. You wait in anticipation for her approval, because if anyone could tell it like it is, it was always going to be a kid. Your Haruki was no exception. 

“You look really pretty, Mom. I’m glad you’re going out tonight, I mean, you don’t really have friends so I think this will be good for you,” she elaborates, though you wish she would’ve stopped at the compliment. 

Still, it puts a smile on your face to hear her verbalize that she’s okay with you doing something for yourself. You never quite discussed the prospect of getting back out there with your kids–and not even intentionally. It just never felt like the right time. 

“You could’ve stopped at the compliment, punk!” you grab her, then wrap her in your arms, “but thank you. Love you, bun.”

“Love you more, mama.” Neither of you make the effort to pull away. Instead, you both stand there. Hugging, breathing, embracing each other’s warmth. You don’t always get hugs this good, so when you do, you savor it. Drag it out until your arms and legs get all tingly. 

Or until someone interrupts. Another knock on the door. This time it’s Hana. 

“Ew, what’s going on?” Hana feigns a look of disgust. You know she’s just jealous; she’ll never admit it, though. Which is why sometimes you have to force her to participate. 

“Get over here,” you scrunch your nose, forcefully pulling her into your tight embrace. She tries to protest but eventually accepts defeat. You squeeze them both until they whine that they can’t breathe anymore. Then you squeeze them some more because this one’s for you. 

“My special girls,” you breathe in, taking in all of their love. Soaking it all up so that tonight you have the courage to try again. To allow yourself a love of your own. When you let go, there’s a sniffle from the closet. It totally dawned on you that Shoko was still on the phone. 

“They’re so big now, they don’t even know their auntie,” she fakes a sob, blowing her nose into a tissue. 

“Mom, who’s on the phone?” Haruki queries with a confused expression etched onto her face. It suddenly dawns on you again that although you’ve been communicating with Shoko again, you haven’t exactly told them. 

“Hey, you came in here to tell me something right, Han?” Your attempt to change the subject is poorly done, which doesn’t come as a surprise to you considering deflection has never quite been an ability you excelled at. Nonetheless, the look of suspicion they give you after is fleeting before they explain to you in unison that their father is here. 

“Your father’s been waiting down there this whole time and nobody cared to tell me?” you whisper-yell, left eye twitching to emphasize your ill-preparedness. The girls only shrug their shoulders in response, like this was something you were just supposed to know. 

“Well, you did force us into a hug and make us do all that Kumbaya stuff,” Hana mumbles under her breath.

“Okay, enough about all that. Are you guys all packed? Where are your bags? I don’t want your dad seeing–” 

“You don’t want dad to see your date, right?” Hana raises a brow, all knowing. Sometimes she was a little too smart for her own good. You want to blame that on the private schools Satoru had them enrolled in, but really you just know she’s just a menace in her own right. She learned that from him. 

“I agree with the kid,” a voice chimes in. You rush to the closet and grab your phone from the shelf. There’s a huge, shit-eating grin on Shoko’s face. Somehow she’s responsible for this. You don’t know how yet, nor do you have proof, but you know it. 

“Okay, thank you, love you, bye!” Before you can hang up, Shoko blurts something. 

“Tell him I said hi,” she begins, “–andnottogetahardonwhenheseesyou!”

You hang up the call and roll your eyes, chuckling to yourself because of her idiocy. When you enter the corridor, you hear a faint sound of hushed voices from downstairs. It’s only when you round the bannister at the top, when those voices become discernible and louder. 

You stop at the top, and when your eyes meet his, it feels like all the air in your lungs have expelled. Suddenly, you’re hyper-aware of what you’re wearing, and the fabric, and the way it clings to your body. Neither he, nor you, look away–you should, you want to, but you don’t. 

And in the time the two of you gaze upon the other, time stops for a modicum of a second. In this second, you and him are the last two souls in the world. At least, that’s how it feels anyway before he breaks eye contact. 

You shift your gaze shortly after, and put on a trained smile. Those eyes of his were always so intense. You guess you forgot over the years how easy it was to lose yourself in the crystalline pools of them. Gathering your wits, you resume your movements and saunter down the imperial staircase. 

“Hey, didn’t mean to keep you waiting. Sort of lost track of time, but I think the girls are all packed,” you say, your voice coming to a decrescendo upon noticing the way his eyes trail over your frame. They’re unreadable, though. Indifferent, and honestly, you’re not sure how to feel. So, you begin fidgeting uncomfortably with the rings around your finger. 

Then, he smiles. It’s eerie and fake. “Not a problem, I haven’t been here too long. But, uh,” he begins ambling around the place, touching random objects around the living room, “Didn’t know you had plans. What’s the occasion? Going out for drinks with your colleagues?” 

You furrow your brows, confused with his sudden interests in your plans. It wasn’t really like him to prod. “No, actually,” you rock back-and-forth on the balls of your heels, “i’m…i’m going on a date,” you finish with a pursed smile. He only nods his head in response, still walking around the place touching stuff, messing with the picture frames on the mantle. They’re all crooked now. 

“How come this is the only picture you have up of me,” he asks suddenly. You know, that he knows, the answer to that. And he knows, that you know, you’ll indulge in his games anyway. 

“The girls wanted them in their rooms. Why do you ask? You want me to go grab them and put ‘em all up around the house?” Again, he doesn’t say anything. Just gives you a final once over before heading back to the foyer to ask if the girls are all set to go. 

“Yeah, but I can’t find my tablet, dad. Can I go look for it?” Haruki speaks up. “I thought I packed it.”

Satoru looks at the time on his watch, pinches the crease in between his brows. “Sure, kiddo. Can we make it quick, please?” He throws his hand in the air for emphasis, then points to his watch. Haruki nods, then runs up the stairs. 

“Actually, you go on up too and help your sister. You guys are holding up dad,” you turn to Hana and gesture for her to head up with your head. She rolls her eyes, yelling up the stairs for her younger sister to ‘freaking hurry up’. 

You and Satoru both turn to each other with wide eyes, laughing at the nerve of those children. 

“They get that attitude from you, you know,” you point to him, driving your index finger into his bicep. 

“You sure? Their mom’s got a pretty bad mouth on her, too. Or, have you forgotten?” He teases, bending his knees slightly to level his eyes with yours, intruding into your space. The smirk he dons is cheeky, too friendly–too inviting. You want to smack it off of him. 

“Oh, shut u–” the sound of your phone chiming interrupts your banter. It’s a message from Kazuki, and you open it while Satoru stands over you. Probably close enough to read the message on his own if he wanted. 

Kazuki: Hey, I hate to do this but I don’t think I can go through with tonight. 

When you read the message, your heart drops into your stomach. There goes the other shoe, you think, fully embracing your pessimism. Who were you kidding, really? To think that tonight you’d go out and have a good time. Do something for yourself. It was stupidity. 

Chat bubbles pop up on the screen. He has more to say. 

He has more to say, and you’re fighting the urge to cry–to not shake out of sheer frustration while you’re still standing in front of Satoru. Because nothing would be worse than him seeing you can’t even land a date. 

Kazuki: I recently just went through a divorce, and I know that I should have informed you about this before continuing our conversations…Especially since you’ve been so transparent with me about your own divorce and strife.

Kazuki: But if I’m being completely honest, I was scared. I genuinely wanted to see this through, at first. I wanted to forget about my ex-wife for just one night. But I realized I’ve been asking the impossible of myself…I’m still in love with her, and it’s because I’m in love with her that I won’t allow myself to lead you on any further. 

Kazuki: I think we would’ve had a good time tonight. It's unfortunate we had to meet under such circumstances because you’re a really lovely woman, and I’m sorry an asshole is standing you up right now. 

Kazuki: Take care. I know there’s a guy out there just waiting for his shot. 

Satoru takes notice of the way your face drops as you read over the messages. Part of him wants to overstep his boundaries and take a peek at the screen. But he doesn’t. He gives you your space and takes a seat on the couch, waits for you to say something first. 

In the meantime, he studies your face. Watches intently as your eyes become glossy the more you scan the messages, watches as your bottom lip catches between your teeth to hold back from crying. He thinks he knows what just happened. 

Taking a deep breath, you lock your phone and put on another trained smile, “Well, looks like I’m staying in tonight.” Satoru dislikes when you do that. When you put on a fake smile and overcompensate to make others around you feel better, even when it’s so very obvious you aren’t. He wishes that sometimes you would just be selfish–act out. 

And then you continue the façade. It makes his skin itch. 

“I was too tired anyway, guess I can just catch up o–”

“Will you stop,” he spits, rising from his seat on the couch to stand. It comes out harsher than he intended, but he doesn’t regret it. You look at him like he’s got two heads as he walks over to the mantle and leans against it. His back is turned towards you, and the palms of his hands hold the crest of it. He uses it as leverage to rock on the heels of his feet. You can tell there’s something he wants to say because of the way his jaw ticks. 

Satoru is never one to bite his tongue, so you’re not exactly sure why he’s choosing to be so restrained. If he wasn’t going to spit it out, you were going to poke. “What’s your problem?” 

He chuckles at this, rubs his chin then pushes off the mantle to stand in front of you, gets all in your space again. The movement almost sends you back but you hold your ground, tilt your chin up at him and repeat the question. Slowly, this time with more venom. 

“My problem? What’s your problem?” He breathes through his nose, his eyes flickering back-and-forth between your own. “Why do you always pretend like you’re not lonely? It’s okay if you were looking forward to having fun tonight. It’s okay to be upset and be mad at the asshole who stood you up!”

With every verbal prod at you, the gap between you decreases. His feet inch closer and closer to your own and force you to retreat farther until your back hits the wall. The coldness of it causes your breath to hitch, and you try to stay calm as Satoru encroaches more into your personal space. Being on the receiving end of his passion was always suffocating, you feel exposed under the intensity of his gaze–even more so as he continues to tear into you. 

“Why do you even care?!” you cut him off, eyes wide and veins pumping full of adrenaline. “It’s not your place to be so invested in my life anymore! We’re not together, you don’t have to get so hot and bothered about things going shitty for me. I’m a big girl, and I’m perfectly capable of fighting my own battles.” 

By the time you finish, you’re a heaving, shaking mess. He takes this as a sign to withdraw from your space, and goes to sit back down on the couch. When you finally settle your nerves, you join him, leaving a foot of space in between you. There’s an awkward silence, one that wouldn’t have even happened if he just respected your boundaries in the first place. Now he feels like the asshole instead of the actual asshole who dumped you. Taking a hesitant breath, he decides to speak up. 

“Look, I’m sorry. I didn’t…It wasn’t my intention to come off so strong like that,” he begins, “I just wanted to let you know that you don’t always have to pretend to be fine. It’s not fair, you shouldn’t do that to yourself.” His eyes wander over to you reluctantly, like he’s scared that if he looks too long you’ll disengage from the conversation. 

“It’s okay,” your voice is small, just above a whisper. You want to face him, but you know that if you do, you'll break into a million pieces. So you keep your gaze downward, busy yourself with the stray pieces of thread on the bottom of your dress. “You’re right, you know. I think I just…I think I just tell myself to expect disappointment so that when something bad happens, I’ll know it’s not because I got my hopes up.” 

Satoru turns to you, and you can see him frown through your peripheral. Still, you don’t face him because you’re not done talking. But you thank him silently for listening without interrupting. 

“Even though you’re right, I don’t appreciate the way you came on so strongly. We’re not married anymore, we’re not a couple–we’re co-parents. So if there’s something I want you to know about that’s outside of the scope of our kids, I’ll let you know. Otherwise, leave it alone.”

Satoru’s face softens. For once you’re being selfish, putting your foot down. This is the side of you he likes. “Okay. I respect that,” he says, “But can I ask you something?” The smile on his face is mirthful, like he’s got something else up his sleeves this evening. Skeptical, you finally face him with a raised brow. 

“What?”

“Let me take you to dinner.” 

You laugh in his face, even go as far as smacking his arm because you want him to know you found the joke really funny. He doesn’t budge, and that’s when you realize he’s being serious. 

“Wait, what?” 

“Let’s go to dinner,” he stands up, crossing his arms across his chest. You tilt your head in disbelief. You’re just waiting for someone to tell you you’re on that old reality show punk’d. 

“Funny, I just poured my heart out to you and now you’re making fun of me,” you roll your eyes, feigning annoyance. 

“I’m being serious,” he reassures, “you’re already dressed up. It’d be a shame for it to go to waste.” His eyes are twinkling with hope, and once again, you find yourself falling victim to their persuasiveness. 

Being under Gojo Satoru’s gaze was suffocating. 

Giving in, you ask, “So what are you gonna do? Drive all the way home to get dressed?” 

The question is genuine, but the bastard just grins. “I’m a little hurt,” he throws a hand over his heart, “don’t you know me by now? I’m a businessman. I keep pressed blazers and slacks on me at all times.”

He swings his keys around his index finger, hoping that the promise of a spare change of clothes being in his car is enough to convince you to say yes. 

“I don’t know…” you trail. 

“C’mon, let me take you out. I promise you won’t regret it.”

Somehow he was able to persuade you into going out. After he changed into his spare clothes, you ended up telling your girls that there was gonna be a change of plans, and that they’d go home with their dad tomorrow. 

Of course, before leaving, you made sure to leave some money on the table for pizza, and you also made sure to drill into their heads not to open the door for anyone except the delivery guy. You knew they knew the drill already, but it didn’t feel right to leave without saying it anyway. 

“Be good, listen to your sister, she’s in charge,” you pinch Haruki’s cheek. Hana smirks, nodding her head in agreement with you. 

