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jewishrat420 · 3 months

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No one has ever flirted with Steve the way Eddie flirts with Steve.

And it's not like no one flirts with Steve. God, no, it's not like no one flirts with Steve. Steve can't walk into the grocery store without at least three sets of heads turning and focusing all their attention on him.

And he's not even trying to be cocky about it. That's just the reality he was gifted when he came out of his mother's womb looking like the world's freshest Adonis. Honestly, he wouldn't be surprised if they changed the colloquialism to "Steve."

Regardless. For as many people like to flirt with him, make themselves known, filtering in and out of his orbit like willing planets, no one knows quite how to get him going like Eddie. Maybe it's that they're not as confident as he is, maybe they're scared of the rejection Eddie was born facing and will die knowing.

Maybe they're scared of ruining their chances. Maybe Eddie isn't.

For whatever reason, Eddie doesn't seem like he's scared. Even though there was a long time before he knew Steve was bi, was just as into the flirting as Eddie was, even though there was a chance (not like it'd ever happen, but the unknown was there) that Steve could have beaten him up just for calling him "sweetheart," he did it anyway. He got right up into Steve's space, close enough that Steve could get high off the remnants of the joint he'd smoked earlier, and gave him a look that offered everything.

And, God, Steve wanted it. He wanted it all.

And so that began months of what Steve has so aptly referred to as torture. Apt, because he knows what it's like. He has the scars and the fear of ice cream and needles to prove it.

But this... this is a different kind of torture. Mental, emotional, spiritual, whatever you call it-- this is meant to tear him apart from the inside out, meant to make him want to rip his own bones out from his body and offer them to Eddie if it meant the other man making a fucking move.

And Steve would, is the thing. He would absolutely make the first move-- it's what he usually does, anyway, and he's got a pretty damn good success rate for it.

But, for whatever reason, this feels different. This back and forth they have, the constant teasing, the sliding in and out of each other's orbits, unable and unwilling to refute the most fundamental laws of gravity... it's something special, at least to Steve. Something sacred.

Which is why, when Eddie calls Steve "Harrington" for the first time in months, his first response is to pout.

They're about halfway through splitting a joint, the sweet smoke curling around wisps of hair and parted lips and filtering in and out of the holes in their sweaters. The air outside is getting colder, thinner, sharper, as the winter months dreg on. But inside the trailer, it's comfortable and warm. Safe.

Steve's being a bit of a hog, and he's man enough to admit that. But he had a shitty day at work and all he wants is to feel nothing other than the weightless relaxation of a good high buzzing through his bones. Sue him for taking a little more than his fair share of the good stuff, even if it is Eddie's.

"Steve," Eddie whines, reaching his hand out and curling his fingers in request. "Give it over."

"No," Steve responds, just on the edge of whiny. He brings the joint to his lips and takes a long, slow, deep drag, feeling the sweet heat of the smoke burning in his lungs, taking up the space where oxygen should be. He goes a little dizzy with it, feels his eyes lower. "Mine."

Steve can't see it, but he knows Eddie's rolling his eyes. Can sense the shift in the air, can sense every little fucking thing about Eddie at any given moment.

"C'mon, Harrington, you're being a brat."

And, normally, Steve would find another aspect of that sentence to freak out about. Would zero in on the word brat and relish in the flare of heat it sends shooting up his spine like firework sparks. Would squint his eyes at Eddie and tilt his head in the way he knows makes him look good, would give him his cutest little smirk and say, "Who, me?" and would preen in the response it gets.

This time, though, he's much too focused on the other name Eddie used for him. The one he hasn't heard come out of Eddie's mouth since before he realized that Steve was, as he put it, "actually a good dude."

He doesn't realize he's pouting until the sudden silence in the room starts to creep in, make a home in the buzzing in his ears. He didn't realize that he didn't say anything, and neither did Eddie, and now they're sitting in a mess of their own making. Of Eddie's own making, really.

