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queerly-autistic · 3 months

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Anyway, I just sent pitches to four outlets (Guardian, Metro, Digital Spy and Pink News) about an article I want to write spotlighting fans' personal reasons for campaigning to save Our Flag Means Death, so now we just wait prettily to see if I hear back from any of them.

#the likelihood is that i will be ghosted by all of them #thus is the life of a writer pitching articles #but that's also why we run our own websites #truly an unkillable failsafe to have #ofmd #our flag means death #save ofmd #renew ofmd #renew as a crew #adopt our crew #be a lighthouse

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agentromanoffsir · 1 year

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neocities guide - why you should build your own html website

do you miss the charm of the 90s/00s web where sites had actual personality instead of the same minimalistic theme? are you feeling drained by social media and the constant corporate monopoly of your data and time? do you want to be excited about the internet again? try neocities!!

what is neocities?

neocities is a free hosting website that lets you build your own html website from scratch, with total creative control. in their own words: "we are tired of living in an online world where people are isolated from each other on boring, generic social networks that don't let us truly express ourselves. it's time we took back our personalities from these sterilized, lifeless, monetized, data mined, monitored addiction machines and let our creativity flourish again."

why should I make my own website?

web3 has been overtaken by capitalism & conformity. websites that once were meant to be fun online social spaces now exist solely to steal your data and sell you things. it sucks!! building a personal site is a great way to express yourself and take control of your online experience.

what would I even put on a website?

the best part about making your own site is that you can do literally whatever the hell you want! focus on a specific subject or make it a wild collection of all your interests. share your art! make a shrine for one of your interests! post a picture of every bird you see when you step outside! make a collection of your favorite blinkies! the world is your oyster !! here are some cool example sites to inspire you: recently updated neocities sites | it can be fun to just look through these and browse people's content! space bar | local interstellar dive bar creature feature | halloween & monsters big gulp supreme peanutbuttaz | personal site dragodiluna linwood | personal site patho grove | personal site

getting started: neocities/html guide

sound interesting? here are some guides to help you get started, especially if you aren't familiar with html/css sadgrl.online webmastery | a fantastic resource for getting started with html & web revival. also has a layout builder that you can use to start with in case starting from scratch is too intimidating web design in 4 minutes | good for learning coding basics w3schools | html tutorials templaterr | demo & html for basic web elements eggramen test pages | css page templates to get started with sadgrl background tiles | bg tiles rivendell background tiles | more free bg tiles

fun stuff to add to your site

web revival manifestos & communities

also, there's actually a pretty cool community of people out there who want to bring joy back to the web! melonland project | web project/community celebrating individual & joyful online experiences. Also has an online forum melonland intro to web revival | what is web revival? melonking manifesto | status cafe | share your current status nightfall city | online community onio.cafe | leave a message and enjoy the ambiance sadgrl internet manifesto | yesterweb internet manifesto | sadly defunct, still a great resource reclaiming online social spaces | great manifesto on cultivating your online experience

in conclusion

i want everyone to make a neocities site because it's fun af and i love seeing everyone's weird personal sites that they made outside of the control of capitalism :) say hi to me on neocities

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burins · 5 months

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I know this is the Take Personal Responsibility for Systemic Issues website, but I keep seeing weirdly guilt trippy posts about libraries and ebook licenses, which are a labyrinth from hell and not actually something you personally need to feel guilty about. here are a few facts about ebook licenses you may not know:

in Libby/Overdrive, which currently operates in most US public libraries, ebook licenses vary widely in how much they cost and what their terms are. some ebooks get charged per use, some have a set number of uses before the license runs out, and others have a period of time they're good for (usually 1-2 years) with unlimited checkouts during that period before they expire. these terms are set by the publisher and can also vary from book to book (for instance, a publisher might offer two types of licenses for a book, and we might buy one copy of a book with a set number of uses we want to have but know won't move as much, and another copy with a one year unlimited license for a new bestseller we know will be really moving this year.)

you as a patron have NO way of knowing which is which.

ebook licenses are very expensive compared to physical books! on average they run about 60 bucks a pop, where the same physical book would cost us $10-15 and last us five to ten years (or much longer, if it's a hardcover that doesn't get read a lot.)

if your library uses Hoopla instead, those are all pay per use, which is why many libraries cap checkouts at anywhere between 2-10 per month.

however.

this doesn't mean you shouldn't use ebooks. this doesn't mean you should feel guilty about checking things out! we buy ebook licenses for people to use them, because we know that ebook formats are easier for a lot of people (more accessible, more convenient, easier for people with schedules that don't let them get into the library.) these are resources the library buys for you. this is why we exist. you don't need to feel guilty about using them!

things that are responsible for libraries being underfunded and having to stretch their resources:

government priorities and systemic underfunding of social services that don't turn a profit and aren't easily quantified

our society's failure to value learning and pleasure reading for their own sake

predatory ebook licensing models

things that are not responsible for libraries being underfunded:

individual patron behavior

I promise promise promise that your personal library use is not making or breaking your library's budget. your local politicians are doing that. capitalism is doing that. you are fine.

(if you want to help your local library, the number one thing you can do is to advocate for us! talk to your city or county government about how much you like the library. or call or write emails or letters. advocate for us locally. make sure your state reps know how important the library is to you. there are local advocacy groups in pretty much every state pushing for library priorities. or just ask your local librarian. we like to answer questions!

also, if you're in Massachusetts, bill h3239 would make a huge difference in letting us negotiate ebook prices more fairly. tell your rep to vote for it!)

#like. the nypl budget is getting cut bc Adams doesnt think the library matters!#your checking out a book a few times bc you didn't get to it in time is not actually affecting Mr. Cops Not Books #library haint #if you like the library and you like free stuff come use the library. you might be surprised about what we have!#but it's not a moral act either way.#libraries are a public good! i love the library! but so is the post office. we don't moralize about the post office.#ANYWAY.#local librarian with tendencies towards scrupulosity gets frustrated online more news at 10

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patrice-bergerons · 9 months

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Quick FAQ on Tumblr, "Value", and the Proposed Crab Day

Motivation: I see a lot of misinformation circulating on the dash re the proposed crab day and I wanted to offer a simplified and judgement free perspective using core principles of finance.

Q: We keep being told that tumblr's been making nothing but a loss for years, and yet, if it is so unprofitable, then why is no one is shutting the website down? Is it really in need of our money if it's already owned by a multi-billion dollar corporation?

This is in fact not as much of a paradox as it appears to be because "value" in corporate finance terms is a function of present and expected future profits (adjusting for the fact that profits you expect to be earn in the near future are worth a lot more than equivalent profits expected to be earned much later in time).

This means that you can have a company or a product that is currently making a loss (i.e. costing a lot more to run than the income it generates) and it might still be worth some (or a lot of) money as long as you expect it to generate enough profits going forward. Uber for example has been making a loss for years and is still valued at billions of dollars because people think it will eventually generate a lot of profit.

Q: What does all of that mean for tumblr, specifically?

Given how unprofitable tumblr has been historically it's actually a pretty good sign that management has a plan to try and make it profitable because it means they haven't thrown in the towel yet!

But if they fail or if they decide that no matter what they do tumblr will remain unprofitable, then they wouldn't have much business incentive to keep running it. This is why participating in crab day or spending some money on tumblr in general is a good idea, if you can afford it and if tumblr is a service you would like to keep enjoying into the future. And if the answer is no to either of those questions, that's ok too--don't let anyone guilt you on this.

Even more questions-and-answers under the cut! My inbox is also open for any (good faith) questions you might have.

Q: But we all use tumblr religiously--isn't that enough?

Not quite. Tumblr's current state means that the existing userbase is not enough to make the site profitable. For that to change, either the existing userbase needs to become more profitable, or tumblr needs to get a lot more new users--or have a combination of both.

Q: Can crab day really solve all this?

Once again, not quite. A one time cash-injection is not equal to sustainable income, which is what tumblr ultimately needs. This means tumblr will still need to court potential new users and that entails some change to the design and/or the perception of the site. (I love tumblr but guys, if we are real for a second, last time I told my coworkers that, they asked me if I also had a myspace account.)

Q: So why participate then?

Because it will still help. While some change is inevitable and necessary, if we the existing users put our money where our mouth is, it would send a strong signal to management that we value the service they offer and that they should take our preferences into account in designing the site's future also. Also some cash, even if it is a one time deal,

Q: I heard people who came up with the idea are transphobic Christian fundies--do you really want to associate with people like that?

I don't. But who the blogs behind this idea, as people, are has no bearing on the merits of the idea itself.

#crab day #save this hellsite #im gonna say something i never explicitly have #and ask that you rb this if you agree with it #finance is confusing! and the more we get the message across #the better i think #for keeping tumblr around for a long time

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flagbridge · 3 months

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Q&A: The Phantom Broadway Proshot

Happy 36th Birthday to Phantom of the Opera's opening night on Broadway! We should be celebrating at the Majestic. The show never should have closed.

In order to create "new" ish POTO Broadway content, @or-what-you-will and I promised to answer your questions about the proshot on POTO Broadway's birthday. Find our summary of the Proshot here.

We got dozens of questions, which we've consolidated into 14 questions. Read them all past the cut!

Wait, what’s the Phantom Proshot?

The Phantom Proshot is an archival copy of the original Broadway cast and production of Phantom of the Opera, filmed at the evening performance with a live audience on May 25, 1988. The New York Public Library, Theatre on Film and Tape Archive at the Performing Arts Library at Lincoln Center has archival copies of Broadway, Off-Broadway, and Regional theater going back to 1970. You can’t view currently running shows, so since Phantom ran for so long, it was under lock and key.

2. How do I see the Pro-Shot?

Pretty simple how to guide here on the NYPL website.

We are both NYPL cardholders and made a reservation in advance. You are required to state why you are accessing the recording as they exist for archival and research purpose. Both of us are published authors and researchers under our real names.

Here's a picture of the room we were in from NYPL's website. We had an appointment and were set up in a room with lots of monitors. We were seated at monitors next to each other with two sets of headphones and had one set of controls to pause/rewind etc. There are 20 monitors in the room and it was pretty full that day. This was not my first time at the TOFT and it’s always had a good number of people around.

3. Can someone get a boot of it/send me the link to it? Pleeeeease?

No. Seriously, stop asking about this. Stop joking about this. It’s not online, and never will be. All of the recordings are on digital media (videodiscs or DvDs) in the basement and only library staff get to touch them. Don’t be the person who tried to do this and ruins the archive for everyone else. You can’t even bring electronic devices into the room.

4. Why won’t they release it to the public? And who the heck does it benefit to keep this locked away?

It isn’t. It was locked away when the show was actually running. It is available to the public. We are the public! We have library cards and went to a public library and watched it for $0! It’s owned by the library so the public can see it! At the library!

The availability of us to access it now that the show has closed is what constitutes public release. There were several other phans, members of the public there to see it after us, and the library allowed them to max out the number of monitors the library allows people to view on. They had a later appointment and were watching disc one when we were on disc two. I’m sure there was someone after them too. Were we all wearing Phantom gear? Also yes.

(@or-what-you-will here) The library is not allowed to show recordings of anything currently running on Broadway, presumably because of fears about economic loss from those who own the rights to the musicals. The library does not own the rights to the musicals in the archive, and there are likely a lot of stipulations the library has to follow to be able to have recordings like this.

As someone who works in a library doing digitization work, libraries and the media they contain are very complicated. TOFT likely has the rights to show it under a very limited license, and to make copies for preservation purposes only, but things like this mean they would not be able to do anything like put it online or charge for it or do anything that would be them acting as though they owned the copyright (as opposed to the physical media). This is why when a library or archive has a book or tapes they don’t usually have the right to photocopy the entire book or digitize the entire tape and put it online (unless it is in public domain), however, if you go in person you can see it all you want. Someone else (usually the creator) owns the right to distribute or copy, and libraries and archives can get in a lot of trouble for violating it.

The copyright is still owned by the holders of each respective musical’s copyright. It’s essentially like when you buy a DVD and you are technically not supposed to copy that DVD but you can invite your friends over to watch it at your house. Copying it and distributing it violates copyright. Putting it online violates copyright. If the library violated copyright it would likely lose the ability to archive musicals altogether. If you copied the DVD it would be a lot harder to find out who put it up because the DVD is owned by lots of people, though you could still be prosecuted by the law. If the library did, they would know immediately who did it because they are presumably the only ones with a copy of this recording.

Likewise if someone took a bootleg recording of a show and distributed it, the copyright holders wouldn’t know it existed. If they found out that individual would then be eligible to be prosecuted under the law. Because the library is a public institution, if they were found out to be doing this, it would be the library itself that would get in trouble and it would damage their reputation, their funding, and quite possibly the funding and reputation of libraries around the world. A lot of this is done on trust. The copyright holders trust the library as a public institution and the library has a lot more stakes in the game than a single person recording the show and distributing it.

It’s a very tenuous agreement at times, and likely the library is only allowed to even record because there are so many protections in place and they have a history of enforcing these rules. These agreements also usually cover digitization and preservation, but again, violating them could have those abilities taken away as well. It’s all tied up in copyright law and the library has no control over that. I have talked to archivists where I live who have to record performances with tape over the lens because it’s considered for preservation and they want to make sure it cannot be possible to profit off of it in any way.

When the show goes into public domain they will be able to put it online all they want without fear of repercussions, but until then, unless those agreements change, we are all limited by the whim of the copyright holders.

5. Hello! Is the pro shot you watched what this clip is from https://www.instagram.com/reel/Cp2_80CJqI3/?igsh=MWNja2wwYWw4OHUwbw== ?

I know all of us here on Tumblr were freaking out that they maybe had a copy of the pro shot when this came out. Thank you! (@imstillhere-butallislost)

Not the proshot, it's a press reel. It has its own cool story though! Answered this here.

6. How good of a shot was it? I know you said ProShot but is it a ProShot like Hamilton or just a camera recording the whole stage at once?

I’d definitely say it was Hamilton pro-shot quality as to what was available at the time between image quality and mixing up of close ups and wide shots. I’ve watched other proshots and many just park a camera in the back of the orchestra and call it good. Cats in particular had multiple cameras but just did close-ups when they felt like it, not when it made sense or added anything. As @or-what-you-will explained in their re-blog, Phantom was one of the first proshots where they had a soundboard plug in, and let me tell you, with the exception of a few moments in Act 1 where Sarah Brightman maxes out her mic, the sound was delicious. Have we talked about how Judy Kaye is singing over the overture (yes, that’s Judy Kaye, original Carlotta, warming up!)? Or that you can hear every single word of Notes I and Prima Donna and Notes II, which usually just sounds garbled because everyone is singing over one another? Actually hearing words that I sort of know exist changed my experience of the show for me.

7. How did the tempo seem, compared to the pace of the show at the end of its run? I saw the show a few times in the last few years, and the music seemed significantly faster in person than it sounded on the London cast recording. I’ve always wondered if that was just a difference between the London and NY productions, or if the tempo just sped up over the years.

Uh…normal pace??? I’ve watched a lot of boots and most solidly clock in 2:15 of run time. This was no different. There are definitely some that run a little faster. London during Earl Carpenter’s 2023 run was notorious as he had to catch a train. It does seem to have settled back out. I will say, the music does always feel more intense in person because the whole place just vibrates.

8. I'm curious about the comment about the Ratcatcher? I think I remember that character from a film adaptation, but was he ever in the ALW musical? (@lord-valery-mimes)

Yes, Ratcatcher is still in the musical, even now. It’s a blink or you miss it type of moment. If you hear a thud and a scream right before Madame Giry tells Raoul “He lives across the Lake, Monsieur”, the thud is the ratcatcher running across the travelator.

9. Does Christine really recognize the Phantom in PONR from his boner?

No, but at this point she probably already know it’s him and has been trying to get through the scene, but definitely acts surprised because, well, that’s surprising. But it’s definitely the moment where the Vibes Are Officially Off.

10. Can Sarah Brightman act?

Yes! All three of the trio have far more nuanced performances on stage. Sarah doesn’t act the way that we do see many later Christines (including late 80s and early 90s Christines), but she absolutely created the blueprint for the role. Her “Wishing You Were Somehow Here Again” is missing some soul, but at the end of the day she was one of a kind, and she made some very strong acting choices.

11. there anything unexpected? Any interpretation that stood out to you and particularly striking but didn’t stick around as others took on the roles and put their own spin on things?

Guys, I want to talk about Steve Barton as Raoul. The man made choice, after choice, after choice. And yet we have had so many Raoul’s that are kind of just strutting about looking pretty. Some seem to even forget they’re onstage during Final Lair. It can be such a juicy role if the actors choose to make it that way but so few do.

Besides some small details I mentioned, the show did maintain its integrity through its 35 year run, which is truly remarkable.

(@or-what-you-will here) Seconding what Flag said, Steve Barton brought so much more to the role than I’m used to seeing, and it really opened my mind to what Raoul could be.

The blocking in PONR did surprise me, I knew they had changed it but I hadn’t realized how much. I always found the kind of pinwheeling arm thing Christine does with the phantom strange, so it was a pleasant surprise to find that they didn’t do that at all, the embrace from behind made more sense to me.

I also found after she took his hood off no one really ran out, the phantom and Christine got to have their moment. The blocking where they (the managers and Raoul) run out and tell Christine to stay makes no sense with their motivations to stop him. The more recent blocking where Christine motions them to stay in place as the phantom sings the All I Ask of You Reprise makes way more sense with the characters’ motives and matches this original blocking much more.

12. Also are you truly working on a research project? If so, how is progress and where might we find your final results when it’s complete?

To quote Dr. Who, “Spoilers.” Yes, always. Both of us have day jobs that have us doing research, but I can’t promise I’ll put it on here when complete since I keep fandom and real life separate. Sorry to dodge this one but getting into specifics about this starts to identify us.

(@or-what-you-will here) Seconding what Flag said.

13. Hi there, I was wondering if I could ask you a general question about the NPL’s archive. Something about the language on their website made it sound like viewers could only watch a recording “once”. I wasn’t sure if that meant “once per visit” (i.e. you can’t sit there for 8 hours restarting the tape every time it ends) or “once” as in forever (like, once you’ve watched a recording you are never allowed to request it again). Did you have any clarification? I wasn't sure if the librarians explain the policies when you arrive at your appointment. Thank you for providing so many details about the Phantom pro-shot and offering to answer our questions! That's really kind of you!

You’re welcome! So if there’s nobody after you, you can hang out with the media as long as you want. However, we did have another group come in about 90 minutes after us. That gave us enough time to watch both acts with all the rewinds we wanted. We watched PONR and parts of Final Lair like five times. On a previous TOFT trip I watched two shows and was there for like six hours. The prohibition is on coming back and watching the recording again. I have no idea how strict they are about this, although I suspect it’s to keep people from monopolizing certain media. Would I want to try to watch the proshot again in the future? Probably! I know there’s stuff I missed, or I’d see something different depending on what I’m working on. The TOFT is also an absolutely incredible resource and I have so many other shows I’d like to check out.

(Will here) They do log on your library account when you visit that you visited and what you saw. However, if you have accessibility needs that would require you to watch in multiple viewings or something along those lines, I would talk to them about it, because I’m sure they’d be able to work with you to figure out something so you wouldn’t have to sit through the whole thing in one shot.

14. > Barton Raoul’s “There is no Phantom of the Opera” comes off more as “Christine this is just some dude” vs “he doesn’t exist at all.”

Could you elaborate on this part? I'm having trouble imagining how that would be conveyed. (also, thanks for sharing your notes on the procast!) @clutzyangel

You're welcome! Yes, he's telling Christine that the Phantom is a human, flesh-and-blood man, not some fantastical creature. I've seen many Raouls who seem to try to convince Christine that the Phantom doesn't exist at all. Barton's Raoul seems to understand that he's a man with ulterior motives possibly duping Christine.

And he's not wrong.

#phantom of the opera #poto #alw phantom #phantom proshot #happy birthday phantom broadway #phantom broadway #michael crawford #sarah brightman #steve barton #judy kaye #andrew lloyd webber #nypl #research #I wish Phantom were still be on broadway #we should all be wilding out at the majestic

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fairyofshampgyu · 2 years

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Corrupt File !

genre: smut, college au

pairing: programmer! beomgyu x gn reader (afab when it comes to smut)

warnings: nsfw, sub virgin nerd! beomgyu, dom! reader, corruption kink, mentions of p0rn, handjob, riding

word count: 1.8k

Choi Beomgyu. Goodie two shoes in your comp sci class who was the teacher’s pet and notorious for being an ‘excellent’ and ‘strong’ programmer who can program amazingly well in any language and has great debugging skills. Apparently he learnt how to program at the early age of 7 and made his own pac man after a week.

He’s also a little pretentious bitch. He thinks he’s better than everyone else in the class and doesn’t bother speaking to anyone, giving others judgemental stares. You’ve seen him a couple times on campus with four other dudes though but none of them were in any of your classes. He comes to every single class early with his cute little outfits, sweater vests and cardigans whilst everyone else is in their hoodies and deranged with little sleep, sits at the front and doesn’t talk to anyone but the teacher.

You? Well, you’re mediocre at programming. You’re not too bad but you prefer other aspects of computer science and your programming skills have always made you slightly insecure because you weren't the best of the best and you didn’t learn it at some ridiculously young age and program 24/7 all types of games and websites and other stuff. You had to work so hard to actually get to a good level of programming whilst it came so easy to people like Choi Beomgyu. He seems so perfect. It made you want to imperfect him.

You were late to class today, getting a bit delayed by some cats on the way there. They were really cute cats what can you say! And you loved cats. But being late to class today meant that all seats were occupied except for the front row and the spare seat, unsurprisingly was next to Choi Beomgyu. He doesn’t pay you any attention though, waiting for his computer screen to load and then the teacher begins.

“Alright, today I thought our class was in great need of some partner work and we’ll be doing programming today. With whoever is sitting next to you, I’d like you to develop a program with them. It can be on everything and anything and you have the weekend to create it, using Python.”

Wow. It was just your luck.

The boy besides you sighs, pushes his cute, round, kinda too big for his face, glasses up and turns his body to face you.

To be honest, you wouldn’t have minded working with him. Despite being slightly jealous, you did admire his skill but with how hostile he was being and how clearly he resented the idea of working with you, you didn’t think this was going to go too well.

“...We could make like a simple video game or something...” You speak up first.

“On python? And too basic.” He rolls his eyes and shuts your suggestion off.

You’re slightly agitated with him now and you show it with your tone. “Well what do you think we should do then, huh?”

“I think we should make a music suggestion tool. We could make an algorithm run that recommends music based on what we think the user will like.”

He doesn’t wait for you to agree, opening up python and already starting to write some code.

For the rest of the class, you don’t contribute much, just trying to give him some suggestions to add maybe a function over there or a loop over here, maybe trying to find a reason as to why a syntax or logic error came up. You’re already halfway done and sure it would need more refining but now you know it won’t take up your whole weekend which is good. You watch him carefully as he stays very focused, fluffy dark hair falling into his face and eyes and his circular glasses that had drooped back down to his nose. You look down to his hands. He was very fast at typing and his hands were oddly very pretty.