“I will mom, I know,” she huffs, crossing her arms.

“And you,” your finger wags at Hana, her smirk drops. “Don’t provoke your sister, be nice. Act like you love each other, please.” 

“Fine, whatever. I guess,” she grabs the knob to the door, ready to kick the both of you out already. “So does this mean the two of you are back together, or?” 

Satoru and you turn to each other before answering in unison, “No.” 

“Okay, cool. Well, have fun,” she practically closes the door on the two of you, locking it after. Satoru is just as dumbfounded as you are, but then you break into a fit of laughter. 

“Those kids, man.”

“Your kids!” you correct, pushing him playfully as the both of you walk down the pebbled pathway. He finds his equilibrium in time to unlock the car and open your side of the door. You pause before ducking inside.

“Oh, how gentlemanly of you,” you jest, “And they say chivalry is dead.”

“How could it be when I’m alive?” He says matter-of-factly, closing your side of the door. He taps the top of the car before sliding across the hood to the other side. Nice to see some things never changed. 

When he gets inside and turns on the car, he puts his hand on the back of your seat to back out. The proximity sends a shiver down your spine, and you have to physically refrain from letting your eyes linger on his jaw, and his arms, and the face he makes when he’s trying to concentrate. 

You try to dispel these less-than-friendly thoughts by looking somewhere, anywhere else but him. But you can’t, and it’s irritating. 

This is the second time tonight you’ve been this close, and it’s only this time that you realize something about him is…different. Earlier, he didn’t really smell like anything, but you quickly notice his smell has changed. 

There’s a sort of piney scent coming from him. It’s not strong or obnoxious enough to blind your nostrils, but it’s enough for you to just barely pick up on it. You almost think it was premeditated, that he took the liberty of spritzing some on before walking you to the car. Before you separated, he’d made it a habit to wear variations of woody scents for you. If you can recall correctly, a passing comment you made about the cologne he was wearing that day is what sparked the habit. 

Surely, this couldn’t be coincidental? 

“You smell nice,” you blurt, filling in the silence. 

Satoru glances at you, “Thank you.” You hate that from the corner of your eye, you can see his stupid little smirk growing bigger by the minute. He already had a big ego, it didn’t need to be stroked any more. 

“Don’t let it go to your head, though. You usually smell pretty rank.”

“Ohhh, is that so? Guess I gotta start wearing this more often then, huh?”

“Sure, do what you want,” you say, trying to remain indifferent even though you’re failing terribly to hide your smile. When the car approaches a red light, you finally decide to ask the big question. “So where are you taking me?” 

“You’ll see,” he glances over, “Just know I’m good friends with the owner, so last minute reservations weren't a problem.” 

The rest of the car ride is silent, save for the low hum of the music playing on the radio. When you arrive at the location, Satoru makes sure to walk all the way around to your side of the door again and open it. Immediately after, the two of you are greeted by a young male. He’s wearing a white button down, black slacks, and a black vest with a red tie. Judging by his appearance, you assume he’s a valet driver. 

Satoru drops his keys in the driver’s hands, and escorts you towards the entrance. The boy bows and goes to park the car. Looking around, you start to wonder where exactly this place is supposed to be. The area is dark and secluded, and from where you stand outside, it doesn’t sound like there’s supposed to be a restaurant here. You don’t hear any voices, you don’t even see any security or other passerbyers. 

Still, you follow behind him like a duckling, only coming to a halt when he leads you to a door taller than the both of you. He gestures for you to back up, then raises his knuckles to blow a strong, single knock. You’re taken by surprise when a set of angry eyes appear behind a slot in the door. 

The pair of eyes first scan over you, then Satoru. A gruff voice is second to accompany them, “Where can I get a good drink?” 

“I heard the bar down the street is nice,” Satoru answers. The hatch to the door closes, then swings open the door, and the man behind it moves aside to welcome you in.

“Follow me, please.” Once he closes the door, he begins guiding you down the dimly lit hallway. After making what seems like your hundredth turn, you eventually reach a staircase. The man gestures for you to go on ahead, and you think this is him implying where the three of you will depart.

“Thank you,” you say softly, disappearing down the stairs. Satoru isn’t too far behind, keeping a pace between you. As you near the end of the long, narrow hallway, a stream of white light brightens up your whole path. It leads you down to another door like a beacon of light, and when you reach it, you can hear voices, live music, and dishes clanking on the other side. It’s bustling with life. A huge, joyous smile plasters across your face. It’s almost child-like in appearance, like you haven’t seen something this cool in a long time. 

Satoru stands beside you and winks. “What d’ya think? Any idea yet where we are?” 

“I think this is fucking cool, and hm,” you take a second to mull it over, “are we at a speakeasy?” 

“Smart girl. Now come on.” Stepping back, you allow him to pull open the door, and when he does, there isn’t a word to describe the atmosphere of the place you step into. All you can do is stand there in astonishment. Before long, a man walks up to you. 

“Welcome, what is the name you reserved under?” 

“Gojo.”

Nodding, the host instructs you to follow after him. He leads you to a private seating area, somewhere far in the back that’s secluded from the other patrons. The space is much bigger, and much more extravagant. You know you’re only sitting way back here because Satoru is who he is. And in all the years you’ve known him, his connections were just another party trick in his arsenal. 

The hostess seats you, then Satoru, and tells you that a waiter will be with you shortly. 

“This is nice, really nice, but is it–”

“Legal?” he finishes your sentence, “don’t worry. It’s a modern speakeasy-style restaurant. There’s nothing illegal going on here, promise.” 

While you wait for your designated waiter, your focus shifts from the man in front of you to the man singing on the stage. Up until now, his voice was white noise in the background, but then he started singing a tune scarily reminiscent of your past–and your breath catches in your throat. 

If I ever leave you, baby

You can say I told you so

And if I ever hurt you

You know, I hurt myself…

Turning your gaze back to Satoru, you squint your eyes mirthfully in disbelief. You wonder if this is just a funny coincidence, if this is the universe playing her tricks, but you know deep down, that coincidences and Gojo Satoru don’t belong in the same sentence. 

You open your mouth to speak, but quickly close it when you see the waiter approaching from the corner of your eye. He greets the both of you with a polite smile, then sets down two glasses of water. 

“Good evening, I’ll be your waiter for the night,” he says, placing a menu in front of you, “Can I get you fine folks started off with a bottle of wine?” 

Satoru nods, tells him to bring the best bottle of red they have and then gestures for him to come closer so that he can whisper something in his ear. All the while, you sit back in your seat observing, clicking your nails on the table until the server pulls back and bows. 

When he departs, you immediately lean in over the table, and ask, “Just how much time did you have to plan all of this?” 

Satoru feigns aloofness, taking a sip of his water, “What do you mean?” 

You roll your eyes, gesturing at the stage with your eyes. Then, as if suddenly coming to a realization, he goes, “Oh, that? Yeah, I had nothing to do with that. But isn’t it funny they’re playing our old song?” 

Now he’s smirking, with his elbow leaning back on the chair, and a gaze so piercing, you’re certain you’ll crumble into nothing unless you look away. So you do, avert your gaze back to the stage and sway calmly. 

Is that any way for a man to carry on

Do you think I want my loved one gone

Said I love you

More than you’ll ever know

More than you’ll ever know

“So funny,” you counter. 

Eventually, the server comes back with a bottle. “1982 Chateau Latife Rothschild,” he holds it out to present, “Is this alright?” 

Despite the years spent with Satoru, and the many elitist events you often attended with him, your knowledge on wine had never surpassed anything but surface level. You knew the difference between good wine and cheap wine was the taste, but your taste buds had grown accustomed to store-bought, so if anything, store-bought tasted like heaven to you. Anyway, though, you nod your head and urge him to pour a glass. 

“Thank you,” you smile, before gently swirling the glass and bringing it up to your nose to smell (something you only know to do after being the odd man out at so many company banquets). Satoru waits for you to sip your glass before he sips his. The way you melt into your seat is a silent assurance that you’re pleased. 

“This is great, you’re amazing,” you tell the server, who seems pleased by your compliment. 

“Glad to be of service, miss. Are you ready to order?” 

Dinner goes by smoothly. In fact, it goes by so smoothly, you and Satoru finish the entire bottle of wine. Now you sit at the table, bellies full, faces flushed and sore from laughing, and now you find yourself telling him about the grocery store incident. If you had half a mind (a sober one), you’d shut up right this second to save yourself from the embarrassment. But you don’t. And Satoru’s very persuasive when you’re tipsy. 

“Keep going,” he leans in, hand nestled under his chin. He’s completely invested in the story. Actually, as soon as he heard the words ‘store’ and ‘cute guy’, he just had to know more. And you begging him to change the subject didn’t help, not when the sadist in him loved to see you so embarrassed. 

“Fine,” you hiccup, “It was so - so bad, Toru.” He doesn’t miss the way you slip and call him by the nickname you’d always reserved for him. It makes his heart race, and god, does he miss the way it sounds spilling from your lips. But he ignores the feeling, and refocuses on your story instead. Which, by the way, was proving to be a task in itself because his eyes couldn’t stop drifting back down to your lips. So soft, so–

“And then she said ‘we don’t believe in rings,’” you whisper, fist coming down on the table. The sound it makes nearly sobers you up, and you realize just how loud you’re being despite your table being secluded from others. Giggling like a kid, you continue, “I mean, how fucking insane is that?!” 

“Something as bizarre as that could only ever happen to you,” he replies, laughing along with you, “those people were crazy.” 

“The craziest,” you agree, throwing your head back in another fit of laughter. Gradually, the two of you begin to settle down, and once again, you find your attention being drawn back to the man on the stage. Only this time, he’s making an announcement.

“Good evening ladies and gentleman. Tonight I’ve got a special request,” he says, looking out into the audience. Looking at you. “This one’s for a very special lady who, from what I��ve been told, is a great mother that needs to start doing things for herself.” 

The singer steps out of the spotlight and hands the note to a server. Your server. Then he begins to sing, and your heart drops into the pit of your stomach. It was your wedding song. 

[...] I don’t even know how to love you

Just the way you want me to

But I’m ready (ready) to learn (to learn)

Yes, I’m ready (ready) to learn (to learn)

“Now this one? This one was me,” Satoru leans forward, and you swiftly turn your head to face him. He smiles as he watches your face go through ten different emotions before ultimately softening. It warms your heart to see how incredibly planned this evening was, despite the amount of time he was given to work with. Even so, it kind of scares you–because then that meant this was a grand gesture–that this was his way of saying something. And you weren’t too sure if you wanted to hear it. Your gaze drops to your lap, and Satoru frowns. 

To fall in love 

To fall in love

To fall in love with you…

“Look at me,” he says softly, but you don’t. “Hey, look at me.” He reaches over the table to take your chin in between his fingers. The touch alone feels electric. Sends liquid hot lightning down the column of your spine. Reluctantly, you meet his gaze, and like always, it’s suffocating. They’re so wide with hope, and so, so gentle in the way they hold you. The longer you gaze upon them, the more you convince yourself it’ll be okay if you surrender to them. 

“It’s been years since we’ve divorced,” his voice is shaky, almost strained, like he’s actively thinking how to choose his words carefully, “and when we sat down that night, I thought it was what I wanted, too, you know? And for a while, it was,” he reaches a hand across the table to rest atop your own, “but you gotta know…you gotta know–you’re it for me. There’s no one else on this Earth that I want to start over with. You’ve always been the beginning and end of my story, and I’ll be damned if I let another man start one with you.”

Your heart is beating faster than you can even process what he’s saying. The only thing you’re focused on is not passing out in the middle of this damn restaurant. But then he’s squeezing your hand, and your focus is drawn back to those piercing, pale blues that even put crystals to shame. 

“So what do you say?” he says, so softly, so tender. “Can we try again?”

Waiting for your reply, he squeezes your hand again. It’s like your soul is wandering the line between death and the living, and his touch is the tether that brings you back. In the background, the tune of the song sung at your wedding gives you a push of courage. 

I don’t even know how to kiss your lips (kiss your lips)

At a moment like this

But I’m going to learn how to do 

All the things you want me to

Yes, I’m ready

(Are you ready?) Yes, I’m ready

To fall in love

To fall in love

To fall in love right now

“Yes.”

The walk back to the car is hurried. Aided by both, years and years of built up tension, and the liquid courage currently bubbling in your systems. 

The race back to his apartment is even faster. You thank the gods silently that it’s within close proximity to where you just were. 

Once you get there, make your way past the doorman and concierge (who both give the two of you a knowing look), go up the elevator, and finally get into his loft–it’s over. Years of restraint, years of pretending, wanting–yearning, come crashing down. 

There’s barely any time to close the door before he’s pushing you against it. His lips trail down the column of your neck, then come up to kiss your jaw, until eventually, they find your lips. And when they do, it’s instantaneous–that familiar feeling, the feeling that feels almost like falling. 

Once again, for what felt like centuries, you feel again the rush of helplessness. The push and pull of the tide. It brings you down, down, down to the bottom of the ocean floor, and it’s unmerciful. 

Kissing Satoru is like being shocked with ten thousand volts of energy. Like all this time you’ve spent not kissing him, has been costing you your life, and he’s the only one who can deliver you salvation. It’s all teeth and tongue for a minute. Messy, and sticky, and nasty. A true testament to the desperation brewing in the pits of both your stomachs. 

The sensation of it all has your knees going slack, and that’s when he says–

“Jump.” 

Obeying, you do just that. Jump right into his arms, and wrap your legs around his torso like you’ve done so many times before. The way you feel now is the way you used to feel before then, too. Like you were made to fit like this. To be held in his arms like you were molded from the same clay. 

