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onenettvchannel · 8 months
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#OnlyOnRadyoBandera: Critical controversy surrounding Crunchyroll Original's 'High Guardian Spice' raises uncertainty for a potential 2nd Season
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(FILE PHOTO COURTESY for REPRESENTATION: Crunchy Onigiri / From top left to bottom right with an upper-like S shape on Tetris: Sage, Rosemary, Parsley and Thyme)
TRIGGER WARNING: The following entertainment news article discusses a sensitive and controversial topic related to the original cartoon series 'High Guardian Spice'. We furtherly acknowledge that this piece of content of OneNETtv Channel and OneNETnews may be too distressing to some news readers, and may contain discussions of political hate speech, criticism and homophobia. We strive to present a balanced view of this situation, and we advise readers to exercise caution while engaging with this material. As part of our ZERO-tolerance policy in a news organization, we do NOT endorse, aggressively attacking to offend others, or to promote hate speech or discrimination of any kind. READER's DISCRETION is STRONGLY and HEAVILY ADVISED. Also, read our full disclaimer at the end of this article. Thank you!
BURBANK, CALIFORNIA -- In a serious surprising turn of the events, the original cartoon web series 'High Guardian Spice' on Crunchyroll is facing an uncertain future as discussions surrounding a potential Season 2 have given way to disappointment and controversy.
High Guardian Spice was produced by Crunchyroll Originals in late-October 2021, and was created by a Cuba-American show creator named Mr. Raye Rodriguez, was initially met with a significant amount of excitement upon the announcement.
With its focus on diverse characters and a story centered around 4 young women named Rosemary, Sage, Parsley and Thyme, whose attending a magical school at the High Guardian Academy (HGA), the series aimed to break new grounds in the world of cartoons, since there is no further evidence or independently claimed for the anime genre. However, as Season 1 concluded, it became evident that the show had garnered mixed to severely negative reviews.
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(STOCK PHOTO COURTESY: Google Images)
Criticism and negativity surrounding the show intensified, leading to a series of harsh reactions from some viewers, largely citing issues related to the animation quality and storytelling. Online discussions quickly shifted towards accusations of political hate speech and critiques of the series as a "trojan horse" for LGBTQ+ representation. These criticisms led to extreme divisions within the anime community.
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(SCREENGRAB COURTESY: Raye Rodriguez via The X Network, per the relay thread with Nitter Instances)
The situation escalated further as High Guardian Spice, faced backlash from some quarters of the anime and cartoon communities. This led to concerns about its future and the potential for a 2nd Season. A vocal group of fans expressed discomfort with the series, feeling it discouraged non-LGBTQ+ viewers for various reasons, including a lot of online allegations of cyber-homophobia.
The actual controversy additionally prolonged to accusations of underbudgeting for both the writers and animation departments, with some claiming that the show's production quality fails to meet the entire project industry standards. The series receiving massive bad interests from a group of people or individual but vocal, with the incorrect marketing for its targeted audience whose labeled it as the "most unfairly maligned anime" on the internet web series as according to The Mary Sue news bureau.
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(ART PHOTO COURTESY: Raye Rodriguez via LinkedIn Blog Post / He is now permanently done on Crunchyroll, which potentially moved on to a different streaming animation platform. While Ms. Rosemary grips her sword and tries herself without giving up.)
In light of these saddened developments to Radyo Bandera news team, Crunchyroll remains tight-lipped with regards to the web series' fate of High Guardian Spice. Speculation about a potential 2nd Season met uncertainty, and it is unclear whether it will return, or be permanently cancelled.
As it stands, the divisive nature of 'High Guardian Spice' has also placed its destiny in jeopardy. Whether Crunchyroll picks to address the criticisms, or if the series will make a move to a different animation studio and a different streaming platform, remains to be seen with a good transparency to the public. The controversy surrounding 'High Guardian Spice' poses a question about how far creators and platforms are willing to go in accommodating both their core targeted audience and people with differing viewpoints. Will a potential Season 2 be an opportunity for a redemption, or risk the show's cancellation forever?
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(THUMBNAIL PHOTO COURTESY: DaftPina via YT Images)
Case and point by default in the world of cartoons instead of anime, 'High Guardian Spice' stands as an interesting case study with a point-of-view, limiting boundaries of what a web series can be represent, the impact of fan discourse, and the weight of a balanced public opinions. Only time will tell for what the future holds on this ambitious web series of Crunchyroll Originals.
High Guardian Spice is available to stream all the episodes, on demand right now on Crunchyroll.
FULL DISCLOSURE: Radyo Bandera: Sweet FM Network-Visayas and Bandera News Philippines (both in Bacolod and Palawan), alongside with Crunchyroll are in the parent affiliated firms on this internet TV station of ONC and OneNETnews.
FILE PHOTO COURTESY for REPRESENTATION: Crunchy Onigiri
SOURCE: *https://twitter.com/dinoraye/status/1483551613503426565 [Referenced Thread Post via Twitter] *https://www.linkedin.com/posts/rayetoons_its-a-rough-time-in-the-job-market-these-activity-7117358088466137090-MoW1 [Referenced Captioned Post via LinkedIn blog] *https://youtube.fandom.com/wiki/Rayetoons *https://www.themarysue.com/crunchyrolls-high-guardian-spice-internets-most-unfairly-maligned-anime/ [Referenced Editorial Article via The Mary Sue] *https://www.youtube.com/watch?v=eTz_HVWmNAU [Referenced YT Video via DaftPina] *https://en.wikipedia.org/wiki/High_Guardian_Spice and *https://en.wikipedia.org/wiki/Homophobia
IMPORTANT HONEST DISCLAIMER: The views and opinions expressed from an entertainment news article are not necessarily those from the Crunchy Onigiri, LLC. Online suspects in social media toxicity must not be imitated in any political matter. Furthermore, the assumptions of the entertainment news article will NOT state, intervene or reflect those of our affiliated reporters. The show, the station, the management, interwebs and the network. Thanks for reading and stay safe mga Ka-Bandera. Later!
-- OneNETnews Team
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high-guardian-herbs · 3 months
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So sometimes when I don’t feel like drawing an actual drawing, or feel art blocked, I usually make a doodle/sketch page, where I draw whatever that comes to hand with a blank mind, or just try different coloring techniques and styles
Anyway this page that’s I’ve made for HGS have been filled, and it was fun drawing in it and coloring these characters, usually my doodle pages are more doodle like, but I felt like I should post something so here to go
All of these are characters in the show with slight differences in design and some headcanons of mine sprinkled in and I think I did nice on some of these doodle
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aloeverawrites · 1 year
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historyhermann · 1 year
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Wednesday Review (Spoiler Filled) [Part 3]
Continued from part 2
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Apart from non-existent LGBTQ representation in Wednesday, despite some arguable same-sex romantic vibes and promotion, and undertones negative toward Black people, there are are other grounds to criticize the series, including the use of oft-known tropes, caricatures, and archetypes. At times, the series falls into formulaic mystery and teenage romance. An improved show would have expanded representation, perhaps even with Wednesday as asexual, bisexual, or lesbian, or another protagonist.
Reprinted from Pop Culture Maniacs and Wayback Machine. This was the fourteenth article I wrote for Pop Culture Maniacs. This post was originally published on December 7, 2022, and will be published on my History Hermann WordPress blog on Feb. 21, 2023.
Despite this, Ortega's performance gives the show its charm, especially with her deadpan humor. She makes the show you want to watch until the end, following her from abandoned houses to hidden libraries as she tries to figure out who the monster is, and why it is targeting specific people. Ultimately, without Ortega at the helm, the show would fall apart.
More specifically, while the other actors in the series are talented and skilled, their performances pale in comparison to Ortega. None of them measure up to her, not even Thing. As such, the other performers are underused, or even worse, miscast. This could have been remedied of the series had busted apart genres, rather than complying to them. Perhaps it could have been set in a college environment, rather than a boarding school which almost seems akin to Hogwarts in more ways than one.
The next season of the series has been hinted, but has not been confirmed. Apart from any possible LGBTQ storylines, it would be good to see more world-building outside the town of Jericho and into the wider world. Otherwise the show would feel like High Guardian Spice or Little Witch Academia, in that it would be set in a magical school. While neither series is bad, if Wednesday followed the same path, the show could become too stale and uninteresting.
Furthermore, the series would be weakened if it continues to emphasize heterosexual teenage romance, especially involving Wednesday, or Enid. Such as focus could result in the show becoming like Twilight, and become an unfortunate detriment to the series as a whole.
Despite my criticisms, I tentatively recommend the series, mainly due to Ortega's acting performance, the role of Thing, and the macabre and horror vibes from the show. I hope the show improves in the future.
Wednesday can be watched on Netflix.
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© 2022 Burkely Hermann. All rights reserved.
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weirdocartoongirl · 3 months
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Allies of Elaine's Crew from my universe
List:
The Age
Ariel Risen
Cole Carlos
Cassy Remy
Amy Williams
Kylie Karla-Gregory
Monique
Phoebe Sparks
Amaryllis (High Guardian Spice)
Little Bill (My version)
Sofi "Zoo" Wong
Tulip Olsen
Mao Mao
K.O
Zee Zatara/Zatanna (2019 ver.)
