"I've been waiting for ages for somebody to unmask them."
This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.
I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.
Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)
His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:
A) a short lived person
B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.
The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.
But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".
So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.
Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.
The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.
Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.
Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!
Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!
On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.
That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.
The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.
And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.
And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.
Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.
Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.
Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!
I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.
Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!
and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.
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What about the reader found and old radio, they thought the radio was broken but it's not, it's just antique.. when they play it at night time alastor broadcast was heard first they feel something is odd.. but they love to listen to his voice, heck they even like talking to each other, because of this encounter alastor talk about it to rosie, she was happy hearing alastor telling her stories but she feel odd when alastor mention that the person he talks to is a human, Rosie giving him advice to not fall for human because they're different species, and it will make him weak etc.
Alastor feel guilty and agree with rosie advice so he's stop contacting the reader from the radio, he thinks that the reader will be fine but no the reader take it personally.. they thought alastor don't want to talk to them anymore.. it drive them mad and lead to suicide..
So yeah angst :D
Oh Anon. What have you done.
I cried while I wrote that - it took two very good friends of mine to encourage me to post it (Thanks to @macabr3-barbi3 and @mysterypotatoink). But I think it's tragic and beautiful, and honestly - I'm kinda proud of it!
TW: Psychological Trauma, descend into madness, loss of self care and suicide - please take care of yourself and do not read if you aren't comfortable with any of the mentioned! MINORS DNI
Here we go.
❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️
Leap of Faith
You carried in the last box from you banged-up minivan. The old thing barely made it to your new home. A little cabin in the outskirts of New Orleans, a little off the grid and surrounded by the peaceful and whirring bayous of Louisiana.
A fixer-upper, just like yourself.
The online auction had intrigued you the second you found it, the photos were a bit blurry and you knew it was a risk to buy a place you've never set foot in, but something in you called you to get it. The price you paid was laughable, barely making a dent in your savings. Moving states sounded scary and impossible, but you felt oddly calm about it.
You didn't have a lot of stuff to move anyway. After all, you only lived with your late grandmother, and she never really cared for material things. Your parents left you at her doorstep, never to be seen again.
Caring for her in her last, sickness-ridden years had been a no-brainer - it felt like nothing in comparison to all she had done for you - but it also had been a bit lonely.
You had your friends, if you could even call them that, but you rarely saw them - guiding your nan through the last months of her life had been demanding and time-consuming. It had left you exhausted and emotionally unavailable, and after a while, calls and texts ceased, until it was just you and her. You felt lost, as if the world was slowly pulling away from you.
When she finally died, peacefully in her sleep, you felt sad, relieved and drained.
Detached from the city you lived in.
Lost.
So you decided to sell what little you inherited, except for a few sentimental mementos, and move away from it all. To start a new life, a happier one, finally one that was truly your own.
You took the final box inside, setting it on the coffee table and wiped the sweat from your brow. You looked around the little cabin: The roof had some spots that needed a patch, and the wood floors were a bit warped, but it was all yours. No more having to share anything with anyone.
The cabin came furnished, a lot of the stuff was old, but still usable. You figured that would change once you settled in and had a vision of what you wanted and needed to buy. The thought of thinking about no one but yourself made you nervous.
But a little excited, too.
The old furniture would do for the moment, but there was a particular piece that caught your eye: an old, vintage cathedral radio, sitting nestled in between a cracked wooden box and a tarnished, bronze candle holder in a bookcase that was a bit out of place in the tiny space. With a tilted head, you stepped closer to inspect it, drawn to it by it's unique character and beauty.
It looked as well-loved as it looked well-used, the mahogany a bit scuffed, the knobs a little worn from years of being turned. But there were golden details etched into the front, and you traced them lightly with a finger, strangely touched and intrigued.
You were certain the old thing didn't work, but when you plugged it into the nearby socket, static erupted from the speakers, making you jump back. You had to smile, though.
Tonight, you wouldn't be alone. You'd have this little device and a little music for good company.
***
"I'm home!" you announced to no one in particular, as you closed the door behind you, your hands full with overfilled grocery bags full of necessities, waiting to fill your empty cabinets.
The day had been hot, but a welcome breeze of the impending night break cooled the inside of your little cabin a bit. With a quiet grunt you set the paper bags down at the small kitchenette. Your groceries were quickly dispersed, and you put on an apron you saved from your grandmother as you got started on dinner.
