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stromblessed · 5 months

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Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

#blue eye samurai #mizu #akemi #kinuyo #bes #women are birds okay they are BIRDS #the let me die line is so SCARY AND SAD like a part of Mizu wants death but she cant? she doesnt know how?? excuse you show???#when all these other delicate birds are dying all around her #akemis character gets more and more gutwrenching upon subsequent rewatches because whenever she says her life is in danger #NO ONE BELIEVES HER - certainly not other women #because shes rich and pampered and that means shes safe and is worrying about nothing right? right?????#and it turns out that all of akemis instincts were right and she was in danger the ENTIRE TIME #also I need to make a post just for kinuyo because I am sad

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lustwithoutlore · 2 months

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Stephanie, clearly upset: I just spent $30 at the grocery store and all I got was eggs, mayonnaise, fruit, and pop.

Tim: Oh so prices have gone down, that’s good.

Stephanie: …. I really hate you sometimes, Tim. Really hate you.

Tim: Isn’t $30 for all that cheap?

Stephanie, calling Jason: I need an immediate extraction I’m about to kill Tim.

Jason: … And you need the extraction, why?

#steph: *cocks gun* time to eat the fucking rich #tim: thank god if I get killed I can finally rest #steph: *lowers gun* uh…. you good bro?#batfamily #batman #jason todd #red hood #batfam #tim drake #stephanie brown #batgirl #red robin #dc comics #dc comics funny #incorrect batfamily quotes

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undertheredhood · 8 months

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any dc character: *confessing something about their past they kept hidden out of fear/shame*

their batfam bff who had already known for a while and is now desperately trying to hide that they knew the truth this entire time: “oh, wow! that is so crazy, i am so sorry you had to go through that.”

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lesbaurinkos · 1 month

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drop the dagger and lather the blood on your hands, romeo

#im having the time of my fucking life. im having the time of my LIIIIIIIFEEEEEE with this #THANK YOU DAN AND PHIL CRAFTS. FOR ALL YOUVE DONE. FOR US AS PEOPLE #there were like 80 different mcr lyrics i wanted to title this with. my craftie playlist is rich with my delirium out here #god i love the mass hysteria slime has unlocked in us all. it’s so beautiful. i love u gay people #dnp #dan and phil #cw blood #cw gore #i mean stylized but just in case of coursies ^_^#danandphilCRAFTS #phanart #and as always. we WILL get those fandometrics.#phan

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heroesriseandfall · 9 months

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People know Tim was Weird about being adopted by Bruce but honestly the “committing fraud and hiring an actor to pretend to be his uncle so he won’t get adopted” thing is only one part of it. Always remember that when Tim finally did let himself be adopted by billionaire Bruce Wayne he immediately used it to intentionally get himself kidnapped so he could stop a rich kid mass-kidnapping operation.

#tim seeing that lots of rich kids keep getting kidnapped: huh maybe there’s ONE benefit to being adopted by bruce wayne #tim drake #batfam #bruce wayne #dc comics #he is SO normal about parental supervision #robin (1993)#heroesriseandfall

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toxungen · 2 months

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woof woof wats up lol

#maybe my most self indulgent oc #chronic loser who participates in throwing fights as a get rich quick scheme (never gets rich) (the cycle continues)#furry #anthro #blood

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surprisearson · 4 months

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The main critique I've seen leveraged at Saltburn is that is falls short of its message of "eat the rich". But like...I never saw it as as that. Saltburn (to me) is steeped in a specifically English class context of nobility. There is this gap that cannot be bridged. Oliver throughout the movie has this deep frustration that he does not permanently belong in the sphere of Saltburn. Multiple people specifically goad him with this fact. Oliver is privileged by most people's standards, but it isn't enough. It's not eat the rich as they're all terrible its eat the rich as consuming them, absorbing them, licking the plate clean. The film came across as less a class critique and a hornier knives out but rather a psychological horror story about desire and not being able to have what you want the most. Oliver will never belong truly at Saltburn. Oliver despite worming his way into the family never has physical intimacy with Felix. It's not skewering the rich, it's commenting on the deep desire to inhabit their skin.

#the critique that the cattons arent unlikable drives me insane #they arent bad because theyre individually bad people. thats the point. if you couldnt critique the rich because theyre nice and charming #well we wouldnt get very far #anyway the movie is less fuck the rich and more what about the deep desire to fuck the rich #saltburn

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radiance1 · 10 months

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The Ghost Prince does not, under any circumstances, answer a summoning after it was made aware he existed. None know why he doesn't, some are bitter and hateful of it while others are thankful that it's one less bloodthirsty manic to deal with.

The Ghost King meanwhile hasn't been seen in multiple eons, so the magical community who wanted to use his power just, stopped, trying to summon him for a long time.

Most magic users knew that the Ghost Prince never answered a summons, and that the Ghost King just dropped off the radar.

So could you really blame Constantine for not taking it that seriously when some wannabe hotshot cultists try to summon both of them in the middle of a city to wreak havoc?

He'll give them some credit though. Points for doing it in broad daylight and actually being somewhat of a threat with not relying on just summoning the Ghost royalty and figuring out what to do from there.

The area they were in was somewhat destroyed, then the cultists manage to complete the summoning circle to summon both of them and Constantine, well he just light up a smoke.

It isn't going to work anyways so what does it matter?

...

Is that a fucking Ice cream truck he hears? Who the fuck is driving an Ice cream truck while their city is being under attacked with cultists trying to summon eldritch ghost royalty?

He'll give them some points for dedication, though.

Then he looked at the cultists and nearly had a goddamn heart attack to see that the summoning circle is actually fucking lighting up and working.

