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#club de femmes
falsebooles123 · 1 year
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New Year New Queer - Diary of a Big Ole Gay 1/1/2023
Hey Whores, You know what time it is. Thats rights sluts and slanterns its time to regale you with tales of gay but before that daddys sad and instead of giving you cummies or some gay shit like that he wants emotional validation.
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(if one of my mutuals could just shove my face in there tits and stroke my hair thanks)
so um yeah basically I hate my job and I go to look at the fucking hours I get to work this week, and I'm screduled for four hours.
FOUR FUCKING HOURS.
there is in fact never a time and place were that is appropriate especially when this is not something that was forwarned.
the good news is that I'm gonna use my freetime to canvess the shit out of town and get myself a new fucking job. I don't deserve this shit and I deserve better. of course I still need to reread my employee contract because guess what dumb bitch signed a non-competition clause.
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(this is what pops up when I type "It's Me!" so apparently I'm Henry Cavell. and I thought I couldn't get sexier)
in other news and entertainement I have finally recieved my self christmas presents which are Hollywood Babylon and The Celluloid Closet at this point I really fucking miss working at any my fucking other jobs because It is amazing how boring people are. like people look me in the face and tell me they go home and do nothing and dream about nothing, and have no ambition. That the world they see is colorless and joyless. that they crave no more simulation then through the bars of there cage.
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Disgusting, I yearn to be free of the things that limit me to never loose my curiousity to do things because I can, to learn things because I can, to remember that while Nitcze was a total fucking incel and loser that there is a kernal of truth in "Saying Yes to yourself, instead of no to others". I've been feeling really limited in this job and its hard, hard to swallow my pride, to make myself small, to feel that I am only as valuable as the space I occupy and not the being that I am.
I am better then that job not because I am over-qualified, or that it is "Beneath Me". I am better then that job because the job asks me to be less then my potential and I refuse that mantle.
Oh wait isn't this shit supposed to be about movies or something lol oopsie.
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Club De Femmes (1936) dir. Jacques Deval
from what I vaguley remember this french film was censored in america for being too risque and honestly I get it. This movie has a lot of fan-service, wear talking a lot of women walking around in the sluttiest outfits 1930s had to offer, (yes god yes), were talking men dressing up as women to FUCK, were talking human trafficking, were talking MURDER, were talking REAL LIFE LESBIANS.
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(I was trying to find that clip from Cringe were she says the line but this will do.)
yeah this film has a lot going on and also it has like a bonified lesbian subplot shes not predatory, (at least by the usually standard), and out of all the gay films I've seen so far the character has this kind of internality, (is that the word interiorality???), that I have yet to see in a lot of these films besides mommy kink megee in Madchen In Uniform.
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The Lady Vanishes (1938) dir Alfred Hitchcock.
so as has been established Hitchcock kinda just liked gay shit in his films. in this case some people have read Cadicott and Codswallop or whatever the fuck there names are as just sucking and fucking all the time as a gay couple.
This is a little teneous but it is a cute headcannon even if the actually film is light on subtext.
Speaking of which this is basically like if an agatha christie novel met a Mrs. Pollifax Novel so you know I loved that shit.
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Rebecca (1940) dir Alfred Hitchcock
UGGGGGGH Laurence Oliver can fuck me right in the BUSSY. I just wanted get fucked and sucked by both of them they are so fucking hot.
So if you don't know why this is on the list. First go watch it we love it we stan, we have watched several very long podcast episodes devoted to how much the queens and the queers love rebecca.
Second Lets talk about mrs Danvers. Shes serving us a little school marm ala Madchen in Uniform and she is just horrible fond of the epoynmous Rebecca. And by fond I mean gay. and by gay I mean just that type of gay were your pratically co-dependant on your partner.
Yeah basically Rebecca was the type of bisexual demon that all those melodramas warned you about and Danvers was her SECRET LESBIAN LOVER!!!!!
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Ben-Hur: A Tale of Christ (1925) dir. Fred Niblo
so Ben-Hur the OG, (I mean theres a short from 1907 but shut your whore mouth), is part of a growing list of films called, "The researchers personal bias read a lot of gay subtext into this film and/or they just wanted to fuck the cast". I of course am above said bias and yes I am about to publish my thesis on how the shark from jaws was a metaphor about how badly those three men wanted to fuck each other.
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(there gays harold)
The researcher in question is our favorite gayboy Vito Russo who listed this as part of the filmography segement in his book the Celleloid Closet. I have yet to read The Celleloid Closet as I am still reading Hollywood Babylon but its next on my list so I will see if I can find better context for why Russo included it in his film list.
The reason why Vito Russo included this is that this film does contain a mans bare ass chained to a wall. Do we see this man elsewear, is he eroticized in his torture like in UN chant d'amour. .... no.
its just a naked guy and while I will say there is a little homoerotic tension between masalla and ben-hur and a lot of male nudity this film is pretty straight. Like objectively a cool film and a silent fim classic. but its not incredible queer.
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(I didn't technically need to show you some ass but I just wanted an excuse to stare at a hot guy in the shower. because I'm a pervert you get it)
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Whats The World Coming To? (1926) dir. Richard Wallace, F. Richard Jones
so this is just a role reversal comedy set in the future and it was honestly a lot of fun. We have these really out there fashion choices that are both avant garde and weirdly dated and its just a really fun look at retro-futurism from an era we don't normally get to see.