You hummed as you cut vegetables and boiled water. It had been a long time since you had cooked, really cooked, your nan wasn't much for eating and had no problem living off of simple soups and toast. When you opened your fridge to get some butter, your glance fell onto the radio.
A little music would be nice, you decided, and you walked over, cleaning your hands on the red, frilly cloth around your waist before you turned the dial. The soft sound of static made you hum in contempt - yup. Still works. A little turn to the left, and the room was filled with a soft jazzy tune, the melody a bit grainy, but you didn't mind that at all. You returned to the stove, swaying your hips to the beat as you worked. The music made you feel at ease, and for a moment, the world seemed to be just right.
Just as the onions began to brown in the pan, the song faded out to a voice. You turned your head to the radio, intrigued by the unusual, eccentric accent of the host. It reminded you of the old, vintage films and recordings your grandmother had been fond of - wasn't it called 'transatlantic'?. Whatever it was, it made you smile.
"Now wasn't that a kick in the head, dearest listener? I sure hope you enjoyed the little musical interlude, but it's time to return to the real show! As usual, my name is Alastor, and you are listening to the best jazz, blues and swing music that Hell has to offer!"
You blinked, a little puzzled and yet amused. "Sure is hot as hell today, strange man in the radio.", you mumbled, chuckling as you stirred the bell peppers under the caramelized onions.
"Today we have a very special guest joining my humble broadcast, it seems. Pleasure to meet you, darling, quite the pleasure!"
"Oh who? Me?" you asked, looking theatrically over your shoulder with batted lashes, shaking your head over your own silliness. You weren't used to talking out loud to yourself, or even really thinking out loud. You were always alone, after all, but the little pretend-play was fun. You laughed a bit, waiting for the host's guest to speak.
"Of course you, little dove. Who else would I mean?"
You gasped, and nearly dropped the spoon as you whipped around, eyes glued to the humming, orange glow of the radio in the dim darkness of your living room.
"What's that? You're surprised, my dear? Don't worry, you're not the only one! This is a first for me, too. Never had a human join my program. I must say, I'm quite intrigued! Tell me, what is your name?"
Your eyes grew wide, and the hairs at the back of your neck stood up. You took a hesitant step backwards and hit the hot stove, making you curse under your breath. Was the heat finally getting to you?
"Don't be shy now, darling. I'm not gonna hurt you, cross my lil' old, blackened heart."
"I-I'm..." you began, swallowing as your fingers tightened around the wooden spoon. "My name is..."
"Yes?"
"I'm... crazy.", you mumbled, rubbing a hand over your face and chuckling a bit. You were just going insane, that's all. Must be the stress, combined with the intense heat. And lack of a companion, a tiny voice reminded you. Yes. Must be.
"Hello crazy, this is Alastor." The host laughed, together with a canned audience.
"Alastor...", you repeated, realization settling in - this wasn't a joke, or a trick of your mind.
"At your service, my dear.", the voice cooed. "Now, I believe you still owe me your name..."
***
You weren't crazy.
Or if you were, you didn't mind. Not with Alastor by your side - or, to be exact, in the radio on your bookcase.
After two weeks of ignoring the cursed radio after unplugging it in a wave of panic on your first night, your morbid curiosity got the better of you. You plugged it back in, and turned on the dial. Just once, you told yourself, then never ever again.
And that's how the two of you got in contact with each other once more. Alastor was as chipper as the first time you heard him, and after a bit of back-and-forth, he promised once again not to harm you, and you shared your name with him. The rest was history. He was very pleasant company. For a demon from hell.
You wouldn't classify the conversations you had with him as a real friendship in the beginning, but you did talk. Occasionally. Mostly in the evenings, when you cooked dinner: He'd ask you about your day and would pry eagerly for a little bit of gossip or new information about the modern New Orleans. When he let it slip that he lived in this very cabin in the 1920's, you weren't stopping with questions about what it was like back in his days, which he, in return, answered generously and enthusiastically.
The first few times he would try to coerce you into making a deal for your soul, casually sprinkling the offer into his small talk, but with enough blunt refusals and a few more days of radio silence (pun intended), he dropped the topic and seemed content on just talking. You, in return, found yourself relaxing into his charming company, your brain happily engaged with trying to wrap your head around him, or better, you tried to come to terms with it.
Weeks passed, and turning the radio on in the evenings became less of an occasional lapse of judgment but more of a routine you were looking forward to. You could tell the Alastor felt the same, his banter became less tense and acted, and a little more genuine.