Vambre
Izuku/Deku
Ami and Yumi
Corey and the Grojband
Sal Fisher (as a ghost)
The Molly Gang
Jessica Flintridge
Mars (MWatGG)
McGee (Camp Lakebuttom)
Alexandra Trese
Alice (EverWing)
She-Zow
Tiffy (Candy Crush)
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dragongirl028 · 5 months
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Onyx Equinox: All Hope is NOT Lost!
So for those of you who don't know, Anna Lencioni (the wife of Onyx Equinox creator and Executive Producer, Sofia Alexander) has begun to regularly host live streams on Twitch every Tuesday and Thursday afternoon to chat with fans while animating segments of her upcoming Indie series Enceladus V. Who should walk in and join for a little while on the latest stream, but Sofia herself (shocker)!
Not just that, but the two divulged on some super juicy, super hopeful information regarding the future of Onyx Equinox, and, let me say, folks: All hope is NOT lost on this series! There's a chance we'll be getting more information, and possibly even more seasons, in MUCH due time. Here's every detail I noted down from the stream relating to the future of Onyx Equinox (SPOILER WARNING (duh)!!!):
• Sofia wanted to explore K’in in a more nuanced way in season 2; he was going to have a lot of growth in that season, since he finds out Yun never wanted to be an ulama player, and was pressured into it by his twin brother • “I think you should come onto my stream and tell everyone what would’ve happened in season 2… we gotta schedule that one… we might have to do an English and Spanish simulcast.” - Anna • Ship-hinting/queer characters/more LGBTQ+ representation in Onyx Equinox: Yes, yes, and yes. More info will be given in the exposition stream • Gustavo “would probably work for free” on future seasons • “Crunchyroll doesn’t give a SINGLE fuck.” High Guardian Spice's OST was released, and Crunchyroll didn’t care about that • Gustavo technically owns Onyx Equinox’s OST, he’ll likely be the one to release it, once he’s less busy
• If properly finished, Onyx Equinox would have three seasons AND a movie; the movie would be pretty much an origin story, focusing on Tezcatlipoca and Quetzalcoatl vs. Cipactli • Crunchyroll DID ask Sofia to write a season 2, but then the merger with Sony happened, and, well, we know what happened from there... • Coyolxāuhqui was going to be in season 2 as a “major fan” of Mictecacihuatl, and [Micteca] was going to be on “the good side… one of the heroes, so-to-speak.” • “There is a contract. I think Sofi has rights [to Onyx Equinox] in her version, but we haven’t explored it yet, and I think we need to.” • “I have become a little bit selfish about sharing more [about Onyx Equinox and the characters], because I feel like the industry already sucked me dry… eventually, I’ll be healed enough to say ‘Yeah, let’s give it another try, and fight for this.’ I feel that if Onyx is meant to be told, it’ll be told, even if it takes a little bit.” - Sofia • Final words of the stream: “We’ll keep you updated on the Onyx Equinox exposition stream!”
So, yes! As Miracle Max from The Princess Bride has said, Onyx Equinox is "only mostly dead". Will we need to wait while for more information and content? Absolutely. Will it be worth it? AB-SO-LUTE-LY! The Gods have heard us, folks! Onyx Equinox someday, will be back!
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tavyliasin · 5 months
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ATG 8 - Ally? Lover
In which two minds meet...
Pairing: Emperor/Tav (And Guardian/Tav) SPICE Rating: 4.5/5 if this is your jam Content Warnings:  Sex, TENTACLES, Mild Bondage, Mindreading, Mindflayer, 
Spoilers Act 3, Guardian/Emperor "Romance" Canon Compliance Canon Compliant - I took a basis from the game scene and expanded it to include the Guardian form along with the Emperor, even though in the game you only sleep with one or the other. Other Notes (From the original release) This chapter is very skippable if you're not down to go to monster town, and that's completely cool you aren't missing much story development beyond conversation that mirrors the one in-game. I tailored it a bit more to fit this Tav better and how I saw that they could believably connect. Yes I tried to make the Mindflayer-fucking chapter emotionally real. The game made it sound appealing. In its own way. I took this as a challenge, and also felt it would be weird to leave it out from the ATG story as a whole. Particularly I feel at this point Tav has been through so many unimaginable horrors she might as well indulge in some unimaginable pleasures too. This will be the *ONLY* Emperor chapter though, because I'll be honest whilst it was fun to write over 4,000 words somehow, I am somewhat more fond of our other pairings so they'll get priority, unless you make demands then I'll probably cave and do another. Oh and I forgot to find space for the line "your tadpole squirms in recognition" and I don't really want to try and edit it in awkwardly, so, here, and sorry!
Song/Mood Find Life by Amaranthe "And you cannot deny What I have sacrificed An unsuspecting side of you A blackened paradise Feel the corruption rise A billion souls adrift But life can save us. Come and you'll find The temptation of human desire Rise, high, Come, find life."
----- FULL CHAPTER BELOW THE CUT -----
Tav paused. She began to rewind and replay all of the events that had lead her to this moment, this choice, a hundred pathways all converging… They had fought intense battles, finally left the shadow cursed lands behind them to make the final march to Baldur’s Gate, and then everything was turned upside down again before they even made it to the outskirts of the city. A week ago a portal had opened in the middle of the night, angry gith fighters pouring into their camp. The insistent voice of the Guardian begging them to rush through the portal impossible to ignore… Everything had only become more overwhelmingly shocking since then. Before the dawn had broken that morning, they had discovered that the Guardians they had all seen within the prism were merely illusions . The one truly keeping them safe was a fucking mindflayer and an imprisoned Gith Prince of Legend. The very same Mindflayer who was sat beside her now, half dressed, and Gods, is he giving me bedroom eyes? His pale lilac skin glistened in the eerie light around them, not entirely unlike a thin sheen of sweat or oil on more humanoid skin.What he’d said moments ago was true. They had searched his old hideout beneath the city, found many of his belongings and she had spoken with him - such as she could, with his voice echoing in her mind - about the memories that were stored alongside them. Weapons and armour they were free to use, trinkets that he had kept as souvenirs of his time in the city, mementos from what sounded like a lover… Finally she had begun to feel they were on more equal footing. The Emperor, as he called himself, was far more interesting than she could have imagined. “Are you suggesting…?” She wasn’t even sure how to finish the question. “Only if you are willing,” the voice spoke without breath, as if a thought in her own head, “and there is no need to rush.”Tav could feel his mind reaching out in the space between them, a sense of lust sparking beneath the ethereal stars of his realm. “I’m…not sure.” She said, hesitating more. “It’s not a no , but…” “You forget, Tavylia, that I know you. I know your heart, your mind.” He tentatively pressed his mind a little further towards her, a warmth and kindness emanating from him now alongside the intoxicating undercurrent of desire. 
“Then you remember my past, too? I am…open to you looking closer, if you wish.” She willed her memories to open like a book, inviting him in.
“No need, dear one, I have seen it like a play on a stage before me. Your mother’s back, laden with weapons, the sad smile in her eyes as she walked out of the door to face some greater foe from her past. Your father’s tears as he read the letter, your hopelessness as you watched the illness overtake his broken heart. The emptiness of the small home, and your own face in the mirror, barely in your teens and completely alone. Why do you think of such things now? I did not intend to remind you of anything painful.”“In your disguise, you walked those same streets. You had your people working within them, trying to make things safer, trying to save everyone. Yet…some of us you could not save.” Aside from her own memories, another that had touched her mind sprang unbidden to her consciousness. Astarion, bleeding out in the street, and the false saviour who had arrived before him.
“It is…regretful, that not everyone can be saved. But you know this already, do you not? No matter how hard you fought there was always some tragedy that slipped through your fingers, a body you couldn’t find whilst it still drew breath, sometimes just a few seconds too late.” The voice in her mind softened. Sympathy. Empathy. “You see, we aren’t so different. I am relieved it was you who ended up with the prism, who found my home, you who I have grown…close to.” The Emperor sidled a little closer, studying her face for any sign of discomfort, and laying his large hand over hers.
“Chance, perhaps. It could have been anyone, really. It seems like half my life is decided by some random roll of the dice from someone else’s hand.” She almost laughed at the absurdity. “What else do you see in that? Maybe by now you know me better than myself.”
“Perhaps I could, but there is a small corner you keep locked away…”
“Some memories deserve to stay buried,” she lied, a half truth as she firmly locked away just a small part of her plans with a random dark moment from her past that didn’t hurt nearly as much as she needed him to believe. “Then it would be unkind of me to pry.” Tav felt his mind withdraw from that place, just slightly. “But as for what I see in you… Contradictions, hesitation, but above all there is a passion within you.” The heat of his own desire began to wash over her now, along with a comforting wave of compassion. “You are…not what I expected. Not what anyone expects, I should wager.” “Isn’t life more exciting with a little of the unexpected?” Tav grinned, beginning to make up her mind. The prospects were enticing, after all. Sleeping with a vampire, flirting with a fiend… Just what would it be like to be with someone who knows every one of my thoughts and desires?“Indeed.” The Emperor growled within her mind, moving a little closer still. “I’m well aware of your rules, your agreements with your vampire lover, and I do not think you can truly deny what is between us now. I even know those thoughts you have about the fiend, though I’d advise not indulging in that particular curiosity.”
