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alexahasaguardianangel · 10 months

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I do not understand why I have friends and partners

#i am a horrible person #i am manipulative #i am narcissistic #i am self centered #i dont deserve them #i dont deserve to live

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allthecheesesticks · 2 years

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♫happy birthday to me ♫

#its my birthday #i am self centered #claire i see you #where is my happy birthday claire

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electricpurrs · 5 months

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tex red vs blue is insanely transgender but im the only one who sees it that way because im crazy in the head.

what if there was a past version of yourself. a woman, a wife, a mother, with long hair and a sweet smile. and she died long ago. and you are her. but you are not her. you're nothing like her, but the people who knew her desperately want you to be her, want to preserve the memory they have in their minds of the woman they loved through you. but you never asked to be her, never asked to carry the burden of someone else's expectation of who or what you should be. you have a new name. you prefer to go by this one. people remark on how weird it is that it's a guy's name. sometimes the people who loved [the past version of] you call you by your old name. they are not referring to you when they say it. you live in the shadows of someone who's long gone, and you're something different now, but you don't feel like you're ever allowed to define yourself on your own terms, to be your own person, to control your own life, because you exist solely through the memories people had of you. and the longer she has been gone for, the more desperately people try to get her back, the less you resemble her and the less you know who you are, or if you ever even got to be anything at all. what i mean is that transition could have saved him

#🧃#rvb #red vs blue #DONT ask me why i got up in a cold sweat at 7 am with thoughts on tex red vs blue. i miss her so bad #anyways i do think if anyone in rvb could ever be actually trans coded (which nobody is because theyre created by fucking rooster teeth)#its gotta be tex #but because i know a trans subtext couldnt ever possibly be intentional i also think tex is a fascinating subject on the #''dead wife'' trope and the way stories like this treat female characters #and how tex's existence somehow seems surprisingly self aware as she actively rejects being the Dead Wife #and its brought to attention how existing solely as the angst memories men had of their dead wives #actively denies her of agency as a person inside the narrative #but also more generally denies dead wife characters agency in any narrative theyre written on #tex's struggles as a character inside her narrative are also the struggles of fridged/killed off female characters outside their narratives #on a meta textual level by being written by men in male centered stories who dont allow the women they write to exist as people #tex is a fascinating character and i am fucking furious she exists in a that stupid ass show. ill save you girl. ill take you out of there

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ectoplasmer · 9 months

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imagine cuddling up with your f/o in bed during a thunderstorm… arms curled around each other, legs intertwined, head resting against chest while it rumbles and pours outside. getting to listen to the sound of their deep, calm breathing with the patter of rain against the window, seeing their features whenever the room is lit up by the flash of lightning… maybe their arms tighten around you whenever there’s a clap of thunder, maybe they make some sort of sound or they snuggle closer to you… just imagine being all warm and cozy with them during a storm, safe and comfy in their embrace <3

#the only imagines i ever post are Cuddling centered i am so sorry it is the only thing on my mind Ever #if i was sandwiched between my boys i think i would be happier </3 #i love thunderstorms especially during the summer because (most of the time) the clouds look really cool #i really like watching them whenever it’s like that but sometimes it’s just grey clouds and those aren’t as fun to observe #and they make me sleepy…#hence. *gestures at post*#i have other thoughts on having stormy days with f/os…#i get mushy over silly stuff like imagining putting together puzzles with them agsjdh i am. so normal >_<#anyway hiii #selfship #self ship #self shipping #selfshipping #f/o imagines #imagine your f/o #self ship community #self shipping community #romantic f/o #quartzshipping #honeyshipping

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unoriginal-and-dumb · 2 months

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I’m nawt gonna lie gang, with the day I’ve had today I realized I should stand up for myself against stuff that’s making me upset because I’ve had enough of not being joyous so im addressing it

I said before that I don’t mind if people draw inspiration from my infected design, but there has been a lot of times (so many today of all days of course) where it really is just my design and yes I am flattered but please, please credit me

