New Year New Queer - Diary of a Big Ole Gay 1/1/2023
Hey Whores, You know what time it is. Thats rights sluts and slanterns its time to regale you with tales of gay but before that daddys sad and instead of giving you cummies or some gay shit like that he wants emotional validation.
(if one of my mutuals could just shove my face in there tits and stroke my hair thanks)
so um yeah basically I hate my job and I go to look at the fucking hours I get to work this week, and I'm screduled for four hours.
FOUR FUCKING HOURS.
there is in fact never a time and place were that is appropriate especially when this is not something that was forwarned.
the good news is that I'm gonna use my freetime to canvess the shit out of town and get myself a new fucking job. I don't deserve this shit and I deserve better. of course I still need to reread my employee contract because guess what dumb bitch signed a non-competition clause.
(this is what pops up when I type "It's Me!" so apparently I'm Henry Cavell. and I thought I couldn't get sexier)
in other news and entertainement I have finally recieved my self christmas presents which are Hollywood Babylon and The Celluloid Closet at this point I really fucking miss working at any my fucking other jobs because It is amazing how boring people are. like people look me in the face and tell me they go home and do nothing and dream about nothing, and have no ambition. That the world they see is colorless and joyless. that they crave no more simulation then through the bars of there cage.
Disgusting, I yearn to be free of the things that limit me to never loose my curiousity to do things because I can, to learn things because I can, to remember that while Nitcze was a total fucking incel and loser that there is a kernal of truth in "Saying Yes to yourself, instead of no to others". I've been feeling really limited in this job and its hard, hard to swallow my pride, to make myself small, to feel that I am only as valuable as the space I occupy and not the being that I am.
I am better then that job not because I am over-qualified, or that it is "Beneath Me". I am better then that job because the job asks me to be less then my potential and I refuse that mantle.
Oh wait isn't this shit supposed to be about movies or something lol oopsie.
Club De Femmes (1936) dir. Jacques Deval
from what I vaguley remember this french film was censored in america for being too risque and honestly I get it. This movie has a lot of fan-service, wear talking a lot of women walking around in the sluttiest outfits 1930s had to offer, (yes god yes), were talking men dressing up as women to FUCK, were talking human trafficking, were talking MURDER, were talking REAL LIFE LESBIANS.
(I was trying to find that clip from Cringe were she says the line but this will do.)
yeah this film has a lot going on and also it has like a bonified lesbian subplot shes not predatory, (at least by the usually standard), and out of all the gay films I've seen so far the character has this kind of internality, (is that the word interiorality???), that I have yet to see in a lot of these films besides mommy kink megee in Madchen In Uniform.
The Lady Vanishes (1938) dir Alfred Hitchcock.
so as has been established Hitchcock kinda just liked gay shit in his films. in this case some people have read Cadicott and Codswallop or whatever the fuck there names are as just sucking and fucking all the time as a gay couple.
This is a little teneous but it is a cute headcannon even if the actually film is light on subtext.
Speaking of which this is basically like if an agatha christie novel met a Mrs. Pollifax Novel so you know I loved that shit.
Rebecca (1940) dir Alfred Hitchcock
UGGGGGGH Laurence Oliver can fuck me right in the BUSSY. I just wanted get fucked and sucked by both of them they are so fucking hot.
So if you don't know why this is on the list. First go watch it we love it we stan, we have watched several very long podcast episodes devoted to how much the queens and the queers love rebecca.
Second Lets talk about mrs Danvers. Shes serving us a little school marm ala Madchen in Uniform and she is just horrible fond of the epoynmous Rebecca. And by fond I mean gay. and by gay I mean just that type of gay were your pratically co-dependant on your partner.
Yeah basically Rebecca was the type of bisexual demon that all those melodramas warned you about and Danvers was her SECRET LESBIAN LOVER!!!!!
Ben-Hur: A Tale of Christ (1925) dir. Fred Niblo
so Ben-Hur the OG, (I mean theres a short from 1907 but shut your whore mouth), is part of a growing list of films called, "The researchers personal bias read a lot of gay subtext into this film and/or they just wanted to fuck the cast". I of course am above said bias and yes I am about to publish my thesis on how the shark from jaws was a metaphor about how badly those three men wanted to fuck each other.