Upon inspecting his features, you come to the conclusion that he was in fact actually pretty attractive. How had you never noticed before?

“We can carry on working on it at my place right now if you want?” Beomgyu asks, packing up his pink laptop, pink pencil case and pink notebook back into his crossbody bag after the class had finished. You stare at your own laptop that just has a black hard case cover, your pencil case that looks like it’s been through three wars, and your notebook that was really just a bunch of lined paper. Wow, he even had a theme going on.

“Oh I've actually got another class after this that won’t be done until about two hours but I can come after that. Just send me your address.” So you exchange phone numbers and go off your separate ways.

Apparently you were the only one who wasn’t informed that your class was actually cancelled today, your professor going on strike or something like that. Sighing, you check your phone to see that beomgyu had sent you his address and it’s not that far from the campus. You could go there early then.

knock, knock, knock. He was taking weirdly long to open his door and you could hear some rustling and bustling until he finally did open his door.

“Oh. You’re here early.”

“Yeah turns out my class was actually cancelled.”

His room was exactly how you expected it to look; clean and cute and quite perfectly him. The room had a pastel coloured running theme but mostly just pink and white. Fairy lights, strung across the headboard of his bed, a pastel pink record player in the right corner with an assortment of vinyls underneath, ones you recognised and liked and some you didn't recognise, an acoustic guitar to the left on a stand near his shelf and there was a worn out teddy bear occupying his bed.

He sits on his bed and you follow...and then you both just sit there doing absolutely nothing for a few seconds in awkward silence.

“Uhhh aren’t you gonna get your laptop? We wrote it on your laptop?” You laugh, awkwardly.

“Uh yeah. Right.” So he gets his laptop, very slowly opening it and he’s just about to open the .py file when his mouse board falters over the safari accidentally and the hidden window was freed with a very suggestive video on it paused and an even more suggestive website. Your eyes go wide and so does his.

“I-it’s not- it’s not what it looks like! I-it’s just when you’re watching on a dodgy website and those pop ups come up! yeah...yeah!” He’s furiously clicking the red button on the top left hand corner to close the window immediately. But you can’t help the grin slowly appearing on your face.

You move slowly closer towards him and he moves back, stopping when his head touches the pretty fairy light headboard. “Oh really? Because it seems like you were jerking off before I was here.” Your face is only a few inches away from his now and he gulps, looking up at you. When he doesn’t even say anything to defend himself, you chuckle at him. “What happened to the little goodie two shoes? I didn’t know you were such a fucking whore.”

“I’m not-i’m not a whore!”

“Are you sure?” You move to his clothed dick which was painfully hard now, lightly palming it and his whole body jerks, moaning and eyelids fluttering.

“More, more...”

You scoff. “Have you ever had a handjob before?” He shakes his head. “Do you want one?” Slack-jawed, he nods his head profusely.

You free his dick and take it into your hands, starting to stroke him and his hands fly to shyly cover his face, attempting to conceal his moans but not to much success.

“Don’t cover your pretty face.” You tut at him, “I wanna see it.” You bring your own hands to remove them away from his face. Not gonna lie, it’s turning you on immensely seeing beomgyu like this. Little put together, pretentious, perfect beomgyu is like this right now, begging you to touch him, clueless and embarrassed. You want to absolutely ruin him.

“Aw I bet you didn’t get to cum before did you?”

“yeah...”

“Don't worry, baby I'll let you cum.”

You use your thumb to go back and forth on his sensitive tip while your other hand grabs the base of his dick and his mouth hangs wide open in endless moans and gasps. You pump his dick fast up and down, ruthlessly jerking him off and his breath hitches.

“Close!” He lets out the loudest moan so far and you abruptly stop. He utters a frustrated whine, hips bucking up and pouting at you, “I thought you said you’d let me cum.”

You can’t help but giggle at him. He’s so cute. “I will. In my pussy.” That seems to shut him up.

You get on top of him, straddling his waist and gently pinning both of his hands to the headboard. He looks at you slightly nervous.

“We don’t have to if you don’t want to.”

“But I want to.”

“You sure?” He nods his head.

“Okay.” You inhale a breath before positioning his tip to your entrance and you look to his face again for confirmation and when there’s no sign of uncertainty , you slowly sink down.

“Oh, fuck! Feels so gooood” His face contorts in pleasure and he turns his head to the side, burying it into the pillow whilst his mouth stays parted. You lift up and drop back down hard, making him cry out a loud moan and you begin to ride him slow.

He was already so blissed out by you riding him slow you wonder how he’d be if you quicken your pace so you do, riding him mercilessly now, basically bouncing on his cock and he moans uncontrollably, incoherent words coming out of him with a fucked out face in a daze. Only his moans getting higher in pitch by the second and the noise of skin slapping filling the room.

“C-cumming, cumming!” And with a loud whine and his eyes slightly rolling back, his dick jerks and spills all inside of you with his body trembling.

His face right after being fucked is gorgeous. He’s breathless and panting by his first proper orgasm with his cheeks and chest flushed, face glistening because of the sweat and his fluffy hair completely wrecked now, glasses a bit crooked and head in the clouds.

Yeah, maybe you won’t end up getting the program done in time after all.

COMMENTS AND REBLOGS ARE REALLY APPRECIATED GUYS 😭<333

#beomgyu smut #sub! beomgyu #sub!beomgyu #sub!idol #sub! idol #dom!reader #sub! txt #sub!txt #txt smut #txt scenarios #txt imagines #txt headcanons #txt reactions #beomgyu scenarios #beomgyu x reader #choi beomgyu smut #choi beomgyu x reader #kpop smut #txt hard hours

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slyandthefamilybook · 1 month

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What is the Accountability Archive?

(I was gonna make this an addition to another post but OP turned off reblogs while I was halfway through my deep dive so I'm making my own)

With any activism (or something trying to pass itself off as activism), especially list-making like this site, the most important question to ask is "why". What is the purpose? What do they hope to accomplish? How will this data be used?

The answer is......eh? The list is being compiled so that possibly someday some future historian might maybe think about wanting to form a committee to explore the possibility of..."understanding how 'power holders' manufacture consent". These power holders are, of course, politicians, but also journalists?, and "public figures", which is an extremely vague term. Am I a public figure? I certainly make my opinions public. So when these future researchers want to understand the nature of the current conflict, they won't need to look at the history of the region, the contemporary local politics as well as the international stage, and the personalities of the specific people involved. They'll just check out this eyesore of a website to find proof that slyandthefamilybook supports genocide. And future lawyers will be able to use this incontrovertible evidence to...sorry, to prosecute war crimes?????? Sorry, I couldn't help but laugh at that one. Well if I am on there it shouldn't be too hard to check. Surely a site called the "Accountability Archive" believes in transparency

Oh. Well. I'm sure if you pass their screening process they'll respond promptly from their encrypted archive-less email and definitely give you access. But don't worry. They have a "vision" of one day making this public. When are we the people going to be able to see the info? I want the juicy deets on who is and isn't a Zionist!

So, sometime in the future. Maybe. Probably. Well what kind of info are they collecting anyway?

Alright, seems normal so far. I appreciate that when talking about targeting of civilian populations or infrastructure they've remained impartial. I submitted a page from the ADL cataloguing US professors who celebrated Hamas' pogrom on 10/7. I will let you know how or if they respond

One thing I've noticed is the distinctly European spelling of some words like "dehumanisation" and "analyse". So who are these people even? They must have pictures, or names, or evidence of their bona fides. They claim to be "middle east experts" [sic] so surely they'll link articles they've written, or talk about degrees or accolades they've received. Something, anything to let us know that they're real serious people who know what they're talking about

Well that's......I mean that's not even an answer. You don't answer the question of "who are we" with "this is the purpose of our website". They have a Twitter, which despite being made in October 2023 (huh. weird) only made its first post in February 2024

The site itself went live on November 22, 2023, but according to Google was only certified as of 9 days ago

I'm not going to try to dig into who potentially runs the account. I don't want to doxx anyone. But this should give you an overview of what this site is and why you definitely shouldn't use it

#atlas entry

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the-curse-of-neoclones · 6 months

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Moderneopets Artist Mistreatment

Edit as of 11/16/23 10:40 AM NST:

Removed names where I failed to do so before. I'm very sorry to the affected parties, this snowballed so far out of my intended scope.

Edit as of 11/16/23 5:30 PM NST

Please see this post for a small update.

As of 11/16/23 10:10 PM NST, Hazer the site owner has formally and publicly apologized to myself and Velu, the other affected artist. As far as I'm concerned he has officially handled the situation as best as he could, and I hold no further qualms with Moderneopets. I hope to hear of its management continuing in this direction.

The following post is left up for archival purposes only.

*****

Hello, I’m wren. I'm an artist responsible for some of the pet assets on the neoclone, Moderneopets. I'm just going to get into it.

Hazer was extremely lucky to somehow cultivate a dense group of largely professional artists to work together to make assets for his site. When it comes to his own management as a site runner, he’s largely hands-off of the art department, which is a good thing! If he can’t be active in the art panel enough to know what goes on in there, he shouldn’t be running it— we have many strong, capable artists on the team who are passionate about recreating the neopets style, who work together on every pet that has been released ever since critique became a requirement.

It makes sense that, with a project this large, Hazer should have to designate moderators to enforce rules when he is absent. Choosing to bring on moderators was also a good decision. Unfortunately, he chose poorly.

Art panel issues should have separate Art panel moderators to take care of them. People who are not overburdened with generic moderation duties from the many other channels of the server, for example. In the same vein, artists should not be moderators. When an artist has an issue with another artist, who happens to be a moderator (which has happened many times, with many people— If the mods actually open threads for all complaints they receive, they should have evidence of this & if they don’t they are not being truthful), the artist would likely not feel comfortable approaching that same artist-slash-moderator to complain about what happened. It breeds an aura of fear and discomfort any time there is an issue with an artist/mod, and that is why the two moderators on the team should have to choose one or the other if hazer wants to cultivate a healthy atmosphere in his panel.

I’ve created many pets for this website. Neopets has been a passion of mine since the third grade. I’m also one of those professional artists I mentioned— my work is also art, industry or otherwise. I care about breaking neopets down into their core, recognizable shapes. I care about keeping them on-model and in the spirit of the original TNT art team, with improvements made where I and the other panelists think they make sense. I have redlined for other artists to an even greater degree, just as other artists have redlined for me and helped me finalize each pet into something simply good: something that made sense to get put on a little passion project website for other people with a similar passion to enjoy. I found the panel to be a community of likeminded artists with which to discuss our favorite childhood petsite while we made art for a clone, as if we could pretend we were making art for neopets-dot-com. It was nice.

It wasn’t perfect, though. In fact, shortly after I joined in 2021 I took a hiatus because the art panel was fairly dead. I came back a little while later to see we had several new species, as well as an art director, and lots of activity! That was very exciting. Over the next year I would reach out to the panel or, if nobody was sure of how to proceed, I would reach out to the art director to propose ideas for how to make the panel a little more functional; quality of life updates, if you will. I don’t take credit for all of these alone, there were other artists with similar ideas all communicating to the director in private, but some examples:

A designated “collab” zone where artists could seek out other artists to complete pets with.

“The Purge,” in which the team was whittled down to ~25 current, active artists to refresh the team and allow for new artists to join.

“The Approval System,” which I first sat down with in my workshop (public to all artists) to hammer out the details with as many other artists as wanted to give their input— a method for pitching new ideas to eventually break through the “new species/color freeze” that had been plaguing us.

Speaking on the approval system: like most things that required Hazer’s direct input in the art team, it was left without response for a very long time. Artists with ideas for custom species or colors would occasionally murmur about their excitement for the system to get a look-over by hazer, to see if our approval system pitch would be approved. But hazer is busy, as we all know, and the pitch sat for a while. We had new & returning artists on the team to keep everyone busy.

What I would expect from a years-old panel of artists, when new additions arrive, would be some manner of tutorial. New artists would need to know the pipeline (here’s your workshop, you can post WIPs and anything else in there; here’s how you ping for critique, here are the spaces in which to ask for it; make sure you always ping before your work is submitted on-site), and there would likely be some acclimating on both sides. What I did not expect (but should have), was pushback from new artists on things that hadn’t had pushback in a long time. Why can’t [x] color be a posechange? Well, we’ve created many already and none of them were posechanges. Why can’t I use colored lineart? Well, that isn’t in line with the style standards set by this color; see, nobody else is coloring their lineart.

Suddenly there was a divide between veteran artists, the director, and the new blood. The divide felt greater when Hazer came to his new artist’s aid to say, approximately: “Eh, if someone wants to go above and beyond and make better art, they shouldn’t have to adhere to the guidelines.” Then he threw the art director under the bus for not somehow knowing that his intentions were always to keep the panel loose and unstructured. But don’t worry, that isn’t the first bus and won’t be the last.

My personal investment in the panel waned around that time. I think a structured “work” environment with easily accessible rules and deadlines is necessary to any project of this size. If we didn’t want to enforce color standards, nor prioritize certain colors for release, and anyone could just submit whatever Nice Art they wanted, why not open it up so any user could submit pet art? Why have a panel at all? Isn’t Hazer taking any opportunity to dunk on Leopets because he wants his site to be better? How is this different?

But I stuck around. This was a hobby I really enjoyed, after all, and I really believed it could get better. It had a good core, and despite my grievances with individual artists, none of them were bad people.

But I noticed some trends. New artists would receive feedback that they didn’t agree with and retaliate by bringing in their emotions or personal preferences. Any disagreement where multiple veteran artists stepped in to say their piece would escalate to the point of very long messages on both sides, and would need to be left to hazer to give a final input. Often he didn’t come around to it, because he’s busy, as we know. I didn’t step in to every argument; they became cyclical after a while, and I didn’t have the time or energy to spend simply tapping the proverbial sign (or style sheet). I would try to give positive suggestions when I could, for example: I don’t think this color needs another alt for just one single design, but we did talk about eventually making this color that your design would fit into really well.

I’ve done my time having arguments on the internet. I really just want an art environment where the rules are set and people actually enjoy following them, because I do— I see art rules as helpful guidelines at best and obstacles to cleverly navigate at worst, which is still fun. But of course not everyone is going to feel the same way, that’s normal; that’s life.

On 11/9 I was given this message by Hazer:

It reads:

Hello wren,

I am reaching out to you today to inform you that effective immediately you are being dismissed from the Artist and Consultant Panels. This decision has been reached through discussions and based on repeated offences in the form of user harassment and subjecting the panels to a toxic atmosphere, after multiple reports and concerns brought up to us by other users.

While we understand concerns regarding panel management, there is a distinct difference between criticising and condeming the way the panel does things and criticising and condeming users that are on the panel, and we believe this line has been crossed one too many times, further supported by concerns brought to us.

We appreciate the passion and drive of our team—all of them—and we understand you have been very passionate about the panel. Given some of the messages we see, we have also concluded that due to things in the panel not working out as you have wished, it has caused you much stress and upset as well, which we do not want. All in all, we've decided that the atmosphere of the panel and your own enjoyment of the website are hampered by your presence on it. Because of this, we have decided it is best to have you part ways with the staff sections of the website.

Effective immediately after this message, we will be permanently removing you from the panels. While normally we do a temporary removal, in this case we've seen that your compatability with our management and handling of the panel will not improve, and it will just bring stress to both sides.

We understand you have put a lot of passion into the projects you have been working on for release in Moderneopets, and in lieu of that, we offer you the option of having the project(s) still be released even after dismissal. Rewards will still be granted for releases per usual, and credit will still be given. If you decide, due to dismissal, you do not want your unreleased work to be released on Moderneopets, simply state it as such, and we will discard all progress on projects you have been working on to respect those wishes.

This decision is final and will not be revoked.

Best wishes to you,

The Moderneopets Team

[end caption]

My response:

It reads:

No warnings huh?

[end caption]

Hazer didn’t have an answer for me. I was already removed from the panel.

This came as a shock. I’d been there for over two years, I felt I had a good rapport with the other artists, I felt I’d been a helpful and active addition to the team. Like I said, I’ve done my time having arguments on the internet… what toxic behavior? Discussions over style guides? Giving redlines to people with permission? Working with the whole team to bolster several new color releases? I had an entire species that Hazer wanted ready to go since March— I just pushed through the Swamp Gas release, I just created the Mystical alt?

No warnings?

Let me reiterate: I have never been spoken to by any staff about my behavior. Hazer, his then-four moderators— none of them have ever been in my DMs to issue a warning. I have spoken TO the mods about others’ behaviors, and nothing ever came of it. The one time (and I mention this for full transparency only) the art director came to talk to me about something I said, it was stated clearly that it was not a warning, and even so I adjusted my behavior around said issue accordingly. And that was well before the purge.

But, don’t take my word for it. Here it is from hazer himself, speaking over his mods who were busy telling the rest of the panel that they always issue warnings:

It reads:

No in this case I do agree that this has been an abrupt situation and I understand the blind-sided-ness of it. No official warnings were given out regarding the actions that resulted in the removal of artists today and that’s on fault of myself and deebs not working things out properly despite the moderation team bringing issues to a us a few times – also due to our lack of availability recently. [end caption]

So… What happened? Well… here it is from Hazer, in longform:

For those who use screen readers, above are several enormous discord screenshots; I've placed it in a paste bin here: https://pastebin.com/dHLiBRTF

Two other artists immediately stepped down. Hazer admits here in his message that he and the mods had multiple tickets opened about my behavior, that they had known they wanted to remove me. They never gave a warning, never talked to me until the moment of my dismissal, but they had known it was coming for months?

Why did Hazer and his gang of mods let me continue working on art for their panel? Why did they let me work so hard to pull Swamp Gas together for an official release? Why did they let me put together a whole custom Alt and workshop it for so long? I’ve been active this whole time. Why did you let me keep working if you knew you wanted me gone?

I am a professional artist. My work is art. Hazer made the knowing decision to exploit my time and effort for his website. He’s not paying me, he’s not paying any of us. It’s volunteer work. But I did not volunteer to be mistreated like this. To not even be given a chance to defend myself. To him, artists are disposable. To him, if someone has worked on your team for years but speaks up when your friend tries to overturn the system, even civil discussion is cause for disposal. Civil discussion negates years of effort, passion, time and care.

I didn’t have to make art for you, Hazer. And you don’t deserve the team you have. How many artists have voiced their discomfort with your actions? How many artists are taking a break from the panel because of how you handled this? Ah, wait, you wouldn’t know… you’re busy.

Hazer and his mod team are just another corrupt group of individuals unfortunately heading what could have been a fun and promising petsite. Everyone who speaks praise of modneo does it by and large because of the new and unique art. Hazer was extremely lucky to cultivate a dense group of largely professional artists to work together to make assets for his site.

If Hazer wants to show any sign of his potential to be a better person, I believe he needs to formally apologize to his site for the misuse of his power and the mistreatment and exploitation of artists on his team. He needs to apologize to you, the players of his game, the subscribers to his patreon, for allowing this to happen under his watch and under his word. You know you fucked up, hazer. You shouldn’t have sided with your friend without any actual evidence of misconduct. You shouldn’t have spoken about me like I was a toxic, subhuman hindrance to your art team. You shouldn’t have treated me like that. I didn’t deserve it. None of us did. You can apologize to me and the other lost artists publicly.

#moderneopets #virtu.pet #grundos cafe #neopets #neotag #modneo #moderneo

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comfortfoodcontent · 7 months

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THE COMFORT FOOD COMICS CANON

Some of you may recall my old website www.comfortfoodcomics.com , where I really wanted to explore that special personal connection to comic books. There are so many comics and everyone has so many opinions and stories relating to the ones they love the most that end up getting extremely personal. I love that aspect of this unique art form. The way certain issues or story arcs crawl into one's brain and soul and stay there forever. The way comics become synonymous with certain memories, time periods, people or places in our lives. I love that. I don't want to read or hear reviews or scholarly, pretentious drivel about the "GREATEST COMICS EVER!!!". What I want is to write and read about those special comics that rise to the top of your thoughts unbidden for a lifetime. Not necessarily the best crafted books ever, but those ones that ride or die with us. The ones that we revisit over and over again. The ones that make us happy and provide excitement and solace and everything in between. Our Comfort Food Comics.

Recently I've been filling some essential longboxes and painfully wracking my brain as to what of my Comfort Food Comics would make the cut to be in these boxes. It's been fun narrowing down which ones bring me that special feeling I described above and adding them to the box. As I go through this journey, I thought I'd blabber a little about it as a personal record of sorts for me. Above you'll find my "Comfort Food Comics Canon" - Dave Shevlin's personal comics canon, the selections that comprise my comics DNA. Quintessentially my shit! I'll continuously update the lists in the graphics above when new or revisited picks make that difficult cut.

Below the cut I wrote a brief bit about each pick. If you want me to specifically expand on the why of a certain choice, please ask and I'll get to it quicker or expand more on it per your request!

Please note these are just the story arcs and single issues that I physically own each issue of that really lend themselves to that format and they are nestled safely in the CFC longbox. Plenty of other OGN's, runs, longer arcs, manga or other formats are also my Comfort Food Comics but don't apply here.

EDIT!!!! - I WILL NO LONGER BE UPDATING THIS PIECE ON TUMBLR - GO TO THIS PAGE FOR ALL FUTURE UPDATES PLEASE

Long Form Stories

New Warriors Vol. 1 #40-42: Mark Bagley and Darick Robertson deliver a gorgeous looking mega epic that takes the Warriors into space and levels up Dick Rider for a spinoff solo series. They actually hyped this story up and released it and Nova #1 in a Marvel Classics Collector's Pack in the 90's. I of course own that.

The Amazing Spider-Man Vol. 1 #31-33: THE Marvel Comic. Spider-Man pushes the heavy weight of every problem life throws at him to face his responsibility. The best Lee/Ditko story.

Secret Defenders #9-10: Tom Grindberg inked by Don Hudson is one of the best penciller/inker team-ups ever. Together they made unique magic they never achieved apart. Here they draw Thunderstrike and War Machine in a team-up of 90's replacement heroes vs Nebula. It rules.

Marvel Knights 4 #1-4: Steve McNiven, despite only doing some of this series, it's covers, and some moments in Civil War, is one of my de facto Fantastic Four artists. I also love the hook of the FF going bankrupt and kicked out of their science skyscraper and what happens next. Also that Sue as a teacher, ooowhee!

The Girl Presents: Body Heat #1-3: As a teen in the oughts delving into porn comics of the era, Kevin Taylor was the GOAT. This mini collects a bunch of what I consider to be the best stuff he's ever done.

Thunderbolts Vol. 1 #155-157: My personal highpoint from maybe the best run on Tbolts. A very snarky, fun and titillating Satana is recruited to Luke Cage's merry band of misfits. Kev Walker's best work is on this run.

