#gotta have them tragic backstories | Explore Tumblr Posts and Blogs

revasserium · 8 months

Note

can i have one were zoro realises she does things bc of truama (like doesnt speak much etc)

hold me (still)

opla!zoro; 6,680 words; slow!!!!burn, fem!reader, ex-assassin!reader, straw hat!reader, general tragic backstory/trauma, fluff, hurt/comfort, bit of angst, emotionally constipated zoro, communication? what's that?, nami playing therapist bc she's the only one with 1 iota of emotional intelligence

summary: sometimes, stillness is a virtue, and others -- a tragedy. or, in which the straw hats pick up a new member and zoro is equally intrigued and weirded out by you.

a/n: well. you guys asked for slow burn and... the burn is so slow u gotta squint to see the smoke yall. but trust. the burn does get there! pls be patient!! and i tried to combine 2 dif reqs in this one fic :)

You are of the quiet sort. Just a shadow dancing in the periphery of their vision, and when they first met you, you’d told them it was your superpower, a soft, still smile slipping across your lips. Luffy had bought into it immediately, and the invitation was out his mouth before anyone could stop him.

“Come with us!”

“Oh…” your lips pressed into a thin line of consideration.

Zoro’s fingers itched towards his swords because something about you makes the hairs on the back of his neck stand up. But something else — something uncomfortable and strange, something very much like curiosity — seizes his chest and twists his stomach. Strange, he thinks, too strange.

“C’mon! It’ll be fun!”

And then, you’d smiled wider, and nodded, and that had been that.

It’s been three months since then, and you are still of the quiet sort, though it had receded a bit with time. What with Sanji’s gentle flirting and Usopp’s not-so-gentle stories and Nami’s bright, dry-humored companionship, you’d begun to “open up a bit”, so Luffy observed.

Zoro, for his part, has kept his distance. Because sometimes he still catches you at the bow of the ship, staring out across the midnight waters, still as a stone-carved statue. Still as a wooden beam — stiller, even.

“What’s with that?” he asks one day, strolling up to Nami as she traces a fine line over a new map she’s working on.

“Hm?” is her very eloquent response.

Zoro ticks his tongue against his teeth and casts his eyes about the ship, finding them drawn to the shape of you, up at the bow again, reading in the shade of the tangerine trees. Nothing moves except for the wind as it whisps through your hair and the slow scanning of your eyes as it skates across the page.

“New girl,” Zoro says, crossing his arms as Nami finally looks up at him and then off towards you.

“Why don’t you ask her yourself?”

Zoro lets out a puff of breath, unfolding his arms to glare at Nami. He finds her grinning a lopsided grin as she clicks shut her compass and puts down her pen. She leans a hip on the barrel she’d been drawing on and folds her own arms.

“Oh, you like her.”

“I’m weirded out by her. ‘S not the same thing,” Zoro snaps, but when he tries to leave, Nami blocks him with an arm and pins him with a sharp, leveling look.

“No, no, no — we’re gonna work this through.”

“No thanks, I’m good.”

“Uh-uh, you still owe me after that round of drinks the other night — remember when you bet you could drink more than me?”

Zoro narrows his eyes, “I did drink more than you.”

Nami’s grin is gleeful, “No, you didn’t. You had to be dragged back to your room after clogging up the toilet. Or do I need to show you the evidence —”

“Alright — fuck, fine. But really? This is what you’re gonna waste your favor on? You could’ve asked me to —” Zoro gestures around vaguely, “clean the bilge or something.”

Nami shrugs, looking almost too pleased, “Nope! This is what I wanna use my favor for. And, really, you think a bit of bilge water is gonna gross me out? C’mon.”

Zoro heaves a sigh and leans back against the main mast, closing his eyes.

“Fine then. Go.”

Nami sits back on the edge of the barrel.

“No, you go. Admit that you like the new girl.”

“I don’t.” He doesn’t open his eyes.

“I’ve seen you staring at her. We’ve all seen you staring at her.”

“What, that a crime now?”

Nami fights the urge to roll her eyes, “No, but I’ve never seen you try so hard to avoid someone before.”

Zoro lets out a bark of laughter, hard and mirthless, “Yeah, so that must mean I like her.”

Nami cocks her head, “It means you feel something towards her. And I’d suggest you figure it out.”

“And how’d you propose I do that?”

Nami once again waves in your direction, “Go. Talk. To her.”

Zoro lets out another breath, eyes scanning across the ship, anywhere but towards where you’re still sitting and reading, finger flipping a page in a perfect, smooth, singular motion.

And Zoro’s not blind. Blunt though he may be at times and careless as he is about most material things, he can still appreciate beauty when he sees it. And you — there’s no denying that you’re beautiful. Your strange stillness aside, when you do move, it’s with a dancer’s lissome grace, fluid lines, not a single movement wasted. When you smile, it seems to light you up from the inside, and your words, though soft, carries the well-worn weight of river stones, glittering beneath the clear, spring stream of your voice.

There’s a sharpness in your eyes, a straightness to your spine, a way of carrying yourself as if you’re afraid that one wrong move might shatter you and the entire world around you.

Sometimes when he sees you, he wonders at the hands that had sculpted you this way. He wonders at your life before they’d picked you up in Loguetown, when you’d oh-so-silently slipped up the execution platform and helped Luffy down, all the while staying free of Smoker’s watchful gaze.

The few times he’s seen you fight, he can’t help wondering if you’ve eaten some kind of devil fruit as well. No human could be so fast as that. Or be so quiet. But then again, he’d fought Kuro, and they’d seen stranger things. Still, he marvels at the way you flicker in and out of sight, slipping around the edges of battle like a dark, haunting thing, and men would drop like flies beneath your quick, quiet hands. With nary a sound or shout before their eyes roll back and their breathing is no more.

On the instances when Sanji had asked about your past, your eyes had gone misty and dark, unfocused. You’d gone still, freezing for so long that Usopp would cough just to fill the silence. And then slowly, ever so slowly, you’d turn back towards them with a small, sad smile and say:

“There’s… not much to talk about. I grew up somewhere far away, where if you didn’t keep quiet and still, bad things would happen to you. And then when those bad things happened, if you weren’t quick — the quickest of all, you’d die.”

Bad things, huh? Zoro thinks as he makes his way towards you, a hand resting on the hilt of his swords. He comes to a stop next to you and leans against one of the white planters, casually peering over your shoulder at the book in your hands.

For a long moment, neither of you move. Then, Zoro clears his throat and forces himself to speak.

“Is it good?”

It takes you a second, but eventually, you turn towards him.

“The book? Yeah, I suppose.”

“Not exactly a glowing review.”

You laugh, a soft, breathy little thing as you look back down at the page.

“It's about a girl who falls into an enchanted sleep, and a prince who wakes her up with a kiss.”

“Must’ve been one hell of a kiss.”

“Yes, and one hell of a prince.”

Zoro finds himself chuckling, his shoulders loosening as he takes another breath.

“And then what?” he asks.

“And then… he asks her to marry him.”

You run your fingers along the page, smoothing your palm over the ink and parchment. Zoro watches you, wondering, always wondering.

“What’s she say?” and it’s then that he notices his own voice, hushed and low, barely a whisper.

You look back up at him and smile a smile a sphynx would have been proud of.

“I don’t know. I haven’t gotten there yet.”

Zoro takes a breath, and the breath tastes distinctly different than all the breaths he’d taken before it. As if the world takes the breath with him, and some fundamental truth had shifted on the exhale.

The moment breaks, as moments are wont to do, when Sanji calls out for lunch and Zoro jerks out of his almost-reverie. You slowly close your book and rise to your feet, turning back to smile at him.

“C’mon, it’s lunchtime.”

Zoro nods and follows you into the kitchen, where Luffy and Usopp are already digging in, and Nami is pouring herself a drink. She spots the pair of you and catches Zoro’s eyes. A grin ticks at the edge of her lips but before she can say anything, you’re accosted by Sanji sweeping into a deep, flourishing bow, and ushering you towards the table, where he’d set your place in a manner fit for a princess.

“Where’s my setup?” Zoro asks as he drops into the seat next to you, cocking an eyebrow. Sanji shoots him an unimpressed look.

“I’m surprised you can use a fork and knife, moss-head. Just be grateful and eat up.”

Zoro scoffs but digs in nonetheless.

When next they dock, it’s on a rare, peaceful island — an island of light and books and learning, where the air smells of salt and ink and drying parchment, of unwritten words and untold stories. But it smells of a stillness too, and Zoro knows without having to ask that you’d like it here.

And you do.

He’s never seen you smile so much, never seen you so vibrant and full of life. You chat and laugh and read with a voracious hunger, and he finds himself drawn to this new, warm, moving side of you. He finds himself, more often than not, by your side, even when neither of you speak. And he basks in the comfort of the quiet that permeates the air when it’s just the two of you — him hanging in the hammock on deck, you reading by his side.

But now, there’s the soft tapping of your foot, the shuffle of pages when you flip forward to see what’s coming next, and of course the ever-present shush of the ocean as it washes against the Merry’s side.

The Log Pose needs two weeks to properly calibrate to the next island, so they’ve got time to kill.

On the fifth night, over dinner and drinks, Luffy asks the question that everyone’s been thinking since the day they’d all met you —

“So. Why’re you so still all the time? Not that it’s weird or anything — well, actually — it kind of is, but it doesn’t bother me. I’m just asking cause I'm curious!”

You look up from your half-finished wine but Zoro feels it happening, like the hush of a fan blade slicing through air, the gasp before a porcelain vase tips over and shatters. You stop. You stare. You’re frozen in every sense of the word. And he’s known you for long enough to know that you only go still as a reflex, only reach for it as a shield. Against what? He doesn’t quite know.

“It’s… something of a long story,” you say, your voice low and hoarse.

Luffy grins, smacking his lips as he sucks the meat off a chicken leg, “We’ve got tons of time! Right?” he looks around as if for validation, but everyone’s eyes are caught on you and your unnatural stillness.

Zoro shifts slightly in the seat next to you, opening his stance and turning towards you.

“Could do with a good story.”

Your eyes flash in his direction and he offers you the barest hint of a smile.

You relax, ever so slightly, drifting back in your seat, your glass cupped in the palms of your hands. And then, you begin to speak, your voice smooth and lilting, your words washing over them like the faint lull of the tides.

“When I was three, my father sold me for a barrel of beer.”

A dull clack echoes around the room and everyone turns to see Sanji hurriedly righting the thick stein he’s knocked over. Thankfully, it’d been empty.