(there gays harold)
The researcher in question is our favorite gayboy Vito Russo who listed this as part of the filmography segement in his book the Celleloid Closet. I have yet to read The Celleloid Closet as I am still reading Hollywood Babylon but its next on my list so I will see if I can find better context for why Russo included it in his film list.
The reason why Vito Russo included this is that this film does contain a mans bare ass chained to a wall. Do we see this man elsewear, is he eroticized in his torture like in UN chant d'amour. .... no.
its just a naked guy and while I will say there is a little homoerotic tension between masalla and ben-hur and a lot of male nudity this film is pretty straight. Like objectively a cool film and a silent fim classic. but its not incredible queer.
(I didn't technically need to show you some ass but I just wanted an excuse to stare at a hot guy in the shower. because I'm a pervert you get it)
Whats The World Coming To? (1926) dir. Richard Wallace, F. Richard Jones
so this is just a role reversal comedy set in the future and it was honestly a lot of fun. We have these really out there fashion choices that are both avant garde and weirdly dated and its just a really fun look at retro-futurism from an era we don't normally get to see.
In the future of course we all get around on blimps and work in the blimp factory and also the gender roles are reversed with butch strong women taking care of there domestic husbands.
( I literally typed in Girlboss X Malewife. but you know what I'll except it)
This film feels weirdly reminscent of Bunholdes Lover by Patience and Sullivan, likes its serving Savoy Opera Realness. Which is weird because I have never seen any opera let alone the specific 1890s sylings of the comic opera but something about the use of pantomime and the costuming feels incredible emblamatic of that theatrical tradition.
I thought this was a surprisingly fun time and I had a lot of fun with what is honestly a pretty fresh take on the role reversal comedy.
Going forward the rest of the role reversal comedies we have are going to be a little less joculer??. speaking of which tonights film is going to be Glen or Glenda? A Cult film shot in four days supposedly inspired by real life Transgendererererererererererererer, (i'm being playful), Christine Jorgensine, the G.I Bombshell. I here that its something else.
'Most Hollywood blockbuster films typically have an hour and a half or more runtime. However, some narratives are so complex that they require more time to delve into their deeply layered storylines. In today’s fast-paced world, though, some viewers may find it challenging to dedicate three hours or more to watch a single film, especially if they prefer shorter viewing experiences due to limited free time.
Ultimately, the length of a movie may not matter as long as it remains entertaining and of good quality. While a long runtime might turn some viewers off, others do not mind it, recognizing that it can be necessary for certain epic films like “The Godfather,” “The Lord of the Rings,” and “Ben-Hur.” In these cases, the extended runtime makes us question the plot’s breadth but adds to these cinematic masterpieces’ brilliance.
Cinematic epics such as “Seven Samurai,” “Ben-Hur,” and “Schindler’s List” have all demonstrated that their length is not merely for show. They are magnificent works created by skilled directors and enhanced by exceptional actors and various film components. Their elongated runtimes provide room for profound character development, intricate plotlines, and unparalleled exploration of themes that leave a lasting impact on the hearts and minds of the audience.
Christopher Nolan debuted with a 70-minute independent film, ‘Following’ (1998). But over the years, he has made intense and thrilling blockbusters with longer running times, like Inception (148 minutes), The Dark Knight Rises (165 mins), and Interstellar (169 mins). Now he has hit the 3-hour mark with his latest magnum opus, Oppenheimer. Though it’s a biopic and a historical drama revolving around the famous physicist Robert J. Oppenheimer, Nolan’s magic and astounding performances have brought a sense of urgency and thrill to a conversation-filled article. Films like Oppenheimer, in fact, can stimulate movie lovers’ fascination for such detailed narratives. Hence, we have compiled a list of must-watch and thrilling 3-hour-long movies like Oppenheimer.
1. The Irishman (2019)
“The Irishman” is a compelling blend of crime drama, character study, and historical exploration, brought to life by a talented cast and masterful direction. It’s rich storytelling and complex characters have made it a film that continues to fascinate and captivate audiences worldwide. The Irishman is not just a crime thriller but a character study that allows viewers to explore its main characters’ moral dilemmas and internal struggles.
The film is known for its Epic Length and Narrative, which spans several decades, chronicling the life of Frank Sheeran, a truck driver who becomes involved with the Bufalino crime family. Martin Scorsese’s masterful direction, the outstanding performances of Robert De Niro, Al Pacino, and Joe Pesci, and the inventive use of music all play a role in creating an immersive and engaging viewing experience. Since Frank’s story is based on the non-fiction book “I Heard You Paint Houses” by Charles Brandt, which claims to be the true story, its extended run-time makes it even more intriguing for viewers who cherish stories that are rooted in real-life events.
