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ducktoonsfanart · 3 days

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Ducktales, Quack Pack and Dragon Ball - Scrooge, Fethry, Dugan, Huey, Dewey and Louie Duck with Master Roshi, Gohan, Goten, Trunks, Krillin and Oolong - Duckverse and Dragon Ball Crossover - Tribute to Akira Toriyama and Dragon Ball - My version

Even though I'm late, and to make it easier for you to refer to your crossover, I'll post one drawing each so you know what it's about.

Yes, and in honor of Akira Toriyama, in honor of one of my favorite manga and anime even though the action takes place in China and certainly dedicated to the 90th anniversary of the creation of the best Disney duck, Donald Duck. I drew three separate drawings of the crossover Duckverse and Dragon Ball characters and combined the various Duckverse and Dragon Ball variants into one. I wanted to add more, but not all characters would fit, so I’ll post it separately another time. I mean especially the villains.

Akira Toriyama was born on the same day as me, April 5th, but in a different year, which is 1955 in Kiyosu, Aichi, Japan, and he started his career in 1978 working for a Japanese magazine and later published the manga Dr. Slump continues to write and draw the Dragon Boy manga after 1983, so that from November 1984 he writes, draws and publishes the famous Dragon Ball, which will later become very popular and even the most popular in the world. He was particularly inspired by Osamu Tezuka, who created Astro Boy and is the father of manga. In 1986, the Dragon Ball series began airing and it would become one of the best anime I could enjoy. Yes, it will come out through various series like Dragon Ball, Dragon Ball Z, Dragon Ball GT, Dragon Ball Z Kai, Dragon Ball Super, etc. Unfortunately, Akira Toriyama left us on March 1, 2024, and many were affected by this, including me that this happened. Thank you for everything, good man that you have done for all of us! Rest in peace, amen!

This drawing I drew shows other male characters and boys with other Dragon Ball characters, like Ducktales and Dragon Ball. Scrooge McDuck is with Master Roshi (I don’t have to say why), Fethry Duck is with Krillin, Dugan Duck (Fethry’s nephew) is with Oolong Pig, Huey Duck is with Gohan (Goku’s older son), Dewey Duck is with Trunks (Vegeta and Bulma’s son) and Louie Duck is with Goten (Goku’s younger son). Scrooge McDuck is similar to Master Roshi because he is like an advisor, and who influenced Goku and Donald the most, and they are quite comical and love women, Huey is similar to Gohan because he is the oldest, and they are often both rebellious, Dewey is similar to Trunks because he tends to stand out and be alone, but also because of the similarity of his hairstyle, Louie is like Goten because he is the youngest, but prefers sports and they have a good heart, Fethry is like Krillin because they are clumsy and are often with Goku, that is, with Donald and Dugan is similar to Oolong because they are smaller in stature, although both have a strange energy. I definitely drew them wearing Dragon Ball clothes (as in the previous drawing) since they are in China practicing martial arts.

Yes, I combined from the comics Donald Duck, Duck Avenger (PKNA), Double Duck, Darkwing Duck, Three Caballeros and Quack Pack into one along with various Dragon Ball variants in my own way and drew them to wear the same clothes as in Dragon Ball. I hope you like this idea and this crossover. Feel free to like and reblog this and if you support this idea feel free to say so, just don’t use my same ideas without mentioning me. Thank you! Also, happy 90th birthday to Donald Duck as well as 40th birthday to Dragon Ball and Goku himself! I hope you like this drawing and this idea!

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neonscandal · 5 months

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Just see this in twitter by someone : "I'm starting to think maybe people should read actual BL manga. perhaps considering manga written with actual gay characters in it in addition to shipping m x m from whatever battle shounen you're into."

Like because of those subtext, there can be fanfics and fanarts, right? And then I decided to come here, your blog is really one of my comfort place....

Comfort place!? This makes me want to carve out time to post infinitely more. 🥹 Even though it feels a bit aimless, I’m glad I could cultivate that for you and hope I can continue to do so.

RE: twitter, without context, it's hard to tell whether this person is earnestly recommending people to expand their interests into BL or if they're dumping on people who tend to support and identify queer shipping across other genres.

On the one hand, heavy agree that if you appreciate queer pairings of any kind to absolutely find media and stories that shows healthy (and authentic, if possible!) representation of whatever you're into. I feel like sometimes in BL, specifically, there’s a lot of toxicity or violence passed off as romance which is why I recommend being discerning. Here are some green flag recommendations and I kind of touch on the importance of identity through engaging with queer content by way of BL's featuring fudanshi's there. Isn't always the case, but it's a storyline I appreciate.

If the poster was side eyeing queer ships in "mainstream" or shonen stories... they should grow up. I've been in and out of fandom for like.. 20 years. There have always been people who recognize and popularize queer ships. Back in the day? Characters didn't even have to share the same show, universe or genre to end up in a crossover slash fic on Fanfiction.Net.

Don't get me wrong, I've definitely needlessly explored several crack theories or made off-base assumptions about a story for the sake of trying to guess at where it’s going. But I sometimes question people's competency for reading/watching comprehension when a particularly shitty hottake is making its rounds on social media. Like are we not watching the same thing?

Subtext does exist. I don't know that all authors are as elegant or intentional in its execution but if you're not bothering to consider the possibility, you're potentially missing out on critical pieces of a story you're choosing to invest hours/years of your life into! This isn't simply as it pertains to shipping but also picking up on critical exposition (Attack. On. Titan.) or even questioning whether the information we're getting as the reader or viewer is conveyed with any sort of narrator bias. Yes, this is absolutely a My Hero Academia call out. ✨

Queer coding does exist. Tons of reasons why queer characters aren't always explicitly identified as such. More often than not, there's some form of censorship. Whether at the editing level during manga production or when it comes time for manga/shows to be approved for international distribution (re: information that's lost in translation vs outright decisions to alter the flow of the story). Most glaring example of this that comes to mind is Haruka Tenou or "Sailor Uranus"/Michiru Kaiou or "Sailor Neptune. In addition to gratuitous name changes when Sailor Moon was pushed abroad, several countries would rather portray the two as unusually close relatives despite the clear romantic undertones exhibited whenever they were on screen together. Also, IDK why, but pretty sure I'd seen somewhere that, initially the creator of Naruto did want to canonize Sasuke/Naruto but, truth be told, I've never watched the series and that could have been a fanon theory I'd seen.

Overarching messages exist. Similar to the first point, a story is seldom just a story. More often than not, you're looking at some sort of social critique or opinion that's being expressed or explored through the story. To not bother thinking critically about what you choose to spend time in enjoying is a pretty bland way to miss the point of it.

When all else fails, it's not our fault that the only relationships most shonen mangaka focus on developing is the one between "rivals". That's it. If there were more dynamic characters or literally any consideration toward the depth of intimacy between the main character and whatever tritagonist female lead the male lead inexplicably ends up with (aside from the simple rationale that "she is the girl 🎀"), then maybe fans won't have to hone in on how the only agency, equality and intimacy is between the only two characters of substance. That was a mouthful but so are the overly poetic soliloquies shonen rivals inevitably share about one another.. ✨

I'm guessing this question might be related to the last anon ask about fanfics? I agree regarding the fact that subtext allows for a richer selection of fan art and fics. I think, depending on content, the motivation for reading fics will subsequently differ. For instance, I'm less likely to read fanfics for a romance series even if I sometimes write for them because the source material generally satisfies what I wanted from them. But fix it fics, angst and romance fics for shonen/seinen series'?? I'll definitely pick them up because, 1) there are usually unexplored relationship dynamics in the source material, 2) there are alternative domestic/fluff storylines you'd never see because the genre doesn't allow for it, 3) the canon plot is usually so devastating *cough, JJK, cough* that I need a respite, and/or, 4) the developing plot tends to have a lot of holes that writers can explore to craft uniquely compelling AU's and alternative plotlines that I wouldn't imagine.

Man, it's been a while since I nerded out and really took the time to bang out a rant. I've had so many thoughts bouncing around but just zero time. Thank you for your ask and the reminder that there's someone else out there in the shipping trenches. Stay safe out there, anon!

#neon asks #anon asks #ship sails itself #meta #fandom #shipping dynamics #anime #manga #AOT #snk #mha #bnha #sailor moon #jjk

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cubedmango · 6 months

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so this spiraled out of control, and this is me warning that my messages ahead are gonna get pretty long, so my apologies for clogging up your inbox with my ramblings as i do my best to answer your questions and stuff 😅 so basically: most toku are elaborate children's toy commercials, superhero shows, and shounen manga/anime but live-action (complete with the homoeroticism) rolled into one, although a good portion of its protagonists (especially in kamen rider, the franchise i'm most familiar with atm) are actually adults this time, albeit usually 20-something prettyboys (as to why, look up the odagiri effect if you haven't heard of it yet). and officially, toku isn't really a genre (stuff like godzilla are also considered toku), but many people outside of the jpn fandom basically treat it as such in the way they treat shounen, shoujo, seinen, josei, etc. so i guess it doesn't really matter anymore atp? (1/?)

(rest of ur asks under the cut!)

some toku are more adult-oriented, though those tend to be relegated to webseries and movies that aren't aired on tv, but again i'm not as familiar with that stuff rn. and you're right about the number of episodes - among the toku big 3 (kr, super sentai - aka the basis for power rangers, ultraman), kr and sentai seasons tend to be ~50 episodes while ultraman seasons are often around 25 instead. also all 3 of these air shows annually, but each is generally stand-alone albeit taking place in the same wider universe (mcu vibes except i think it's somewhat less annoying and with a less strict sense of having to make everything 'canon') and which can be loosely connected enough for them to have crossover movies every so often (though yeah, those tend to be not officially canon) (2/?)

among those big 3 as well, kr is definitely the go-to if you're interested in m/m subtext, whereas it's apparently less frequent (but definitely still present occasionally) in sentai and ultraman, especially as sentai in particular seems to be more big on the power of platonic friendship and family (not so sure on ultraman as that's the most unfamiliar series to me for now, though fwiw i think the template of the steel samurai in aa is relatively closer to ultraman than to the other big 2 franchises) (3/?)

as for what i'd recommend - i've actually only gotten into toku recently, but i'd say kr build (the season where inukai and akaso play the leads) is a pretty good place to start tbh! i haven't actually finished it myself, but i'm really enjoying it so far, and while i've heard it kinda stumbles in the latter third, it's generally agreed upon to be a solid season with a fairly cohesive plot and compelling characters (and the ending is kinda insane from what i know, but like mostly in a good way), and i agree so far as well. it's also one of the seasons specifically conceived as a callback to the very first kr shows in the showa era, so this way, you can get a pretty good sense of the original themes of kr even without watching said showa-era shows right away. and each kr season has its own themes too, with build's being focused on science and scientific principles, hence the protagonist here being a physicist (4/?)

build is also known for having a suspenseful thriller-like plot with a lot of twists and turns, so it's best to go in as blind as possible aside from like a cursory glance at its synopsis - basically don't follow my example, as i got spoiled for all the major plot twists and while i'm still liking the show and now focusing more on seeing how well-foreshadowed and built-up (ha) said twists have been so far, i definitely sometimes catch myself wishing i'd been a more unaware viewer from the start lol. and it's 49 episodes long (with some spin-off movies and a stageplay that, while not strictly necessary to watch due to either being not officially canon or not really relevant to the main plot, apparently do enhance the viewing experience and still tie in nicely to aspects of the main series and its character development), but due to the nature of its thriller-like story meant to hook viewers in, it might not actually take too long for you to finish (though i personally am taking it more slow and steady) (5/?)

as for the gay stuff, build is definitely worth checking out as the very originator of the life-changing phrase 'heated drama between men' (from this official promotional article www . toei . co . jp/tv/build/story/1210272_2766.html) and is also generally agreed to be one of the top kr shows (and the most recent one in years) to lay on extreme gay subtext (and again, that's saying something considering kr homoeroticism as a whole, and it's so palpable they've gotten many straight people and dudebro fans on reddit and twitter to also agree they're gay; other seasons with very heavy subtext between its 2 male leads that i can think of off the top of my head rn are ooo, blade, and ofc kuuga, the grandpa of all heisei kr shows) (6/?)

sento (the protagonist, played by inukai) and banjou (the deuteragonist, played by akaso) are considered iconic nowadays in helping elevate the primary x secondary rider partnership (bc going by those other mentioned extremely gay-coded relationships from previous seasons, none of them count as primary x secondary), and banjou by himself is often seen as redefining the secondary rider role (and also sento/banjou, or ryusen, is like peak m/m nerd x jock romance to me in general, and a fun bonus for me is even if it's yaoi, they both dress a lot like butch lesbians so in my mind they're kinda lesbian-adjacent to me, an actual lesbian). they're also really popular that they've gotten official couple's rings merch (based on their animal motifs of rabbit for sento and dragon for banjou), in the vein of narumitsu (and klapollo too if i'm not misremembering?), kawoshin, those guys from promare and code geass, etc (7/?)