“Sorry — I just — what?” he sounds furious but Usopp lays a hand across his arm and shakes his head.

You take a deep breath and continue, your voice oddly emotionless as you say, “The man who bought me took me to an island. It was… a dark place. A quiet place. I only learned its name after I escaped — an island called Elysium.”

Nami gasps before clapping her hands over her mouth.

“I’ve just — I’ve heard of that place before, but I thought… I thought it was just a made-up place.”

Luffy swallows hard, frowning, “What’s it like?”

Nami’s eyes flicker between you and Luffy, “Supposedly… it’s the home island for… for the most feared group of assassins in all the seas combined.”

Usopp’s eyebrows jerk up, “The most feared?”

A faint smile seeps across your lips like blood.

“Yes. The Shadows that Live.”

Everyone turns to look at you. Luffy picks up another drumstick.

“Whoa… cool name!”

Zoro hums, “I’ve heard of them before — but mostly, it was just an old wive’s tale about… shadow assassins who hunt in the dark. Mercenaries for hire. But… no one’s ever seen one before.”

“Because… once you see one, you’ll never live to tell the tale,” you say, your eyes now downcast and fixed on the glass in your hands.

“Then…” Usopp’s voice is soft, “What about… you?”

“I… I ran away.”

Silence greets you. But after a moment, Luffy spits out a bit of bone and uses it to pick at the space between his teeth, his eyes round.

“Wow! You must be pretty good to run away from an island full of shadow assassins!”

You almost laugh, his boundless trust hitting you like a punch to the stomach.

“So…” Sanji lets out a puff of silvery smoke, “the staying still thing… that’s just part of your training, yeah?”

You nod, “Something like that.”

Someday, you think, you’ll tell them about the hellscape that was Elysium island, of the long echoing halls, dark and still and silent. Of the mechanical beasts that hunted by sound and movement alone. Someday, you’ll let them know about the poisoned pomegranate seeds that they feed all the “recruits” to keep them hazy, of how you’d kept six of them suspended in your mouth and spat them all out when you’d finally made it far enough from the island to allow yourself to breathe.

“And… are these shadow assassins gonna come after us?” Nami asks, her voice careful and light.

You purse your lips, “I… I don’t know.”

Nami sighs, but a moment later, she moves to refill her drink with a slight shrug, “Well, just one more enemy to add to our growing list. Soon, we’re gonna have to post a sign-up sheet.”

At this, everyone laughs, and the tension snaps like a wounded spring.

Luffy burps loudly, patting his stomach, “I’m not worried — I mean, if you were able to run away from them once, that means you’re stronger than them, right?”

You pause, your hand hovering over the wine bottle. Zoro gently reaches over and refills your glass for you. You shift back into movement, casting him a small smile and taking a sip. The wine is cool and tangy as it hits the back of your throat. You breathe, and the world keeps spinning.

“I… I’m not sure — I’ve never fought… any of… them… before.”

“Guess we’ll find out if they try to come for you then — but you’ve got us now!” Luffy says, reaching for an apple and chomping into it, “ — Sho… you duon gotta wourry —” he licks his lips as he takes another huge bite before tossing the core towards the waste bin, “We’ve got your back!”

Nami makes a disgusted face, “Don’t talk with your mouth full, ugh.”

Sanji chuckles, tapping out his cigarette, “Yeah Luffy, mind your manners.” But his voice is full of laughter and you find yourself relaxing into the sway of the night, the swing of conversation. Beside you, Zoro refills his own glass and leans over to clink it against yours.

You turn, but he only raises his glass before taking a sip.

You mirror his movement, cradling the cup to your chest when you finish.

Later, he finds you by the tangerine trees, ghosting your fingers over their lush green leaves, dark enough to look black in the evening light.

“Hey.”

You turn, “Hi.”

Zoro sighs and looks out over the darkened waves, the moonlight refracted into a million shattered bits of sky.

“Luffy’s right, y’know.”

“What about?” you ask, joining him by the railings. The night air is cool and crisp. Behind you both, the island oozes with lamplight and laughter. Even from here, you can hear the joy, the peace that permeates the air here. It wouldn’t be a bad thing, you think, to stay here forever.

“If they come for you,” Zoro says, “we’ll have your back.”

You let out a small chuckle, looking down at your hands, “I know.”

“So,” he turns towards you, his earrings glinting in beneath the scimitar moon, “you don’t have to be afraid anymore.”

You lick your lips, and instinctively, you reach for the stillness. All the days and weeks and months with the people around you have softened you, and for that, you know you should be thankful. Still, old habits die hard, and you have to clench your fists and dig your nails into your own palms to keep from freezing completely.

You take a shivering breath and force it out again.

“Fear’s a hard habit to break.”

At this, Zoro grunts, though it sounds something like consent. The moment stretches, long and soft and taffy-sweet.

He turns back towards the sea, ��Yeah,” he says, and then —

“But we can take it slow.”

You swallow hard, passed the broken shards of forgotten words lodged in your throat (you find that they all somehow taste like thank you), and you nod. Warmth tickles your cheeks and you wonder why he’s said we instead of you — and later, lying in your bed at night, staring at the moon-slatted ceiling, you wonder if he was really talking about fear or if it was something else entirely.

You don’t get a lick of sleep that night.

The next few days pass in a light, repetitive blur. You and Zoro are sent on a few short shopping trips in the city, and you’re glad for something to do that involves movement. Shocking how quickly the body adapts once the weight it’d been holding on to is lifted.

You are still quiet, and he, the same; but the silence has shifted around you, and whereas before it’d been solid and steady, it’s now thrumming and charged with some unspoken energy.

Neither of you are blind to it; nor, it seems, is the rest of the crew.

Sanji’s taken to openly teasing Zoro about being with you all the time, complaining loudly that he can’t get a word in edgewise because Zoro refuses to leave you alone. Nami keeps on trying to drag you out for “girl's day” shopping trips, hinting at all the cute clothes you could get and how “green really suits your skin tone, y’know?”

Luffy and Usopp for their part, both just grin whenever they see you together — Luffy stoked at the fact that you seem more happy and talkative, Usopp gleeful at the way Zoro always seems so much softer when he’s next to you.

You’ve taken to watching him when he trains, sitting in the shade of the tangerine trees, a cold drink in your hand as Zoro runs through his katas. You content yourself with watching him flow through the movements, one and then another, and then another after that. He contents himself with your presence, knowing that you’re here, feeling your eyes as they skate down the length of his back or the width of his shoulders.

It’s a peaceful sort of companionship, even if it is living on borrowed time.

When you all wave the little island goodbye, it’s with heavy hearts and tearful smiles. It had treated you well, and you think you’d miss it. But adventure is as adventure does — it calls, beckoning to those with wandering hearts to listen.

The first week back at sea is a strange one, full of a ringing nostalgia. As if you’re simultaneously coming home and leaving one at the same time. Everyone is a bit quiet, except for Luffy, of course, who literally bounces off the freshly waxed planks, humming to himself as he sits on top of the great ram’s figurehead.

“Is he ever still?” you ask one day, sometime in the second week.

To which Zoro makes a sound between a scoff and a laugh, “You’ve been here a while. What’d you think?”

You sigh softly and tear your eyes away from the bright, shivering ball of energy that is your captain towards the far horizon. A sliver of uncertainty twines through you and your breath slows. Zoro glances at you, now long since attuned to your subtle shifts in movement and stillness. He narrows his eyes.

“What is it?”

You shake yourself back into the moment, forcing a smile.

“Nothing. I think…” your words fade as the feeling twists in you again, knife-sharp and stinging. You clear your throat and reach up to brush away a strand of hair. Skin grazes skin as Zoro’s hand meets yours in the same gesture and you both freeze — hands held up, his finger caught against the bend of your cheekbone, your fingers curling over his.

Time slows, slackens around the pair of you, and the moment stays, suspended in space — garnet dark and perfect.

Neither of you dare to breathe. It’s then that you realize how close Zoro is — close enough for you to see the entire ocean reflected in his eyes: big and dark and so endless it nearly unmoors you. Close enough for you to feel the warmth of his skin; his body, emanating heat. You’d often wondered, in the long hours of watching him train, at the glistening copper of his skin and the light-kissed quality, if the sun himself favored Zoro as well.

Like this, it’s easy to believe that beneath his skin, there pulsed something like sunlight.

“Look! It’s an island! It’s an island!”

And just like that, the moment shatters. Time slips back into motion and you pull away from each other, breathless, with warm cheeks and thundering hearts, feeling somehow lightning-touched and static-ridden.

You take half a step back, reaching up to press a hand to your mouth as if to stop something from tumbling through. But what? You can’t really say.

Zoro tips back as well, whipping around to help Usopp and Sanji with the sails as Luffy continues to holler, waving his hat. On the horizon, you see it looming — the silhouette of an island. You lower your palm from your lips to your heart and wonder what kind of island it will be.

Deserted — seems to be the answer when you all make landfall. The island is quiet, but the occasional chirp and cricket staves off your nerves as you all wander cautiously about the beach, squinting into the dense forest that seems to encompass the whole of the island.

“Looks like a good place to camp for the night!” Luffy says, grinning as he plops down on the sand.

Sanji nods, dusting off his hands, “We’ll need some wood for a fire, but I reckon I can whip up some grilled fish from the fresh catch.”

You wrap your arms around yourself and look around, glancing back at the darkening horizon.

“Something the matter?” Zoro’s voice is soft as he helps you carry some of the camping supplies from the ship.

“No… yes… I —” you look up at him, pursing your lips, “I don’t know. I’ve just… this island is…”

Zoro looks around, his dark eyes scanning the thick swath of forest just beyond the beach, “Too quiet?”

You let out a tiny laugh, “Yeah, something like that.”

He nods, “Don’t worry, I’m — we’re here.”

And he leaves it at that, hoisting a stack of wood over his shoulders and going to help Nami with the fire. You watch him with a smile, wondering what on earth you’d done to deserve this level of caring, this magnitude of kindness. Soon, dinner is had and drinks are shared and laughter is spilled like so many silver coins over the white sand beach. The lull of the evening takes over you all, and before long, Luffy and Usopp are slumped over each other, snoring loudly.

You stare into the depths of the fire and try to tamp down the growing dread festering inside your bones. All those years of holding still, of breathing and listening and feeling — you shake yourself — no, not all stillness is a bad thing. Not all silences are made the same.

“You’re doing it again,” Zoro’s voice almost makes you jump. Instead, you turn, finding him next to you as he nurses a half-drunk bottle of wine in his hands. He doesn’t look at you, but there’s a loose grin hinged across his lips.

