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#but time to turn it around
tinseltownie · 1 month
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Watching F2 for my son Ollie Bearman
Accidentally fell in love with Kush Maini and will be rooting for him for the rest of the season
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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mwagneto · 4 months
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turn left is literally the most insane episode ever written. yeah the main character would kill himself if he didn't meet his best friend and the UK government is like 2 bad days away from putting all non-english people into labour camps. also all your favourite characters died trying to do what little they could. wouldn't that be crazy? anyway time for the daleks again
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mienar · 10 months
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close-ups of a commission i did a while back! 🌱
instagram | shop | commission info
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puppyeared · 9 months
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Wyrm on a string
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egophiliac · 8 months
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starting off with an amuse-bouche of some of my initial favorite bits! y'all, this update was WILD.
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ew-selfish-art · 6 months
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Dpx Dc AU: Ectoplasm is required for Ghosts to be visible to the human eye- And Danny creates his own ectoplasm.
Danny is visiting Jazz in Gotham and its weird how friendly everyone is. Like, the city gets a really bad rapport, everywhere he goes there is someone trying to strike up a conversation or answer his questions about getting around to the tourist spots. A few people even pointed out restaurants and ways to find off the beaten path gems! Jazz seems to role her eyes at him, but when he brings up her 'roommate' being kind of cute she flat out laughs.
Danny then comes to understand the Jazz doesn't have a roommate and that Ghosts in Gotham don't move far from their haunts- He's just been inadvertently turning these undead folks visible by accident of generating abnormal amounts of ectoplasm.
Which, is comforting in a way, he's never walking this dangerous city alone and really, most of the ghosts have been really friendly! They disappear once he's a few blocks away from them anyway.
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Tim Drake is having a horrible day.
He'd been given intel that one of Black Mask's guys was going to snitch but that he'd died before given the opportunity to reach out to the GCPD. He tracks down the guy's last know whereabouts and yikes. Its next to the Theater. Tim was often grateful for his childhood obsessions, this time it backfired.
Tim and Bruce get into an argument about trust and respect and, worst of all, mental health. And even though Tim was vehemently against Batman accompanying Red Robin to the alleyway - that's exactly what happens.
They arrive and Bruce is closing up faster than a clam in the contaminated Gotham Bay- Clearly being in the Alley bothers him. No fucking shit. RR gets started on collecting evidence, there are a few extra blood splatters and a single left shoe... When a kid walks into the Alley.
"Uh, sorry to intrude-" The kid looks scared shitless, and runs away. And then, all of a sudden, Batman and Robin aren't alone in the Alley.
Tim can hardly believe his eyes as the dead man appears and quickly blabs Black Mask's bank passwords and what the plan had been- and While he's over joyed to have that closure, he turns around to Batman weeping in the arms of his parents.
The ghosts fade, and the emotions are certainly charged as this was never something Bruce or Tim would have ever dreamed of happening. Ghosts in Gotham. Talking, floating, granting closure.
"RR, Bats, come in." Oracle calls into their ears.
"Reporting in, but, uh, we need a minute."
"A minute? We have a case on 4th and-"
"O, we just saw the ghosts of the Waynes. It's going to be a minute."
"...Lots of Ghost reports lately then. Any chance you saw a kid looking like he could be adopted?"
"Yeah, actually, black hair and blue eyes. He was super polite before he ran away."
"We have work to do. Oracle, lets prioritize finding our person of interest and divert Nightwing and Robin to the case on 4th." Batman cut between them on the comms and he sounded... calmer than either of them anticipated.
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Jazz is no longer laughing when Batman appears at her door explaining that he's looking for Danny (Who already flew away from town to get a good night's sleep before class on Monday). Turns out Danny reunited the man with his dead parents just briefly- and then the second guy appears and mentions how Danny had also given a guy who'd been murdered by a Mob enough time to explain the ongoing threats the city faced.
Jazz just rolls her eyes and says that it's not like the ghosts are going anywhere anytime soon and Danny will visit in another month. When pressed, she just explains that her brother is a weirdo. No of course he doesn't have powers. Gaslight and Girlbosses her way out.
And Jazz thinks that the game is up for at least another month, obviously when Danny visits more shit will stir up, but then this new guy appears.
Unlike the other Bats who are keen on watching her from a distance, the Red Hood knocks on her door. Are her eyebrows all the way into her hairline when Red Hood asks her to send his thanks along to Danny because somehow this whole situation led to his Dad expressing remorse for his actions and apologizing? Yes, yes they are.
But Jazz can smell Dissertation Data off of these vigilantes- Who is she to send them away? Jazz welcomes Red Hood into her place for a cup of tea and a small chat.
The story then devolves into Jazz getting shit done, Danny being cute by proximity and also bringing ghosts to the party, and the Bats having trauma resolve between them.