Carefully, he adjusts his grip on your body. Keeps his palms planted on the bottoms of your ass, and begins the trek to his room. He struggles a bit getting there because you haven’t stopped kissing since entering the apartment, but he figures it out after a stumble or two (which resulted in a bitten lip and you apologizing profusely through giggles). 

“The turbulence up here is crazy, don’t blame me, blame the pilot,” you jest, kissing down his neck to make up for it. 

“I’ll make sure to let him know,” he jokes back. As soon as he gets to the bed, he sets you down at the edge of the bed. You try to bring him down to your height but he stops you, wags his finger in your face playfully before using it to push you back into the bed. His fingers start to play with the fabric of your dress, and then his face takes on an indifferent expression. The same one from earlier that night when he first saw you walking down the stairs. 

“Can’t believe you were gonna wear this for him…” he trails, lifting the fabric up slowly, eyeing you while doing so, “as if this dress doesn’t mean something.” 

Of course, when Shoko chose it, its significance did make you falter–but in your defense, not once did you ever anticipate for him to see you in it. And you especially didn’t expect for him to remember it, the last time you wore it was almost a decade ago. 

“I didn’t…” you start, a smile creeping on your lips, “think you remembered?”

“‘Course I did, how could I not?” He says more sharply than intended, taking offense. He takes offense because he spent the better half of the night showing you he remembered. The little things and everything else in between. Couldn’t you see that?

“It was our 4th anniversary. Bought you this dress and fucked you in it that same night. Funny how the second time I’m seeing you in this dress, the circumstances are the same except only this time we’re divorced,” he says, crawling over your body. “Guess I gotta show you just how much I remember.” 

With that, he slips a hand under your dress, pulls your panties to the side and runs a finger down your slit. Oh-so-willingly, do you spread your legs for him. It’s almost subconscious, the way your body responds to him. And he revels in it. Lets his fingers work you, feel you, bring you to ecstasy. Then he heightens your pleasure tenfold when he kisses his way down your body, and takes a seat before you on his knees. 

Unceremoniously, he pulls your body to the edge of the bed. Takes his time slipping your panties down the length of your legs, then kisses the insides of your thighs, before finally stopping at your mound. 

Slowly, he lowers himself to your cunt, kisses your clit softly. Once, twice, three times. The pace in which he’s moving is killing you, to say the least. But you know he’s savoring the moment, making up for all the years he spent not kneeling like this between your legs. So you let him; let him caress you all over before he comes seeking the honey-sweet salvation dripping from your core. 

The second his tongue makes contact with your heat, you find yourself clamping a heavy hand over your mouth. “Fuck, Toruuuu,” you drawl, back arching off the bed. Pleased with his abilities, he smiles smugly, using this as an opportunity to push himself even deeper. Up and down, he licks at your slit, uses his fingers in tandem with his tongue to prod at that spongy spot he knows you love. 

“Tastes,” a harsh suck, “so good,” another, “better than I remember.” 

You know he’s talking, but his words fall on deaf ears. You’re so caught up in your own high, you don’t even take notice of the obscene sloshing sounds coming from your pussy, or the moans you’re making. All you can do is lay there and take it as he takes, and takes, and takes from you. 

Soon, you find your orgasm cutting through you like a knife, and you come with a strangled cry that has you biting back tears. Satoru talks you through the whole thing. He lays his head down on your thigh and continues working you with his fingers until you start to shake from the overstimulation. 

For a few, you lay and stare at the ceiling. You think you can see the Milky Way–and all the constellations that make it up. It feels like your soul is floating beyond your physical body, and you don’t come back down to Earth until a sharp, stinging sensation brings you back. Did he just?

“Did you just bite me?” you lift your head, peering down to see the evidence. In all its glory, there it was; a red ring smack-dab in the inside of your thigh with teeth imprints. Looking at Satoru, he grins. 

“Had to get you back from earlier,” he says, sitting back on his knees. You attempt to kick him with your foot, but he grabs hold of it. Pretending to be wounded, he gasps, “Is this how you treat the man who just gave you a soul-shattering orgasm?” 

You roll your eyes, but to your dismay, it only encourages him to continue. 

“Fuck, Toru,” he mimics, “oh my god, Toru. You fuck me so goo–”

“Alright, enough!” you manage to kick him this time, laughing as you bring up your hands to cover your face. “Keep carrying on like that and I won’t let you fuck me…” You’re serious in your bite, but he’s smirking. Like he knows you’re full of bullshit. 

“Yeah right. You and I both know I make you feel too good.” 

Feeling bested, you scoff, though, there’s no real weight behind it. While he begins to remove his shirt, you sit up and replace his hands. He relinquishes control and allows you to unbutton it until the item falls haphazardly to the floor. 

He’s so beautiful, you think. Still so chiseled, so perfect after all these years since you’ve last seen him like this. At his most vulnerable. The only difference now is that there are more freckles littered across his skin. Back then, he’d say they were signs of aging, and he’d hate them. 

But he’s older now. More mature. So much so that he even winks at you when you trace your fingertips over them.

“They suit you,” you whisper. 

“Yeah?”

You nod your head, “mhm.” 

Continuing your ministrations, you begin removing his belt. He holds your gaze the entire time it takes for you to unzip his pants and pull them down–and he doesn’t once shy away when you discover the wet spot on the front of his briefs. Slowly, delicately, you remove the soiled item and let it fall down to the floor with the rest of his clothes. 

Still looking at him, you take hold of his length and fist him once, twice, experimentally. A dribble of pre oozes from his slit and you bring it to your mouth. All the air in his lungs expel into the air when you lick it off with your tongue, and god, he thinks he could come from that alone. 

God, he’s missed you. Missed your touch, your lips–the way you hold him with your eyes like he’s something worth being gentle with. Nothing could ever compare to you, not even his own hand. 

As soon as you’re about to take him in your mouth, he stops you. Pushes you back down onto the bed and slots himself between your legs. “No more playing, I’m tired of playing,” he breathes, lowering himself down until half of his weight is on top of you. 

Guiding his cock to your entrance, he pushes past your folds with little resistance. The feeling of your cunt squeezing him in has his arms wobbling like jelly, but he musters enough strength somehow to stay up. You, on the other hand, are close to tears. 

The more he eases himself in, the more you feel like you’re being stretched open (despite him previously prepping you). If you were being truthful, this wasn’t a complete shock to you. You’ve known that he’s always been big, but something about tonight feels different. Or maybe it’s just been too long since you’ve had something more than just your own fingers. 

Even so, you try your best to ignore the burn of the stretch. You throw your arms around his neck and invite him deeper into you, hooking your legs around him so tightly that it renders his limbs useless. For a minute, all you can feel is the weight of him inside of you, and his chest against yours as they rise and fall asynchronously. 

“Toru,” your voice is just barely above a whisper, but enough to make the hairs on the nape of his neck stand. “Make love to me.” 

Heeding your request, he begins moving. Painfully slow, he unsheathes himself from you until only the head of his cock is inside, then pushes himself all the way back in with force. Again, and again, he repeats this motion. Pulls out, pushes in. Pulls out, pushes in, until he decides to increase his pace and set a steady rhythm. 

Every thrust into you is meticulously calculated. Sharp, and forceful, and not once does he disrupt the rhythm. He listens carefully to the sounds you make. Even listens to the way your breath hitches when he hits a spot right. Everything he’s doing is perfect–and it’s to no surprise. Deep down, you know that Satoru knows your body like the back of his hand. He’d know it if you were all old and wrinkly. He’d know it if his soul reincarnated. Hell, he’d know it blind. 

“Missed this,” he grunts, burying his head into the interstice of your neck, “missed you,” a kiss to your neck, “missed us.” 

The veracity of his words render you speechless. He’s already professed his feelings for you tonight, but it feels even more real now that you’re beneath him. To be loved by Gojo Satoru was a feeling many couldn’t say they had the consolation of knowing. Only a few in his circle could hold that position–but only one person in this world could truly ever know his love to its fullest extent. You. 

Satoru continues his mindless rambling, “I love you,” a thrust, “it’s always been you,” another, “was always going to be you.” Leaning back on his heels, he pushes your dress all the way up to reveal your breasts. Now it’s him who sits back and admires this time. As if he were reacquainting himself, he traces the planes and pastures of your chest with an eager hand. He runs it up and over each mound, squeezing and kneading the flesh experimentally. 

Then, he dips down and kisses the space between them. Sucks and licks until the skin bruises, and he has evidence to prove tonight actually happened. Eventually, he withdraws from your chest and returns his focus on easing his cock in and out of your cunt. 

“So beautiful,” he says, but it’s more to himself than anything. You’re so lost in your own pleasure, he doesn’t even think you can hear him. “Want you to cum on my cock, know you can do it, baby. Know you can,” he grunts, taking your hand and intertwining it with his own. Letting his head fall into your neck, he begins to quicken his pace. Fucks into you with everything he’s got and willing to give. 

“Toru,” you finally manage to say, “‘m so close, keep going. Do it - do it inside.” 

Do it inside. Do it inside. Do it inside. The thought is tempting, too tempting. It makes his dick twitch inside of you, and he swears if you say it again, he’ll actually do it. But he knows better than to listen to anything you say out of delirium. 

“Trust me, sweet girl,” he cradles your face, to which you lean into, “I want to - I want to so fucking badly. But we both know you’d regret it later.” 

Whining, your lips form into a pout, and the sight is so cute, he can’t help but to kiss it off of you. Compared to your kiss earlier, this one is much sweeter. Slower. More relaxed. He kisses you with the intent of making you dizzier than you already are, and it’s scary. Even so, you don’t pull away. You allow him to drink you up. Like your lips are the only source of water around, and he’s been quenched for days. 

Finally, with a few more thrusts, you reach your climax. The pressure building in the pit of your belly pops like a balloon, and everything goes white. “Toru!” you shriek, arching off the bed and trembling in his grasp. 

Using your arch as leverage, he keeps his hands underneath your back and continues to ram into you without abandon. You’re a babbling, wet mess at this point, and your cunt squeezing around him only encourages him more. 

“Fuckfuckfuck, ‘m gonna - ‘m gonna,” he curses, balls beginning to tighten. Quickly, he unsheathes himself and fists himself the rest of the way. With an impassioned moan, he climaxes–spurting thick, white, ropes of seed all over your abdomen. Then, falls onto your limp body with a grunt, chest heaving rapidly, and slick with perspiration. 

By this time, you’ve settled down enough to form a proper sentence. “That was…”

Satoru huffs, catching his breath. “Yeah.” 

Still spent, he continues to lay atop you. And you, having nowhere else to go, let him. The two of you lay comfortably in silence like this for a long time. Just you tracing shapes into his back, and him purring into your neck. Both of you know you should be getting up, but neither of you make an effort to do so. In this moment, time is transcendent. There is no rush to move when time stands still for you. 

Soon, that silence is broken. 

“I love you,” you say, and there’s no elaboration. Not even a recant. In fact, you say it so nonchalantly, he’s not even sure it was real. You say it like you’ve never been more certain in your life, like it’s the easiest thing you’ve ever had to do. 

“Really?” he queries, almost pathetically like the mere idea of you loving him is something unattainable. You look at him like he’s got two heads. 

“Yeah, you’re my best friend. I’ve always loved you,” you admit, pausing your ministrations on his back, “I just had to relearn how to love you.” He smiles at this, hums into your neck to keep from crying. 

“I’m glad we found our way back to each other,” he mumbles into your neck, “so where do we go from here?”

“From here we take it slow. We’ll learn together what it means to be individuals, and then from there we’ll see where it goes,” you say matter-of-factly, “no more repeating past mistakes.”

“Agreed,” he nods, “what will we tell the girls?”

That’s when your eyes widen and you sit up, forcefully pushing Satoru off of you. 

“What did I say, what’s wrong?” he queries, sitting up on the bed. He watches you rummage around the room maniacally, head on a swivel as you run out of the room and return with a purse. You pull your phone out to see a slew of missed calls and messages. 

“We forgot to call the girls!” You yell, showing him your phone screen of missed calls. Gojo jumps up to join you, one leg already sliding into his pants. 

“Shit!” 

Noticing the state of your appearance, you pinch the skin between your brows. “Satoru, I can’t wear this! You got cum all over it,” you groan, pointing to all the splotches of white. He tells you to wait a second before disappearing into his closet, then he comes back with a fist of clothes and throws it at you. 

“I can’t wear this either, they’ll wonder why I’m wearing your clothes!” 

Satoru runs to you and pull the dress off of your body, “We’ll wash it!” he screams, disappearing again out of the room, and to where you imagine, the laundry room. When he returns, he’s out of breath and panting. It’s only then do you realize how insane he looks with half his shirt buttoned, and his pants twisted around his hips. A giggle escapes your lips.

“What are you laughing at? Chop chop,” he claps, ushering you into his bathroom. 

Yeah, you’d be lying if you said you didn’t miss this idiot.

comments + reblogs very appreciated !!!

© arachine 2023

#art by: @yamada_souko (twt) #gojo satoru x reader #gojo satoru x reader smut #satoru gojo x reader #satoru gojo x reader smut #gojo satoru smut #satoru gojo smut #gojo satoru x you #satoru gojo x you #gojo satoru x y/n #satoru gojo x y/n #jjk smut

[perfectlyvalid49]

On being Jewish, and traumatized (It’s been 5 months and I want to talk):

Judaism is a joyous religion. So much of our daily practice is to focus us on the things that are good. I know that there’s a joke that all our holidays can be summed up as “they tried to kill us. We survived – let’s eat!”, and you might think that holidays focused on attempts at killing us might be somber, but they’re really not. Most are celebrated in the sense of, “we’re still here, let’s have a party!” When I think about practicing Judaism, the things I think about make me happy.