speaking of aa again, i do think edgeworth would generally enjoy kr, gay subtext and all (the steel samurai probably contains heated drama between men too), and even though idk yet if kr and/or build would be his favorite toku shows as a whole, i definitely think he'd find himself relating to sento in many ways (they're both gay-coded identity crisis-having autistic guys with red in their color schemes, among some other similarities you'll discover along the way), but i think sento's relationship with misora (the main female character and his younger sister-ish figure) is overall more akin to phoenix and maya's than to edgeworth and franziska's. i don't think banjou and phoenix are that similar though, aside from being bi-coded blue-themed men associated with dragons, but edgeworth might still find a way to draw some parallels between his relationship with phoenix to the ryusen dynamic (8/?)

and while i can't guarantee build will make you feel as crazy (positive) as it's making me rn, i think you'll still like sento/banjou and the show itself... also, sento and banjou are pretty much the opposites personality-wise of inukai and akaso's characters in odt and cm (i also watched and enjoyed both shows prior to watching build, and yeah it's definitely a bit of a whiplash to see how different their respective characters are, though it does tickle me to imagine the possibility that the drama got so heated in build it inspired them to act in full-blown bls a few years later). like sento is an 'egotistical genius superhero' with a heart of gold whose arrogance is partly a facade and coping mechanism for his identity issues, and banjou is basically an adhd icon and ex-pro boxer (although lbr akaso doesn't really have a convincing enough physique for it, but well i can forgive it in the end because he's a great actor otherwise) who's very much an 'act/punch first, think later' type of dumbass but who's also a kind person at heart, albeit starting out as a bit of a selfish jerk whose (kinda understandably, in hindsight) distrustful nature makes him look out only mainly for himself and his small circle of loved ones, so i think it's nice to see both men's acting range (9/?)

anyway i'd say the love story (platonic or romantic, but well. it's really hard to read it as purely the former) between sento and banjou is truly at the heart of the show (like it's literally a story about building relationships) - in short, build is that "stop war start gay" graffitti meme. but for a better summary of what i do like overall about build that's also not very spoilery: www . tumblr . com/timetoddddavis/711997352927510528?source=share also i'm obsessed with this fmv so i must inflict it (positively) on every person i can (it's a bit spoilery but it's all out of context so it's not that big of a deal): youtu . be/-Gjzr5HmmfY?si=HUr8oZezqV_lIusZ (10/?)

(also even if you end up concluding that toku really isn't your cup of tea, you can at least maybe think of your experiences as a way to improve future aa headcanons and fics wrt its depiction of the steel samurai and company i guess?) this has gotten long enough that i'll stop here, but i did have some additional thoughts on build's female characters (sadly there's only a few of them, but they're treated well enough considered how men-centric kr generally is), how kr has actually and refreshingly also been dipping its toes into yuri(bait) recently, and the kinda morbidly funny anecdote about akaso thinking he might have gotten a crush on inukai on their first day of filming but it was actually heat stress affecting him, but i'll save those for another time if you're curious enough or are okay with me continuing to ramble. i really appreciate your time and attention, and thank you so much for entertaining me and my toku fixation :-) (11/11)

also toku fans have all made our jokes about the energy emanated by that classic 'heated drama between men' photobook image of inukai and akaso as sento and banjou but i'm also not kidding when i unironically think their posing in that picture perfectly encapsulates the characters' relationship by the end of the show... their relationship development from reluctant and kinda antagonistic allies to friends to beloved (and kinda codependent ngl but that just gives it more flavor to me, and also understandable given the circumstances of everything) partners really is a sight to behold <3

oh my god anon . thank u so much for the detailed explanation but also how long did these take u to type theres So Much Info Here ??? respect to ur fixation tho i dont think i would ever be so clear and coherent talking abt my blorbos afjdskfjkd

ANYWAY !!! u have def caught my interest w build (esp w the aa parallels and the rings mention i had no idea other franchises do it too) (also in the post u linked this line "it stars a silly little rabbit, the silly little rabbit has a death wish" i Need to understand the context behind that) so i might actually watch the first few eps and see if i enjoy it?? the chara dynamics sound rlly interesting already from ur descriptions so im curious abt how theyre in the show 👀 if theres any specific place/site ud recommend i watch id appreciate that too bc i have no idea where to look kfjdks

#oh and feel free to tell me abt the other stuff if ud like! female chara discussion most important thing ever to me even if idk them #(and the akaso thing ??????? oh my god i have to hear more about that rkjgkfdjgkfg)#gonna save the fmv for later in case i do decide to watch the whole show but ty for that too!!#my answer

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yonemurishiroku · 1 year

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need to know more about your thoughts of voltron. what do u ship. what season are you at (please dont watch past s3/4). are you a keith girl i hope youre a keith girl you’d better a keith kinda guy because theres no way in hell youre a nico girl without being a keith guy they are my two sons my two babies my most beloved the only boys in the world ever they are the same they are so beautiful they are so special the end

I just want you to know that reading this ask absolutely delights me LOL I can see your love for Keith clearly like the sun in a summer noon.

Anyway, to answer your questions, I'm currently in S6, moving to S7 with the slowest wifi ever (dammit). You say I shouldn't watch past S3/4 but actually? I only see things really spicing up when I've gone through like half the series. That is to say: I had to drag myself through s1 & s2 LMAO. When I first started this show, everything was just... weird. So, so weird - the robot, the characterization, the plot and how it's told. It still is! I suppose the American cartoon does differ considerably from the Japanese mangas I usually read (even when VLD is actually inspired by a Japanese series---). I had to struggle for quite a bit to accommodate.

But I dragged myself through it, successfully solely because of Keith. Oh thank god for Keith. And yes, I'm 100% a Keith girl. I don't even need to finish the series to know that. Well like a Keith parent but we'll talk ab that later.

I started this series when I saw a quote of him, when he and Pidge argued, ya know? "You're putting the lives of two people over the lives of everyone else in the universe!" or something along that line. And I've known, from that single moment, he would have my heart in his hand. I'm also aware that people usually compare Keith and Nico, and that's actually the number 1 reason I came to know Voltron LOL many thanks to the crossovers.

Still, nothing could have prepared me for the incredibility that is... Keith. He is... magnificent, I'd say. His voice (dammit his voice---), his character design (the cropped jacket please I'm on my knees---And why does Keith have so many stunning shots????? What r u trying to tell me, staff??), his personality---- Somehow, they are all on point - unlike the others'.

Now, I'm not saying the others are bad. I'm saying that there are so many things to explore about them - I do think Lance has many potentials actually - but somehow, only Keith, Pidge (and maybe Shiro, it's hard to tell) give me the mere sense of fulfillment and contentment upon watching. Pidge - bc damn that girl is incredible, Keith - bc his character arcs are beautiful. Lotor is a freaking rollercoaster and I enjoy that ride. I do not talk about Allura, though she is built quite well. And Hunk is just... there, I do like him tho. Maybe it's the storytelling style that gets me bewildered like half the time. I'm trying. I admit I sometimes find their building... inadequate, to say the least.

I have many things to say about Keith, but let's leave it until I'm ready lolol.

About the shipping thingies, I have to admit Sheith is currently strangling me LMAO. The appeal is clear as day. However, I intend to start indulging in the shipping only when I've finished watching, and maybe after a few days of ruminating on it. There're many potentials! I don't like limiting myself to one ship, which I tend to do without firsthand exploration, when there's so much to enjoy. That is to say: I'm open for everything! LOL Hit me with everything you've got and we'll see if I can join your crew, sailing towards the horizon together.

All in all, I'm having a great time! And probably love Keith more than I should. Can't wait to ramble about it with you, buddy.

#vld

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chuuyrr · 2 years

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Insane/feral gojo being seen by baby reader and gets scared of him?? 🤲🤲 love your crossovers so much and the amount of angst and fluff sprinkled over it!! Mwah chefs kiss 💕💛😚

scarlet witch! baby fushiguro! reader gets scared of dad! gojo

jujutsu kaisen x reader

masterlist of the series

warning(s): major manga/anime spoilers, mentions of violence, angst and fluff

thank you for requesting and being patient! i hope you enjoy reading this <3

one of your powers as the scarlet witch was tapping into someone's head. not only can you read people's mind and manipulate them at will, but you could also get yourself a reading and oversee the future or past. you and gojo didn't think this would be possible until you had actually done it on accident.

the two of you were walking home as gojo had already finished his work, you were eating the kikufuku he got you and by the time you were done, you wiped your hands onto your sweater before interwining hands with your father.

when your hand touched his, your chaos magic heightened and everything just flashed before your eyes. the first thing you saw annihilation, the screams and death of innocent people, but most importantly the sealing of your father.

you helplessly watched your father fend off the special grade curses. you took note how frenzied and aggressive his attacks were. the loving and playful look in gojo's eyes was gone, it was replaced by a dark and cold-blooded expression, and top it all of—there was a frightening, immense cursed energy radiating from him, something that was almost comparable to your aura alone.

at that moment, you didn't see your father in him.

back to reality, you paused from your tracks and gojo immediately noticed how pale you suddenly looked. your hand that was holding onto him began to shake and get clammy. he rushed to your aid, kneeling down to your height to shake and pat you all over. your [color] eyes had become a glowing red color too.

"kikufuku? baby? hey, what's wrong?"

"..."

after a minute's worth of reading, your eyes had reverted back to it's normal [color] color but you immediately released your hold of your father's hand and leapt away from him. you couldn't comprehend what you just saw and couldn't believe it either. everything that came as a thought felt real and you knew it was real.

gojo looked at you confused before eyeing his surroundings, thinking a cursed spirit had somehow scared you, but then he saw the way you looked at him. your pupils were dilated, lips were quivering and your tiny body was shaking in fear. you were scared of him, but why?

"baby? what's wrong? are you okay?"

"..."

"[name]?"

gojo attempted to step closer only for you flinch and back away. he immediately raised his hands defensively when you did. something was definitely wrong.

you refused to speak after seeing that reading and gojo had to walk you home without being able to touch you.

as soon as you did, you immediately ran towards your room and locked it. you spent the night sleepless and crying to the point that you had a nightmare of seeing that frenzied version of your father. seeing the way he ruthlessly fought against those cursed spirits scared you more than seeing him get sealed away and it messed with your head.

if gojo could hurt them like that, then he could hurt you the same way too. this was the same thought that repeated over your head like a broken record.

days had passed, you still refused to talk to gojo. you couldn't even look at him in the eye whenever you came out of your room. you would instantly freeze up and shiver in fear just by being near his presence.

gojo didn't want you starve so he would occasionally leave you food in front of your room but most of the time, you barely ate the food he left.

eventually, he had enough. gojo became frustrated of what was making you act this way. was this a doing of a curse? he couldn't understand why his own baby was looking at him with so much fear in her eyes.

"[name], baby, please. you have tell me what's wrong."

"..."

"BABY, PLEASE I'VE HAD IT. IF YOU'RE NOT GOING TO TELL ME ANYTHI—shit. no, no, honey. i'm sorry, [name]. i didn't mean to."

raising his voice was completely unintentional, but it had already made the situation worse. you teared up and whimpered as you broke down into a sob. the same look of fear was directed towards him.

gojo eventually called megumi to pick you up and maybe get him to talk to you, because everything he did wasn't working. it only made things worse and he knew how close you were with your brother.

by the time megumi had arrived, you immediately hid behind your brother and held onto his pant leg as if your life depended on him.

"[name]? hey, what's wrong?"

"that's the problem.. she won't tell me what's wrong. she's scared of me.."

you had fallen asleep after crying and clinging onto megumi as he carried you. gojo took this time to explain to your brother what had happened from his side of the story.

gojo was in shambles. it hurt him to see you flinch, tear up and quiver in fear. the thought of you being scared of him was painful and the worst part of it was that he couldn't do anything, and he felt incredibly helpless.

gojo did nothing but care for you with love and he was certain that he did nothing that day before you started to act scared around him. you were smiling and running up and about, clinging onto him, and smothering him with your hugs and sloppy kisses.

megumi made it his mission to repair your relationship with gojo. gojo left the two of you alone on the living room, but he secretly hid behind the wall to eavesdrop your conversation with him.

"[name], why won't you talk to gojo-sensei? did he do something to you? you can tell your brother anything."

"..is he gone?"

"yeah, he left for awhile."

"i-i'm scared of daddy."

"did he hit you? yell at you?"