Detective Comics Vol. 1 #622-624: 622's copy text tells all: "There's a new Batman in Gotham City. His name is Simon Petrarch, he has supernatural powers, and he believes in killing his enemies. What happened to Bruce Wayne? Where is the Batman we all know?" John Ostrander gives us a comic within a comic as a Gotham citizen makes his own comic about Batman. Ostrander didn't get many chances to write Bats, but when he did he killed it. The only Mike McKone art I've ever enjoyed. Highlighted by Dick Sprang doing INSANE covers in 1990 that also serve as covers for the fake comic.

Action Comics #858-863: Superman and The Legion of Super-Heroes! Supes travels to the 31st Century to see it's become a perverted dystopia. Geoff Johns and Gary Frank give us a colorful, action packed blockbuster that firmly reestablishes Superman and the original Legion, as it should be.

Avengers Vol. 1 #358-359: My beloved Bob Harras 90's Jacket Avengers are whisked away to Polemachus to help Arkon and Thundra. The Steve Epting/Tom Palmer art team give us some amazing art here, including the best page of Crystal ever published.

Gen 13 Vol. 2 #13A-13C: Grunge has a dream adventure where he teams up with Archie, Betty, Veronica, The Teenage Mutant Ninja Turtles, Spawn, Bone, Madman, Maxx, Hellboy, Shi, Katchoo and Francine, Monkeyman & O'Brien, Wolverine, Tony Robbins and many more. A 90's comic industry meta joke romp.

Green Lantern Vol. 3 #48-55: Emerald Twilight/New Dawn. Hal Jordan's fall into Parallax and the debut of Kyle Rayner. Kyle is my favorite DC character and this is in contention for my favorite DC story. It's biggest failing is it is so rushed (I delve deep into why here), but amidst that fast paced chaos, DC gets it's own Magneto and it's own Spider-Man. Just the best!

The Amazing Spider-Man #498-500: Spidey is magically cast adrift outside of time. But in order to get back, he needs to relive every experience he’s ever had as he climbs his own timeline. So much to love here - Last Stand Spidey, glimpses of his whole history, John Romita Sr. drawing a reunion with Uncle Ben. The pinnacle of the JMS and JR Jr. run.

First Knife aka Protector #1-5: Arguably the best world building I've ever come across in comics. Inspired sci-fi realism story blended with Artyom Trakhanov's otherworldly, surrealist, almost cubism like style.

The Incredible Hulk Vol. 1 #402-404: Gary Frank's 90's style he employed with Marvel UK and this Hulk run is about as good as comic art could possibly get. I hate that he decided to add about a billion more lines to his gorgeous, clean art. Here he gets to draw Hulk's mindscape of villains, Juggernaut, Red Skull, and the 90's Harras Avengers. Great bits with them in these issues. God, it is good! (It drives me insane though they color Sersi correctly red in 403, then botch it and color her green in 404! ARGHH!!)

JLA Volume 1 #10-14: Rock of Ages! The best Justice League story. Morrison blends every bit of 90's DCU with his own crazy creative mind to create an alltimer. Almost a proto Final Crisis, this one is more like the awesome Saturday Morning Cartoon version of that story.

Journey into Mystery Vol. 1 #652-655: Kathryn Immonen, one of comics' most underrated creators, gave us an all too brief Sif solo book here that was one of the best Marvel books ever. This is the highlight of that run. In this one we get a Sif and Beta Ray Bill romance/horror story that meshes the new status quo of the time with their past relationship.

Sabretooth Vol. 1 #1-4: Love Sabes, love Hama, and love obscure mutant Birdy, who essentially only ever got play in this mini. This is the 90's direct to VHS action movie starring Sabretooth, Birdy, Wolverine, Mystique and Graydon Creed.

Sandman Vol. 2 #21-28: The best story in Neil Gaiman's masterpiece. The introduction of The Endless followed by Lucifer abandoning Hell and getting his revenge on Dream by giving him the key and telling him to deal with it. Gaiman's clever takes on Gods and mythology are done so well here.

Daredevil Vol. 1 #275-276: A tie in to Acts of Vengeance, my favorite Marvel Event, during my favorite run on Daredevil. That's right, this is my favorite DD story. Batshit insanity as Ol Hornhead, some of the Inhumans, and an animal rights revolutionary battle an old Ultron robot that grapples with his own existence as he kidnaps a genetically altered, indestructible bimbo who is wrestling with the same issues. Ann Nocenti man, nobody did it better.

New Avengers Vol. 1 #1-6: When I was getting back into comics in my teens after taking a long time off, this was maybe the first title I bought monthly. Spider-Man and Wolverine....AVENGERS??? The roster, the David Finch art, the whirlwind breakout to Avengers Tower to the Savage Land, all of it hooked me back in so hard. This is the clear start of the Modern Marvel Universe as we know it. I was fully on board. Nowadays I know it spits in the face of what Avengers always was and should be; and it's filled with annoying Bendis continuity mistakes and terrible dialogue, but damn I love it regardless.

Thunderstrike Vol. 1 #4-6: I could put the entire run on Thunderstrike on this list (I kinda did!) but this is my favorite arc of his short lived title. Spider-Man and Eric team up for some weird Blackwulf(remember him) and SHIELD shenanigans. Frenz's art here is amazing and we have the best jokey covers during this arc.

The Infinity Gauntlet #1-6: Starlin, Perez and Lim continue the development of Thanos into one of Marvel's first event books. You'd expect it to be a big, dumb romp but it's really an entertaining 90's Marvel snapshot with loads of tiny spectacular character moments, huge stakes, and quiet emotional depth.

Gen 13: Magical Drama Queen Roxy: As much as I love the start of Gen 13 with J. Scott Campbell and Jim Lee, Adam Warren was the best to ever work on this team. This is a great character study of Freefall as we get a scathing parody of just about everything pop culture in the late 90's in that charming, hilarious way only Warren can do.

Wolverine Vol. 2 #38-42: Storm! Albert and Elsie-Dee! Sabretooth! Lady Deathstrike! Jubilee! Forge! The Reavers! Cable! Nick Fury! All by Larry Hama and Marc Silvestri. Easily the best Wolverine comics ever made.

Ultimate Spider-Man Vol. 1 #118-120: My favorite Ultimate Spidey story. The gang plus Johnny Storm and Iceman go to beach for a fun night out and Mutant shenanigans occur. This is sort of a precursor to the full house status quo of Ultimate Comics Spider-Man later, which I love dearly. I just love this big cast of teens hanging out and the fun that comes from it.

Green Lantern Vol. 3 #63-64: Parallax returns to get his ring back from Kyle and Kyle gets Hal's old Justice League pals back together to stop him.

Legion of Super-Heroes Vol. 2 #290-294: The Legion vs Darkseid and his Servants, back when using a modern day villain against the Legion was a first. This is your big boy, the best of the best. Levitz and Giffen leveling up to reach their Legend status.

Ultimate Spider-Man Vol. 1 #33-38: Objectively this is probably the best story Bendis ever does with Ultimate Spidey. The Venom suit, Eddie Brock Jr., Peter's and Eddie's parents and the legacy they left their children - it's all wonderful stuff done in such a dour, moody way.

Shadow of the Batman (1985) #1-5: Baxter Stock reprints of primarily Steve Englehart's legendary Batman run with some Len Wein and some short Marshall Rogers extras. 40 pages no ads chock full of Walt Simonson, Al Milgrom, Rogers and Terry Austin art. All with new beautiful painted covers by Rogers. For me, this is the only way to experience this run.

Superman's Pal, Jimmy Olsen #142-143: Dabney Donovan, Cadmus mad scientist, creates a miniature planet full of "atomic liquid" denizens who are shaped by outside stimuli, in this case, horror films, which spawns a race of Jack Kirby's Universal Monsters who start to cause trouble for Jimmy Olsen and Superman, before they save the day and Superman replaces the horror films with the musical, Oklahoma! King Kirby everybody!

Batman Vol. 1 #676-681: Batman R.I.P. My favorite Bats story of all time. The culmination of Morrison's weird and wacky attempt to take the character’s entire publishing history, say everything happened, and somehow reconcile that all together and show us what Batman would really be like - The world’s greatest superhero, an extremely multifaceted man at the top of his game and surrounded by a support net of people inspired by him who he loves, always ten steps ahead of any villain with contingencies for everything.

Superman Strength #1-3: My favorite Superman story. Scott McCloud, Aluir Amancio and Terry Austin give us a tale of what makes Superman so strong. It's not his powers, it's his inner strength, because he is centered and self assured from being raised by such formative, ethical, and truly good parents. That source of strength is contrasted by relatable everyman criminal, John “Fido” Pollock, the main villain here who had the exact opposite in life. I can't do it justice here, it needs to be read.

Daredevil Vol. 1 #319-325: Fall From Grace. Years ago I read the 90's trade of this story mid November and fell in love. So every November, every Thanksgiving is Daredevil season for me. Daredevil in his new suit goes through a gauntlet of big name guest stars every issue as well as the return of Elektra from Frank Miller's mountain purgatory. This story is bursting with raw, messy enthusiasm that doesn't always work but you feel that soul and love put in and get swept away by it. Although this story is better in trade with slight edits and added pages, it NEEDED to be here for me, plus I get a fold out awesome poster this way and I have it in the format of yet another rad 90's Collector's Pack.

Thor Vol. 1 #337-340: Walter Simonson and Beta Ray Bill's debut on Thor! This one is up there with Spider-Man #31-33 as the best story Marvel has ever put out. Simonson's Thor run is arguably the best run in comics and this opening salvo is S-Tier writing and art every single page.

Detective Comics Vol. 1 #592-593: Alan Grant and Norm Breyfogle's run on Detective is a real highpoint for Batman. He described this Detective run as ” We kind of handled what Batman did on his nights off from Batman monthly.” and I think that’s so perfect. Here is all the creepy, strange, fantastical events that take place in the dingy corners of Gotham City when Batman isn’t being a Justice League member superhero. No story represents that vibe better than this two parter with weird two-parter about a fear based hallucination causing cannibal.

Fantastic Four Vol. 1 #347-349: This is my top Fantastic Four story. I never had this one growing up but we did have the trading card when I was like 4 or 5 and this was a truly mythical thing I needed to experience. Years later when I was a preteen I stole my mom's credit card and bought these issues of the internet. It did not dissapoint. The New Fantastic Four team of Wolvie, Spidey, Grey Hulk and Danny Ketch Ghost Rider will always be the coolest thing they ever did. Walt Simonson & Art Adams, how do you possibly get better than that?

Wolverine Vol. 3 #73-74: Every day of Wolverine's week is expressed in one panel showing how he has his own solo book, how he is in X-Men, how he is in X-Force, how he is cameoing in everyone else's book, etc which eventually ends with him talking to Spider-Man in a bar. It's such a fun meta way of showing how overused he is and Aaron uses it as a story point that maybe the old man is tired and needs a rest. There's also a shitty Daniel Way story in these issues but skip that.

Batman vs Predator #1-3: This has no right being as exceptional as it is. Dave Gibbons writes and BOTH Kubert brothers are on art and they skip any irony or idiocy and give us a played straight story of what happens when a Yautja drops into Gotham City. SO GOOD!

Final Crisis: Superman Beyond 3D #1-2: Superman develop 4D-vision and teams with a group of Multiversal analogues of himself to fight against a reality consuming evil vampire Monitor, Mandrakk. Their combined powers allow Superman to merge into the Superman Colossus, a giant thought robot to combat the Dark Monitor in the Monitor’s world, in a self assembling hyper story that is alive and adapts around them. A thoughtful meta narrative about the power of stories, about creators and the ongoing real life comic industry.

Luke Cage, Hero For Hire Vol. 1 #8-9: Luke Cage invades Doom's Latverian castle to get the $200 bucks he owes him. Spawning legendary one liners such as: "Where's my money, Honey?" and "Ha ha ha ha!, You are the ultimate, Cage!"

Invincible #63-64: Usually I'm not a fan of all the bloody stupidly absurd violence in Invincible, but Atom Eve vs Conquest goes hard.

Axis: Hobgoblin #1-3: Roderick Kingsley Hobgoblin is my fave Spidey villain and this mini set when he was magically inverted into being an opportunistic brand pushing hero is loads of fun with very nice art by Javier Rodriguez.

Detective Comics Vol. 1 #604-607: MUDPACK! Another Grant/Breyfogle Detective gem. The OG Clayface, who was just an old actor with some masks, recruits every subsequent Clayface that had appeared over the years to level up and take down Bats. Looker from the Outsiders guest stars to help Batman.

Thor Vol. 1 #168-169: Thor and Galactus sit down together in space to talk and Big G gives us his origin. A Stan and Jack classic.

Adventure Comics Vol. #369-370: MORDRU! His first appearance in a wonderful story. The Legion represents a dream of a brighter future all about science, progress, youth and evolution all done through a massive group of selfless, heroic kids all from different planets and races that work together as one. Mordru is the perfect Legion villain because he is the diametric opposite of all that. He is an ancient singular wizard from the past that only cares about himself and his own needs that uses evil dark magic to further his goals.

Archie vs Predator #1-4: I don't care for Alex De Campi as a creator, and I care even less for her as a person. This story succeeds in spite of her, as her questionable decisions, poor dialogue and bizarre and truly stupid ending try their hardest to ruin this. Honestly, a monkey could've written the plot for this and I'd still be on board as I just need a Yautja hunting the Archie crew with all the good vibes classic Archie comics provide. Artist Fernando Ruiz thankfully provides just that saving this crossover and making it one of my faves. He is the true heavy lifting star here and he really makes this thing work retaining the humor and idyllic, innocent charm of Archie Comics and blending it with the bloody action and gore of a Predator story. Further proof he is the key ingredient here is the sequel they do to this without him is utterly forgettable nonsense.

Batman: Legends of the Dark Knight Vol. 1 #65-68: The best Joker story ever. J.M. DeMatteis tells the tale of Batman dying, which causes the Joker to go sane and what happens next.

Spider-Man: Web of Death - Amazing Spider-Man #397-398 and Spectacular Spider-Man #220-221: DeMatteis, DeFalco, Bagley, Buscema, Sienkiewicz! Easily the best Doctor Octopus story and constantly battling in my head for best Spider-Man story. Spider-Man is dying and who better to save him than his self proclaimed greatest foe, Doc Ock. A tragically poignant tale with expert characterization. Oh also it has Kaine and Stunner and Mary Jane announcing she's pregnant, so you know, it's just the best.

X-Men Vol. 2 #188-193: Rogue assembles a hand picked team to take on the new and mysterious Children of the Vault. Mike Carey's debut story arc with Chris Bachalo. This coincided with a linewide relaunch and as a newly graduated high school teen, it was a perfect personal jumping on point. Little did I know I was getting in on maybe the second best run on X-Men ever.

Kraven's Last Hunt - Web of Spider-Man #31–32, The Amazing Spider-Man #293–294, and Peter Parker, the Spectacular Spider-Man #131–132: I've tried over and over again as a cynical critic to find ways to NOT hail this one as an alltimer classic, but try as I might, it is one of those much lauded stories that actually are indeed alltimer classics. DeMatteis, Zeck and McLeod dust off old lame Kraven, plug him into a sequel to a Captain America/Spidey Marvel Team-Up issue, and somehow make a masterpiece.

Wolverine Vol. 2 #7-8: Joe Fixit Hulk and Patch Wolverine have to team up in Madripoor by Chris Claremont and Big John Buscema. Awesome.

Thor vol. 1 #447-448: Eric Masterson Thor had such a fun little friendship with The Absorbing Man. In this one Absorbing Man's love, Titania, wants to go back to crime so he calls Eric to stage a fake rumble to trick and pacify her. But things go sideways when Spider-Man gets involved.

Superman: Blackout - Action Comics Vol 1 #671, Adventures of Superman Vol 1 #484-485, Superman Vol 2 62, Superman: The Man of Steel Vol 1 6: I wrote more in-depth on this one here. Superman loses his memory on a tropical island and is to be wed to the island princess. A perfect slice of the amazing Triangle Era with killer art from Jurgens and The Bog.

Superman/Batman Vol. 1 #60-61: A dreamworld where the Justice League and the Teen Titans and their villains get amalgamated with killer art by Francis Manapul.

Rival Schools #1-2: I love Capcom's video game Rival Schools. I love comic creator Corey Lewis. Put them together and you get just about the perfect comic made just for me. The only negative is they never published issue 3.

Convergence: Shazam #1-2: After reading through all of the Golden age Fawcett Captain Marvel comics, I've come to regard DC's version of him as a bit of a letdown. I'm always searching for that modern day high I got from those classic tales. This series by the S-Tier creative team of Jeff Parker and Doc Shaner is the closest I've ever gotten to that feeling again.

The Demon Vol. 3 #26-29: Dwayne McDuffie and Val Semeiks deliver us one of the smartest, funniest, pull no punches parody of American politics as Etrigan runs for President. This one is in contention as my favorite DC Comics story of all time.

X-Men: The Asgardian Wars - New Mutants Special & Uncanny X-Men Annual #9: The New Mutants and Storm get transported to Asgard and integrated into their mythology and culture. The X-Men eventually to join to get them back. I don't know why but the combo of Asgard and the X-Men goes together better than sea salt and caramel. Easily my favorite X-Men story. Another Art Adams masterpiece.

New X-Men Vol. 2 #42-42: Chris Yost and Craig Kyle's run on New X-Men is in my Top 10 for Marvel and this quiet story set in between two massive upheavals gives us a genuine tale of teen emotion, trauma and sweetness with inspiring and whimsical art by Skottie Young. I love these issues so godamn much.

Ben Reilly: Spider-Man #1-5: In an era of (GOOD LORD WHY AND HOW?!) 20 or so years of pretty terrible Spider-Man comics, Marvel blessed us by getting J.M. DeMatteis to revisit Ben Reilly for an untold tale perfectly nestled during his brief time as Spider-Man. I won't spoil it but he manages to take a forgotten, height of excess 90's character and give them a poignant, spectacular story juxtaposed against Ben, in the usual psychology filled DeMatteis way.

Justice League United #11-16: A very brief magnificent run where Stargirl, Equinox, Animal Man and Alanna Strange recruit whoever they need from across the DC Universe to do the job they need to do. This was a title DC should have published in perpetuity but alas it barely survived two arcs. Still some of the best ever done by Jeff Parker, Travel Foreman and more. Check out the digital only "Sneak Peek" they released to start this series. Comics don't get much better than that.

Spider-Man: Revelations - Astonishing Spider-Man(UK) #56-57: Revelations is a Top 10 Spider-Man story and I could rave about it all day. The return of Norman Osborn in a full team effort by all the writers, editors and artists, it's a perfect ending to The Clone Saga and an amazing jumping off point for the Spidey line. But why a UK reprint of the story in here? Well besides the new exclusive covers, #57 contains a fantastic written epilogue by Peter Parker only published here.

Webspinners: Tales of Spider-Man #17-18: It's honestly hard to try to think of a better duo in comics than Tom DeFalco and Ron Frenz. Here we get them making SUCH solid little story revisiting aspects of their run on Amazing with some Doc Ock thrown in. There's nothing flashy or important here but it's just the pinnacle of what Spider-Man comics should be.

John Constantine, Hellblazer #7-8: A haunting, chilling tale of the love between a fishmonger and a mermaid and the disparity between their perceptions of the romance. This one doesn't really "comfort" me but it's so creative and sweet as well as disgusting and terrifying, and that's why it sticks with me so much.

Beyond #1-6: McDuffie never really made a bad comic during his all too short life. This one absolutely RULES! The "Beyonder" gives us a new Secret War and McDuffie throws together some 2000s underused Marvel characters(at the time) in The Hood, Al Kraven, Gravity and the Mac Gargan Venom (Still the only time the character actually used a scorpion tail with the Symbiote. How was that not a permanent thing?) alongside some similarly underused classic characters in Hank Pym, Firebird, Medusa and the Michael Collins Deathlok. A perfect example of "there are no bad characters, just bad writers".

Masters of the Universe Vol. 1 #1-3: Before the cartoon and the general established lore of He-Man was established, DC Comics was able to publish a few stories where they sort of filled in their own version of that mythology. They went with more of a Conan/barbarian serious style and I find that take so cool.

Spider-Man: The Lost Years #0-3: Arguably the best "Spider-Man" comic ever. DeMatteis and John Romita Jr. just GO SO HARD giving us a gritty and deep story of Ben Reilly, Kaine and all the other people caught up in their tragic lives on the road.

Dark Horse Extra #1-7: These were big foldup like 4 pages newspaper comics. Madman, Concrete, a little of everything Dark Horse published. The Madman story is a treat(and recently reprinted in the Library Editions!). But the draw here for me is a fun Art Adams Monkeyman and O'Brien story only published here.

Magneto Vol. 4 #1-4: An earnest psychological exploration of all the various personalities Magneto has displayed throughout his comic history in the usual DeMatteis way. That it's done in a genuinely well told story set during his time as the New Mutants Headmaster is just a bonus.

Young Justice (2011) #20-25: I was a fan of the Young Justice cartoon when it came out and recently watched the entirety of the series and found myself falling deeply in love with Greg Weisman's version of the DC Universe. This tie-in series swiveled from shallow kid's comic to fun fill in the gaps for the show. But no arc was ever as deep or essential as this one which gave us a great prequel set before Season 2 expanding and fleshing out the new cast and the post time skip dynamics. AMAZING Nightwing moments, Brainiac, Weisman baby Kylstar, a HUGE cast and so so much more all with wonderful art by Christopher Jones.

Avengers: Ultron Forever: Al Ewing and Alan Davis give us a time twisting tale reminiscent of Avengers Forever as a time plucked team of modern day Vision and Black Widow, future Danielle Cage Captain America, just a little future Jane Foster Thor, the end of Simonson's run Thor, Jim Rhodes Iron Man, and the unrefined original Hulk take on future All Father Ultron.

Green Lantern Vol. 3 #146-150: Judd Winick's time with Kyle Rayner is a real mixed bag for me. Winick tended to write everyone like they were on a 90's sitcom all desperately trying to be the youngest, coolest, hippest person in the room often to the detriment of the story they were in. But there is no denying that this arc really sings. Kyle gets godlike powers and and helps his friends and the world in a revitalization of the GL line, clashes with Superman, chats with Alan Scott, and finally meets his real Dad.

Action Comics Vol. 2 #36-39: Besides Morrison, the only other time I enjoyed New 52 Superman was Greg Pak's brief time with the character. In this one he returns to Smallville to find it a warped, zombie nightmare dream world with an otherworldly tentacled horror possessing Lana Lang. A great character study of Clark wrapped in a horror story.

The Amazing Spider-Man Vol. 1 #315-317: You can't beat Michelinie and McFarlane together, especially when Venom was involved. This is the second ever Venom story and to me the best ever done with the character. Venom is a charming, funny madman who poses a real terrifying threat to Peter. This is also one of the few stories that actually uses the relationship between the Symbiote and Peter.