But I think a lot of non-Jews don’t necessarily see Judaism the same way. I think in part it’s because we do like to kvetch, but I think a lot of it is because from the outside it’s harder to see the joy, and very easy to see the long history of suffering that has been enacted on the Jewish people. From the inside, it’s very much, “we’re still here, let’s party” and from the outside it’s, “how many times have they tried to kill you? Why are you celebrating? They tried to KILL YOU!”

And I want to start with that because a lot of the rest of this is going to be negative. And I don’t want people to read it and wonder why I still want to be Jewish. I want to be Jewish because it makes me happy. My problem isn’t with being Jewish, it’s with how Jews are treated.

What I really wanted to write about is being Jewish and the trauma that’s involved with that right now.

First, I want to talk about Israeli Jews. I can’t say much here because I’m not Israeli, nor do I have any close friends or family that are Israeli. But if I’m going to be talking about the trauma Jews are experiencing right now, I can’t not mention the fact that Israeli Jews (and Israelis that aren’t Jewish as well, but that’s not my focus here) are dealing with massive amounts of it right now. It’s a tiny country – virtually everyone has a friend or family member that was killed or kidnapped, or knows someone who does. Thousands of rockets have been fired at Israel in the last few months – think about the fact that the Iron Dome exists and why it needs to. Terror attacks are ongoing; I feel like there’s been at least one every week since October. Thousands of people are displaced from their homes, either because of the rocket fire, or because their homes and communities were physically destroyed in the largest pogrom in recent history – the deadliest single day for Jews since the Holocaust ended. If that’s not trauma inducing, I don’t know what is.

And there is, of course, the generational trauma. And I think Jewish generational trauma is interesting because it’s so layered. Because it’s not just the result of one trauma passed down through the generations. Every 50-100 years, antisemitism intensifies, and so very frequently the people experiencing a traumatic event were already suffering from the generational trauma that their grandparents or great grandparents lived through. And those elders were holding the generational trauma from the time before that. And so on.

And because it happens so regularly, there’s always someone in the community that remembers the last time. We are never allowed the luxury of imagining that we are safe. We know what happened before, and we know that it happened again and again and again. And so we know that it only makes sense to assume it will happen in the future. The trauma response is valid. I live in America because my great grandparents lived in Russia and they knew when it was time to get the hell out in the 1900s. And the reason they knew that is because their grandparents remembered the results of the blood libels in the 1850s. How can we heal when the scar tissue keeps us safe?

I look around now and wonder if we’ll need to run. We have a plan. I repeat, my family has a plan for what to do if we need to flee the country due to religious persecution. How can that possibly be normal? And yet, all the Jewish families I know have similar plans. It is normal if you’re Jewish. Every once in a while I see someone who isn’t Jewish talk about making plans to leave because they’re LGBTQ or some other minority and the question always seems to be, “should I make a plan?” It astounds me every time. The Jewish answer is that you need to have a plan and the only question is, “when should I act?” Sometimes our Jewish friends discuss it at play dates. Where will you go? What are the triggers to leave? No one wants to go any earlier then they have to. Everyone knows what the price of holding off too long might be.

I want to keep my children safe. When do I induct them into the club? When do I let my sweet, innocent kids know that some people will hate them for being Jewish? When do I teach them the skills my parents and grandparents taught me? How to pass as white, how to pass as Christian, knowing when to keep your mouth shut about what you believe. When do I tell them about the Holocaust and teach them the game “would this person hide me?” How hard do I have to work to remind them that while you want to believe that a person would hide you, statistically, most people you know would not have? Who is this more traumatic for? Them, to learn that there is hatred in the world and it is directed at them, or me, to have to drive some of the innocence out of my own children’s eyes in order to make sure they are prepared to meet the reality of the world?

And the reality of the world is that it is FULL of antisemitism. There’s a lot of…I guess I’d call it mild antisemitism that’s always present that you just kinda learn to ignore. It’s the sort of stuff that non-Jews might not even recognize as antisemitic until you explain it to them, just little micro-aggressions that you do your best to ignore because you know that the people doing it don’t necessarily mean it, it’s just the culture we live in. It can still hurt though. I like to compare it to a bruise: you can mostly ignore it, but every once in a while something (more blatant antisemitism) will put a bit to much pressure on it and you remember that you were already hurting this whole time.

On top of the background antisemitism, there’s more intense stuff. And usually the most intense, mask off antisemitism comes from the right. This makes sense, in that a lot of right politics are essentially about hating the “other” and what are Jews if not Western civilizations oldest type of “other”? On the one hand, I’ve always been fortunate enough to live in relatively liberal areas so this sort of antisemitism has felt far away and impersonal – they hate everybody, and I’m just part of everybody. On the other hand, until recently I’ve always considered this the most dangerous source of antisemitism. This is the antisemitism that leads to hate crimes, that leads to synagogue shootings. This is the reason why my synagogue is built so that there is a long driveway before you can even see the building, and that driveway is filled with police on the high holidays. This is the reason why my husband and I were scared to hang a mezuzah in our first apartment (and second, and third). For a long time, this was the antisemitism that made me afraid.

But the left has a problem with antisemitism too. And it has always been there. Where the right hates the “other”, the left hates the “privileged/elite/oppressors.” It’s the exact same thing, just dressed up with different words. They all mean “other” and “other” means “Jew.” It hurts more coming from the left though. A lot of Jewish philosophy leans left. A lot of Jews lean left. So when the left decides to hate us, it isn’t a random stranger, it’s a friend, and it feels like a betrayal.

One of the people I follow works for Yad Vashem, and a few weeks ago she mentioned a video they have with testimonies from people who came to Israel after Kristallnacht, with an unofficial title of “The blow came from within.” The idea is that to non-German Jews, the Holocaust was something done by strangers. It was still terrible, but it is easier to bear the hate of a stranger – it’s not personal. But to German Jews, the Holocaust was a betrayal. It wasn’t done by strangers, it was done by coworkers, and neighbors and people they thought were friends. It was done by people who knew them, and still looked at them and said, “less than human.” And because of this sense of betrayal, German survivors, or Germans who managed to get out before they got rounded up, had a very different experience than other Holocaust victims.

And I feel like a lot of left leaning Jews are having a similar experience now. People that we’ve marched with or organized with, or even just mutuals that we’ve thought of as friends are now going on about how Jews are evil. They repeat antisemitic talking points from the Nazis and from the Protocols of the Elders of Zion, and when we point out that those ideas have only led to Jewish death in the past they don’t care. And if someone you thought of as a friend thinks of you this way, what do you think a stranger might think? Might do?

The Jews are fucking terrified. I’ve seen a post going around that basically wonders if this was what it was like for our ancestors – when things got bad enough to see what was coming but before it was too late to run? And we can see what’s coming. History tells us that they way people are talking and acting only leads to one place. I’m a millennial – when I was a kid the grandparents at my synagogue made sure the kids knew – this is what it looked like before, this is what you need to watch out for, this is when you need to run. I wonder where to run to. It feels like nowhere is safe.

I feel like I’ve been lucky in all this. I don’t live in Israel. I have family and acquaintances who do, but no one I’m particularly close to. Everyone I know in real life has either been sane or at least silent about all of this (the internet has been significantly worse, but when it comes to hate, the internet is always worse). I live in a relatively liberal area – there’s always been antisemitism around anyway, but it’s mostly just been swastikas on flyers, or people advocating for BDS, not anything that’s made me actually worry for my safety. But in the last 5 months there have been bomb threats at my synagogue, and just last week a kid got beat up for being Jewish at our local high school. He doesn’t want to report it. He’s worried it will make it worse.

I bought a Magen David to wear in November. At the time it seemed like the best way to fight antisemitism was to be visibly Jewish, to show that we’re just normal people like everyone else. Plus, I figured that if me being Jewish was going to be a problem for someone, then I would make it a problem right away and not waste time. I’ve worn it almost constantly since, but the one time I took it off was when I burnt my finger in December and had to go to urgent care. I didn’t think about it too much when I did it, but I thought about it for a long time after – I didn’t feel good about having made that choice.

The conclusion I came to is that the training that my elders had been so careful to instill in me kicked in. I was hurt, and scared, and the voice inside my head that sounds like my grandmother said, “don’t give them a reason to be bad to you. Fight when you’re well, but for now – survive.” It still felt cowardly, but it was also a connection to my ancestors who heeded the same voice well enough to survive. And it enrages me that that voice has been necessary in the past. And it enrages me that things are bad enough now that my instinct is that I need to hide who I am to receive appropriate medical care.

I wish I had some sort of final thought to tie this all together other than, “this sucks and I hate it,” but I really don’t. I could call for people to examine their antisemitic biases, but I’m not foolish enough to think that this will reach the people who need to do so. I could wish for a future where everything I’ve talked about here exists only in history books, and the Jewish experience is no longer tied to feeling this pain, but that’s basically wishing for the moshiach, and I’m not going to hold my breath.

I guess I’ll end it with the thought that through all of this hate and pain and fear, we’re still here. And we’re still joyful as well. As much as so many people have tried over literally THOUSANDS of years to eradicate us, I’m still here, I’m still Jewish, and being Jewish still makes me happy.

Am Yisrael Chai.

#antisemitism #judaism #venting #jumblr #long post #I'm not kidding it's like 2300 words #and it's a rambling mess #but i needed to vent #so help me god #if you show up in the notes and are being antisemitic I WILL find you and I WILL bite you

[astrow1zar6]

Astro Observations-19

I notice Earth suns tend to have a very bullying type of humor. Very harsh dry humor that’s borderline offensive is their style. Sometimes it’s hard to know if they’re joking or serious especially Capricorn’s 😭

Aries men are surprisingly not as hot headed as people would expect. It actually takes a lot before they really yell at you. Usually only if u insult something they’re passionate in. The women are a lot more hot headed & easily set off imo

Mercury Rx people usually struggle with speech or reading problems. I notice it can result in having a stutter or a lisp, dyslexia or just very bad social anxiety. In extreme cases I’ve seen selective mutism. I also notice they have a very intense relationship with books & reading, it’s either they absolutely love reading or it’s really challenging for them in some way. A lot started off in their earlier years finding reading challenging then ended up loving reading as they grew. It’s like a mental exercise for them.

Saturn RX people always make bad choices lol. They always choose the path that will lead to the most hardship just for the fun of it or the excitement (which it’s normally not fun for too long) they usually grew up having a hard time with authority. Could of had very authoritative parents that were too hard on them which caused them to rebel. In this lifetime they are here to learn the value of HARD-work because in past lives these people were usually really irresponsible & put fun and pleasure over building their futures. These people will face so much disappointment until they surrender their rebel lifestyle. Deep down they do want to mature & be better but many believe they aren’t good enough. Once they reach this maturity however their life will do a 360.

Venus in the 1st house people can act very unpleasant when they are getting ignored or the attention isn’t fully on them. They value people liking them & fitting in so when they feel like they aren’t vibing with anyone they go into this deep self pity downer attitude. Their self esteem and happiness is determined by how many people accept them.

Venus in the 3rd house people have relationships that look more like friendships. Their partnerships are more playful & light then deep and intense. They usually end up dating their best friend. Could lack in the physical realm however in some cases.

Venus in the 7th house people usually have a lot of crushes. Most of them however never turn into anything deeper. It’s surprisingly hard for these people to fall in love. They can also lead a lot of people on because of their multiple crushes. Not easy to keep these people attention.

Moon in Caps are really afraid of rejection. They will act they hate you even if they’re in love with you to avoid showing their vulnerable side. Their coldness can ruin a lot of relationships that they actually really wanted.

Mercury in Pisces people can never stay on topic while speaking 😂 they have this habit of going off topic then completing forgetting why they were even telling the story in the first place. They also disassociate like a mf. They can be staring dead in your eyes for hours and not hear a word you’re saying lol.

If you try to argue with a Mars in the 3rd house you will never win. These people are natural born lawyers. They come with all the receipts 👀

Cancer placements tend to have really round faces. Like the moon.

Pisces placements are really wise and really childish at the same time. They all have this naive childish aura around them where you assume they don’t understand much but then when you really get to know them they will talk to you like your listening to an Alan Watts lecture 😂

Mercury in the 12th house I believe is the most introverted mercury placement. Even with a more extroverted mercury sign there’s still this deep reserve to them. These are usually those kids in class that you never heard speak once then they finally speak u think “holy shit they do know how to talk” lol. I notice they choose to stay quiet because people ignore them anyways. Like people will ask them to be more open and talk more & when they actually try they are usually brushed off.. it’s really not fair, and they know this all too well.

Aquarius Venus 🤝 having their friends catch feelings for them

Uranus/Venus aspects are usually apart of the LGBTQ community.

#astro observations #astrologist #astrology #astro community #astro notes #astroblr

[communistkenobi]

Hi, genuine good faith question if you'd like! How is TOS racist? It was my understanding that the OG Series was like, huge for equality in media?

I’m speaking primarily about the content of TOS itself, not its historical impact - I understand it had various historic firsts in terms of having characters of colour in respectable roles, which I’m not dismissing. My experience with the discourse on here surrounding the show is that people front-load these character representations as emblematic of the show’s progressive politics. Which, if we want to go that route, TOS was contemporary to the US civil rights movement, which provides us with a handy measuring stick to see how TOS actually grapples with race, not just the presence of characters of colour themselves. I'm going to be kind of defensive in this explanation, not towards you specifically, but because I have had this conversation with people online many, many, many times, and so any defensiveness on my part is in anticipation of arguments I know will come up as a result of making the basic claim that a show made in America in the 1960s is racist. I'm also going to be copy + pasting from an older post I've made on the subject since it's been a while now since I've watched TOS so some of the details are fuzzy.

