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#but they are not executed well
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i used to be so good at writing strong, thoroughly-researched, thoroughly-edited essays.
as a kid in hs, my teacher literally came up to me, holding my 40 page essay on the intersection of the European witch hunts and capitalism/exploitation/gender roles (it was supposed to be 7 pages...whoops) and went like "this is literally a master's-degree level thesis. what are you doing?? you could literally use this as your final dissertation in a master's program, what the fuck."
NOW??? NOW?? you'd think I'd be oh so skilled. but alas. i can barely piece together two ideas. adhd skill-regression is so so real. im SOBBING
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watchyourbuck · 1 month
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There’s something so beautiful about the conversation right after the kiss. In the way that we all know this moment’s huge for Buck, but Tommy takes the lead, doesn’t let him spiral, or overthink, or be nervous about what it means. Tommy keeps him grounded, invites him out, tells him about his shift. He touches him, straightening his shirt, which is such an ‘earth to Buck’ kinda moment. It’s so soft ???
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isjasz · 1 month
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[Day 267]
Waiting for sunrise (Idk i just wanted to paint the vibes)
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elinbean · 5 months
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a win for tortured writers and haunted artists everywhere
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lotus-pear · 3 months
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I AM SHITTJING MYSELF WHY DOES HE HAVE THE SPECIAL EDITION $1.5K VICTORIA’S SECRET RED SATIN PAJAMAS
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lazylittledragon · 3 months
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isn't it weird how if you get up at 7 or 8, do your work all day, then have free time and go to bed at 11 that's absolutely fine
but if i said i get up at 10, do fun stuff in the morning then work in the evening and go to bed late, i could be called lazy, nevermind that i'm getting just as much or MORE work done as i would in a traditional work day
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fudgecake-charlie · 7 months
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I wasn't actually planning on posting my traffic zine piece, but after seeing martyn react to (most of, hopefully he does the unread fics another time) the zine, I'll post it here :D @trafficzine This was so much fun, even if i had to super rush it because of IRL things!
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beaft · 1 month
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i follow a facebook page called "terrible art found in charity shops" and so many of the paintings that get posted on there are just... abstract art. not terrible, just unusual or stylised in a clearly intentional way. and the people who post them always add the most obnoxious captions like "well, i don't know who this 'picasso' is, but it's time he learned that women's eyes don't live in the sides of their heads! 😜" idk like i just think the world would be a better place if we got over this idea that art must be hyperrealistic and aesthetically pleasing in order to be good lol
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comradekatara · 2 months
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i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
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butchthirteen · 5 months
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okay the other thing is like. can we think about why, in-universe and out, one might choose to have the doctor return to a fan favorite regeneration and a regeneration where both the character and actor were reluctant to move on? and (especially in the context of new who being about the doctor's trauma) can we think about why one might then bring in the new exciting regeneration and have that regeneration extend comfort to the prior one?
like people keep treating it like tennant and gatwa are like. competing. but it's not a competition, it's a collaboration. it's a meeting of old and new, it's a passing of the torch. and it's honestly really really beautiful to me.
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feeling emotional
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about this
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caelanglang · 1 year
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Post-Mission Celebration: Movie Night Afternoon (things that happen when you’re all working the night shift…)
if you squint you’ll see them breathing
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sucharandomwolf · 1 month
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Hello Rise fandom 🤗
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canisalbus · 4 months
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the anon saying they wish vaschete were plushies inspired me
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thebibliosphere · 4 months
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I know I said this about the Gotham tv show, but man, fucking so much happens in Pennyworth.
It's just like that.
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marvelyningreen · 1 year
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Ryan pitching his passion project to Shane: “We’re gonna travel around the country looking for evidence of the supernatural.”
Shane pitching his passion project to Ryan: “I’m gonna need you to fistfight a puppet.”
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