Detective Comics #456-457: These are here for the Elongated Man backup stories. The plot involves Ralph getting kidnapped and his wife Sue, the superior character, takes center stage as Elongated Woman. It's as extremely silly and fun as you'd expect. The art is by Kurt Schaffenberger and he makes Sue look so damn cute. I don't know if anyone has ever been better at drawing women in comics than Schaffenberger.

Superman/Batman #79-80: At the time this was like the first mention of DC One Million in years and it was such a delight to see a return to that era and it's wonderful characters. There's a two page spread in here of the time traveling villain bouncing around time and seeing the various Superman/Batman teams of thos eras from throughout DC publishing history and it brings SO much magical comics comfort to me. It's so cool. Chris Roberson, even with such a small sampling, is one of the best Superman writers ever.

Spider-Girl Vol. 1 #96-100: I previously had just #100 on this list because that issue is an oversized anniversary special featuring the amazing climax to this storyline AS WELL AS a reprint of issues #27 and #53, two of the best single issues in the run. But that';s not all you also get a cover gallery, a Spider-Girl villains section, and character info file pin-ups from previous issues. Obviously one of the best single issue packages ever. But I recently reread the entire tale preceding this and realized that one of my favorite moments ever in comics, Hobgoblin escaping from jail in his MC2 comic debut, was from this same story arc in #97. And it's not just those issues, the entire story arc has it all, it's a PACKED celebration of this entire legendary series and the Spider-Man franchise as a whole.

Ultimate Spider-Man Vol. 1 #97-105: I was kind of shocked how much Ultimate Spider-Man is making the cut for these CFC boxes. For years I had disregarded it as a thing in my past and as just more Bendis nonsense. I reread all of it in 2023 and was so happy to see I still love it as an adult and A TON of it still holds up, just as I remember, giving me those same comfort food feelings I felt then. I was OBSESSED with it as a teen and it was the book I kept picking up ravenously as I got through high school and entered adulthood. I have vivid memories of buying these issues from my local shop my first year of college. I remember I hated the idea of an Ultimate Clone Saga but was quickly proven wrong as every single issue had a MIND BLOWING final reveal that just kept ramping up the action and stakes. Rereading it now, even though it's one of the longer arcs in the run, it's surprisingly not too decompressed like the usual Bendis story, and delivers some great story moments that radically smash the status quo for the better. I also really enjoy issue #100 with it's extras celebrating the entire run up to that point.

Silk Vol. 3 #1-5: Maybe it's because Maurene Goo is a successful novelist, but this series has such a professional polish to it that is lacking a lot in comics. The writing is so on point from the overall plot, to the snarky jokes, to the character interplay, to Cindy's inner monologue; all masterful work that entertains in such a charming way. This series also feels so additive to Cindy's little world as well as the Marvel Universe as a whole with new frenemy Saya Ishii and her familial ties. Takeshi Miyazawa is an artist that I've yet to find a line drawn by him I don't enjoy. I truly wish Goo was writing a long ongoing for Silk.

Darkwing Duck (Boom! Studios) #5-8: Negaduck and Magica De Spell team up to take down Darkwing by bringing all the Darkwings from across the Multiverse together. All capped off by the return of Paddywhack. This is my favorite Darkwing Duck story ever across all DD media. It has everything!!

Daredevil Vol. 1 #254-256: I'll be honest, it's extremely difficult to not just place the entirety of Ann Nocenti's Daredevil run in these boxes. This is another alltimer in a run of alltimers here with the introduction of Typhoid Mary and the brutal, toxic relationship her and DD share. Nocenti's dialogue, inner monologues and character actions are so weird but also so natural, so REAL!! I absolutely love how she translates manic, fractured human behavior and the messy gross truths of real life into the usually fine tuned scripting of superhero comics.

X-Force Vol. 3 #7-10: Craig Kyle and Chris Yost rank only behind Claremont and Mike Carey as the best X-Men writers ever for me. We didn't know how good we had it with them, as they banged out incredible story after incredible story bouncing around the X-Franchise over the years. I loved this messy, violent X-Force relaunch they helmed. It took the best bits of their New X-Men work prior and blended it with decades of past X continuity; dug up and given fresh new paint with some of the most staggering stakes the mutants ever faced. This arc was my favorite of the series. There's some wonderful New X-Men kids content here with some amazing X-23 and Elixir character work. There was such good development for all the members really, as well as the fun as hell introduction of Domino and Vanisher to the team. Each issue had a different character giving a narration inner monologue that felt so character authentic. Yost and Kyle always really nailed staying true to how each character spoke, acted and even thought. I deeply miss that. Mike Choi was an artist I loved back then and it was great to see him continue his work with X-23 here. This arc is probably his finest hour.

Black Adam: The Dark Age #1-6: I was such a sucker for the early Oughts development of Black Adam, usually by Geoff Johns and his stellar work throughout JSA and 52(We don't talk about World War 3). But as great as Johns' work with Adam is, I always feel he truly believes the guy is a hero, sure he's got his problems but he will always be the hero when Johns writes him. For my money, Adam is DC's Dr. Doom instead. They are both noble, royal souls that live by some absurd code of honor and are capable of truly heroic acts, but no matter what, WAYYY deep deep down, they are vain, bitter shitheads more in love with themselves than ever truly being the people they claim to be. And really, that's why we love them so much because they are the same messy people we are filled with all the shades of grey. Peter Tomasi's handle on Adam in this series is exactly that, and it's why this series is so damn fun. Well, that and Doug Mahnke's absolutely fantastic art. Mahnke has been spinning gold for 3 decades now but this may be the pinnacle of his career. This is also one of those rare miniseries that isnt trying to be some new reader friendly, evergeen, prestige collection that is sold forever. This is a series that will ABSOLUTELY lose you if you werent reading DC Comics weekly for the years prior as it drops you in and assumes you know all the events and stories and character relationships Adam has been dealing with. It also has no concrete ending, as all types of dangling plot threads are teased for the future, wherever they may pop up. I LOVE stories like this. In the age we live in now, everything has to be new reader friendly or tie in to a movie or lead into a new series or stand alone so we can sell the collected edition. This is real superhero comics, a story that exists in the LIVING, BREATHING DC Universe between all the events and ongoings and everything else. Just a continuing piece of the woven tapestry of the magic that is these decades old superhero universes. I MISS THIS! Oh, I'd be remiss if I didn't mention the comedy gold of "Chocolate Egg Cream". One of the best comic moments ever.

Spider-Man: Grim Hunt - The Kraven Saga & Amazing Spider-Man #634-637: Since One More Day permanently ruined Spider-Man comics, I can think of only ONE truly great Spider-Man story that has been published and Grim Hunt is it. Joe Kelly is one of Spidey's best scribes ever and he weaves such a dark, thrilling tale of the resurrection of Kraven the Hunter, that no matter how much I SHOULD hate it, I ended up loving it. Kelly has such a great handle on the Kraven family's characterization all the way to the Chameleon and it's so fun seeing them all play off each other. Kaine, the Kravinoffs, the Spider-Women, hell even "Ezekiel"; he utilizes them all brilliantly. He writes a "dark" Spider-Man that somehow doesn't make you cringe. Michael Lark and Marco Checchetto's art is gorgeous and sets the mood so well. It's baffling, TRULY BAFFLING that this story ends up an alltimer, BUT IT DOES! A bonus in these issues is they all have a backup story of Kaine and Kraven having their own Kraven's Last Hunt back in the day by J.M. DeMatteis and Max Fiumara. It is an exceptional story, as expected of DeMatteis, but WOW! These issues all together represent some of the best ever published for Spidey.

X-Men: Pixie Strikes Back: I am in love with Kathryn Immonen's writing. She writes in a way that's very similar to Ann Nocenti, as I described above. It's a bit more fun, more entertaining but may be even more manic and strange than Nocenti. Immonen is WEIRD and I love it. Everything she writes feels so real. Have you ever overhead a conversation in public and you only hear snippets? You have no context, no understanding of the people or the meaning behind what they're saying. Sure, you may get pieces of what they say or follow some of it so you think you know, but you don't truly know. You're stepping in mid way through, hearing a slice of these people's lives. You're an observer, not a real participant. This is how Kathryn Immonen writes. This is not a perfectly crafted piece of prose manufactured for the entertainment and understanding of the reader to sell a product. This is true writing of the characters as if they are real, as if you are overhearing and getting a glimpse of their lives. A perfect example of this is when Mercury and Armor talk about the inane nonsense of Big Bird and Sesame Street while crawling through a duct escaping from being kidnapped by demons. Kathryn Immonen IS MAGIC. She opens a scrying pool into another reality for the briefest of moments so we can interact with Pixie and the New X-Men kids for a few issues. I deeply treasure the opportunity to experience that magic.

Ant-Man Vol. 2 #1-5: Zeb Wells gives us an endearing, evergreen story about the lovable "loser" that's truly a hero. Dylan Burnett’s art is dynamic and excels at facial expressions that add to the story in such a special way. Colorist Mike Spicer makes said art POP in such a way that you feel like you’re a kid at the grocery store filling a plastic bag with every bright, sweet and sour bulk candy they have to offer. It smacks you in the face and stays with you. The story relies on obscure past continuity while moving things forward, takes you on a tour of the entire Marvel Universe and hits on movie synergy while not being beholden to it. This is an alltimer.

Black Widow and The Marvel Girls #1-4: If Paul Tobin's name is on a comic, you're gonna have a good time. Eternal law of the universe right there and especially for this series perfectly crafted for all ages from the most devoted Marvel Zombie to the person who's never read a comic. Widow teams up with The Enchantress, Wasp, Carol Danvers and Storm all in one off stories throughout an ambiguous Marvel history with art by some of my favorites like Salva Espin, Takeshi Miyazawa, and Jacopo Camagni.

Avengers Vol.1 #256-257: Roger Stern's run with John Buscema and Tom Palmer is my favorite Avengers run and issue 257 where we get a peek into a day at Avengers Mansion where Black Knight works out, The Wasp wears skimpy 80's workout gear, Hercules proudly rejoins, Starfox tries to explain he's not creepy, and Wasp is later elected Avengers Leader has ALWAYS stood out to me as MY issue of Avengers. The larger continuing plot where the team ventures to The Savage Land to fight Terminus alongside Ka-Zar and Shanna(complete in an even skimpier outfit than Jan), AS WELL as Monica Rambeau in space vs Nebula is just an added bonus.

Batman: Legends of the Dark Knight #16-20: Venom!!! The magic of Batman is how he works in literally any story you place him. From the Batgod of Morrison to the drug addicted all too real human of this one. I LOVE this take on a very relatable, new to the job Bats who fails to save a little girl so he ends up juicing so it won't happen again. Sadly this leads him to become a sad, savage, pathetic wretch of a man and we must witness the depths he falls to and his eventual climb back to the top. The continued development of Santa Prisca and the debut of the drug Venom are nice nerd bonuses to this brutal tale of men and the power they seek and how the misuse of said power can make them monsters. There's some LEGENDARY art in these issues from the absurd dream team assemblage of Trevor Von Eeden, Russell Braun, Jose Luis Garcia-Lopez and Steve Oliff.

Girl Crazy #1-3: When I first started reading this Gilbert Hernandez story I was so damn lost, utterly bewildered, massively confused but also titillated and intrigued! The art was some of the cleanest, most beautiful I'd ever seen, and the manic story peppered with 1950's, jungle and future aesthetics forced me to read on! I'm glad I did as the biting commentary, genius science fiction and heaving breasts all fell into place just like Kitten's fake boobs fell into place into her butt. I ended up LOVING the wild and wacky coming of age story revolving around death, freedom, sisterhood, resurrection and most importantly of all not being afraid of expressing your true self.

Titans Sell-Out Special!, New Titans #93: Titans Sell Out!!! I really enjoy this era of team of New Titans. In a money pinch and on a break in Hollywood, the Titans license their images to the movie and merchandising industry which results in an embarrassing The Teeny Titans cartoon they can't stand. It's incredibly entertaining as they actually devote part of the comic to the cartoon, then show us the comic adaptation of the cartoon. It's extremely funny and meta and I love every instance we got of The Teeny Titans. Both of these issues also contain some rare Adam Hughes art, first as a photo scrapbook of their visit to Hollywood then as a parody of an erotic adult magazine.

Classic X-Men #41-42: This gives me some of the phenomenal Dark Phoenix storyline issues but the actual main reason these are in the CFC Canon is the chilling and brutal backup stories featuring Mr. Sinister. This is right before the new backup material in Classic X-Men was stopped altogether as well as Claremont's departure from the X-books. It's a frequently overlooked story that starts to dig into the actual origin and story of what Claremont actually wanted to do with Sinister. Here we see Sinister in control of the orphanage where Cyclops is as a boy and his constant manipulation of his life. It's a truly horrifying and unsettling story filled with so much pathos and development for Scott. Some of Claremont's best work was these backup stories. It's always been cool to me that while Claremont hints at things here he never puts in something truly contradictory or set in stone to his original vision for Sinister, so this story isn't ignored or explained away later, it's woven into continuity just from a different angle.

X-Men Archives Featuring Captain Britain #1-7: A 90's deluxe reprint series of Captain Britain's Marvel UK adventures by Dave Thorpe, Alan Moore and Alan Davis. Sometimes I honestly think the Jasper's Warp storyline that makes up most of this series may be the best Marvel storyline of all time. It's certainly always up for contention as my favorite comic story of all time. It has everything that makes comics great. Thorpe and Davis' initial Multiverse setup and relaunch of the character starts off so additive with the iconic costume redesign and introduction of Jim Jaspers and Saturnyne. It soon gets real dumb, real fast but thankfully some behind the scenes drama led to Thorpe leaving and a young and wildly creative non jaded Alan Moore coming on the book. He takes the ingredients Thorpe bundled together and turns them into unparalleled fine dining. Without missing a step, it becomes a dark sci-fi comic alltimer, almost a proto version of all the stories Moore does after this. All the usual brilliant Moore tropes, hell all of the more nuanced and mature storytelling comics tropes from the 80's and up are done here in such a masterful way. It's always shocking to me this one is still quietly underrated as it's influence is still being felt in media today. The magic is it's not dated and it is in many aspects way better than all the similar stories done after. I remember reading this one my first year of college and being blown away, my mind now open to how truly amazing comics could be. I'm pleased to see that feeling hasn't gone away upon rereads. GOD, IT'S GOOD!!

Magik Vol. 1 #1-4: When I got back into comics in my late teens, back before I first knew what a torrent was, wayyyy before readcomiconline existed, all my comic reading was done by whatever vestiges of the 90's survived one family move or whatever I'd find in a bookstore. I'd fallen in love with the X-Men fully and got by with whatever trades were coming out but when I saw a footnote in an issue about a random Magik series I never knew existed, I hopped online and it was one of my first ever online comic purchases as a teen. Newkadia I believe. Magik has always been a fave of mine, really only getting beat out by Rogue, Wolvie and Mags as my favorite X character. I couldn't believe such an obscure character really got her own mini back then. Now, Claremont always made the X-Men kinky and full of suffering but JESUS, this mini cranked it up to 11. It's a brutal and horrifying tale but it is also DEEPLY AWESOME!! Ilyana is FUCKED UP. There's so much depth to her character provided here that makes her such a fascinating and complex character. I love her and this series so damn much.

New Mutants Vol. 1 #18-20: In the early Oughts I was reading New Mutants for the first time as they released New Mutants Classic trades. The sporadic releases of the first two volumes with Bob McLeod's adequate but largely un-fantastic work on the series was fine, but I found myself a bit bored by it all. When the third volume finally came out with Bill Sienkiewicz's work my mind exploded. Head, gone. Bits of brain matter everywhere. Suddenly this cookie cutter series that sometimes put me to sleep was a transcendent work of art pushing the boundaries of the medium. WHAT??? The Demon Bear Saga here is the definite high point of the run and the entire volume. I can't even count how many times I've pored over the art in these ones. The weird ass story from Claremont combined with the experimental art by Sienkiewicz blend so well to make this alltimer.

Books of Magic Vol. 1 #1-4: I got this story in trade form along with all of Sandman from my oldest brother back when I was 18 or so and I'll be forever grateful that he opened up such a world to me. At that point I hadn't really gotten into much of DC besides the usual classics and this gave me a peek into how charming and special and full of depth the DCU was. This is the story JK Rowling ripped off for Harry Potter where a young bespectacled, black haired boy is revealed to be a magical chosen one and suddenly leaves his normal British life behind and is swept off to the world of magic. I didn't know many of the worlds and characters presented within when I first read this but I was soon captivated by how amazingly cool the magic side of DC was, and in turn this led me to becoming a full on DC fan for life hunting down more and more comics from this dark, mysterious corner of that universe. This is an extremely special one that has stuck with me for years as I often find myself thinking about random panels from it such as the Helmet of Fate demanding to be worn by a reluctant host body.

Daredevil Vol. 1 # 262-263, 265: Ol Hornhead deals with Inferno! More from Nocenti's run with JR Jr. on here. I told you it was going to be hard not putting their full run in these CFC boxes. Nocenti seems to be the only one who actually GOT Inferno and how fucked up it would be if New York City got overrun and possessed by demons. It's an absurdist dark comedy nightmare she presents herein. Years ago reading this I found it silly how she wrote the regular citizens barely caring or reacting to the horror around them but seeing where our world is now and how fucked it is and how unaffected people are by the grind and insanity of life, I fully believe she presents the most realistic shit ever in these comics. The last issue where DD just silently runs around absolutely beating the shit out of demons, then tries to pick up some trash to make things better, then sits and has a beer and cheers to NYC being the greatest city on Earth is the most brilliant perfect thing ever. Life and all of it's horrible happenings will try to kill you every single day, but you gotta grind and along the way do your small part to better the world and your soul, and find time to sit back and catch a quiet moment for yourself to smile and take it all in and love it, suffering and all.

Batman Vol. 3 #36-37: Tom King's Batman is a mess of a traumatized writer grappling with issues he should be dealing with in therapy but instead does through a comic, editorial meddling, grand aspirations that were never going to be allowed to happen, and a few gems along the way that are some of the best Batman comics ever. It's an infuriating, stupid run that I hate with rare moments I absolutely love. It is maddening, like most of Tom King's output. This story is one of those few gems I love. Presenting Superman, Batman and their respective partners, Catwoman and Lois Lane, as a normal pair of buddies and lovers in the most unusual world gives us such a fun story to work with. Add to this the incredibly sexy art of Clay Mann, which is always a sumptuous treat, and you get an alltimer.

Bram Stoker's Dracula #1-4: I love this movie. It's a 90's cultural touchstone that I can remember being SUCH a big deal thing in my hazy kid mind. It's not actually a very good movie but it also is one of the best movies. This is the magic of superb costume design and set design. An emphasis on practical effects and mood and atmosphere. The bizarre cast which blends legend Anthony Hopkins with the baffling choices of young Keanu and Winona, and the wild card payoff of Gary Oldman as Dracula. The whole movie is a tremendously soulful vibe where you all it's shortcomings don't matter when everything feels so well done with a real creative effort you can actually FEEL and appreciate behind every aspect of making the film. It's a rare thing I dearly miss. And that brings us to this comic adaptation. Like I said, cultural touchstone, so of course this gets a 90's adaptation, but just like the movie we get Roy Thomas, MIKE MIGNOLA, and John Nyberg bringing that same soulful creative mastery to this project. I often regard this as Mignola's greatest work, from adapting such a sprawling movie complete with actor likenesses that are instantly recognizable but also definitively his style, to in many ways improving on the execution of scenes, movement and story from the film. A failing card company's comic division puts out a masterpiece of a 1990's movie. It makes NO SENSE we got this wonderful comic. I own the polybagged versions complete with trading cards for the film, which is a charming bonus.

Dragon Ball Part 2 #5-15: The 21st World Martial Arts Tournament Saga!!! Easily my favorite story arc from the OG Dragon Ball. It's such a perfect synthesis of the gag manga and perfect shonen fight manga spectrums of Dragon Ball. A guy who's fighting style is being disgusting and smelling bad, a woman who uses gender stereotypes and her own sexuality as weapons, a dinosaur monster thing, Goku, Krillin, Master Roshi in disguise parodying Jackie Chan, an honorable warrior fighting for his poor village - it's just the perfect mix of serious and silly and I love it so so much.

Uncanny X-Men Vol. 1 #462-465: Chris Claremont does a mini Excalibur reunion with Psylocke and Rachel Summers, as well as Alan Davis for the first two issues before we get Chris Bachalo and the House of M Universe for the last two issues. This is Claremont finally getting his hands on all the Marvel UK Dave Thorpe/Alan Moore characters and having a ball. This was actually the first place I encountered those characters and I was so into it I tracked down the original stuff and just fell in love. I love how Claremont blends his own continuing run with those old elements, the Excalibur stuff and his own fun take on the House of M. All with art by Alan Davis AND Chris Bachalo?? It's a bizarre amalgamation of decades of Marvel Mutant stories and I just love it.

Generation NeXt #1-4: As much as I lament the fact that this mini completely derailed the momentum of the launch of Generation X by popping in only 4 issues in the fledgling ongoing series, it may well be worth it for this PERFECT story. Easily the best material from my beloved Age of Apocalypse. This is the bleakest, most cynical, most appropriate reflection of that dark alternate reality. I also consider this to be the pinnacle of the Chris Bachalo/Mark Buckingham art team, and nearly everything they ever did together is solid gold, so that's saying something.

Dragon Ball Part 1 #2-3: I prefer the original DB over the latter DBZ era and I love this fun early arc of Goku and Bulma bonding and starting their grand adventure and meeting Master Roshi, uncensored Bulma pulling up her dress and all, here in the Viz floppies.

Uncanny X-Men Vol. 1 #172-173: The X-Men in Japan for Wolverine's wedding. One of my alltime fave X-Men stories and the best of the Claremont/Paul Smith run. Rogue proving herself to the team and bonding with Wolvie in an iconic team-up. Yukio unleashing Storm's punk side. Maddy Pryor entering the bizarre world of the X-Men. Mastermind behind the scenes being a dick. Just sublime.

Resurrection of Magneto #1-4: I wasn't sure what to make of this series as it is mired in the terrible output of the end of the Krakoa era but I was pleasantly surprised to find it to be a fine exploration of Magneto and Storm as characters tying into decades of past obscure continuity as well as recent nostalgia minis Marvel has put out for the characters. What made it become part of the CFC Canon though was the work done with the Shadow King, confirming connections if the reader so choose for that character that I have been eternally clamoring for.

Single Issues

Spider-Man: The Parker Years: My favorite comic ever.

Green Lantern Vol. 3 #59: My second favorite comic ever.

