The Grim Reaper Leading the Army of the Dead, Illustration for Orlando Furioso - Gustave Doré, 1879.
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Minute of Mae: British Tranter 1879
If you’re interested in more on the history of the piece, check the full-length video.
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Francis Picabia (French, 1879-1953), 'Lunaris', c.1929, oil, brush and ink and black crayon on panel 120 x 94.5 cm.
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Norman Lindsay (Norman Alfred William Lindsay) (Australian, 1879 - 1969) - Olive, c.1938
https://en.wikipedia.org/wiki/Norman_Lindsay
picture resolution 1024 × 1783
More by #norman lindsay enjoypaitings
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Francis Picabia (French,1879-1953)
Femme aux arbres, c. 1930
oil and charcoal on canvas
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I did it again (my other edits here)
1. Godward’s A Fair Reflection (1915) and Waterhouse’s The Soul of the Rose (1908)
2. Frank Cadogan Cowper’s Damsel of the Lake (1924) kissing the lady in Auguste Toulmouche’s The Kiss (c.1870)
3. Waterhouse’s A Song of Springtime (1913) and Auguste Toulmouche’s Woman and Roses (1879)
4. Evelyn De Morgan’s Ariadne in Naxos (1877) with Waterhouse’s Sweet Summer (1912)
5. A woman from Charles Perugini’s Dolce Far Niente (1882) about to wake up Victor Gilbert’s Sleeping Beauty (date unknown)
please reblog if you save! (except terfs, “gender critical” radfems and general transphobes, y’all can block me please)
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The Supper after the Masked Ball, c.1855 by Thomas Couture (French, 1815--1879)
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Gertrude Fiske (American, 1879-1961), Lilies, c.1925-35. Oil on canvas, 21 1/4 x 17 1/4 in.
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Dinner dress
c. 1879
Moschowitz & Russell
Western Reserve Historical Society
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"Ulysses", c.1900 by Giulio Bargellini (1879–1936). Italian academic classical painter and mosaicist. oil on canvas
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Harebells and fine-leaved heather, c. 1879.
Albert Durer Lucas (British, 1828-1918)
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‘On the Seashore’ by Hanuš Knöchel, c. 1879.
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Sidewall - American Wall Paper Manufacturers' Association - c.1879–1887 - via Cooper Hewitt
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Norman Lindsay (Norman Alfred William Lindsay) (Australian, 1879 - 1969) - Dignity, c. 1942
picture resolution 1340 × 1680
More by #norman lindsay enjoypaitings
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“Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love.”
— Fyodor Dostoevsky, from “The Brothers Karamazov”, originally published c. 1879–1880.
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