“Just as you ask me to indulge in this one?” She kept him on edge, not quite allowing him sure footing. That was the plan buried in the last unexplored corner of her mind, a simple part of her rule of surviving. Always stay aware, trust is proven with time not words, and having the upper hand could often be reassuring even if it never needed to be used. She couldn’t deny that she felt the desire, the curiosity, and to be honest after everything she had survived she was at the point of throwing caution into whichever wind blew her way. Yet, still, if she could get him to drop his defenses, let her in entirely, then should their goals no longer align she might at least have a weakness to exploit. Tav would prefer not to have to be so underhanded, but she knew that some part of him would well understand the finely honed instinct, sharpened over decades on unkind streets, the whetstone of hardship leaving her with a keen blade of wit.
“I won’t ask any more of you than you are willing.” The Emperor pulled back now and stood up, offering a hand to help her to her feet. “You can move away at any time, should you wish, and if a word might make you feel safer then even the thought of the word Orpheus will halt us in a moment.”
“Isn’t that a little…close to home?” “No stranger than Angel for your beloved vampire.” “Touche.”
“Or perhaps, now, touch?” The illithids tentacles moved slightly, the shape of his eyes making the full expression look somewhat akin to a smile. Or at least whatever passed for a smile from a Mindflayer.  Stepping towards the Emperor, Tav soon realised her feet were no longer on the ground. True to his word, she could still will herself to move freely so she could still leave if she wanted. But where would the fun be in that? She drifted closer to him, tentatively laying a hand on his shoulder, caressing the ridges of muscle and skin. This was…not how she imagined things would ever go. But it wasn’t entirely unpleasant. It looked like he would be completely cold, but there was a warmth beneath his skin. She leaned in towards him naturally as the distance between them narrowed, until she realised - where the fuck am I supposed to kiss? She flipped quickly through her memories like an index, looking for a clue. Ah…that was it…his mouth was somewhere behind the tentacles. Shit. Plan B.
Tav was at a disadvantage. The Emperor had been able to see all of her romantic entanglements and desires, likely knew plenty of ways to entice and excite a humanoid body, but in all her adventures after dark she had not once been so close to a mindflayer. He did not reach forward to her, but instead allowed her the time to begin to know his form. He was lithe, tall, perhaps “gangly” would be an accurate, if unkind, word for his body. But she kept in mind, it was still a body. Nerves and sensations would not be so different, if she could find the right thing to do. That was the one advantage she was realising she had, as her hands felt along his arms, across his chest beneath the tentacles, and around his back. She was beginning to sense exactly how he was feeling. The shiver of pleasure passed between them like a thought as she found one sensitive point along…well, where a collarbone might be, if he were not an illithid. Floating above the ground was also freeing them to the experience completely. No hard rocks beneath them, no obstacles in the way, the only touch they could feel was each other. For now, they had stopped talking. Communication was coming purely from contact, as Tav gently began to take one of the tentacles into her hand, running her fingers along the appendage. The Emperor shuddered, the air almost sparkling with the feeling conveyed from his mind. That , it seemed, was good for him.
Emboldened by the discovery, along with realising that his skin - and indeed the tentacles - did not feel quite so…unusual, as she had expected. Every body had its quirks, after all, from pointed ears to ridged skin, shapes and sizes of all kinds, rainbows of colour and beautiful variety to indulge in. His body was smooth and taught, tense, textured, but not at all unpleasant. The tentacles themselves were clearly sensitive, a slight audible rumble coming for once from the Emperor’s throat rather than directly into Tav’s mind. His eyes closed briefly, exhaling a long and shuddering sigh, the blazing pink tones almost glowing brighter than before when he looked back at her again. The patience had paid off for him, Tav realised, but had now worn away. Still, he was remarkably gentle as he gradually slid one of the tentacles behind her neck. It didn’t feel so dissimilar to a hand or an arm, the flexible appendage caressing her hair and the pointed tips of her ears.
Tav sighed herself now, the touch was building the intensity between them, their minds melding ever closer. Another tentacle wrapped over her shoulder, the third around her waist pulling her tightly against him, leaving only the forth still in her hand where she could continue to trace shapes with her fingers, occasionally stroking or massaging the muscled limb. The Emperor’s own hands moved to her hips, sliding down a little to take a firm hold of her rear, long nails digging in just enough for her to feel as he pulled her body even closer against his own. The tender and careful touch of the Emperor was almost close to romantic, a sensation which Tav might have found surprising if their thoughts weren’t melting into each other just as much as their flesh wanted to. But this was where she began to feel at a loss again. Her own clothes were being gradually unfastened, skin exposed, every point she had ever wished to be touched entirely encompassed by the myriad of limbs. Fingers and tentacles alike dextrous in raising the desire within her, his own passionate feelings swimming through her mind. “Is something…wrong?” His voice resounded quietly in her thoughts now, almost a whisper. Of course he could sense her hesitation again. The touch that had been surrounding her fell away as he allowed them to drift apart, glowing eyes observing her carefully. “It is…this form. Too unfamiliar.”
“No…Yes… A little. I don’t want you to be uncomfortable, I’m not used to…”
“I could, if you desire, take any form you wish.” Glowing eyes twinkled with promise.
“Isn’t this what you want, how you are now?” Tav pondered the possibilities… Any form at all, that wasn’t something you could experience every day, but then wouldn’t it be insulting? She knew what to do with a more humanoid body, though…
“Perhaps,” he suggested, “we could consider both to be an option. There might not be many nights left before we must face the final battle, but this single night has more than one hour in it.”“Then…” She paused again. “I have one rule. Never the form of any of my companions. Never anyone I know.”
“Maybe,” he took one of her hands in his, “you might like the form you knew me in before?”
His free hand gestured a slight motion, and his illithid form shimmered and transformed into the stunning Tiefling she remembered from when they first met. “How did you decide on this body? When you first came to my dreams.”
“It was simple,” the Emperor - or rather, the Guardian - spoke with an audible voice now that there was a tongue to form words and lips to express them, “I looked into your own mind just briefly. I chose a body you might find to be…appealing.”
“You…were not wrong.” Tav took a moment to appreciate them, peering at every inch of their barely dressed body still floating in the air. They were a Tiefling, rich purple toned skin, deep pink hue in their hair and eyes, skin with a few pale marks of vitiligo like a map of beauty to her eyes. Their voice was warm, soft, and though their form leaned more masculine they were beyond any concept of gender. Perhaps it was the same for the Emperor, after all Mindflayers had no concept of gender or genitalia though he had always claimed a masculine title and pronouns for himself, a way to be perhaps more like the people he wished to live amongst?...
“Come closer, dear one,” they spoke softly, but didn’t close the gap themselves, leaving it as an invitation when she was ready, “we can stay like this until you feel more comfortable.”
Tav willed her body towards theirs, the heat between them rising anew. This would be easier, for now, and their body was so very enticing. The curls of their hair fell like a waterfall from between the horns that rose from their forehead, they even had the appearance of wearing flawless makeup that almost shimmered.
When their lips met, she was reminded of all those dreams, the strange warrior promising protection yet holding so many secrets from her. There were no secrets now, their minds opening fully to each other - besides that small corner she locked away - absorbed in the connection. Floating higher above the ground they could move completely freely, the touch of more familiar hands was becoming intoxicating. It was relieving for Tav to be able to hear the soft moans from her strange partner, a more familiar reaction to her advances as she grew bolder, hotter, allowing the desire to flow through her like waves crashing against the shore. The Guardian, as it was easier to think of them in this moment, this form, had fully undressed her now, clothes fluttering to the ground below. All that remained of their own clothes was the thin silk wrap that only partially covered their chest and hips. Tav decided to leave this on, finding it in some way more enticing to see with her hands now than her eyes. Their lips barely parted, legs entwining, arms wrapped around each other as they tasted the heat of the kiss. When she had drawn close to the Emperor, Tav had noted the scent of vanilla and garlic - it wasn’t something she thought would ever be an appealing combination, but it was a flavour now that she decidedly wanted more of as it was still present from the Guardian… Her Guardian, as they were giving themselves fully to her in this moment. She moaned audibly as nimble fingers found their way between her legs, touching, stroking, a gentle but insistent lust behind every motion. Her own hand traversed their body, taking in every muscle and curve, seeking the same places to draw out their arousal with her own. There was an intensity with every motion they made, every exploration of each other’s most sensitive points bringing forth a fresh harmony from within, the sounds of their voices melding together as the line between where one ended and the other began became even thinner. It was a dizzying high as they reached a release, far from the ground below, far from anything as their consciousness blended in ecstasy wrapped in each others arms until, breathlessly, they began to descend in more ways than one.
“How do you feel?” The Guardian asked, though they hardly needed to. Perhaps it was more a courtesy, perhaps a little of their own hesitance.
“I want you ,” Tav replied, “all of you, as you truly are. I think I understand, now.” “If you are certain,” they drifted slightly back again, just as their feet touched the floor, “then you may have … all of me, as I shall have all of you.” Their form changed mid sentence, their voice shifting to the telepathic link once more, but this time it felt more…comfortable. Enticing. In the binding of their minds, Tav had experienced something entirely beyond explanation, but she could tell that if she were willing to truly be with him then the night with the Emperor would be unforgettable, unique- “There are…other things we can do, if I am not spending my energy on maintaining the other body.” His eyes sparkled with a fresh glow, one hand lazily weaving patterns through the air as if drawing magic itself to his slender fingers.