Spider-Boy #1: My third favorite comic ever and easily the best Amalgam Comic. When DC and Marvel crossed over they smushed together and made Amalgam Comics. While some creators didn't quite understand the assignment, Karl Kesel and Mike Wieringo absolutely did! It's a weird time in the 90's and Ben Reilly is Spider-Man so they blended him with Kon-El the clone Superboy. It's a super strange pairing but it allows Kesel to go hog wild with Cadmus stuff and make such novel creative choices to make the unique blend of characters work so well. Every panel of this implies and develops the larger fake Amalgam Universe in such an entertaining way.

Marvel Two-In-One Vol. 1 #86: My fourth favorite comic ever. The Thing and Sandman stop fighting and sit down to have a beer and talk.

Hector Plasm: De Mortuis: My fifth favorite comic ever.

Godzilla vs Barkley: An absurd tie-in to a 1992 Nike commercial, this comic has a young Charles Barkley fan with a magic Silver Dollar, give said Dollar to Chuck, who he describes as "Earth's Greatest Warrior", so he can magically grow to Godzilla size to stop Godzilla. Charles does this by playing one on one in the Grand Canyon. It's so godamn stupid and so godamn AMAZING!!!

Marvel Tales: The New Fantastic Four: This is just a packed single issue reprint of Fantastic Four Vol. 1 #347-349 with all the extras from the TPB. A really cool done in one package. I appreciate these new Marvel Tales that Marvel is putting out. I recommend they take some of my picks for future releases!

Legionnaires Vol. 1 #59: I love the 90's "Archie" Legion and nothing exemplified their unique charm more than the downtime issues, like this one, where they'd go to the beach, or go on dates, or deal with solo stuff or regular life problems.

Age of Apocalypse featuring the X-Men #1: The 2005 revival of my beloved Age of Apocalypse event is largely a very stupid mess where writer C.B. "Akira Yoshida" Cebulski seems to have never even read the original event, BUT we did get this anniversary oneshot out of it with a bunch of cool pin-ups and short untold tales style stories from that world. The best is the Scott Lobdell and Alvin Lee story.

The Amazing Spider-Man #300: Maybe the best anniversary issue ever. The definition of a PERFECT single issue. A tight single story that manages to fit in a ton of turmoil for Peter Parker as we get all in one the origin of Venom, an eerie creeping suspense story, a knockdown slugfest, and the return of the red and blue costume.

Green Lantern: Sinestro Corps Special: My memory is fuzzy but at the time this came out, I was only reading DC Comics by trade. That finally changed here. I can still remember people losing their minds over the final page on the CBR forums. Not only Sinestro but also Cyborg Superman, Parallax, Superboy Prime AND The Anti-Monitor??? I was floored. These were all the big bads from all the evergreen DC collections I had been reading. Absolutely unbelievable levels of hype!! I immediately downloaded a scanned copy and have been reading DC Comics weekly since. This one is still so special to me, this is THE comic that got me to follow DC live and religiously.

LCSD 2018 Cheryl Blossom #1: Cherly Blossom is my favorite Archie girl. Originally Betty & Veronica #320 - the first appearance of Cheryl Blossom, where she shows up and immediately starts stripping on the beach, was in the CFC box until I found this neat little oneshot collection of early Cheryl stories which reprints "Dare to be Bare" from Betty & Veronica #320, "Fast & Loose" from Betty & Veronica #322, "Which is Rich" from Archie #323, and "It Seams Sew Sad" from Archie's T.V. Laugh-Out #90.

Batman Adventures - Mad Love: Nothing really beats when Bruce Timm does interior sequential comic art, and this is probably the best he ever did. Paul Dini and Timm make a comic tie-in to the legendary Batman the Animated Series that is SO GOOD they later adapt it in as an episode.

Marvel Holiday Special #1: I have distinct memories of getting this when I was VERY young while out with my Mom on errands and looking through it (I don't even think I could read yet) while I waited for her to get her hair done or something. Even as like a 4 year old, Art Adams's artwork called out to me; that cover and the value of getting Spidey, Ghost Rider, the X-Men and everyone else for the price of one issue? It was a must to toddler me. Looking at it now as an adult, although it has stiff competition from the 92 Holiday Special #2, this one is still the best of the Marvel Holiday anthologies, packed with so many fun little Holiday stories from so many top creators.

Teenage Mutant Ninja Turtles Vol. 1 #8 Remaster: I've never read Cerebus and I think Dave Sim has lost his mind nowadays and sucks but I absolutely love this incredibly weird Ninja Turtles/Cerebus crossover. It makes no sense to me why this is my favorite Mirage Turtles issue. Maybe I just love Renet, who knows?! There is just such a joyful, authentic feeling of hungry, hard working indie creators of the 80's just jamming together to make something silly and fun they wanted to do in this one. I was pleased to see a rerelease of it in 2023 with a nice new cover.

Jughead Double Digest #195: The new lead story in this digest has Jughead attending the Wing Fest in Buffalo, NY. I am a Buffalo, NY native who has lived here all my life and I was shocked how many very inside Buffalo cameos and references that this story contains. I love it.

Superman #654: Lois and Clark’s “Special Day” – the first time that he as Superman held Lois in his arms.

Batman #400: Doug Moench, Steve Lightle, George Perez, Paris Cullins, Bill Sienkiewicz, Art Adams, Tom Sutton, Steve Leialoha, Joe Kubert, Ken Steacy, Rick Leonardi, Brian Bolland, John Byrne, Bruce Patterson, Larry Mahlstedt, Terry Austin, Ricardo Villagran, Karl Kesel, Adrienne Roy, John Costanza, Tom Orzechowski & Andy Kubert - ALL OF THEM DOING INTERIOR SEQUENTIAL PAGES!!!

Spectacular Spider-Man #200: DeMatteis and Sal Buscema bring us the stunning conclusion to the greatest Spider-Man run ever.

The Amazing Spider-Man Vol. 1 #328: Mr. Fixit Hulk vs Cosmic Powers Spider-Man, during Acts of Vengeance, drawn by Todd McFarlane. Just staggering how much this one is all my shit.

Ultimate Spider-Man Annual #1: Ultimate Kitty Pryde and Peter Parker 4Eva!!!! One of the best comics ever. Kitty and Pete go on a date in this perfect little slice of teen love.

DC Comics Presents: Harley Quinn: a 100 Page Spectacular collecting BATMAN: HARLEY QUINN #1, JOKER'S ASYLUM II: HARLEY QUINN #1, and stories from BATMAN: GOTHAM KNIGHTS #14, COUNTOWN #10, BATMAN GOTHAM KNIGHTS #30 and BATMAN BLACK AND WHITE(2013) #1. The main draw here for me is the Joker's Asylum story with art by Joe Quinones, which is my favorite Harley Quinn story of alltime. Add in more Quinones, from the Black & White story, as well as some Bruce Timm with the origin file from Countdown, and you've got one of the best Harley oneshots ever.

The Batman Adventures Annual #1: A star studded anthology of various Batman rogues featuring the work of Paul Dini, Bruce Timm, Mike Parobeck, Matt Wagner, Dan DeCarlo, Klaus Janson, John Byrne and Rick Burchett. Nearly every issue of Batman Adventures is great but these issues full of Dini, Timm and other legends are on another level.

Spider-Boy Team-Up #1: Karl Kesel brings us a Spider-Boy sequel which dare I say could be better than the first, this time with Roger Stern helping to write and absolutely breathtaking art from Ladronn. The fun part of this one is they smush together The Legion of Super-Heroes and The Guardians of the Galaxy and it serves as a hilariously fun parody poking fun at all the various different versions of these teams that have existed.

Best of DC Blue Ribbon Digest #61: The Best of 1985's DC Comics! A beautiful little snapshot of 80's DC as you get Swamp Thing's "Anatomy Lesson", Wolfman and Kane Supes, Levitz Legion, Blue Devil, "Who Is Donna Troy?", and an issue of Atari Force!

The New Avengers Vol. 1 Annual #1: The initial roster and status quo of the New Avengers only got about a year and a half before it was torn apart by Civil War. This is a VERY specific slice of time where you get to see that team hang out in Avengers Tower, have a standard superhero fight, and then attend Luke Cage and Jessica Jones' wedding; all with Olivier Coipel masterfully doing his thing.

The Flash Vol. 2 #182: Geoff Johns and Scott Kolins revolutionized the Flash's Rogues during their run on The Flash, both injecting so much personality into their backstory, motivation, "code", and visuals that you often felt more like reading about them than the Flash. This is the best spotlight of that as we get a full Captain Cold issue.

Cavewoman 2014 - 20th Anniversary Convention Book: This has my favorite Cavewoman story in it, which is just a simple plot of Meriem getting her top half stuck in a cave hole. It has humor, big apes, dinosaurs and Meriem hopping all over while naked, so it's a perfect Cavewoman story.

Batman Vol. 1 #666: Damian Wayne as the soulless Batman of the future vs The Devil. Wish we could see more of this from Morrison & Kubert.

Ultimate Spider-Man #200: A wake of sorts for Ultimate Peter Parker and to me the perfect final issue of the Ultimate Universe. Contains what may be my favorite double page spread ever by David LaFuente

Copra #45: A damn good issue of Copra but this issue has a letter from me and pictures of my dog, D.D!!!

Adventures in the DC Universe #16: A riff on the classic Green Lantern & Green Arrow drugs story from the 70's but with Kyle Rayner and Connor Hawke in the kinda sorta DC Animated Adventures Universe. The highlight is Kyle discussing jazz with his neighbor.

OMAC Vol. 1 #1: A startling look into the world that's coming by King Kirby. The perfect single issue. The perfect first issue.

Garfield's Pet Force 2014 Special: Pet Forces from across the Multiverse come together to fight Vetvix and all the villains from the original 90's book series(including the ones they planned but never debuted). This in turn merges the Boom continuity with the 90s books continuity. As a HUGE fan of the 90's books this delighted me to no end.

The Uncanny X-Men Vol. 1 #308: The X-Men Thanksgiving issue!! Some of John Romita Jr.'s best work.

The Sensational Spider-Man Vol. 2 Annual #1: Right before they dissolved Peter Parker and Mary Jane's marriage, Matt Fraction gave us this tale of why those two will never be broken up, no matter what.

Action Comics Vol. 1 #762: Clark Kent's Christmas shopping goes awry when the department store Santa turns out to be Etrigan the Demon. La Encantadora, a personal fave character of mine, just so happens to also be shopping there and teams up with Supes.

Green Lantern/Silver Surfer: Parallax and Thanos team up to take on Kyle Rayner and Silver Surfer by Ron Marz, who wrote both of their titles in the 90s, and drawn by original Kyle artist Darryl Banks. It's everything you could ask for from this crossover.

The Curious Mystery Involving Dracula And The Wolfman: Such a cute and fun take on spooky boys.

Wolverine First Class #6: Kitty Pryde, Siryn, Amp and baby Ilyana Rasputin have sleepover shenanigans that bother Logan, when all he wants is to sit down and watch the hockey game. Salva Espin is SUCH an amazing artist.

Invincible #54: Some time travel nonsense happens, but forget all that. This is the date night all over the world romance issue for Atom Eve and Invincible!!

The New Warriors Vol. 1 #39: The best issue of New Warriors. A quiet downtime issue where we check in on all the civilian lives of the team. Drama, romance, so much angst! This one has it all.

Thor Vol. 1 #437: Bumbling, loveable Hercules tricks Quasar into battling Eric Masterson Thor, in a misguided attempt to help train Eric. More fun ensues when The enchantress fouls up the fight even further. Wendell Vaughn and Eric Masterson, two of my eternal faves, this comic was made for me!!

Legionnaires Vol. 1 #7: This is the Legion beach anime episode and it’s drawn ENTIRELY by comics legend Adam Hughes.

Swamp Thing Vol. 2 Annual #2: Swampy goes to Hell to save Abby, encountering all the mystical/magical DCU characters along the way. An absolute masterpiece.

X-Men #24: A quiet downtime issue (gosh I love those ones, don't I?) with gorgeous moody artwork by Andy Kubert, Bill Sienkiewicz and Paul Becton. Rogue and Gambit go on a date, Cyke and Jean have some long talks, and Psylocke and Kwannon try to deal with what's happened to them.

Detective Comics Vol.1 #526: An oversized fantastic anniversary issue wherein Killer Croc, here as the new big bad member of the Batman rogues gallery, assembles just about every Batman villain you can think of to take on the Batfam.

New Gods Vol. 1 #7: THE PACT! Probably the best issue of Jack Kirby's Fourth World. A flashback history lesson of the eternal struggle between Apokolips and New Genesis.

Grendel: Devil by the Deed: I love every Grendel story but nothing hits as hard as this prose story of the original Grendel, Hunter Rose, accompanied by such moody art deco artwork.

Batman Shadow of the Bat Annual #3: Sadly, Brian Apthorp is a comic artist of which we never got much work from. But the material we did get, WOW!! This is a wonderful reimagining of Batman's first encounter with Poison Ivy and the artwork here is just next level. I adore the storytelling and the vibrant personalities that Apthorp puts into everyone's expressions and body language.

Hitman #34: I'm not an Ennis guy besides Hitman. His cynical hate of superheroes while writing superheroes is always annoying, but it's so refreshing when he rarely writes one he clearly loves, in this case Superman. Maybe the best examination of the character ever done here.

Superman Man Of Tomorrow #1,000,000: Superman, while in the future, asks to be shown the entire history of the whole Superman line, his ancestors and their centuries long battle with Arch-Enemy Solaris, The Tyrant Sun. This book is PACKED with so many interesting, amazing ideas about Superman’s son, grandson, and so on and so on. Each little sentence about a Super ancestor could be a whole comic series.

The Uncanny X-Men and The New Teen Titans: Darkseid and Dark Phoenix team up to punk some teenagers by Chris Claremont and Walt Simonson. No Marv Wolfman in sight. All of that equals perfection my friends.

Secret Wars: Secret Love: An anthology book that features Michel Fiffe riffing on Typhoid Mary and Daredevil in an Ann Nocenti run tribute, a Robbie Reyes/Kamala Khan team up by legend Felipe Smith teasing us and their respective love interests with the possibility of those two getting together and an Iron Fist and Misty Knight story where Danny braids Misty's hair drawn by Gurihuru.

Special Edition X-Men #1: A reprint of Giant Size X-Men #1, still such a great comic, but with an added Claremont, Dave Cockrum story where Kitty Pryde and Ilyana Rasputin give a tour of the X-Mansion and everyone throws Kitty a surprise birthday party. It's a real Cockrum tribute issue. I will always prefer this version over the original or the 90's chromium Gary Frank cover reprint.

Sharknife FCBD #1: Corey Lewis is right up there with Jack Kirby and J.M. DeMatteis as my favorite comic creators ever. His Sharknife comics are pure soul rejuvenating bombs of creativity and comfort for me. This is a short and sweet Free Comic Book Day Sharknife Gaiden.

Hector Plasm: Totentanz: While not as good as the other Hector Plasm comic above, this one still has a great lead bit and a ton of pinups and extras and short fun things, I just wish it had more pure comics in it. That being said, it's still Hector Plasm, so it's great.

Spectacular Spider-Man Vol. 1 #115: I am absolutely OBSESSED with Mark Beachum and his dream like erotica style artwork. This is a perfect encapsulation of his mastery of dynamic body poses and seeming obsession with asses. I also really dig the weird 80's period of Spec Spidey by Peter David with Spidey in his black costume and Black Cat and all types of weird side villains. This is a beloved snapshot of just that.

X-Men Vol. 2 #1: Let me first say that the plot and writing in Mutant Genesis is absolute ass as Chris Claremont is shoved out the door. BUT the art and designs by Jim Lee and the exciting new launch for the franchise as X-Factor is folded back into the main team for the 90's is so undeniably cool. The pin-ups, the fold out cover, everything about this is the hypest, coolest shit ever made. It's a very confusing feeling as I hate everything this issue represents and does while simultaneously loving every single thing about it. More often than not, that was what it was like reading comics in the 90's.

Christmas with the Super-Heroes #2: The rare Holiday anthology where every single story is a home run. This one contains my second favorite Superman story ever as well as a truck colliding with your heart and soul Deadman/Pre-Crisis Supergirl story.

Solo Avengers #14: Chris Claremont and Alan Davis bring us the best She-Hulk comic ever made.

Batman Vol. 1 #244: Ra’s al Ghul is my favorite Batman villain and this is my favorite story of the O'Neil/Adams era of Batman. Batman and a sexy Olympic skier chase Ra's and Talia down a snow covered mountain and then a shirtless Batman vs Ra's in a sword fight in the desert which ends in defeat for Ra's and a sweet mack session with Talia for Bats. Perfection.

Scooby Doo Team-Up Vol. 1 #40: Loveable weed smoking hippie Chester Williams of the Swamp Thing supporting cast is revealed to be Shaggy from Scooby Doo's Uncle, thus initiating the team-up visit. Solomon Grundy and Swampy shows up, and even Abby eventually!! It ends up being a funny Moore era Saga of the Swamp Thing reunion and homage that rules so much.

Legionnaires Vol. 1 #77: Basically a combo of the two other Legionnaire issues I posted above, a quiet down time issue for the full cast as they go to a beach resort. It's a celebration of the entire 90's "Archie Legion" era and a fitting goodbye from the creative teams as Dan Abnett and Andy Lanning come on right after and soon relaunch the title.

Justice League of America #200: Oh baby!! The premise of this one is all brawling as an original Big 7 Leaguer fights a Satellite League member all drawn by some huge comic legend - Pat Broderick, Jim Aparo, Dick Giordano, Gil Kane, Carmine Infantino, Brian Bolland and Joe Kubert!!!

Deadpool Vol. 3 #11: Deadpool time travels to the Amazing Spider-Man #47 and has to take Peter Parker's place while also making sure to not muck up the timeline. Absolute genuine hilarity ensues.

Thunderstrike Vol. 1 #1: Thunderstrike's big debut!!! Just big sweeping action and character in an exciting, oversized intro issue from DeFalco and Frenz. I'm always wowed with the experimentation of big single and double page spreads and huge single panel art Frenz does in this issue.

The Amazing Spider-Man Vol. 1 #400: The death of Aunt May. Stunning revelations, inspired character work, and scenes that will make you cry like a baby. All of that while making it work as yet another chapter in the blossoming Clone Saga. One of the all time best!

X-Men Chronicles #1: I am irrationally obsessed with the Age of Apocalypse event and literally anything related to it. So I'm constantly craving more tiny bits of lore and continuity for that reality and that's why I love these "Chronicles" one shots that replaced the X-Men Unlimited series which usually told self contained side stories to fit in wherever for the line. We get to see a flashback tale to the early days of the X-Men of this universe and the ascension of Apocalypse all done with some very pleasing and unique Terry Dodson inked by Klaus Janson art. These also had specific history or character pin-ups by some legendary artists in the back.

G.I. Joe: A Real American Hero #25: The famous "Silent Interlude". No dialogue as Snake eyes rescues Scarlett from Cobra and the mysterious ties to Storm shadow are revealed. The blueprint on story telling and artistic draftsmanship in comics.

Thor Vol. 1 #444: Eric Masterson Thor takes on the mystery of a sewer dwelling creature that resembles The Grinch in this Holiday classic.

Green Lantern Vol. 3 #78: The Kyle Rayner/Donna Troy relationship commitment issue. My second favorite relationship in comics behind Peter and MJ is given some time to shine.

The Uncanny X-Men #205: WOUNDED WOLF! Lady Deathstrike and The Reavers hunt a feral Wolverine with only Katie Power of The Power Pack to help him during a snowstorm. Barry Windsor-Smith's artwork here is an otherworldly swirling tornado of detailed lines and emotions.

Birds of Prey Vol. 1 #8: I'm a Dick/Starfire kind of guy myself but even I can get on board with Dick and Babs when it's done so authentically sweet as this romantic, inspiring tale is.

Spectacular Spider-Man Vol. 1 #241: The epilogue issue to The Clone Saga. This is a heartfelt issue with Peter and MJ about dealing with grief and loss and finding the love and strength to carry on.

The Incredible Hulk Vol. 1 #418: I wrote above how Gary Frank's art during this era is as good as comic art can get and it's on full display here with the dozens of guest stars and cameos (Including Death of The Endless!) for the wedding of Rick Jones and Marlo Chandler. The fold out faux wedding invitation cover is so cool.

Mary Jane and Black Cat Beyond #1: Us true Mary Jane fans have been starving for so many years now. We finally got some sustenance in this sexy heist one shot with some excellent dialogue and characterization for Felicia and MJ regarding their longtime relationship.

Green Lantern Vol. 3 #81: Special issue for the funeral of Hal Jordan which has priceless moments like Kyle Rayner meeting Nightwing, Kyle and Jack Knight being antique art dorks together, cameos by most of the 90's DCU, and a prominent and rare non-Vertigo Swamp Thing appearance. All of that bolstered by a rad foil cardstock cover and a Silver age Hal story reprint complete with a new Ron Marz/Gil Kane framing sequence!

Wolverine Vol. 1 #75: The aftermath of Magneto ripping the adamantium out of Wolverine and the physical and emotional trauma he goes through while almost dying. This shit absolutely traumatized me as a kid, but I couldnt stop reading it over and over it's so well done.

Jungle Action Vol. 2 #18: Billy Graham!! Graham's Will Eisner influenced work with Don McGregor on this Black Panther run is full of stunning visuals but for me, nothing beats the double page spread introducing the leopard print covered Madam Slay in this issue.

Swamp Thing Vol. 2 #34: Few things comfort me as much as Swamp Thing and Abby Holland's love for each other and this issue is solely that. In one of the rare breaks from horror and heartbreak during Alan Moore's run, we get Abby and Swampy having their version of sex, a level of intimacy of which we mortals could only dream of.

Batman Vol. 3 Annual #4: This story celebrates the magic of Batman and how he fits into any plot you want in his unending mission. The premise of this one is that we are reading Alfred’s diary, which is a logbook of all the various adventures Batman faces. When we start, these diversified tales are given 4-5 pages to breathe. Then, the stories continue but they get one page, then 3 panels to a page, then 4, then 5, then 6, 7, 8, 9 as each panel represents a wildly different day of events Batman lives through.

Generation X Underground Special: I deeply miss the 80's/90's indie comic - usually black and white, deeply weird, full of jokes and pop culture references, done with a soulful style where you felt like you could feel the blood, sweat, and tears that went into publishing this random periodical that only a couple hundred people may ever read. That type of thing has been replaced by like an Instagram post comic. The internet SUCKS now guys. Anyways, this was basically Marvel looking at some fan comic about Generation X by indie comic master Jim Mahfood and saying yea ok, we'll publish your little zine. It's sort of a miracle that this thing even exists.

Ultimate Spider-Man #155: The entire run of Ultimate Comics Spider-Man up until The Death of Spider-Man is my fave era of Ultimate Spidey material. Cramming his house with all his various friends and constantly expanding that huge group of teens was just the best. This is the last issue before Bendis jarringly swerved and killed Ultimate Pete and to me it represents a window slamming shut on a status quo that had truly unlocked perfection and had such promising potential for future stories. I'll never not be mad at the direction they took after this. It was also really cool to have Chris Samnee briefly do some work with these characters.