I came up with the design as a whole on my own, based entirely on “oh that would be kinda cool” in my head, and when I first started drawing it I didn’t really see anyone else drawing rlly anything similar to my design at all so I mean.. I dunno man I kinda would like credit maybe please

adding on to part of the reason why im doin this cuz now im seeing other people given credits and it’s like hm ok 😮😕

It’s been happening for nearly every single fandom I’ve been in now and it’s like errr ok…

#I dunno like I said terrible week and today has really just made it all worse #so maybe im just overreacting here but I am upset and #I think I should respect my feelings and then like do stuff about it #I DONT KNOW MAN MAYBE THIS IS SELF CENTERED #THEN IM GONNA BE EVIL AND SELF CENTERED I LOVE MYSELF #whatever

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rxttenfish · 10 days

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Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

#all the care guide says is 'biomass'#monster prom #asks #vanillabeenflower #this is. so long i am so sorry.#and its still not my entire thoughts because i have so many thoughts #this is an unedited ramble tbh and im very sorry for that #i have more complaints like #how fucking snide and condescending the narration is to its own characters #which it already had but gets even worse in the later games #which is why despite loving aaravi i dont want to play moncamp at all #where a character says they like something or feel something and the narration has to be so. sarcastic about it?#like how i mentioned about how it feels like how its looking down on them as people #instead of whats probably the intended read which is #more jokingly calling them dumb in an affectionate way like how you might do with friends #and ofc theres the whole miranda rant #i hate what theyve done with the merkingdom and i HATE adrien as a concept i wont lie #just. cool. this female character is too stupid to count as a lore character. we obviously need a MALE character to fill in instead #we cant just have miranda talk about this or center any of the other female characters #and how they feel about this and whats going on for them #no we need to make up a new man to talk to instead #im. im still really bitter about it i wont lie.#like i said i could go on and get way more specific about it #i just feel like any and all emotional weight to this has died and the characters are more and more obviously actors on a stage #for your own self gratification rather than their own people living their own lives #this is so bitter and i really shouldnt put this in the main tag #i am so sorry everyone who will see my rant. but my peace must be made.#dont worry im already asking myself if im just making all this shit up myself #what if some of us liked that the characters were so mean to the player and had no qualms about aggressively rejecting us #because it gave some illusion of them being able to make their own choices and decisions in what they wanted

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moonysfavoritetoast · 2 months

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sometimes i ignore the “rb if you ___” because i genuinely can’t be bothered to reblog it and that’s not very nice of me

like esp the “reblog if you support *insert sexuality*” because the big red text always makes me feel icky

#i am so self centered omg #anyways #evan’s rambles

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commsroom · 1 year

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the "big picture" - whether that refers to some detached, calculated greater good; ruthless ambition and progress for the sake of progress; or even the dear listeners' cosmic indifference - as an antagonistic force in wolf 359 is so fascinating to me because of the way eiffel as a protagonist is set up to oppose it, just by nature of who he is. eiffel retains his humanity even under the most inhumane circumstances. his strength is in connection, and with that he's able to reach others who share his core values, but he's operating under a fundamentally different framework from the show's antagonists. he can never understand where they're coming from or be swayed by their points of view because, for better or worse, he can only see the world through a close personal lens.

it's an ideological conflict he has with all of them, but notably with hilbert: "you talk about helping people, but what about the real, live people around you? [...] that's your problem. you're so zoomed out." eiffel will never, ever see that "big picture" because he is so zoomed in. at his best, he puts things into perspective and grounds the people around him. at his worst, his perspective narrows so drastically inwards that he becomes blind to everyone and everything else. his failings are deeply, tragically human - they're personal, they're impulsive, they're self-destructive. they're selfish. no matter how much he might try to narrativize or escape from himself, he's still left with doug eiffel: "it's taken me this long to realize that running from everyone else means that you're alone with yourself." eiffel could never be convinced to harm others on purpose, but he has hurt people, and it's never been because he didn't care. the very fact that he cares so much, that he's incapable of reconciling the hurt he's caused with the things he values, is what keeps him from real growth for so long. where many of the other characters in wolf 359 will justify their cruelty in service of something they consider more important, eiffel is so caught up in vilifying himself and the fear that he's always going to harm the people he cares for without meaning to that he shuts himself off from the people who care about him and perpetuates his own self-fulfilling prophecy.