It made your heart swell in happiness, that someone out there seemed to appreciate your company – even if that someone wasn't human.
Apprehension became amusement, and fascination became friendship. Oddly enough, you found common grounds in a lot of things: A love for cooking and good music. Preferring books over films. Red wine over white. A shared aversion of vulgarity, and appreciation for good manners.
Your nights were cut shorter and shorter, you would spend hours chatting on and on, until the deep darkness of night disappeared into a shade of blue on the horizon. Neither of you minded, at least that was what you thought. Alastor never ended the conversations with you. Either you had to say your goodbyes, or you would just fall asleep after hours of talking on your couch, and awake with a pained back to a shut-off radio. Then, after you'd realize that you would have a whole day ahead of you without hearing his voice, the loss would make your chest ache.
Two months into the 'thing', which was still a strange concept you could barely comprehend, the truth of the matter dawned on you: You liked him. Not just because he was a surprisingly amicable voice coming out of your vintage radio, a lively constant in the uneventful life you had made for yourself in Louisiana - he had become important to you, irreplaceable, even. An essential element to your life. You couldn't imagine how you'd gone so long without him, and yet, here you were, lost without him, scrambling through the hours until you could talk to him once more.
"Something on your mind, darling? You're awfully quiet today."
You held your fork and knife still above the salmon you had just been about to eat. It was the first meal of the evening in a long time where you weren't spending the entirety of the preparation time speaking to him, lost in thought about your blossoming feelings. He had gotten excellent at reading you like an open book - you should've gotten used to it after a couple of weeks of him catching on to every little change in your demeanor and knowing just what to say, when you were feeling happy, upset or nervous.
"Oh, um... no. It's nothing Al. Work had me in a wringer today."
"Is it your co-worker Susan again?" You could basically hear his eyes rolling, making you chuckle. "That name must be cursed, every single soul with that name is a menacing pain."
"Maybe,", you muttered, nibbling on a piece of the roasted fish. "This one is mostly just an ornery old bitch."
"Taking the words right out of my mouth, dear." he laughed.
There's was a comfortable pause, with just a gentle background noise of his ever-playing static and an easy, melodic tune coming from his program.
"Is that really all that preoccupies that pretty little head of yours?"
You blushed, picking at the food with your fork. "Bold for a guy who's never seen me to assume my head is pretty."
The radio crackled with pops and feedback. "Bold to assume I can't see you whenever I want, little dove." he said, his voice strangely deeper, tinged with something you didn't catch at the shock of his words.
"You... what?"
"And I can most assure you,", he purred out of the speakers, "pretty is a well fitting word to describe you."
He hummed in approval when your cheeks gained color, as if he knew his comment threw you off guard and made you turn a lovely shade of pink, but it didn't make it any less enticing.
***
"Alastor, if I didn't know better, I would say you have become smitten with this mysterious gal you're blabbing on and about."
Rosie giggled, hitting his shoulder in a playful, friendly swipe. "When will I meet her? Come on now, you can't hide her forever. Or are you afraid she'll like me better?"
She laughed, and Alastor forced a toothy grin. His long time friend was the only one he talked about you with, and he knew she was intrigued whenever she could smell a blooming dalliance, especially with a notoriously abstinent bachelor like himself. Normally, he would laugh at that thought with a healthy dose of mockery, but he found himself to be less and less aversed at the thought - if it would be you. Impossible, of course.
"Nonsense, Rosie dear, nonsense,", he chuckled, taking a large sip from his coffee cup, a heavy hand bringing up a plate stacked with finger sandwiches. "And I'm afraid you won't meet her for a long time, maybe never. Humans seldom traverse to hell in their lifetime, and who knows if the little darling will take on the trip downstairs?"
Rosie coughed in her tea, her blackened eyes wide in shock. "Human? It's a human girl you've been courting here? Oh, Alastor, you old fool."
Alastor scrunched his nose, "Talking, Rosie, talking is all we do. And yes, she's a human. I don't see the quandary in that. It's just a little fun."
"Well,", she huffed with a small, thoughtful frown. "I would've hoped for a little more sense in you." The tall demonesse set down her teacup with nimble fingers.
"You may not call it courting, but if it quacks like a duck, it's a duck, love." Rosie ignored the indignant look Alastor gave her. "You know as well as I do that such a connection is dangerous to entertain. Humans are fragile and fragile things tend to break. And when they do, the owner mostly follows. You need to break this connection off."