“Sorry,” you say, ducking your head, feeling a now familiar heat creep into your cheeks that has nothing to do with the dwindling bonfire.

“Don’t be,” Zoro takes another drink, “But I told you… you don’t have to be afraid anymore.”

“I know… and I’ve said before —”

“Fear’s a hard habit to break,” Zoro echoes back at you, finally glancing over and catching your eye.

You breathe out, looking down at your own hands, “Yeah… but I’m trying.”

You both fall silent, and for a while, the only sounds are the crackle of the dying flames, the shush of the ocean waves, and the occasional snores from the rest of your crew. It’s late — later than you realized.

“Do you… want me to grab a book for you?”

You smile, “No, I don’t think it’s bright enough.”

“I could restoke the fire.”

“No, it’s — it’s okay.”

“Alright.”

A bird coos the distance.

“Why don’t you tell me a story?” you ask, turning to look at Zoro proper, shifting till your body is facing him.

In the faint light, you can see the edge of his adam’s apple bobbing as he swallows.

“You’re asking the wrong guy — you should wait till the Great Captain Usopp’s awake.”

“Yeah, but I want to hear one from you.”

Zoro sighs, his eyes fixed on the last of the flickering flames. He takes another swig of wine before he starts to speak, his voice low and a bit stilted, but he pushes on. He tells you about his childhood, the village he’d trained in, the doujou in the middle of the wood, his friend who he’d never beat — not even once.

He tells you about he early mornings and the late nights, and how the world had seemed large enough to conquer.

“… And then… there came a morning when she didn’t show up… and sensei came and told me that there’d been an accident.”

His voice almost breaks then, and your eyes catch on the shining white hilt of the Wadou Ichimonji — his thumb pressing against the guard, running along it’s hard metal edge.

“Oh… I’m sorry.”

Zoro shrugs, “Don’t be.”

You nod, “Still.”

Zoro slates you a lopsided smirk, “So. Now you know my tragic backstory too.”

You laugh, leaning back to cast your eyes up towards the sky, “And you know mine — it’s almost like we’re friends or something.”

Zoro lets out a long breath, “Yeah… or something.”

There’s a tightness to his voice that makes your skin tingle and it takes everything you have not to look over at him, to try and see if he’s looking at you, watching you the way you’d imagined him to be. You fancy you can feel his gaze on your face, but you close your eyes instead.

You let yourself fall into the warm haze of sleep, and for a while you drift there, your mind sifting through shards of memories and slivers of sound, casting them against the backs of your eyelids as you slowly slide into the darkness of dreams.

You wake up to a gasping stillness — the silence pressing in on your eardrums like thumbs, the darkness around you so complete it’s almost a solid thing. You freeze, your breath hissing to a halt inside you. Then distantly, ever so distantly, you hear the sounds of battle — metal clashing against metal, the hard thud of boots against flesh. You shake your head and reach up to clap your hands over your ears and only then do your senses return to you, snapping back as if you’d been abruptly shunted back into your earthly body.

“Gum Gum — Pistol!”

“Seize her!”

You whip into movement, fast as a flash, dashing away, hoping against hope that it would draw your attackers far enough from your crewmates.

“No one… ever… leaves us…”

The voice is serpentine and susurrus, sinking into your skin like sharpened teeth, but before it can reach you, it’s cut short by a bright flash of silver.

You gasp, whirling around, reaching for the nearest pulse, instinct taking over as you sink your fingers into muscle and flesh. The rush of blood thrumming beneath your fingertips comes too easy, even as a familiar scent accosts you. A moment later, your hands are being pinned above you, and thick, rough bark is digging into your wrists as Zoro stands before you, a sword in one hand, the other holding you still.

His eyes are a little wild and a lot worried. There’s a ring of red rawness around his neck, thin trickles of blood trailing along his jugular, disappearing into the wide scoop neck of his shirt.

“Hey, look at me.”

You nearly whimper, struggling against him, fear still coursing through you like a drug but Zoro is strong enough to keep you held. Behind him, you can see the rest of the crew fending off several shadowy figures, Usopp waving a torch, screaming at the top of his lungs, Luffy whooping as he whacks another figure with his fist.

“Z-Zoro?”

“Yeah, it’s me — eyes up here.”

You swallow in a breath, and then another, and you feel the bright thrum of urgency leave you as your body slowly falls slack. And then you’re slipping, and he’s looping an arm around you to keep you upright.

“Th-they’re here — they —”

“They’re gone — we got rid of them — hey.”

Zoro takes you by the shoulders and gives you a gentle shake. Finally, your eyes catch on his and your gaze holds. You see yourself reflected in them, stark and terrified, but alive — somehow alive.

“They’re gone,” he says, his voice soft and low by your ear, his arm still wrapped around your middle. Shivers wrack your body as you bury your face in his shoulder. He smells of steel and skin and the metallic tang of blood. It’s then that you remember — the wounds on the sides of his neck. The marks in the shape of your hands —

You jerk back and feel a sticky wetness against your cheek.

“Zoro, I hurt you!”

At this, he scoffs, pulling back far enough to flash you a look.

“This is nothing. C’mon.”

He offers you a hand, and after a second you take it, letting him pull you to your feet. Wordlessly, he presses his palm to the small of your back, his arm extended to keep you steady as you both make your way back towards camp.

“Phew! That was a workout!” Luffy is saying just as you both reach the outskirts of the now-darkened bonfire. Sanji is pulling out a cigarette, striking a match, and first lighting the end before tossing it into the remains of the firewood, fanning it up into a slow flame.

Nami and Usopp both look a bit shaken, but none worse for the wear.

They all pivot to look at you.

You go still against Zoro’s side, uncertainty flooding through you. Faintly, you feel Zoro’s fingers as they press into the bend of your waist, solid and steady.

Then, Usopp coughs, “C’mon y’all — the Shadows that Live? Psh! More like — the Shadows that Fled, am I right? Yeah? Didya see the way I sent ‘em runnin’ with my brand new fire-powered explosion rounds?”

Nami chuckles and Sanji follows suit, shaking his head and letting out a thin wisp of smoke. Luffy’s grins at you, pumping a fist in the air, clapping his right shoulder.

“See? Told you we’d have your back! We are your crew, after all!”

Weakness seeps into your limbs as you nod, hot pin-pricks of tears itching at your lower lashes. You lower your head and rub at your eyes before looking back up again with a smile. Sanji grimaces as he looks over Zoro.

“Got something on your neck, mate.”

Zoro glares but you glance over and feel your stomach twist with guilt.

“Sorry… I can clean that up for you. They’re not deep but they do need to be bandaged up.”

Zoro wipes down his sword before sheathing it and motioning towards the ship. Behind you, you can hear Nami yawning and saying something about catching up on some more sleep and Sanji reassuring her about having the last watch anyway.

The kitchen is still dark, but the dusty dawn sweeps against the far horizon and neither of you bother to turn the lights on. You carefully set the first aid kit on the kitchen counter and collect the supplies as Zoro leans back against the edge and folds his arms. You work in near silence, reaching up to first wipe the thin threads of drying blood before tending to the tiny, crescent-shaped puncture wounds.

You press an alcohol-soaked cotton ball against one of them and feel Zoro wince.

“Sorry.”

“I’m fine.”

You bite your lips, “If this had been a bit deeper or a few inches over —”

“But it wasn’t. So it’s fine.”

You don’t look up at him but you can feel his eyes on you. Your movements are fluid and sure; you’d clearly done this before.

“Hey, look at me.”

You freeze, eyes slowly gliding up the planes and divots of his neck, slipping up the line of his jaw, so sharp it might’ve been turned on a diamond cutter’s lathe. Your breath hitches as you finally meet his eyes, and there’s a dark, knowing glint behind them that makes your stomach flip.

“I’m fine.”

And for the second time in a handful of hours, you’re caught by the realization of your closeness — only a breath of space between you. There’s a crimp at the corner of his mouth that looks dangerously like a smile and then you’re tipping forward, a thumb reaching up to trace the line of his bottom lip once —

The movement acts like a trigger, and suddenly, he is leaning in and the breath of space disappears.

For all your life of stillness, you thought you’d learned to appreciate the depths and widths of movement. But nothing could’ve prepared you for this — for the push and pull of lips on lips, for the force and friction of skin against skin. For the gasp and hiss, for the breath and kiss.

For the feeling of his large palm as it settles along the swallow’s-nest bend of your neck, the way his thumb runs along your jaw like tracing the guard of his beloved sword, tilting your mouth towards him. For the way your heart might flutter like a tiny, caged bird, or the way you might feel his heart thumping like a fist from his chest to yours.

For the way his voice rolls over your name like a ship at sea; for the way it would shake your body from your bones and leave you more liquid than solid in his arms. For how you never used to think your story would be a love story, but then you realize that every story is a love story if caught in the right moment, in the right light.

And here, breaking apart from Zoro, with a thick, stolen streak of lemon-yellow sunlight leaking in from the kitchen window — that’s exactly what it feels like.

“Oh,” is all you have the strength to say.

Zoro, in all his solid brilliance and quiet audacity, laughs.

You taste the smile on your own lips before you realize you’re smiling. But when you try to bury your face in his neck, he winces slightly as you brush his still-fresh wounds.

“Crap, I forgot about these.”

Zoro chuckles as you hurry to press a few small bandages to the wounds.

“It’s okay. So did I.”

You finish dressing his wounds in silence, though this silence is markedly different from every other silence that had ever existed between you. There’s ease and tension, both, and when you’re finally finished, Zoro takes both your hands in his.

“So…” you say, unsure suddenly of where to look.

Zoro’s laugh is just as soft, just as uncertain.

“So.”

You try to look out the window, but by now, the dawning sun is so bright that it temporarily blinds you and you jerk back. Zoro smiles, reaching up to run his thumbs along your closed eyelids before dropping them to hook around your wrists again.

“Do you… wanna talk about it?” he asks, quiet as always.

You purse your lips and let your lashes flutter open. You find him watching you. Heat crests up your shoulders and into your cheeks, and suddenly, the exhaustion of the night before saps at your limbs. You sigh.

“Right now? Not really.”

“Yeah, neither do I,” he says, sounding as relieved as you feel.

You bite your lips and cast your gaze shyly across his face, your bird-wing heartbeat still flapping in your chest. You fight the urge to go still, to reach for that shield that has always protected you before. Faintly, you feel Zoro’s thumbs tracing circles along the insides of your wrists.

