so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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The Gang React to You Breaking Your Ankle
Lucifer
"This was bound to happen sooner or later."
I mean, really, with all the stunts you play with his brothers and that sorcerer, it's more surprising that you didn't break anything before now. Thank goodness your room is on the ground floor. Now, here is a schedule of where you need to be and when, along with the brother who is your designated companion at all times to ensure you don't get stuck somewhere or fall over and break something else. This is a rotating position so stop fighting all of you!
Mammon
"Holy shit, humans break easy, huh?"
Assuming for the moment that Mammon didn't accidentally get your ankle broken by pulling some stupid stunt for Devilgram clout and involving you in it, he'll be extra careful with you for a little bit. People keep jostling you in the hall! Don't they realize you're basically made of glass and paper?! He'll clear the halls for you to hobble by with your crutches. Yep, you're earning all sorts of new friends.
Leviathan
"E-sports are the best activity when you're injured."
What a convenient excuse to drag you to his room more often than usual for anime marathons and all-night gaming sessions. Like Mammon, he's a little uneasy about this revelation about just how delicate you are, but nobody gets injured playing video games. He's basically protecting you from your next inevitable accident.
Satan
"Stop trying to do so much on your own."
Satan acts extremely annoyed when he sees you trying to hop somewhere without your crutches or lifting anything more than fifteen pounds unaided. Of course, he's just worried about you and expressing that in the most practical way he can. He repeatedly reminds you of advice on improving your recovery rate he found in medical books and the blogs of reputable physical therapists (he always checks into their credentials).
Asmodeus
"Poor thing! Let me spoil you!"
And that's basically what he does, whenever he gets the opportunity. This is a great excuse to get some much needed R&R, in his opinion, so the two of you will be visiting spas and getting massages and you aren't walking anywhere anymore, he is one of the Rulers of the Underworld and you are going to be carried on a litter, so help him Gardonus.
Beelzebub
"You need to eat well to get your strength back."
Prepare yourself for Beel's version of "eating well". You only had three eggs for breakfast? You'll never heal at that rate. Have another six and some bacon. Here's a protein shake. It's designed for demons so it's probably a little grittier than the soft stuff from the human world but it's exactly what you need. No, he doesn't have any science to back this up. Yes, he expects you to clean your plate.
Belphegor
"Of course you got hurt, running around all the time. You should just relax with me."
Little did you know this was all part of Belphegor's master plan...
What a perfect opportunity to spend every second of the day with you. Now that you're forced to sit around and avoid being too active, he has you right where he wants you (specifically, under the blankets with him while he sleeps). He'll remind you at every opportunity that you normally run yourself ragged, and you've earned some time to laze around. And now that you're injured, you have the perfect excuse!
Diavolo
"Your poor human bones... My home is always open to you if you need somewhere more convenient to stay. Please take care of yourself, in the meantime."
Rest assured, he will provide you with all transportation necessary to and from RAD. Or perhaps you would like to try remote classes? Leviathan finds them productive! And if you need anything, please let him know. He'll be in touch about five times a day just to make sure you remember that.
Barbatos
"I am only a phone call away should you require my assistance."
And he will be on call at all hours of the day and night, just in case. You'll be treated like royalty when you visit the castle too, of course. (Even more like royalty than usual, that is.)
Solomon
"Oh, that? Here."
He just magics your ankle better. There, there, little apprentice. He's surprised you didn't do that yourself.
Simeon
"What are you carrying? I'll take it for you. No, I insist!"
Simeon will be a perfect gentleman, helping you up and down stairs and carrying your books and shopping for you. He's very concerned about you somehow re-injuring yourself, and even when you're alright to walk without crutches anymore, he still *really wishes* you'd use them for an extra week or two, just to be on the safe side.
Luke
"You did what to your ankle?! Ankles can do that?!
Congratulations, you've introduced Luke to the concept of broken bones, and he will find the human skeleton creepy and gross for the rest of his life.
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@thefandomthings I know this isn't exactly what your ask was, but it's similar, so I hope you like this!
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