His next words come out without effort, without intent.

"Don't call me that."

He chances a look over at Eddie, at the risk of appearing as vulnerable as he feels, and to his distress, he can't get a read on the man. His dark eyebrows furrow, brown eyes squinting slightly, and his lips part like he wants to speak. He licks them. Steve's eyes follow the motion unintentionally.

"Call you what?" Eddie says on an exhale. "A brat?"

Steve shakes his head. "Harrington. Don't like it when you call me that."

Eddie kind of softens, then, and Steve didn't realize he had stiffened until he isn't anymore. He sort of sinks into the couch, spreads his legs imperceptibly wider, and Steve wouldn't have noticed if it wasn't for the way his left knee brushes against Steve's just barely. Just enough for those heated sparks to send a couple pinpricks across his skin.

"No?" he says, looking over to meet Steve's gaze. His cheeks are flushed, whether from the weed or the heat of the room or the heat between them, and Steve's sure that his look the same. "What do you want me to call you, then?"

Steve's definitely blushing now. He looks away from Eddie, tucks his chin to his chest, lets the joint between his fingers burn away. Eddie takes it from him, gently, and brings it to his lips. Steve hears the paper crackling as he inhales.

His voice is quiet, almost meek, when he speaks. It's completely unlike Steve, completely unlike the persona he used to so proudly take on-- but then again, Eddie is completely unlike anyone that Steve has ever met. He's more real, more human, and in turn, Steve is too.

"...You know."

Eddie makes a little noise, then, something in the back of his throat that was born and died within the very same second it was released. Something soft, almost pained, like his body couldn't help the reaction it had to that sentence.

Steve watches the thin, long line of Eddie's arm reach forward and press the joint into the glass of the ashtray. He follows the motion until Eddie's hand settles into the rips over his knee, fingers intertwining with the thread. His pinkie is dangerously close to Steve's own sweatpant-covered skin, and he feels the contact as if Eddie were touching him.

Eddie's hand twitches like it wants to move, and Steve resists the urge to grab it, hold it within the warmth of his own palms.

"Do I?" Eddie says, his voice quieter than it was a moment ago. That thick silence fills the trailer once more, settling in between the soft buzzing of the lightbulb in the kitchen and the muffled humming of the crickets outside. Steve hears Eddie take a stuttering breath. "Tell me."

Steve sighs, feeling his chest burn as his heartbeat picks up. His throat pounds with the pulsing of it. He places his own hand on his right knee, pinkie finger edging closer and closer to the space where Eddie's meets his. Eddie's hand twitches again.

"Like it when you call me sweet things," he says on an exhale, as though getting it out all in one breath would make it easier. "Like how it makes me feel."

Eddie lets out another one of those noises, then, something more like a cut-off groan. His hand curls into the fabric of his jeans for no more than a second before he releases it, and Steve gets to watch as the blood blanches and then returns to his knuckles.

"Sweet things, huh?" he muses, voice only slightly strained. If Steve didn't know any better, he'd say Eddie is nervous. "Like... Stevie?"

Steve hums. "Yeah. I like that."

Eddie's pinkie moves closer. Barely. Imperceptibly, if not for the way Steve is tuned into his every movement, like a dog to the sound of their owner's keys.

"Yeah?"

Steve hums again.

"What about... sweetheart?"

Steve closes his eyes. Lets out a shaky breath, inhales a smoother one.

"Yeah."

Steve feels something brush against his pinkie. Something warm.

"Honey?"

Steve nods, biting his lip. "Mhm."

Eddie lets out a quiet little laugh. "Even big boy?"

Steve returns it helplessly, feels the edges of a smile pulling at his lips. The air feels cold on his teeth, as though he's burning up from the inside out and anything outside of his own body is a cooling salve.

"Especially big boy."

Eddie laughs a little louder, and the jostling of his body brings his pinkie even closer to Steve's. Completely pressed against his own, now.