“You know my mind, Emperor,” she replied, allowing some of her more…interesting thoughts to surface, “I will allow you to decide from here. Lead me, show me what you want, too.” That was more than enough invitation, the air almost pulsing with anticipation and a pure passion, their minds drawing each other in once more. He closed the gap between them in a single step, tentacles wrapping around her in an embrace using his arms to break the fall as he pressed them to the ground together. “The tentacles…do not cause you concern?” he enquired, even as they caressed every part of her upper body, drawing yet quicker breaths from her lungs. “Different,” she managed to whisper, “is not bad.” “Then…relax.” Comfort laced with desire radiated in her mind, now accompanied by the feeling of the spell he wove around them. “Evard’s Black Tentacles, perhaps you might feel my use of this magic to be somewhat ironic, but I assure you that you will not be harmed. Merely…held.”The magical tentacles rose from the ground beneath them, transforming the stone floor into a living mass. Some wove themselves akin to a bed beneath Tav’s back, but a few others began to coil around her limbs. Were their minds not so wholly linked, she would’ve expected to feel danger, but instead there was only the pure intention filling her consciousness. The word, should she think or speak it, would melt them away in an instant, but the possibilities....
Some hours later, Tav would hesitate with her quill above the page, unsure how much of this particular story she was willing to tell, but in the moment…her entire being was carried away in a flood of sensation. The spell’s tentacles coiled around her arms first, a firm pressure holding her as the next snaked their way up her ankles, moving her legs apart. The Emperor knelt over her, his own tentacles caressing her face, breasts, taking his time to touch every inch of her body while glowing eyes watched her expression with a renewed hunger.
Her eyes closed naturally, giving herself over entirely to the almost overwhelming feeling of being so utterly touched. Her body was a mass of sensation, nerves alight with the contact that covered almost every inch of achingly oversensitive flesh, her mind awash with the flood of feelings from the Emperor’s own. There truly was no space left between them in body or in thought, nothing separating the ebb and flow of pure pleasure. It was hard for her even to tell which tentacles were from the spell and which were his own, as they caressed and massaged muscles she hadn’t realised were sorely in need of the careful release of tense knots.
And then there was the tentacle drifting up her thigh, and she found herself urging it to continue, to keep mapping the nerves towards her core. She felt a little amusement from the Emperor as he held back, teasing her to the brink of madness before pressing inside. Stars burst in her mind, the flexible appendage moving in all the right ways within her.
It was nothing like she could have imagined, being so utterly smothered by senses all around her, body completely and wholly held, taken, lifted to dizzying heights of pleasure. He knew everything she wanted, everything she desired, reading her mind like an open instruction manual on every thought that passed through willing him onwards. Wave after wave of orgasms cascaded through not just her body, but her entire sense of being. It was perhaps different for him, but she felt some similar shudders of pleasure, shivers vibrating through his tentacles as he gave neither of them pause to draw breath.
She pressed forward a simple wish, to let her have more of him, and he was more than happy to provide it, bringing the tip of a tentacle to caress her lips. Perhaps they could not kiss as they could with the Guardian’s welcoming lips, but she was familiar enough with how her own lips and tongue might express something similar.
Tav kissed the soft skin, tasting again that strange blend of vanilla and garlic, inviting the tip between parted lips. She felt his mind shudder within her own, as close as one might get to a moan of sheer desire, and began to work her lips and tongue around him to draw out yet more from within him.
It was…intoxicating. To be utterly surrounded, filled, a hundred nerves shooting lightning messages through her entire body with two simple words - fuck,yes.
Time dissolved away, every thought beyond the absolute desire banished to some other realm as they fully indulged in every sensation they could tease from one another. By the time they finally lay still, the tentacles receding beneath them as the spell faded away, their minds finally parted.
Tav had felt such a rush, the heat of the moment carrying her almost entirely out of her body yet keeping her rooted within it with the unending touch. Now they were parted, laying beside one another, she wasn’t quite sure what to do, how to feel. It was clear that what the Emperor felt for her was beyond the animal lust that had consumed her own soul, but her heart remained firmly with her lover.
Astarion, she thought to herself quietly, I’m not quite sure you’re ready to hear about this one.
“You should return soon and rest, dear one. The work must start anew come morning.” The Emperor was clearly more concerned about returning to business now, their shared goal in defeating the Absolute would not disappear in a single night of...sex? That was perhaps the closest word, though not entirely accurate. Either way, it wouldn’t buy them any more time, either. Their arrival in the city had already been filled with more unavoidable tasks, a new set of crises that she seemed destined to resolve with her strange group of allies.
“Ahem.” A voice sounded from several metres away. Wait, the Emperor speaks in my mind, and he’s laying right-Tav looked up. A shimmering portal crackled in the air, the silhouette of several figures against it.
“I am sorry, dear one, I promised I would protect you, but I cannot shield you from your connection to them. And I was…distracted.” The Emperor sounded apologetic, and Tav realised with growing horror exactly what this meant.
Gale’s voice cut between them again. “I’m not going to judge you, but can we all come to an agreement to never speak of this as long as we all shall live?”
The silhouettes beside him nodded silently and retreated through the portal, as Tav quickly gathered her clothes from where they had fallen across the area, feeling far more exposed than she had ever intended.
Fuck. She thought. That was… Fuck.
---Even as she tried to sleep back in her bedroll, the image of her companions standing there was burned into the backs of her eyes. Fucking tadpole. She rolled over again, pulling the blanket closer around her shoulders. Still…that was… She didn’t quite finish the thought, but she knew she didn’t entirely regret the experience. Though she did promise herself it would not be one to repeat. A willing audience was one thing, perhaps, and though she was fairly certain the others didn’t sense the details, they knew who she had been with that night. Even just catching them laying there naked in the afterglow was likely far more than any of them ever wished to witness.
Agreed, Gale, we shall never speak of this. She glanced at the diary. But I might as well write about it. For posterity.
Several times she would consider tearing out those pages, setting fire to them, and erasing the existence of the ashes that remained…but she never did, that lingering yet sated curiosity staying her hand every time.
----------- ----------- ENDING NOTES ----------- ----------- My original end note to this was "I see this chapter as a challenge. The game made the option sound appealing, and I can't deny either that it raised the idea of a bunch of possibilities, so join me as we explore a few of them, dear one, if you so desire~" I...sorry loves I can't deny it any longer, those were a lot of interesting possibilities. And honestly as I repost these I do have some regret to sharing a pseud with Tav's full name - at the time it seemed fun, but the more Tavylia has become part of my identity the stranger it is to use those mentions as ATG's Tav who has just been "Tav" to me for a long time now. I also wrote this prior to finishing the game and before I'd gone back to find Abdirak (I missed him the first time!) so I think "dear one" came either from the dialogue scene or just something that felt right at the time for his term of endearment, so I do apologise to Abdirak fans. I will make it up to all of you~
Oh, and this was my Guardian and I love them~
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thomthinks · 3 months
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Guardian: Zhen Hun by Priest
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✓ I liked it.
I read this book at the beginning of 2024, and by now I don’t remember enough details to do a thorough review, so I’m going to keep this as spoiler free and as brief as I can:
The world is set in modern day China and is mixed with supernatural elements. At the start of this book, we meet “Guo Changcheng”. He’s your average Joe, and is mostly there to introduce the reader to the world and other characters.
Guo Changcheng is starting his work at the “Special Investigations Department”. On his very first day, he meets the director of the department, “Zhao Yunlan”. Director Zhao is the main character of this book. For their first case, they are investigating a suspicious suicide in a local university, where Zhao Yunlan meets “Shen Wei”, who is one of the professors and also the
✨love interest✨.
By the end of their first case, an important item is discovered. I’m trying to keep this spoiler free so I won’t elaborate much on that, but it’s one of the four “very important items to the plot”. We also get hints about the main villain.
The rest of the plot is pretty straight forward (for a mystery, that is). The special investigations department + Shen Wei solve different cases and discover pieces of the puzzle.
There are many twists and turns, and the mysteries are all pretty interesting.
This was the first book I read by Priest and I did NOT have high expectations, but by the end I was super invested. After I finished the series, I was obsessing about it for weeks. I’ll definitely pick up other books by Priest.
If you haven’t realized by now, Zhao Yunlan and Shen Wei are the main couple. They don’t get together fast, but I wouldn’t call this an slow burn either. There aren’t much ups and downs in their relationship, and while there is a lot of potential for angst…uh.. love wins?? I guess? They’re really devoted to each other. Don’ let nothin come between ‘em.
If you’re looking for drama and angst throughout the story, you’ll have better luck elsewhere. But even though it has a happy ending, this couple can and WILL emotionally wreck you at the end.
Funnily enough, Shen Wei went from the character I hated with a passion, to the character I was reading the rest of the book for.
We get introduced to many characters and they all get to shine in their own arcs, in different parts of the story, Which is great.
I should mention that the artwork in the book are good and I quite adore them.
Unfortunately for spice 🌶️ readers, and fortunately for younger readers, there are no explicit scenes. The adult parts are fade to black and implied.
Oh! And there’s a talking cat! 🐈‍⬛
Overall, this book was incredibly fun and brought me much joy. There was mystery, fantasy, supernatural, and queer romance. It seriously exceeded my expectations.
I think that's all. Can't remember if there was anything else i wanted to mention, so... *shrugs*.