Rosie gave him a sad look as his ears flattened against his head. She would've been more than happy for her oldest and dearest friend to have a partner on his side, someone good and honest who really cared about him, maybe loved him even, as unlovable as he was. But she had to protect him from the silly idea of possibly falling for a living, breathing and supposedly untarnished soul, and the heartbreak that would surely follow. "Don't make the mistake of breaking your heart, dear friend." she smiled, a tint of melancholy hidden in the red of her lips.
"I think it's far too late for that."
She offered a handkerchief, but Alastor waved her off, his smile more faint and close to a frown than she's ever seen.
***
The first day where nothing but static noise came out of the radio, you were irritated but just thought: 'Maybe Alastor has something to do'.
The second day of static you grew concerned. 'What if something happened to Alastor? Was he okay?'.
On the third day, you were panicked. 'Maybe he doesn't want to talk to you anymore! Maybe he met someone in hell, someone that he could talk to whenever he wanted and not through an old, dusty radio?'.
"Please talk to me.", you whispered into the empty room. Your knees were pulled to your chest, and you sat on your couch, eyes fixed on the radio in the bookcase. Your eyes stung with the tears threatening to spill. "Please, Al. I miss you." You shook your head, chuckling sadly. It had only been 3 days, but they'd felt like an eternity. The world had seemed silent without Alastor's constant chatter.
When night fell for the fourth day, you were half asleep, eyes red and burning and tears still staining your cheeks. You talked for hours into the void of your house, the radio now moved to sit in front of you on the coffee table, growing more and more desperate as hours passed. Talking faded into pleading, and pleading into begging.
"Please, I'm sorry, if I did something wrong, I'm sorry...", you mumbled into the wooden furnishing, resting your cheek against the top of the machine, eyes slipping shut with fatigue and defeat. A dry sob slipped past your trembling lips, as your hands desperately grabbed the sides of the antique device.
"Alastor please, don't leave me alone here...", you whispered with the last of your strength, before your body succumbed to your exhaustion, your unconscious mind welcomed the darkness.
If you had stayed awake for just a moment more, you would've, maybe, heard the faint shuddering breath beyond the static rumble. But you didn't. So you had no chance at knowing that, Alastor, listening to every word, saw and heard you at your weakest, and all it did to him was stir the embers and give the blaze an opening for the flames of his anger at fate to rage.
Work had called, again. Susan of all people. Threats were made - either come back to work, or don't come back at all. You smashed your phone. It was useless anyway. What was the point without...
Alastor wasn't here, hadn't answered for seven days now. And you had spent the whole time talking, begging him to show himself, just show himself and tell you what you did wrong, just talk to you one last time and then you'd stop, if that was what he wanted. You became obsessed with the orange light of the illuminated screen, imagining the flickers were maybe signs from him.
You stopped eating, stopped drinking, stopped almost anything, you just sat, in front of the radio, unmoving and unwilling to miss the smallest sign of his return.
Every single minute stretched into agony, and every breath that left your lips made a fresh tear roll down your paling cheeks, until your body couldn't produce them anymore. Then, you cried wordless whimpers and moans, even started praying to an unknown entity.
It wasn't as if Alastor owed you anything. It's not as though you thought the two of you were anything other than two kindred souls, one human, one demon, talking to each other. As a result, it wasn't like you had the right to anything from him.
It was strange to consider the connection the two of you shared: Something more than acquaintances, something closer than friends, and yet never fully crossing the line beyond it. The unpenetrable boundary dividing life and death in between.
Your eyes fell on a large, old crucifix on your wall, staring back at you with pity.
For the first time in days, you left the sofa, took it from the wall and burned it on your gas stove, watching the face of the nailed figurine slowly melt in the fire.
***
It had been eight days of excruciating, one-sided silence.
Eight days Alastor cursed his cowardice as he sat, red eyed with claws digging into his scalp, as he listened to you plead for him to talk - To answer. To do anything. Anything, but leave you alone, he heard, as if the words were spoken right in his ear.
Eight days of watching you slowly detriment from the eyes of the shadows he was able to manifest above, tugging on the very fabric of the world to move you, to keep your mind from going where it shouldn't go.
He kept telling himself it was for the better. His shadows murmured persistent reminders that he should find entertainment in your growing lunacy. He was the radio demon, after all. He shouldn't care if this wisp of a human were to perish, should laugh at your wails of agony and despair.
But Alastor never felt less like laughing. Your dried sobs and pained apologies for things you never did wrong in the first place filled his head, taunting and gnawing on him with feelings he thought he was unable to feel: Guilt and Regret.