“Can I ask for something else, though?”

“What is it?”

You reach up a finger, nudging one of his golden earrings. You don’t miss the way he shivers, or the way his breath quickens in his chest.

“Kiss me again.”

Zoro grins, tugging you towards him, leaning into the curve of your palm as he does.

And does.

And does again.

reqs are: temporarily closed

but feedback is much loved and appreciated!!!

3K notes · View notes

magpod-confessions · 11 days

Note

I know sexism in fandom is a thing, but I mostly encounter a lot of very vocal love and positivity for female tma characters (not to say that's the case in all forums ofc). Which is good, obviously.

Basira, Georgie and Melanie are important characters, but they all come along later and honestly throughout a lot of Canon kinda feel like an anti-jon wall. If you happen to be a fan who doesn't vibe with that sentiment, its less appealing to engage with a big portion of the female characters. It's not wrong or right to find yourself empathising more with Georgie or Martin etc etc, none of thecharacters are all good or bad so it's personal how a listener is gonna feel. But to me it sort of unfortunately feels like, since the (majority of significant) women are kind of aligned in one group, youre more likely to either into all of them or none of them. I hope that makes sense? Like I'm very much not coming after anyone.

Also some other thoughts on sexism: sasha has less time, less backstory, and is less developed than say Tim. So she has less content. Someone saying "if you do an ao3 search for fics that include sasha but not Tim, there isn't many, so sexism!" doesnt make much sense to me. The workplace is the only context we have for sasha, and Tim is her coworker and friend. A fanfic featuring sasha but NOT Tim (or any other magnus staff!) would have to create a lot of backstory wholecloth, and not everyone wants to do that. I love her in fanon, but we gotta acknowledge it really mostly is fanon.

As for Helen vs Michael. Michael's backstory is more developed, he was played and manipulated, its pretty damn tragic. Helen is dope! But if you want that flavour of angst and tragedy, Michael has more to work with.

I think it comes down to the type of fan you are and what you prefer to engage with! I suspect jonny has tried to make this less of a factor in tmagp and is focusing on giving more background to female characters from the start. Not trying to insinuate anything shitty abt him either.

#yea #magpod #tma #the magnus archives #tmagp #the magnus protocol #magpod confession

151 notes · View notes

trans-queen-administrator · 4 months

Note

Hey, can I hear about your shatterbird thoughts? She's always been my favourite member of the nine :]

[@faultlinescrew]

Oh I'm about to type for entirely too long.

Alright so a chunk of this is kinda headcanon, but any of that is fully based on canon. I had a giant fanfic planned that was literally an expanded telling of Shatterbird's life from trigger to death, and some plot points there may bleed into this unconsciously.

Number one favorite thing about Shatterbird is that initially, she did nothing wrong. She was unwillingly dosed with a Cauldron vial, and her scream and subsequent exploding of Dubai wasn't her fault. She had no intention to hurt anyone, it was done entirely out of her control as she gained powers and she should not be blamed for her first time destroying a city. The thing is, that doesn't matter in universe. She's still going to be hunted down by countless capes because she killed an untold number of people with that scream. No one's going to just let her go because it wasn't her fault, because she's the only person who can be blamed. People want revenge for their loved ones, and I'm willing to bet that she had a sizable bounty. It's similar to the situation we see with Rachel, where she can't have a normal life because she killed someone in her trigger and her identity is public, but on a much much larger scale.

I think the guilt ate at her so fucking bad at first. She killed her dad, her friends, her sister, her mother, countless others, and as much as it wasn't her fault she's still the one that did it. There's no way she doesn't blame herself for what happened, but when does she even have time to mourn? She's fled to a desert, she's gotta be struggling with food and water, and she's being hounded at every turn by people who want her dead. What's she supposed to do, let them kill her so she can atone for what she did or something?

I just love what a tragic backstory this is. She's one of the most horrible people we meet in canon, and I don't think it's unreasonable to say she has one of the highest body counts on Earth Bet, but she started as someone innocent and desperately trying to survive. And as much as I love this backstory and will defend to the death that she did nothing wrong at this point, it doesn't excuse who she becomes.

Shatterbird laughed. “There’s only two ways to recover from something of that magnitude, to deal with the fact that you inadvertently killed thousands and thousands of people, and hospitalized twice that many. You break, or you become it.”

(quote is from the missing interlude)

This is the quote that puts her entire character in a nutshell. The biggest question to me is... when did she become it? She implies in that interlude that it was rather quick, and that she went to Britain so she could hit a big target, but the Tattletale clone calls this out as a lie. She was running, the desert that she'd been in for months was unbearably loud with all that sand, and I think she was sick of living on the run. She wanted society, structure, something to make her feel human. I think she's full of shit saying she went there to destroy it, some accident or desperate confrontation occurred (timeline fits well enough for it to be a result of the Simurgh's attack, but that's just one possibility) and she broke London just as bad as she broke Dubai. What do you even do from there? Any slim hope of clearing her name is gone, she just has to keep running and try to ignore the guilt. And she ran to America, where the Slaughterhouse Nine found her.

The recruiting of people by the Slaughterhouse Nine fascinates me, because most are unwilling to join at first. Unfortunately the alternative is to die. No one in Brockton Bay was jumping to be the lucky winner, and the only people we know nominated themselves are Cherish and I think Siberian. Shatterbird (ever notice how she's the only S9 member with no canon first name? drives me nuts) was dragged into the recruitment process with no say in the matter just like most everyone is. Someone in the Nine found her, thought she would be a good fit because of London and Dubai (and how would that feel, to have someone on the S9 see you as just as bad as them?) and even if she explains that was on accident... what does it matter? It never matters that it was an accident. It never will matter. It's just something that she can tell herself to keep her sane.

So she's doing the fun little tests, I'm actually very curious how she altered herself for Mannequin's since he always does the same test, she's a very vain person, but that's off topic. Atrocities, horrors, being hunted by the Siberian, and suddenly she's at the end. Her and someone else.

“That’s not really a test,” Shatterbird spoke, “There hasn’t been a round of testing since I joined the group where we didn’t whittle it down to one candidate.” “We could forego the final test, pitting them against one another.” Shatterbird turned to him, “Ah. But, again, the last test where we had to go that far was… mine?”

And she kills them. Dubai, London, those were accidents. This was on purpose, maybe even the first time she's done it on purpose. She could either break and decide she couldn't live with herself as a member of the nine, or she could just as horrible as everyone sees her. All her choices were rigged, there was never much of an opportunity to get better since so many paths closed off to her, but she voluntarily chooses to get worse. What's the point in holding on to the fact that it wasn't her fault at the beginning? She's never escaping what she did, so she'll become the monster everyone sees her as. You break, or you become it.

And there's not much of the more sympathetic side of Shatterbird in canon (partly because her backstory chapter was removed). She's fully embraced herself as a mass murderer. She revels in the attention, the fear. She parrots Jack's philosophy as a way to feel better about what she's doing, and eventually she doesn't need to feel better because she enjoys who she is now.

I don't know, I rambled for a while there but it boils down to me being fascinated by the circumstances of her gaining powers, and the shift from innocent but hated/feared to making damn sure that fear is justified.

Ok, so moving on from the backstory analysis, other miscellaneous details. Fuck it, I'm putting every thought I have on Shatterbird in this post.

She's the Nine's primary recruiter! Woo, good for her. Notably, she recruits Burnscar. Mimi is in a similar position to Shatterbird's past self with the whole involuntary mass destruction, although on a lesser scale (it'll always be on a lesser scale, Shatterbird has the worst trigger event out there in terms of consequences and she didn't even trigger). Mimi was on the streets and trying not to use her power, and Shatterbird scooped her up into the Nine.

“I- before I knew it, the Slaughterhouse Nine had found me. Shatterbird recruited me. And now I’m stuck. I’m trapped. You know there’s a kill order out on me? If I try to quit, either the Nine or the cops will off me. So I keep going, I work for them, and it all just gets worse.”

It's a situation Shatterbird can very likely relate to, but she's perpetuating it and making Mimi suffer like she did. No sympathy, no helping someone get through it and avoid the pitfalls she fell into, she's dragging other people down with her like a crab in a pot. Worth noting that I believe she's still bitter about the hand she was dealt even if she's embraced where it led her to, she remembers how horrible it was to be forced into everything and she does not care if she inflicts it on others.

But if someone else willingly joins the Nine, she takes it personally. Cherie says Shatterbird hates her, and that's because Cherie chooses the life Shatterbird was locked into. She's bitter that she never had that choice, and so she makes sure Cherie understands what it's like by chasing her for days for her test, not allowing any rest or sleep. However, this could also simply because Cherie sucks and is an unpleasant person to talk to, and Shatterbird is stuck-up.

Another thing I like is Shatterbird's appearance of knowledge and elegance. She's trying to appear put together, confident, in-control, and to be fair she does a pretty good job, her costume and theming are great. But under that is someone violent and angry, she's keeping up appearances to everyone else but also to herself. The fact that she's always trying to keep up appearances, even when locked in a room and doomed to die with one Witness (haha get it) she's trying to make it look like she was calm and in control when her body is found, is what 100% convinces me exploding Britain was an accident. The Tattletale clone calls her out, and to me it seems like another attempt to seem in control by framing it as deliberate.

Anyway, my attempts to woobify a mass murderer aside, I also like that she was a spoiled rich kid before all this and her prim asshole attitude points to that. She quotes Edgar Allen Poe, she reads because it makes her feel better than others, she's just so pretentious and unpleasant and to be clear I love this as a character trait, it's fun and leads to her speaking in overdramatic ways.

“Then you should know, nearly-Tattletale, that I’ve spent too long in the company of monsters to be scared by words.”

She thinks she was soooo cool saying that.

I also want to look at the last few weeks of her life. She spends so much effort propping herself up as great and in control, only to be locked in a box and puppeted around against her will. Genuinely I cannot think of anything more humiliating and agonizing for her to endure. She has nothing to do but think as she's used as a marionette.

She had a long time to reflect on her life, to look back at how she got here and what she regrets.

But I think she spent it stewing in her rage, itching and planning to get violent revenge and keep hurting others to be respected. She's unwilling and unable to go back, she'll double down on this forever because this is who she is now. And because 99% of characterization for Shatterbird isn't in Worm anyway, I may as well toss in this minor AU summary by Wildbow. If she escaped, she would have started her own version of the Nine with Damsel of Distress and Trickster. There is nothing left to sympathize with or redeem Shatterbird by the time we see her in canon, she's simply past that point. Side note but Shatterbird + Damsel of Distress + Trickster as a team is perhaps the funniest combo ever and I really wish those 3 fuckers got to interact in canon. Weirdo assholes who dress up fancy and have a taste for theatrics as a murder crew, we were robbed.