Superman Vol. 1 Annual #3: One of my alltime favorite single issue packages. A huge reprint filled book with pretty much every Silver Age Supes story you could ever want. Yes, that includes the lion head Superman story.

The Uncanny X-Men Vol. 1 #137: Another one of those much ballyhooed classics that actually is that good. The Dark Phoenix Saga as a whole is great but not perfect, until you get to the final heartbreaking issue which really is, from pacing, to plot, to dialogue, to art, about as perfect a comic as you'll come across.

X-Men Chronicles #2: Just like #1 above, this gives us a flashback tale of when The Wolverine attacked Magneto's X-Men and the story of when Rogue's love drifted from Gambit to Mags. Love the way Ian Churchill draws every single character here. This one too has the wonderful pin-ups in the back again.

Jonah Hex Vol.2 #50: The tragic tale of Jonah Hex and Tallulah Black's child, and all the Western gunslinging vengeance thats comes along for the ride. Incomparable art by the legendary Darwyn Cooke.

Action Comics Vol. 1 Annual #1: Batman and Superman team up to take on Skeeter, the Daisy Dukes wearing vampire with art by Art Adams. If there's anything I've learned assembling these CFC boxes it's that Art Adams may be my favorite comic creator ever.

The Amazing Spider-Man Vol. 1 #102: The Lizard, Morbius and Six-Armed Spidey all collide in the climax to this classic body horror Spider-Man story!

The Uncanny X-Men Vol. 1 #273: Besides The Outback Era, my favorite era of X-books was the weird X-Men Disassembled, I call it, time period when Forge and Banshee were essentially Headmasters and they were trying to find various members of the team that were flung all over the world by the Siege Perilous. This is a quiet come down issue during the height of that era right after the X-Tinction Agenda crossover where all the various X-Team members are FINALLY back together again. This is also a jam art issue featuring a bevy of comic legends - Jim Lee, Whilce Portacio, Klaus Janson, John Byrne, Rick Leonardi, Marc Silvestri, Michael Golden and Larry Stroman.

X-Factor Vol. 1 #87" X-Aminations! Doc Samson has each team member sit down on the couch for some psychological evaluations. A revolutionary single issue that provides some essential character moments for all involved, especially Quicksilver.

X-Factor Vol. 3 #13: Re-X-aminations! Doc Samson sits down with the new version of X-Factor for some psychological evaluations. Just as entertaining and insightful as the original story.

Everything Sucks! #1: I once described this series of comics as "Curb Your Enthusiasm meets Tiny Toons" and I still stand by that description. Awful, wacky, cynical but somehow loveable characters that you find yourself relating to way too much, which is probably a bad thing. This one is all about Noah stubbornly needing to get the burger he craves. I felt that shit so hard. There's a few bonus pin-ups and short comics in the back of this one I really love too about Noah and his cat.

DC One Million 80 Page Giant: Extremely unique set of anthology tales that offer a wide variety of story genre and art styles. Much like Age of Apocalypse, I irrationally love anything DC One Million and this is about the only non the big event slice of it we ever got. Huge fan of the Mark Millar, Mike Wieringo story in this one.

Superman Vol. 1 Annual # 11: Alan Moore and Dave Gibbons extremely perverse but oddly sweet and comforting classic. I'm such a big fan of the deceptively talented clean and simple linework Gibbons does here. Moore is able to imbue Mongul, Wonder Woman, Robin, Batman and characters from Supes' dream world with so much personality, often times with just one line of spoken dialogue. They make it seem so easy with their staggering talent here.

Mega Man #50: A great chapter of the Worlds Unite crossover but the reason to love this one is the backup story where Mega Man and Mega Man X get some quiet time to interact and compare and contrast their history and their lives.

Scott Pilgrim: Full Colour Odds and Ends 2008: When I was 19-20 or so I was OBSESSED with Scott Pilgrim. His life mirrored my own in so many eerie ways. Back before all the main books were colored, this one shot was a rare treasure to have to see that world in color with bonus sketches, mini-comics and extras all in one package. The shitty movie and growing up kind of made me want to forget about Scott Pilgrim and leave it, along with the kid I once was, in the past. But I recently reread the series with a new adult perspective and found myself falling in love again. I was glad I held on to this one and can appreciate it once more.

Swamp Thing Vol. 2 #50: Similar to the Annual listed above, this is Swampy alongside an even bigger cast of the magical side of the DCU in the climax to a longer tale of a conflict against a great unknown Darkness.

Swamp Thing Vol. 1 #7: A little superhero spills into the Bernie Wrightson original horror Swampy series as he clashes with Batman.

X-Men Vol. 2 #109: A Christmas themed 100 Page Monster! Around this time in 2000 Marvel made a few of their books 100 Page Monsters and reprinted about 3 issues after one regular new lead issue. This one is a new X-Treme X-Men and regular X-Men team Christmas story along with reprints of X-Men #98- Christmas in Manhattan as the Sentinels attack, Uncanny X-Men #143 - Kitty Pryde vs the Demon, and Uncanny X-Men #341 - Cannoball vs Gladiator - all some of the best single issues of X-Men ever. I'm blown away at how much good shit they packed in here.

Superman Adventures #41: The novel idea of a different story on every page. Each bite sized tale surprisingly rules.

X-Force Vol. 1 #19: Post X-Cutioner's Song, X-Force finds themselves at a crossroads without a leader and under house arrest at the Mansion. Without Xavier, without Magneto, without Cable - who are these characters and what path will they take as they enter adulthood, not as X-Men but as X-Force.

The Multiversity Guidebook: Grant Morrison and a huge selection of artists either create new or revisit old universes to create a catalog of the DC Multiverse. Still so cool even if nothing much ever came from this.

Superman Vol. 1 #156: “Every man can be a Superman”

The Uncanny X-Men Vol. 1 #138: The very next issue after The Dark Phoenix Saga, Cyclops recaps every single X-Men story while wallowing in his grief. It's so damn cool to see Claremont and Byrne give us this trip down memory lane.

Batman Vol. 1 #156: Probably my favorite Silver Age Batman story. This one has some surprising depth and subject matter for the time as we delve into the psychological trauma Batman feels over Robin potentially dying.

Forever People Vol. 1 #4: "All young humans recognize the real thing when they see it". The ultimate character showcase for Darkseid and a fascinating exploration of how we perceive good and evil and how we cope with it for better or worse.

DC Comics Presents Legion of Super-Heroes #2: A collection of various Geoff Johns Legion Threeboot stories - the first appearance of the Legion from Adventure Comics #247, the Legion co-feature from the short lived Adventure Comics #0-4, Action Comics #864 - a bridge issue between Superman and the Legion and Legion of Three Worlds, “Friday Night In The 21st Century” from Action Comics #900, and a Mon-El tale from Action Comics Annual #10. I LOVED this older reinstatement of the original Legion and will always be sad we didn't get more from them by Johns. Levitz's material usually outright ignored what was established and had some pretty terrible plots. But at least we got this little Legion celebration package

I Heart Marvel - Web of Romance #1: A lovely story about Spider-Man and Mary Jane's relationship during the New Avengers Tower era drawn by Cory Walker. Perfection

Daredevil Vol. 1 #260: This is basically Daredevil's version of Amazing Spider-Man Annual #1 where he fights the Sinister Six. Typhoid Mary and all the villains Ann Nocenti had introduced in her run up until that point round out this Sinister Six in a brutal, fast paced fight comic.

Superman and Batman: World's Funnest: Comedy genius Evan Dorkin has Mr. Mxyzptlk and Bat-Mite have a brawl through pretty much every planet, reality, universe or continuity DC has ever had with a staggering art roster which includes Mike Allred, Brian Bolland, Frank Cho, Dave Gibbons, Jaime Hernandez, Stuart Immonen, Phil Jimenez, Doug Mahnke, Frank Miller, Sheldon Moldoff, Alex Ross, Scott Shaw, Ty Templeton and Bruce Timm!!

Guy Gardner: Warrior #29: I'm a big fan of Beau Smith's oddball Warrior run and the jewel of that run is this issue drawn by Phil Jimenez. Guy opens his bar and just about every single character in the DC Universe shows up for the grand opening.

Legion of Super-Heroes Vol. 4 #100: A huge anniversary issue with a great Computo lead story but ALSO with a ton of amazing pin-ups and short stories in the back featuring Alan Davis and Walt Simonson.

Mortal Kombat Collector's Edition Comic Book: A mail-order comic tie in to the original Mortal Kombat written and drawn by series co-creator John Tobias. If you read Nintendo Power growing up, you may remember some of the art from this comic used for MK features. That art was burned into my brain as a kid and it wasn't until recently, when I bought a slabbed copy of this and cracked it out of it's stupid shell, that I got to experience the majesty of this official comic that feels like a great indie book. Tobias' art is MY Mortal Kombat.

The Punisher Meets Archie: An absolutely ludicrous crossover idea that thankfully is in on the joke. Everything you could ever want when you read that title is delivered here.

Spider-Girl #0: A reprint of What If? #105, the debut of Mayday Parker aka Spider-Girl, the greatest what If? issue ever. I prefer this reprint of the issue instead of the original as it contains little previews for the new series of the MC2 Universe- J2, A-Next and Spider-Girl!

The Kingdom: Offspring #1: The Kingdom is a great event that is never talked about. This one shot about Plastic Man's son, Offspring is the charming highlight, especially because the art is all Frank Quitely. Always amazed at that.

DC Comics Presents Vol. 1 #47: Like I mentioned above, I love DC's use of pre-refined He-Man and his world. How can you not love this issue where He-Man and Superman team up to take on Skeletor?

Batman Adventures Annual #2: The all stars of Batman The Animated Series - Paul Dini, Glenn Murakami and Bruce Timm - team up to give us a Ra's and Talia story that ends up being a Jack Kirby tribute. Murakami's coloring really makes this one special.

Teenage Mutant Ninja Turtles: Turtles In Time #1: The IDW Turtles travel back to the age of dinosaurs with my fave Renet, drawn so cute here by Sophie Campbell. This is where they adopt their adorable dinosaur pal, Pepperoni. So cute! All so cute!!

Resident Evil #1 (Marvel Comics): A free Marvel/Capcom promo comic prequel for the release of the original Resident Evil. Check out my extensive Oral History of this comic if you want to learn everything about it and read it, in the article I am most proud of writing.

The Uncanny X-Men Vol. 1 #244: My beloved Outback X-Men era. It's ladies' night and our loveable cast of X-Women hit up The Hollywood Mall for a night of shopping and fun!

The Sensational She-Hulk #50: Such a fun anniversary issue where Jen breaks the Fourth Wall and "auditions" some creators to take over after Byrne leaves including Dave Gibbons, Frank Miller, Wendy Pini, Walt Simonson, Howard Chaykin, Terry Austin, Adam Hughes and Howard Mackie.

Earth Prime - Stargirl #4: I don't know if I can resolutely say that Stargirl is my favorite live action superhero show ever, but it just may be. To have a tie in to the show I love written by legendary creators I equally love, James Robinson and Jerry Ordway, is a dream come true. This is a very quiet, touching story.

X-Men Legacy #234: Mike Carey is my guy, and excluding Claremont, he produces the best X comics. This is a quiet, character driven single issue during his long Rogue centric development that ends up involving her past romances. Who better to portray all that sexiness than Yanick Paquette who provides us some very memorable steamy scenes!

Black Lightning Vol. 2 #5: Tony Isabella and Eddy Newell's brief 90's Black Lightning run is about all you could ever want out of comics and few single issues come close to this one by them. Isabella's narration, character work and emotional heartstring pulling is paired with an gorgeous artistic showcase for Eddy Newell. Seriously, just about every page in here should be hanging in a museum somewhere.

G.I. Joe Deviations: What happens when Cobra actually takes over the world? Well, a lot of world peace and stability, boring management, paperwork and politics. That doesnt sit too well with Cobra Commander who rallies a ragtag group of Joes to dismantle the New cobra World Order. Paul Allor teams with my Comics God, Corey Lewis on this one to make such a funny, super fucking cool, amazingly awesome looking book.

Power Pack Vol. 1 #19: Katie Power invites the Morlocks, Kitty Pryde, Wolverine, Beta Ray Bill, Franklin Richards and Cloak & Dagger over for Thanksgiving. Chaos ensues at the Thanksgiving Day Parade. The best Thanksgiving comic ever!!

Batman Adventures Holiday Special: Phew! All the usual Batman the Animated Series all stars are here in a big ol' anthology of Holiday goodness! All of these were adapted into the episode "Holiday Knights" EXCEPT the Mr. Freeze story which may be the best one in here. I think for all of these, except the Harley & Ivy one, I prefer the comic version to the adaptation.

Radioactive Man #197: The Best Jack Kirby Comic is a Simpsons Comic

Teen Titans Vol. 3 #35: I read this comic when I was 18 and that image of a naked Ravager sneaking into Robin's bed is permanently tattooed into my brain. I love the weird Kid Devil, Ravager era of Teen Titans.

Archie #636: Rule 63 Archie by Gisele Lagace!!!

JLA #61: Joe Kelly and Doug Mahnke's JLA is such an imperfect, sprawling monster of a run that you can really feel the hunger they had and appreciate how much personality they give each team member. This is such a fun issue of that run where we get to see a peek into the lives of each member right before they are all called into action.

Invincible #144: The final issue of Invincible. Rushed, sloppy, jarring and perfect.

Supergirl Vol. 5 #9: This issue of Supergirl struggling with her place in the world and her awkward growth into an adult alongside all the expectations people put on a teen girl as well as her personally as an "S" shield bearing superhero really rings true to me. She fights, she rebels, she smokes, she goes out clubbing with an older guy, she deals with family drama and childhood trauma and she saves a little girl who innocently helps put her on the right path. I also love Ian Churchill's art here so damn much.

Legion of Super-Heroes Vol. 4 #4: Mon-El vs the Time Trapper with the most heroic, noble sacrifice you've ever seen all expertly done by Keith Giffen. This is a fight you can really FEEL!

Batman 1989 Movie Adaptation: I miss the era when movies and tv got comic adaptations so fans could experience the story if they werent able to see the movie or just to keep that experience going. Sure a ton of them were crap, and in an era where literally everything is available whenever you want it, the need for them just doesnt exist anymore. But man when they hit, THEY HIT!! This one by Denny O'Neil with lush, vibrant artwork that stunningly captures the actor's likenesses by Jerry Ordway and Steve Oliff, shows how some adaptations are so well done they end up having a place next to what they were adapting as an equal piece of unique art.

Thor: The Worthy: Walt Simonson's Thor run, Tom DeFalco and Ron Frenz's Thor and Thunderstrike runs, and Kathryn Immonen's Sif led Journey Into Mystery run are my three favorite Thor/Asgard comic chunks in order. Guess what this anniversary oneshot celebrates? Yep, all three of those! I know!! I can't believe it either!!! It's like this was made for me. One of my favorite comics ever.

Dragon Ball #1: In the late 90's Viz started publishing Dragon Ball and Dragon Ball Z under the Viz Select comics banner as standard American floppies. I love this weird rare format and I was lucky enough to find this rare first issue that reprints one of my favorites, Chapter 1, for under ten bucks. Sometimes virtual bin diving for hours online pays off.

The Incredible Hulk Vol. 1 #417: Another Gary Frank one, another gorgeous aesthetically pleasing feast for the eyes. This one is Rick Jones and fiancée Marlo Chandler's bachelor and bachelorette parties. Captain America unknowingly hires a stripper and Betty Banner yells for them to "Take it off!" as She-Hulk takes the ladies to Marvel's version of Chippendale's.

Thunderstrike Vol. 1 #15: Eric vs Sif! Hela vs Mephisto! Thunderstrike and Thor back in action together! All while the soul of Eric's son, Kevin hangs in the balance!

Spider-Man Unlimited Vol. 3 #14: A short, solid story of Spidey and Black Cat vs Doombots with art full of dynamic action and sexy cheesecake by David Finch. There's nothing particularly special or important or must read here but it is a comic that I always fondly remember and it always makes me smile. That's what Comfort Food Comics is all about.

Captain Marvel Adventures #31: Captain Marvel visits Buffalo, NY!! A real treat for me as a native Buffalonian. They even show off City Hall, still there today, where I got married (well where we filled out the paperwork haha).

X-Men Vol. 2 #8: Still contained in the extremely hype Jim Lee era with the spectacular art, vibe and design he brought. A quiet issue where cyclops drools over Psylocke's Pikachu swimsuit, and Bishop fucks up Rogue's home made boysenberry pie. THE BEST!!

Thor Vol. 1 #356: A HILARIOUS fill in issue where Hercules tells a tall tale of him just absolutely beating Thor's ass with such funny exaggerations to some kids.

The New Titans #126: My favorite Titans comics are from this brief era where Arsenal led a mid 90's ragtag group that included Impulse, Kyle Rayner, Supergirl and more. This is yet another of my favorite genre of superhero comics, the quiet downtime issue where the team hangs out together. All drawn by Rick Mays, an underrated fave of mine. If anyone out there knows any info whatsoever on this issue's writer, Dale Hrebik, PLEASE TELL ME! He wrote this, my favorite Titans issue ever, a fantastic Rose Wilson story in Deathstroke Annual #4 and scripted Marv Wolfman's plot in Deathstroke #50 and that's apparently it. The internet has surprisingly NOTHING else for me.

Daredevil Vol. 1 #397: Daredevil only has two moods - annoyingly jolly swashbuckler swinging freely through the sky and self destructive, depressing man of passion. This is the perfect encapsulation of the latter in this Typhoid Mary focused issue.

Uncanny Avengers Vol. 1 #5: Ok, so this comic is dumb. Rick Remender is dumb. Havok is dumb. His M word speech is impressively dumb. BUT, God help me, I love it. This issue is, you guessed it!, a quiet downtime issue where the team hangs out again!!! Olivier Coipel flexes his God Tier art muscles here and also draws Rogue in her best fit ever.

Wolverine Vol. 1 #54: A fill in issue by Fabian Nicieza and Darick Robertson featuring a great Wolverine and Shatterstar team-up with a nice Rogue bit thrown in as a cherry on top. For some reason Robertson's art in this issue has stuck with me for most of my life.

Legion of Super-Heroes Vol. 3 #5: One Legionnaire is murdered which leads to a fellow Legionnaire pulling just about the most badass moment ever in comics to get revenge. I jump around celebrating like I saw a Kobe to Shaq alley-oop whenever I read that moment. GOD, this story is good.

Thunderstrike Vol. 1 #19: Thunderstrike's tagline was "The Everyman Avenger" and that really was his strength as a character. His real life relatable problems, his ex wife and son, his large and diverse supporting cast, his job - it all built such a charming and enjoyable life for Eric. This issue gives us "A Day In The Life", whisking us around and highlighting all of those things that made The Everyman avenger so great.

JLA #5: RECRUITMENT DRIVE!! Most people probably remember this one for the done in one story of Tomorrow Woman, which is great, but I'm sitting here grinning like an idiot reading this one for the group of my beloved 90's era DC Comics characters that come to the JLA Satellite to try out for the team. Hitman shows up just to use his x-ray vision to peep at Wonder Woman! Ha!! Priceless!

DCU Holiday Bash #1: All of the Holiday Bashs were good comics but I have a soft spot for this one because of all the great stories but especially the Walt Simonson and Sal Buscema story where Highfather and Orion fill in as a department store Santa and "Christmas Gnome". Walt's one of about 3 creators who ever GOT the New Gods like Kirby intended and Sal rarely did any DC work so this one is such a special treat.

Untold Tales of Spider-Man Annual #1: Kurt Busiek writing a story where Spider-Man and Sue Storm go on a date which is promptly ruined by Johnny Storm and Namor, drawn by my guy Mike Allred and inked by Marvel Legend Joe Sinnott, equals perfection.

Classic X-Men #27: Every time I read the Classic X-Men vignettes I am left stunned by what an incredible creator John Bolton was. These reprint issues were absolute works of art, perfectly expanding on what came before, always additive, never harmful with simple, clean artwork that Bolton was able to use to infuse the characters with body language and expressions that helped tell those tales so well. This one is my favorite, one of the Ann Nocenti written joints, where Wolverine and Jean are forced together to confront their animalistic heat and passion in the face of a horrifying death.

Batman Returns Movie Adaptation: Another Batmania adaptation! This is another one that stands on equal footing with the movie as it's own thing worth experiencing. Jose Luis Garcia-Lopez's inks over Steve Erwin's pencils are out of this world gorgeous. Some of my favorite comic art ever produced.

Thunderstrike Vol. 1 #16: Like the Thor story above, Eric gets roped into yet another Absorbing Man scheme that ends with Eric promoting a fight between She-Hulk and Titania. It's another hilarious sitcom moment for that weird friendship and has some amazing Frenz art, especially his rendition of She-Hulk and her outfit.

Mortal Kombat 2 collector's Edition Comic: Just like the above first one, this was a mail order tie in comic by John Tobias for the release of MK2. This one is a bit more chaotic but it's so fun seeing the story officially expanded on and seeing more of Kintaro, my fave. I love absolutely anything to do with Mortal Kombat 2.

Adventure Comics #500: This is from the tail end of Adventure Comics when it turned into a digest. This one is all Legion baby!!! Classic after classic after classic from the Silver Age. My absolute favorite shit. All bookended by a fantastic Keith Giffen front and back cover.

Daredevil Vol. 1 #181: I recently reread Miller and Janson's DD run for the first time in over a decade and was pleasantly surprised to see how well it held up and how much I love it more than I ever did. One thing I was particularly struck by, was how much his run resembled a season of television with each issue serving as an episode. He rarely has what we'd call a traditional arc with a continuing story. Sure, stories continue, but time skips, moments are left to the viewer to imagine and fill in, the episodes just keep going forward with an overall seasonal mega-arc focused on Elektra and Matt. He even talks about how the tv he is watching at the time is a big influence on his storytelling in interviews. It's wonderful pacing and planning. This would be your big penultimate episode or your first hour of a season finale (Remember when shows would have 2 hour long special event finales that were essentially two episodes smashed into one? I miss those). Bullseye and Elektra's relationships with Matt expressed herein are eternally complex, ugly, tragic and beautiful.

Daredevil Vol. 1 #179: The Elektra and Daredevil fight in this one should be studied on how to convey movement and action in comics. The sai hitting Urich along with his inner narration should be studied for pacing and storytelling in comics. The art and the PLANNING of the art here can be felt by the reader and teaches so much. This issue is a treasure trove of wisdom on how to make good ass comics.

Daredevil Vol. 1 #175: This would be your mid season finale of Miller and Janson's Daredevil Season. Many of my favorite iconic moments in this issue, from the GORGEOUS opening splash page, to Elektra rolling and throwing her sai at Matt right after, to the masterfully told simultaneous attack on the Hand ninjas by Matt and Elektra. Those pages where Matt fights the ninjas at the bottom of the stairs while Elektra desperately attempts to kill Kirigi at the top of the stairs is such a claustrophobic, anxiety inducing moment. I don't know how but Miller and Janson make you feel like you're there experiencing all the tense panic and fighting. No matter how slow you read it, you feel that rush in your soul as you bounce between Matt and Elektra.