It was as Rosie had predicted - he was becoming weak. But weakness was something that should be avoided. Had to be. He knew. Being weak, being feeble, would make him vulnerable, make him into the prey his cruel from already portrayed to the world he had to inherit. He couldn't allow it. Couldn't let his feelings for you bring him down to the levels of the sinners in hell he would tear apart and laugh while he did it.
That's why he stayed silent. Endured it, all of it, every word, cry and plea. Stayed invisible and silent, waiting for you to move on, forget him, shut off and leave the radio, never to turn the dial again. For your sake and his.
When the connection broke, on that eight day, Alastor could feel your resignation, your peace with which your pale hands gripped the electrical cord at it's base to pull. And he was suddenly filled with the awareness of something horrible, like a premonition. It set his already battered, aching heart in an ice cold grasp of dread.
His room exploded in green light as he expanded into his full demonic form, his limbs threatening to pull and burst at the stitches and his smile splitting his face almost entirely in half. He had to reach out, had to reform the connection to the radio one last time, even though nearly impossible.
You were about to do something he would never be able to forgive himself for.
***
Your car broke down just where it needed to. You took the radio out of the trunk, knocking the hood two times for a goodbye, the key safely in the ignition. Maybe some other poor soul would find and repair it, make happier memories with it.
You clutched the wooden device closer and started to walk. Indigo blue faded into black as you looked up to the sky that was sprinkled with glowing, shimmering silver dust, stars blinking in the unimaginable distance. There, but out of reach.
Just like him.
Your dry sob stung in your throat, but you didn't really feel the pain. Your eyes were fixed on the path to your final destination, right in front of you.
The Crescent City Connection Bridge was mostly abandoned by traffic at this time of night and provided just enough covered spaces to hide you from some foolish saviors eyes.
You didn't need to be saved.
You didn't want to be saved.
Because you were about to save yourself.
There was nothing waiting for you in the other direction than the one you were going. So, with slow but steady steps, you walked towards the middle of the bridge, settling on a place next to a metal pillar and looked over the railing onto the shimmering waters of the Mississippi River.
Alastor had told you about the river, how he loved to watch the steam boats floating on it from the radio station where he worked at when he was alive. The station was long gone, you didn't even find out where it had been in the first place, but you liked to imagine that you were looking at the same scenery now that he had been looking at when he peered out of his booth in his radio tower.
It made you smile through the tears... You were glad the end was somehow connected to him, even if it was most likely just your naive imagination.
It felt like the device in your arms was emitting static energy, prickling over your arms, hands and fingers as you caressed the mahogany wood gently, feeling as though the radio was shaking in your hands, trying to pull you back from the fenced ledge.
A quiet sob escaped your lips, turning into a giggle and into hysterical laughter. You sat down between the railing, and hugged the radio close, trying to breathe as you closed your eyes, resting your temple on the worn, warm wood.
"It'll be okay, Al.", you said quietly, your voice unnaturally hoarse and rough from lack of use and dehydration. "I'm coming. I'm coming to you.”
With one arm around the radio, holding it tight against your chest, you turned to stand on shaky legs, gripping the railing with one arm and, with one final glance at the stars above you you smiled. You heard sirens in the distance, and some people shouting from a sparkling streamliner passing under the bridge. Time was running short, so you didn't wait to put first one foot over the fence, then the other, taking a deep breath.
"I guess doves were always meant to fly."
And, with that, your body twisted, turned and leaped, falling as the light on the radio, firmly pressed against your heart, began to glow in deepest crimson and swirls of green.
Falling like an angel would descend from grace.