Steve swears he can feel his heartbeat through it. Or maybe it's his own.

"What about..." Eddie takes a breath. "Love?"

Steve's own breath hitches. He opens his eyes, looks at where their skin is touching in more than one place. He feels it, feels every point of contact where the cells that make Eddie are existing with the cells that make Steve. Wonders, maybe, if they stay here long enough, if they'll merge and mold over time. Become one.

"Yeah," Steve breathes. "I like that one a lot."

Eddie hums, and the room falls back into silence for a moment. Steve's skin burns where their fingers are touching. He moves his hand to the right, just barely, just enough to let Eddie know that he feels it. Just enough to ask Eddie if he does, too.

His response is overwhelming.

Eddie moves his hand to the left, solidifies all the points of contact between them, and Steve feels like he's exploding. Feels like a bubbling pit of lava that's set to burst, to overflow, like it can't hold back anymore. Like it's tried for so long that it's hurting, now, pressurized and boiling and hot, way too fucking hot.

And then, Eddie crosses his pinkie over Steve's, and Steve thinks he's dying.

He takes in a sharp breath like it's the last one he'll ever get, and he doesn't even have it in him to be embarrassed about it. He knows Eddie is right there with him, knows he's not the only one feeling this irrefutable pull like gravity between them. Knows, hopes, it's only a matter of time before they collide.

Eddie hums again. He taps his pinkie once over the smallest of Steve's knuckles, almost like he's making a decision. He takes a long, slow breath before he speaks.

"You know which one's my favorite?"

Steve's throat clicks. "Which?"

"Look at me."

Steve turns his head to the right for no more than a second before Eddie's lips are on his.

It's hungry, it's indulgent, it's immediately addictive. It feels like breathing.

Eddie presses his whole body against Steve's, and he can feel the way his tendons flex where his hand is covering the back of Steve's. Where their pinkies meet, their fingers intertwine and cross over one another like the roots of a tree, their bodies the whole mycorrhizal network.

The next word is spoken against Steve's lips, and Steve can feel the way his mouth forms around it. Decides, from this moment on, that he never wants to hear it another way.

"Baby."

Steve's exhale is more of a moan, a dying sound that, like Eddie's before, lived for only a moment in his throat before pushing through the wall of his lips. Eddie takes it, holds it in his own mouth, swallows it down hungrily and slides his tongue against Steve's as though asking for more.

"That's--" Steve pants, getting his hands on Eddie's hips and pulling until he's seated in his lap. "Mine too."

"Yeah?" Eddie asks, his lips still pressed against Steve's. Their words are muffled against each other, but they don't need to hear them to understand. They only need to feel the outline of them, the shape of the consonants and vowels against and around each other's tongues. They only need to press their bodies together and know, intimately, the meaning in each other's hearts.

"Yeah. Want you to call me that forever."

This time, Steve feels Eddie's laughter against his lips. His chest. Feels it bubble up in the space between his ribs, feels it flow into his mouth like a river, swallows it down like the first glass of water after a run. Feels his own creep up behind his teeth in return, gives it back to Eddie like an offering, who takes it greedily. Hungrily. Gratefully.

"Think that can be arranged, baby."

#steddie #stranger things #steve harrington #eddie munson #steddie fanfic #steddie fic #steve x eddie #steddie headcanon #absolutely no idea where this came from #but it's here #first kiss #mutual pining #flirting #steddie first kiss #teasing #steve harrington is down bad #eddie munson is down equally bad #idk how to tag things

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poorly-drawn-mdzs · 3 months

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Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4 (soon))