In the future of course we all get around on blimps and work in the blimp factory and also the gender roles are reversed with butch strong women taking care of there domestic husbands.
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( I literally typed in Girlboss X Malewife. but you know what I'll except it)
This film feels weirdly reminscent of Bunholdes Lover by Patience and Sullivan, likes its serving Savoy Opera Realness. Which is weird because I have never seen any opera let alone the specific 1890s sylings of the comic opera but something about the use of pantomime and the costuming feels incredible emblamatic of that theatrical tradition.
I thought this was a surprisingly fun time and I had a lot of fun with what is honestly a pretty fresh take on the role reversal comedy.
Going forward the rest of the role reversal comedies we have are going to be a little less joculer??. speaking of which tonights film is going to be Glen or Glenda? A Cult film shot in four days supposedly inspired by real life Transgendererererererererererererer, (i'm being playful), Christine Jorgensine, the G.I Bombshell. I here that its something else.
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thetremblingroofbeam · 2 months
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When this happens to other people it seems to be a limited, bounded event, easy to ring around and to overcome. And then you find yourself absolutely alone, in a hallucinating experience that your imagination had not even begun to approach.
The Woman Destroyed - Simone de Beauvoir
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linguenuvolose · 2 years
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so many books right now and I'm not reading any of them
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ruemorinpointcom · 6 months
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Une femme respectable
Lundi, le 30 octobre, 17h00 et 19h30 au Théâtre C de Chicoutimi Continue reading Untitled
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View On WordPress
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mostlyghostie · 7 months
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I redrew my favourite books! This time I added my favourite albums too.
Books:
Paul Auster - 4321
Phillip Pullman - Northern Lights
AS Byatt - The Children’s Book
Charles Dickens - David Copperfield
William Goldman - The Princess Bride
George Saunders - Lincoln in the Bardo
RC Sherriff - The Fortnight in September
Kazuo Ishiguro - An Artist of the Floating World
Jon McGregor - Reservoir 13
David Mitchell - The Thousand Autumns of Jacob de Zoet
Elizabeth Strout - Olive Kitteridge
Alice Munro - Hateship, Loveship, Courtship, Friendship, Marriage
Marilynne Robinson - Home
John Williams - Stoner
Albums:
Love - Forever Changes
Lou Reed - Transformer
Violent Femmes - Violent Femmes
Neutral Milk Hotel - In the Aeroplane Over the Sea
Sam Cooke - Live at the Harlem Square Club
Martha - Blisters in the Pit of My Heart
Big Thief - Masterpiece
The Stone Roses - The Stone Roses
Joanna Newsom - Divers
Richard Dawson - 2020
George Harrison - All Things Must Pass
The Beatles - Abbey Road
(I’ve added a new listing to my shop where you can request a big custom print like this of your own favourite stuff to display on your wall!)
Shop / Instagram
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notleclerc · 9 days
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Too Hot
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🤍Charles x Fem!Reader
🤍summary: in which the game „Too Hot“ challenges ones desires
🤍warning: getting a little steamy here but nothing to big
🤍a/n: I got inspired by @yuwuta with the JJK version and was like „ok slay lemme try it as well“ // English is not my first language so please have mercy on me🥺
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In the heart of Monaco, where the streets echo with the roar of engines and the glitz of the Grand Prix, a different kind of heat simmers beneath the surface. It's not the scorching sun or the adrenaline of racing that sets hearts racing, but a playful game of Too Hot. And amidst the glamorous backdrop, you find yourself entangled in a steamy encounter with none other than Charles Leclerc.
Ever since Lando started to learn how to be a Dj, he‘s been throwing parties left and right, having only VVIP‘s in the club. Models, Actors, Athlete‘s - you name it. Obviously, that means the whole Grid is always welcome to join the fiesta. Charles, being the supportive friend he is, gets ready to dress up and waits for his girlfriend.
Y/n makes sure to wear a beautful red dress. God, that dress could make the devil go weak in his knees. Charles couldn‘t help but admire her.
„Tu es très belle, mon amour“ (you look beautiful my love)
he says, his voice tender with a soft look on his face.
You smile as you feel your cheeks getting warmer, giving yourself a natural blush. You give him a peck on his chin, as you are smaller even in heels.
„Merci Cha“ (thank you)
The two of you leave his appartement and go straight to his oh-so-famous Ferrari, the one that puts everyone in awe of its beauty (or the beauty driving it). The ride was smooth and no words were exchanged as the two of them enjoyed the calm and warmth.
It didn‘t take them long to reach the club, the music already indicating that Charles and Y/n were fashionably late. Charles hands his keys to a valet since he can‘t, for the love of god, park the car right. You tease him about it way too often.
„Et ils disent que les femmes ne peuvent pas se garer“ (and they say women can‘t park)
you say teasingly.
Charles chuckles and places his hand on your waist, guiding you towards the entrance. He made sure to get down to your ear and whispered softly
„Surveille ta bouche ou je le ferai pour toi, bébé“ (watch your mouth or i‘ll do it for you babe)
As you both enter, one with a smirk and the other with flushed cheeks, Lando greets the two of you with a wave from the DJ booth and makes sure to let you both know where the others are.
The party can begin.