If you’d like to talk, feel free to message me. I should warn you that I might take a while to reply, because I’m an adult human person with a life (and several mental illnesses, lol), but I would love to chat!
Anyways, thanks for reading.
Farewell for now ~
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mauesartetc · 7 months
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What movie, TV shows, animation and maybe a series you think is the best that we as writers can learn from?
Maybe in your opinion?
What TV show, movies or any series that helps you with your writing and maybe animation?
I mean I think we can learn a lot from Helluva Boss and High Guardian Spice on how NOT to write a series, but in terms of how to do it properly...
See, this one's kinda hard to pin down because good writing often sweeps you up in the moment so it's harder to notice what specifically it does right, than what bad writing does wrong. You have to experience that piece of media multiple times to get an accurate read on what it's doing well and how it accomplishes that. At least I do, anyway. And there are so many series that have been praised for their writing (The Sopranos, The Wire, Succession, The Boys, Mad Men, Game of Thrones pre-Season 8) that I haven't seen yet (but would like to!)
I'm working on a post that analyzes how different Disney films created sympathetic main characters, and considering another one about what the writing of Netflix's Castlevania series does well. Better Call Saul's writing is fantastic, BoJack Horseman's writing is fantastic... maybe I can also elaborate on those in the future.
But honestly it just helps to look at whatever stories you enjoy and analyze what specifically you like about them, and whether or not they succeed in conveying the information the writers intended. And if you dislike a thing, it's possible you're just not part of its target audience. Anyway, this is a great opportunity to open the floor for comments on which media has great writing in y'all's opinions, and why (preferably without spoilers). Fire away!
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new-employeeamillion · 4 months
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What are a couple of shows you choose or refuse to give a full review/retrospective?
I like to say I have a “never say never” attitude, but I don’t want to review anything I’d have a completely negative reaction to. You’ll notice that even in my more critical reviews, I try to give the subjects their dues. I never like being a hatewatcher, plus I wouldn’t want to project that hate onto the viewer.
Robotboy is an example of a show that’s not on my radar because of how bad an impression it left on me in the Fantastic Voyage video. It was one episode, but it’s soured me on the show, which is unfair but I don’t want to risk seeing/yapping about more episodes like that one.
“Easy targets” like Ren & Stimpy: Adult Party Cartoon, High Guardian Spice and Velma are also shows I don’t think deserve much more attention. I like to think every show ever made has some artistic merit, but man oh man can it be hard to find in the particularly rotten ones.
(I guess this is an early spoiler that my CatDog review won’t be as scathing as the fans fear it’ll be.)
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It's telling when High Guardian Spice had better trigger warnings at the start of each episode despite not being all that bad. Here we see one vague warning and it's worse than anything HGS ever put out.
writers' deathly fear of spoilers is harmful to actors and viewers alike
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fefairys · 2 years
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the more i think about it the more angry i am getting over how much potential high guardian spice had for the rest of the story that we will never get to see because of the bigotry that crushed it.
like bro UGHHHH we could have had it all. i don’t even wanna talk about it bc the thing i wanna talk about is like THE spoiler of the entire thing. and i definitely recommend the show, as long as ur ready to be just as angry as i am that it will never be continued LMAO
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high-guardian-herbs · 4 months
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Alright so for now I’ve got the elves lore in my new notebook, tho I’m not sure if it will be used or not, but it’s still important so that I could understand how their culture works or something
Also still no sure what to do with the language barrier, I’ll just continue going forward till it becomes an issue and try to solve it then.
By the way just finished listening to 36 questions musical/podcast and wow I’m not sure what to say but I needed to say something
+ can someone please tell me how can I fix the resolution for the art?? Why is it so pixelly
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mach-speed-extra · 1 year
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I made this because I lost a bet
If I won, my friend would’ve had to make a Tumblr account and write superwholock crossover fanfiction. If I lost (which is what happened based on the title), I had to go over Lily Orchard’s simple writing tips. Then we did double or nothing, where if I won he’d have to double the length of the fic (from 15 to 30 pages) and if he won, I’d have to make a second post talking about High Guardian Spice. For context, the bet was on who won a game of Mario Kart on the Switch played with the leg strap and motion controls
So I’ll begin with Lily Orchard’s writing tips. At least I get to add my own thoughts to this. I am writing this introductory paragraph before looking at her writing tips, so I don’t know how much I’ll agree or disagree (also I didn’t know anything about her until a few minutes ago when I did a quick Google search and if what I read was true, then what the fuck). At least I’ll be (probably) shitting on her. Also, it seems the original thread was deleted (or Twitter just sucks) but the tips were recorded on google docs which is what I’ll be using
Written after I finished: I didn’t need to add “(probably)” in the last paragraph
tw: rape mention
1. Don’t worry about spoilers: There is some truth to this in that good stories are still enjoyable on rewatch/ reread, but certain things are more enjoyable the first time. Reading a murder mystery is fundamentally different the second time because it goes from using the pieces to find a solution to analyzing how the pieces actually led to it. It’s like solving a math problem vs seeing someone else do it and following it step by step
2. The middle is the best time to put couples together: I don’t give a shit about romance in fiction. At best, a relationship is believable and developed enough that it serves as character motivation. As someone who has never tried (and likely never will) to put romance in his stories, couples usually get together off screen before the story starts. I then build the relationship like I would a close friendship or family bond, where the point of the couple is to have characters that care deeply about someone else
3. Friends to lovers is better than enemies to lovers: Refer to the point above. Also, fandom jokes about Negan slipping his dick down Rick’s throat and being thanked for it (actual line from The Walking Dead) are fucking great and one of the best things about the later parts of that show
4. Abuse victims healing does not equal redemption arc: I agree that they’re not synonymous, but she uses Zuko as an example which kinda defeats her point. Whatever the cause of a character being evil, a redemption arc is a character arc that leads to them no longer being evil. I don’t understand what she’s getting at
5. Heroes refusing to kill villains is bad: I’ll be using Rick Grimes as an example again. One consistent thing with Rick is that outside of times when his sanity is questionable, he’ll avoid killing villains if possible. He’ll do it if he has to, but that scene where he tells the Governor and his forces that if they stand down, he’ll happily take them in to his community is a perfect example of it (followed by them opening fire and all of the Governor’s men dying except for the one that stood down). Now, there is a difference between not killing and not punishing, but Lily doesn’t make that distinction
6. Lesbian enemies to lovers present in one scene in the finale sucks: I agree with this. She then says it’s “fetishized abuse and violence.” It certainly is sometimes, but I would not say this is an inherent (or even general) thing
7. Revealing information on Twitter instead of the story itself is bad: Depends. Hiro Morita revealing character ages on Twitter? Fine, because the actual ages aren’t relevant to the story. Just Kidding Rowling going on Twitter to say wizards shit their pants? What the fuck. Character birthdays being revealed in outside media (tie-in guide book, spinoff video games, etc) is fine if its not relevant to the story. Not revealing important information in the work itself sucks, but I don’t see it done often enough to warrant this take
8. If a character kills more than 10,000 people they’re not redeemable: Kill count is relevant to redeeming villains, but not the sole factor. This varies from person to person, but I say the most important thing is whether the villain is willing to put in the work to be redeemed. Do they put one foot forward and say “I’m gonna make this right?” I’d also factor in the cause of the killing (mind control or demonic possession for example). Were they aware of what they were doing? I wouldn’t say the titular protagonist from Ender’s Game is irredeemable because of his kill count when he didn’t know he was actually killing anyone. And 10k seems like such an arbitrary number but I’ll assume she just means “a metric fuck ton of people”
9. Tip 8 does not apply to characters if their villainy was character assassination: Huh? I genuinely don’t know what she’s trying to say here
10. Everything in a story is a decision made by the creator and justifying problematic elements with worldbuilding doesn’t work: At face value she’s right. Considering who it’s coming from I doubt her examples are good, but she does have a point
11. Don’t pair adults with minors: I have 2 things to say about this. The first is that Lily Orchard is not the right person to talk about this. The second is that it assumes all pairings are meant to be liked by the audience. Lolita wasn’t written with the intent of making readers like the romance. Toxic relationships exist in fiction for more reasons than I can count, and this tip is reducing fictional relationships to such a narrow, simplistic narrative purpose that it shouldn’t be said by anyone that ever took a literature class in high school
12. Don’t sexualize teenagers: I could be pedantic and say “um akshually nineteen year olds are fine,” but that would be worthless. Now, there are ways to make sexualized teenagers work, but it’s rare enough to see it pulled off well that I will give Lily a pass here. (As for how to do it well, that’s for another day but basically, teenagers fuck irl, and realistic depiction does not mean glamorization, though glamorization happens more often than it should. Also, don’t actually cast minors for fucks sake you pedo-ass fuckers behind Cuties)