Teenage Mutant Ninja Turtles (2011 IDW) #65: The Turtles throw a Christmas party and just about every single cast member so far is featured. Mateus Santolouco's art has never looked better, filled with a whimsical fancy for the Holiday and thrown into some experimental storytelling perspectives. This one is guaranteed to make you happy.

Best of DC Blue Ribbon Digest #22: Christmas With the Super-Heroes: A digest sized stocking stuffer that contains my beloved "The Seal Men's War On Santa Claus!" An essential Comfort Food Comics for me, not just at the Holidays, but all year round. The other stories are also Holiday classics, including another old personal CFC fave, Justice League of America #110 - "The Man Who Murdered Santa Claus!"

The Legend of Zelda #2 (Valiant Comics): Growing up we had a bunch of the Valiant Nintendo comics and they comprise some of my earliest memories. None more so than this one. I can remember being like four years old and feeling very outraged that Link kept being tricked. Hahaha I still love this story of that weird diapered man sprite from Zelda 2 as a buddy of Link's.

Hawk & Dove Vol. 3 #20: Dove goes Christmas shopping and ends up in a comedic Die Hard parody all drawn by the master Kevin Maguire. I remember reading this when I was younger and didn't even know who Hawk or Dove were and I STILL LOVED IT!! It's that fantastic!

Klaus and The Crisis in Xmasville: What if Coca-Cola bought Christmas and replaced Santa with their own werewolf Santa from the Dark Multiverse? God bless Grant Morrison

Scarlet Spider Vol. 2 #12: Kaine wants to be hardcore, but the Marvel Universe won't let him was the best premise for a Kaine solo book and I will always treasure this excellent series. My favorite issue is this one where Kaine wants to get drunk and be edgy again but his Parker genes, his new life and his new friends won't let him. Throw in a group of Santa themed criminals, the "quiet downtime plot where the characters hang out" plot you must be sick of reading about by now, and the extremely pleasing Reilly Brown art and you have an instant Holiday classic!

Spider-Man's Tangled Web #21: Darwyn Cooke and J.Bone did two issues of this title that felt like some 50's Alternate reality Marvel Universe and they both were incredible. This one is on a rarified level though for being such an entertaining and heartwarming Christmas chaos story that juggles about a dozen characters so damn well. God this makes me miss Cooke. Damn. RIP

Daredevil Vol. 1 #225: I've had a real internal struggle during multiple rereads of Daredevil: Born Again where I get so whisked away by David Mazzuchelli's art and wonder if it should be in these CFC boxes but those last two issues always let me down compared to the perfection of it's start, and I always end up vetoing it from this list. While I am consistently in awe of Mazzuchelli's art in that story, I find myself loving this issue's art by him even MORE. The opening splash page alone is a Rockwellian portrait fit for framing. This is a strange little story that uses The Vulture to symbolize death as Matt fights that symbol to get over his own depression and suicidal thoughts to want to live again. Denny O'Neil gives us such a fascinating, unique take on The Vulture while also constantly showing and telling us how legit of a threat he is. It's really wonderful angle for him that I haven't really seen in any other appearance of him. All this together makes this such a standout issue.

Spider-Man: The Jackal Files: This isn't exactly a comic, it's more a framing sequence with a set of Who's Who/Official Handbook style pin-up info pages for all the major Spider-Man characters during my favorite Spidey era, The Clone Saga. Rather than being just a boring fact file thing though, the entire book is narrated by The Jackal, as written by the vastly underrated Spidey Legend, Todd DeZago. DeZago is a naturally witty writer and instead of this being a groanfest, he makes this whole thing quite humorous. I had this as a kid and my experience and deep personal connection to it is almost exactly the same as The Parker Years oneshot above.

Batman: Gotham Adventures #51: I was such a fan of these latter era Batman Adventures comics as they tended to have more free reign to carry the continuity forward as the series had ended by this point. This is an emotional issue focusing Mr. Freeze and his wife Nora reuniting since she's been thawed and remarried, with a HUGE twist along the way. I'm not a fan of the Batgirl relationship with Batman but this is the only time I've ever been on board with it. Terry Austin's thick inks over Brad Rader's DCAU/Kirby style makes some spectacularly unique and moody art.

Batman Adventures Vol. 2 #15: The sequel to Gotham Adventures #51 as Nora takes the main character role for another incredibly moving analysis of her and Victor's relationship ending in an inversion of their usual roles. These two stories were written by Jason Hall, who hasn't written much else besides this, which is a real shame, as these are STAGGERINGLY good and would be hailed as some of the best episodes of the Animated Series if they had been the cartoon.

What If? Vol. 2 #4: What if the Alien Costume had possessed Spider-Man? Oh man! What a classic! I love this horror story of the Symbiote as this malevolent being that drains the life from it's host and is always seeking out a stronger host to bond with. This is after Venom's debut by like a year but also way before a lot of the hard rules of the Symbiote were nailed down so it's fun to see this wild alternate take. We get the Symbiote bonding with The Hulk and then Thor, both of which are incredibly cool to see way before Marvel's publishing plan became "Oops, All Venoms!". The decrepit old man Peter becomes after the Symbiote leaves him, Black Cat's revenge mission, and the brutal shock ending; this one is full of great moments. And it's all drawn by a pre superstar Mark Bagley!

The Music Man Adaptation (Dell Comics 1963): I'm such a huge fan of the 1962 film, The Music Man and watch it quite often with my wife. I was pleasantly surprised to see an old comic adaptation of the movie one day. It's a bit.....dry as they do not adapt any of the songs so a ton of the magic is lost but the main gist is all there done with solid artwork and effort which I appreciate. The standout for me is they write out little Winthrop's lisp with -th on all the S words he speaks which is a really fun and charming touch.

Essential X-Men #38: This is a UK reprint title of X-Men that packages together Uncanny X-Men #328 and Sabretooth Special #1. Uncanny #328 is one of Joe Mad's best issues during his run with God Tier art of Boom Boom, Psylocke and Sabes and the Sabretooth Special is an oversized gem by Fabian (Never written a bad comic) Nicieza and 90's less lines Gary Frank! Both of these are two of my favorite single issues so I was overjoyed to find them mashed together as one alltimer single issue complete with exclusive new cover art. The Sabes special is really good and gives a lot of nuanced character depth to Sabes as he tangles with Caliban and then the Original 5 X-Men, each of whom get the same great character depth, particularly Jean.

Everything Sucks: Friends Forever: More of Michael Sweater's Curb Your Enthusiasm meets Tiny Toons franchise. My favorite one yet! This one is really funny from Noah grousing out loud which leads a girl to shockingly talk to him and invite him over to the stupid ass hijinks as the cast gets locked in the bathroom. The art here is spectacular, experimental, diverse and grand and you can noticeably see Sweater's improvement as an artist.

Krania #1: Brian McCray, one my alltime favorite creators, brings us this pulpy Swords & Sorcery Conan-esque tale of Krania, the Warrior Woman. These are such interesting comics because McCray toes the line between satirizing those old Conan Magazines, subtly communicating he's reinterpreting them with a revisionist take, while also not - at it's core these are fun dumb barbarian romps where the creator, the reader and the material are all in on it. McCray takes the thought of "Yeah this shit is goofy and fantastical but isnt that fun?" and plays it straight. The refreshing part is McCray flips gender roles and gives us all the self aware parody tropes of these types of tales but that's not his intent. This isnt meant to sock you in the face with those elements to stand out as something unique. None of that is in the material blatantly. McCray just gets the appeal of his influences and gives us an amazing love letter to the genre. I also have to point out how impressive his shift from whimsical, cartoony art to bone crunching realism fight comics is done and how well it all blends.

Krania #2: More of the same from above but now in color!! The fun of this one is that McCray is free of doing the establishing story and hitting the usual tropes for the homage pull in readers effect and is allowed to start building his own world and cast in his way. I'm constantly impressed by how well McCray conveys movement and the impact and feel of fights. I love to FEEL a fight in comics, bone against bone, sinew against sinew, the shock and blinding impact of blows. There are a lot of fights in this one and the artistic skill is on another level.

Marvel Riot #1: A oneshot classic Mad Magazine style roast of the X-Men Age of Apocalypse event. HOW DID I NOT KNOW THIS EXISTED UNTIL A FEW WEEKS AGO!??! You'd think something like this would be lame and corny, but the great thing here is it is absolutely BRUTAL! They go in so hard eviscerating everything about the event, the creators, the X-Men, Marvel and the comics industry as a whole. I kept thinking I cant believe theyre doing this while reading. It ends up being hilarious because of that self awareness and the art is great too.

Marvel Collector's Edition - Charleston Chew (1992): Man how odd that Charleston Chew/Sugar Babies was a candy Marvel partnered with for packaging, cards and promo comics like this. I've never had Sugar Babies and I cant reliably even say I've ever had a Charleston Chew. So weird. anyways, this thing is pretty good! We get 4 stories in this one. One is a Spider-Man vs The Eel story by Tony Isabella that is actually pretty funny and has some cute Peter/MJ moments. There's a Howard Mackie written Danny Ketch Ghost Rider story which is fine but more cool it's by the character's actual writer at the time. Man I wish I had this thing as a kid, those two were my favorite characters then. Another story has the Silver Surfer help a red skinned, elf eared blonde alien with humongous breasts in a jungle girl bikini. So you know, it obviously RULES. And the last and best story is a Sam Keith drawn Wolverine and Jubilee tale. It's always a treat to see Sam Keith's Wolvie but it's also really cool to see his Jubes too, complete in the X-Uniform circa Uncanny 275.

X-Men Firsts #1: This is a really cool 1996 single issue package that reprints the first appearance of Wolverine, Rogue, Gambit, and Sinister in Avengers Annual 10, Uncanny X-Men 221 & 266, and Incredible Hulk 181, complete with a new Tim Sale cover. I love that Michael Golden Annual where Rogue first appears, it's one of the best Marvel comics ever published. The Gambit one, even with dull art, is very fun to see the early not defined Remy, back when he had ambiguous powers and was meant to be an aspect of Sinister. The Sinister first appearance is a Claremont/Silvestri/Green personal fave where Madelyne Pryor fights The Marauders in a hospital in a quietly exceptional issue of Uncanny. And lastly the old school Wolvie debut where he fights the Hulk is always a fun read. What a fun single issue jammed full of old issues that then, and even more so now, are too expensive to find themselves.

What If? Vol.2 #44: What If Venom had possessed the Punisher? Kurt Busiek and Luke McDonnell bring us this awesome story of The Punisher using the Symbiote and the Symbiote using The Punisher on their separate revenge crusades.

Superman 80 Page Giant (2010): This one is here for Kathryn Immonen and Tonci Zonjic's wonderful Lois and Clark story. Easily up there in contention for my favorite Lois or Clark story ever. It is so endearing and funny and Lois reminds me so damn much of my own wife here. Some of the other stories are very meh but there's two good'ns at the end that really shows the wholesome innate goodness of Superman and how he affects so many people positively.

Parallax: Emerald Night: I loved Hal Jordan's sloppy turn from boring GL to DC's Magneto and if I had my way he never wouldve sacrificed himself in Final Night. That being said I can't complain about this heart wrenching one shot we got of the character tackling his final moments before he reignited the Sun. Ron Marz once again gives us an excellent character study of this Hal Jordan, coming to terms with who he is now and trying to reconcile that with the past he left behind.

The New Mutants Vol. 1 #51: An excellent one off issue with GORGEOUS artwork from Kevin Nowlan. This is a super weird little story where the New Mutants end up with Xavier when he was in space with Lilandra and the Starjammers(I'm always shocked they never did more with Xavier in space, but also I'm thankful as I loved when Claremont would write people out of the book and they'd stay that way). The art is just stunning, STUNNING I TELL YOU! I really enjoy the interplay between the Professor and Magik in this issue as they both deal with their own struggle to stay in space or go home, to remain stuck in the fear of the past or trust the path they're on and stride into the unknown future. Sadly Xavier basically mindrapes Ilyana into going forward, but I'd argue it's a pretty great character study of him that he has the best intentions and seems so wonderful but is actually unable to truly be the man he believes he is and completely unwilling to go along with anyone who disagrees with himself.

G.I. Joe Yearbook #4: This bad boy makes the list for the very short but incredible story by Larry Hama and Tony Salmons in the back. Scarlett and Snake Eyes as civilians in suits and shades go to a country gas station and Snake eyes ends up having to Macgyver his way out of an armed robbery. All done in Salmon's wonderfully unique abstract artstyle.

Superman Villains Secret Files & Origins: One of the alltime best Secret Files stories. There is no reason Stuart Immonen had to go this HARD, but he did. See, the story is Lex Luthor telling his newborn daughter, Lena all about various Superman foes, but Immonen presents the tales as parodies of Winsor McCay’s Little Nemo in Slumberland. IT'S GLORIOUS! A work of art!

Adventures of The Fly #9: So I was scrolling through a scan of an old Archie Super Hero Digest bored until I came across a story involving some cute and unique catgirl who I came to find out was named the very inventive Cat-Girl. Id never read any of the MLJ/Red Circle/Impact/Archie superhero comics before so I was quickly fascinated by The Fly with his magic ring and buzz gun and seemingly ENDLESS and unlimited array of superpowers related to anything bugs that he could call forth whenever. Cat-Girl seemed like a pretty blatant Catwoman ripoff and she was quite enjoyable freeing cats and seeming to get along with The Fly as he carried her back to her cat infested secret lair. The true hook of Cat-Girl happened here as she instantly betrays him and tells him to solve the riddle of who she is. At this point I expect her to be some character in this universe I don't know but instead she turns out to be the literal Sphinx of Ancient Egypt, an immortal and all powerful cat goddess. MY GOD DO I LOVE THE BATSHIT INSANITY OF SILVER AGE COMICS! Naturally I had to track down every appearance of Cat-Girl. Sadly not many exist. She's in the next issue of The Fly and it's fine but not CFC worthy, so I moved on to her next comic in some other Archie superhero book called.....

Adventures of The Jaguar #4: There was Cat-Girl again, front and center on the cover, proudly proclaiming her return. I'd never even heard of The Jaguar before but quickly came to see he was a very blatant ripoff of The Fly. Both can fly, magic belt instead of a ring, all the vague powers of the animal kingdom rather than bugs. The only unique thing going for him was the fact he had a pencil moustache he magically lost when turning into The Jaguar. I kid, he can also mentally talk to animals. This one ramps up the Silver age insanity even further as The Jaguar faces off against Cat-Girl before she's transported to a dimension where everything is paper thin and the animals in this dimension wanted to help The Jaguar fight Cat-Girl for whatever reason. God, it's insane and amazing. I had to continue to sate my Cat-Girl obsession into....

Adventures of The Jaguar #5: I was reading through this one wondering if there was some mistake on the wiki as I was receiving no Cat-Girl. Instead we get a story about a race of shirtless blue pear shaped aliens who serve some Queen named Tola who for some reason doesn't look like them but instead a 60's actress in a swimsuit. They've brought her to Earth because The Jaguar is the finest specimen to be her mate. They capture him and just when Tola is about to kiss him a gigantic talking lion emerges from the jungle to save him. The aliens shout "The L..Lion Talks! It Has Intelligence!" to which the lion replies "Yes-and the power to carry out my ideas!" Hahahah WONDERFUL! The Lion scares the aliens off planet and it is here where we reveal THE LION IS CAT-GIRL, acting far more bratty and flirty, proclaiming only she will be the one to marry The Jaguar! It was at this point I started to feel like I was reading Silver Age Superman and Lois Lane comics. This feeling only intensified further when reading....

Adventures of The Jaguar #6: Cat-Girl mustve proved popular or they just liked her a lot as she returns once again in two of the three stories in this one!! Cat-Girl is fully smitten now and this turns into an issue of Lois Lane as she schemes to make The Jaguar fall in love with her. She makes a love potion and douses him with it so the next person he sees he'll fall in love with. Shenanigans of course ensue, as Jill Ross comes through the door looking to be The Jaguar's secretary and he instantly falls for her. This enrages Cat-Girl even though she knows it's the potion, leading to this hilarious panel of her throwing a beaker at his head. At this point for no reason at all, the story is revealed to be a dream. Relieved, Cat-Girl goes to visit The Jaguar only to see Jill Ross actually debut and join the book as The Jaguar's co-worker who suspects he is The Jaguar, cementing her place as this book's Lois Lane thematically and visually. This in turn puts Cat-Girl into the Lana Lang role as the fellow scheming romantic interest. This is blatantly done even more so in the second story as Cat-Girl gives herself a magical makeover into a leopard spotted top and boots with a blue mini-skirt and gloves as well as a new red hair ponytail look. Cat-Girl hatches multiple schemes involving a giant living robot and Ancient Egypt monsters she summons from the past, that immediately go awry. To deal with the monsters, The Jaguar travels undersea to find someone named Kree-Nal, The Sea Circe From Space, who can turn anything living into a monster or vise versa. She ends up being a green skinned, platinum white haired knockout in a bathing suit that also is in love with The Jaguar and wants kisses after she helps save the day, leaving a regretful Cat-Girl crying as she's inadvertently drawn another romantic rival into this Jaguar love sweepstakes. HAHAHA WHAT?!?!? AMAZING!! Naturally I had to see if Kree-Nal was in any other issues which led me to....

Adventures of The Jaguar #3: There's Kree-Nal on the cover! Kree-Nal is amazing. A hot green skinned white haired sea creature alien that pops up out of the water and starts turning everyone spitefully into gross animal creatures because she "despises imperfection and ugliness". She's such a hilariously arrogant brat. I love it. Naturally though she's struck by The Jaguar's ruggedly handsome good looks. She wants kisses so he's like look If I ever get ugly, you'll stop all this ok? and she's like of course you're so hot that will never happen now shut up and give me the damn kisses. Inexplicably, The Jaguar morphs his head into a real jaguar's head, a power he has never shown before or after. She gets real grossed out and returns to the sea. It is some of the absolute FINEST Silver age insanity. At this point I feel like The Jaguar is just Superman with Jill Ross as his Lois, Cat-Girl as his Lana, and Kree-Nal as his Lori Lemaris, so I had to look up who wrote these. Turns out it's Robert Bernstein, who go figure, wrote a ton of Superman franchise books during this time period too. I was right! These are just the absolute best of the batshit weird Supes romances of the time but with the dullard Jaguar instead of Supes. Of course, I NEEDED more of this romantic trio and thankfully I was served well with....

Adventures of The Jaguar #7: In this one The Jaguar is having anxiety dreams about not being able to handle all the shit he usually has to deal with and he disappears on a mission. Jill Ross, Cat-Girl and Kree-Nal jump into action handling the threats the world faces in his absence. They are really run ragged throughout the day on mission after mission until Jill realizes the life size statue she made of The Jaguar (YES! YES, SERIOUSLY!) has a different number of whiskers on the uniform. Yep that's right, The Jaguar has just been standing there all day motionless pretending to be a statue watching them as they are being tortured by these catastrophes as well as the emotional turmoil of him being missing, possibly dead. See, he was a little worried he may be too busy someday and needed to make sure someone, hopefully all of them stepped up to deal with it. HAHAHAH SILVER AGE BASTARD! It's at this point they all put their hands in and he proclaims them the "Jaguar Rescue Team". Yes, amazing, everything I could ever want. I am fully obsessed with these characters at this point. I love them so much. It's at this point I want the Jaguar to permanently exit his own book so we can just get the adventures of these three. Sadly that doesn't happen and the only other time they ever team up is.....

Adventures of The Jaguar #9: A bizarre robot alien travels the universe to find iron, the sustenance for his people and finds it on Earth, obviously putting him in conflict with The Jaguar. Jaguar is almost immediately murdered, essentially, and this robot lays eyes on Jill Ross and gets SUPER horny for her. She plays him for time and assembles the "Jaguar Rescue Team" and the three of them take over the comic to save the day in a grand adventure and bring Jaguar back to life, again showing that they should headline this book and not the dolt Jaguar. At this point I was so madly in love with them all and their crazy ass adventures that I couldnt possibly imagine it to be the end. That's right, they never team up again. In fact this is pretty much the swan song for each. Jill continues to be in the few remaining issues of Jaguar sparingly. Kree-Nal is never seen again as far as I know. And Cat-Girl, my beloved Cat-Girl, the cause of this grand journey, well, she shows up another time briefly, and they even make it seem like she's end game for Jaguar, but then her next appearance she reveals off panel that radiation has caused her to lose all her powers and she's just a normal human socialite with a completely different visual with black hair. They turn her into a less interesting Selina Kyle. I've rarely been more angry. Damn!! Oh well, I sure didn't expect it but these random ass issues of some obscure lame superhero ended up being CFC alltimers for me. The magic of Comfort Food Comics right there people.

Superman & Batman Magazine #7: This entire series is pure gold. A spinoff of the Batman Adventures line of DC Adventures, each issue was a short magazine styled package for kids that would establish the DC Animated Universe before the DCAU existed all done by Adventures mainstay artists Mike Parobeck and Rick Burchett. This one is my favorite as the focus is on my beloved Kyle Rayner. We get a poster, Fact Files, and a wonderful Kyle Rayner Adventures story written by the man himself, Ron Marz. While that's my main reason for loving this one it also contains a fantastic Dan Jurgens penned Superman/Doomsday Adventures tale as well as a whole section titled Milestone For Kids! That's right, the Milestone Imprint gets a spotlight and their actual creators do their own version of Milestone Adventures with Icon, Rocket, Hardware and Static. It's such a cool idea and I love they got that exposure and this rare version of those amazing characters.

Jean & Scott Vol. 1: A collection of Max Wittert's hilarious X-Men fan comics. Legit probably the best X-Men comics ever made. The blend of all the comic and Animated Series tropes filtered through Jean being just the worst, but EXTREMELY relatable, is pure genius.

Jean & Scott Vol. 2: More of the same of the above. Still the funniest shit ever made.