As the night unfolds and the party reaches its peak, you catch sight of Charles across the room, his charismatic smile drawing you in like a magnet. You were dancing with the girlfriends of the drivers and having the time of your life. Your pulse quickens as Charles suddendly approaches, his confident stride sending a thrill down your spine.
"Hey there," he greets you with a charming grin, his eyes twinkling with mischief. "Fancy a game of Too Hot?"
You're taken aback by the invitation, but the thrill of the challenge beckons you. "Sure, why not?" you reply, unable to resist the allure of his playful proposal. The two of you love challenges no matter what the situation is.
The rules are simple: two people kiss while keeping their hands to themselves, and the first to touch their partner loses. With a shared glance and a silent agreement, you both dive into the game, the tension between you palpable.
As your lips meet in a teasingly tender kiss, the world around you fades into obscurity, leaving only the electrifying connection between you and Charles. His touch is intoxicating, igniting a fire within you that blazes with each passing moment.
"Tu es un sacré compétiteur“ (You're quite the competitor)
Charles murmurs against your lips, his voice husky with desire.
„Mais je n'y vais pas de main morte avec toi, ma petite fleur“ (But I won't go easy on you, my little flower)
he adds playfully.
You respond with a playful challenge of your own, reveling in the thrill of the chase as you dance on the edge of temptation. Each kiss becomes a daring game of brinkmanship, testing the limits of self-control.
Time loses all meaning as you lose yourself in the heated exchange, the boundaries between reality and desire blurring into a tantalizing haze. The world outside ceases to exist as you and Charles become locked in a battle of wills, neither willing to concede defeat.
But as the game reaches its climax, a surge of longing courses through you, threatening to overwhelm your resolve. With a breathless gasp, you instinctively reach out, your hand brushing against Charles's cheek in a moment of unguarded passion.
"Je gagne“ (I win)
he whispers triumphantly, a smug grin playing on his lips as he leans in to claim victory with a searing kiss.
„Je te laisse gagner parce que c'est la seule fois où tu le fais“ (I let you win because that‘s the only time you do)
You teased him again and couldn‘t help but laugh, seeing his baffled face. He puts his hand on your cheeks and squeezes them together. He looks down at me and shakes his head softly with a certain intensity to his eyes.
„Tu veux vraiment jouer à la cochonne avec moi ? Tu sais ce que les sales gosses obtiennent de mon amour.“ (you really want to play dirty with me? You know what brats get my love)
He caresses your cheek with his thumb as he tilted his head.
Ne m'oblige pas à te faire ça, ma belle. (Don‘t make me do it to you sweetcheeks)
He goes back to squeeze your cheeks together and pulls you closer to him with a warning look in his ocean eyes. As the night draws to a close and the party fades into memory, you carry with you the lingering warmth of Charles's touch, a tantalizing reminder of a fiery encounter that ignited sparks in the heart of Monaco.
As for what happens after the party? Only the two of them and maybe the neighbour will know ;).
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Now that escalted quickly👀 HAVE MERCY ON ME!! I don‘t know how to write intimate moments aka the humpy dumpty so please take this as a chance to let your mind run freely 🥹
Reblog, comments and likes are aprreciated
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Welcome to the hottest 80s band tourney
In this tournament you can submit an band from the 80s here and we’ll see who’s the hottest
Submissions are now closed
Submission requirements
It must be a band no solo artists
I need a list of the members and the instrument they play
They had to have produced at least one album during the 80s
Choose the lineup that you want just make sure that they just all performed together during the 80s
For a list of the lineups check here a quicker list of submitted bands is down below. We are trying to get to 256 submissions so don’t worry about submitting to many bands.
List of submitted bands
will be updated
Guns’N Roses
Mötley Crüe
Queen
Hanoi Rocks
Iron Maiden
Poison
Rush
Anthrax
Possessed
Bon Jovi
Skid Row
Talking Heads
Warrant
The Cure
The Bangles
Def Leppard
The Traveling Wilburys  
U2
Dokken
Blondie
Duran Duran
Quiet Riot
Aerosmith
Dio
Metallica
Winger
The Human League
The Clash
Cinderella
Nirvana
The Smiths
The Police
They Might Be Giants
Bruce Springsteen and the E Street Band
R.E.M.
Spın̈al Tap
Tin Machine
Red Hot Chili Peppers
ZZ Top
AC/DC
Beastie Boys
Depeche Mode
The Pogues
Bauhaus
Prince and the Revolution
Joy Division
Fleetwood Mac
Devo
Van Halen
Van Halen (again)
Led Zeppelin
Joan Jett and The Blackhearts
Genesis
Primus
Ramones
Yes
Siouxsie and the Banshees
Kraftwerk
The Alan Parsons Project
Hall and Oates
Echo and the Bunnymen
Tears for Fears
The Psychedelic Furs
Misfits
Living Colour
XTC
Adam and the Ants
Run-DMC
King Crimson
Public Enemy
KISS
N.W.A.
Whitesnake
Black Sabbath
Deep Purple
L.A. Guns
W.A.S.P.
Pantera
Styx
B-52’s
Vixen
The Go Go’s
The Residents
Pretenders
Tom Petty and the Heartbreakers
Asia
Jethro Tull
Green Day
Journey
Wham!