2. Seven Samurai (1954)
This Japanese Classic is one of those long movies viewers can see and revisit over and over again without getting tired of its intriguing plotline. With its richly developed characters, alongside the narrative’s emotional depth and stunning action sequences, Seven Samurai is regarded as one of the most influential and celebrated films in cinema history. Directed by Akira Kurosawa and set in 16th-century feudal Japan, the film tells the story of a group of seven ronin (masterless samurai) who are hired by a small farming village to protect them from marauding bandits.
“Seven Samurai” is a great film due to its visionary direction, timeless story, complex characters, and pioneering cinematography. Its enduring legacy continues to inspire and captivate audiences, making it a true classic of the medium. The film’s perfect pacing and expertly choreographed action sequences allow the narrative and characters to be fully explored, creating a powerful and emotionally resonant film.
3. Schindler’s List (1993)
This compelling and critically acclaimed historical drama, directed by Steven Spielberg, tells the story of a German businessman, Oskar Schindler, who embarks on a transformative journey during one of the darkest chapters in human history. Initially portrayed as an opportunist seeking profit, Schindler has a change of heart when he witnesses the atrocities inflicted by the Nazis upon the Jewish population. The film unfolds through a series of powerful and poignant scenes, capturing the Jewish workers’ daily struggles, fears, and acts of heroism under Schindler’s protection.
Understandably, “Schindler’s List” spans over three hours to comprehensively portray its devastating story, intricate character development, and thorough examination of the historical events of the Holocaust. Extended runtime is an advantage for those who appreciate immersive storytelling and thoughtful exploration of history.
4. Magnolia (1999)
“Magnolia” is a remarkable and intricately woven drama celebrated for its ambitious and innovative storytelling, making it a unique and artistically valuable film. Set in the San Fernando Valley, the movie follows the lives of various characters, each grappling with personal demons and challenges. As the narrative unfolds, their individual stories converge and intertwine over the course of a momentous day. This ambitious film’s duration delves deeply into themes of forgiveness, regret, coincidence, and life’s unpredictable nature. The extended runtime provides ample room for a thorough exploration of these themes, enriching the movie with intellectual and emotional depth.
For those who relish immersive storytelling, in-depth character study, and ambitious filmmaking, the longer runtime of “Magnolia” proves to be a significant asset, elevating its impact and resonance. The gradual buildup of emotional moments culminates in a profound and cathartic experience for the audience. As the film embraces its extensive runtime, it masterfully captures the complexities of human existence.
5. The Godfather Part 2 (1979)
“The Godfather Part II” stands out as an exceptional sequel, surpassing its iconic predecessor. Expanding on the underworld of the Corleone family, the film delves deep into its characters, exploring the family’s history and dynamics. This cinematic masterpiece received widespread critical acclaim and earned six Academy Awards, testifying to its brilliance and quality.
Functioning as both a prequel and a sequel, the film artfully follows two parallel storylines. One traces Michael Corleone’s ascent as the new Don of the Corleone crime family, while the other reveals his father’s early life, Vito Corleone, and his rise to become a renowned cartel leader. The intricate narrative captivates viewers, leaving them engrossed and unaware of the passage of its 200-minute runtime. Director Francis Ford Coppola skilfully balances dual narratives, maintaining a consistent tone and atmosphere, displaying his artistic vision and filmmaking expertise. “The Godfather Part II” is a rare gem that continues to enthrall audiences, cementing its place in cinematic history.
6. The Lord of the Rings: Return of the King (2003)
Directed by Peter Jackson and serving as the third and final installment of the epic fantasy Return of the King, it picks up where “The Two Towers” left off. It follows the perilous journey of Frodo Baggins (Elijah Wood) and his loyal friend Samwise Gamgee (Sean Astin) to Mount Doom in Mordor to destroy the One Ring, the source of the dark lord Sauron’s power. Much like the monumental success of Titanic six years before, this film garnered critical acclaim and achieved tremendous box-office success, ultimately securing 11 Academy Awards.
