Only Friends: How Mew criticises Ray VS How Sand criticises Ray
Something I've really noticed since Episode 4 is the increasing distinction between how Mew and Sand school Ray. The scenes in Episode 6 and Episode 7 provide a perfect point of comparison. Both Mew and Sand use the phrase 'love yourself' towards Ray but the tone and delivery is completely different.
Unsurprisingly, what Ray desperately needs in his life is a mother figure. Someone who can be firm and stern when necessary but still caring at the same time. Sand's approach feels better suited to Ray in this respect.
Sand starts by acknowledging that Ray's hurting but it doesn't excuse his behaviour and it isn't going to stop Sand from calling it out. He makes sure to explain why it's problematic, why it's hurtful, why it's dangerous. Sand's words are driven by concern. He's even worried about the guilt Ray would have to shoulder if he did hurt anyone else.
Whereas in the scene with Mew, he makes immediate assumptions (I still maintain that Ray was not high here, he looked pretty darn sober throughout the bathroom scene to me), but that's where Mew's mind goes. His question "why don't you love yourself at all?" implies that Ray doesn't have any self-respect to take care of himself, and so what he's saying sounds driven by disappointment. Mew's tone also carries an air of exasperation, 'I've told you again and again'. @thatgirl4815 does a great job of commenting on Mew's attitude towards Ray in Episode 6 (here).
After Sand has said what he needs to say, he still doesn't want Ray to feel too bad. Sand's little pat on Ray's knee is an attempt to soften the blow, paired with a slightly helpless feeling of, 'I just want what's best for you'.
Now let's observe how Ray reacts when schooled.
Ray may not always implement the stern talking to he's getting, but you can tell that when with Sand, Ray is listening. He doesn't try to deflect, retort or dodge. He usually looks guilty. Guilt suggests remorse. Which means you realise what you've done is wrong. Whereas Ray's initial reaction to Mew is slight shock. This is the biggest indication to me that Ray wasn't getting high here. When he finally responds to Mew, it's brushed off with a laugh - 'yeah, yeah, I'm fine, it's nothing, no matter' - it doesn't seem like any of what Mew's said has really sunk in, just that Ray doesn't want him to dwell on this point any further.
How Mew delivers his pep talk feels authoritative, 'I told you to quit using drugs' (and you didn't listen). Your mistake is not taking my advice. On the other hand, Sand never once says anything along the lines of, 'I told you so, I warned you, I tried to stop you'. It's not about Ray following his orders, it's Sand providing Ray with the context to hopefully avoid making reckless decisions for himself in future.
Mew seems to have accepted Ray's inability to change, and his criticisms are merely a matter of routine at this point. Whereas Sand seems genuinely driven to encourage Ray to do better for both the sake of himself and others around him.
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Looking back on the books I read this year, and was reminded of just how much Megan Whalen Turner's The Thief- absolutely frustrated and disappointed me. Spoilers ahead.
To some degree, this was going to happen; the whole series has been heavily hyped up to me, it's hard for any book to live up to such lavish yet vague praise. But, you know, I actually got through most of the book without being distracted by my own expectations. It was tense, and spare- it felt like every word mattered and hinted at an underlying truth. I love when books withhold from the reader, and nudge at you to consider what might be left unsaid. And I was so, so satisfied when my predictions paid off (totally called Gen palming the stone rather than losing it).
The worldbuilding was interesting and unique, I enjoyed that the author wasn't committed to a super specific and our-world-accurate timeframe for technology, and I found the characters compelling and variable. I always enjoy travel stories, nevermind stories about thieves.
Which is exactly why I was so annoyed by the ending.
Again: I love twists. I love being able to predict them, and I love being surprised. I did not feel like any of the twists in The Thief were unearned; it's a well-composed book, with plenty of foreshadowing.
However, one of the twists, despite being foreshadowed, absolutely blindsided me- because I would not have considered it as a possibility, due to undermining exactly what had me so excited to read The Thief in the first place. Fantasy literature sometimes shies away from politics, into pure escapism and fluff. Even some of my favorite fantasy books are pretty hollow when it comes to their fundamental beliefs, and shy away from challenging the status quo- unless it's to restore old glory (cough The Old Kingdom series).
But I can almost always count on stories about rogues, and thieves, and con artists, to at least bring up the issue of class. These characters so often come from disenfranchised backgrounds, from the poor and displaced. They're street rats and gutter scum, who have clawed their way up from the bottom, and never forget where they came from- can never forget, from the way others treat them. Theft is subversive; there's a reason we won't let go of Robin Hood, but even more self-motivated thieves often have something to say about the unfairness of wealth distribution. Stories about thieves almost always have something to say about the relationship between the wealthy and the poor.
So, yeah, I was really fucking annoyed at the reveal that Eugenides was actually the Queen's cousin. That pretending to be from a lower class background was so insufferable to him; that of course he's only so educated and knowledgeable because he's a noblemen, that it was so hard for him to pretend to be stupid and crass like a peasant. That the reason he was so pissed about being disrespected by his captors wasn't because they beat him and imprisoned him and insulted him constantly, that they treated him as less than human because he was poor and a criminal, a tool for their own use and disposal- but because he was one of them, and it injured his pride- his noble pride, not his human pride- to be treated like that. Like he wasn't one of them, and deserving of their respect.
Fuck, I hate it so much. It immediately took away my favorite parts of the book- the tension between Gen and the magus's companions, the weight of the magus having been a commoner once, the way Gen constantly stuck by himself and refused to just accept his shitty treatment- the way every monarch treated him as a means to an end. I thought there would be more tension in Gen having conflicted feelings of resentment and camraderie with the magus- I thought it would pay off with either some of them acting in his interest for once, and/or some of them rejecting their freindship and leaning back into that class difference between them.
I'm not opposed to Gen having been working for the mountain kingdom the whole time! But there are so many other ways to do that- I was suspecting that someone was holding his family hostage in some way. It's easy to imagine a story where Gen is a lower-class thief, who was also being used by his own country's royalty.
But, making Eugenides a nobleman is a subversion of the classic trope- which means it's clever and interesting. Uugh. It just exhausted me, and- disappointed me. I loved so much of this book, and it had been a while since I'd read a good low-fantasy story about thieves. It was suspenseful, with rich descriptions, and interesting character dynamics. I thought I was getting something like Fly By Night by Frances Hardinge, or The Goblin Wood by Hillary Bell- not necessarily stories about thieves, but stories about the underestimated and undervalued, peasant con artists and hedgewitches. But with more of the tension and bite of your average dnd rogue getting up to stupid shit (my go-to class since I was a kid).
I totally understand why people love this book. There is a lot I really admire within it. But man, I don't think I can get over how much that final twist- not just rejected my original interpretation of the story. That's fine, plenty of good science fiction or horror does that. But that it specifically rejects the character and story type of the lower class thief. The very name of the series, The Queen's Thief, had me expecting a story about that seeming contradiction; about the power imbalance, and a constant game of cunning, of maintaining autonomy despite being bound to a royal power. And I expect there will be some of that, in the later books; it just loses a lot of its appeal, when it turns out Gen himself is a nobleman, who was doing a favor for his cousin, the queen.
I liked that the book ended with more insight into the mountainous kingdom, and Gen's feeling of belonging and pride to a cultural group everyone else had been deriding- but that didn't have to be accomplished by him being related to the nobility of that country. None of this had to be accomplished through Gen being a nobleman; it just felt like a 'gotcha' subversion, taking away, rather than adding more.
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