Pet Shop Boys
The Who
Scorpions
Heart
Ratt
The Beach Boys
Queensrÿche
The Cars
Foreigner
Marillion
GWAR
Max Webster
Twisted Sister
Stray Cats
Megadeth
The Stone Roses
Slayer
Operation Ivy
Bam Bam
Cybotron
Steve Miller Band
The Highwaymen
10cc
Fugazi
Minor Threat
Dead Kennedys
Blackfoot
Stevie Ray Vaughan and Double Trouble
Dire Straits
Electric Light Orchestra
The J. Geils Band
Judas Priest
Motörhead
Crosby, Stills, Nash, & Young
Elvis Costello and the Attractions
Chicago
The Replacements
The Kinks
Pixies
Men at Work
Stryper
Faster Pussycat
Thin Lizzy
Grateful Dead
Sepultura
Bananarama
Nine Inch Nails
Foghat
Blue Öyster Cult
Culture Club
Tesla
Soundgarden
Berlin
Boston
Public Image Ltd
Pink Floyd
The Professionals
Starship
REO Speedwagon
Extreme
Shonen Knife
Night Ranger
De La Soul
Salt-N-Pepa
Earth, Wind & Fire
X
X Japan
The The
The Time
Steely Dan
Godley & Creme
The Tragically Hip
Dexys Midnight Runners
The Cross
Sonic Youth
Roxy Music
The Rolling Stones
Hüsker Dü
DJ Jazzy Jeff & the Fresh Prince
New Kids on the Block
Huey Lewis and the News
Eurythmics
A Flock of Seagulls
The Blues Brothers
Love and Rockets
Strawberry Switchblade
Los Lobos
Santana
Oingo Boingo
Grandmaster Flash and the Furious Five
A-ha
Crack the Sky
Crowded House
Yellow Magic Orchestra
Eric B. & Rakim
Commodores
Nick Cave and the Bad Seeds
KIX
White Zombie
UB40
Great White
Bruce Hornsby and the Range
White Lion
.38 Special
The Tubes
Utopia
The Sugarcubes
Faith No More
Throbbing Gristle
Ministry
'til tuesday
Sparks
Bob Seger and the Silver Bullet Band
The Oak Ridge Boys
The Judds
Dinosaur Jr.
The Moody Blues
Pat Metheney Group
INXS
Status Quo
Melvins
Pandora's Box
Orchestral Manoeuvres in the Dark
New Order
Meat Puppets
Descendents
The Fall
Spandau Ballet
Thompson Twins
Tom Tom Club
Jane's Addict
Bob Marley and the Wailers
Modern English
Cutting Crew
My Bloody Valentine
Black Flag
Wire
The Cult
The Jesus and Mary Chain
The Specials
Missing Persons
Simply Red
The Romantics
Madness
Violent Femmes
Skinny Puppy
Cocteau Twins
The Damned
Simple Minds
Frankie Goes to Hollywood
TISM (This Is Serious Mum)
The Cockroaches
The Allman Brothers Band
Cold Chisel
Midnight Oil
NOFX
The Crucifucks
America
Bad Religion
Helloween
Mother Love Bone
The KLF (a.k.a. The Justified Ancients of Mu Mu, a.k.a. The Timelords) [same group, just used numerous names]
Dog Police
Frank Chickens
Men Without Hats
Europe
Can I submit propaganda?
Not right now. If you do I won’t post it until the polls start which looking right now could be a while. But it will be posted eventually
can I submit more than one band?
yes!! Go wild
Some blogs that inspired this
@billboard-hotties-tourney
@the-80s-music-colosseum
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pazzesco · 6 months
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Queen of Bohemia
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Amedeo Modigliani -Jeune Femme (Nina Hamnett) - 1917
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Roger Fry - Nina Hamnett avec une guitare - 1917
Nina Hamnett (1890–1956) was a Welsh artist and writer, and an expert on sailors’ chanteys, who became known as the Queen of Bohemia. Flamboyantly unconventional, and openly bisexual, Hamnett once danced nude on a Montparnasse café table just for the “hell of it”. She drank heavily, was sexually promiscuous, and kept numerous lovers and close associations within the artistic community. Very quickly, she became a well-known bohemian personality throughout Paris and modelled for many artists. She went on to have a love affair with Brzeska, and later with Amedeo Modigliani and Roger Fry.
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Amedeo Modigliani - Woman with Red Hair (Nina Hamnett) - 1917
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Nina Hamnett - Self Portrait - 1913
British painter, designer, and illustrator, famous more for her flamboyant bohemian life than for her work. She was born in Tenby, Wales, the daughter of an army officer, and studied at various art schools in Dublin, London, and finally Paris. On her first night there she met the Italian painter Amedeo Modigliani. He introduced her to Picasso, Serge Dighilev, and Jean Cocteau, and she went to live at the famous artist’s residence of La Ruche which housed many other Bohemian artists and modernist writers. It was there that she met the Norwegian artist Roald Kristian (also known as Edgar de Bergen), whom she married in 1914. She seems to have been relieved when he was deported as an unregistered alien during the First World War; they never saw one another again.
Like other women at the time reveling in a newfound independence, she had her hair cut short in a ‘crophead’ style (what we would now call a basin cut) and she wore eccentric clothing:
"I wore in the daytime a clergyman’s hat, a check coat, and a skirt with red facings … white stockings and men’s dancing pumps and was stared at in the Tottenham Court Road. One had to do something to celebrate one’s freedom and escape from home."