It solidified itself as one of the most outstanding cinematic achievements in the fantasy genre. The extended runtime of “The Return of the King” may require a significant time commitment from viewers. Still, many fans and critics consider it an essential aspect of this exciting, adventurous film. It allows for a more comprehensive and immersive experience, elevating the film from a mere blockbuster to an epic and emotionally resonant cinematic achievement.
7. Ben-Hur (1959)
Ben-Hur is a timeless epic historical drama that won 11 Academy Awards for its grand scale, impressive chariot race sequence, and powerful performances, particularly Charlton Heston’s portrayal of Judah Ben-Hur. It is based on the 1880 novel “Ben-Hur: A Tale of the Christ” by Lew Wallace, and follows the journey of Judah Ben-Hur, a Jewish prince who seeks vengeance against his childhood friend turned Roman adversary.
Despite its 212-minute run time, which may challenge some viewers, “Ben-Hur” remains a classic and enduring film, revered for its impressive scale, compelling story, and breathtaking visuals. With a longer runtime, the film has the opportunity to develop its characters more deeply, allowing viewers to become more emotionally invested in their journeys and experiences. To this day, “Ben-Hur” continues to be regarded as one of the most epic films in history, with an ageless appeal that never wanes.
8. The Right Stuff (1983)
“The Right Stuff” is a compelling and inspirational portrayal of the pioneering era of space exploration, showcasing the early astronauts’ courage, determination, and resilience. Based on Tom Wolfe’s 1979 book of the same name, it chronicles the early years of the United States space program. For enthusiasts of historical dramas, space exploration, and compelling storytelling, “The Right Stuff” proves to be a must-watch.
With a runtime of 192 minutes, the movie delves into the astronauts’ personal lives, aspirations, and fears, revealing the human side of these legendary figures. Its epic scale and quality earned praise from critics, leading to several Academy Award nominations and four Oscar wins in categories such as Best Sound, Best Film Editing, Best Original Score, and more. Overall, The Right Stuff is undeniably a well-crafted and compelling film that offers a deep look into the early beginnings of the U.S. Space Program. Undoubtedly, it is one of the best films of the 80s.
9. Titanic (1997)
“Titanic” stands tall as one of the highest-grossing films of all time and remains one of the most memorable and heart-wrenching love stories. The extended runtime allows for emotional moments as it follows the gradual development of Jack and Rose’s relationship, and the unfolding tragedy creates a more profound emotional impact. Being committed to historical accuracy, “Titanic” meticulously depicts the events surrounding the ill-fated ship’s sinking. The long-running time enables a thorough exploration of the disaster’s timeline, contributing to a more authentic portrayal of the momentous event.
With numerous Academy Awards, James Cameron‘s Titanic remains an adored and iconic film, thanks to its enthralling narrative, breathtaking visual effects, and the undeniable chemistry between its lead actors. Overall, Titanic is considered influential because it successfully combines an emotionally engaging love story with a historically significant event. Its spectacular visuals, captivating performances, and impactful themes have made it a beloved film that continues to touch the hearts of audiences worldwide.
10. Lawrence of Arabia (1962)
Directed by David Lean, this historical film is based on the life of T.E. Lawrence, a British officer who played a significant role during World War I in the Arab Revolt against the Ottoman Empire. As the film unfolds, it shows Lawrence becoming immersed in Arabian culture, becoming a pivotal figure in uniting the disparate Arab factions and leading them in guerrilla warfare against the Turk.
With a runtime exceeding three hours, the film has the luxury of delving into the intricate political, cultural, and military complexities of the Arabian Peninsula during the war. Despite its lengthy duration, “Lawrence of Arabia” captivates and mesmerizes its audience scene after scene, unfolding the compelling story of this brave British adventurer and soldier. The film’s stunning visuals, thrilling storyline, captivating music, and exceptional acting create a powerful and enthralling cinematic experience, drawing viewers in and keeping them entertained throughout.'
Ben-Hur: A Tale of the Christ / Carmel Myers as Iras
Once again, Erté provided (uncredited) costumes for the character of Iras, the Egyptian vamp. The headdress is particularly astonishing. Love the peacock motif!
Also, today I learned that some parts of this film were actually shot in Technicolor. I had no idea that was even around in the 1920s.