#poorly drawn mdzs #mdzs #lan wangji #Yungmeng Jiang training arc AU #I wanted to try out a different paneling style for this one - sorry I'm a day late! (there will still be a post tomorrow to keep on track)#The original 3 panel comic idea was fine but the point of this new schedule was to take time to push myself a bit more.#I was taking a look back through some comic artists I felt inspired by #and I really loved how Lynda Barry fills her gutters with patterns and doodles!#Obviously I'm not going as absolutely wild with it as she does but it was a great exercise!#I truly think the gutters are the most important and most overlooked part of any comic. There's lots going on in that space.#It's the same with timeskips. The implied movement between moments that we don't see changes depending on how wide that gap is #You're here for the funny tags so here's some that ties this time talk together:#I think LWJ was thinking about that second note from day 2 but it took him 7 days of hazing to commit it to paper.#I think he sends it a day later and immediately regrets it. Chasing down the messenger and everything.#You know if something actually happened to his brother he would never ever forgive himself for putting the bad vibes out there.#Third time skip was the hardest because there was so many possible flavours of jokes here. Day 8/9 was a personal favourite.#day 14 was also funny (week by week). I think the debate on 'how long does lwj take to catch feelings' is more or less:#'how long does it take for him to arrive at a particular stage of grief and yearning (and awareness of it all)#This is a symphony. There is an act by act structure. Every day he is fighting to keep his old sensibilities. He is losing so badly.#(I'll be returning to the main comic soon but there is more of this AU to come!)

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faiell · 2 months

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caught

#drarry #hpdm #harry is down bad #i imagined harry is an auror here?#anyways i wanted to have draco drawing his wand on him and harry barely reacting #what’s that one tag again #harry potter is obsessed with draco malfoy #doodle

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fingolfinwiththesteelchair · 5 months

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It is a beautiful day, and you are a horrible research transport vessel. Things are progressing as normal (i.e. it's boring) when a SecUnit pings you, lies right to your metaphorical face, and then tries to bribe you with human media to give it a ride. This is as unexpected as it is unprecedented, and the sheer nerve of it is really to be admired. There's no protocol to this, so what should you do?

Now, this is against a bunch of rules, and could be dangerous if you weren't so impressive and incredible, and you're technically an employee (and can probably rewrite the Univeristy charter at will (until someone notices and puts it back)) so those rules are for other entities.

So, what you should do is allow the rogue SecUnit with a broken governor module and a sketchy story aboard. If you check the files it dumps and find zero (0) malware (which is confusing), and it doesn't even try to trash the place or lay in wait to ambush a crew member, then you've got a good candidate!

Next, what you're going to want to do is absolutely nothing. Just watch it patrol your halls until it's time to leave. Continue staring at it while you're undergoing embarkment procedures. Maybe analyze it a little (you've got plenty of processing power to spare) when it finally sits down and starts watching media. Allow it to settle in and get comfortable while you stare at it and get further and further from port.

Now that you two are alone (intimacy is key!) and you've determined that watching media is all the SecUnit is going to do, it's time to make contact! Make sure to open by telling it it's only survived due to dumb luck, and letting it know you could melt its brain into putty. This starter will work to develop conversation naturally and smoothly, just like you've seen the humans do, and it will be smooth sailing from there!

This has been Perihelion's guide to making friends/finding life partners/fuck off Holism I had to work hard for this find your own

#murderbot diaries #murderbot #perihelion #it was not smooth sailing #it took ART about ten minutes to get secunit into a snit so bad it shut down out of spite #but they make it work somehow #tbh despite the rocky start if ART weren’t so ART i don't think the relationship would have lasted #ART is overbearing and kind of a bully and it earned its nickname very well #but i think thats why secunit can get along with it because it comes across as more genuine #mb was distrustful and a little patronizing to miki so while they COULD have been friends if canon hadn't happened it took it until miki #died to realize miki was being genuine about the friendship #whereas with ART MB can be like what we have is weird and I'm not gonna put a label on it #these tags have gotten away from me #anyway can you imagine ART having to explain to Iris and Seth WHY it let SecUnit on??#like it could have justified it any which way but at the end of the day art was bored and then curious and then intrigued