Part 2 for closure
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Sidelined AU Info Post
Alright, I guess we're doing this
CWs: mentions of internalized ableism, struggles with mental health
Timeline:
all of S1 is the same as in canon up until End Game
however, after Splinter turns over the helmet to Draxum, Draxum does not put on the armor, but chooses to put Leo inside instead, realizing that whoever goes in will probably have something horrible happen to them. that's detailed in this fic
unlike Draxum, who gets spit out of the armor immediately, Leo ends up trapped inside. from Leo's perspective, he is only vaguely aware of what's happening outside (it's a bit sunken place-ish, with him seeing snatches of events like through a grainy television), and he has only small amounts of influence over what the armor does
once Feral Shredder is on the loose, he pretty immediately starts destroying the Hidden City. Draxum realizes that he has inadvertently released a great evil on his people, the exact opposite of what he wanted, and he turns to the Hamatos to help him stop it. obviously they don't want to work with Draxum, but they have to get Leo back so they take the help
it takes them two days, during which the Shredder moves up to start terrorizing New York as well, but eventually they get him subdued. I'm not 100% on what goes down yet or whether Big Mama gets involved (I'm leaning toward not), but Leo fighting from the inside is a big help
Leo is removed from the armor and is in really bad physical shape; meanwhile the Shredder is subdued for now. in the immediate aftermath, the Foot Clan manages to get ahold of the Shredder and take off with him
he's too weak to do anything immediately but he is very much a Looming Threat the family is aware of
Draxum leaves for awhile at this point because none of them want him around and seeing Leo in the aftermath did wake him up to "oh yeah that's just a kid and I did that to him," also he's feeling real bad about that whole "accidentally almost destroying the yokai and also maybe the world" thing
meanwhile, Leo is severely weakened, but there's not anything that the family can do to hasten his recovery. they can only get him hooked up to an IV for fluids and nutrients and wait
it takes Leo a few days to become fully lucid again; during that time he tries to fight anyone around him off or sometimes pushes his family away to "protect" them
eventually Leo does regain lucidity, he tells everyone he's fine but he's Super Depressed. he's also lost his mystic powers completely.
Splinter also retreats a bit at this point, because he feels guilt for handing the helmet over to Draxum instead of trying to find a different way to rescue his boys, which isn't a great thing for him to do but his mental health is also not doing very well (someone get these guys some therapy)
in the meantime the bros and April manage the best they can, they all have different approaches but I'll go into detail about that in the next section
there's no treatment for Leo's condition outside the most boring one: time, exercise, and diet. unsurprisingly he hates this
Healing Bad Times abound, as shown in this fic
eventually the boys have to go out on a mission again. Leo, feeling useless, listens in on the comms from the lair, and ends up catching something the other boys' missed, meaning he's able to save them from a trap or something idk exactly what the point is he makes himself useful
this opens up a new path for Leo, one his brothers very heavily encourage
with a new goal in mind, Leo starts taking a lot better care of himself, actually following his physical therapy routine, spending time gaining new skills, and accepting help in the form of mobility aids. his physical and mental health both start making big improvements
this also helps his dad's mental health, everyone is doing better even if things aren't perfect
Donnie builds Leo a command center modeled after the bridge of Jupiter Jim's ship, he absolutely loves it. whenever the boys+April are on missions, Leo is in his command center helping from the background
eventually Leo has gotten to the point where he has enough strength for day to day life most of the time, he still isn't fighting baddies on rooftops but he can get to a store and back without collapsing on a good day and that's pretty good!
the Foot Clan has been a much bigger threat in this version of S2 and it's clear they're up to something big
of course right when Leo is starting to feel stable and happy again, that's when they launch their final attack
a lot of the finale events go down similarly to how they do in canon, minus Battle Nexus New York. they get Karai back but then she dies, Shredder destroys their home (including Leo's command center :c ), everything is Bad
Leo gets his mystic powers back the same way his brothers do, though he needs a little bit of an extra helping nudge from April/Karai, since he didn't think that was a thing he could still do
everyone getting their mystic powers is emotional but it's especially emotional for Leo. he didn't even know what ninpo was before today, but he knew after the Shredder it was like some part of his soul got locked away, and now that he can feel it again he finally feels whole
it gives him a burst of adrenaline so he can participate in the fight, though he doesn't do much of the actual battling, instead getting his bros where they need to be for the big hits (I mean this is basically what he does anyway haha)
it takes Donnie exactly .02 seconds to figure out how to use his own mystic powers to support Leo physically so that helps
after this, Leo becomes a more constant part of the team in the field, though he still primarily works as support and only gets into direct fights when he feels like he has to
instead of being made leader like in canon, Leo and Raph become co-leaders. Leo's own leadership abilities have improved massively, but Raph has more experience in the field, so having the two of them working together means they cover each other's blind spots, and the division of labor is less stressful for both of them