(moodboard meme) DELIGHTFUL opportunity to flesh out Thren's fashion sense, tysm Bread <3
sources (where I could track them down):
top left: Alexander McQueen Autumn/Winter 2016 Ready-To-Wear
top centre: Anna Sui FALL 2018 Ready-to-Wear
top right: https://www.flickr.com/photos/missmust/6793950452/
centre left: https://www.livemaster.ru/valkoisennoita
centre: unknown
centre right: Nina Ricci Fall 2016 Ready-to-Wear
bottom left: unknown
bottom centre: https://www.instagram.com/skadivore/ (I think)
bottom right: apparently from Ben-Hur: A Tale of the Christ?
The shiniest jewels of the silent age, ranked and rated, high to low:
1. The Gold Rush (1925) {1942 Version} ★★★★★★★★★★
2. The Kid (1921) ★★★★★★★★★★
3. The Last Command (1928) ★★★★★★★★★★
4. Sunrise: A Song of Two Humans (1927) ★★★★★★★★★★
5. Steamboat Bill, Jr. (1928) ★★★★★★★★★½
6. 7th Heaven (1927) ★★★★★★★★★½
7. The General (1926) ★★★★★★★★★☆
8. Safety Last! (1923) ★★★★★★★★★☆
9. The Passion of Joan of Arc (1928) ★★★★★★★★★☆
10. The Love Parade (1929) ★★★★★★★★★☆
11. The Man Who Laughs (1928) ★★★★★★★★★☆
12. Why Worry? (1923) ★★★★★★★★★☆
13. The Last Laugh (1924) ★★★★★★★★★☆
14. Sherlock Jr. (1924) ★★★★★★★★★☆
15. Wings (1927) ★★★★★★★★★☆
16. The Kid Brother (1927) ★★★★★★★★★☆
17. Varieté (1925) ★★★★★★★★★☆
18. Un Chien Andalou (1929) ★★★★★★★★★☆
19. Lucky Star (1929) ★★★★★★★★½☆
20. The Freshman (1925) ★★★★★★★★☆☆
21. The Circus (1928) ★★★★★★★★☆☆
22. The Big Parade (1925) ★★★★★★★★☆☆
23. Pay Day (1922) ★★★★★★★★☆☆
24. Seven Chances (1925) ★★★★★★★★☆☆
25. One Week (1920) ★★★★★★★★☆☆
26. Easy Street (1917) ★★★★★★★★☆☆
27. Girl Shy (1924) ★★★★★★★★☆☆
28. The Pilgrim (1923) ★★★★★★★★☆☆
29. A Dog's Life (1918) ★★★★★★★★☆☆
30. The Penalty (1920) ★★★★★★★★☆☆
31. The Cameraman (1928) ★★★★★★★★☆☆
32. The Navigator (1924) ★★★★★★★★☆☆
33. It (1927) ★★★★★★★★☆☆
34. Shoulder Arms (1918) ★★★★★★★★☆☆
35. College (1927) ★★★★★★★★☆☆
36. Our Hospitality (1923) ★★★★★★★★☆☆
37. Speedy (1928) ★★★★★★★★☆☆
38. Dr. Mabuse, the Gambler (1922) ★★★★★★★★☆☆
39. The Immigrant (1917) ★★★★★★★★☆☆
40. For Heaven's Sake (1926) ★★★★★★★★☆☆
41. Cops ★★★★★★★★☆☆
42. Spies (Spione) (1928) ★★★★★★★★☆☆
43. A Night In The Show Spies (1915) ★★★★★★★★☆☆
44. Flesh and the Devil (1926) ★★★★★★★½☆☆
45. The Wind (1928) ★★★★★★★½☆☆
46. One A.M. (1916) ★★★★★★★½☆☆
47. Street Angel (1928) ★★★★★★★½☆☆
48. Napoleon (1927) ★★★★★★★½☆☆
49. The Thief of Bagdad (1924) ★★★★★★★½☆☆
50. Liberty (1929) ★★★★★★★☆☆☆
51. Never Weaken (1921) ★★★★★★★☆☆☆
52. The Student Prince (1927) ★★★★★★★½☆☆
53. Faust (1926) ★★★★★★★½☆☆
54. The Adventurer (1917) ★★★★★★★½☆☆
55. The Cocoanuts (1929) ★★★★★★★½☆☆
56. The Play House (1921) ★★★★★★★½☆☆
57. The Black Pirate (1926) ★★★★★★★½☆☆
58. Spite Marriage (1929) ★★★★★★★½☆☆
59. The Matinee Idol (1928) ★★★★★★★½☆☆
60. Dr. Jack (1922) ★★★★★★★½☆☆