13. Don’t use “actually a 6000 year old demon” to justify point 12: I don’t have much to say here that wasn’t said in the last few points. But the idea of an adult that looks like a child and faces issues specific to that context is an interesting story premise (ex: a 25 year old who magically reverses her body’s age on accident but not her mind and has to navigate her adult life while everyone treats her like a child)
14. Metaphors for queer characters is inferior to actually having queer characters: Depends on the story’s setting. A story set in Los Angeles in 2030 likely wouldn’t have queer character treated the same way as in 1930, so unless you do some worldbuilding to explain what cultural shifts happened until 2030, it’s not something you can realistically show. Then, a metaphor works better. Alternatively, a setting where queer characters are accepted but the metaphor is not (or vice versa) which serves to point out how arbitrary the distinction between “acceptable” and “unacceptable” minorities is
15. Confining queer representation to non-humans in a story where humans exist sucks: If I have a story about a bigoted human group that flies off into space to establish their own world (kinda like a metaphor for the Puritans) and they meet an alien race where queer people are accepted, it makes sense to confine queer representation to the aliens. I admit that premise is specific enough to not apply to many scenarios, but it shows how this rule can be easily broken with a scenario I came up with within 2 minutes of reading the tip
16. Fuck having the only gay man in your story be a “faupish diva:” I am currently writing a story about a guy that got a reputation for being extremely violent and decided to play into it because he’d rather have people be scared and stay away from him than deal with their shit. It’s fairly easy to make a gay character that actively plays into certain stereotypes because it prevents him from dealing with other people’s shit. All that you need is a setting where gay characters are kinda accepted but not fully (which isn’t that hard to make)
17. Fuck having the only lesbian be abusive, angry, and have a codependent relationship with the protagonist: Doesn’t the codependent relationship require at least 2 lesbian to be present in the work? Also, refer back to point 16
18. Fuck having the only enby be a non-human shapeshifter: Refer back to point 15 about a setting where [group] isn’t accepted by humans but is by other non-human societies
19. Fuck having the only autistic character be an “ethically-challenged number fetishist:” Refer back to point 16
20. Fuck having the only black character play into the “scary black man” trope: Refer back to point 16
21. Fuck having the only woman get barely any screen time and just be fetishized: I’d expand this to say “any character” rather than “only woman,” because this applies everywhere. It being the only woman is bad, but just because there are multiple women it doesn’t make much better
22. Fuck having the only trans woman be a drag queen: How many times will I say “refer back to point 16?” Also, a society that accepts gender nonconformity only as a performance (viewing gnc identities as characters the actors play) isn’t that hard to come up with
23. Fuck making a woman kiss her abuser: Me when villains to evil things [surprised Pikachu face]. Also, “acting like I’m in love with my abuser to keep up appearances in a setting where I’ll be demonized for stepping out of line so I force myself to throw away my dignity for survival” isn’t a bad protagonist idea
24. Fuck sidelining every poc character to focus on a white guy’s redemption arc: At face value it makes sense but how often does this happen to warrant an entry? I’m actually asking since redemption arcs happen for characters that were antagonists so it’d mean sidelining the protagonists which I don’t see very often
25. Fuck justifying horny designs with “sexual agency” and refer back to point 10: What? I’ll refer to one of my own stories, where a woman actively sexualizes herself after realizing that letting go of society’s notions of sex makes life in general more enjoyable. The entire point of it is exploring the possibility of a “sinful” life while maintaining morality, and how it’s very much possible. This argument also assumes the only reason to include horny designs is to get off to it, ignoring the fact that the exploration of human sexuality is an actual thing fiction can do
26. Fuck justifying horny designs by saying “I’m horny:” This isn’t even about writing
27. Don’t worry about planning. No writer actually plans everything: I literally do. I create what I call “the encyclopedia” where I list out everything. Every character, their relevant information, relationships, etc. It also includes things like maps of cities (real or fictional), the layout of buildings, the make and model (and mods when applicable) of the main character’s car, and more. Not every writer does this, but many do (and if you make it up as you go along, please review it because it’s likely an unpolished first draft that needs revising)
28. Don’t try to be Avatar: I don’t even know what this means. Now, I take inspiration from other works. Every writer does. Just don’t try to replicate someone else’s work. Every writer has their own style, and combing your own style with your inspiration is what makes a work good
29. Low stakes interpersonal conflict is more engaging than high stakes: Why not do both? An interpersonal conflict that escalates until it becomes high-stakes isn’t exactly a rarity. Now I’m gonna plug in a JoJo reference and say that Jonathan and Dio’s relationship in part 1 is a perfect example of what I mentioned. And I can look at The Walking Dead and say that the interpersonal conflict involving Maggie and Negan in season 11 is nowhere near as engaging as the Saviors arc from the second half of season 6 to the season 8 finale. That’s because the interpersonal conflict mainly stagnated and we spent a lot of time with the conflict neither escalating nor deescalating, while the tides of the Savior War were constantly changing and there were many moving parts
30. Choose either comedy or drama and stick to it: You can have both a comedic episode and a serious episode as long as you set up the plot well enough. It’s really not a problem. Going back to JoJo, the episodes with Boingo are comedic, but the Vanilla Ice fight certainly isn’t. Or for a more condensed moment, Lisa Lisa’s backwards cigarette. We see Caesar die, Joseph cry, and Lisa Lisa light a cigarette stoically. Joseph then points out she has it backwards, prompting a light chuckle from the audience before we collectively go “oh” at the realization that she’s so distraught she can’t even light a cigarette properly
31. Don’t overdo it on worldbuilding: I understand that pulling away from the action to focus on worldbuilding can be boring. I also tend to include a glossary of fictional terms at the end of my stories detailing the information that isn’t relevant to the story itself (ex: the sci-fi story has a spaceship. The glossary goes over the history of the design and its notable uses)
32. Characters come before anything else: Well written characters push the plot forward in interesting and engaging ways. A well written plot forces the characters into situations that either cause them to progress or give us (the audience) more insight into a character. Characters are dependent on the narrative elements around them to function
33. The protagonist should not be a vessel for the antagonist to hog the story: I’m not sure what she means by this. She mentions villain protagonists but I don’t see what she means by “a vessel for the antagonist.” I guess it’s about sidelining the protagonist in favor of the antagonist? Even then, a protagonist being used to make the antagonist more interesting isn’t bad
34. Fuck not having perspective shifts: I don’t know if she means characters (which is easily countered through first-person stories like memoirs, diaries, etc) or if she means thematic perspective (which is countered by the fact that static protagonists who change those around them exist and aren’t inherently bad)
35. Writers, and not story boarders, should write: Yeah, and the actors should act, the director should direct, and the sound designers should design sound. She’s not wrong, but this advice is completely worthless
36. Fuck will-they won’t-they: Agree, but I give negative 2 shits about romance anyways
37. Making a romance tropes gay doesn’t improve it: I’ve never seen anyone say it makes it better
38. “We need more lesbian noncon” is a bad take: Huh? I don’t see the point in this piece of advice. Is this an actual thing that is common enough to include here?
39. Fuck women who fetishize abuse in media: Relationships are narrative tools that don’t have any inherent morality to them. I admit fans can be annoying as hell, but that’s not something the creator should be concerned about (unless it’s your job and that’s how you pay rent)
40. Don’t listen to abuse fetishists: I’ll take this a step further. Ask yourself why do you write. I write for myself, for the catharsis of exploring different parts of the human experience. If someone doesn’t want to read that, they don’t have to, but I won’t stop writing. If you write to engage an audience, then you do what you can to engage the audience. It comes down to purpose (writing as a hobby for myself vs writing as a job and you need to sell books vs writing as a hobby to share with the world). Some purposes let you alienate readers. Others don’t
41. Never write rape victims as villains: I made a villain protagonist who was a rape victim. His story is that he tracked down the woman who raped him and killed her, but realized that didn’t cause his trauma to go away. So he doubles down and starts murdering anyone who he suspects of being a rapist (even when there’s no evidence other than a hunch). Is there an issue with this? Because I find the idea of a victim who becomes a villain due to the lack of a proper support system to be more about the failures of our system than about the villain himself
42. If straight men hate a character but lesbians love them, they’re a great character: Not writing advice and also pulled out of her ass
43. Fire any writers who have a certain take on Infinity Train: I never watched Infinity Train so I can’t respond
44. Solve love triangles with polyamory: Or don’t have love triangles if you can’t make them work
45. If a male character is called a simp for respecting women, they’re great: Refer back to point 42
46. Disregard “Mary Sue” criticism: The term “Mary Sue” is so loosely defined that criticism using it is about as useful as “it was bad.” Still not writing advice. I have made attempts at defining “Mary Sue” but eventually came to the conclusion that writing a paragraph explaining why a particular character is bad is better than using a vaguely defined buzzword
47. Emotional vulnerability doesn’t make a female character antifeminist: Do people really claim otherwise? She’s not wrong, but I don’t think this needs to be said (but I don’t use Twitter so idk)
48. Goblins are inherently anti-Semitic: I took all of 10 seconds to come up with a subversion of it. Picture a fantasy world where Jews are discriminated against and goblins exist, with anti-goblin groups comparing goblins to Jews (which then raises questions with Jewish discrimination and how it’s so acceptable in the setting that the characters don’t bat an eye because they’re used to it). This idea can be expanded upon to other groups. Using a real life example, “transgenderism is a mental illness” is rooted not only in transphobia, but also in ableism, and this story idea lets you tackle multiple forms of bigotry at once