Like okay, the premise of TOS is that the Enterprise, as an ambassador of Starfleet/the Federation, is seeking out new alien life to study. The Prime Directive prohibits the Enterprise crew from interfering with the development of any alien culture or people while they do this, so the research they collect needs to be done in an unobtrusive way. I think this is the first point at which people balk at the argument that TOS is racist or has a colonial conception of the world - the Enterprise’s mission is premised on non-interference, and I think when people hear ‘colonial’ as a descriptor they (understandably, obviously) assume it is describing active conquest, genocide, and dispossession. Even setting aside all the times where Kirk does directly interfere with the “development” of a people or culture (usually because they’ve “stagnated” culturally, because a culture "without conflict" cannot evolve or “develop” beyond its current presumed capacity - he is pretty explicitly imposing his own values onto another culture in order to force them to change in a particular way), or the times when the Enterprise is actually looking to extract resources from a given planet or people, I’m not exactly making this claim, or rather, that’s not the only thing I’m describing when calling TOS racist/colonial.

The show's presentation of scientific discovery and inquiry is anthropological - the “object” of analysis is alien/foreign culture, meaning that when the Enterprise crew comes into contact with a new being or person, this person is always read first and foremost through the level of (the Enterprise’s understanding of) culture. Their behaviour, beliefs, dress, way of speaking, appearance, and so on are always reflective of their culture as a whole, and more importantly, that their racial or phenotypic characteristics define the boundaries of their culture. Put another way, culture is interpreted, navigated, and bound racially - the show presents aliens as a Species, but these species are racially homogeneous, flattening race to a natural, biological difference that is always physically apparent and presented through the lens of scientific objectivity, as "species" is a unit of biological taxonomy. Basically species is a shorthand for race. This is the standard of most sci-fi/fantasy genre work, so this is not a sin unique to Star Trek.

Because of this however, Kirk and Co are never really interacting with individuals, they are interacting with components of a (foreign, exotic, fundamentally different) culture, the same way we understand that a biologist can generalize about a species using the example of an individual 'specimen'. And when the Enterprise interacts with these cultures, they very frequently measure them using a universalized scale of development - they have a teleological (which is to say, evolutionary) view of culture, ie, that all cultures go from savage to rational, primitive to advanced, economically simple to economically complex (ie, to capitalist modes of production). And the metrics they are judging these cultures by are fundamentally Western ones, always emphasising to the audience that the final destination of all cultures (that are worthy of advancing beyond their current limited/“primitive” stages) is a culture identical to the Federation, a culture that can itself engage in this anthropological mission to catalogue all life as fitting within a universal set of practices and racial similarities they call “culture.”

This is a western, colonial understanding of culture - racially and spatially homogeneous people comprise the organs of a social totality, ie, a society, which can then be analysed as an “object,” as a “phenomenon,” by the scientists in order to extract information from them to produce and advance state (ie Federation) knowledge. The Enterprise crew are allowed to be individuals, are allowed to be subjects with a capacity for reason, contradiction, emotion, compassion, and even moments of savagery or violence, without those things being assigned to their “race” or “culture” as a whole, but the people they interact with are only components of a whole which are “discovered” by the Enterprise as opportunities to expand and refine the Federation’s body of knowledge.

Spock is actually a good example of what I'm talking about, because he is an exception to this rule - unlike the others in the crew, his behaviour is always read as a symptom of his innate Vulcan-ness, where his human and Vulcan halves war for dominance in his mind and character. Bones (the doctor, one of the main cast) constantly comments on Spock's inability to feel things, that he is callous and unsympathetic, ruled by Vulcan logic to such an extreme that his rationality is a form of irrationality, as his Vulcan blood prohibits him from tempering logic with human emotion and intuition. Now you can argue that Bones is a stand-in for the racists of the world, that Spock proves Bones wrong in that he is able to feel but merely keeps it under wraps, that Vulcans are not biologically incapable of emotion but merely live in a socially repressive culture, but this still engages in the racial logic of the show - Vulcans are a racially-bound species with a single monolithic culture, and Spock's ability to express and feel 'human emotions' is the metric by which he is granted human subjectivity and sympathy.

And on the flip side you have the Klingons - a “race” that is uniformly savage, backward, violent, and dangerous. In the episode Day of the Dove, where Klingons board the Enterprise along with an alien cloud that makes everyone suddenly aggressive and racist (this show is insane lol), the Enterprise crew begins acting violent and racist, but the Klingons don’t change. They aren’t more violent than before (because they already were fundamentally violent and racist), and they don’t become less violent when the cloud eventually leaves (because they are never able to emerge from their violence and savagery as a social condition or external imposition - they simply are that way). Klingons are racially, behaviourally, psychologically, and culturally homogeneous, universally violent and immune to reason, and their racial characteristics are both physical manifestations of this universal violence as well as the origin of it. The writers and creators of TOS are explicitly invoking the orientalist idea of the “Mongolian horde,” representing both the American fear of Soviet global takeover as well as blatantly racist fears about “Asiatics” (a word used in the show, particularly in The Omega Glory where a fear of racialised communist takeover is made explicit) dominating the world.

This is colonial thinking! Like, fundamentally, at its core, this is colonial white supremacist thinking. Now this is not because TOS invents these tropes or is the origin of them, it is not individually responsible for these racial and colonial logics - these conceptions are endemic to Western thought, and I am not expecting a television show to navigate its way outside of this current colonial paradigm of scientific knowledge. I’m also not expecting an average person watching this to pick out all the intricacies of this and link it to the colonial history of Europe or the colonial history of western philosophy/thought. But this base premise of Star Trek is why the show is fundamentally colonial - even if it was the case that the crew never intervened in any alien conflict, never extracted any material resources from other people, this would still be colonial logic and colonial thinking. The show has a fundamentally colonial imagination when it comes to exploration, discovery, and culture.

I think a good place to end is the opening sequence. The show's first line is always "Space! The final frontier." I do not think the word frontier is meant metaphorically or poetically - I think the show is being honest about its conception of space as an infinitely vast, infinitely exotic frontier from which a globally Western civilisation (which the Enterprise is an emblem of) can extract resources, be they material or epistemic

#tos.txt #< have more posts in there also

[brucewaynehater101]

I come again w/ another Tim Drake au!!

So there's this fanfic "If We Could Only Utter the Words Left Unsaid" by TaintedCure on AO3

And now I wanna share an idea

TW for suicide because of Timothy + death-fueled-time-travel

Basically, whenever somebody kills Tim, they go back in time, and there's no limit to how many times he can die. they go back far enough to prevent his death or not do an attempt on his life

He dies during Titans Tower? Back in time you go Jason!

Cut his line and he broke his neck and died? Damian is now back in time!

Some goon cracked his skull too well? Say hello to the past bucko!

Hell, even accidental murders still register so if you were to accidentally push him off too high a ledge you're getting the Time Travel Treatment

Hey maybe Tim still is aware of his time travel powers, but only when it comes to natural causes (like hypothermia) or suicides, so as a result he thinks he knows it all when he in fact doesn't

So yeah, unless somebody spills, Tim is clueless to the whole truth of his powers

I imagine only old age would do him in at this rate

It'd be like real interesting to see all the POVs, especially if they think they know all the loops

Like there's Tim who's regularly exploited his powers to get perfect results but is trying to convince himself he isn't being too frivolous with his life since he's saving lives or making them better

Then there's the people who did him in and may or may not even be aware that the time travel they experiences was because they killed the Third Robin or got him killed

Then there's the people who've done him in maybe one, twice or multiple times and have clocked into the fact that murdering Tim is an exercise in futility

TW: suicide (powers revolving traveling time by dying), violence/abuse (skip the angst if you don't want the second one), and death.

Now, this is a very interesting concept, and I'm probably gonna get lost in the setup for a bit.

The way that Tim's powers work would have to be defined really well. How far back can he go? In the fic you mentioned, he has a save point, basically. He can die an infinite amount of times, but he'll only return to his save point unless he reaches past the OG time he died. He can play around as much as he wants between the savepoint and his death, but a new savepoint gets set up after he passes his OG death time. It also indicated a decrease in time he went back (or his savepoint was established) so that he'll eventually die for good if he kept using his powers. That solves a lot of continuity issues.

However, the setup for Tim's powers could be like SSS-Class Suicide Hunter. For those who aren't familiar, the MC revives 24 hours in the past. He ends up killing himself thousands of times to end up at least a decade in the past. It's been a while since I've read it, but that's the basics of it.

If we're working off of those rules, anyone who kills Tim is only working with 24 hours in the past. You can add more or less time to fit your AU better.

I have some questions about the setup. You mentioned that the person who kills Tim would get sent back without his knowledge. Therefore, in Tim's mind, has he never been murdered? Or, is it a two for one ride into the past? Does the villain get sent back into the past, but Tim doesn't know the past has been changed? Or does Tim get sent back as well, but he doesn't know the villain is also sent back?

Imma get into the angst in a bit if Tim doesn't get sent back into the past when he gets murdered.

However, the issue with this is fucking with the timestream. If a goon kills Tim, ends up 24 hours in the past, and past Tim kills himself within those 24 hours, what the hell is the timeline? Does the goon still get sent back in time? Does Tim get sent back, and then, when the goon is supposed to, his consciousness gets sent back during that time? Does Tim killing himself wipe out the goon being able to travel back in time?

Continously, I assume if villains found out about the power, they would gun for Red Robin with prejudice because they know they'll get a cheat that way. They get a ticket to the past if they kill the bird. They get a redo.

Alright. Angst time!

~~

Bruce is the first one to find out about Tim's power. He's training with Tim when, as per usual, he takes it a bit too far. The man has a habit of not pulling his punches in a fucked up version of trying to push Tim away from being Robin. This time, when he punches Tim, the kid doesn't get up. It's a wonder he didn't hear the awful crack or notice Tim's neck wasn't quite right. Only not recieving an answer after berating Tim about not getting up causes Bruce to pause. He doesn't hear breathing.

Oh gods. He doesn't hear breathing. Is Tim dead? Did he kill Tim? Did he break his nec-

Bruce snaps to attention mid lecture to Robin. They are both in the cave (not on the training mats not on the mats not on the mats), and it seems the exact same as it was yesterday when he was yelling at Tim about proper batarang maintenance.

Tim, ever the observant Robin, leans forward as if to ask if Batman was okay. Bruce flinches back.

Tim's eyes widen in shock as he takes a step back. In the year or so he's worked with Bruce, he's never gotten that response to initating touch. Tim's eyes flicker down to his hand in recrimination and puzzlement.

Bruce takes a shaky breath in before dismissing Tim for the night. The child is hesitant to flee but follows the request.

Bruce doesn't know what happened and he's not sure he wants to find out.

This cues Bruce being kinder to Tim and less harsh. The detective figures out that Tim has a time traveling power upon death, but it appears as if Tim isn't aware of it (he doesn't know that Tim constantly kills himself for better results in field). Tim never finds out that Bruce's change in behavior to him was born of guilt. He never learns that his dad killed him.

~~

Next angst!

Two concepts with Jason.

One, Jason creates a fucked up timeloop with Titan's Tower where he kills Tim over and over again in fucked up ways until he satiates his desire for bloodlust. If Tim is still aware of the Tower incident, that's because Jason wanted him to be. Whether Jason becomes guilty about this timeloop he created or not could also be explored. There is a fic out there kind of similar to this concept (timeloop Titan's Tower, not the added element of Tim's powers).

Two, Bruce does end up killing Jason in the showdown with the Joker. He batarang slices Jason's neck, the building blows up, and Jason never emerges. There's a few ways to add on top of this angst. If Titan's Tower happened before this (and Tim was left beaten), that means Tim chose to kill himself to save Jason. Jason will never know. That, or Titan's Tower happens afterwards and Jason tortures Tim not knowing the teen saved him from a second death at the hands of his father (ironically Tim also doesn't know that he's been killed by Bruce).

~~

Last Angst!

Damian finds out about Tim's power and abuses it constantly. He's a kid that was raised to be an assassin and found someone he can kill that also gives him the benefit of getting away with anything. As long as the kill goes through, he's golden.

Eventually, Damian starts to slow down on this. He doesn't really want to see Drake choking on blood again.

He one day finds that he hasn't tried to kill Drake in months and he doesn't really want to try to.

Then he finds that list.

Then he cuts Drake's line.

Then he has to relive those 24 hours again knowing he killed someone he was starting to trust.

Bonus angst if Tim finds out, jokingly asks his family members how many times they have killed them, and finds out Dick is the only one who hasn't (Tim killed himself after the 16th birthday incident and he somewhat blames Alfred for that, though he'll never tell him).

#dc comics #dc universe #tim drake #jason todd #bruce wayne #damian wayne #dc au #batfam au #thank you for the ask!!!! #i don't feel like editing so let me know if there are any errors!

[forfucksakesniall]

Protective Daddy

Pairing: Dad!Lewis Hamilton x Reader

Summary: Lewis and his partner decide to reveal their pregnancy to the world.

Word count: 889

After Lewis announced your pregnancy on Instagram, everyone's questions and assumptions have been answered.

A picture of your ultrasound and your belly with his face squished next to it.