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Roger Fry - Nina Hamnett - 1917
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Nina Hamnett - "Rupert Doone" - Dancer - 1922
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Nina Hamnett - "Dolores" - 1931
From 1913 to 1919 Hamnett worked for Roger Fry's Omega Workshops; Fry (with whom she had a love affair) painted several portraits of her. In the 1920s, she spent much of her time in Paris, where once again she knew many leading figures of the avant-garde, including Jean Cocteau and the composers Satie and Stravinsky.
During the 1920s (and for the rest of her life) she made the area in central London known as Fitzrovia her home and stamping ground. This new locale for arty-Bohemia was centred on the Fitzroy Tavern in Charlotte Street which she frequented along with fellow Welsh artists Augustus John and Dylan Thomas, making occasional excursions across Oxford Street to the Gargoyle Club in Soho.
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Nina Hamnett - Illustrated Osbert Sitwell's "The People's Album of London Statues" - 1927
However, she often returned to London for exhibitions of her work, which included portraits, landscapes, interiors, and figure compositions (notably café scenes) in a robust style drawing on various modern influences. In addition to paintings, she made book illustrations (spontaneous pen-and-ink drawings), notably for Osbert Sitwell's The People's Album of London Statues (1928). From the 1930s the quality of her work declined, partly because of the influence of alcohol.
In 1932 she published a volume of memoirs entitled Laughing Torso, which was a best-seller in both the UK and the USA. Following its publication she was sued by Aleister Crowley, whom she had accused of practicing black magic. The ensuing trial caused a sensation which helped sales of the book, and Crowley lost his case.
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Hamnett enjoying herself with some new friends
Her success in this instance only fuelled her downward spiral, and she spent the last three decades of her life propping up the bar of the Fitzroy trading anecdotes of her glory years for free drinks. She took little interest in personal hygiene, was incontinent in public, and vomited into her handbag.
Her ending was as spectacular as had been her previous life. Drunk one night she either fell or jumped from the window of her flat and was impaled on the railing spikes below.
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mblematic · 4 months
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current things tag!! thanks for the tag @fatemy-friend
three ships: wolfstar obvi, pynch is the same ship in a different font so not sure if that counts?? and then griddlehark (yum, but, ouch, ouch, ouch 💔💔💔) and then lately it's uhh sincaraz hehe sorry to my rpf-hating moots
last song: I've had Red Wine Supernova on re-fucking-peat
last movie: just watched Poor Things in theaters!!! LOVED IT, highly recommend
currently reading: Hello, Beautiful and I'm really liking it so far
currently watching: the Australian Open, and looking around for my next TV show ...
currently consuming: hot chocolate :)
currently craving: desperately need to go to a club and scream-sing something from my teenage years.....
tagging: @broomsticks @tahtahfornow @billsfangearring @maybebabyplease @pancakehouse @colgatebluemintygel @everythingbutcoldfire @blackberry-sunset @femme--de--lettres @munacy @popyandshit @a-fiery-fox :))
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shinjukuppoi · 5 months
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my celia headcanons! under the cut because there's a lot. a lot are very specific but... 😛
celia is a lesbian (no one is surprised by me saying this) and i don't think she has a preference when it comes to mascs and femmes.
celia would make several fake facebook accounts to make fun of people she doesn't like at work. she would be very deliberate as to not get caught. expert cyber bully
celia is a night owl. she'd have to be up early for work, obviously, but i feel like she would definitely feel safest to be herself and indulge herself at night
celia not only sleeps on her back, but she stays very still the whole night, like a rock
she has a very complicated skincare routine so she can keep herself staying "youthful" (not that she needs it 🙄)
celia's everyday perfume is delina (because she can afford it and i think she would like to smell a little fruity and like roses!). i think on nights out she would wear something a little stronger and more mature. going to meet the mc, i think she wouldn't put in the effort to freshen herself up or put on more perfume since it's the only space where she can be herself!
celia would definitely drink kale smoothies regularly (i'm sorry, i can't stomach these!)
celia would pick going to see the mc over going out to the club on most days
celia would have been so focused on her career that she'd have very little time to watch tv series or read book series. i think as a kid she would have played something like pokemon on the game boy, and gets confused when she sees things about the new pokemon games, but that's about it
celia is a high-functioning alcoholic and sometimes mixes her alcohol with coffee or energy drinks so she can stay more alert! sugar free vodka redbull, if an energy drink, but she doesn't like the flavor.
celia listens to house music and jazz so she can relax
i think lede is celia's maiden name so she and harold have different last names (he would have agreed to it reluctantly)
if celia gets tim hortons, she gets a double double and an old fashioned donut (extremely rarely), but she doesn't like tim hortons because they aren't canadian anymore
celia is 5'9 without heels, and she wears 3-inch heels for work every day, so she's usually 6'0 😆
i think celia came from a poor household and worked very hard her whole life to get where she is! this adds to why she is so stressed all the time. she thinks any slip up could cost her everything.
celia is lactose intolerant.
celia's ideal captive is plus sized
even on her days off from work, she is still dressed to impress!
celia's favorite makeup brands are Cle de Peau and La Mer
celia drives a luxury hatchback. the interior is always very clean and she gets it cleaned regularly. it smells like the black pine-tree car air freshener, although when she's very stressed she lets it get a little messy as long as no one sees.
i have headcanons for the "You ran away together" ending too, but i'm saving those for when i start writing a fanfiction in a few months. i want to see other people's headcanons, too!