"no, but.. he became a really scary person."

megumi looked at you, confused but that was until you had subconsciously tapped into your chaos magic. everything in the vicinity became shrouded in red psionics before the horrible premonition you saw eventually took place.

gojo, who was secretly hiding the wall, was not exempted by your magic. just like megumi, he had finally seen what was scaring you.

what you had seen was a future event, the shibuya incident that was bound to take place at october 31. it was a bloody halloween; innocent lives would be lost beneath the station, a horrible game was to take place and most importantly, it was the day he was going to get sealed.

the two of them saw what you meant by how you were scared. they saw an image of gojo ruthlessly killing hanami and fending off the assaults of the special grade curses with a frenzied and cold-blooded look that lacked purity.

you broke down into a sob and released the illusion, your eyes reverting back to it's normal color afterwards.

gojo wasted no time entering the living room after seeing what you had seen. you immediately ran upto megumi, clinging onto his arm as he approached you.

before you could further react, gojo pulled you from megumi and engulfed you in his arms—not caring if you had violently flinched from his touch. he held you in his embrace gently yet tightly at the same time.

"baby, listen to me. i'm sorry you had to see that, but you have to understand that i would never, ever hurt you. i love you, [name]."

gojo cupped your face in his hands, wiping the tears rolling down your cheek. your crying slowly subsided as you melted into his touch. your father shook his head before planting a kiss on the top of your head.

"i might be the strongest, i could end humanity if i wanted to with my six eyes and limitless, but i can never hurt innocent people. most especially the person dear to me and that's you, [name]."

megumi had finally gotten you to not be scared of gojo anymore but you were still crying. you couldn't believe yourself right now. how could you be so pathetic to be scared of your own father like that? it made you feel really guilty.

you should have feared the fact that the ghost you had been seeing was responsible for the shibuya incident and for the sealing of your father but no. you chose to get scared of gojo fighting against them instead.

you clung onto gojo, sobbing onto the crook of his neck and muttered apologies over and over. at this point, you were now just scared of losing him to those bad people, or spirits.

with the piece of information that gojo and megumi got from your reading, they were able to prepare and plan ahead for the date. at the same time, gojo spent his time fixing your relationship with him.

ever since you had gotten scared of him, you suddenly became awkward around him. you were no longer scared of gojo, you just felt ashamed.

gojo took a couple of days off from work and spent quality time with you. it was like getting to know each other again. as the two of you went out to eat food at your favorite restaurant and walked to the park, gojo placed a hand on the top of yoir head when he saw you spacing out.

"you're still thinking about what you saw, huh?"

"i'm sorry.."

"what? no, baby. i'm not mad. look, me raising my voice was a huge mistake. it was my bad. i get where you're coming from kikufuku, you had the right to be scared."

"i'm still sorry, daddy. i really am, i should have said something instead of pushing you away."

"oh, [name].."

you ended up bursting into tears again and gojo immediately picked you up, cradling you in his arms to hush your crying. you wrapped your tiny arms around his neck, hiccuping as he rubbed shapes on your back.

it was difficult to have powers beyond your understanding. most of the time, you don't know what you're doing or seeing. all of it was amplified by your emotions.

"dad?"

"yes, kikufuku?"

"please don't leave me, ever."

"never baby, i promise. i love you too much to leave or hurt you. i will always be here for you, [name] no matter what. nothing bad is going to happen as long as i'm here."

a kiss on the top of your head washed away your worries and tension. a smile had finally broke through your face as you looked at gojo.

there was nothing to be afraid of him. you were his precious kikufuku after all and you knew how much he loves you with all his heart. he'll hurt himself before he could even hurt you.

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alltheworldsinmyhead · 2 years

Text

Fic writer interview

I was tagged by @marauders-groupie - thank you so much love, this was so fun!

1. How many works do you have on AO3?

2. What’s your total AO3 word count?

287865

3. How many fandoms have you written for and what are they?

A Song of Ice and Fire - George R. R. Martin (17)

The 100 (TV) (13)

Fullmetal Alchemist: Brotherhood & Manga (11)

Six of Crows Series - Leigh Bardugo (3)

A Court of Thorns and Roses Series - Sarah J. Maas (3)

Avatar: The Last Airbender (2)

Shingeki no Kyojin | Attack on Titan (1)

Miraculous Ladybug (1)

also, not on ao3, but during Dark FF.Net Ages: Harry Potter, Chronicles of Narnia, Teen Wolf and Mortal Instruments and probably dozens more I can’t remember rn.

4. What are your top 5 fics by kudos?

All of them are for Gendry x Arya from A Song of Ice and Fire

1. I’ll spend this summer by your side - childhood friends to lovers, arranged marriage, canon divergence

2. your lips, my lips, apocalypse - modern au, smut

3. on and on it spins - modern au, outsider’s POV

4. it was a pretty good bad idea, wasn’t it though? - friends to lovers, smut, modern au

5. our love full of storms - domestic, hurt/comfort, kid fic, modern au

5. Do you respond to comments, why or why not?

I do - I love interacting with readers in the comments section and it gives me a chance to re-read said comments (which instantly makes my day. every time and without fail)

6. What’s the fic you’ve written with the angstiest ending?

For ASOIAF: somewhere between sorrow and bliss probably. It’s also easily the most controversial thing, fandom-wise, I’ve ever written hahah. for now i am winter and be still, my tongue are pretty damn angsty too

For FMA:B : soon you'll get better cause this fic is high-key me processing my mom’s death and i’ll never get used to it

7. Do you write crossovers? If so, what is the craziest one you’ve written?

8. Have you ever received hate on a fic?

Yup, most notably on here's to the mess we make - oh, good old days of bellarke vs clexa fandom war. Miss it now

9. Do you write smut? If so, what kind?

Yup, both explicit and kinda vague. I think I wrote vanilla a few times too, but I definitely most enjoy writing kinky sex with BDSM elements

10. Have you ever had a fic stolen?

If I had, I am unaware

11. Have you ever had a fic translated?

Same as above

12. Have you ever co-written a fic before?

Nope

13. What’s your all-time favorite ship?

As you can clearly see in the list of the fandoms I write for, it changes quite often. I would say my all time fav OTPs are probably gendrya, royai, stydia, bellarke, victuuri and kanej, but tbh this list is never-ending and never-closing

14. What’s a WIP that you want to finish but don’t think you ever will?

I’ve got a few gendrya stories started but I don’t think I’ll come back to writing for this ship

15. What are your writing strengths?

Tbh, I have no idea. I was praised for my descriptions a lot and I guess I am generally happy with the flow of my fics.

16. What are your writing weaknesses?

Plots, PLOTS! I cannot construct plots for shit. Also, English is not my native language so I obviously make lots of mistakes which I cannot always detect myself.

17. What are your thoughts on writing dialogue in other languages in a fic?

If it’s done well, it’s a fantastic technique (Murder Ballad comes to my mind especially). But it is not very often done well and it can be very distracting and irritating for the reader.

18. What was the first fandom you wrote for?

Probably Harry Potter, but it was over 15 years ago so who the hell knows.

19. What’s your favorite fic you’ve written?

it's still you (the 100) - I have a deep, deep fondness for this fic, even for how unpolished it is

our love full of storms (ASOIAF) - probably the best thing I’ve ever written, tbh

somewhere between sorrow and bliss (ASOIAF) - the one fic where i went with my guts instead of choosing the ending my readers wanted me to choose

i’m tagging @yanak324, @duskandstarlight and @whatanybodygets cause i am VERY curious of their answers

#tag game #writers tag

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mrpenguinpants · 3 years

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Oh lore?? I read your post on Dainsleif and BOY it gave me a lot to think about dsfjgkd

Along the same vein, what do you think of the relationship between the unknown god and Kaenri'ah? In Albedo's trailer they seemed to reference two new elements (time and being) and if perhaps the unknown god is the god of time, then does Khemia make use of "being" in its creation of life?

In Mihoyo's other game (honkai) they introduced a new "type" about halfway through the story which seems to me to be similar to the abyss in Genshin. The quanta type is independent of the three types that were present from the beginning of the game and it's tied to an abyss style region called the Sea of Quanta. Maybe I'm reading too much into it and they don't plan to imitate what they did in Honkai but?? Time and being as new "elements" introduced a few years into the game seems possible at least?? Maybe they're exclusive to delusions bc there's only the seven Archons at this time so no one can grant time/being visions lol

Djfkdj I hope this was at least slightly understandable I love looking into lore especially for things I write about!! I'll end this now before it gets too long lmao the new tumblr asks give me too much power XD

TUMBLR DELETED MY REPLY AHHHHH I HAD TO RE-WRITE EVERYTHING. THAT’S WHY I’M LATE TO THE PARTY. I’M SO SORRY CATTY 😭

---

Major spoilers for Khaenri’ah and minor spoilers for the unknown god

:DD I’m glad you read my word vomit haha. I love talking about lore so much, ty for enabling me.

What do you think of the relationship between the unknown god and Khaenri’ah?

The logical side of my brain thinks:

They either have nothing to do with each other and Mihoyo really likes using the same star for everything and Khaenri’ah just happens to live in the void or sky so the easiest way to distinguish citizens from there is the star (or it was just hot to put star pupils in and you know what, they were right).

Or there’s some sort of connection between the Eclipse dynasty that ruined Khaenri’ah and the unknown god. Since genshin really likes to do that (see Zhongli and everyone calling him Morax before 1.1 dropped).

Re-watching the prologue cutscene and “we will be reunited” (Gonna refer to this a WWBR) Aether drew the same two stars into the sand which makes me believe that either a. stars literally have nothing to do with anything and Teyvat only knows how to draw one star (which doesn’t hold up well considering Mona’s outfit and pin) or b. there’s some kind of connection there. The way Paimon phrases her question she says:

“But when you wanted to leave and go onto the next world your path was blocked by an unknown god?”

It implies that Aether and Lumine have already travelled through Teyvat since we see two yellow stars travel over Liyue and Mondstadt. I know Aether was sent into some sort of deep sleep and only now awoke and met Paimon (since in the trailer we can see the lantern festival and the genshin upload was in march (chinese new year is in feb) but I’m not super sure on these details but I’m pretty sure it’s canon that this happened based on WWBR).

Then when the unknown god appears and the same 3 red stars appear [tumblr throws a fit when I try and upload this]

She refers to us as Outlanders and calls herself

“The sustainer of heavenly principles. The arrogation of mankind ends now.”

This could be a reference to “being” that was in the Albedo trailer while Dainsleif is “time” since time is "not something he lacks". If we’re going on the theory that Dainsleif is actually a god then maybe they are fighting? Or in some type of push and pull war. It would make sense since the Unknown God believes in heavenly principles (so the rules either set by Celestia or Gods themselves) and believes mankind is arrogant and wishes to either destroy it or remove it entirely. The complete opposite of Dainsleif who believes in mankind and hates anything relating to the Archons.

Or dainsleif has nothing to do with the unknown god and is just a final challenge to the player who will then face off against the Unknown God.

In Albedo's trailer they seemed to reference two new elements (time and being) and if perhaps the unknown god is the god of time, then does Khemia make use of "being" in its creation of life?

In this theory, this would make the Unknown God the god of time, which is also equally as valid. Since she does talk about time and how the arrogation of mankind ends now. I think it’s right to assume that Khemia makes use of being in its creation of life since we see Albedo talk about chalk and turning things from “nothing” (it’s not really nothing, he’s still using something or the “being” in order to transform it) to something.

If Dainsleif uses Khemia or even created it then taught it to the people of Khaenri’ah to help them survive in their archonless land, that could be a valid reason why he believes in the strength of mankind. Since the unknown god’s power seems to consume the person trapped within (as we see in the prologue). Plus in WWBR we see first hand how destructive that power is. This could also be the time where Dainsleif lost faith or hated the celestial beings.

---

In WWBR, according to the wiki it states that our sibling was taken to another point in time, in an unknown location. But this event leads the sibling (Lumine) to become the leader of the Abyss Order.

Lumine says:

“But until the abyss has engulfed the thrones, my war with destiny will see no end.”

Lumine seems to know about the archons and the abyss mages follow her so it’s safe to assume that the “abyss” she refers to is either something entirely new or the red blocks we see here. It seems as if she’s trying to change destiny which could be why Dainsleif wants to save her.

I will say right now, I really hope the theory that Paimon is secretly the unknown god doesn’t come true. I know it’s funny and I would enjoy seeing our emergency food pull a turned table on us but unless there are more instances where it’s hinted or it’s handled really well I would not like it. I just finished a manga and I felt like I was watching 20M plot twists happen in the span of 3 pages. I would totally be okay if the unknown god and paimon were somehow related (I can understand that) but I unless it’s handed really well or as the story progresses and we get more info on paimon. it would just be really out of left field. I haven’t seen any theories on this and I honestly try and stay away from lore posts until I’ve finished mine because I feel that might make my ideas biased.

The “everything must be connected into some kind of plotline or I will make it a plotline” brain thinks:

Now, this is just be spit balling and making up my own headcanons with no lore to go off on. This is pure indulgent stuff with no research to back it up besides very loose threads.