Lewis is known for his private lifestyle, but he has recently felt the need to address rumors and accusations that have been circulating about him. Speculation has arisen regarding his involvement with certain models and allegations of cheating, including taking them back to hotels, among other things. However, none of these rumors are true, and Lewis felt it was time to clear the air.

On the other side of all that nonsense, you and Lewis have been together for a while now, five years to be exact. He has done some pretty good work on keeping things on the down-low. People knew who you were, but not enough to make too much noise. They knew you guys were dating; you've been seen in a few of the races and even outside the tracks.

But in these few months, people noticed your absence in some of them, and that's how the rumors started bubbling.

Lewis was seen with some people on and off the tracks due to mutual friends, but this caught the attention of paparazzi and gossip sites. As a result, people are slowly assuming that you either broke up or he was cheating.

During all the commotion, you were in Monaco, living the life in Lewis’ apartment. You were laying down on the bed, enjoying your pregnancy cravings.

However, after one too many instances of sneaking your hands into the cookie jar, Lewis caught you red-handed.

“Lew, can I please have one more cookie?” you asked with wide, begging eyes.

"Don't you think you've had enough?" he replied, taking the jar off the nightstand. You, already on edge from your hormones, did the only logical thing and start pouting.

"But..." your voice trailed off.

As you looked up at him then down at your belly, Lewis sighed, "Fine..."

“I love you, Lewis,” you said.

With a small hint of amusement in his voice, Lewis replied, "Are you just saying that because you want the cookies back?"

"No," you answered.

"Then what, my love?" he teases you. "Because if you don't have a good reason, I'm taking this back." while he holds the jar hostage.

"Because.... you.. are... such a good daddy to our baby for giving his mommy what she needs," you replied.

Lewis unable to hide the smile from spreading across his face.

"I'm the best daddy that our little one could have ever asked for," he agreed, leaning down to plant a quick kiss on your cheek.

"So, what about that cookie now?" you asked.

"Hmm..." Lewis hummed in thought, his lips pursing as he pondered his answer.

"You know, maybe one more cookie wouldn't be so bad for mummy," he eventually conceded.

"Of course not," you replied happily.

While you enjoy your last cookie for today, Lewis is on his phone, and his face is obviously distraught.

"What is it?" you ask.

Still not looking at you, Lewis replies, "What is what?"

He seems annoyed whatever was on his phone and is waiting for you to elaborate.

"I know that look. What's wrong?" you ask.

With a sigh, Lewis finally looks over at you and runs a hand at the back of his neck. He pauses before answering.

"I've been reading these... rumors. People have been saying that I'm seen with other women and that we aren't together anymore."

"Well... were you with other women?" you ask.

With a sigh, Lewis leans back against the bed, crossing his arms across his chest. He seems to ponder your question before replying.

"No, I haven't been with other women."

After a moment, he continues, "At least... not in a physical sense. There have been some... conversations with other women, but nothing that should be considered cheating."

"Hmm," you say, curious.

After a few moments of silence, Lewis finally speaks to you again.

"Do you believe them?"

You smile at him. "Of course not. I think it's just that people don't know about my pregnancy, so now they're making up some weird rumors."

Lewis nods slowly, his expression softening as you reassure him.

"Good, my love," he says, using the affectionate term. "Let them talk. They don't know the truth."

Lewis then moves closer to you and wraps his arm around you.

"You and I... we know what is really happening."

"Yeah... but it bothers you," you say.

Lewis is quiet for a moment, then replies, "Of course it does."

He sighs and pulls you a bit closer to his larger frame.

"I may not show it, but I care very much about you, and what people say about us matters to me."

"I know, babe," you say, cradling his face and leaning in for a kiss.

Lewis smiles slightly and gently responds to your kiss, wrapping his hands around your waist.

He pulls you into his embrace, his lips gently pressing against yours while one of his hands rests on your stomach.

Lewis pauses for a moment as though contemplating something.

"I think we should tell everyone that you are pregnant with our child," he says softly.

He seems to be thinking about the consequences of such a public reveal.

"It's a big step, but it would stop the rumors in their tracks..."

"Are you sure?" you ask.

"I want it to be official. Not just between us, but for everyone else to know as well," he says.

Lewis's arms tighten around you.

"You are carrying my child, and I want the world to know," he whispers.

"Okay then," you say.

"Let's go tell the world about our little one," he says sweetly.

With one last kiss, Lewis pulls back and smiles at you.

#lewis hamilton #lewis hamilton fanfic #lewis hamilton fanfics #lewis hamilton fanfiction #lewis hamilton fic #lewis hamilton imagine #lewis hamilton x reader #lewis hamilton x you #lewis hamilton blurb #sir lewis hamilton #f1 fandom #f1 #f1 x reader #f1 imagine #dad!lewis hamilton

[cassolotl]

Results of the nonbinary name survey

Hi folks, just thought I'd throw together a quick report about nonbinary names based on the recent survey.

The survey ran from 4th until 13th May, and there were 5,179 usable responses. For this one I won't share the full spreadsheet of all responses, as it contains potentially identifying information. Having said that, you can find a spreadsheet of the information I can share with you here. Every name entered only once has been redacted.

Most popular names

Let's kick it off with the main reason I did this survey, finding the nonbinaryest name:

Alex was #1, with 1.6%, which is 1 in 62 nonbinary people.

Here's the full top 10:

Alex - 1.6% (83)

Jay - 1.2% (64)

Sam - 0.9% (49)

Charlie - 0.7% (36)

Max - 0.7% (36)

Ash - 0.6% (33)

Robin - 0.6% (33)

Rowan - 0.6% (31)

Kit - 0.6% (30)

Eli - 0.6% (29)

Name length

I'm familiar with the stereotype that nonbinary people choose names by taking 3 letters from a bag of Scrabble tiles, or that nonbinary people take letters off their given names until it's one ungenderable syllable, and I would like to take this opportunity to add that these are both excellent ways to create new names. :D

This graph takes a rolling median name length from the whole list, and it shows that generally speaking the most popular names tended to be shorter:

The average name length was 5.1 characters long.

This seems to support the stereotypes, but I feel it's worth mentioning that we can't know for sure whether it actually does, because for all we know, binary people's names might show these kinds of patterns too.

Number of names per person

Participants could enter as many names as they wanted, in a list separated by commas. That made it pretty easy to count them, and it turned out like this:

That's fairly straightforward, most people have only one name.

Problems with survey design

Overall I definitely feel that the survey had some flaws. I knew in advance that there would be some people who have more than one name that they like more or less equally, but for some reason the first question I came up with assumed that you have one name that you like most and then required a single answer from a list stating how that name happened to you - leading the respondent to a different section based on that answer.

What if you've got two or more names that you like equally, and one was given to you by your parents when you were born that you use for work, one is a nickname based on that name that evolved between you and your family and friends as you were growing up, and one is a name you chose yourself and your closest friends call you that? That's pretty much an impossible question, isn't it?

And there were several other questions in the survey that took that approach, making the data from those questions basically useless.

I didn't think it would cause problems for so many people, but it did, and I have learned my lesson there.

However, there was a question asking you to list all your names, and that's what I used to make the ranked list. I don't see how people with more than one name that they prefer completely equally (i.e. those people who would be thrown out of the survey by an impossible required first question) would prefer different names from people with one name only, so I think the ranked list is probably approximately okay, and same for the number of names per person graph and the average name length.

Implications

I haven't decided yet, but I definitely think there's scope for doing this survey annually - but separately from the identity/titles/pronouns survey, for anonymity reasons. It could be fun to track popular nonbinary names over time, similar to the popular name lists for babies that are usually split by boys'/girls' names. It might be a bit meaningless unless I collect country data as well though, which is why the list currently reads very....... American..........

Now that I've learned a lot from a big and not-so-well-designed survey run on my personal account, I'd feel more comfortable designing something a bit more fit for purpose, and running it from the @gendercensus accounts to hopefully get more participants.

~ Fin ~

#survey results #nonbinary #nonbinary names

[writingwithcolor]

Representing Biracial Black South American Experiences…Through a White/Asian Mixed Race Character in Europe

@colombinna asked:

I have a YA story that's in very early development - pre-alpha, if you will. For now what I have developed is the characters: one of the MCs is a biracial asian queer girl (her dad is thai-american and japanese, her mom's white), she has a medium/dark brown skin, and lives in a very white context in a fictional European country. The contact she has with her extended family is limited to phone calls and regular visits because her dad moved from the US to said fictional European country.

I'm a biracial black queer girl myself, living in a very white community in South America, my extended black family also lives in a different place, and I'm taking a lot of my experiences of being not white and queer whilst living in white communities into her story (the feeling of not belonging, the impostor syndrome, standing out as one of the only POC kids in class, etc) and thinking back to what I've heard asian friends and classmates say about their experiences in the same school/community context as mine. But I want to know how different her experiences as a dark-skinned asian girl would differ from mine and my friends' in a similar context (white community, small number of other asian people - and POC in general - in the social circles, and limited contact to her extended family), and what experiences could make sense if the character was biracial black like myself, but won't if she's biracial asian.

Why not write a biracial Black girl if those are the experiences you want to represent? 

This MC is straddling, like, 3 different cultures. Having multiple immigrant identities in not-Europe is not the same experience as being Black in South America; while both are complex minority experiences, there are too many differences in intersections and histories to compare. Not to mention, it really depends on what European culture(s) you’re basing your not-Europe on. 

I think you’ll find that the written result will ring much more genuine and rich in depth if you either translate your experiences more directly or pick a more narrow focus, instead of assuming that there is a universal for racism and colorism against biracial people that is transferable across contexts. Because there isn’t. There can be overlaps, but if you’re looking to cover the entire range of What It’s Like in general, it won’t work.

This isn’t to say that people can’t use other identities to write about specific experiences of their own, but in this case you need to think about what story you want to tell and what your reasons are. Marika’s commentary will go more into when and how this can be done effectively. 

Also, if the point is to make her a dark-skinned Asian, as a white/asian mix myself, I implore you: why must you make her 1/4 Japanese and 1/2 white? Even with the Thai ethnicity thrown in, Thai people very much range in skin tone and have their own domestic issues with colorism. It’s not impossible for dark-skinned examples of your MC’s ethnic makeup to exist, but still I don’t recommend it for two reasons: 

It's going to make researching people whose experiences fit that much more difficult. Most experiences of colorism, othering, and other forms of discrimination that mixed white asians tend to face are completely different from mixed race asians who tend to have darker skin & features.

There's enough Japanese & white mixed Japanese rep in the Asian rep sphere as is. Consider that this individual could be mixed Asian (not Japanese) with something else (not white)! 

But again, think over your motivations. I’ll spare you the copy/paste of our Motivations PSA, but re-read it and consider. Why do you wish to write a mixed Asian character to tell the story of your experiences as a mixed Black individual instead of a mixed Black character? What does it add to the story? Is it an effective vessel for the experiences you want to convey? 

~ Rina

I think Rina brings up some good points here: I’m not hearing a lot of specificity in your query. As you doubtless know firsthand, the more intersectional and complex an identity, the more of a chance the identity may come with unexpected baggage and nuances that fly in the face of what is common sense for less intersectional identities. This can make writing such characters challenging just because there is so much choice on which identity themes to emphasize. 

I once spent about 15 minutes explaining to a person the thought process I used to determine when I could wear jeans depending on which country I was living in as a mixed race person who is perceived as different things in different places. It might seem trivial, but it’s actually very important to me for the purposes of identity, safety and gender presentation, so I personally think it’s interesting. But will my readers think a character’s multi-page internal monologue on whether or not to wear jeans is especially compelling? Does the writer-version of me want to research the version of myself musing on my specific jeans conundrum to that extent? Or do I want to talk about other things related to attire a lot of other people would relate to? I think those are all YMMV questions, but hopefully, they provide some perspective that will help you be intentional about how you might want to tackle something potentially very time-consuming.

When I say intentional, I mean that when covering a complex identity with which you are peripherally familiar, it will always be more effective and easier to use it to tell a specific story extremely clearly than to be extremely broad in scope and try to include almost everything about your own experiences, especially because some of those experiences might not be as relevant for your character’s background as they are to yours.      

One of my favorite childhood picture books is written and illustrated by a Nikkei writer-illustrator team. The book is titled Ashok by Any Other Name (link). The story features a desi child growing up in the US who wishes he had an American name his friends and teachers wouldn’t think was strange. It covers how being othered for his name makes him feel, and how he copes with that feeling. Speaking as someone both Japanese and desi, I think through the plot device of names perceived by the majority of Americans as foreign, this book aptly shows how many immigrant/diaspora creators are capable of relating to the pressures of assimilation experienced by other immigrant, even if the creator, the audience and the story’s subject’s backgrounds all don’t completely overlap 100%. 

There will be aspects of your Blackness, mixed identity, skin color, sexuality and living in a local community lacking diversity as a member of many minority groups that you will find resemble/ resonate with the experiences of mixed-race, Japanese individual in a Europe-themed setting, and I think any story that leans into those themes will be considerably easier for you to research. In other words, instead of asking us “How does my experience differ?” I would approach this issue by deciding what narrative you want to show about your own experience and then research the specific contexts within which your desired story overlaps with elements of mixed-race Japanese experiences. 

- Marika.

#japanese #mixed race #biracial #black #black woman #asian women #multicultural #multiracial #pov #identity #representation #asks

[sneepseverus]

cw: toxic relationships, mentions of abuse

As much as I love reading fluffy young!Snape fics about him being in a cute romantic relationship, I can’t help but also feel sad.