I could analyze the Hookwolf interlude but I don't want to. I'm very annoyed that Shatterbird (still no first name) is the only member of the Nine to lose the fight against her recruit instead of appearing terrifying and unstoppable. How come Burnscar can solo Faultline's crew but 3 nazis can take out Shatterbird, who has way more experience? It's pretty uncomfortable to have the only member of the Nine who isn't white be the one that loses to nazis, while one calls her a slur in his internal monologue, in the interludes where everyone else on her team is introduced as a force of nature. I think we should just collectively agree to make this interlude not canon and un-retcon the Witness interlude. While I'm on the topic it's also a bit questionable to have Sophia and Shatterbird (no first name. I am annoyed by this) as the only named capes puppeted by Regent?

But that's not the topic I wanna explore. The topic is that Shatterbird is a great character and I wish that she had depth in the story itself rather than scattered through 20 different sources, because she's legitimately my favorite non-undersider in the story. There is a lot of potential to explore her, one could interpret her backstory in a less charitable way than I did just for an example, and I really think she's neat! She takes hurting someone in an accident and then becoming the monster people see her as, something we see a few times throughout worm, to its ultimate conclusion in terms of scale. That alongside her outer layer of intellectualism and pretentiousness, which I'm a massive sucker for as a trait, and she's just perfect. Did nothing wrong (citation needed). I love her and I do hope that at least some of the stuff written her makes someone appreciate her character more.

Ok! That was... 2.2k words about Shatterbird (no first name). Woo! If some stuff seems inconsistent between paragraphs here, it's probably because I wrote this in chunks over the course of a few weeks and my feelings at the time can influence my interpretation of things and my writing to feel different when read all at once and compared. If you think I'm woobifying her too much, cool. I think it makes her more compelling to examine how much we know was her fault and how much she shouldn't be blamed for, and making her have less agency makes her more tragic which I always like. If you actually read this to the end, thank you! Have a nice day!

#worm #parahumans #shatterbird #long post #ramble #FUCK that was a long post #no way in hell i'm editing it #this may be incoherent #its a tragic case of so many thoughts fighting to be crammed into the post #and enthusiasm hindering quality #i shan't apologize

155 notes · View notes

makeste · 6 months

Text

BnHA Chapter 407: Wait Why Are You Running Away

Previously on BnHA: Kacchan figured out how to control his quirk upgrade and was totally chill and normal about it. Definitely not terrifying at all. He actually spent the entire chapter smiling and laughing like the wholesome little boy he is. I don’t know why Kid For One is so freaked out about it. He even politely introduced himself using his childhood nickname. Clearly he just wants to be friends with you, KFO!

Today on BnHA: Horikoshi is all “sorry to keep you waiting, here’s the AFO and Yoichi flashback you ordered at long last” and proceeds to serve a nightmarish stew of HUMAN MISERY and RATS and STABBING and CARNAGE and SO MUCH MURDER and THE SINGLE MOST FUCKED-UP CASE OF CODEPENDENCY ANYONE HAS EVER WRITTEN. I was not even remotely prepared for any of this, and if anyone else claims that they were, I will call you a liar to your face. If this chapter had a mouth it would scream. Or just sob, ceaselessly and uncontrollably. I’m really glad Horikoshi is on break next week because that man needs to take a fucking nap. My god.

okay WOW

anyone else read the first two words and just immediately say to themselves, “oh okay, so it’s gonna be one of those chapters”? I mean, I guess we were due for a darker chapter after last week’s Kacchan Comedy Tour. but idk, I just wasn’t expecting “homeless sick prostitute with a drinking problem” levels of dark

AND SHE’S PREGNANT?!

what exactly is this manga rated again? doesn’t this backstory seem just a little bit raw for the impressionable kiddos??

has anyone actually checked in on Horikoshi recently? you know, just to make sure he is okay??

what a fun and wholesome manga this is

the lil baby arm covered in blood with the AFO hole on the palm. lying next to the dead mom hand. what an image to sear into our minds. I guess it’s been a while since he killed any dogs. gotta keep us on our toes somehow

also wasn’t expecting AFO and Yoichi to be twins! that puts an interesting spin on their relationship, because it’s usually a closer bond than even regular siblings. especially with all of that delightful shared trauma from a young age!!

yes, exactly

ohhhh this chapter is gonna hurt me, isn’t it. okay. ooooooookay. let’s do this

OH I’M SORRY, THERE’S MORE?!

Horikoshi my dude. you do realize that their mom dying in childbirth and the two of them just barely surviving and growing up as street orphans would have already been MORE than tragic enough, backstory-wise. you did not have to turn this into a freaking horror show with RATS TRYING TO EAT THEIR NEWBORN SELVES jesus christ

and THAT’S where you chose to put a one year timeskip?!

what the fuck am I reading here, you guys. no please tell me, I am actually desperate to understand

so the narrator is saying that some of the quirks manifested later in life, in “pubescent and pre-pubescent stages”, which is interesting because it’s the first time I can recall hearing about someone actually manifesting a quirk that late. maybe Deku’s old OFA cover story was more plausible than I realized

anyway so eventually it occurred to everyone that they should maybe freaking study this shit, idk. and eventually the researchers concluded that the superpowers came from a new gene that apparently isn’t human. and upon hearing that, society apparently lost its freaking mind. which is fascinating to me because it implies that the turning point wasn’t actually the superpowers themselves, but the realization of what it meant

like, so they were apparently fine with it when they thought it was a “mysterious disease”, but somehow it hit different when they learned it wasn’t actually a sickness at all, but instead the Next Step in Evolution. and it became an “us vs them” thing, as opposed to a “we have to cure these poor people” thing. damn

anyway so now Japan is a dystopia and we’re cutting to a big crowd of merc-looking dudes who are getting ready to attack some “meta freaks”, how lovely

but who is this figure in the shadows

I ask politely, as if it wasn’t already beyond obvious that this is AFO about to wreck some people’s shit

ohhhhh my god lmao

hopefully Katsuki and Deku can take the present day AFO out before he winds up looking like this. because this little fella is clearly demonic and idk if anyone can stop him

you all don’t understand. you need to run the fuck away right now

oh shit it’s already too late for them

it’s too late for any of us. it’s over. it’s all fucking over

((((；゜Д゜)))

AFO I am putting the manga down. I am backing away slowly with my hands in the air. I mean you no harm. please for the love of god have mercy

holy

“you see, we told you he wasn’t human” okay Scientific Research Group, you know what?? you win this round I guess

“HE WAS LITERALLY EVIL FROM BIRTH” HORIKOSHI SERIOUSLY ARE YOU OKAY??

HE WAS BORN AN ARROGANT BABY is literally the most terrifying sentence I have ever read

what the entire fuck

it’s a gorgeous sunny mid-November afternoon outside my window. but no matter how hard it tries, the light cannot reach this place

what kind of moron would throw a can of soda at him. officially the stupidest person we have ever seen in this manga

OH MY GOD OF COURSE IT’S HIM LMAO

(ETA: how come baby Yoichi has clothes that fit him perfectly but baby AFO is just stomping around wearing a tablecloth.)

BABY YOICHI. OH MY GOD. HOW THE HELL DID YOU GROW UP TO BE SANE AND KIND AND GOOD. THAT’S MY QUESTION THAT I NEED ANSWERED RIGHT NOW. YOU ARE LITERALLY A MIRACLE. YOU ARE AN IMPOSSIBILITY, DO YOU KNOW THAT

small and weak, but also so, so cute. all of the cuteness genes went straight to him. no wonder AFO was jealous

(ETA: just want to press pause for a second to speculate about what type of twins AFO and Yoichi are, since it has some relevance to the story, and especially to the OFA/AFO quirk lore. so! at first glance the two of them would appear to be fraternal twins, just based on the fact that they have very different appearances, and also the fact that Yoichi doesn’t have the AFO quirk – no holes in his hands, etc. identical twins are born from the same fertilized egg, so in theory they would both have the same sequence of DNA, which means Yoichi would have had the same quirk as AFO. but that doesn’t appear to be the case. so all of that points to them being fraternal, not identical.

on the other hand, there is one piece of evidence in this chapter that does support them being identical twins, and that’s the fact that per the narration, AFO absorbed most of the nutrients from their mother. a few minutes of google fu informed me that this condition is relatively rare, and only happens in cases where two twins share a placenta, which typically is only the case for identical twins. HOWEVER, for what it’s worth, there have also been rare instances where two fraternal twin placentas fuse together and become a single placenta. AND this apparently also increases the chances of one of the twins gaining more of the nutrients and causing the other twin to have a lower birth weight.

so based on the evidence here, my conclusion is that the two of them are most likely fraternal twins with a case of placental fusion. besides, you can’t tell me that stealing his baby brother’s placenta while the two of them are literally still in the womb doesn’t sound like exactly the type of BS that fetus!AFO would pull, lol.)

HEY!?!

okay?!?!?! well to be fair he did throw that soda at him

oh my god this is so fucked up. in like the best and worst way possible

I genuinely couldn’t ask for a better AFO backstory. it’s so incredibly twisted, and you actually do feel sorry for him. or at least I do. but it’s also beyond clear that this kid was FUCKED UP BEYOND ALL REASON right from the get go. zero goodness in him. literally doesn’t see other people as people. sees them as possessions only. things to rule over. not other thinking, feeling human beings. and that includes his own little brother

but. even if it’s not actually what I would call love, there’s still... attachment, there. it’s the closest he can get to actually caring about someone. guh. just, somehow they have both managed to humanize him, and at the same time made him less human than ever. this manga, man. this fucking manga, though

lmao and here we go. Captain Hero

you know, all those times that I made fun of AFO for not knowing how to read, I never suspected that the twist in his backstory would be that he LITERALLY DIDN’T KNOW HOW TO READ dfksjdlfkjslkdf

but seriously though. because Yoichi appears to be self-taught, and I can’t see AFO having the patience for that, and CLEARLY no one else was around to teach him, sooooo...

oh my goodness it’s actually getting wholesome up in here

what a good fucking boy. poor AFO. fuck me, I can’t help it. it’s not your fault you’re the world’s greatest monster you poor bastard

now we’re cutting to THREE YEARS LATER. okay

is he going to declare war on the glowing baby

typical teenager concerned about nothing but likes and view counts. AFO you would be so much happier if you stopped worrying about all of that and just focused on your own growth

oh, lol. well that was quick

(ETA: r.i.p. Damien.)