The Bat is so gonna give him a headache over this.

----

Danny Phantom, crown prince of the Infinite Realms. Does not answer summons.

For one, it is annoying as shit, whenever someone interrupts his day just to ask for infinite power (that he can't give), world domination (that he won't do) or infinite riches (which he also can't do).

It just got annoying being summoned all the time so. One day he just, well, no. And hey, it worked out well enough for him to not continue doing it.

Then he also learned that Pariah Dark is basically the same, after he got out the coffin and stopped trying to take over the world for whatever reason. He was actually a pretty swell guy!

He was just with him too, with him being not so swell at the time for making him go through lessons about Ghost etiquette, rules, stuff that's expected of him as the crown prince.

And don't even get him started on the engagement and marriage proposals.

Overall, he just wanted to find an excuse to leave. Then he felt the familiar suggestive pull of a summoning and, instead of rejection as he usually does in a second. He thought for a bit if he wanted to go with that or crown prince duties.

It was tempting, but dealing with cultists seemed worse than this so he was about to reject.

At least, before he heard an Ice cream truck playing in the background. He doesn't even know how the hell that popped up through the pull but by the gods has it been a while since he's had Ice cream.

So he answers and is gone with a pop.

Pariah Dark just stares for a good second or two, before breathing out and deciding to also answer. Fright Knight is just there, off to side, questioning what he should do now.

Danny wastes no time with the cultists on the other side and in fact, he pushes them out of the way and goes diving for that Ice cream truck he hears. Only to realize he doesn't, have any money on him.

Fuck.

Pariah Dark is less inclined to follow the rules imposed by humans like money, but he does know it can be important. Once in a while. Not that often, but it has its times.

So when he sees his adopted son being sad over being unable to pay for some kind of human delicacy, he digs around in his hair (yes, his hair.) and pulls out some money and puts it on the counter as payment.

The man inside the tiny vehicle had shrieked before getting what they wanted. Which is good. Fear is a good motivator, Pariah thinks.

Unknown to him, it wasn't out of fear (Well, mostly) but because the Ghost King placed down a coin made of pure, solid gold on his counter.

The two then go about their business in the human realm, completely forgetting about the fact that they were summoned here for something.

Constantine is both relieved and about to have an aneurysm at seeing Infinite Realm royalty only answering a summon because of Ice cream.

#dc x dp #dp x dc #dp x dc crossover #pariah dark #john constantine #The Ghost King and Prince are known to not answer summons #both for different reasons #But Danny instantly answers one because he heard an Ice cream truck in the background #Pariah followed because he at first wanted to get Danny back to Crown Prince lessons #Only to be swayed by his puppies eyes and the absolute delicacy that is Ice cream #Pariah Dark is stuck in the medieval times in terms of money #He would literally pull out gold coins and pay for shit that way #He is rich rich #Like basically a neigh infinite supply of gold coins he keeps in his hair #Don't ask him how just ghost logic #They then spent the day going around to Ice cream shops and taste testing them #Poor Fright Knight is left alone wondering what he should do #Word spreads in the magical community about this and everyone tries it out #It does work #But if there isn't actually Ice cream you'll have an angry Ghost Prince to deal with #And an angry Ghost Prince leads to a less than cordial Ghost King

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puppetmaster13u · 4 months

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Prompt 185

No one could get into contact with Constantine.

Now usually that wasn’t that big of a deal, the man constantly disappeared for a few days at a time doing something or other, but he’d been completely silent and unseen for months. Usually he’ll at least answer a call to tell them to fuck off or something.

And they really need his expertise and are getting incredibly worried for their grumpy team member. Yes he’s an asshole, but he’s their asshole, y’know? And he has a habit of getting into Situations (sure he also usually gets out of them, but what if he didn’t this time?!)

So they’re desperate. Kind of really desperate. Desperate enough to use the summoning sigil they found on his fridge. They’d checked it, multiple times, and it should summon the hellblazer.

“You’re not Constantine.” .

The white-haired teen in the circle yawned, stretching and blinking at them blandly with familiar blue eyes before sighing. “Actually I am,” he stuffed his hands into his hoodie as he looked down at the summoning circle. “Well, technically just one of the many Laughing Magicians currently in the Realms.”

He gave a grin, looking more amused than annoyed. “Pretty much every one of us is in the Realms right now for family reunion lol. (Did he just say lol out loud??) So like, you’re gonna have to specify which of us you’re tryin’ to summon. Honestly perfect timing for me thanks, the fruitloop keeps flirting with John and it’s horrific so.”

… That was probably their John, wasn’t it…

#dcxdp #dpxdc #prompts #The Constantine Family exists for fucking over entities & manipulating luck #They adore this scrappy halfa who is doing the same with twice the feral #Danny: Yeah I’m like the changeling child that ended up in the middle of them and they just kept me for the laughs lol #Danny: I’m not allowed to join in the drinking competitions #Danny: Oh no it’s not a responsibility thing; alcohol doesn’t affect me and they say it’s cheating #Why Yes Vlad IS flirting with their Constantine #He’s started his redemption but let’s be honest he’s also a con-man & John is all for fucking over the rich #Danny is disgusted at how well they’re getting along and wanted to get away from their flirting while everyone else ribbed at em #Hence why when they all felt the summoning he decided to go #Well that and also for the laughs because he’s learning magic Undead Constantine style #”Fuckin 'ell yeah the family 'as a necromancer in 'he line again look a' 'im go!” (Lots of ghost & living people drunken cheering)#Danny only half fucking with people: Yeah I’m like their collective undead fae child lmao #danny fenton #john constantine

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cuddlytogas · 2 months

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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