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yumethefrostypanda · 1 year

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Lieutenant Ghost 💀

#aaa #simon ghost riley #simon riley #lieutenant #ghost #bravo 0-7 #call of duty #modern warfare ii #cod mw2 #mwii #foaming/passingout/disman #the way he looks down/avoiding eyecontact it looks like imo #also my bad #let me not forget #colonel alejandro vargas #alejandro vargas #thought not to spam his tag since this is a ghost related post #but seeing him in that .gif #he deserves mad respect

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leverage-ot3 · 1 year

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the found family trope is inherently queer and you can’t change my mind

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starrcrossrose · 2 months

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“This Is A Bad Idea”

“I Don’t Care”

Uhh HAPPY VALENTINES DAY *throws guys kissing at you and runs away*

If you wanna see more of them I have a LOT on my Patreon. Uhhhh yeah bYE —

#I’m so tired of being afraid of sharing simple smooching #what’s some making out between two dudes in their mid 20’s?#they are down bad #*shakes them in a jar full of marbles*#kissing #smooching #make out #idk how else to tag this #leoichi #LeoSagi #they ARE ADULTS OKAY #(hate feeling like I need to defend myself before posting anything but it’s my art and my au and I can do what I want)#I hope ppl like this #I just really love how the arm and hand on Leo came out #I LOVE THEM SO MUCH NO ONE UNDERSTANDS ME

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mediumgayitalian · 1 month

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———

Twenty minutes later, Solace hurries out of his cabin in cowboy boots.

And jeans.

Nico gapes at him.

“Go go go go go, questions later,” Will hisses, herding him behind the Apollo cabin. “We are on a time limit, we gotta —”

“You’re wearing close-toed shoes.”

“Yes, yes, sometimes I wear the clothes that I own. Wild. Let’s go.” Will tugs, uselessly, on his arm, but Nico’s half-certain his jaw has taken root in the ground, cementing him in place, because what the actual shit.

“Solace, you wore flip-flops to the snow-smothered bus stop in January. I thought you had, like, a condition!”

“I do have a condition. It’s called You Are Not Hurrying, Death Breath, let’s go —”

This time when he pulls, Nico stumbles after him, ducking under windowsills and inching around flower gardens. Every time someone so much as looks in their direction, Will plants both hands on his chest and shoves them into a corner somewhere, craning his neck to watch until they move on. Every time he does, another piece of Nico’s soul breaks away from his body and descends into hell. There is an actual trail of bones and tilled earth and dead grass behind him. Will doesn’t need to worry about being stealthy — the death aura of Nico’s dignity is large enough to scare off anything within a four mile radius.

“In here!”

Undeterred by the death aura, for some reason, Will seizes his bicep and shoves him in a crack between the Hypnos and Dionysus cabins. He slips in a millisecond later, crowding him against the warm bricks, forearm pressed awkwardly next to Nico’s head.

“Hnggh,” Nico gasps, mournfully wishing his last sliver of self-respect goodbye. Rest in fucking peace. “Do you have to be so — close, Will, gods —”

“Shhh!”

“If you shush me again I am going to rip your throat out —”

“Go, go, go!”

Yanked forward again, Nico doesn’t have the time to finish his threat. This time, at least, they sprint the final stretch to the shed without any more hiding and shoving.

Thank all the fucking gods. One more second of Will’s stupid torso — since fucking when does he wear polo shirts, huh, what the shit fuck is up with that — pressed against his and Nico’s bronchitis was going to come back. And this time he’s going to succumb to it.

“Okay,” Will says. He stands in front of a tarp-covered lump, gripping one side and jutting his chin out at the other. “On three, we tear this off and start pushing. We need past Thalia’s tree in under thirty seconds. Got it?”

“No,” Nico says stubbornly, “you still haven’t explained what the rush is —”

“One two three go!”