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patron-minette · 3 months
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Babet and Molutor in ‘Le Monde des Prisons’
There are many interesting references made to Les Misérables in Le Monde des Prisons (1887) by Georges Moreau. This relatively unknown work features the detailed recollections of Moreau’s own interactions and conversations with real prisoners (“reproduire mes conversations”) during his tenure as an ‘aumônier’ at La Grande-Roquette prison in Paris. 
Throughout the account, Hugo’s writings on crime and criminal archetypes as featured in Les Misérables are frequently cited. This even extends to fleeting discussions about the police and prison system (click here for a rather intriguing comparison involving Javert).
However, there is a particularly notable chapter where a real-life criminal, identified only as Molutor, is compared extensively to the character of Babet:
“Victor Hugo a crayonné de main de maitre un joli quatuor de bandits, Claquesous Gueulemer, Babet et Montparnasse, qui, dit-il, gouvernaient, de 1830 à 1835, le troisième dessous de Paris, cette cave d'où sort Lacenàire. [...] Molutor (François-Joseph), le père de notre fugitif de la Petite-Roquette, avait été plus favorisé de la fortune que le Babet de Victor Hugo. Sa femme lui avait donné trois enfants qui, pour n'être pas nés avec un mufle de veau, lui avaient rapporté une petite aisance.”
[Trans. Victor Hugo has masterfully pencilled a lovely quartet of bandits, Claquesous, Gueulemer, Babet and Montparnasse, who, he says, ruled the third substage of Paris from 1830 to 1835, the cellar from which Lacenàire emerged. [...] Molutor (François-Joseph), the father of our Petite-Roquette fugitive, had been more fortunate than Victor Hugo's Babet. His wife had given him three children who, though not being born with a calf's muzzle, had brought him a small amount of wealth.]
I find these comparisons truly captivating, as— despite initially seeming rather trivial— allusions such as this uniquely blend real-life criminality with fictional realms.
Moreau goes on to elaborate that Molutor and the character of Babet share additional similarities because they both extend their criminal activities into theatrical spheres; Babet’s vaudeville performances and his displaying of ‘freaks’ are indirectly compared to Molutor’s activities as innkeeper of a real club named Le cabaret des Pieds. In an even more intriguing detail, Moreau describes Molutor as occasionally collaborating with a brute named ‘Gueule-de-Sac’— which makes me think of ‘Gueulemer’!
Moreover, even the physical attributes of Babet and Molutor are paralleled… echoing a disconcerting, though unfortunately unsurprising, ideology (whether on purpose or implicitly) wherein certain physical traits were believed to correspond with particular criminal behaviours.
“Ce Molutor était un homme petit, maigre, blême, anguleux, osseux, chétif, qui avait l'air malade et qui se portait à merveille; sa fourberie commençait là. Il souriait habituellement par précaution, et était poli à peu près avec tout le monde, même avec le mendiant auquel il refusait un liard. Il avait le regard d'une fouine. S'il rappelait Babet par certains côtés il faisait encore plus songer à Thénardier. Comme Thénardier, il s'était établi gargotier à Alger. / Souvent, il s'absentait plusieurs semaines de suite et l'on remarquait que c'était toujours du côté et à l'époque où nos soldats se battaient contre les Arabes. Il partait avec une petite carriole attelée d'un mauvais cheval, emportant quelques provisions qu'il vendait fort cher aux troupes.”
[Trans. “This Molutor was a short, skinny, pallid, angular, bony, puny man, who looked ill and was doing wonderfully well; his deceitfulness began there. He usually smiled as a precaution, and was polite to just about everyone, even the beggar to whom he refused a liard. He had the look of a weasel. If he reminded us of Babet in some ways, he reminded us even more of Thénardier. Like Thénardier, he had established himself as a gargotier in Algiers. / He was often away for several weeks at a time, always on the side and at the time when our soldiers were fighting the Arabs. He would leave with a small cart hitched to a bad horse, carrying a few provisions which he sold at a high price to the troops.”]
The line “Il souriait habituellement par précaution, et était poli à peu près avec tout le monde, même avec le mendiant auquel il refusait un liard” instantly brings to mind Boulatruelle’s introduction in Les Misérables:
“Ce Boulatruelle était un homme vu de travers par les gens de l'endroit, trop respectueux, trop humble, prompt à ôter son bonnet à tout le monde, tremblant et souriant devant les gendarmes, probablement affilié à des bandes, disait-on, suspect d'embuscade au coin des taillis à la nuit tombante.” — Book II.II.II
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ernestinee · 8 months
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J'ai lu "Passion simple" d'Annie Ernaux. C'est joli, j'ai trouvé ça doux. Le ton monocorde et détaché contraste avec la force de son attente. L'histoire est autobiographique. Elle attend un homme bien plus jeune qu'elle (elle a 50 ans au moment de l'histoire), elle attend son appel, sa venue, et quand il vient elle pense déjà à quand il repartira et à l'attente qui suivra. J'ai eu la sensation d'attendre avec elle.
