Black Silk Bodice
c. 1890-1899
unknown designer
HCC Fashion Archive
49 notes
·
View notes
1850-1855 Silk Evening Dress.
50 notes
·
View notes
Afternoon dress, American, c. 1852
The MET Museum
48 notes
·
View notes
Reeds
pencil and digital
24 notes
·
View notes
whoever said modern clothing is better was LYING. i put on my victorian menswear and i immediately feel amazing. nothing can touch me! i have four layers on and you have no idea what my body looks like! i'm the hottest motherfucker ever! sure t-shirts are cool but have you ever tried a vest that gives you a slutty little waist?
19K notes
·
View notes
obsessed with the era of historical fashion between the 1860s and 1870s where aniline dyes kept being invented. you can find some absolute eyesores (affectionate) of dresses that were only made that way because “acid magenta” was invented last month and it was trendy.
like this iconic gown:
or this one from the 1870s in aniline purple and aniline black:
or a trendy yellow and black gown from c. 1865, perhaps?
feel free to reblog with additional eyesores (affectionate) that i might have missed
34K notes
·
View notes
Ball gown, 1840-41
Maker: Unknown
From the collection of Wien Museum
15K notes
·
View notes
Picnic at Hanging Rock
5K notes
·
View notes
They’re going to go hook up in the bathroom in approximately 20 minutes
1K notes
·
View notes
Pelisse
1835-1840
United States or England
DeWitt Wallace Decorative Arts Museum (Object Number: 1996-273
1K notes
·
View notes
Cape
Late 1890s
The John Bright Collection
7K notes
·
View notes
Elisabeth de Caraman-Chimay, Comtesse Greffulhe (1860–1952) made this dress famous by posing in it for the photographer Nadar in 1896. The museum also possesses the photographs made at the time, in which the elegant countess opted for being photographed in back view so as to highlight the slimness of her waist: this close-fitting 'princess line' dress – there were no seams at waist level – and the sinuous lines of the lily plants accentuate the impression of tallness and slenderness.
One of the leading figures on the Paris social scene – not only for her rank and sovereign elegance, but also for her culture and intelligence – Comtesse Greffulhe was a significant source of inspiration for Marcel Proust, who used her as the model for the Duchesse de Guermantes in Remembrance of Things Past. She was also the cousin of Robert de Montesquiou, who drew on her for some of his poems, including a sonnet whose closing line Beau lis qui regardez avec vos pistils noirs ('Beautiful lilies gazing with your black pistils') doubtless refers to this dress. The bertha collar, whose original form was altered, certainly during its owner's lifetime, could be turned up to form bat's wings; a bat being Montesquiou's emblematic animal, making this a true dress-poem.
2K notes
·
View notes
4K notes
·
View notes
Thursday, January 11.
Beauty, sensuality, art for art's sake.
It was the best of times, it was the worst of times. But it was the most Victorian of times, that much is certain. There was also a lot going on during this period, not least the emergence of a dark, elaborate, and literary fashion—one that would leave its mark well beyond the close of the 19th century.
We have curated just a few of these opulent delights for you this Thursday, January 11, in the hope that you live romantically, sensually, and broodingly. Like the bon vivants you so deserve.
A Cavatina, 1888, Briton Riviere. @eirene
970 notes
·
View notes