I think he’d definitely experience the honeymoon phase like most couples do but for longer than the person he’s dating. He didn’t have many friends, so the fact that someone actually likes him is not a regular occurrence. Of course he’d want to cherish it! But I think as a result, he’d become too clingy for their liking, and if he were told to back off a bit, he’d take it a bit too far and stop showing affection all together, at least for a little bit.

I also think he’d let a lot of toxic behaviors slide because 1) he was abused throughout his childhood and adolescence, so that’s more or leas all he knew and 2) he’d blame himself for making them upset, angry, etc. For example, if they wanted to date him in secret because they didn’t want their friends finding out, he’d agree to it because he’d be grateful that someone wanted to date him in the first place. He wouldn’t break up with them himself because it wouldn’t even cross his mind that they’d be in the wrong.

On one hand, I don’t think they’d have sex, at least not for a long time, because of his insecurities and fear of not doing well. On the other hand, if his partner’s sex drive were really high and demanded it, he’d agree to it even if he weren’t in the mood :(

But all that aside, I think he would be a good boyfriend. Not perfect, but good. He’d make homemade gifts for them and remember all special occasions (birthdays, anniversaries, etc.) He’d help them prepare for exams if they were struggling. He would give them his coat, scarf, and gloves in the winter. He’d apologize sincerely if he did something wrong or mean. He’d want to kiss them between classes and in semi-private locations in the castle. He’d write them cute poems and draw them together (don’t know how good the drawings would be, but O for effort at least).

The relationship would realistically end after they left Hogwarts if not sooner unless his partner were his soulmate. But assuming it did end, that relationship combined with his other experiences from school would be enough reasons for him to never date again as an adult. He’d go through a long phase of hating couples who display PDA. Even hearing people who talk sweetly about their partners would make him want to vomit. He’d reluctantly attend weddings if he were even invited, but he’d mostly be seen standing in the corner drinking.

I don’t know if he’d have casual sex with people. I can see him as someone who wanted/needed sex and therefore did it with people (but no more than three times per person), but I can also see him avoiding it. He might have had a low sex drive due to depression, anxiety, etc. or thought he was too gross for anyone to want to have sex with him even for just a night. I also think him being asexual is pretty fitting. But what do you think?

The only way he’d consider dating someone as an adult is if he fell in love with them. He wouldn’t even entertain the idea unless the feelings were strong. And I imagine he’d think he hated that person initially before realizing he loved them. In that case, he’d be overly cautious about revealing his feelings and entering a relationship with that person, even if the feelings were mutual and they confessed first. Like all relationships, it wouldn’t be perfect, but I think he’d learn from his experiences as a teenager.

#snape #snape headcanons #snape love #pro snape #young snape #severus snape #severus snape headcanons #pro severus snape

[violentdelightsandviolentends]

Clandestine. Part Two.

The affair was always a ticking time bomb. No one could have predicted how big the explosion would be.

Part One. Part Three.

Pairing - Stewy Hosseini x Female Roy Reader

Age Rating - 18+

Warnings - cursing. so much angst. sorry not sorry <3

Word Count - 1.7k

Author's Note - thank you thank you thank you for all of the love on clandestine!! it makes me so happy that so many people love reading stewy fics, because there is a criminal lack of them on here. i am more than happy to provide <3 as always, feedback and reblogs are massively appreciated !!

Series Masterlist.

Masterlist. Requests.

Knock. Knock. Knock.

Your eyes blink open, sunlight streaming through the sheer curtains. You’re resting comfortably on Stewy’s chest, both of his strong arms wrapped around you. You yawn sleepily, wondering what’s awoken you.

Knock. Knock. Knock.

Oh. That. You check the clock on the nightstand, realising that it’s only 7am. On a Saturday. Who’s knocking on the door at 7am on a Saturday morning?

Knock. Knock. Knock.

Fuck, is the noise getting louder? You nudge Stewy carefully, waking him.

“There’s someone banging on your door,” you whisper.

He groans and untangles his legs from yours. He throws on a pair of boxers, and moves to investigate the source of the knocking. You listen intently, curious to know who’s trying to gain Stewy’s attention so determinedly.

The door swings open.

“Ken?” Stewy questions, and you can almost hear the fear in his voice.

“Hey, man. Where the fuck is my sister?”

✵  ✵    ·　 ✵ 　　 *  · ✵

You're half awake and disorientated. Stewy got up to find out who was at the door 10 minutes ago, and frankly, you're getting worried. Against your better judgement, you throw on his shirt from the night before and make your way out of the bedroom.

You enter the living room to be met face to face with Kendall. Shit.

You briefly wonder if you can play it off, fabricate a story, tell him it's not what it looks like!

Apart from, it's exactly what it looks like.

Someone from Kendall's team saw you and Stewy leave the gala together. And now you're here, in his living room, wearing nothing but his shirt. And your shoes are by the front door. And there's a wine glass with your lipstick print on it abandoned on the counter.

There's no getting out of this one.

Stewy wants to scream, yell at you to go back to his room. He wants to pick you up and throw you out of sight, praying Kendall hasn't noticed all the tell tale signs. But it's too late. He has.

"Okay. Uh - what the fuck is going on?"

Kendall asks the question while looking between the two of you like some sort of cartoon character doing a double take. It doesn't require a genius to figure it out, but Kendall needs to hear one of you say it out loud.

"Listen, Ken-"

"Ken, don't get mad-"

You both speak at the same time, verbally tripping over each other. You've never actually discussed what you'd do or say if you got found out. You both just always naively assumed it wouldn't happen.

You sit down on the edge of the couch, and look at your brother earnestly.

"Ken, I'm not going to sit here and lie to you. It isn't fair. But you can't get mad when I tell you the truth."

"I'll be the judge of that," he mutters sassily. You decide the backtalk is a result of his confusion, and give him a pass.

"Will you come and sit with me, please? The standing is making me nervous. I feel like I'm on trial."

"You might be. I haven't decided yet."

You can't tell if he's joking. He's certainly not smiling.

Kendall moves to sit down next you. Stewy follows, perching himself on the opposite end to give you space. Close enough if you need him, far enough that it won't upset your brother more.

"Start talking," he commands, still confused.

"It's... well I - we - me and Stewy, we're -"

"Together," Stewy finishes for you. Kendall glares at him, and he decides he'll keep his mouth shut for a while.

"Yeah, we're together," you continue. "We have been for over a year. It isn't just sex, or anything. I'm in love with him."

It's weird to finally bear this truth after keeping it a secret for so long. It feels wrong, but also refreshing - like a bitter lemon on a hot day.

Kendall is scarily silent.

"You're... kidding, right?" he asks, finally breaking through the quiet.

"Do I look like I'm kidding?" you question, anger bubbling up. "It's my life, Kendall. It actually doesn't matter who I date. It doesn't change anything. It doesn't make a difference."

He looks at you incredulously.

"You're so fuckin' naive. How can you sit here and tell me this doesn't change anything?"

You go to speak, but he continues.

"You lied to me, first off. Both of you. For God knows how long-"

"Kendall-"

"Let me fucking finish."

You shrink back into the couch, willing it to swallow you.

"You both lied to me. You broke my trust... and uh, that fucking hurts, actually. And then there's the business side of things. You work for Waystar. Stewy is a board member. That's a conflict of interest."

You scoff at him, but then realise he's deadly serious.

"... A conflict of interest?"

"It's against company policy. How am I going to trust you? How is anyone? Information might get leaked. What if I tell you something, and then you tell Stewy? And he tells Sandy and Sandi, and then the Pierces, and all of a sudden nothing is private anymore. I. Can't. Trust. You."

Tears are welling up in your eyes quicker than you can control. You're trying to take deep breaths, begging yourself not to cry in front of Kendall.

"You're breaking my fucking heart, Ken," you whisper.

"Yeah? Well I walked in here this morning, and you broke mine first."

A choked sob escapes you, and the floodgates open. Fresh, hot tears sprint down your cheeks, landing in your lap. Stewy can't stand to sit and watch any longer.

"Okay, man, that's enough. This isn't fair."

"What's not fair is the two people I trust the most both lying to my face for a year. That's what isn't fucking fair."

With that, Kendall stands up and strides towards the front door, slamming it behind him as he leaves. The minute he's gone, Stewy is wrapping his arms around you, pulling you into his chest.

"It's okay, baby," he murmurs, stroking your hair. "He'll come around. We'll be okay. If we stick together, we'll be okay."

His reassurances are only making you cry harder, sobs escaping you uncontrollably. You eventually exhaust yourself, falling into a restless sleep in Stewy's arms on the couch.

✵  ✵    ·　 ✵ 　　 *  · ✵

You wake up in bed. You've temporarily forgotten the events of the morning, before it all comes crashing back down around you suddenly. Distantly, you can hear Stewy in the kitchen, talking on the phone. You look around the room, and know what you have to do.

You leave the bedroom with a bag in hand, throwing it onto the ground as you grab your shoes. Stewy clocks you, and hangs up the phone.

"Can I call you back? Thanks, man. I'll see you tomorrow."

He runs over to where you're slipping your heels on, precariously balanced against the side of the couch.

"Honey, where are you going?" he questions, panic washing over him at your frantic state. "Wait, have you packed a bag?"

He's trying to catch your eyes, but you keep looking away, desperate to avoid his unrelenting gaze.

"I'm going home."

A pause.

"... This is your home."

You knew he'd say that. It hurts just the same.

"No, Stewy, this is your home. My apartment is across town."

"You haven't been there in months. All your stuff is here. Baby, talk to me. What's going on? Did Kendall get in your head?"

"Kendall's right!" you shout, trying to pick up your bag. Stewy gets there first and grabs it, flinging it behind him, out of your reach.

"About what? He's just in shock, baby! He's confused and he feels betrayed. You don't owe him fuckin' anything. Not after everything that family has put you through."

"They're still my family. I can't lose my entire family, Stewy!"

"What kind of fucking family stab each other in the back? Lie to each other? Sell each other out for business? You're better off without them and you know it."

You know he's right. You're trying to convince yourself he isn't.

"You heard what he said! He won't trust me anymore. No one will. It's shitty, but my job is important to me. I can't be known as the Roy liability."

"Trust me, honey, you're the least likely to be named the Roy liability."

"That's not the point! You're not listening to me. I'm the youngest, I've had to fight for respect every fucking day of my life. I'm finally where I deserve to be. I can't throw it all away for... for love!"

Stewy flinches like you've punched him in the gut. He takes a step back and leans against the kitchen island, trying to keep his balance.

"What happened to 'you and me against the world', huh?" he murmurs.

"I think I got too wrapped up in this - in us. I was stupid to think it could work. We both were."

"I wasn't," he replies defiantly. "I knew exactly what I was getting into. I knew it would be really fucking difficult and I loved you anyway."

Stewy swears his hard breaks so hard, the both of you hear it shatter. A silent tear rolls down his cheek, big brown eyes filled with sadness.

"I'm not sorry for loving you," you whisper. "I'm sorry for a lot of things, but never for loving you."

"If you meant that, you wouldn't be giving up."

You duck your head, unable to look at him any longer.

"This isn't giving up. This is... quitting while we're ahead. If we keep going, we'll just end up having a huge, horrible, public breakup," you stop, and take a deep breath. "I think we were always doomed to fail."

Stewy thinks about the diamond ring that sits in a box in the top drawer of his nightstand. Doomed to fail.

You finally look up at him, and all the air leaves your lungs. You've never seen him look so defeated, so vulnerable. You're the cause of this. And you hate yourself for it.

You pad across the kitchen and pick up your bag from where he threw it, before stopping in front of him.

"I don't regret you, Stewy Hosseini. I never will."

With that, you stride out of the front door, closing it gently behind you. Stewy is left, cold and empty, in the apartment that no longer feels like home.

so... part 3??

Stewy Tag List -

@shawty-writes-a-little

@616wilsons

@justacaliforniandreamer

@isuspectitwasthenargles

#stewy hosseini x roy!reader #stewy hosseini x roy reader #stewy hosseini x oc #stewy hosseini x reader #stewy hosseini #stewy succession #stewy hosseini x female reader #stewy hosseini x you #stewy hosseini x reader fluff #stewy hosseini x reader angst #stewy hosseini smut #stewy hosseini fluff #stewy hosseini angst #succession fanfic #succession fic #succession #succession imagine #stewy hosseini imagine #succession fluff #succession smut #succession angst #succession x reader #arian moayed #kendall roy x reader #kendall roy

[snowy-equinox]

Revisiting Rahdue's Wheel

Rahdue’s Wheel is a much-larger-than-average tarot spread that originated from Eileen Connolly’s 1987 book, Tarot: The Handbook for the Journeyman. It’s difficult to find detailed information outside of the book, as its size makes it unpopular among most tarot readers. Hell, Connolly herself needs 28 pages to explain it all. Rahdue’s Wheel shows up occasionally on Tumblr or Reddit, but its reputation has mostly become a kind of “Eat the Pig Trough and Get Your Picture on the Wall” for diviners. 

It’s when you get past the size that you start to realize the spread itself has some problems. 

Tackling the ‘Size’ Premise

Let’s get the premise out of the way: Rahdue’s Wheel does not use all 78 cards. When you look at the spread in detail, it’s broken down into 7 sections: 

Inner Wheel - Present

Center Wheel - Future

Outer Wheel - Past

Dagim Block - Past life

Taleh Pillar (right side) - Past life relationships

Shor Pillar (left side) - Past life memories/experiences

Malkuth Block - Answers the 9 questions you are supposed to have asked before the reading

The last section, the Malkuth Block, is optional. Even if you choose to use it, you may not pull the rest of your deck. Connolly says “Any cards that have not been used are left face down and are not to be read. They do not pertain to the reading and leaving them face down retains the original energy of the spread. If you turn them over, you break the esoteric structure of the entire spread.” At most, this spread requires 69 cards, not 78. 