Je me suis reconnue dans certaines actions. En vouloir au monde entier d'exister parce que le monde entier n'était pas lui, en vouloir aux autres activités d'exister parce qu'elles m'empêchaient de lui dévouer toutes mes pensées, aimer tout ce qui se liait à lui, même de très loin. Aimer le manque et la peine parce qu'ils sont proportionnels à la passion, aimer la douleur parce qu'elle prouve l'existence de cette histoire. Je me souviens avoir dit à ma meilleure amie que je n'avais plus envie de quoi que ce soit qui m'empêche de penser à lui. De l'extérieur ça semble violent parfois et j'ai lu certaines critiques qui allaient dans ce sens, "quelle femme désespérée", mais de l'intérieur c'est douceur, force et passion, c'est pour cela que la lecture m'a semblée douce.
Le récit a donné lieu à une réflexion sur l'écart entre la personne et la situation. Et finalement, est-ce vraiment une personne qui nous manque ? N'est-ce pas plutôt la situation dans laquelle cette personne nous met ? N'est-ce pas plutôt comment on se sent en sa présence ? N'est-ce pas plutôt la sensation d'exister, de ressentir quelque chose très fort ? Et s'il revient des années plus tard? Et s'il fait comme si rien n'avait changé, malgré que tout aura changé ? Est ce qu'on sera déçus ? Quel sera le décalage entre les retrouvailles fantasmées et la réalité ?
J'ai aussi lu des commentaires abjects sur l'âge de l'autrice, "elle ferait mieux de faire de la broderie ou aller à son club de bridge". On souffle fort, il n'y a pas d'âge pour la passion. J'aime comme elle dérange des personnes qui méritent d'être dérangées. Qui ont besoin d'être dérangées.
J'adore comme avec la simplicité, la justesse et la rapidité de ce récit (70 pages), elle réussit à m'emporter et à lancer mes pensées au delà de son histoire. J'aime me dire que la passion est universelle.
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“Dans l'antre du club de jazz, où l'obscurité se marie à l'ivresse, je m'enfonce dans l'ombre, isolé dans ma détresse. Le serveur, parfois messager discret des prémices concubines, me transmet, sur un voile, une écriture divine.
"Bonjour, Monsieur", alors, commence l'histoire de cette nouvelle vie ; une femme élégante, envoûtante mélodie. Elle désire être le chemin où nos pas se confondent, où nos empreintes tracent ensemble une autre ronde.
Dans l'attente fébrile, je pose ma plume sur le papier. "Bonjour, Madame," ma réponse, fragile pensée - peut-être, sur le chemin où je me suis égaré, nous croiserons-nous - vouée à découvrir nos affinités.
Le serveur, tel un oiseau portant mon émoi, la serviette en main, vers elle se déploie. Et ainsi, entre les harmonies et les murmures ensorcelants, s'ouvre l'étrange bal de deux amants au destin voluptueux et troublant.„
~•~
“In the den of the jazz club, where darkness blends with intoxication, i sink into the shadows, isolated in my distress. The waiter, sometimes the discreet messenger of concubine premices, transmits divine writing to me on a veil.
"Bonjour, Monsieur", then, begins the story of this new life ; an elegant woman, bewitching melody. She wants to be the path where our footsteps merge, where our footprints trace together another round.
In feverish anticipation, i put pen to paper. "Bonjour, Madame," my reply, a fragile thought - perhaps, on the path where i've lost my way, we'll cross paths - destined to discover our affinities.
The waiter, like a bird carrying my emotion, napkin in hand, towards her, unfurls. And so, between bewitching harmonies and murmurs, the strange dance of two lovers with a voluptuous and troubling destiny begins.„
~•~
— Fred Leforgeur-Baudelaire
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Visual art applied : Watercolor, felt-tip pens and oil : FLB (Fred Leforgeur-Baudelaire)
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greyeyedmonster-18 · 10 months
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(hello, for anyone who is interested, i will be reading bestie @femme--de--lettres Fearless Liabilities this week for my summer beach read and would love to have a fake book club.
Summary:
Summer camp. Six weeks of planning activities, leading campers, and getting up to no good. It's no different than the last decade that Remus and his friends have spent in rural Wisconsin. Except Remus' heart keeps trying to tell him that he's in love with his best friend, Sirius can't believe he's fallen for the one person who he knows is unequivocally straight, James is starting to lose faith that Lily will ever actually consider going on a date with him, and Peter? Peter's just trying to keep his friends from getting in over their heads.
*stephan voice from SNL* it has Midwest sensibilities. Camp counselors. Water. Shenanigans. Romance. and More.
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ange-la-ange-ootd · 9 months
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Absolutely a halloween in July kind of person.
Halloween Origami haori - Lady Sloth Bad Witch Club shirt - @komunhorangi skirt - L'école Des Femmes matrixxx shoes - YRU beret - handmade heart choker - Creepyyeha Haunted Heart ring - Dandy Puppeteer Web of Lies earrings - Kikay heart eyes sunglasses - iiii clothing
[ID: A casual dark fashion outfit with a halloween and witchy theme. The main pieces are a black and purple haori and a monochrome ragalan tee with a character graphic. The haori has a spooky print with origami ghosts, bats, skulls, and witch hats. The design on the shirt has a witch character in casual clothes, a black cat on her shoulders, and the text "Bad Witch Club". The rest of the outfit includes: black tights, black platform sneakers, a beret, spiked heart choker, spiderweb earrings, and a black acrylic heart ring.]
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Master list
Just a master list for round one. To find the poll search the band.