I’d like to believe that since the Eclipse Dynasty was the last dynasty before Khaenri’ah fell. That might be what is being depicting above in WWBR. Perhaps khemia backfired or the unknown god turned against the people for their arrogance (I’m not sure if people know the myth but in short terms, a giant stole fire to help the people who were cold. He was punished for going against the gods and saving the people, this could be similar to Dainsleif).

Perhaps Lumine and Aether had stopped this event from happening and as they were about to leave, the unknown god appears and separates them for their arrogant actions against the Gods and sends Lumine back to the past. Without her brother she ended up failing in saving Khaenri’ah. Or, the image we see is actually the future and she goes back in time to try and prevent that event from occurring, still trying to beat destiny but this time in the future.

Or another idea, Lumine has only seen the evil that’s depicted and hasn’t personally met any of the archons. We actually got to meet Venti and Zhongli so we obviously want to protect them from Lumine’s point of view, that might not be the same so she aligns with the abyss order that tries to control Dvalin. So her goal is to somehow defeat the archons and that could be why the Cyro archon is trying to collect them all in her war of peace.

Honkai and quanta

It’s kinda funny but there’s no reliable wiki source for this sea of quanta like there is for genshin, or at least I couldn’t find anything. I think they might nod at certain things between the two but I think it’s totally fine to believe they might do some sort of crossover and take some inspiration. We have Mona who was able to read the stars and Scaramouche who said the sky was a giant hoax so I think time and being becoming new elements is very possible. But I don’t really know a lot about Honkai so I can’t really say too much about it haha.

---

Yep no worries, it was fun talking about some more lore and if you have any more I’d love to hear them. Haha, honestly pop off I love getting long asks. As always, it’s nice seeing you again catty 💕💕

#genshin #genshin impact #genshin lore #genshin impact lore #genshin spoilers #genshin impact spoilers #genshin theory #genshin impact theory #genshin dainsleif #genshin impact dainsleif #genshin unknown god #genshin impact unknown god #dainsleif #genshin khaenri'ah #genshin lumine #genshin aether #genshin impact lumine #genshin impact aether #lumine

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ffamranxii · 3 years

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Sailor Moon is the only series where I have different ships depending on the adaption. For the most part, manga and anime have the same ships, but the absolute curveball that was PGSM (my favorite adaption, hands down) gave me a TON of new ships I’d have never considered otherwise, who I DON’T ship in the manga/anime.

1. Usagi/Mamoru. Across all adaptions, I ship these two, and the reason is actually funny. I never used to like either of them, so I just shoved them together. It wasn’t until PGSM that I ever liked Usagi at all. I found her to be whiney and annoying in the anime, and once I got my hands on the manga, my dislike of anime Usagi had permeated too deep for me to like manga Usagi. PGSM Usagi is a much more expanded concept of Usagi as a whole, and Mamoru (while still embodying Sailor Moon’s very own Princess Peach) has a whole arc of development and backstory himself. PGSM is the only adaption in which I like Mamoru, even now.

2. Ami/Nephrite, PGSM only. PGSM has a whole side story for many of its minor characters and expands on the girls outside of the concept of senshi. Tbh PGSM is a slice of life show disguised as a tokusatsu, and it’s super apparent in how they treat the characters. Ami has an entire arc of her own where she ends up brainwashed and has several scenes with Nephrite, who is sort of the black sheep of the Shitennou for reasons that are never explained. This fledging relationship continues after Nephrite is reincarnated as human and it’s really cute to see Ami develop outside of her relationship with Usagi (her strongest relationship in this series) and the girls. Nephrite is hotheaded and angry at the world and Ami makes him just so soft.

3. Ami/Zoisite, manga and Crystal. While I very much detest the first two seasons of Crystal for their abominable animation (through no fault of the animators, I blame Toei and their complete disregard of their fans and employees), I DO like that they tried to work in the senshi/Shitennou romance that Naoko hinted at in the art books. It was stupid rushed but it’s the only incarnation that really attempts it. I wish it had had time to develop.

4. Rei/Minako, PGSM only. PGSM only deals with the Dark Kingdom (sadly) and Rei/Minako are its Haruka/Michiru. I actually ship them harder than I ship PGSM Usagi/Mamoru. Several episodes are given over to the development of their relationship, which is not easy to do given the way they took Minako in this series, and Rei is the only one of the girls to even have a real relationship with Minako, even over Usagi. They trust each other on a deep level, and fight with each others’ weapons at two critical points in the series.

5. Minako/Zoisite, PGSM only. Zoisite in this series, like most of the Shitennou, differs drastically from his manga and anime component, and I actually really like this one more than I like him in the anime and manga. Beryl’s hold on Zoisite is the weakest of all the Shitennou, and he spends his time doing exactly three things: playing piano, pining over Mamoru Endymion, and stalking Minako. (Truth be told, I enjoy his relationship with Endymion more, but the one with Minako leads into my next point.)

6. Minako/Kunzite, anime and manga. Minako managed to bag not one but two Shitennou with her love powers and that is a FEAT. You get it, girl. I really like the dynamic of two leaders together, and really enjoy Silver Millennium Minako/Kunzite fics.

7. Makoto/Motoki, PGSM only. This was another fun little thing PGSM did, and Makoto is the only other senshi to have a confirmed relationship in the series. Motoki himself is pretty fleshed out for a minor character, with his own little quirks (turtles!), and he is over the moon for Makoto. By the end of the series they’re engaged.

8. Haruka/Michiru, anime and manga. Who DOESN’T ship HaruMichi? I actually shipped HaruMichi way before I ever shipped anyone else on this list. Along with Touya/Yukito from Cardcaptor Sakura, they were THE definition of LGBTQ+ relationships (for me) for much of my childhood. They have an extremely adult relationship, possibly even an open relationship (or at least Michiru seems to have no problem with Haruka’s flirting hobby), which isn’t really something you see often in anime. I love them, they are goals.

9. Haruka/Michiru/Setsuna, anime and manga. Very specifically during the time they are raising Hotaru. Sometimes a family can be three moms and their child the incarnation of death and destruction and that’s beautiful. They’re just such a cohesive unit that I have a hard time believing that they live together and HaruMichi HAVEN’T invited Setsuna to join them from time to time. They’re also the first OT3 I ever shipped.

10. Helios/Chibiusa, anime and manga. I think the Helios/Chibiusa shippers are as numerous as the Usagi/Mamoru shippers tbh. Like Mamoru, Helios also is a damsel in distress for much of his arc (I guess the Tsukinos have a type, which raises some interesting questions about Ikuko and Kenji), and what I really liked was that, despite the single kiss they shared, it was never really pushed on us? I think Chibiusa/Helios is the first thing I ever shipped without the source material directly telling me to do so, because I wanted them together SO BAD and was SO PISSED they weren’t.

11. Chibiusa/Hotaru, anime and manga. Another ship I put together on my own with no direction from the source material, and the first lesbian ship I ever did that with. They are just too close and love each other too much, and Chibiusa shares more pictures with Hotaru in official media (art books, stills, promo art) than her supposed future love interest Helios! They’re just a very sweet ship, two girls trying to figure out love and stuff.

12. Setsuna/Endymion, anime and manga. Setsuna has a thing for Endymion, but never really seems to transfer that to Mamoru. I do like unrequited ships, and this one is my favorite.

HONORABLE MENTION

1. Ami/Usagi, PGSM. Ami has a huge lesbian crush on Usagi in this version. I’m not even making this up. She ends up brainwashed due to her insecurity and depression that Usagi is replacing her by making more friends and getting a boyfriend. Usagi, of course, is oblivious.

2. Kunzite/Zoisite, classic anime. Classic anime gave us (female) Zoisite and Kunzite (named Malachite in the dub I watched) as a couple, which I actually really enjoyed. I remember being disappointed when I read the manga and Zoisite was not only not female but also not banging Malachite. They were another adult relationship, way before HaruMichi existed, that I looked forward to seeing onscreen. I’m cool now with Zoisite not being female, and Malachite’s real name being Kunzite, but I still really like their relationship in classic. Plus, they’re the only ship that can crossover the adaptions in my brain to form the ultimate ot3 Minako/Zoisite/Kunzite. You get it, Minako.

#sailor moon #pgsm #ffamran succumbs to her ocd #ffamran makes lists #headcanons #i still find it super weird in my head how cleanly i split the adaptions #my brain absolutely will not let me ship anime manga reinako despite my obession with it in pgsm #and similarly i can't ship the senshi with their 'proper' shitennou if i'm talking about pgsm #pgsm is just a totally different point #to the point where i prefer them to their manga and anime counterparts #which makes for a weird blend when i try to write stuff with the series #god i wish pgsm had introduced the outers #how fucking sweet would that have been #the fanbase and demand was THERE #i don't understand why they didn't do it

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algernoninwonderland · 3 years

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Miraculous, intertextuality and why referencing other works all the time isn’t necessarily a great idea

TL;DR: Miraculous loves itself some pop culture references, they’re in the show all the time for you to enjoy, especially if you’re a big nerd.

Only, making a list of references and trying to replicate what other works did before yours doesn’t make your show good by association, and when it comes to Miraculous, these references seldom do these original works justice. Instead, it makes comparing these other works with Miraculous really easy, and the comparison is rarely flattering.

Miraculous would be a much better show if it tried to be its own thing, a few scenes are just that and they are great. It’d be a wonderful show were they not so few and far between.

Miraculous is made by nerds, as is the case with most cartoons. The show itself lets you know that right away. It’s a pastiche of magical girl anime and Silver Age comics, it uses a lot of their visual languages, and references its other inspirations a lot, for instance:

The name of its fictional locations, (Françoise Dupont is a regular kid with a masked detective alter ego named Fantomette, Marinette’s address is a reference to a French illustrator who often drew a talking ladybird)

The way its characters look (Master Fu is both Mr Miyagi from the Karate Kid and Muten Roshi from Dragon Ball, when akumatised, Mme Couffaine becomes basically Captain Harlock and her houseboat becomes the Arcadia)

Sometimes entire scenes are references to other works (Aurore’s akumatisation is straight out of Utena’s Dark Rose Saga, “Gorizilla” has a King Kong pastiche).

You could fill an entire Wiki with all the references in Miraculous if you wanted to. If you paid me well, I’d do it myself.

Wearing your inspirations on your sleeves is a double-edged sword, really.

On the one hand, you showcase the things that inspired your creative process, a way to say, “hey, that show/film/book exists within a landscape, it’s the heir to such and such work”. You acknowledge that you owe a lot to your predecessors, you acknowledge that there’s no such thing as a 100% original thing. That’s a great act of humility.

And intertextuality conveys meaning, too! Let’s take a very mainstream example. When you notice that ha! The pod-racing scene in Phantom Menace comes from the 1959 movie Ben-Hur for instance, you get the sense that you understand the cinematic masterpiece that is Episode 1 a bit more. It tells you that your movie about space wizards owes a lot to other genres, and that it transposes these genres to another setting, space! “It’s Ben-Hur, in that that slave kid is pod-racing for his freedom, but I gave it my own spin,” George Lucas tells you. “Look, the funny Gungan stepped into that space cow’s poop! Haha, sure hope I’ll sell lots of toys and buy myself some death sticks!”

You feel really smart when you get a reference, too! “Hey, that’s a Dezaki effect right there!” “Wow, is that a robot from Castle in the Sky in Age of Ultron?” Likewise, if you don’t recognise the work being referred to, you might get curious about it! References send back to other things and your knowledge of these things and when you get it, it feels nice. Lots of people discovered Utena thanks to Steven Universe and that’s really cool, and these references add to the meaning of the cartoon! Folks who casually got into RWBY but didn’t know Soul Eater and Cowboy Bebop heard about those shows and many others while discussing RWBY and I’m sure lots of them got into anime thanks to RWBY!

On the other hand, by being so open about your sources of inspiration, you expose yourself to criticism, especially in the case of your work being compared with what inspired it: it might be seen as derivative, or even worse, unable to do these previous pieces of media justice by only retaining and replicating their most superficial elements without a great understanding of what made them work, gratuitous fanservice for nerds.

And I’m not quite sure where Miraculous stands. Oftentimes, it feels more like a Spider-Man/Kamen Rider crossover with bits of outdated shoujo manga and superficial wuxia sprinkled in there than a show at least trying to be its own thing.

And the problem is, Sailor Moon is better at being Sailor Moon than Miraculous could ever be, as it uses its visual language better, and it has a tiny thing called “the main character having a group of friends who aren’t props and a plot you can follow” that is the very reason why people liked the manga and anime in the first place. Miraculous only retains the very superficial aspects of the manga/anime and of the genre. Marinette still trips over a cat in the opening. Because that’s how it happens in Sailor Moon. Her characterisation as a civilian screams “Usagi Tsukino but more stressed out”.