“this guy had more instagram followers than me. so I killed him” honey. sweetie pie. you need therapy

omfg

all this time I was wondering who AFO’s middle school lit teacher was who had failed so spectacularly at teaching him reading comprehension. and it was YOICHI ALL ALONG. omg

“and, presumably, that’s how it always was and always will be.” dude. can you imagine listening to AFO’s oral book report on A Tale of Two Cities. “ahem. it was the Best of Times. the end” buddy noooooooo

it was at that moment when Yoichi knew, etc. etc.

oh my GOD I scrolled down to the next panel right after this one and I just IMMEDIATELY DIED LAUGHING

“WAS IT SOMETHING I SAID” ffffffffffffffff I fucking can’t omfg

NOW THIS HUSSY IS STEALING HIS BROTHER AWAY FROM HIM NOOOOOOO

HE’S HIS!!! WHAT ARE YOU DOING!!! THAT’S NOT ALLOWED!!!

oh my god the hands. so wait, is this just the standard symbolic BnHA handholding, or are there More Levels To This. when exactly did Yoichi pass OFA on to Kudou. like is that why the sudden close-up and all that? omg

WHAT!!!!

OH THAT’S THE END, HUH? THAT’S THE END RIGHT THERE, AND THAT’S JUST HOW IT IS. I SEE. OKAY THEN. EXCUSE ME WHILE I PUT MY LAPTOP DOWN AND GO INTO THE NEXT ROOM AND SCREAM INTO A PILLOW

oh my god. and break next week too. this is what you guys have been dealing with this entire time huh. I understand your feelings now. godfuckingdammit lmao

#bnha 407 #all for one #shigaraki yoichi #ofa the first #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha

290 notes · View notes

maeve-is-annoying-about-books · 18 days

Text

I didn't really wanna talk ahead of the Dungeon Meshi anime but I had this thought bugging me as I was skimming the manga. So, spoilers for what's to come.

I don't think it's any coincidence that Laios' party, out of a cast of infinitely more capable people, makes it to the final floor of the Dungeon. Why? Cause they aren't heroes.

Look at Kabru, he's the poster boy for anime protagonists. He has a tragic backstory, a personal beef with the dungeon, skills trained by a master of the crafts, and a large party who seems genuinely friendly together. He has everything going for him to one day dive to the bottom and gain closure for his story but he just can't. He never will, because the dungeon does not work on his logic. It turns out that there is no plot armor against hearing a siren sing for the first time.

What about Mithrun then? Personally wronged by the Demon, he's the paradigm of vengeance. A tragic hero who will do anything it takes to get to his goal and probably die achieving it. He has a party full of dark history and interesting dynamics, really laden with moral greyness. Not Berserk but a step closer to it than Kabru's story. But he is, unfortunately, also a classic hero archetype, and although his skills are impressive they aren't fit for the ecosystem around him, singleminded vengeance will see you killed by changelings, the cold, or starvation.

Shuro, it's gotta be Shuro right? A man from a distant land but a familiar one to the primary readerbase. He goes back to train, hone his mind, collect a party, and save the love interest from a cruel fate. Perhaps he will learn there is no saving her, and tragically be forced to slay the monster she's become. His journey ends the second Faligon dies, so he has no chance, ever, of becoming the Dungeon Lord. There doesn't need to be any extra traps to deter him, he'll get what he wants at the fourth level and be gone, his desire simply isn't pointed that way.

Laios, on the other hand. None of his party are heroes, they're all here for selfish reasons and have absolutely zero illusions about heroics and greater goods. Laios is here to save Falin, he only wants his sister to be safe. And to eat and document monsters. Marcille is here for forbidden magic and Falin, and her two desires coincide with her resurrection. Chilchuck is here because he got paid up front and can't leave without rumors spreading. Senshi was always here and he just wants to live in peace with nature. None of them have heroic intent, broadly. But it also means they don't have heroic conceit either.

Laios' party will eat anything. They'll run from battle, take shortcuts. They treat monsters not as grand challenges to overcome but something to fight for their lives with. With their teeth if need be. There is no honor here there is only living. Honor gets you strangled by treasure bugs. Revenge will see you abandon your party to giant spiders for the mere shot at your target. Duty sees you skipping meals because your goal is so important. It is striking how different the dungeon is between Laios and the others. They all treat the dungeon as their personal hell to be striven against and conquered, only Laios sees it as an extension of the living world and understands his place in it. And I think that is so fucking cool, it's so multifaceted. Like, their exact skill set is perfect for getting through the dungeon because of how they all treat it. But also because the dungeon wants them there, because they have very personal, strong desires. Desires that shape their skills, and desires shaped by their skills in a kind of Ouroboros.

And it's an interesting question of how much of both factors into their progress in the story.

#dungeon meshi #delicious in dungeon #dungeon meshi spoilers #I just think it's neat how only an unlikely hero could make it all work #like it doesn't matter how skilled someone is if they don't try to integrate into the ecosystem #it would be like climbing a mountain without ever having lived on one or trained to climb or reading anything on them

100 notes · View notes

technicolouredmonochrome · 3 months

Text

so i've been falling down the danmei productions (chinese censored productions of BL novels) rabbit hole and i've figured out the basic BL starter pack:

1. BANTER. the two protagonists need to make a ton of thinly veiled jokes at each other about being in love. because censors! so in order to get any of it aired it's all gotta be nudge nudge wink wink. let me insert an episode where everyone suddenly acts out of character due to magic! or let me make the shameless one dress as a woman for an episode! they will find any and every way to let the two leads f l i r t and make us all wonder: why don't these two just get married already?

2. YEARNING. because if one half of our main couple has not waited at least 10 years for the other to either show up in their life or resurrect from the dead, are they really in love?

3. OPPOSITES ATTRACT. we need the flirty one! endlessly grinning and touching and teasing the silent one! and the cold quiet one is only soft for the sunshine one! how else can we know that their love is true!

4. SUFFERING. and i mean SUFFERING. dead parents. entire families annihilated. torture. tragic backstories abound. these men have never known happiness until they've met their other half. and then all they want to do is watch the world burn together. (and can we really blame them for that?)

5. ACTS OF ("brotherly") LOVE. they were brothers, historians would say, but they're almost always nearly dying for each other, and longing after each other, and siding with each other against the entire world.

5.1 OH BUT THEY WERE IN LOVE IN LOVE. there's gotta be at least one scene somewhere when our two main protagonists speculate about their possible future together. especially if it's just before some incredibly terrifyingly intense climax of the story (where one of our leads may *gasps* die) they talk about running a noodle shop together, or roaming the world together, or travelling from town to town fighting crime together.

5.2 AND THEY WERE SOULMATES. the word soulmates comes up somewhere. it technically translates to confidant (or person who knows me) but. if the translators decide to subtitle it as soulmate who am i to tell them otherwise.

6. FOUND FAMILY. they also have to adopt a kid who's gonna follow them through their adventures. sometimes it's two kids, sometimes it's a whole baseball team of children (of all ages and genders, they are incredibly inclusive on this point in this way). these kids are going to represent every single viewer, watching the main leads flirt while wondering, why don't i have two dads? why must one always go away and leave me behind? why is it always the rich dad that's gotta go? please come back and feed me and my poor papa we are starving rich dad.

i could keep going but these are the main requirements in our basic chinese BL novel adaptation starter packs. oh also most of the budget goes into hiring the two most attractive main leads possible and you get to watch as the cgi gets worse episode after episode as the show loses funding through its run. but it doesn't matter because these two men are clearly in love and i'm still 100% here for it.

#chinese BL novel adaptations #the untamed #guardian #word of honor #the sleuth of ming dynasty #a league of nobleman #technically that last one was not a BL but #they broke up at some point and each fed their shared custody kittens #so i'm counting it

114 notes · View notes

zephyrine-gale · 9 months

Note

I recently got into Honkai Star Rail through you art and I was wondering what made you ship Blade and Dan Heng? Hope you have a great day ❤️

they had sprinklings of lore throughout the game and I love that! also the very first dan heng nightmare pv was 👀 that was the first thing that made me curious about their dynamic I'm also a sucker for dynamics that are a little unhinged and plague each other's dreams, gotta have a healthy balance of feral so the more intimate moments hit harder ajfjgkgh it's that friends to lovers to tragedy to enemies pipeline

it's that unrequited connection from someone forced to live because of past consequences, and someone who bears the weight of those sins but desperately wants to disconnect from the past. they're currently at their lowest rn but that just means they can only go up from here, and I'm really interested to see how they interact once they learn more about their past

their backstories are very much intertwined, alongside the high cloud quintet. I'll put some stuff that stands out to me below the cut!

Nowhere to Run lightcone

This isn't the first time he's seen this man. This man had become his own inseparable shadow. No matter how many times he runs this man through with his spear, the man always comes back. He can neither lose to this man, nor truly win. Though he wants to run away, there is nowhere to run.