49. Making bigoted tropes “work well” is missing the point: Metacommentary on bigoted tropes isn’t missing the point. It’s literally pointing out the issues with them in the first place, while often showing how/why these tropes can be seen in reality (whether it be selection bias, a self-fulfilling prediction, or otherwise). Most bigoted tropes can appear to be true irl on the surface, and being able to look at what makes the bigotry superficially convincing while pointing out its deeper flaws that aren’t immediately visible is certainly not a bad thing
50. Writing a relationship around a particular dynamic or trope is bad: She’s right but only if you confine yourself to that trope or dynamic. It can be used as a springboard for something great. Understanding established tropes and playing around with it is what led to Don Quijote
51. Don’t tone police criticism: Not writing advice
52. Don’t tell your fandom to stop fighting: Not writing advice
53. Don’t say every headcanon is valid: I’ll do you one better. Never interact with your fandom. Most of it is probably shit. Also not writing advice
54. Speak up against toxic people in your fandom: Refer back to point 53
55. Forget about fanservice: Agree. Just fucking write and ignore what readers think (assuming it’s a hobby and not your income. If it’s your income write whatever pays the bills)
56. If your fandom is dominated by shipping, it means your character dynamics are the most interesting part: Don’t look at your fandom. Ever. Fuck your fandom
57. If there’s “too much negativity,” there’s a root cause for it: Again, fuck your fandom
58. Cancel culture isn’t real: Didn’t Johnny Depp lose roles because of false allegations? And, reiterating this yet again, fuck your fandom. Also not writing advice
59. Own up to mistakes and don’t make excuses: Fuck your fandom. Actually. Ignore their existence. Also not writing advice
60. Forced diversity isn’t real criticism: Outside of historical context, forced diversity is a meaningless term. And yet again, fuck your fandom
61. Never include reclaimed slurs: My faggot ass made a character who always says “my faggot ass” and the story was better for it. “I dragged my faggot ass to the middle of bumfuck nowhere" is a good line of dialogue because of how it reflects the character and his views on things
62. Oppressed groups fighting back aren’t villains: They’ve been heroes in a thousand stories and villains in a thousand others. This is such a broad concept that you can have them fall anywhere on the hero-villain spectrum and make it work. What about an oppressed group being taken advantage of through misinformation telling them they’re fighting against their oppressors and not for them? That’s a cool idea I might use
63. Heroes who don’t kill being indirectly responsible for future villain acts is an interesting story idea: It is interesting but based on the previous 62 tips, I would not trust her to write it
64. Fuck not having poc in a fantasy work: Every element that deviated from the real world needs worldbuilding. Anything that doesn’t have worldbuilding tied to it should align with reality, so by all means include poc in historical periods they weren’t in. Just say “alternate history migration,” but address it. As a bonus, a vague fictional migration that isn’t detailed enough to be put under real scrutiny will, at worst, amount to nothing, and at best make readers appreciate your fantasy world a little bit more. If it’s a completely different setting from reality (like the galaxy in Star Wars) you don’t even need to address it. So outside of historical contexts, Lily is right here
65: Sexual tension and chemistry are not the only things in a relationship: Agree. The primary factor in a fictional relationship is what each character is willing to do for the other (which makes “my partner’s safety/ happiness/ etc” into a character motive)
66. Best potential romantic partner is the best friend: Hard disagree. Friendships irl aren’t “romance waiting to happen,” Platonic relationships exist, and both in my works and irl are some of the strongest I’ve had (granted, my stories lack romance so I don’t have the best sample)
67. “I don’t want the character to be defined by relationships” is stupid: When your character only exists in relation to others that’s not a character. That’s an extension of other characters. What is their relationship with themselves? That question should come first. Then you ask about relationships with others. Put simply, I, as a person, am not merely “[my dad’s name]’s son,” or “[my brother]’s brother.” I am those things, but those descriptors don’t define me
68. If you don’t want a character remembered by a romantic subplot, don’t make it the finale: If you dedicated time to a subplot and don’t want it to be greatly remembered, don’t include it in the first place
69. Slow burn doesn’t mean taking forever to get together: Refer all the way back to point 36
70. Sexual awakening is not a character arc: Hard disagree on the basis that, going back to point 25 where I mention one of my stories, a woman’s sexual awakening being the catalyst to break free from societal ideas to become a happier person is a character arc
71. Fuck boob armor: Boob armor is stupid from a practical perspective, but a character saying “I use it because I like the look” is a good enough justification for its inclusion. And in some ways it adds realism because if I could wear boob armor irl I certainly would
72. Bow and arrow are strength weapons, not dexterity weapons: True, even if not very relevant for writing as a whole. But I will say, Soul Knight’s 40m Long Blade requires more strength to wield than most bows
73. Avoid tokenism by having multiple characters: If you need a band-aid solution for tokenism, your story has deeper issues
74. Increase diversity by only one having straight, one white, and one cis character (or one character that’s all three): If you need this tip for diversity, your story has deeper issues
75. Don’t be afraid of failure and backlash: I agree. Fuck your fandom
76. Poc and queer characters can exist without the story talking about bigotry: She’s right, but this is one of those basic things that I wouldn’t call writing advice
77. Wanting the audience to have fun is good: If you write as a job, yes. As a hobby, you choose why you want to write. Personally, I don’t think about the audience at all when writing, but that’s just me
78. Slice of life is more popular than action/ adventure: Look up the wikipedia list for top grossing movies of all time. And for best selling manga of all time. This is blatantly wrong and also not writing advice
79. Don’t cram every idea into your story: Agree, and it’s a genuinely good tip for beginner writers
80. D&D alignment charts don’t work outside of D&D: Any game will simplify it’s character creation for the sake of being playable. It’s not just D&D. Though alignment charts aren’t bad as long as they’re paired with more things to make the character
81. Fuck Rocky Horror Picture Show: I don’t know enough about the creator of it to confirm nor deny her claims that it was made by a terf. Either way, not writing advice
82. Don’t call queer character queer: My faggot ass is queer, and when I make a queer ass faggot character, their faggot ass is also queer. Get over it
83. Rape is unforgivable: Irl? Definitely. In fiction? Write your world with its rules. What are the laws in it? Social norms? How do characters feel about it? If we have a dystopian world where rape isn’t considered bad and a character engages in it because they’ve been told their whole life it was ok to do, how accountable should we hold the rapist vs the system? That’s yet another cool story idea that explores how we should address large cultural issues and hoe responsible any one individual is for reinforcing the system. And if you can’t blame any individual, who do you hold accountable?
84. Sex scenes are unnecessary: Going back to the woman with the sexual awakening, the sex scenes are important. It’s her indulging in so many things she were taught were wrong and realizing how much happier she feels afterwards while also growing spiteful of the people who spent years keeping her down
85. Vulnerability is not a character flaw: Who ever said it was?
86. “Peak tv” means “addiction-fueled misery porn:” Huh? What? Also not writing advice
87. Addiction-fueled storytelling relies on keeping audiences hooked on what happens next: Audiences only care about what happens next when they’re invested in the story already. The Walking Dead lost a fuck ton of viewers after the season 7 opener, despite it starting off one of the storylines that relies the most on twists and turns in the series. Viewers cut their losses
88. Game of Thrones and Steven Universe were only as long as they were because of sunk-cost fallacy: Not writing advice and also pulled out of her ass
89. Continuity isn’t the most important thing: Consistency matters. Consistency is what keeps the illusion that is a story from shattering in front of our eyes. We know fiction is fake, but we’re happy to pretend it’s real while we read, watch, or play it. But we can only pretend as long as consistency is present
90. “Too political” isn’t real criticism: Agree, but this goes back to fuck your fandom
91. Little Mermaid and Cinderella are more feminist than Beauty and the Beast: Not writing advice, and I don’t have any of these movies in my recent memory so I can’t comment on this unless I rewatch them
92. Change a trans character’s pronouns the moment they realize they’re trans: Not a bad idea, but not the only one that works. First-person narration for example is a notable exception. One other exception in my works includes a trans woman who the narrator refers to with she/her pronouns in scenes when she’s alone but uses he/him pronouns in public until she comes out and the narrator switches to exclusively using she/her
93. You don’t have to justify story decisions unless it’s harmful or bigoted: This is true assuming writing isn’t your job. I still justify every story decision because I want everything to have an underlying reason, but that’s just my style
94. Vampires and werewolves aren’t queer-coded and work better as metaphors for the aristocracy: You can make vampires and werewolves anything-coded and with some effort make it work fairly well
95. Some of the best stories were written out of spite: True, but not writing advice. The Divine Comedy (specifically Inferno) is just Dante going “ha, I’ve portrayed you as the soyjack and me as the Chad” except “soyjack” is replaced by “damned soul punished in hell.” Don Quixote is Cervantes doing the equivalent of shitting on the MCU nowadays. But spite alone won’t make writing good. Both Dante and Cervantes are masterful writers whose greatness comes from a number of factors, not only spite
96. No government system is inherently good or bad: In fiction, I agree. Any decent writer can make any system good or bad within a story. She uses irl examples but that’d be getting into my political beliefs of inherently bad government systems and that’s not what we’re here for
97. Lesbian being on good terms with ex boyfriend from before coming out is a cute trope: Yeah, it can be. Again, any decent writer can make this cute, creepy, happy, terrifying, etc.