Spider-Man is better at splash pages than Miraculous because ML’s CGI is pretty meh when it’s not in motion, these weird filter effects don’t look great, that only works when you’re Into the Spiderverse and have comic-book aesthetics. Queen Wasp has a whole sequence that is just that scene in Sam Raimi’s Spider-Man 2 only this time Queen Bee sabotaged a metro on purpose to stop it. It’s not an awful scene, it carries its point across rather well (Chloé is a selfish nerd who thinks she can be like these comic book characters but truly isn’t fit to be a hero) but the original did it better, it was more impressive, there was more tension to that original scene, some really interesting camera and foley work that made you feel the weight of that train. It didn’t feel cheap the way that scene in “Queen Wasp” did.

Utena’s Black Rose Saga explores the psyche of some of its secondary characters the audience is already familiar with, with problems we could already identify within them. It offers an examination of the storyworld from another point of view, and helps build it further. There’s always a proper buildup before these characters have a mental breakdown in an moody elevator with a butterfly pinned on the wall that turns back into a chrysalis, because the characters are going through a kind of regression that makes them easier to manipulate and turn into “villains” while acting out their true desires in a twisted way. “Stormy Weather” has most of that, an elevator with dramatic lighting, a butterfly and a mental breakdown, but the character is all new to us so it’s just not that impactful. Often, that one secondary character who’ll get transformed has had spoken lines, yes, but that’s only minutes before they get akumatised.

“Kinda the same but a bit worse and missing some of the key aspects of what made the original thing so good” isn’t much of a tribute, is it?

In an earlier post, I stated that Animaestro was basically “I have watched a lot of animated shows and I know how to mimic them, the episode”. It told us nothing about animation as a medium except that it’s cool sometimes and that you get to imitate other people who are much better at the things they do than you are.

It’s not a clever metacommentary, it’s just “me likey moving pictures”. Good for you, I guess… Did you really need an entire episode to make that point?

And then you’ve got all the bad outdated shoujo tropes with characters falling on top of each other, aggressive flirting (harassment, really) from Adrien portrayed as really sweet and romantic because it’s just like in the shoujo manga (which one?) you see… And that’s just not great, is it?

Miraculous is a much better cartoon when it doesn’t try (and fail) to emulate other shows and movies and comic books and manga. The only thing it tells us about these works is that That Guy and co really like them and that copy-pasting them is the best way they’ve found to show their love. Imitation and flattery and all of that I guess.

“Look, it’s like in that scene in the anime! Did you like the anime? It sure was a good anime, and if our show makes you think about it, then it’s also good, right?”

No, you guys, I’m sorry but no. If making references was all it took to be good, then gaming webcomics would be regarded as masterpieces.

Very often, the show seems interested in being anything but itself. And it’s a shame, because there are lots of ideas the show kind of brings up but never quite touches. Marinette is interested in fashion design? That’s great, show us more of that! Make it an important part of her character, and by the same occasion, make her creations look not-laughable. Miraculous could be the first cartoon to explore what it’s like to be a biracial kid with a Chinese parent in France (would that work with a crew of almost strictly middle-aged white men is another question to which the answer is a resounding “no”). The show is set in Paris? Cool, how about exploring the city outside of its landmarks every tourist and their mom already knows?

Inexplicably, in the middle of an episode when you expect it the least, you get brilliant bits of directing that aren’t references to other works. Alya becoming Rena Rouge and her first steps as a superhero? Brilliant, really immersive, loved it, not a reference. The sad car scene in Puppeteer 2? It’s really really good, not a reference either. All the unexplored lore? It seemed really promising and having more of it would help us understand things a bit more!

People don’t just like your show because it reminds them of another show. Why watch it if you can watch that original work in the first place?

Trying to make a superficial mashup of all things you think are great in other works is not the way to do these works justice, nor is it the way to make your show interesting, let alone good.

#miraculous #ml salt #ml writers salt #ml critical #ml analysis #longpost #rwby #star wars #spider-man #adrien salt

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hopeymchope · 4 years

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If you like Danganronpa, you might like...

I’ve discovered quite a few games/animes I’ve loved and even new fandoms by using recommendation engines/following online message board recommendations for people who already like the Danganronopa games or anime or manga, and I thought I’d give a quick rundown of how these things have worked out for me.

I’ve been wanting to do this for a while now, honestly... it’s just time-consuming to write it all up, y’know?

Today, I’ll focus primarily on the video game side. If I put “Danganronpa” (any entry) into a recommendation engine, these are the results that I see spit back at me the most... and now that I’ve tried all the most common results, here are my findings.

Persona

Why This is Probably Getting Rec’d: The storylines have teenagers in Japan having to investigate dark goings-on while counterbalancing that with scenes of daily life that are lighter and more humorous. There are also “social link” scenes with the other characters that could easily be compared to the “Free Time Events” in DR, wherein you learn more about the lives of your compatriots via some one-on-one time.

What I Played: Persona 3 Portable and Persona 4 Golden on my Vita, then Persona Q on my 3DS. And I watched the main anime adaptions for 3 and 4...

Did It Work for Me? Will it Work for Others? Persona 3 and 4 absolutely worked for me. Q didn’t so much; the Etrian Odyssey-style map-your-own-first-person-dungeon gameplay was a turnoff. Regardless, it’s hard to pin down exactly why there is SO DAMN MUCH crossover between Persona and Danganronpa fans - probably more than anything else I’ve got listed here - because they’re actually very different. These are RPGs with turn-based combat and fantastical story elements involving magic and mystical beings and other worlds. And yet... I do feel the tonal similarity, and the characters feel like they could be at home in a DR game or vice-versa. And I deeply loved 3 and 4. (The stories are individualized to each numbered entry with the exception of the two “Persona 2″ games, so you can jump in on any numbered entry without any problem). I am excited to one day play 5 (although it is so much easier for me to play portables so I really, really, really wish there was some portable version of 5 in existence). Also note that the “social links” didn’t exist UNTIL Persona 3, so you can’t really go back and find that aspect in the first few titles. I can’t say these will work for everyone, but the massive amount of fan overlap says something, so if you’re game for a turn-based RPG AND you like Danganronpa... have I got a soup here for you.

Zero Escape Series (”9 Persons, 9 Hours, 9 Doors” + “Virtue’s Last Reward” + “Zero Time Dilemma”)

Why This is Probably Getting Rec’d: Dark, complex storyline filled with twists, memorable characters trapped in killing game, a mysterious mastermind, visual novel-style presentation, off-kilter humor interjected at surprising times.

What I Played: All three games on the Vita (the first two are collected as “The Nonary Games”).

Did It Work for Me? Will it Work for Others? Yes and yes. Aside from maybe Zanki Zero (see below), this is probably the most obvious thing to recommend to Danganronpa fans, and I’m kind of surprised there isn’t even more of a fandom to it. I can see why it doesn’t have as big of a following as DR - I mean, the humor isn’t quite as widespread and the characters are a bit less quirkily odd - but it’s hard not to get sucked in and fall in love with these stories. The big point of separation for DR fans is that instead of “Trials” where you use logic to solve puzzles, you have to constantly do “escape rooms” and use logic to find your way out of those rooms by doing point-and-click style hunting for items and solving puzzles in those rooms. Just like in DR, however, you’ll find that the more you fail, the more the game gives you increasingly blatant hints as to what you’re supposed to be doing, so it’s not like anything should get you stuck for too long. There’s also the somewhat obtuse nature of how to progress at times, but if you use the branching storyline map whenever you get stuck to look for updated items, you’ll probably be just fine (I hear the DS version of the first game doesn’t have such a map - or even voice acting - so you may need to beware of that being the most obtuse version out there). I loved these games, even if my rankings for them are probably out of sync with how most of the fandom seems to feel.

Phoenix Wright

Why This is Probably Getting Rec’d: Visual novel-style plot and investigation scenes, murder trials with logic puzzles where you need to point out flaws in testimony/falsehoods using evidence, plenty of humor.

What I Played: All of the first game (Phoenix Wright: Ace Attorney) on the DS

Did It Work For Me? Will It Work for Others? Well... this is a little unfair, because I played the first one of these before I ever played Danganronpa, but... I didn’t like it. The humor was... lame for me? and I found the trials excruciatingly difficult because MY version of how the logic was flawed was never exactly how they wanted me to approach it. It was a matter of me attacking the wrong parts of sentences over the same general facts but... yeah... I didn’t get into this. Maybe I’m dumb, or was dumb, but it didn’t click for me and I only got through the first game using a guide and expending a lot of patience. I later tried out the anime because I heard it had a good rep (and this was after getting into DR and anime in general), and I didn’t care for that either. So I don’t know about this one.. it wasn’t up my alley. Will it work for other people? Well, clearly it DOES work for other people or this wouldn’t be considered a similar recommendation that comes up so often, typically in the top three of “if you like DR games” results! I do think the humor is FAR different than that of Danganronpa’s, and the characters lack the same kind of nuanced depth you see in DR (but again, that’s just from me playing the first game). But it’s easy to see from the “Why This is Probably Getting Rec’d” that there are elements that would definitely appeal to DR players. Give it a try for yourself if you aren’t already a fan, I’d say. My experience feels... esoteric to what most people think. I may need to try one again. These are on tons of platforms nowadays, many with demos, and often at discounted prices.

Zanki Zero: Last Beginning

Why This is Probably Getting Rec’d: It’s made by largely the same team using the same art style and presentation stlye and is an extremely dark story full of unique personalities and LOADS of weird off-kilter humor with zany mascots somehow overseeing apocalyptic circumstances and the characters look and act like they could easily be in DR and...

What I Played: The whole lone game from start to finish on my PS4.

Did It Work For Me? Will It Work for Others? HELL YES. Everyone who likes DR should really give this a chance. It gives off so much of a similar vibe despite being a “survival”-style game with navigation puzzles rather than logic puzzles, and you can turn off the survival/combat aspects entirely if that’s not your thing! And the story is excellent and the characters are excellent and really just please play this. Underrated game of 2019, and most underrated game that needs a fandom that I’ve ever played.

Fire Emblem

Why This is Probably Getting Rec’d: The bonding sequences you get when your units stand next to each other could be compared to FTEs. It’s got an anime design aesthetic, and the story can go pretty dark. Characters may suffer permadeath (even if other characters won’t react to this fact), so I guess there’s that...

What I Played: Awakening and Fates on the 3DS in their entirety (Yes, I did all three routes on Fates).

Did It Work For Me? Will It Work for Others? I can’t say I fully “get” this one. Fire Emblem is a turn-based strategy game that takes place in a medieval setting, so why is it always turning up in recommendations for people who play Danganronpa? Yes, I did enjoy it quite a bit. I became a newly minted fan of Fire Emblem. Success! And yet... I don’t know that the crossover is obvious to me, nor do I expect it would be a clear-cut case for most DR fans. I don’t even know that all of the traits Iisted under “Why This is Probably Getting Rec’d” actually apply to the whole series. I suppose that any game series that has a balance of darkness and humor plus a “character bonding” scene mechanic might just fall into the “if you like Danganronpa... “ pit, regardless of how incredibly different EVERYTHING ELSE is. But perhaps there’s a deeper connection here than I realize. Care to theorize?

#fire emblem #phoenix wright #danganronpa #danganronpa fandom #zero escape #zero escape series #persona #zanki zero #zanki zero: last beginning #video games

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lady-tortilla-chip · 3 years

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I was tagged by my lovely friend @thetpot and my other lovely friend @praetorqueenreyna! Thanks for the tag sweeties, this was fun! ❤️

1. How many works do you have on AO3?

2. What is your total AO3 word count?

226,393 😌

3. Top five fics by kudos

1. A Little Hostility (701)

2. A Little Love for The Broken Things (383)

3. Glorified Birthmarks (344)

4. The Blue in Your Eyes (314)

5. A Little Love for The Damaged Things (279)

Incidentally almost all of these are in the same (ironstrange) series. The only one that isn’t was either my first or my second venture into the MCU fandom.

4. Do you respond to comments, and why?

I absolutely do! I enjoy interacting with my readers. However I am behind on answering them right now and have far more unanswered in my inbox than I’d like. >.>

5. What’s the fic you have written with the angstiest ending?

Probably all my unfinished multi-chapter fics

Seriously though? I’m not sure how to gauge that because of how many angst fics I’ve written that don’t end well ranging from just MCD fics to what follows the losses and how characters cope (or fail to) others which build on the fact that a character in BSD was a traitor to their organization, the hanahaki fics that didn’t end well…. I’m an angst writer so I have a multiple fics that didn’t end well.

I suppose a few which specifically come to mind are Why Couldn’t it Have Been You? and The Things T(He)y Did.

In the first one it’s a retelling of a scene in BSD and though I’m not entirely proud of that fic or the way I wrote it, it WAS sad as shit because it ends with the POV character (Dazai) learning the guy he’s still in love with (Chuuya) wants absolutely nothing to do with him and wishes he’d have died instead of the person (Odasaku) they both lost.