Will, unfortunately, has been tricking ADHD teenagers into doing things they don’t want to do for years, so Nico’s ripping off the tarp and shoving the chariot out of its stall faster than he can register what he’s doing. He practically sprints to keep up with Will, chariot wheels creaking happily as they rush over stones and sticks and forgotten weapons.

“We’re leaving now, Chiron! Bye!” Will hollers, moving too fast to give him a second to respond. Luckily, Chiron is similarly busy, galloping after a speeding Harley without more than a backwards wave and a sharp don’t die, please!

“That dynamite I gave Harley’ll only keep everyone distracted another thirty seconds,” Will mutters, ignoring Nico’s alarmed the fucking what you gave Harley, “so we need to move, let’s go.”

“Will — slow down a half fucking second, Christ, not everyone is seventy percent leg — we don’t even have pegasi!”

“Will you keep it down.” Will looks back and forth, eyes wide, like he’s worried someone is going to pop up with a pack of the winged animals. “Just — stop asking questions! We’re almost home free!”

“You’ve gone insane. It’s finally, actually happened, after all these years, who woulda thought, fully bonkers at age sixteen —”

“Oh, shut up.”

Muttering his complaints, Nico helps him push the infernal chariot down Half-Blood Hill. Among his grievances, he makes it abundantly clear that 1) this is stupid, 2) he did not agree to physical labour, 3) he would not have agreed to come if he had known about the physical labour, and 4) this is stupid.

“Just a few more yards, then we can —”

“Okay, no, that’s it.” Nico lets go of the chariot, letting the wheel dig into the soft ground and send the whole thing halting. He meets Will’s pout head-on; arms crossed, jaw set, foot tapping, refusing to give into those big blue eyes.

“C’mon, Neeks.” A faint explosion sounds off in the distance. Will’s eyes get more pleading, more hopeful. “We won’t have much time after the diversion wears off…”

“You have three seconds before I turn the hell around, Solace.”

“Please?”

“One.”

He pushes uselessly at the chariot. It spins a sad little circle without someone pushing the other side. “Neeks!”

“Two.”

“Alright, fine! Help me push again and I’ll explain on the way down.”

“Much easier when you just do as I say,” Nico grumbles, starting to push the stupid (horseless and therefore useless) chariot again. “Isn’t it?”

Will, predictably, rolls his eyes, although he can’t quite help the smile that pulls at his lips. Nico tells the butterflies that go buck fucking wild in his stomach to go to hell. This does nothing.

“How much do you know about the chariot?” Will asks eventually, after a couple minutes of shoving the stupid thing past a deep trench in the soil, leftover from the war. (Nico is going to set the fucking thing on fire. It’s a flying chariot — shouldn’t it be lightweight? Why is he suffering?) They’re nearly three quarters down the hill, and it takes everything Nico has not to risk it all and shadow travel the last couple dozen feet. Yeah, it might kill him, but then his problem would immediately go away. Tempting does not begin to cover it.

“Uh, big source of drama, right? Apollo and Ares worked together to seize it, argued over who got to keep it?”

He cuts a careful glance over to Will, well aware it’s a sensitive topic. He knows the question isn’t a trap — Will would never do that to him — but it’s probably best to tread lightly. As far as he’s concerned, this is a sore point that’ll take more than a couple years to heal.

Luckily, there’s no tension to Will’s face. “Mhm. I wasn’t there for much of the planning, ‘cause I was busy in the infirmary and also, like, twelve, but it took a lot of time on both sides. When Michael and everyone seized it, though, it glowed gold.”

“…Ah.”

Will snorts at his awkwardness, nudging his shoulder. “Yeah. Sure made it hard for the Ares cabin to claim, as dicey as it may be. Here, help me park it on the side of the road.”

There’s a thatch of weeds and undergrowth separating the road from the base of the hill, so dragging the chariot over is a struggle and a half. Nico can’t help but think that this task would be very easy if the chariot was harnessed to a couple pegasi and flying over the fucking thatch, as it is meant to do. When he voices this very valid thought, Will does not respond.