#wolf 359 #w359 #doug eiffel #someday i'll finish my essay about the big picture as an antagonistic force. it's only been on my list of things to do for uh. ever #eiffel really cannot be convinced by Big Picture ideology in any form because he's so. unambitious and inwardly focused #he's not self-reflective at ALL but he is self-centered #and in some ways that's genuinely a good thing #but it's interesting. that he vilifies himself and tries so hard to. externalize his redemption and see some humanity in others #as proof he might be able to be better. when if those people consider themselves villains at all then they consider it necessary #i'm not sure if i'm phrasing this the way i want to but his worldview is just. fundamentally incompatible.#when i think about eiffel i think a lot about. how self-loathing is also a kind of exceptionalism. considering yourself uniquely bad #is its own way of avoiding accountability.#idk. it's complicated. it's a lot. it's interesting that lovelace talks about the 'big picture' when she's briefly a sort-of antagonist #but her 'big picture' is personal and emotionally driven in a way no other use of the phrase is #and then of course you have hera in am i alone now. such a big big universe etc.#when she betrays that perspective immediately and directly by talking about it through such a narrow personal framework #one of the most direct examples of 'big picture' thinking vs. personal connection in that contradiction. but that's another post maybe.

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analog-television · 4 months

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theres a unique level of frustration when it comes to searching up certain bugs and being bombarded by how they are PESTS and their main trait IS HOW THEYLL PERSONALLY RUIN YOUR LIFE so look at all these EXTERMINATION SITES TO GET RID OF THEM.

like kindly fuck off, please. let me search up local weevils without being told how awful they are to everything around us and how those "nasty acorn weevils do nothing but fuck over oak trees". i almost never see this level of hostility towards more charismatic species such as birds and mammals (aside from maybe rats), and i cannot lie its extremely jarring coming from the more avian side of animal enthusiasm.

i guess i just want more... neutral and unbiased search results for bugs? but man no wonder the average person thinks so poorly of bugs, even those who DO try to look up local insects are met with sites that encourage killing them.

#bugs #insects #weevils #rant #this shit bothers me so much as a liker of animals please i just want to do research on local fauna from time to time dghkdghk #theyre just existing it feels so unfair to lump an animal's entire existence into how they PERSONALLY BOTHER US #its a weird and self centered world view idk #its 3 am no one will see this but whatever have my rant tumblr

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faelapis · 1 year

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the thing that kills me about radfems is that a lot of the early concepts are pretty cool, and now they’ve just devolved into total idiots.

oh you wanna talk about how assigned sex at birth impacts everyone in a structural way that should be completely reformed and how unfair these forced roles are? wow, as a trans person i completely relate and understand -

oh. wait. you’re just a complete freak who thinks that people who go against these forced labels at birth are the problem? and also you have weird obsessions with sex and sexuality where you think anyone assigned male is inherently horny on main all the time and can’t be trusted, despite seemingly being against this socialization? and your idea of “utopia” is this america-brained punitive society that’s just as oppressive and cruel as the current one, only women are in charge? and you ironically base the belief on old-fashioned, sexist ideas of women being inherently softer and gentler as a class? and you’re completely unwilling to unpack any trauma that causes you to see the world in this stupid black/white way where anyone afab is “safe” and anyone amab is dangerous? and you refuse to address any privilege of your own because you’ve already assigned yourself as “victim”?

ok. never mind then. you’re just a fucking idiot.

#not su /#social issues #feminism #btw terfs stop putting words in my mouth challenge - impossible difficulty #i am against gender roles i am against rape i am against discrimination like are u crazy #me being trans doesnt mean i cant be a feminist. y'all just want that to be the case so im a more fitting boogeyman #for your dumb self-centered victim fantasies

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