The second is a take on what the POV character’s (Tachihara from BSD) birthday was like through the years of playing a double agent and who he’d fallen in love with (Chuuya) along the way. During his latest birthday though he’s alone and it ends with Chuuya showing up sad and drunk because not long prior to that day he’d broken up with Tachihara for being a traitor. It’s implied they spend the night together and I left it up to interpretation whether Chuuya left (and took Tachihara’s cat) without a word the next day or not.

6. What’s the fic you’ve written with the happiest ending?

I think the most rewarding ending was in my fic Not Yet and the reason why is because though the ending itself isn’t particularly happy, it is hopeful. The implications that the two characters wanted to continue growing their relationship beyond being hateful enemies just made ME happy. As well as multiple commenters who mentioned how perfect the ending was. XD I’m sure I have fics with happier endings but this one stuck out specifically because of how it made me feel when I wrote it.

7. Do you write crossovers, if so what’s the craziest one you have done?

I have come up with exactly ONE crossover before which was for BSD and YOI! I honestly came up with it for the sole purpose of bringing Nakahara Chuuya (BSD) and Yuri Plisetsky (YOI) together. Which…I’ve yet to actually do. BUT IT WILL HAPPEN ONE DAY!

8. Have you ever received hate on a fic?

Strangely enough, nope! I even wrote sebaciel fic too so idk how I’ve managed that tbh.

9. Do you write smut? If so what kind?

I don’t! Y’all will consistently get fade to black from me because that’s just mah damn style.

10. Have you ever had a fic stolen?

……..not that I’m aware of 😶

11. Have you ever had a fic translated?

I have! There is a Russian translation for It Started Out With A Book floating around out there somewhere I think. The first two fics in my IronStrange series got translated into Chinese and the first fic in that series also got translated into Vietnamese!

12. Have you ever co-written a fic before?

Nope! And I’m not sure how interested I would be in doing so. But no one’s ever asked before so! Who knows! Maybe it would be fun.

13. All time favorite ship!

Fuck this question. I’m a multi-shipping multi-fandom enjoying fiend. You think I can CHOOSE?! 😤

…….Kay so Nezushi or Soukoku come to mind first because they are the ships that drew me back to fanfiction and inspired me to write fic! (Y’all probs thought I’d say an Aang pairing XD)

14. What’s a WIP that you want to finish, but don’t think you will?

I refuse to believe I won’t eventually finish them all. 😭

15. What are your writing strengths?

I’m pretty talented at making folks cry! I’ve been told my writing can be poetic and evocative! I believe that sometimes.

16. What are your writing weaknesses?

Everything

Probably dialogue and avoiding redundancy in my writing. I also can’t write action scenes for shit. 😬 Humor either. The one time I managed to have people laughing through my fic was a fluke and I’ll probs never be capable of repeating it.

17. What are your thoughts on writing dialogue in another language in a fic?

So because I started writing fic for animes, I’ve just gotten used to utilizing terms and such that can’t be directly translated into English.

18. First fandom you wrote for?

I started writing for Bungou Stray Dogs in August of 2017! Still going strong with that one too! 😌 Fucking love that show/manga.

19. Fave fic you have written?

Ah noooooo I hate these questions because they’re so mean!!!! Why are you asking me yo choose between my creations? My children?!

So ima just say The Way He Flies again because it’s my most recent fic and I’m still so so proud of all 1k words of it.

Tagging: @stargirl720, @voodoosgirl1, @hootyapologist, @justoceanmyth,@azulaang-chakras, @foxy-knowledgeseeker, @thinkingisadangerouspastime, and @likealittleheartbeat, idk how many of my writer friends already did this so I tagged who I’m pretty sure DIDN’T :D

#This was fun but I spent way too long thinking on some of my answers 😂#writing #fic recs #ATLA #Bsd #mcu

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ducktoonsfanart · 4 days

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Donald Duck, Three Caballeros, Darkwing Duck, Ducktales and Duck family in Dragon Ball Universe - Duckverse and Dragon Ball - Crossover - Quack Pack Week - Tribute to Akira Toriyama and Dragon Ball - My version

I wanted to do this later, but since I found out last month about the bad news that Akira Toriyama died, I decided to do something special in his honor, but not to cry because I believe that he is safe in the other world and that which left behind a great achievement for all of us who love manga and anime, so I made a crossover of my favorite characters from Dragon Ball or Duckverse in Dragon Ball Universe.

Yes, and in honor of Akira Toriyama, in honor of one of my favorite manga and anime even though the action takes place in China and certainly dedicated to the 90th anniversary of the creation of the best Disney duck, Donald Duck. I drew three separate drawings of the crossover Duckverse and Dragon Ball characters and combined the various Duckverse and Dragon Ball variants into one. I wanted to add more, but not all characters would fit, so I'll post it separately another time. I mean especially the villains.

The first drawing I drew shows Donald Duck, Jose Carioca, Panchito Pistoles, Aracuan Bird and Drake Mallard as Saiyan warriors along with famous Dragon Ball heroes. Not to be outdone, I drew Duckverse characters that they could relate to and be similar to. So Donald Duck is like Goku (Kakarot), Drake Mallard is like Vegeta (who says OVER 9000!), Panchito Pistoles is like Yamcha, Jose Carioca (Ze Carioca) is Piccolo and Aracuan Bird is like Majin Buu (I don't have to say why ).

Another drawing I drew shows other male characters and boys with other Dragon Ball characters, like Ducktales and Dragon Ball. Scrooge McDuck is with Master Roshi (I don't have to say why), Fethry Duck is with Krillin, Dugan Duck (Fethry's nephew) is with Oolong Pig, Huey Duck is with Gohan (Goku's older son), Dewey Duck is with Trunks (Vegeta and Bulma's son) and Louie Duck is with Goten (Goku's younger son).

The third drawing I drew represents the female characters and girls of Duckverse and Dragon Ball. Daisy Duck is with Chi-Chi (Goku's girlfriend and wife), Morgana Macawber is with Bulma, Gosalyn Mallard is with Videl (Gohan's girlfriend), Lyla Lay (Paperinik New Adventures) and Kay K (Double Duck) are for Launch (in the works about one woman, but with a split personality and one of her natures is good, the other is very awkward).

Yes, I combined from the comics Donald Duck, Duck Avenger (PKNA), Double Duck, Darkwing Duck, Three Caballeros and Quack Pack into one along with various Dragon Ball variants in my own way and drew them to wear the same clothes as in Dragon Ball. I hope you like this idea and this crossover. Feel free to like and reblog this and if you support this idea feel free to say so, just don't use my same ideas without mentioning me. Thank you! Also, happy 90th birthday to Donald Duck as well as 40th birthday to Dragon Ball and Goku himself!

Also, dedicated to the topic Crossover for @quackpackweek . And finally this: https://www.youtube.com/watch?v=OK1ZrwR5NWQ

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maddiicake · 4 years

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Why Both FMAB and FMA03 are good and should be treated as Independent Stories:

I will go on the record of saying that Appreciate and Love FMA as a whole and love both series for what they are. And while it may sound like a broken record saying things like this... there’s still hateful words against those who like one over the other. So, I’m here to make this post addressing that both FMA2003/03 and Brotherhood are great in their own way and should be respected as their own individual stories.

Also warning there will be obvious spoilers.

What I liked about the Original (FMA03/2003) Series:

I watched 03 before delving into Brotherhood, and even before reading the manga. Now, I know Brotherhood and Manga fans are the small minority of the fandom, while 03/2003 fans make up the majority. That being said, many of these people simply can't get used to 03 after watching Brotherhood.

However, for me, I was happy because: A) I got more FMA to watch, and B) The differences in 03/2003 simply made it even more fun to watch, so for it was no trouble getting used to this anime.

But if I were to be specific of what I liked, I’d say I liked the following about FMA03/2003:

Characterization of the Protagonists and all the 'good' guys: The show heavily focuses on the relationship and tragedy of Elric Brothers, and 03/2003 portrays it much better with such a deeper level. The relationship between both brothers is intimate, and it feels like a genuine sibling bond. I also enjoy the fact that the anime shows that even if Ed follows his ideals, he, like any human, can break away from them under severe pressure, which was beautifully shown in the 5th laboratory arc. As for other characters: Scar in this version is a total opposite of his Brotherhood counterpart. He is written realistically in the 2003/03 anime. His absolute hatred for the military is more legit, and he feels morally grey in this anime. Izumi Curtis for me was also portrayed better in this version. Meanwhile, other Characters like Roy, Winry and Alex felt the same to me throughout both versions--so, not much change there.

Worldbuilding: The 2003/03 anime does a fantastic job at portraying the widespread effects of war and politics, Alchemy, etc. and how it has affected the people of the FMA World. For example, in Episode 16, “That Which is Lost”, Ed meet, a guy who had lost his limb while working as a soldier and was reluctant to use an automail prostetic because he wanted to “retain his wound”. Now, this episode itself was more so filler and didn’t really matter to the main plot of the story in itself; however, I feel that it was added to series to portray the depth of the FMA World, and how everyone has different reactions to the events that happened in the 2003/03 anime. Also, many of the events and how they unfold in this anime seem to parallel the middle east, which just makes all this feel realistic and provides some occasional social commentary which is quite nice. I also like how the first few episodes take their time to slowly and, with great subtlety, develop their world.

Thematic Depth: FMA2003/03 is dark, grim and kind of realistic--more so compared to Brotherhood. While, both versions of the anime deal with some important and mature themes, FMA2003/03 takes it to the next level. The 2003/03 series focuses on the Law of Equivalent Exchange, and shows how putting blind trust in it is a terrible thing to do. The show also focuses on how obsession, a denial of reality, and the inability to move on can be a bad thing. Moreover, sometimes life just simply isn't fair, and we should accept it; however, always try to improve what we have. All in all, we have to understand the consequences of our actions. That life is uncertain, and sometimes we don't get everything, and even we pay a price for it. All of these themes mixed in with the meaningful dialogues and the dark tone, made me appreciate this anime. For example, in episode 48, when Roy and Ed talk for the last time, that’s the pivotal point that brings all these themes together.

A Good Start: The Show had a better start than Brotherhood, simply because 1). We have more time with Maes Hughes and Shou Tucker, and 2). The Liore arc. Despite BONES studio and it’s tendency to create anime too early *when the mangaka is barely halfway through their series), they made it work, and, with the material they had, the 2003/03 series was given enough time to bloom. The 2003/03 series was simply immersive and very emotional, especially during The Curtis Arc, as an example.

Soundtrack and The Art Direction: I feel like both are equally good. However, I will go on the record of saying that I don’t think “art style” is what makes a series, nor is it an important factor. It’s nothing more than glorified “eye candy” However, for the sake of argument (especially since the “art style” is the first thing that “03 Stans” mention) I’ll be adding it in here. Both the 2003/03 and Brotherhood series have some amazing and beautiful orchestral OSTs in their respective soundtracks; thus, it added to the immersion of their respective series. In FMA2003/03, the color palette is very unique, sometimes it feels dull but it just suits the dark tone of the series.

All in all, I am impressed by a lot of aspects of the 2003/03 anime series, but as much I love and respect it, there are lot of things this anime messed up and I will note that as well.

The antagonists were... Meh: While I really love and enjoy the direction and depth BONES Studio added to the Homunculi... some of the other antagonists could have been better (or just not added at all imo). For example, Frank Archer... he has no reason being there except for convenient plot device to the point it feels forced. Though, him becoming that weird cyborg always makes me laugh just because of how dumb of a character he became because of it. Speaking of which, him becoming a cyborg was just... weird. It was like the Studio staff were trying to make him “cool” by making him into some crossover of The Terminator and Two-Face from Batman, but it just failed. As for Zolf Kimblee... He is still sadistic and likes making things explode, much like his Brotherhood Counterpart. But... that was it. Other than that, he was just boring. Him and Archer were both just the staple 90s Kids Cartoon Villains; not much to them except “Muahahaha I’m evil”. Now Dante... I’d say that she’s a good villain to an extent. Her as a villain is very subjective within the fandom, depending on who you ask. While I believe that she could have been just as great a villain as Father, her character was rushed and her goals were a bit vague and unexplored. I like how, like with Father, she had ties Hohenheim; however, that backstory and those connections were introduced a little late. So, in the end, she just came across as more of the generic Vindictive Ex-Wife, and just a generic female villain. As for the Homunculi... I’ve said it before and I’ll say it again: I LOVED their portrayal in 2003/03. They were the “saving grace” of the entire team of the villains within the 2003/03 series. My favorite of the bunch were Lust and Greed--namely Lust, because of her ties with Scar. Envy came at a close second, but only seemed so because of a way to back up Dante as a villain, and the other Homunculi seemed a bit more underdeveloped as characters.