He does walk into a thistle, though, so Nico feels considerably better about the whole ordeal.

“The thing about the blessing —” Will grunts, yanking the chariot onto the gravel shoulder with one final tug — “is that it’s not that big of a deal. My dad blesses shit all the time. Our cabin is blessed. The infirmary is blessed. Hell, half my scalpels are blessed, and I throw those things out all the time ‘cause they’re dangerous when they get dull. Just because my dad blessed it doesn’t mean we actually have to keep it.”

“Okay…” Nico says slowly, “then why was it such a big deal?”

“The blessing on its own wasn’t.” Will’s voice gets fainter as he lowers himself onto the pavement, dragging himself under the belly of the chariot. Nico is confused for a full three seconds before a particularly rough patch of asphalt snags Will’s shirt and drags, and wow, are those jeans low rise. His throat is suddenly very dry. “Blessing a chariot on the other hand…”

Will makes a dorky little noise of success, crawling back from under the chariot. When he resurfaces, he’s grinning, carved piece of wood the same material as the chariot clenched in his hand. There’s soot smeared across his left cheek, his curls have tangled themselves into more of a mess than usual, and there are three separate scuff marks on his nice jeans.

Nico ducks his head, hiding a smile. What a dorky loser. Even dressed up as he is (boy, has Nico fallen low, if he’s calling jeans and cowboy boots dressed up), he still manages to look like…Will.

A really, really hot version of Will, but. Whatever. Details.

“The hell is that?”

“This,” Will says grandly, feeling around the wall of the chariot until he finds a specific spot, “is the reason my brother gave a fuck about a dumbass chariot.” He sticks the edge of the wooden tool in a tiny groove, wedging it open to reveal a hidden panel and a small, golden button. Nico meets Will’s grin with raised eyebrows, impressed.

“What do you know about Michael?”

“Uh, not too much.”

“You think he, in any reality, would have had that much interest in a hunk of wood?”

Nico had scarcely met him more than a couple times, but Michael Yew made an impression, that was for sure. For someone who was shorter than Nico when he was ten years old, he sure took up a lot of space. In the few times Nico remembers seeing him, he’d been concerned with his bow, his camera, or showing any given person who so much as blinked at him wrong just how quickly he could turn their ass concave. If Nico is correct, actually, the one time he and a pegasus had been in the same vicinity, they’d hissed at each other. Nico didn’t even know pegasi could hiss.

He tries to find a delicate way to say this.

“He seemed more interested in other endeavours,” he says politely.

Will laughs loudly. “He would rather shove an arrow in his eye than race a chariot!” His bright smile is impossible not to match, and Nico is relieved to find him totally comfortable, relaxed; hell, even excited. Usually, any talk of his siblings, even fond, makes him quiet. He’s glad for this change, however unusual. “Man, I loved my brother more than anything, but he was the most ornery motherfucker I’ve ever met in my life. He taught me every swear in every language by the time I was nine, just because he knew it would drive Lee batty. He didn’t care about some spoil of war.”

He smirks, wide and devilish, and Nico’s knees go weak. Dimples like that should be illegal.

“He was smart, though. And he figured, if dad’s blessing made this chariot anything like his own…”

He reaches out and presses the golden button with his thumb, letting go and standing back once he registers a faint click. After a couple seconds, the chariot begins to glow, soft at first, then brighter, then Nico has to squeeze his eyes shut to avoid the stinging burn, and then when he opens them, it —

He gapes. Will grins.

Where the chariot used to be, is now a shiny, brand-new, black and yellow motorbike, two helmets gleaming on the sparkling leather seat.

“…Then it might be a little more than some lousy chariot.”

