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#romantic era
clove-pinks · 1 day
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Paul Gavarni, L'Artiste: Far-Niente ("the artist doing nothing"), 1835.
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cy-lindric · 4 days
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Chrysanthemums
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onlinesweetheart · 6 months
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Winter Sunshine, Maxfield Parrish
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fashionsfromhistory · 6 months
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Pelisse
1835-1840
United States or England
DeWitt Wallace Decorative Arts Museum (Object Number: 1996-273
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frostedmagnolias · 3 months
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French dress
c. 1872
The Metropolitan Museum of Art
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littlepplofthemoon · 10 months
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‘Circe Invidiosa’ 1892
John William Waterhouse
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threadtalk · 10 months
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Speaking of sheer fabric, let's hang out in 1830 today. The 1830s are one of my favorite decades for the absolute bonkers direction things went in. Skirt hems went up, waistlines dropped, crinolines puffed, sleeves swelled, and hair went miles high with every kind of adornment you could imagine. For a truly exciting experience, search for hairstyles of the period and you'll see that the whimsical designs in Bridgerton weren't far off from the truth (just in the wrong decade).
This delightful dress employs aerophane in the construction of the flowers. Aerophane is unusual sheer, made of silk, and was only used until around the 1870s--but it had a lot of ideal qualities for the time. First, it had a beautiful shimmer, which caught the light of ballrooms for lovely effect. Secondly, it was ideal for embroidering and shaping, as it had an elasticity other sheers and nets did not have. Lastly, it held shapes, pleats, twists, and rosettes very well, so you could achieve remarkably artistic whimsy in borders and embellishments.
Here, the silhouette is absolutely darling. The pleats at the top of the bodice and that swooping neck hearken to the next two decades of peak Young Victoria.
From FIDM.
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jewellery-box · 5 months
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Woman's dress
1825–30, American
Silk brocaded satin, net trim, and glazed linen lining
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Dark brown satin bodice with all over sprays of roses, candy tuft and other small flowers brocaded with polychrome silks, short waisted, with wide flaring neck, hooked down center back, long straight undersleeves with short full puffed oversleeves, boned and lined with white linen; narrow ruching of stiffened sheer cotton at edge of sleeves. Tag saying, Mrs. Inches.
MFA Boston
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burningvelvet · 5 months
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random history trivia you should know: in the early 1800s people wore these hipster-style glasses. the first pair is indeed blue; lord byron was also fond of blue sunglasses. green on the right was another popular shade as it was thought cooler colors protected sight better from the yellowish warmth of light. i don't know if that's medically true, but i had a beloved pair of purple glasses once and i thought they were much more comfortable than regular black shades. i'm pretty sure the famous composer franz schubert in the middle there is just wearing regular eyeglasses.
Sources: John Wesley Jarvis' Portrait Of A Gentleman, 1807, composer Franz Schubert at age 17, 1814, Nathaniel Olds by Jeptha Homer Wade, 1839.
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bebx · 8 months
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A FATHER AND HIS SON
Ivan the Terrible Killing his Son (1885) by Ilya Repin // Saturn Devouring One of His Children (1820-1823) by Francisco Goya
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ariaovon · 8 months
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🎶
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clove-pinks · 1 year
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Men's double-breasted waistcoat, c. 1835-1845. Silk, lined in cotton, backed with silk twill, with detail of rose design:
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The John Bright Collection notes that "The back is adjusted with a tape threaded through three pairs of metal eyelets on tabs. These metal eyelets, patented in the mid 1820s, were a great improvement on the stitched eyelets that preceded them, being able to take greater strain."
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cy-lindric · 10 months
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What do I care about latin speeches and the jeering of my scoundrel ? I love Lorenzo, I do, and par la mort de Dieu ! He shall remain here.
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onlinesweetheart · 7 months
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<3
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fashionsfromhistory · 6 months
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Dress
c.1836
United Kingdom
The MET (Accession Number: 1971.47.3a–e)
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frostedmagnolias · 4 months
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Dinner dress with holly leaves embroidered at the hem
c. 1824-1826
maker unknown
The MET
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