The Plot's quality drops after episode 35- Okay don't get me wrong. The first 35 episodes for me were 100/100. After that? a 60/100. Why? Because everything after that point feels contrived and feels forced. It's as tho, they are trying to do everything they can, even if it doesn't weave in, to make the brother's life miserable. Archer doesn't die and pops up, with his automail? Alphonse is there to be turned into a bomb, and become a philosophers stone. Okay, but why does this feel so forced? Also, can we talk about Nazi Shit? Now, I feel the brothers being separated is the perfect ending to this anime thematically and I have nothing against it, but A Nazi gate? Why? It was so sudden and pointless. It was never foreshadowed. They just showed it to make it as tragic as possible, because they didn't know of any other way to twist the plot, without convenient and totally forced plot devices. Also, How can Dante make Gluttony Mindless? Why is Juliet Douglass's Secret so obvious, when it can be fatal if leaked? Plot- Holes, Also, why are the Homunculli named the way they are? It just doesn't make sense. Also, FMA's Plot has an air of mystery to it, but it doesn't execute properly. I don't hate the end, I just felt disappointed, because the buildup towards it was terrible.

Now, I give a bit of grace concerning how the plot sort of dropped off and felt rushed halfway through, as well as the characters being underdeveloped and rushed. After all, Studio Bones was making up the majority of the material and took it in their own direction. Some factors to all of these cons in FMA2003/03 could be because of the Studio’s lack of a budget to flesh the characters and plot out more. Or, they had created so much additional material for this series that it became overwhelming.

As a writer, I can attest to the fact that “Character Overload” or “Element Overload” can either make or break a series, depending on how you handle it. That being said, there need to be a balance when it comes to these factors.

However, FMA2003/03 ended around 2004-05, So what we got is what we have.

Now, with that out of the way, let’s get on to the analysis of FMA: Brotherhood:

Characters: There isn’t a single character in this version of the series that I can choose as a “favorite”. Because, honestly? I lile them all. They’re all well developed and lovable in their own way, and have their own demension of depth to them. No, they’re not as deep as they aare in FMA2003/03, but from a writer’s perspective, that helps keep a balance with the overall plot of the stories. Now, some minor characters were just outrageous, but not to the level of boring (like 03!Kimblee and Archer), for example... Darius and Heinkel. There isn’t a vast difference in Brotherhood’s and 2003/03's cast of characters. However, if I had to note a difference, FMA2003/03′s characters were are more on the edge of realistic and Brotherhood’s were just... Loveable. However, that doesn’t mean that one counterpart of a character is better/worse than another. Both are quite memorable in their own way. Of course, in my opinion Brotherhood's villains are just better than 03's villains. Sure, the Homunculi aren’t given as much depth, but, they have redeeming qualities near the end of their time (i.e. Envy, and GreedLing). When Father was first introduced... his character made me think of how Dante started out, and I was worried that his character would end up just as rushed and he would just be the generic cliche Shounen villain. By the Promised Day Arc, however, I was surprised. Yeah, Father was still very shounen-y villain, but still a pretty darn good villain. I feel his backstory, and how he discarded all his human qualities which led to the creation of Homunculi was well put together, and I felt the concept how he created Alchemy in Amestris, while Hohenhime helped build Alkahestry in the east was well put together, and helped build the world of FMA (literally). To put it simply, his character was much more interesting than Dante, because it was fleshed out more. The Homunculi were awesome as well, Lust did her job, Pride and Wrath were simply awesome, GreeLing's development from an anti-villain to anti-hero was exceptionally well written and not the cliche anti-hero, which I can appreciate. Envy is the character you love to hate. And Gluttony and Sloth did their Part as Well. While I enjoyed 03′s portrayal of the homunculi, I felt like they only fleshed out some for that series (i.e. Lust) while others were just left to fall flat. With Brotherhood, all the Homunculi were evenly balanced out in their characters, not too much depth and not too little. Solf Kimblee was still the sadistic baster, but at least his entire personality was more explored this time, and I liked how they portrayed his psyche as an added affect to why he has his views.

Plot: Bortherhood’s plot was more fluid and weaved in seamlessly. As a lover of all things continuity... Brotherhood did it right, and every time I find an analysis of a teeny tiny subtle continuity detail (i.e. Ed’s gash on his forehead that lasts a few episodes), I get a writer-gasm! Sure, there were few plot devices and filler here and there. But the plot in gneeral wasn’t rushed or choppy, nor did it leave any holes in it. The way Brotherhood portrays it’s plot is to keep you as engaged as possible, adding some silly comic relief here and there to balance out the dramatic intensity every so often. Unlike 2003/03 where is was just one depressing and dark element after another, Brotherhood added in the comic relief points not and again to give it’s audience a break. And, that’s what I really appreciate, and think is a great story writing technique. All in all the Brotherhood series is literal binge-watch material

A Great Shounen: Many Shounen anime have their Arcs for the purpose of portraying the progress of a character, and keep introducing new villains; however, depsite this, there is rarely a sense of mystery, intrigue or a moving plot in a Battle Shounen Anime. What Brotherhood did was just that, except make it more digestible (and not super long like Naruto or One Piece), and added a great thematic exploration. For a shounen it was quite deep, the plot structure was more like seinen, and characters were awesome. In a way, we got everything we could in a Shounen anime that only lasted a little over 50 episodes: Depth, plot, characters in a shounen.

Thematic Exploration: Both FMA 2003/03′s and Brotherhood’s themes are the same, but Brotherhood makes it a bit more lighter. All the while, it also manages to raise questions on additional themes: revenge, truth, knowledge, sacrifice, worth of a human life, and many other things.

Soundtrack and Animation: Same as the analysis in the part of FMA 2003/03, and, once again... I will restate that I personally don’t believe that art style is what’s important to a series. It’s nothing more than glorified “eye candy”. However, for the sake of this analysis, I will be adding it in here. While Brotherhood’s art style and animation is more simplistic, it’s much easier to create those dynamic poses and expressions on an animation level. While FMA2003/03 did have it’s dynamic moments, it was mostly only during battle scenes or the really heavy moments in the series. Brotherhood maintains it’s art style through the series and keeps it a balance, so that some scenes aren’t too much animation but also not too little. And, both FMA2003/03′s and Brotherhood’s OST Soundtracks are beautiful orchestral pieces that really add additional effect to a scene that the respective series are trying to portray.

A sense of conclusion: A lot of Shounen Anime get prematurely cancelled, most Seinen end in a bittersweet manner. That’s why FMA2003/03′s ending with the fate of the Elric Bros was a bit more preferable for those who like a more realistic ending. But, I enjoy a story with a more conclusive ending that wraps all the plot points up together without leaving too many holes. Yeah, the “happy ending” of Brotherhood is cliche, but “happy endings” wouldn’t be “happy endings” if they weren’t. Not to mention, those types of endings are rare, because people really don’t want to write them, and, when they do, they’re rarely done well. Ed’s entire charcter arc wrapping up to where he swallows his pride as an Alchemist and gives up his Alchemy to bring his brother back is both wholesome and satisfying, because, through the show, it shows his progression and growth from beginning to end. And, having an arrogant character obsessed with Alchemy give it up and learn to humble himself because of it.. it’s really uplifting.

Now let's talk about the Cons within the Brotherhood series, they aren't a lot, but still, they did affect my experience quite a lot.

Overuse of Comic Relief: While the use is a nice balance to the already dark and dismal atmosphere of the series, it felt a bit overused. So much so that some emotional moments were inconvenienced by the use of that kind of humor. It was a bit much and created dissonance with the tone the scene was trying to portray. Now, it worked more in the Manga, because of the more visual gag of it, but, sometimes the visuals within the manga don’t translate as well to an animated one.

A Rushed First Half: While FMA 2003/03 began “In Media Res” with it’s first episode and then started a “flashback episodic arc” with the next handful of episodes.. Brotherhood just jumped right into it. While, yes, it was a better balance to not have the characters’ depth right at the beginning (slowly revealing it as the show goes on), the first half of Brotherhood was 0-100 through just the first few episodes. To the point it feels like the audience has to catch it’s bearings. But, once you get on the same page, it’s enjoyable from there.

So what’s the Point of this Ted Talk-esq FMA Post?

I’m sick and tired of seeing 03 Stans and MangaHood Stans fighting each other over just the smallest detail, especially when 03 Stans decided to bring leftist politics into it for no reason.

Personally, I just appreciate the fact that both series exist, ever since I've got in the franchise, it has become a part of my life, and still to this day is part of my life. Sure, I’m forever going to be part of this fandom.. but, I still see the beauty that peeks through the ruins and ashes of destruction now and then. I appreciate both series. Sure, I do prefer Brotherhood more, and get called a “Nazi” just because of it (ironic considering FMA: CoS was the movie sequel to 03... -__- ) , but 03 was excellent as well in it’s own way. It was very involving while FMAB was engaging. Both shows are something which you can learn something from and get attached to.

All in all, comparing both shows is okay, that's what I did here, but having a debate over which one is better isn’t just inherently bad... it’s TOXIC. Both series have their pros and cons, and they’re starkly different from each other. They’re two sides of the same coin. But, most importantly they are extremely important and impactful, so Pls don't have death battles over which one is better, don't say bad things about any fanbase, be respectful, and most importantly watch both and try to appreciate them. Because trust me liking both is a pretty darn good feeling.

#fullmetal alchemist #fmab #fma 03 #fma 2003 #full metal alchemist brotherhood #madiis musings

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jostenneil · 3 years

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do you have shounen recs too? other than naruto and fma lol

naruto and fma are like decade long infections that have refused to leave me djdbkdn but yes, i do! i’ll apply the same logic here as i did in the other post where i include some seinen too bc ultimately the distinction is just an age demographic

sket dance (manga) - this is one of my favorite manga of all time! it centers on a group of three friends—bossun, himeko, and switch—who start a student support group at their high school for anyone to come to with their everyday problems. the clientele and their problems are varied in a pretty humorous way, and in the beginning it almost feels like the series is set up to be purely comedic, but as you get further into the series you learn just why the main characters started the club, which is the winning point for me. these characters are so fleshed out and so much of their individual trauma gives insight as to why they’re intent to help and befriend others, especially on bossun’s part. he is probably one of my favorite shounen protagonists period. his character propagates a really wonderful message of how people don’t need to be fixed in order to solve their problems, just listened to and supported, and i adore the series for its exploration of that concept. the mangaka was also an assistant to sorachi on gintama, so i think fans of gintama will rly enjoy it in the sense that both series share similar values, messages, and humor! there’s a few crossovers between the two, iirc. also! i don’t particularly mind the anime and it has a banger soundtrack but just imo the emotional beats hit harder in the manga

silver spoon (anime/manga) - this is the series hiromu arakawa wrote after finishing fma, and i would actually argue that it’s her better work of the two! it centers on a boy named hachiken, who spontaneously decides to enroll at an agricultural high school to get away from his stressful family life in the city, and obviously, it’s a huge reality check for him. he’s dropped into this school where every other student has farming-related ambitions in the long run, while he has no ambitions at all and simply used enrollment as an excuse to get away from his problems. the series is a masterclass in learning about the worth in hard work, camaraderie, and why thinking about your future and what you want to do matters, not just from a practical aspect but also in terms of self fulfillment. as expected of arakawa, it boasts endearing humor, a wonderful array of distinct characters, and a really fleshed out portrayal of farm life, made even more enjoyable and genuine by the fact that she’s writing in her element, as she grew up on a farm herself

tsubasa reservoir chronicle (manga) - this is a cult classic within clamp circles, but outside of that fandom it’s more known as the intimidating clamp series most ppl wouldn’t touch with a ten-foot pole. and i get that! the fact that it crosses over with some other clamp series makes it pretty confusing to parse through at times. but i also think that’s the series’ greatest strength, bc when you understand the nature of that crossover, the depth of the storytelling is truly brilliant! at its most basic, trc follows a pair of childhood friends, syaoran and sakura, who live in a desert-like “clow country”. sakura walks into some ruins one day and is spontaneously robbed of all of her memories, which syaoran must then journey across multiple dimensions to recapture, as her memories have been scattered in the form of feathers. the pair also have three traveling companions—kurogane, fai, and mokona—and altogether the group visits multiple dimensions that are loosely inspired by clamp’s other series and characters. obv, as the plot progresses, we discover there’s more to the group’s mission than meets the eye, and it ventures into pretty dark, existential territory, as is the norm for clamp. it also may be unpopular of me to say this, but i actually think it’s a great introduction to clamp (it was mine lol), given there’s so many cameos from their previous series and the series sets up such interesting lore. just be warned that you do have to think while reading this series, as the lore is intense! also, do not watch the anime. at all. it’s the worst adaptation ever

ookiku furikabutte (anime/manga) - popularly called oofuri, this series is in my opinion one of the best sports manga published in the last two decades. it follows a boy named mihashi, a baseball pitcher who refuses to give up the mound and essentially alienates himself from his middle school teammates in the process bc they don’t know how to actually utilize his pitches. he enters high school as a total nervous wreck with little to no confidence in himself bc of this experience, until the catcher, abe, recognizes that he’s actually a really unique pitcher unrecognized for his talents by his old teammates. abe and mihashi basically latch onto each other, with abe believing he can mold mihashi into the best pitcher there is, and mihashi believing abe is the one person capable of making him into a good pitcher. it’s a fascinating take on codependency and building up your self esteem, and i would argue that higuchi asa’s sports psychology background lends itself splendidly to the messages oofuri sends about how to build healthy sportsmanship among teenage boys. overall i think it’s a great series to read if you’re looking for catharsis and comfort, as well as baseball lore!