98. There is functionally no difference between a close platonic and a romantic relationship: I won’t go into detail about my love life, but hell no. Touch some fucking grass
99. Normalize friends saying “I love you:” This can work when done by a skilled writer
100. If you write a 100-tweet long writing advice (debatable) thread, go outside and touch grass: I swear I didn’t read this before writing my response to point 98
Conclusion: Lily Orchard either lacks critical thinking skills or assumes her audience does. Either way, don’t take her advice. If this is the best she can do, she’d fail any literature class I took in high school. She should learn Spanish if she hasn’t already and meet my 12th grade Spanish literature teacher. She’d fail the class but she’d hopefully learn something
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historyhermann · 1 year
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My Dad the Bounty Hunter Review
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My Dad the Bounty Hunter is a coming-of-age animated sci-fi adventure series by Everett Downing Jr. and Patrick Harpin. Both have worked in the animation industry for many years, often as storyboarders or writers. However, this is their first series they have created on their own. This review will have spoilers.
Reprinted from Pop Culture Maniacs and Wayback Machine. This was the twenty-fourth article I wrote for Pop Culture Maniacs. This post was originally published on February 14, 2023.
This animated series centers on the story of Terry (voiced by Laz Alonso), a Black father who has a secret job: he is a bounty hunter named Sabo Bok. One day, his children, annoyed by his constant disappearances, stowaway in his flying car, and find themselves in a spaceship. Terry is forced to care for his precocious daughter Lisa (voiced by Priah Ferguson), and his nerdy, but anxious, son Sean (voiced by Jecobi Swain). All the while he faces his former business partner, Gorlox (voiced by Rob Riggle), and the Conglomerate, represented by The Fixer (voiced by Jim Rash) who is a bit like Agent Smith in the Matrix franchise.
Personally, I was not planning on watching this series, and knew even less about it, as no one has even bothered to create a Wikipedia page for it! In an effort to watch more shows made by Black creators, I decided to give this series a chance, and I was impressed by what I watched. The voice actors and animation was top notch, as is the music selection.
In some ways, My Dad the Bounty Hunter felt familiar. That's because voice actors like Yvette Nicole Brown, Kari Wahlgen, Yvonne Orji, Christian Lanz, Keith Ferguson, Andrew Morgado, and SungWon Cho, who voice Krs, Lootbat, Tess and other assorted characters in this series, are all well-known voice actors. They are known for their roles in The Ghost and Molly McGee, Velma, Fairfax, Elena of Avalor, Victor and Valentino, Craig of the Creek, High Guardian Spice, Gen:Lock, and The Cuphead Show.
Furthermore, the plot line of this series reminded me, in more ways than one, of episodes of Dogs in Space and Cleopatra in Space, which share some of the same voice actors. It even made me think of the first season of Star Wars: The Bad Batch, when Omega and the Bad Batch are on the run from various bounty hunters who want to kill or capture Omega.
Since the series is for all ages, there rarely blood spilled, just some laser battles, fights, and the like. Sure, no one is invincible, but also, no one gets seriously hurt, apart from Terry crash-landing on a planet and some scuffles. There aren't assassinations on the scale of the Immediate Murder Professionals in Helluva Boss or mass murder akin to the season one finale of Invincible.
All in all, I found My Dad the Bounty Hunter a fun watch. Even so, I would have preferred, just as I did with Season 2 of The Proud Family: Louder and Prouder, for 1-2 episodes to air every week, rather than all the episodes dropping at once on February 9th. That would allow for more time to take in what is happening in each episode. On the other hand, the series almost seemed to be designed for a binge, since a lot happens in a short period of time, assisted by music and fast-pacing. The series was undoubtedly affected by the fact that, reportedly, 99% of it was produced "at-home" because of the COVID-19 pandemic.
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There was nothing to dislike when it comes to the show's cast. This is despite the fact that this is Laz Alonso's first major voice role, while Jecobi Swain and Priah Ferguson are new to voice acting. They only voice characters in Hamster & Gretel and Firebuds. The same can be said for the more seasoned voice actors, including, apart from those I mentioned earlier, Jamie Chung (as Vax) and Maddie Taylor (as Torga). There are other new voice actors such as Leslie Uggams (as Grandma), Everett Downing Jr. (as Bogdog), and Devin Bright (as Player 2). This gives the series life and makes the characters much more relatable.
Just as The Proud Family: Louder and Prouder is likely to garner a Black audience, the same is the case for My Dad the Bounty Hunter. It is designed for families, especially, like many other all-ages series currently out there. In addition, characters like Lisa, who is sassy and intelligent, may become beloved. Some might even connect to the fact that she organized a gambling den at her local school and held high-stakes poker games. She is like Maya in The Proud Family: Louder and Prouder, in that she when she gets passionate and determined, no one can stop her. In fact, Lisa becomes skilled with a sword, and plays a vital role, especially when helping her dad out of some tough situations, as does her brother Sean.
As I've said in other reviews, 3-D animation is not always my favorite. For instance, I think the Tales of Arcadia can be a bit hard to watch at times due to the animation style. However, the animation is done very well in this series. It is as strong as the flowing animation in D4DJ. Computer generated images can be good if they are animated with a distinct style, but traditional, 2-D animation, is just as good. The series was supposed to be 2-D originally, but it cost less to do 3-D, as they didn't have to build sets, while flashback scenes were 2-D, which separated "the present from the past" as Harpin noted.
Due to the fact that My Dad the Bounty Hunter is only 10 episodes, there isn't much time for lore, or even exploration of everyone's backstory. There's some backstory given for Terry, Tess (Terry's wife), and a bit for Lisa, but that's it. Even so, this doesn't take away from some of the messages in the series, emphasizing the importance of family, togetherness, and overcoming obstacles. This creates a wholesome series which sticks with you, episode-to-episode.
This fades away when the story centers on brutal exploitation of the Chillas by the Conglomerate. These creatures are imprisoned and forced to mine minerals for no pay (i.e. as slaves), with the materials only used to make the Conglomerate that much richer. Unlike Qui-Jon Jinn, who only freed Anakin from slavery on Tatooine, Lisa, with the help of Vax and her comrades, frees all of them. She ultimately convinces her dad, Terry, to side with her, once he realizes he is doing the wrong thing.
Watching My Dad the Bounty Hunter made me think of the exploitation of the worms in Futurama, especially exemplified by Slurms MacKenzie, who caused the caves to collapse, when he parties one last time. There are similarities to the Ewoks in Return of the Jedi in more ways than one, or rescue missions in Star Wars Rebels and Star Wars: The Bad Batch, which ends up freeing those imprisoned, often by the Galactic Empire, even if it puts their lives in jeopardy.
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The season one finale of My Dad the Bounty Hunter leaves the door open for more seasons. It remains to be seen if Netflix will go that route, or whether it will treat it like City of Ghosts, a curiosity which executives deemed as needing no continuation. I remain hopeful that despite all the shenanigans going on at Netflix right now, they will renew the series.
After all, since the series is based on the dynamics within the family of co-creator Everett Downing Jr., there is likely more to explore in that realm. There are other plotlines which could be told in a second season. Perhaps Lisa will have a boyfriend, or even a girlfriend, and family conflicts may erupt, changing this from a happy family-friendly series into a more mature one.
Even so, it is likely, more than not, that a second season would continue to portray a loving Black family, and have additional sci-fi elements, which the creators said they incorporated into the series the best they could. When asked about another season, one of the co-creators said he would like to focus on Tess and "give her a shot in the captain’s seat."
Furthermore, since the first season of My Dad the Bounty Hunter was said to be a "love letter to animation, science fiction, and Black families" rolled into a wild action-comedy, it is possible that another season would go even further. There is a lot which can be done with animation, unlike any other medium, which makes it apt for storytelling. Of course, not every animated series is superb, and some are subpar. But, when animation is done well, it shines like nothing else. This series shines.
This series is unique, even on Netflix. While the streaming platform hosts shows like Princess Power, Ada Twist Scientist, Dogs in Space, Hilda, The Dragon Prince, Bee and Puppycat, and Dragon Age: Absolution, nothing even comes close to this series. The same can be said for the upcoming Agent Elvis and Mulligan.
The only comparison with this series is on other streaming platforms, specifically in the Star Wars franchise, a flagship grounding Disney+ in the streaming wars. Perhaps, My Dad the Bounty Hunter is being used to compete with those series. Although, if that is the case, it would be absurd, since the other series are much longer lived, and likely have more money behind them.
In the end, while My Dad the Bounty Hunter is not my favorite series ever, I thoroughly enjoyed watching it and I'd definitely recommend it, as it can be watched in its entirety during a morning, or an afternoon.
My Dad the Bounty Hunter is currently streaming on Netflix.
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© 2023 Burkely Hermann. All rights reserved.
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thefloatingstone · 1 year
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(Minor spoilers for ffxiv shadowbringer) In your high guardian spice videos you talked about hating it when media erases dwarven women's beards. I was wondering how you felt about final fantasy xiv's take on dwarves? Where all dwarves regardless of gender have big bushy beards, but they're actually decorations on their helms (which the removal of is enough to get one exiled and declared not a true dwarf) and the dwarves underneath lack any facial hair (as they use the same models as lalafell for plot reasons). Cute, or cowardly?
I don't get it.
Just give them beards???? Just.... let them have beards????
What's this stupid tip-toeing around it and using loopholes and weird "ok but they don't REALLY have beards they're wearing magical FAKE beards that still have the cultural importance of REAL beards but they don't ACTUALLY have beards because that would be weird and gross lol"
Give them the beards or fucking don't. I'm not giving props and compliments to cowards who try to "technically" their way out of something.
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