Van Halen vs. “Van Hagar”
The Residents vs. Hanoi Rocks
ZZ Top vs. Guns’N Roses
Bon Jovi vs. Salt-N-Pepa
Queen vs. Green Day
Heart vs. L.A. Guns
U2 vs. New Kids on the Block
De La Soul vs. Dead Kennedys
Skid Row vs. The Bangles
Dokken vs. The Crucifucks
Europe vs. Iron Maiden
Aerosmith vs. Pet Shop Boys
REO Speedwagon vs. The Professionals
Eric B. & Rakim vs. Bob Seger and the Silver Bullet Band
The J. Geils Band vs. Huey Lewis and the News
Faster Pussycat vs. The Kinks
Yes vs. Warrant
Cinderella vs. White Zombie
Men Without Hats vs. Wham!
Devo vs. Possessed
Vixen vs. Living Colour
Bruce Springsteen and the E Street Band vs. Prince and The Revolution
Scorpions vs. Pat Metheney Group
INXS vs. .38 Special
Kraftwerk vs. The Go Go’s
Fugazi vs. Slayer
AC/DC vs. The Cult
Mötley Crüe vs. Cybotron
The Police vs. Beastie Boys
The Clash vs. Blondie
Metallica vs. W.A.S.P.
Deep Purple vs. Styx
Foghat vs. Poison
Run-DMC vs. Missing Persons
Ramones vs. Blackfoot
Dexys Midnight Runners vs. The Cure
Depeche Mode vs. Anthrax
Whitesnake vs. GWAR
Siouxsie and The Banshees vs. The Allman Brothers Band
Spandeau Ballet vs. Quiet Riot
The KLF vs. The Blues Brothers
B-52’s vs. X Japan
Earth, Wind & Fire vs. Midnight Oil
Grandmaster Flash and the Furious Five vs. Thompson Twins
Rush vs. Bananarama
Foreigner vs. They Might Be Giants
The Fall vs. Joan Jett and the Blackhearts
The Pogues vs. The Cross
Pixies vs. Genesis
Twisted Sister vs. Tom Petty and the Heartbreakers
Ratt vs. A Flock Of Seagulls
Fleetwood Mac vs. X
My Bloody Valentine vs. Sparks
White Lion vs. Led Zeppelin
The Smiths vs. The Who
The Cars vs. The Highwaymen
Thin Lizzy vs. Human League
Echo and the Bunnymen vs. Strawberry Switchblade
The Traveling Wilburys vs. Pink Floyd
Def Leppard vs. Meat Puppets
N.W.A. vs. Wire
Hall and Oates vs. Love and Rockets
KISS vs. Motörhead
Chicago vs. Boston
Cold Chisel vs. The Romantics
Commodores vs. Marillion
Frank Chickens vs. Ministry
The Beach Boys vs. The Tragically Hip
Starship vs. Duran Duran
Dog Police vs. Dio
Oingo Boingo vs. Stryper
The Psychedelic Furs vs. The The
Misfits vs. The Rolling Stones
Black Sabbath vs. Tom Tom Club
Public Enemy vs. Shonen Knife
Megadeth vs. Nine Inch Nails
Queensrÿche vs. DJ Jazzy Jeff & the Fresh Prince
A-ha vs. Frankie Goes to Hollywood
Orchestral Manoeuvres in the Dark vs. Winger
Tesla vs. Asia
Steely Dan vs. Nirvana
The Judds vs. Joy Division
Hüsker Dü vs. Pandora's Box
Extreme vs. Journey
Judas Priest vs. Electric Light Orchestra
10cc vs. Pantera
The Stone Roses vs. R.E.M
Jethro Tull vs. Bauhaus
The Jesus and Mary Chain vs. Simple Minds
Night Ranger vs. Utopia
Simply Red vs. Helloween
Stray Cats vs. Tin Machine
New Order vs. King Crimson
Red Hot Chili Peppers vs. Primus
Talking Heads vs. Los Lobos
Santana vs. The Alan Parsons Project
Spın̈al Tap vs. Elvis Costello and the Attractions
America vs. XTC
Adam and the Ants vs. The Tubes
Tears for Fears vs. Minor Threat
Eurythmics vs. Blue Öyster Cult
Soundgarden vs. Mother Love Bone
The Moody Blues vs. Melvins
Nick Cave and the Bad Seeds vs. Godley & Creme
Dinosaur Jr. vs. Modern English
The Time vs. Madness
Violent Femmes vs. NOFX
Status Quo vs. Bad Religion
The Cockroaches vs. Black Flag
Roxy Music vs. Cutting Crew
Berlin vs. The Replacements
TISM (This Is Serious Mum) vs. Crack the Sky
The Damned vs. Great White
The Specials vs. Men at Work
Yellow Magic Orchestra vs. Skinny Puppy
Grateful Dead vs. Jane's Addiction
Bob Marley and the Wailers vs. Max Webster
Sepultura vs. Operation Ivy
Cocteau Twins vs. Descendents
Public Image Ltd vs. Culture Club
Sonic Youth vs. Stevie Ray Vaughan and Double Trouble
The Sugarcubes vs. Dire Straits
Crowded House vs. Bruce Hornsby and the Range
Steve Miller Band vs. Bam Bam
UB40 vs. The Oak Ridge Boys
Faith No More vs. 'Til Tuesday
Throbbing Gristle vs. Pretenders
Crosby, Stills, Nash, & Young vs. KIX
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