Dan Heng's char story II

Very sus of u blade to chase after another man through countless planets and still recognize him after he's changed his appearance

Blade's char story II

The black-haired young man shivered violently all over, but still clutched onto the spear in his hands. He had no dragon horns, and his reaction was slightly less mature than he remembered... But he would never forget this spear, these eyes, and how cruelty burst out from beneath the mirror-like emerald calmness. His wounds began to heal. His irises flickered and fixed their gaze at the boy once more. Without hesitation, the boy made another flourish with the spear... "That's it." The one who showed no mercy to enemies - was you. The one who single-handedly buried the beloved - was you. The one who almost led the place called home to its destruction - was also you. He fell down again. The teen pressed his hand against his own wounds and retreated, until he was no longer in the man's sight. "Before I witness your death in person, we will meet again, ███."

the beloved = blade the blacked out name = dan feng/imbibitor lunae it implies they knew each other in the past, but DH doesn't remember. Blade doesn't remember much about his past either, only that his mara strikes are triggered by seeing his xianzhou friends of the past (he most likely doesn't remember them as friends)

They share a pair of bracers!

the entire Passerby of Wandering Cloud set is Blade lore! he's such a tragic character, he's been through quite a lot, you should give it a read if you have the time :'>

this one is the backstory for the dragon bracer:

It seems that pairs of objects have telepathic connections with each other. Though the unnamed only had one bracer in his possession, his fingertips could still faintly feel the temperature from the other. He closed his eyes, trying his best to extract any information about the other bracer from the tenuous connection, be it its location or master. A slender yet strong hand once wore the other bracer. That owner, whose sharp spear glinted with a cold light and flourished like shooting stars, once sparred with the unnamed. That owner also once shared company and drinks with the unnamed, the two of them simply gazing at the moon with no words exchanged. However, in the end, it was also this person who stubbornly adhered to their plans with the unnamed, turned the beloved into a monstrosity, and pushed all into an abyss of eternal hatred and remorse. Pairs of objects are destined for an eventual reunion. The long years of grudges and hatred between them should be savored, like ice-cold aged liquor, one slow sip after another until the bottle of resentment is finally empty. Would the wearer of the other bracer feel the same? The unnamed didn't want to know.

the unnamed = Blade = Yingxing

drinking under the moon together -> in cn this is very ceremonial bond/close relationship-coded. Yingxing and Dan Feng were close

Yingxing, a short life species craftsman

Yingxing has the bracer on his right arm and Dan Feng has the other pair on his left

They also share jade pendants (they look like they'd slot together, forming the head and mouthpiece of a cn lion)

This is a line from a vidyadhara egg, but I find the implications very fitting for them :'>

Yingxing created DH's Cloud-Piercer (as well as the other weapons for the High Cloud Quintet)

Blade's char story IV

He remembered that, decades ago, he came to the Xianzhou with a merchant vessel and was impressed by the superb craftsmanship of this place. The young man was obsessed to the point of forgetting to eat or drink, and spent his inspiration like he was running out of time. He forged hundreds of marvels, four of which were the most famous. ... The black-haired man with dragon horns used his water manipulation abilities to rejuvenate his allies, and in the next moment he bound the water upon his spear and used it to ran his enemies through.

Blade's iris shape is similar to IL's lotus motif. lotuses symbolize resilience and rebirth--fitting for both of them, though one came back wrong :'>

Blade | About Dan Heng:

It's been heavily implied that Dan Feng and Yingxing did something that caused catastrophe and resulted in DF being forced to molting rebirth + banishment, and Blade being cursed with immortality and banished.

Dan Feng trusted Yingxing enough to sneak him into the Scalegorge Waterscape and let him do research--into what? we're not sure yet, but since Yingxing is a craftsman, he's probably creating something from the ambrosial arbor?? or from something relating to the vidyadharas. Perhaps he got cursed with Shuhu's gift here?? or DF somehow gave YX immortality, who knows...

I think their plan may be related to what we learn from Imbibitor Lunae's companion quest

SPOILERS FOR IMBIBITOR LUNAE'S COMPANION QUEST

There's a big focus on vidyadhara's immortality through molting but inability to reproduce, so any casualties in their numbers results in a permanent decrease in their numbers. Dan Feng's sin may be related to changing that (and failing, creating a dragon abomination that they had to fight against instead. although a whole separate vidyadhara was born from the catastrophe--Bailu).

END OF SPOILERS

Big hc delulu hrs now

Maybe being around the High Cloud Quintet made Dan Feng realize he didn't have a legacy to leave behind, unlike them. Every high elder becomes like the former, they lose their own sense of identity. I'd imagine being around a group of friends with their own agency, who also saw DF as a normal person, made him realize he also wanted to break free from the high elder cycle.

Yingxing may have been DF's biggest wake up call just bc he's a short life species who has done so much, who achieved more than anyone could imagine in a fraction of a lifetime of those in the Xianzhou. DF saw a star shine bright and couldn't help but follow and maybe wish he'd never lose sight of it as well.

Maybe it was for the selfish reason that he didn't want to lose these memories of the people who truly cared for him--of the people he truly came to care for--that he committed such a grave sin

He was dehumanized by everyone around him, I wouldn't put it past him to just. Snap one day, break his cold and calm poise, cry of desperation and fear of losing something dear to him

This kinda became a DF thing but personally, while DH himself may want to distance himself from DF, they're still the same person with shared memories (that DH can't remember)

It's similar to how Blade distances himself from Yingxing because he can't fathom his former self becoming the monstrous thing he is now

I'm really looking forward to when they can both reconcile and put their past to rest

#honkai star rail #dan heng #blade #renheng #theres sm about them that's interesting I probably missed stuff #they plague my mind they eat at my brain cells i just keep thinking about them #back to my animatic i need to finish it ajdkkjg #they click smth in my brain cell that a normal fluffy all happy dynamic wouldn't click #vidyadharas are known for their tragedies after all #long post

276 notes · View notes

buckybarnesss · 9 months

Note

Lurker now follower here, hi hi, I love your blog and all your insights and thoughts on Teen Wolf and Sterek!! I just finished a rewatch and then immediately started over from the beginning because I am Unwell 😂😂😂

I’m on episode one and I gotta say it’s pretty hilarious how Stiles immediately recognizes Derek. Like, I can only imagine how obsessed he was with the fire and the Hale family, and now Derek is back!!

I don’t really have more coherent thoughts on this, just my brain going BRRRRR so yea lol 😂😂

hi! welcome!

i know we all joke about how stiles immediately knows it's derek hale that he and scott run into because it is funny. like stiles baby. honey. the signs were there.

i've always gotten the impression the fire is something stiles remembers very, very well.

the hale fire changed beacon hills. the hales had been there since the town's foundation. they were a well off, prominent family. there was reason to suspect arson. multiple children died and the only known survivors were two barely adult children and a severely burned, comatose man.

laura and derek were high schoolers. cora was eleven years old and presumed dead.

we're told the only thing left recognizable of talia hale were her claws.

it's the definition of a tragedy.

not to think of the supernatural repercussions to the vacuum left behind.

stiles would've been about 10 when the fire occurred which is young but old enough to understand the severity of such an event. especially as the child of the sheriff.

he probably saw how it weighed on his father and had a healthy dose of morbid curiosity. he may have even have knew cora hale in that passive way you know other kids in your school even if you don't know them personally. one day there and the next dead. for someone like stiles who gets hyper-focused on things and has a lot of anxiety stemming from the death of his mother i can easily imagine how his mind didn't let it go.

meeting derek in person created a hyperfixation so intense and so unhinged it led to him recognizing teen derek hale at 50 paces or less in a mexican desert several years later.

as he got to know derek he unlocked the layered tragic backstory stiles really became derek's secret keeper.

and it is only stiles that gets these pieces of the puzzle that is derek hale. he's the one who goes through the hale fire files, he's the one who pieced together that kate argent preyed on a young derek and he knows about paige.

i find it interesting choice to have only stiles know these things about derek. scott never learns of these things that could possibly make him more empathetic towards derek. the writers don't use it that way.

especially because stiles learning these things never goes anywhere overt. it's all in the subtext of the relationship between derek and stiles.

like, stiles learns about paige and he does nothing with this information but we do see him with tears in his eyes over it. he doesn't ever learn that paige's death gave power to the nemeton either. jennifer only tells derek that.

he knows all of this about derek and never tells anyone. he only ever alludes to knowing about kate one time and it's in the overlooked when he gets in derek's face. i'm unsure derek's even aware stiles knows about paige. stiles carries all these secrets about derek and he never uses it against him. instead he continues to keep coming back again and again and again for derek.

more importantly he understands derek and what is love but the mortifying ordeal of being known.

that all said stiles is absolutely unhinged about derek and derek does nothing to curb this by the way. if it bothered him he'd stop it but they are freak4freak so derek probably finds it charming even if he puts up a few token protests just to bait stiles.

#my blog #thoughts on teen wolf #teen wolf #the hale family feels #stiles stilinski #sterek

101 notes · View notes

butwhatifidothis · 17 days

Note

So! What's your 🔥 take for Raphael? I'm interested in hearing your overall opinion about him, really.

(feel i always gotta preface these things with a "i dunno if this is really a hot take but it's my take so yeah" sticker lmao but ye)

I really like that among the cast he's the only one (that I can readily think of) that both has a tragic backstory but it still allowed to be a simple character. Even other "simple" characters like Caspar have supports that show them going through some sort of conflict, but Raphael is just. Chill. Very chill. It makes him a really good bouncing board for characters to feel comfortable around while still managing to have a distinct personality of his own, and also lowkey makes him come off as kinda mature imo?? Like he still has his worries but he feels like he's got most things in his life figured out already. He also has massive Big Bro vibes which are a big plus

#ask #ask meme #he's just a Cool Dude and i think he's neat

29 notes · View notes

mofffun · 4 months

Text

King-Ohger Character Song memo

link to streaming

Gira - Kind King

oooh rock! something Taisei himself likes? (Masashi mentioned they quickly became friends because they have football and rock bands in common)

the opening electric tunes is a consistent Dug motif

His voice is SO cute and the mismatch with the instrumetns XD

I like 'i gotta we gotta' part. catchy kinda slogan-y like self pep talk

Gira will stand up to unjustice and do it himself, but with the bonds with his friends too 😭😭

the longer I listen to it the less it sounds like Taisei?? and closer to sports anime freshman protag. I look forward to listening its live version.

Overall the song is very motivating and cheerful, let's just say it does sound like something Gira could write himself.

there's no beating INFERNO, but the lyrics is direct and cute, very fitting for Gira's character.

You get the chara song is how the character wants to express themselves and the image song is who they are from an outside perspective.

Yanma - Teppen Online

hmmm I'm surprised by the chorus? (+ve)

musically I don't find much surprise with this one but I like the chorus. Try & Fight and I'm still alive were just too impactful.

no wait it sounds like the most we learn about Prez?

In the lyrics he said, "some things don't need to be said (out loud)" and yeah, he's a bit shy in expressing affection huh? Or say, he believes in action more than words and he's the traditional manly type that's like, "hing1 dai6, sum ziu3 lah"

Himeno - Golden Garden

the "I wish" song in musicals

That's Erica's voice???

'K I can see the second verse as Hime singing to Rita.

ah no bridge (I think none of them have bridge? :(

A very beautiful song. Gives me a 2000s shojo amime ED vibe.

Rita - Moffun's Song

Yeah no, I don't like Rita's stuck being a Moffun fan in their character song. Can't say I'm more impressed by the full version as a Yuzuki fan either

The short version impressed me by showing Yuzuki's range in just under a minute. The high note is moved to the very end of the song from verse 2

Some rationalize it as Rita themself choosing to use this version to represent themself and I can see the reasoning behind Rita's caring interior should've be apparent by now and you have the contrast with Ignorantia but UGH I want the Chief Justice actually singing about their struggle and duty and YOU KNOW MAYBE TOUCH ON THEIR CONNECTION WITH GOKKAN????? IN HIRAKAWA'S LOW IKEMEN VOICE???