Without waiting for Nico to pick his jaw off the floor, Will rushes forward. He tosses one of the helmets to Nico — which he barely manages to catch, still working on processing what the fuck just happened — and tucks the other under his arm. Nico happens to notice how his biceps flex with the action, and then vows to have his father bankrupt the entire polo shirt industry, because he can never be caught lacking like this by any mortal soul. It’s humiliating.

There’s a click as Will unlatches the seat, lifting it up to access the compartment under it. He pulls out a bundle mass of black fabric, and with a flick of his shoulders reveals it to be a fucking leather jacket and oh, gods, Nico takes back the polo shirt complaints, he can live with the polo shirt. This is too much. This is —

“Any time you’re done ogling at me, you can climb on,” Will calls out. He doesn’t even have the good grace to look in Nico’s direction, instead sliding on the seat facing resolutely forward, amused smirk on his face. And because he wants Nico to die, actually, he straightens his jacket, making sure it fits his shoulders right (by the gods does it ever) brushes his hair backwards (there is no genuine reason for someone’s hair to actually shine in the sunlight) and slides his helmet on. When he finally does look back in Nico’s direction, through his raised visor, the combined sight of his sparkling blue eyes and the cut of his face under the angular helmet actually gives him tachycardia.

“I hate you,” Nico croaks. “Not joking.”

Will throws his head back and laughs, baring his long, tanned throat. Nico follows the bob of his adam’s apple like Tantalus does the forbidden fruit. It’s horrible, and what’s worse is that Will is visibly preening like the fuckin’ peacock he is. Someone should remind him he’s basically a dressed up turkey. Or something. Nico’s brain is operating at twenty percent capacity, his ability to metaphor properly is a secondary concern.

“Just get over here, you goober. We’re on a time limit, remember?”

Shoving his helmet on to hide his flaming face, Nico does, sliding on with a healthy four inches of space between them.

“Mm, not gonna work, ParaNorman. This thing’s enchanted, we’ll be going well over a hundred. Hold on properly.”

Praying to seven different gods for strength, at once, Nico scooches the agonizing few inches closer.

“Hands around waist, Death Boy.”

“I’m fucking — I’m getting there, you asshole, gimme a goddamn second.”

“Do you need help?”

“I need you to shut the fuck up so I can focus.”

Maybe it’s the healer in him, or maybe there actually is a god looking out for Nico and they decide to have mercy. Maybe it’s a third option. Either way, Will reaches back and wraps his callused hands around Nico’s wrist, tugging them gently forward and resting them on the narrow curve of his hips. Nico holds them there, along with his breath, until some of the panicky tension starts to loosen in his chest, and he relaxes forward, resting his chest against Will’s back.

“There,” he says quietly, humming with approval when Nico’s arms link properly around his waist. He squeezes his clasped wrists once — a silent you good? — and waits for Nico’s minute nod, face buried in the back of Will’s neck, before starting up the engine, revving it twice before leaning forward, body flush to the bike. Nico can practically feel his grin, it’s so clear in his mind’s eye, in the delight thrumming through Will’s entire body, that he can’t help his own smile, too, can’t help but feel the thrum of the machine, the sharp smell in the air. He tightens his hold and Will lets out a loud, whooping laugh.

“Let’s ride, baby!”

With a push off the ground and a twist of a thrusters, they’re off, leaving behind only the echo of the roaring engine and the joyful, startled sound of Nico’s shriek.

———

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kevindavidday · 10 days

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neil, jean and jeremy all have such fanboy descriptions of kevin idek what a pov would sound like from the perspective of someone who isn't in love with him

#andrew pov would be the WORST about him like nothing can convince me that loser wasn't down bad #that one snippet of aaron pov in the ec and even THIS guy was like soooo impressed playing with him for the first time #i need catalina pov of kevin day #kevin day #aftg #tfc #tsc #tsc spoilers #neil josten #jean moreau #jeremy knox #andrew minyard #kevaaron #kevjean #keremy #kevneil #kandrew #kandreil #half the tags are just kevin ships and i ship all of them?

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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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