since Leo's already been through his character development and this tension is gone the movie events play out totally differently but I haven't gotten that far yet lol. I'm sure the apocalypse still happens somehow, though, I'd hate to lose Casey Jr
happy ending whooo
Relationships
Raph
Raph feels a lot of guilt about what happened to Leo; he was supposed to protect his little brothers and he didn't, and now one of them has permanent physical disabilities as a result. add to that it was Raph's idea to be heroes in the first place and yeah... he's not doing great
because of this guilt, Raph's instinct is to essentially baby Leo - he wants to take care of his every need as soon as it arises. this makes Leo feel stifled and infantilized, and drives a wedge in their relationship (the same one Raph is driving between himself and Mikey, in fact)
his and Donnie's distinctly different approaches to the situation also mean that they get into arguments often and can't really deal with being around each other, leaving Raph feeling isolated at the start (and thus pouring more attention and effort into Leo, which compounds the problem)
Raph dealing with his own guilt and trying to find the balance between helping Leo while also respecting his need for independence, boundaries, and dignity is a big part of his journey in the AU, and it also improves his relationship with Mikey and Donnie as he gets better at those skills
Donnie
Donnie is not dealing well with the fact that there's nothing to fix. they can only be patient and work incrementally to improve Leo's condition
he distracts himself by putting all his energy into making the lair accessible for Leo, building him mobility aids and doing everything he can to help
he also has a hard time understanding why Leo won't do the things that will help him (at first), because doesn't he just want things to go back to normal? doesn't he want to help himself? why won't he just do what he obviously has to do, Donnie does not understand
Leo is deep in denial at first, and he feels like he breaks down and starts doing physical therapy and using mobility aids and doing basically any of the things that will help him, that means it's not going to magically get better, it's going to take time and effort and it will probably never be fixed, just improved, and he hates that so much he's choosing to treat this like a temporary cold or flu that will blow over any day now
Donnie doesn't understand that so he takes Leo's refusal as a rejection and animosity abounds!
breakdowns and admissions of feelings will eventually happen
Donnie and Leo together come to grips with the idea that there is no fixing this and there is no return to how things were before but they can work toward a new normal that's just as good
Mikey
this one is a little bit too big for Dr. Delicate Touch and Dr. Feelings
Mikey tries, but he is just a kid, and with their dad emotionally retreating too there's just too many feelings for him to deal with on his own
he's gonna play family therapist until he breaks
he's frustrated because he can see what each of his brothers need to do to feel better but they just! won't! they won't do it, and he doesn't know how to make them
he's really stressed
it's Mikey that realizes that Leo needs goals to work toward to get himself motivated to take care of himself, and it's Mikey who pushes the hardest for Leo's new role in the team
sometimes Mikey will challenge Leo to something silly, like who can make the most throws of a paper ball into a trash can, just to push Leo into exercising
he finds other little ways to help the others too, but he still can't solve the big problems on his own
meltdown ensues
Mikey has to learn to take care of himself, too, while the others have to learn they can't lean so hard on him for all their emotional problems
April
the only one holding on around here. it helps that she doesn't actually have to live in the powderkeg
takes a rationally minded approach to all these problems, kind of functioning like family therapist along with Mikey but in a healthier and more controlled way
helps get them resources from above ground
Leo opens up the most about his feelings about his physical condition to her first, because she strikes the best balance between being a sympathetic ear without coddling him
she's also stressed, but she has an outside support network so she's handling it better
Splinter
fully blames himself for what happened to Leo and has a hard time getting over it
depression in full swing
it means he can't easily get out of bed to help his kids, but then he feels bad because he isn't helping them, which worsens the depression, which makes it hard to get out of bed... a vicious cycle
when Leo starts working on his condition he gets a pact out of his dad that they will both work on being healthier together
maybe they manage to find an actual therapist eventually idk lol
either way, Splinter and Leo grumpily sitting over their plate of broccoli and then Leo says "bet I can eat more pieces than you" and it's on son
he's trying his best
Leo's Condition
Leo came out of the armor severely dehydrated and malnourished, even more so than any person should realistically be after two days; just keeping him from dying of the dehydration was the most immediate struggle
the main issue is that Leo's life force, mystic abilities included, were basically sucked out, leaving his body catastrophically physically weak
his muscle mass can come back with time and diet
the bigger problems are the bone density and chronic fatigue. while Leo can improve these, they'll never be back to where they were before the Dark Armor
his reduced bone density means he has to be careful doing anything physical because the chance he can break a bone is much higher than average, and he stands to suffer more from that break than the average person
he'll eventually get to where he can go through his day-to-day life just fine most days, and can even do some of the physical things he enjoyed before, he just has to be careful and know his limits. he'll never be pulling the 1440 off the halfpipe again, but he can still skateboard as long as he's careful.