The Popular Criticisms

While its gimmick is an exaggeration, it is still a behemoth of a spread. Many believe it is unwieldy and bogged down with too much information. This is a common criticism of larger spreads; the more information you pull, the easier it is to get lost. The continual energy drain of pulling, followed by the mental drain of interpreting, can leave you with inaccurate results.

However, this is assuming that you have to do your tarot readings in one sitting. I don’t hold with that idea. You can take on the Wheel in parts, doing a section a day for a week. Or, you can pull all the cards one day, write down what you got, and then do the interpreting the next day. Personally, I think if you have the time, dedication, and skill to parse through all the information, you should be able to get good information out of a large reading. 

The Information

In my opinion, Rahdue’s Wheel’s failure is not due to its size, but the quality of information it gives you.

While I approached this spread with the assumption that most people will read it for themselves, Connolly goes back and forth on the role of her readers. In most of the section dedicated to Rahdue’s Wheel, she talks exclusively about “the client”, implying she is writing for a professional tarot reader and the reading is meant to be between two people (reader & querent). However, at one point, she advises the reader to do the Rahdue’s Wheel for themself four times a year, and there are a couple of “for yourself or the client”’s sprinkled throughout the section. 

I bring this up because this spread is not very good if you’re reading for yourself. The three wheels are the exact same questions; the only thing that changes is the tense. I know what my current health concerns are, and likely I know what my past ones were. The entire past wheel is redundant, as you’re just reliving everything without added context or commentary. Pulling a Three of Swords for past relationships tells me a break-up really hurt me, but it doesn’t tell me how that’s still affecting me. There’s no new information given to the querent beyond “this is how your life and philosophies have changed”. 

The redundancy cuts both ways in the reader/querent question. If you read for yourself, you’re wasting time and energy on things you already know. On the other hand, if you’re reading for someone else, you’re not giving the querent new information that can solve their problems. If anything, it’s spiritual junk food; the reader gets to come off as intuitive and knowledgeable (assuming the cards are all accurate), while not giving any real advice. The querent will leave feeling fulfilled from their amazing connection with the reader without any new ideas on how to fix their situation. 

The Past Life Issue

The other issue that becomes apparent right away is the focus on past lives. The wheels total 39 cards, while the past life sections total 30. This makes the past lives sections nearly half of the spread. Connolly believes that our actions and mindsets are influenced by the hidden memories and traumas of our past lives. She rationalizes that knowing about these lives is a good way to look deeper into the querent’s psychology. This gives us context for the previous problem: The reason we’re looking at every aspect of a person’s life is to find patterns stemming from the past lives. If we find your past life was betrayed by a lover, we know the root cause of your commitment issues. The wheels and the past lives sections work together to illuminate the overarching themes of the querent’s karmic life. 

This creates multiple barriers in order to make this spread work: 

You must believe in past lives as a concept

You must believe you personally have at least one past life

You must believe that issues from your past life can affect your current life

If you have all three beliefs, then this spread can do amazing things for you! But many people don’t have all three. I can’t get past the third one myself; I think it’s possible to connect with and learn from your past lives, but I don’t think their traumas become ours. For many, they don’t have the necessary beliefs to bridge the gap between the two halves of the spread. 

Even if you do believe past lives can affect our current lives, this spread still runs into the problem we discussed earlier: there is no advice given. At best, the reader will probably say to do “past life work” before sending you on your way. Knowing where your issues stem from can be helpful, but the knowledge itself won’t change anything. Ultimately, to see change you need a direction to go in. This spread will not give that to you. 

Finally Answering the Questions

Let’s revisit the Malkuth Block, the tarot reading within the tarot reading. Once the diviner has exhausted themselves sorting through every facet of your lives (present and past), it’s time to actually answer those questions you had that brought you to a reader in the first place. Connolly leaves it up to the reader to determine how many cards should be pulled per question. As I mentioned earlier, she says not every card will be flipped over and read, but then she goes on to say that if the querent only has one question, you must read all 9 cards in the Block. She does not give an explanation for this; I assume something to do with the “esoteric structure” but who knows. 

At this point, you’re doing a basic tarot reading. Surprisingly, many tarot readers are able to do “here’s the answer to your question” readings without knowing every single thing about you. If you’re just trying to get questions answered, the majority of this spread is unnecessary. It’s also incredibly damaging; by putting the questions at the end of the marathon spread, you get to the important part of the reading when the diviner is exhausted. 

Conclusion

Rahdue’s Wheel works well for very specific situations, like when you want to do past life work and don’t know what to focus on. But for the average reader this spread is too bloated. Not only is the size too large for most people to read accurately in one sitting, but the information it gives you is useless. You’re better off finding a smaller spread. 

While some use Rahdue’s Wheel as practice, I think most people bookmark it purely as a challenge spread to do “some day”. But this spread does work if you use it within the beliefs and framework Connolly created it for. I would bet there are a lot of people out there looking for just this kind of spread to help them with their past lives. They’ve probably heard the name before, but pass over it because no one talks about it as a past life spread or a karmic spread. They only talk about it as “The Ultimate Spread”. It’s become clickbait, in tarot form.

#rahdue's wheel #tarot #tarot readings #tarot spread #divination

[gorgeouslypink]

Hello, my lovely followers. I know a lot of you are "states" girls or hard-core followers of Neville and if you are, please skip this post. Love you guys still though <3

Okay so for my girls who are left, I wanted to share a few things that helped me in my void journey that I think can help you.

1. Using the Law in a Way that You Actually Believe Works for You:

One of my friends (@junkyutueme) opened up to me about a lot of their struggles and how they were kind of having a very toxic mindset trying to force themselves to occupy the state of someone who already enters the void and we talked about it and then we discovered that they didn't really believe in states and I advised them to just manifest in a way they actually believe so which is something that sometimes seems "wrong" on loa tumblr.

I've been in the void community for a long time and so exposure to the loa community is inevitable and I've seen it go through so many trends. I remember the days when SATs was THAT thing, yk? Like people would not stop talking about STATs and there were so many success stories. Then, there was a slight shift to Joseph Murphy and how his ideas aligned with Neville and that was a thing and people were succeeding everywhere. Then, we got affirm and persist. Like I know we all remember the 10k challenge. Now, we're on states. I remember the community being obsessed with Sammy Ingram, then went to Electrasoul, now we're on Edward Art.

I'm not saying these methods don't work. They do. They literally become trends because people succeed with them. The problem is that sometimes the loa community thinks that the trend is the only way to manifest. It is not. So are we going to go and tell all those success stories who just affirmed like a robot for the void that they manifested wrong? What about everyone who just used subliminals and got in?

What you assume to be true is true.

If you really don't understand how a method could work or you're trying to do a method but have doubts, it's not going to work. All you're doing is wasting your time.

This isn't to say the law is a waste of time. Please take advantage of the law 😭 It is so real and so powerful and you cannot see all these picture results with subliminals and so many celebrities talking about it and not realize this. I swear almost every successful person has manifested their success, like it's so weird to me when I'm randomnly watching a youtuber or celebrity interview and they reveal a manifestation method that worked for them and they don't even realize that they were manifesting.

But the problem arises when you enter a community that thinks manifesting is whatever is trending at the moment and maybe you're lucky and the trend is compatible with you. But if it's not, you're just wasting your time.

Take some time to read Neville. Personally I like Joseph Dispenza more because I'm a bit more logical. Please remember that these 2 dudes are also not gods or anything, don't adopt their limiting beliefs, just read to understand how they view the law and what works for them. Then, think about yourself. What is a way you have manifested before? If you don't have a way, think about all the methods and explanations and what acctually makes sense to you and do that and only that.

I always stress compatibility on my blog and that applies to the law and manifesting as well. Manifesting in a way compatible to you will guarantee your results, I promise.

2. EFT Tapping

I've talked about this before, I feel like it was a micro trend and then died out but EFT tapping is so powerful and I swear anyone who has acctually tried it will back me up on this.

I use EFT tapping a lot when I'm feeling sad. I'm going to go on a bit of a tangent here but I feel like a lot of people think that once you can enter your void, you're just going to be happy forever. The thing is you're still human and you still have feelings. I didn't revise my past or wipe my memory of it and I went through a lot of trauma which is something that I'm dealing with now and EFT has honestly helped me a lot when I'm feeling down and can't pinpoint why or when I'm feeling overwhelmed.

But going back on track, here is a great EFT track I recommend to help you manifest entering the void:

3. This is just a subliminal that I recommend everyone to add to their playlist. I recommend listening to 30 minutes but just listen how much ever you want to:

If you're in or were in the subliminal community, you know this subliminal but for those who aren't, back when I was in the subliminal community and hadn't entered the void, this subliminal blew up and everyone was getting such great results. I was someone who got a few results but I never really got my main ones including when I used void subliminals but I still tried this and I swear my days improved a lot. So I definetly recommend adding this to your playlist.

You've got this and I truly believe in you 💗

#Youtube

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saw this pop up on /r/UnpopularLoreOlympus and I-

Full analysis post that inspired this post can be read here, it's a good read, go check it out!

Now my natural reaction to not assume the worst (shocking, I know) is that what Rachel's actual intention behind making Leto a sun god was due to her being Apollo's mother and her clearly having a stronger relationship with him rather than Artemis. I'm abiding by Occam's Razor here, it's the simplest answer and it keeps my brain from getting too riled up right off the bat LMAO

There's a lot of emphasis put on Apollo being the god of the sun in LO, despite the fact that Apollo is one of the MOST prolific gods in the Greek pantheon, Rachel only ever really focuses on him being god of the sun with some loose references to him also being the god of music (as we see with him playing his lyre). There's really no real referencing to him being the god of medicine though (aside from that scene of him condom-bandaging Persephone's hand in Episode 22 ?? which is silly now in hindsight because she's a fertility goddess who can heal herself but ok lmao and the fact that Rachel established him as a LITERAL DAD with his doctor son Asclepius which ... just feels weird to have in LO tbh) and there's absolutely no referencing (from what I can find or recall) of him being a protector of the young, god of prophecy (for some reason he just magically gives Kassandra the ability to read prophecies... just so she can read his prophecy ??) or archery. Like, he's shown doing a lot of these things but they come across more as just side hobbies or extensions of him being Artemis' brother (like his archery) rather than aspects of his godliness or domains that he presides over. It's just like yeah, Apollo can shoot arrows and bandage people's hands I guess LMAO

All that said, I can see Rachel deciding to make him primarily the god of the sun and then going "oh! let's make his mom a sun god! then she could be a common enemy for both Persephone and Hades!" because Hades doesn't like sun gods yadda yadda.

But... we know Rachel has used front page Google sourcing in her comic before.

(literally the 'source' was copy pasted from a 2004 study guide for Princeton.edu. And we KNOW this was taken right from the first result because it just says 'www.princeton.edu' with no slug attached, which is what showed up back when we first looked into this, the princeton version was deadass the first result with this definition word for word. She didn't even remove the typo where there's no space between Xenios:"Zeus !!!).

And while a bit more into sus territory rather than outright confirmed like the xenia thing above, there's the whole Metis / Métis theory, that has us wondering if Rachel seriously googled "Metis" on its own and accidentally used Indigenous Métis cultural depictions in her version of Metis, the Greek God.

The fringe in her outfit, finger wings, and dark orange/red color really got my attention the first time I saw her design years ago, because she set off so many, "Wait a minute, is that an Indigenous woman???" bells in my Mi'kmaq/Cree brain LMAO And not even in a bad way, but now it feels a little :/ because of how much her character has been assassinated and how clearly accidental it was for her to look like that.

Of course, there's still a more likely explanation that her design was based on this vase:

But IDK y'all. That vase is very distinctly orange while the character itself is depicted in dark garbs and with light skin, so Metis being distinctly red-toned with finger wings and fringe?

While the Xenia thing is definitively copy pasted from the first search result on Google (literally there's no denying that at this point, Rachel's REALLY bad at doing research and then pretending like she was being smart by sourcing it from a university website... completely ignoring the fact that that website literally hasn't been updated since Rachel was working on The Doctor Pepper Show) the Metis and Leto depictions are definitely a lot more up for debate as to what 'research' Rachel did and whether or not they got confused with something else during her searching.

And really, the whole thing with Leto being a "sun god" doesn't make sense really when you think about it. Why is Leto a sun god? It's not even like you could argue there are "some versions" of the myths where she's a god of the sun, or other translations out there, or whatever vague source that could be used like what has been used for other gods like Hades and Persephone. Leto is not affiliated with the sun in any shape or form. Remove Apollo, her eventual son, who didn't exist when she was born and given the title of 'sun god', and it quickly falls apart as to why she would be a sun god in the first place.

She is a goddess of motherhood though, and that's NEVER mentioned in LO. If anything, Rachel makes her a terrible mom on purpose. Because god knows we can't have anyone in this comic be a good mom except for Persephone and Rhea (who are literally just carbon copies of one another). Basically the only thing Rachel gets right with Leto is the fact that she's a Titan and that she had Apollo and Artemis after sleeping with Zeus. That's it.

Unfortunately, unlike the xenia thing, there's no outright proof of what Rachel's reasoning was behind these designs or sources. So I'm not gonna accuse or outright state it as fact that Rachel confused Metis for Métis or ripped the idea for Leto being a sun god from an anime, because the odds of that being true in any way are fairly low.

But they're never zero.

#lore olympus critical #lo critical #anti lore olympus #antiloreolympus