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ivytea · 1 year
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may-bells cuisine
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raepliica · 6 months
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one of these nights
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ladyddanger · 7 months
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thinking about the events of the dsmp hundreds of years later being just a bunch of stories.
In a village nestled between tall pines children play Manberg Vs Pogtopia, the names of nations and reasons for war long forgotten as they hit each other with sticks and tackle their friends to warm summer grass.
When their mothers tuck them in that night they tell them stories of a snowy wasteland, so ancient it still holds the scars of long wars forgotten. They tell them of the wasteland’s inhabitant, the greatest warrior this world has ever seen. His name is lost to history but warriors still pray to him on the eve of battle and tie ravens feathers in their hair in his honor.
If the children misbehaved that day their mothers tell them a different story, one of a masked man who steals bad children and drowns them in the sea.
There’s a crater a few miles east of the village in the middle of the marshlands up by a glittering ocean. The crater is so deep that you can throw rocks off the edge and never hear them hit the bottom. Legend says that once upon a time the goddess of death had a son who walked this earth and when he died in her rage and grief she tore into the city that once stood there with her bare hands and ripped it from the earth leaving nothing but a crater behind.
On long sunny evenings in the inns that dot the coastline bards tell stories of a cursed city of gold and glass buried in the heart of a desert where it snows. They whisper the city is full of riches but nobody who looks for it ever comes back.
On stormy nights the Bards tell a different story, a story of a town that sits over a slumbering god. Strange things happen there. Red vines sport up over night. If you listen closely, the people say you can hear them talk. Everyone there has red eyes and cold cold hands.
If you start at dawn and ride in the opposite direction of the carter you can reach the vault before nightfall. The locals claim it used to hold a faceless god guarded by a king but time has weathered the vault’s defenses and the towns children dare each other inside its walls, running though the tight passages.
An old fairytale says if you follow a small barely visible path from the doors of a vault beyond you’ll reach a forest full of trees so overgrown they block the sun. The fairytale says if you walk to the heart of the forrest there’s a prince sleeping there, nestled in the flowers and weeds. The fairytale says his true love and his knights are long dead. The fairytale says he dreams the whole world in existence. The fairytale says a lot of things but nobody really believes it.
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heckitall · 4 months
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Same As It Never Will Be
Part 8 - (Part 9) - Part 10
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in my post-finals haze, i momentarily forgot that i was NOT outlining the speech bubbles sooooooo ...that will go back next update!
this one is a little exposition which is my least favorite aspects of comics BUT this part needed words and less action SIGH
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hinamie · 7 days
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i have so much band!au content in the pipeline my brain is Rotting but enjoy these two for now
jjk band!au
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vaguely-concerned · 1 month
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imagine being a rando civilian ds9 resident trapped behind forcefields as the station slowly ratchets up to blow itself to pieces in civil defense and then you look up and see the local tailor powerwalking irritably towards ops while the lockdown parts for him like the red sea before moses. and he's presumably caught in a permanent eye roll over every ATTENTION BAJORAN WORKERS as he goes
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beastwhimsy · 7 months
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he deserves the world tbh
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gray-warden · 11 days
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I just realized I never posted photos of this really pretty harvestman i came across a while back. Note the green pedipalps and the dark and light spots on its back.
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applecranberryjuice · 5 months
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They could have solved this sooner if any of them bothered to look at a calendar
Hear me out
Ninjago doesn't have the best track record with dates (Wu's lifetime...) and I don't expect DR to be any better at it. But rewatching the season I realized the fact that when Lloyd narrates, he mentions being "alone for weeks" and, in the carnival, recalls not being around many people in a while, nailing down how he was secluded to the monastery during those weeks he woke up alone. This is fine, typical Lloyd behavior, just that when Nya encounters Cole, he says years. Lloyd has no reason to lie, he doesn't have to make it seem like he was less time around so if he is not lying, and he truly was weeks alone, while Cole spends years lost after the merge? What happened?
And Nya and Kai! Kai woke up early enough, and in the bounty! to be able to map and travel a big part of the new land and try to find his way back, we don't know his side, but considering he pretty much arrived and then left again, had he entered the monastery before? I do believe he was longer out, awake and traveling. Nya also mentions having traveled before encountering the cranglings-- and she was on foot, she's resilient and strong, but for how long can you travel unknown terrain without a vehicle and survive it.
The idea of time getting messed up is plausible, other than reality coming undone and messing up every physics law-Cole is hanging out with what seems to be a kid formling, whose realm is confirmed to move differently time-wise, how could two different time progressions reacted to each other? How did that affect dates? Growing rates? So interesting.
I want to know if dr is planning on going somewhere with this, if not, then it'll be one more concept I'll rotate in my brain like a skewer, its such an interesting concept to me
Its also free trauma for the ninja! Win-Win
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