even when recovered (as much as he can be), he has bad days and days when the fatigue is really strong. how Leo feels on a bad day is up in the air; sometimes he's at peace with it and generally cheerful, happy to be around his family even if he spends most of the time in his chair or on the couch dozing in and out. other days the depression rears its ugly head and he can get a bit nasty and bitter again. his family is much more patient with him on days like that than he is with himself.
in the beginning Leo also has brain fog and sensitivity to light and sound. these clear up over time, especially once Leo starts making more effort to exercise his brain. he starts reading a lot more and doing puzzles, especially things like sudoku and word puzzles, which helps a lot. thankfully these changes aren't permanent
his inner ears were also damaged a bit, this also heals up largely on its own, sometimes he still has difficulties hearing his brothers if they're whispering or far away but it's not so bad he needs assistance
Leo's Devices
Wheelchair
this is obviously the one Donnie had the most fun building and it shows. this baby is tricked out. Leo also likes to suggest improvements often, some for actual functionality but many just because he thinks it would be cool (like neon lights on the spokes)
it is blue obviously. do you even need me to tell you that?
it's fully electronic but Leo can also wheel it around freely if he wishes. Leo likes to wheel himself when he has the energy because it's good exercise he doesn't have to go out of his way for and he just likes feeling like he's moving himself under his own power. but when he's not feeling up to it he just drives it with the electronic controls instead
it has handles that extend and retract. being allowed to touch the handles is a major sign of Leo's trust and initially it's only for his bros + April + Splinter. Leo hates being moved when he doesn't actually ask to be moved, and he also hates being tipped backwards so his fam knows not to do it even as a joke (and it's so heavy that tipping him is kind of hard, anyway). someone touching the handles or messing around with them without permission gets you immediate backlash from protective siblings
that said Leo has them extended often so he can hang things off them, even though Donnie constantly gripes that that is not their intended purpose!
Sr Hueso is another person who gets handle-touching-privileges pretty fast, and he's also the one Leo asks to move him most often because he thinks it's really funny. he hams it up every time. Hueso is exasperated but does it anyway
(if Hueso adds a few extra wheelchair-accessible tables to Run of the Mill no one has to know)
the chair can also be moved by S.H.E.L.L.D.O.N. this is mostly just for emergency situations, or times when the chair is somewhere Leo is not. Shelldon is a very good boy who does not move the chair without Leo's permission.
it has a billion storage spaces and little hidey holes and it can sync with Leo's phone to play music and it also has a charge port for his phone and yeah basically anything Leo and Donnie can come up with goes into this thing. it's a behemoth
Donnie also made Leo a lighter-weight chair with fewer features that he most often uses when he's good using his walker/cane/braces but wants to clear a larger distance first, and eventually Donnie makes him an athletic wheelchair so he can play games like wheelchair basketball
Walker
the walker is also blue but there's nothing particularly special about it
Leo hates using it because it feels like an old person thing. even if realistically he knows there are plenty of reasons people use them, including his own situation, culture is culture and it makes him feel bad no matter what rationality states
so basically once he doesn't have to use it he doesn't
as they all get more comfortable with Leo's situation and he starts openly using humor to cope, jokes about Leo's chair and cane become pretty commonplace in the fam (all good-natured of course). they know the walker is too much of a sore spot though, and poking fun at it is the fastest way to get Leo to do something stupid, so no one does. it's better to just pretend it's not there
Crutches/Canes
he eventually ends up with a variety of these, with different levels of support depending on what he's needing on a given day.
some of the canes are more fashionable than others. this is important to him.
Leo pretty much always has one of these on hand just in case, even on days where he feels alright to walk on his own
he is not afraid to bonk a brother with a cane or crutch but he does so knowing they are free to retaliate
Leg Braces
Leo doesn't need these every day but they're a pretty standard part of his wardrobe at this point
they start out plain but get increasingly elaborately decorated as time goes on because he, Donnie, and Mikey can't help themselves
like the walker, the braces are in the "don't make fun of" zone, though Leo is happy to get positive comments about them and doesn't really need their presence ignored
Other Mobility Aids
Leo has a variety of things to help with his loss of grip strength, difficulties bending over, tremors, etc. all of them are either made by Donnie or ethically "acquired" by April
he drives everyone crazy by leaving them in random places and then forgetting where they are. Donnie starts installing locator tags on everything they give Leo
jokes about these are fine, Leo makes them often himself and has silly names for all of them (this also drives Donnie crazy)
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