61. The Vagabond (1916) ★★★★★★★½☆☆
62. Underworld (1927) ★★★★★★★½☆☆
63. Bardelys the Magnificent (1926) ★★★★★★★½☆☆
64. The Phantom of the Opera (1925) ★★★★★★★½☆☆
65. The Bank (1915) ★★★★★★★½☆☆
66. Sunnyside (1919) ★★★★★★★½☆☆
67. A Cottage on Dartmoor (1929) ★★★★★★★☆☆☆
68. Metropolis (1927) ★★★★★★★☆☆☆
69. Battleship Potemkin (1925) ★★★★★★★☆☆☆
70. Diary of a Lost Girl (1929) ★★★★★★★☆☆☆
71. The Eagle (1925) ★★★★★★★☆☆☆
72. The Count (1916) ★★★★★★★☆☆☆
73. Beggars of Life (1928) ★★★★★★★☆☆☆
74. The Rink (1916) ★★★★★★★☆☆☆
75. Eternal Love (1929) ★★★★★★★☆☆☆
76. Hot Water (1924) ★★★★★★★☆☆☆
77. Asphalt (1929) ★★★★★★★☆☆☆
78. The Music Blasters (1928) ★★★★★★★☆☆☆
79. My Wife's Relations (1922) ★★★★★★★☆☆☆
80. Broken Blossoms (1919) ★★★★★★½☆☆☆
81. Pandora's Box (1929) ★★★★★★½☆☆☆
82. Police (1916) ★★★★★★½☆☆☆
83. The Son of the Sheik (1926) ★★★★★★½☆☆☆
84. Human Sparrows (1926) ★★★★★★½☆☆☆
85. The Crowd (1928) ★★★★★★☆☆☆☆
86. A Trip to the Moon (1902) ★★★★★★☆☆☆☆
87. Nosferatu (1922) ★★★★★★☆☆☆☆
88. The Cabinet of Dr. Caligari (1920) ★★★★★★☆☆☆☆
89. The Hunchback of Notre Dame (1923) ★★★★★★☆☆☆☆
90. Battling Butler (1926) ★★★★★★☆☆☆☆
91. The Boat (1921) ★★★★★★☆☆☆☆
92. The Unknown (1927) ★★★★★★☆☆☆☆
93. The Cat and the Canary (1927) ★★★★★★☆☆☆☆
94. The Sheik (1921) ★★★★★★☆☆☆☆
95. The Marriage Circle (1924) ★★★★★★☆☆☆☆
96. Intolerance (1916) ★★★★★☆☆☆☆☆
97. Ben-Hur: A Tale of the Christ (1925) ★★★★★☆☆☆☆☆
98. The Jazz Singer (1927) ★★★★★☆☆☆☆☆
99. Greed (1924) ★★★☆☆☆☆☆☆☆
100. The Birth of a Nation (1915) ★★★☆☆☆☆☆☆☆
Tonight Is Ours (1933) / Claudette Colbert as Princess Nadya
Murphy Brown / Candice Bergen as Murphy Brown
Mad Max: Fury Road (2015) / Charlize Theron as Imperator Furiosa
Once Upon a Time ("Snow Drifts," s3 e21) / Lana Parilla as the Evil Queen
"I wish I had thought about this show, and this character, earlier. Absolutely amazing costumes. Yes, those are black leather pants with that long red velvet coat."
Knives Out (2019) / Jamie Lee Curtis as Linda Drysdale
Willy Wonka and the Chocolate Factory (1971) / Denise Nickerson as Violet Beauregard
Black Panther (2018) / Danai Gurira as Okoye
Lupita Nyong'o as Nakia
Mlle Modiste (1926) / Corrine Griffith as Fifi
Ben-Hur: A Tale of the Christ (1925) / Carmel Myers as Iras
Male and Female (1919) / Gloria Swanson as Lady Mary Lasenby
Grease (1978) / Olivia Newton-John as Sandy Olsson
Wonder Woman (2017) / Robin Wright as General Antiope
filming Lon Chaney in West of Zanzibar (1928). Presumably director Tod Browning and cinematographer Percy Hilburn are present. Percy was born in Adairsville, Georgia, and had 72 cinematography credits from three 1915 features to 1931. His other notable credits include Ben Hur: A Tale of the Christ (1925), Mysterious Island, and The Unholy Three (1930, also with Tod).