gangsta. (manga) - this series is the most dark and complicated of the works in this list, just as an advisory. there’s prostitution, gang violence, gore, etc etc. but for the presence of all of that, gangsta. is probably one of the most well rounded series i have read in the last few years. it starts with alex benedetto, a prostitute who ends up as the sole survivor of a mass gang murder propagated by two thugs for hire, worick and nic. the two men take her under their wing as a friend and someone who answers their phone, and the three of them form a unique but really loving partnership with each other. the plot eventually extends into a turf war that plagues the town they live in, ergastulum, on account of a drug trade that allows for the breeding of “twilights”, who are essentially drug enhanced superhumans. it’s hard to explain much more without giving away spoilers, but the series has an incredibly diverse cast, in terms of race, disability, and sexuality, and it manages to tackle really dark subject matter without coming off as too edgy or tragedy porn-seque. the artwork is also absolutely gorgeous and the relationships among various characters are portrayed with such amazing nuance, that i can’t even complain when plot points make me sad beyond belief

this is what i have for now but i may add onto it later! do let me know if you enjoy any of these ❤️

#sket dance #gin no saji #tsubasa reservoir chronicle #oofuri #gangsta.#these are fun to do! i also feel like i rambled so much more here omg #mine:recs

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morethanaprincess-a · 3 years

Text

@electricea said: ship bias + any non video game/anime muses or oc's that sonia has any notable ships with?

Ship Bias (No longer accepting)

I don’t actually have any ships going with any non-video game or anime muses, or at least muses that don’t use anime/manga/game art as faceclaims. So at this time, I’m going to leave that option be.

So I’m going to talk about OCs instead, after a disclaimer:

Disclaimer: I’m very fortunate and happy to write with quite a lot of OCs! This blog is very OC friendly, always has been and will be. However, I’m a bit uncomfortable chatting about Sonia/OC ships that I haven’t already discussed with the other mun first. With canon muses, it’s a bit easier to get away with that because you aren’t necessarily referring to someone’s specific portrayal of a muse, just the muse in general.

With OCs, you can’t really do that. So while there are interactions I could see going into platonic or romantic ship territory, I’d rather not mention it until Sonia has both interacted with said muses a bit more and the other mun is interested and eager to go in that direction. I do not want any of my mutuals to feel as if I’m forcing a ship on them for any reason, even if it’s just due to a meme.

All that being said, this list will be a bit shorter than my previous responses despite having some interest and ideas for other OCs.

Sonia/Argus ( @onlyhorn ) - Sonia’s more than a bit conflicted by the prospect of having romantic feelings for someone in her employ, but Argus is helpful, kind, and endearing, even if he isn’t the sharpest knife in the drawer (this is fine! Sonia’s actually pretty book smart, but is lacking common sense). He also gave her a very heartfelt, thoughtful gift for her birthday last year which she hasn’t forgotten. But the fact that he’s her personal trainer does come with additional conflicts: mainly having to break her of her preferences for chocolate and other junk food, and how often he seems to go without a shirt. Argus probably should be a contender for the Chest Discourse conversation at this point.

Sonia will never forget to stay hydrated when he’s around.

Sonia/Wylan ( @cadcnce ) - If you ever want to see a ship where Sonia is constantly questioning why she’s feeling the way she does (because, for plenty of reasons, she probably shouldn’t), look no further. Because for as much as Wylan enables Sonia’s adventurous side (to his detriment. She actually got him to worry about her, which is a feat), he is outspoken, inappropriate, and had to go through several nicknames with her before settling on one she didn’t immediately dislike. Based on her past experiences, she has every reason to shut him down entirely: he has, on more than one occasion, complimented her looks in a very unwanted way and, at least when they first met, decided calling her ‘princess’ and ‘duchess’ was a good idea (this is not a good idea unless it’s an official event and her titles must be used). In theory, it’s enough to give her Kazuichi Souda vibes.

However, he also seems interested in learning about who she is, not just what she is, and that stops her from dismissing his company and flat out ignoring his advances. He’s absolutely the wrong sort of person her family and friends alike would want her to be with, but more often than not, Sonia finds herself having fun and relaxing around him. She doesn’t have to be in princess mode constantly and after he became more forthcoming with who he is as well, she’s just as fascinated to learn about him as he is about her.

Her troubles, besides being reminded of what it’s like to be a ‘hot blonde princess’ on occasion, is feeling like she’s just another job to him, someone to look after (and not kill, at least. Hopefully!). Because she’s never considered him to be anything resembling work, though she may be forced to change that line of thinking as their storyline progresses (as reluctant as she is to do so). Sonia can, if prompted, admit to him that she’s always seen him as a friend and not a colleague, but prodding at her to admit anything deeper at this point will probably result in failure.

She’s also now seen him without his shirt and dressed up. This only complicates her growing, confusing feelings she has for him at least he kept his trousers on.

Sonia/Atsuko ( @trinitytalents ) - Finally, one of my favorite slow-burn, Sonia constantly questioning herself ships! It’s very easy to see why Sonia would be attracted to Atsuko: she’s protective (it’s her talent, after all), they share some hobbies (guns and romance movies? They can always bond over something!), and Atsuko is a beautiful girl. The problem for Sonia is that Sonia’s just starting to figure out that she’s not heterosexual nor heteroromantic (and her family will despise and not accept both) and Atsuko isn’t looking for a relationship right now. In fact, Sonia’s not even certain Atsuko even regards her with the same love and adoration she feels for her close friend. This, as it stands, is Sonia’s unrequited love storyline and it pulls at my heart for Sonia to finally recognize she’s in love with Atsuko Manaka, but feels that no one will support her nor will Atsuko reciprocate her feelings. It’s a very fun ship to write.

And to cap off this meme: muns with canon, crossover, and OC muses! If you ever want to plot or chat about a ship or potential ship, please feel free to message me here or on discord (I’m happy to add mutuals to my discord if we aren’t discord friends already!). I enjoy writing ships of all types, I just want to be sure those are interactions you want as well. Don’t be afraid to reach out!

#more-than-a-princess answered #more-than-a-princess musings #(Ship Bias meme)#electricea #(I hope this works! I'm sorry it was so late too)#(This meme took a lot out of me so I needed some time away before answering this)

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secret-engima · 4 years

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Are you in the One Piece Fandom? Wait what fandoms are you in? Overlord?? Akatsuki No Yona?? (THAT ONE IS A GREAT READ AND WATCH TBH—its so underappreciated!!) Undertale?? (Throws hands up)

Uhhhhhhhhh depends on your definition of “in”. If by “in” you mean “have consumed the canon content enough to know what’s up” then I am in a lot less fandoms than you’d think. If you mean “have absorbed enough of the canon and fanon via osmosis to kinda get the gist and enjoy the fanfic while ignoring the actual source material” then I’m in … enough fandoms I literally can’t remember them all off the top of my head but here’s a list of what I can think of rn:

Transformers (Animated, Prime-verse, Bay-verse, SORTA G1 but only for like- two fanfics and a couple one-shots)

Final Fantasy XV (obviously)

Final Fantasy 7 (this is one of those osmosis ones, the only canon content I have actually owned is the Advent Children movie. Have watched Crisis Core walkthroughs tho)

How to Train Your Dragon (movies only)

My Hero Academia (manga, anime, and vigilantes but I’m not up to date so no spoilers pls)

Katekyo Hitman Reborn (osmosis that led to watching some of the show. The fanfics are better. Hands down. Still glad the show exists tho, otherwise the fanfic would not.)

Harry Potter (solely via crossovers, I don’t tend to enjoy straight HP fanfic, but yeeting Harry into fandoms I do know is funny)

Naruto (I have watched exactly three eps of the original and up to the Diedara mocking Naruto with Gaara’s body in Shippuuden. Everything else is pure fandom Osmosis.)

Boruto (counting this as a separate thing because Naruto fans tend to be mean over the show (????). Which is a shame cause I adore it. Ninja school/youth slice of life with end of the world drama thrown in for flavor? Heck yeah. Also Mitsuki is My Bby Boi™ and I will hear no dissent)

Akatsuki No Yona (anime, slowly collecting the manga, it is The Best™)

One Piece (pure fandom osmosis. Have watched maybe the earliest eps before I got a headache from the animation/voice acting, after that I quit and live in fanfic only)

Undertale (have never played the game, no desire to, have absorbed plot through wiki entries and fanfic osmosis. Mostly I just adore the concept of a character who knows about save points and uses them for good or evil, as well as the whole “different runs” thing and the potential Angst and Hurt/Comfort having a Frisk with multiple runs under their belt could bring. Also Papyrus and Sans are the cutest things and I love them even though I hate skeleton characters as a general rule).

Sword Art Online (this is the anime that got me into fantasy anime. Period. My Fairy Tail fanfic would not exist without this anime making me interested in non-Case Closed and Detective School Q anime. SAO Progressive Light Novels are *chef’s kiss*.)

Log Horizon (anime is fun. I like the more political/economic take that makes it so different from SAO. Also the potential Shenanigans between Adventurers and Landers and the Lander POV potential is cool).

Star Wars (I have watched all the movies at least once barring Rise of Skywalker so no spoilers, am working through older Clone Wars seasons and gleefully have enjoyed Rebels and several of the games. I do NOT write for this fandom as a general rule because I have no desire to get involved in the flame wars, especially since the original trilogy was not my entry point? So I actually really enjoy a lot of the characters and shows outside the original trilogy and apparently my ability to like content that isn’t *raises imaginary holy grail* “the OG trilogy” is a crime against Star Wars and nature and possibly humanity. Let me enjoy my blind jedi and his crew of misfit pseudo-kids you puritans. Also Rey.)

Fairy Tail (anime, have yet to watch the last season, love this show with all my heart).

Fullmetal Alchemist Brotherhood (have yet to watch more than a few eps on the show, for all its on my reading list, so most of what I know is fanfic osmosis).

Fruits Basket (I … actually have not read fanfic of this? But I adore the books with all my heart and am so stoked to see the remade anime).

Case Closed/Magic Kaito (anime and fanfic. Treating these as the same since they’re in the same universe and spot of timeline, just have different MCs and premises).

Detective School Q (My first anime! Thank you youtube for the collection of pirated anime eps I got to binge before they all got deleted. As far as I am aware, there is no fandom still living for this show, which is a shame because it was good).

Rurouni Kenshin (the original anime! Never got past the arc with the burned villain but I still enjoyed it up to that point. No idea what the arcs after it are like. Don’t really care.)

Hobbit/LOTR (read the Hobbit, have watched all the movies. AU fanfics ftw.)

Bleach (this … is pure fanfic osmosis. I blame @wolfsrainrules @north-peach and @akaluan they got me curious. Still a little iffy on the show itself but like- I enjoy the fanfic. I’m a sucker Akaluan’s Dragon Eclipse fanfic especially.)

Princess Tutu (haven’t been in the fandom in forever? But I have a few fav fics and the show is *chef’s kiss*).

Voltron: Legendary Defender (started with the fanfics out of accident and curiosity, then hopped over to the show because the crossover potential it had with TF got me interested. Am currently in the second season so pls no spoilers).

Avengers: Earth’s Mightiest Heroes (show, fanfic, I enjoy crossovers. Someone did the world’s most epic TF:P crossover with this show and I have loved it ever since.)

MCU (osmosis that led to watching the movies. I think I liked all of the ones I watched barring Guardians of the Galaxy and Antman. Tellingly, I have made a point not to watch Endgame, Infinity War, GoG 2 or Antman 2. I can tell that the first two are just- no. I haven’t seen a fandom go up in fire that fast in years I have no desire to experience WHY.)

Edit: AVATAR. Why did I forget Avatar: The Last Airbender? hgdhgf. Anyway I like both A:TLA and Korra.

Uhhhh that’s all I can think of atm. I’m definitely missing some but yeah. Brief rundown of fandoms I am able to at least hold a basic conversation about and a brief bio of how/why I know them.

#SE asks #oliverslewty asks #Secret Engima Rambles #fandom things #fandom list #i know i'm in more fandoms #but for the life of me i'm blanking on them rn

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