On the other hand did we ever get an explanation of why Rita likes Moffun in the first place? We know it's not some tragic backstory and honestly, they could've like it simply because it's cute. And yes, I can infer why someone like Rita would like something like Moffun but hnnnnn it's not canon

but another contradiction I'm facing is actually I was glad to see an adult character who's not afraid of showing their otaku passionate side, but Rita's not fully committed to that...

Kaguragi - 仰天珍道中

hohoho I so look forward to Kaku-san's singing.

oh my god that's really good???

i can see him on a showa TV show in a white suit

this is gonna be a brainworm

it's much faster than I expected too.

there's lore in this lyrics… (looks up japanese dictionary)

Jeramie - 線上のTrickster

Masashi's in the "singing voice close to speaking voice" group.

Jeramie, you're not beating the Noel allegations

has some early 2000s J-rock vibes I guess?

It's not a bad song ay any rate but again (like the perfume) doesn't feel very Jeramie to me?? Maybe I've been paying too little attention to him my interpretation deviation from official's for the second time?

(I like The Prophet better but maybe this will warm up to me)

#mon mon

31 notes · View notes

lu-is-not-ok · 11 months

Note

thoughts on the fourth match flame egos?

Oh baby, a triple. And a LobCorp abno as well! Let's see if I can make this one the longest out of all of them.

Also I got like three asks about this E.G.O so I probably should get to it huh.

Yeets you under the cut.

Alright, let's start by talking about Scorched Girl. This is an Abnormality all the way back from Lobotomy Corporation, and one which reappeared in Library of Ruina. As such, there's some material we gotta sift through. And by we I mean me. I'm the one doing the work here.

As is fitting for an Abnormality based on the fairytale of The Little Match Girl, the main themes of this abno are innocence, abandonment, hope for a better life, and the eventual snuffing out of that hope by life's cruelty.

However, this is where LobCorp twists the tale into something else, as while all of those themes apply to Scorched Girl, there is a major addition that recontextulizes all of the above. The bitter despair that follows when one is crushed, and the want to burn everyone's else's hopes and happiness in a fit of directionless revenge against the world.

While probably not as direct when applied to the Sinners, this theme of lashing out in the face of losing hope seems important enough to keep in mind.

Now, while I don't usually look too deeply into the visual designs of the E.G.Os, as the differences are oftentimes subtle... I feel like I need to do it here, because Fourth Match Flame has this little quirk of being Project Moon's special little Advertisement E.G.O where they gave each Sinner using it a unique design.

Also, not joking when I call this the advertisement E.G.O, almost all (if not actually all) pre-release material that showed previews of E.G.Os was of the Fourth Match Flame E.G.Os.

Let's go in the order that the E.G.Os were unlocked on the Battle Pass, shall we?

When Rodya uses Fourth Match Flame, her outfit turns into what I can best describe as a ballroom dress wreathed in flames, complete with matching tall gloves made of ash. It gives off this idea of opulence, of fancy balls that only the rich are invited to. Applying Scorched Girl's theme of a hope for a better life here, this could signify that this is the kind of life Rodya deeply wishes for. One where money isn't an issue, where she and her neighbours can live comfortably without worrying when their next meal will be.

Yi Sang's Fourth Match Flame puts him in a labcoat, specifically the kind of getup you'd see Ayin in, and if you're past Canto IV, Sang Yi as well. Funny Yi Sang Ayin comparison memes aside, I think Canto IV really helps apply this to the theme of hope for a better life. Because that is the kind of life Yi Sang wishes for. One where he can simply research for no other purpose than the joy it brings him. The fact that his outfit here specifically mimics Sang Yi's, aka the version of himself that Yi Sang views as perfect, further adds to that idea.

Finally, we have Ryoshu, the one we know the least about out of the three, and the one I can tell the least about from her Fourth Match Flame outfit. The best way I can describe it is... that it feels soft. Warm. There's a sort of simplicity to it that gives me nostalgic and innocent vibes, but I can't exactly put it to words why. While we don't have Ryoshu's backstory yet, and thus can't pinpoint what life she's hoping for the way we could for Rodya and Yi Sang, I think those vibes alone paint a certain picture. I think Ryoshu wishes to go back to a time that she associates with warmth and softness.

If we assume that Ryoshu, just like Yoshihide in Hell Screen, had a daughter who had tragically passed... Perhaps that's what her Fourth Match Flame alludes to her wanting to go back to.

Another interesting thing to note about the appearance of the E.G.Os is a notable contrast between the background for Rodya's Fourth Match Flame, compared to that of Yi Sang and Ryoshu. For the latter, the village in the background is already burnt down. It's already smoldering and covered in ash. For Rodya however, it's in the middle of bursting into flames.

Considering how for Scorched Girl the flame on her match signifies her hope, with it running out meaning she no longer has any, I think this detail is important. For Yi Sang and Ryoshu, the source of their hope is already gone. We know Yi Sang's League is already gone, and we can assume that is also the case for Ryoshu's daughter. Rodya, however? She still has hope to fight for. Though many of her neighbors have died, there are likely those who still survived. Those who still need her help. Those who she can share that better life she wishes for with.

Now, let's look at the Sins, genuinely my favorite part of the analysis I think.

All of the Fourth Match Flame E.G.Os are Wrath damage, Wrath being the Sin associated with actions done out of self-rightousness and defiance. It's the sin of deciding things need to change simply because you want them to. This, of course, applies to Scorched Girl on many levels.

The two most important ways Scorched Girl ties back to the concept of Limbus's idea of Wrath are both in its potrayal of hope. The idea of acting on your hope for a better life, to refuse what you currently have because you wish for something better, and the following lashing out at everyone else when that hope is snuffed out, as you believe that nobody deserves happiness if you can't have it.

As for the Sin requirements... Hoo boy there's a lot. All three of the Fourth Match Flame users require Wrath, with Ryoshu and Rodya both requiring Pride, and the latter also needing a bit of Envy. Yi Sang, on the other hand, requires Sloth and Gluttony instead.

Strap in lads, I got a lot to analyze.

Wrath is, of course, the most important ingredient to all of this. To be able to use Fourth Match Flame in the first place, one needs the self-rightousness and/or defiance to say that their hopes Do Matter, or that everyone else's Do Not.

Rodya is very clearly applying Wrath in the first way, her actions of lashing out against injustice being perfectly summarized by her murdering the pawnbroker. Defying how the Yurodiviye wanted to change the world, and instead taking the matters into her own hands, trying to make her wishes into reality herself.

Ryoshu is a little bit harder to tell, but I think it might be the latter way. While her current obsession with violence in the from of art could have developed for multiple reasons, it's likely that the despair she felt after losing her daughter was at least one of them. Having lost her own hope, she decided to tear down the delusional hopes of everyone else around her, revealing to them just how cruel and ugly the reality truly is through her art.

Yi Sang's case seems quite interesting to me. I think the fact that his Fourth Match Flame E.G.O requires the most Wrath out of all of them is no coincidence. After All, Yi Sang is the most passive out of these three, and he struggled to properly stand up for himself. However, Canto IV shows us that once Yi Sang's truly had enough, he Has Had Enough. In this way, I think this E.G.O represents Yi Sang's boiling point. The moment his quiet seething at his horrible situation finally drowns out his hopelessness and lets him lash out, if only for a brief moment.

Let's move on to Rodya and Ryoshu's Pride requirement. Pride as a Sin represents actions done purely for their benefits, with their negative consequences being ignored. This I think describes how both Rodya and Ryoshu lash out perfectly.

Rodya's act of murdering the pawnbroker and aligning reality with her hopes is done purely because of the perceived immediate benefit of it. To take the pawnbroker's money, to free her neighbourhood of the pawnbroker's reign. However, in doing so Rodya overlooks the consequences of killing off a member of the Middle's family, leading to even more harm being brought to those she wished to help.

Ryoshu's Pride presents slightly differently, but still is just as obvious. Her art has the main purpose of tearing down the delusional hopes of others and exposing the gruesomeness of reality, something that Ryoshu seems to actively strive for. However, in the process of doing so, Ryoshu neglects to care for the harm she inflicts on the way. She doesn't care how many people she has to hurt or kill in the process, the purpose of her art always outweighs the losses to her.

I think the inclusion of Envy as Rodya's Sin requirement for Fourth Match Flame further helps contextualize her actions. Envy represents actions done in reaction to other people and their actions. Rodya's attempt at aligning reality with her wish for a better life isn't motivated purely by herself, but it's also a reaction to the people around her. It's a reaction to the pawnbroker's selfish greed. It's a reaction to Sonya and the Yurodiviye's apathetic inaction. And of course, it's a reaction to the suffering her neighbours have been going through.

Now, time to look at our special boy Yi Sang, who decided to have two Sin requirements that don't match the rest of the Fourth Match Flame users. For a good reason too, as he stands out as the odd one out in this line up.

Yi Sang's Sloth requirement is easy to understand, with just how much it applies to him. Sloth represents inaction and actions done out of apathy. Sloth is also unique in how it interacts with Wrath, as the inclusion of one will recontextualize the other. In this case, it paints Yi Sang's defiance as somewhat hollow. It gives off the feeling that, despite lashing out, Yi Sang still believes that it won't matter in the end. His actions of tearing things down are still dripping with hopelessness.

Then, there's the Gluttony requirement. The thing with Gluttony is that Limbus provides two equally as important interpretations of it - actions fueled by the neverending wish for More, or actions fueled by the need for Survival. Both of those can be considered to be actions fueled by a form of Hunger.

In the case of Yi Sang, I believe the Hunger driving him is that of Survival. In reality, Yi Sang's act of hopeless defiance is a call for help. His Fourth Match Flame E.G.O represents his will to live trying to lash out at the world around him, trying to scream No, I Want Better Than This! in the face of his hopeless situation.

Just like I don't think it's a coincidence that Yi Sang needs the most Wrath out of everyone to use Fourth Match Flame, I also don't think it's a coincidence that the amount of required Sloth equals the amount of required Gluttony. It represents his constant internal struggle between his hopeless apathy and hopeful will to live.

A battle that Canto IV finally gives us the winner of.

#limbus company #limbus company project moon #yi sang #yi sang lcb #rodya #rodion lcb #ryoshu #ryoshu lcb #fourth match flame ego #lcb analysis #lcb canto iv #lcb spoilers #ask #anon #lu speaketh #ya'll really wanted this one

130 notes · View notes