Uncanny X-Men Vol. 1 #287: How fascinating that the best Whilce Portacio era X-Men story is the only one he's not credited in whatsoever. I LOVE this issue. It's maybe the most cohesive issue of the post Claremont Image Boys tenure and certainly the only one that makes you think "Ok, maybe we are in good hands, maybe we will be ok that Chris is gone." Jim Lee and Scott Lobdell pack this one full of tantalizing stuff! The Witness, named Lebeau, which was revealed to be Gambit's last name in X-Men #6, which dropped right before this issue, is so mysterious and intriguing. The X-Traitor storyline is introduced here, and will dominate X-Men media for years before fizzling out, but here it's done in such a mysterious and fun way that you are fully on board. As much as I think Bishop's introduction a few issues earlier is done well enough in the way he's a fully formed character whole cloth from his first panel, I don't actually think that story arc is good. Fitzroy SUUUUUCKS, as does the complete waste of the Hellions as they are all murdered, as well as the ending of just leaving Bishop, the XSA members and the escaped future convicts just out there. Portacio just is a terrible plotter and writer. He's a generally great dude and a fantastic artist but just should be told what to draw and end there. More care and potential is given to Bishop, his compatriots Malcom and Randall, Fitzroy, and the future era Bishop comes from in this issue than literally any other instance, which is a huge shame, but it erases any bad taste from the intro story. Rather than leave Bishop with just the admittedly genius hook of X-Men fanboy now stuck in the past with the X-Men, Malcom and Randall are murdered giving Bishop a bit more emotional depth and the sole focus he deserves, and he finally joins the X-Men motivated to protect them from the mysterious traitor. This is also the first issue to feature John Romita Jr. back on Uncanny. No lie, his brief time on the title with Dan Green is to me the best his art has ever looked. Sadly Green isn't with him here as a gaggle of 5 different inkers instead do the job including Scott Williams, Bob Wiacek, Bill Sienkiewicz and Dan Panosian, who just happen to be some of my favorite inkers ever, so it's still a visual feast!

Teenage Mutant Ninja Turtles Villains Micro-series #7: BEBOP AND ROCKSTEADY! How can you not love them? Dustin Weaver and Ben Bates bring us this absolute romp with our favorite idiot rhino and warthog mutants. Weaver's work with the duo is a huge bright spot for the IDW Turtles and anytime we get to see artwork from Ben Bates is a time for intense celebration. He's an artistic God and I love anything he ever does.

Savage Tales Vol. 1 #5: My memory is hazy but when I was a kid we'd sometimes visit this antique shop in our town and one day my Mom bought some marble top chest thing to put in our home. Now I remember this comic being inside a drawer in that antique, but it may have just been on top of it in the store. Either way when we wound up with that chest we wound up with this comic. What an absolute treasure!! I didn't know Conan really at the time but finding a comic while forced to antique with your Mom? Like a prayer answered to a little boy obsessed with comics. It was insane!!! To this day, the Conan story within which ends with a hilarious joke of him choosing a horse over a woman, is MY Conan story. The end all be all top of the pile Conan story. Of course, it's written by Roy Thomas but it also features great art by Jim Starlin, which is always something I forget but end up pleasantly surprised at every time I reread it. The bonus in this one is an equally great Ka-Zar story by Stan Lee and John Buscema about lizard people and their half naked Queen.

Uncanny X-Men Vol. 1 #310: As I mentioned above, there's a short little run of Scott Lobdell, John Romita Jr., Dan Green Uncanny X-Men that only lasts from 300-311. It's one of my alltime favorite runs for the X-Franchise and features what I consider to be John Romita Jr's best art. He was KILLING it these few years in the early 90's and his stuff never looked better than when he was inked by my favorite inker ever, Dan Green. Although my fave issue of this run is the Thanksgiving issue listed above, this is a close second. Nothing really happens here, sure the X-Cutioner infiltrates the Mansion, but really it's a quiet downtime issue where Cyclops and Cable FINALLY hash it out about their father and son relationship all while the male X-Men hang out at a bar waiting for Scott to have his Bachelor Party. Sabretooth pops in too, during his captivity/rehab at the Mansion period. If you've been reading these entries you should see that all these ingredients are what I crave and love, so this one is a tremendous favorite. (Super Bonus: This one has an order form for Thunderstrike and ads for Mega Man X, Street Fighter 2 Champion Edition, and the 94 Fleer X-Men Cards)

Captain America Vol. 1 #367: Ah my beloved Acts of Vengeance, a real VIP event in my CFC boxes. This is an absolute classic one shot where after Magneto and Red Skull are forced together into the villain consortium, Mark Gruenwald rightly asks "Why doesnt Magneto, survivor of Auschwitz, FUCK UP the Red Skull?" and devotes an entire issue to that. It's great and so satisfying.

The New Mutants vol. 1 #52: Half of this issue is devoted to a Danger Room sequence of the Marauders wrecking the New Mutants, which is cool and fun to look at because it's Rick Leonardi, but the real draw here is Headmaster Magneto supporting and bonding with Magik. In the previous issue, as I wrote about above, Xavier and Ilyana are compared in their personalities and difficult circumstances, but Xavier ultimately fails her, as he literally forces her to obey him and do what he wants against her free will without any doubts in what he's doing. It's for the greater good, Magik be damned, his way is right. In this story we get the contrast to Xavier's and Magneto's leadership methods as Magneto thinks how wrong he is for the position and how he could force Magik to obey him, but that would achieve nothing. Instead he calmly and gently listens to her and supports her in any way she needs. He opens up and becomes vulnerable discussing his own villainous dark side and past, comparing it to her own struggles in an empathic way and even offers to fight the Hordes of Limbo for her. A very important thing here is he offers, but takes no action without her consent. She ultimately says no, she needs to deal with her own problems and through all this feels empowered and closer than ever before with ol Mags. It's a resounding breakthrough and a wonderful character study for both of them. I don't know if Claremont was purposefully contrasting Xavier and Mags' approaches between issues but this was such a meaningful stepping stone on his years long rehab of the character into the rightful leader of the X-Men over Xavier as planned.

Uncanny X-Men Vol. 1 #183: This is the issue where Wolverine and Nightcrawler bring Colossus to a bar to fuck him up after he broke up with Kitty Pryde, ultimately pushing him into an insane brawl with The Juggernaut. Now don't get me wrong, THAT PART IS AWESOME!! But, there's so much more going on here besides that. From the brutally real break up convo Kitty and Colossus have, complete with Kitty's thought bubbles, to Storm, Rogue and the others dealing with their own shit in the mansion, all the way to the seemingly random girl Juggs is macking on at the bar being revealed to be Selene, this issue is a perfect example of Claremont's long form character development and storytelling every issue. This is also an early John Romita Jr./Dan Green collab and while not as incredible as their early 90's team-up, it's still so nice to look at.

Beautiful Duck Comics #1: A collection of Brian McCray's strange and sexy duck women. I'm a sucker for literally anything McCray draws, so I was already down, but I really enjoyed these esoteric slice of bizarre life tales with a cast of hot ducks. I mean I shouldn't have to say more than hot ducks. It rules. We as a society need more hot ducks. I really hope we get more of these from McCray.

Generation X Vol. 1 #25: I don't remember how I came to own this one. Maybe I found it at a comic shop, maybe it was gifted to me(people always knew I liked comic books so family and family friends would get me boxes at garage sales or random ones they'd find). Who knows? That memory escapes me. But I've had this one a long time. Well before I read any of the rest of the series. Maybe that's why I love it so much OR maybe it's because of the incredibly stylistic Chris Bachalo art that exists in a very small moment of time where it's a blend of his earlier Mark Buckingham inked stuff and his polarizing late 90's style OR maybe it's because it spotlights how weird and wonderful this series was with it's focus on Howard the Duck, his girl Bev, a random Recorder alien woman and the kid crew of Artie, Leech and Franklin Richards they'd babysit in this series OR maybe it's because it's a double sized special issue that is also Scott Lobdell's farewell to the series. The only downside to this issue is that the cast of kids besides Penance and Jubilee aren't really even in it.

X-Force Vol. 1 #25: This and Wolverine #75 listed above are comics I've had nearly my whole life. I didn't buy them and I have no actual origin for where they came from. My best guess is my oldest brother bought them because of the hologram card special covers they had. He never really bought X-Men comics though, so who knows?? Either way I've had this one since I was a kid and it was my first exposure to Cable and the cast of characters here. The idea presented here that Cannonball is the best leader of mutants because he's been taught by Xavier, Magneto and Cale and is able to blend all of their teachings together into an ideal form of leadership is something that's stuck with me forever. I love it so much and besides Mike Carey briefly toying with this, it's never been utilized as it should. This is just a great issue packed with wonderful character interplay between Cable and the team as he finally gives a long exposition to all his secrets (aka Rob Liefeld's dumb writing), as well as between Magneto and his former students that are in X-Factor. Greg Capullo's early art also rules even if he has like 10 inkers here.

The New Mutants Vol. 1 #53: The New Mutants go to a dance thrown by the Hellions at their Massachusetts Academy!!! What fun. Some of my favorite moments are Dani Moonstar and Warpath bonding over being leaders and Native Americans, Magik threatening a terrified Empath while they dance, Catseye and Rahne going animal form and running around, and Doug Ramsey gambling and drinking and hanging out with the Hellions bad girls and acting like an idiot just like an insecure teen would. (Fuck you Doug for that slap)

Captain America Vol. 1 #395: I've written before about how most of the comics I had as a kid was a big random batch of Marvel Comics that came in a Sears/JC Penney green Marvel shortbox in these Collector's Packs they used to do in the 80's to the early 90's you'd find in the Sears or JC Penney Wishbooks. The green shortbox had like 75 random Marvel Comics in it from the line between 1990-1991. Me and my brother may have gotten two of these from our parents. So yeah for most of my life the comics I owned were a random assortment of early 90's Marvel. One of which was this random Cap issue. Now as a kid, unless it had Spidey or Ghost Rider or like Sauron or someone dinosaur related I was barely interested. Me and my brother though for our whole life fondly remembered the tagline on this one : The House That Dripped......DOUGH?!" and still to this day say it stupidly and dramatically to each other. As an adult I'm delighted to find it a rather fun issue with my beloved Eric Masterson featured heavily. They even have Cap admonish Eric, Quasar and Herc for the events of Thor 437 which I wrote about above!! What a treat to find!! This is a comic that has survived with me throughout and will stay with me my entire life.

Adventures of Superman Annual #3: Ahh the Armageddon 2001 Annuals. They all dealt with some future story for the DC line and I generally love them all, good or bad. This one is a real fave as we get Superman after the death of Lois, leaving Earth and shacking up with Maxima. Nothing beats Lois & Clark, but damn if I don't love the idea of Supes and Maxima together and Louise Simonson gives us an oversized imaginary tale of just that with some early Bryan Hitch art.

DC Primal Age: I came across this 100 Page Giant while shopping at Target with my wife and had to buy it. This was a Target exclusive book that tied into Funko's brief DC Primal Age toyline, which reimagined the DC Universe as a barbarian fantasy world with figures that were DC characters like the original Masters of the Universe toys. AWESOME! They were pretty neat and I'm bummed we never got Wave 3 and 4. I wanted that Supergirl and Catwoman damnit!! Anyways this book is an anthology of stories that function like the He-Man mini comics for this line. We start with a Marv Wolfman story that relies heavily on artist Scott Koblish to do everything in his power to make cool and interesting and he can barely do that. Somehow Wolfman makes this whole thing dull as can be. Man, Wolfman really sucks 95% of the time. Thankfully, the rest of the stories wash away that dullard's uninspired attempt with a roster of old school legends. We actually get a written AND DRAWN by Jerry Ordway tale featuring Wonder Woman and Solomon Grundy, a Louise Simonson and Phil Winslade beautifully illustrated story of the ice mage Mister Freeze, another Weezy tale about Batman with Brent Anderson art, an interesting Ordway written Joker story with Chuck Patton and Karl Kesel, and finally another Wolfman regular ass DC inventory story that thankfully Keith Pollard and Jose Marzan Jr. manage to save.

Thing Vol. 1 #15: This is another mystery comic we had for my entire life. Much like the Cap issue above this was one me and my brother fondly remember for the cover and the tagline. We said "It happened on yagwibzehejeye Street" to each other as much as we did the dough line. I never actually read it as a kid and was always baffled by it. Where the fuck is the Thing and why can he turn into this lame dude in a one piece bathing suit? Like what?? That red head's pretty and cool though. I was happy to get older and read more comics and finally get the required context and understand this story. It's actually a pretty fun little issue where Ben and his gal go to an alien bar. Somehow, like the Cap issue this one has survived all the different phases and moves in my life and I still own that battered copy. This one will also accompany me to my grave.

The Terrifics #25: Overall I felt the Dark Matter/New Age of DC Heroes thing by DC was a dumb failure of an idea that rarely went anywhere beyond "this is based on a Marvel character". (Sideways was cool though, him and his sleepy eyed friend. I wish they'd have given Sideways more love.) The Terrifics was always a weird this is pretty forced idea for a team but it usually had good art and out of left field ideas, and no issue exemplifies that more than this charming Choose Your Own Adventure issue with art by Dan Mora. It's pure fun.

Fantastic Four Vol. 1 #275: Man, I hate, like REALLY HATE but also love John Byrne. I don't get it. He's just the grade a worst manbaby idiot but also I love so many of his prime era comics and art, especially his dumb horny shit. This issue really embodies that love/hate relationship as the dude seriously takes a whole issue of FF to write a story where She-Hulk sunbathes topless and someone snaps pics of it and sells them to a dirty magazine. THAT'S IT! A WHOLE ISSUE! It's so stupid and sleazy. BUT it's also really fun to see sexy She-Hulk antics and it's quite satisfying to see Shulkie's attempt to stop it. Basically just like his run on She-Hulk, it's a titillating sexy romp with hilarious stupid satire nonsense. I hate it yet I also DEEPLY love it. That's Byrne for you!

Justice League International Vol. 1 #24: It's hard to pick specific bits of the JLI era to add to the CFC Canon as I greatly adore nearly every single issue of it so much, but this one has managed to carve out it's own corner of my brain. Mostly because of the Maguire drawn last tale where the glut of JL members have their party ruined by a small group of lame villains who never expected so many heroes to be in the same room together. But this also features stories with the wonderful art of Ty Templeton and Dan Spiegle, so it's like a full course comfort food meal.

Titans: Scissors, Paper, Stone: An Elseworlds future oneshot where Adam Warren is just left alone to cook. It's basically DC 2099, with very tenuous connections to the actual Titans, influenced by but allowed to really be it's own thing that can stand on it's own. It breaks my heart we never got to see Warren do more with this.

Origins of Marvel Comics: A 2010 oneshot where every page is a one off "story" showing the origin and throughline to the 2010 version of Marvel's teams and characters. I'm always shocked they got so many big name artists and the actual artists associated with those characters to do these.

Origins of Marvel Comics: X-Men: Same as the above but focused specifically on the X-Men. This one again gets big name artists associated with the characters, but also some nice unique surprises like Jill Thompson. The highlight surprisingly though is the writing team which includes second best X-Men writer ever Mike Carey, third best X-Men writer ever Chris Yost, and other fave X-writers like Peter David and James Asmus.

Harley Quinn Vol. 4 #29: The main story here is meh whatever. What I'm here for is the Adam Warren backup that is not only the traditional Warren hilarious and gorgeous, but also one of the best character studies for Harley ever done. Man, I'm realizing I REALLY LOVE Adam Warren. One thing that irks me so godamn much is they didn't have Warren do one of the three variant covers for this issue. THEY HAD HIM DO VARIANTS FOR ISSUES BEFORE AND AFTER, WHY WOULDNT THEY FOR THIS ONE?!?!? ARGHHHH! So I hunted down this Natali Sanders sexy nightgown one instead. I enjoy it a lot but would kill for a Warren cover of this one.

The New Mutants Vol. 1 #21: A quiet and charming down time issue with mutant teens being mutant teens AND it's drawn by Bill Sienkiewicz AND it's double sized?!? Pshh, forget it! What an absolute classic! Can you imagine just getting a regular monthly comic these days that's oversized and has Bill Sienkiewicz level art?? Godamn, this one is special.

Superman Vol. 4 #7: A one shot set during the time Clark and Lois were raising little Jon in Kansas. And all they do is go to the County Fair!! IT'S INCREDIBLE!!! This one really hits for me because we always have the Erie County Fair come to town where I live and since I was born it's always an annual community Big Deal. A quiet down time issue again, my absolute jam as you must know by now. Surprisingly, I always forget this one is drawn by Jorge Jimenez before he became a breakout star.

Immortal X-Men #5: I hate what the Krakoan X-Men era very quickly became after Hickman set up so much and can't stand much of what was published near the latter part of the era, but one exception was the EXCELLENT character work Kieron Gillen did with Exodus. I've always loved Exodus and felt he had so much story potential and had barely been used or explored since his debut in the 90's. My socials are gone now but I actually spent quite a bit of time making an Exodus infograph/reading order some years back. I love the guy and I've been waiting so many years for him to get his due. Mike Carey did some nice work with him but essentially he's been a blank canvas for much of his existence. Gillen's time with him has been a revelation(pun intended) as he's finally revealed what his power actually is in a deeply satisfying OHHHHH OK YEAHHH THAT'S GREAT moment earlier in the run in conjunction with his relationship with Hope Summers, and this deep dive issue that tied into the AXE event. From revealing new canon, to connecting and reframing old, this story finally gives Exodus the care and development he's always deserved.

Astro Dutchie: Aaron Ancheta is an online acquaintance of mine and it's been an honor to chat with him and see behind the scenes of the comics he makes. I'm absolutely in love with every single piece of artwork he's ever done. His long running and ever changing ACHTUNG!! Magical Girl Corps webcomic is always such fun to read. The huge bummer of all this is how none of it is in print so it was a godsend when he put out this stupid, hilarious side story for sale. It's a true joy to physically hold in my hands and a real gem in my collection.

Justice (1994): Not actually a comic but a collection of great content put together from the Japanese doujin fanzines Justice and Gadget. It's incredibly fascinating to read about the Japanese perspective on popular American comics from the 80s and early 90's and see the wide range of fan art many of these fan artists created.

Nation X #3: As I wrote above, Corey Lewis is my guy. He's my comics GOAT. He contributes a story in here about Cannonball. One of my fave X-characters by my dude??? Forget it! It's so entirely my shit. I love this fun little story so so much.

Superman #400: A momentous celebration of Supes. I'm not a huge fan of all the many short stories within, but they do honor the character very well and feature some inspired ideas and wonderful art. The real reason I love this one so much is the whole big package, including pin-ups by so many legends alongside all the stories. It's one of the alltime best anniversary comics.

X-Men: Curse of the Mutants - Storm & Gambit: This is such a weird, obscure little comic. It's a one shot tie-in to a largely forgotten and middling event where the X-Men fought vampires. It has no reason to be this good. We get a fantastic action packed adventure that features great characterization and character interplay between the X-Men that honors past continuity, really heartbreaking and strong moments, and it's all drawn by mega fave Chris Bachalo.

Ghost Rider Vol. 6 #35: Johnny Blaze in Japan versus a body horror demon that looks like Sailor Moon, all drawn amazingly by Tony Moore. What else could you ever ask for in a comic?

Uncanny X-Men Vol. 1 #309: Another in the Scott Lobdell/John Romita Jr. Uncanny run. Seriously I just love this run so much. This is another classic Lobdell "Quiet Issue" where the spirit of Magneto in Charles' mind forces him to examine his love life and failings as a man. It's Lobdell's best written issue in my mind. (My only nitpick with this issue is when the Mags spirit says "Ennnnt" like a buzzer wrong answer noise to Charles. Hahah I can't picture either man speaking that way)

Venom #150: Can we all sit and take a moment to appreciate that we get to live in an era where we can experience the mindblowing art of Tradd Moore? This is a severely overlooked anniversary one shot that features Moore doing his usual blowing up the artform style in an admittedly pedestrian written tale, but it doesn't matter because we get to see his spectacular take on the Symbiote and how it moves and works as well as plenty of other Venom history callbacks and dynamic fights. It's a visual masterpiece. There's also a fun bonus David Michelinie/Ron Lim 90's Venom story with gorgeous retro coloring.

X-Factor Vol. 1 #25: Easily the best issue of X-Factor. X-Factor Vol. 1 is a maddening title, always shifting from an insomnia cure to essential X-Book, even when Walt Simonson was drawing it. It never makes sense how it constantly goes from peaks to valleys. This one is definitely the highest peak as Angel is dramatically revealed to be Archangel to the team and we get big world conquering stakes with Apocalypse. It also features the best work from Walt during his tenure on the book.

Dragon Ball Part Four #6: More of Viz's initial American floppy comic version of Dragon Ball. One of my favorite gag fights in the whole series that hinges on Bulma's boobs popping out, fully uncensored in this unique publishing run. Also one of my fave Toriyama color pieces as the cover here!

Excalibur Vol. 1 #43: The best issue of Excalibur. Alan Davis' run on Excalibur is a real highmark of comics full of witty humor, zany antics, and peak character interplay. This issue is a perfect representation of all of that in one single issue package.

DC Universe #0: A 2008 50 cent hype comic that featured exclusive little preview stories for such stories as Legion of 3 Worlds, Batman RIP, Final Crisis and more written by Grant Morrison and Geoff Johns and featuring art from Doug Mahnke, George Perez, and more. It's such a wonderful snapshot of 2000's DC by the two main architects of the company during that period.

Martian Manhunter Vol. 2 #24: A flashback "imaginary story" set during the JLI days where J'onn becomes possessed and too addicted to Chocos and Hulks out needing his fix. It's a dark comedy masterpiece by John Ostrander along with a dream team of Doug Mahnke inked by Patrick Gleason.

FF Vol. 2 #9: I think Matt Fraction's FF is one of Marvel's alltime greatest comics and my favorite issue of the run is this silly downtime pool party issue. It features the whole sprawling cast in a fun filled setting bouncing off each other that really gets to highlight the found family theme of the series. It also features Joe Quinones filling in for the Allreds on art and he is always a MEGA fave of mine.

Uncanny X-Men Vol. 1 #311: The last John Romita Jr. drawn issue of his Lobdell Uncanny run I love so much. I can't complain too much as Joe Madureira gets his rise to fame right after but I'm still annoyed we didn't get more of this creative team run after Editor Bob Harras basically tricked JR Jr. off the book. I felt Scott Lobdell was really gelling with Romita Jr. for these issues and finally coming into his own as a writer as he was really getting a handle on fusing his action issues and quiet issues together into just really good all around issues. This one is the best example of that as we get a really nice quiet character focus on Bishop, Jubilee and Storm that also features a kickass Sabretooth conflict and a weaving of the ongoing Phalanx subplot into the story. A bummer Dan Green doesn't ink the whole issue but Al Vey steps in and does a pretty great job even if he goes a bit too heavy on the lines.

Archie #635: An Occupy Wall Street storyline in Riverdale. The writing is fine. The reason it's here is because it's a Gisele Lagace drawn Archie. I find her art at all times captivating and gorgeous and it just fits Archie Comics so well. It's somehow still "classic Archie style" while also being something so fresh and new. She's just SUCH an incredible artist!

X-Men: Earthfall: A 90's deluxe reprint of Uncanny X-Men #232-234 where the Brood come to Earth and my beloved Outback X-Men need to murder the shit out of them, all while Madelyne Pryor deals with some serious psychological shit. This is my favorite story arc set during that special era and it's so cool they reprinted it all in one comic with a nice new Ian Churchill cover.

Dragon Ball Part 2 #2: This issue collects both chapters of the debut of Launch. It is a terrible tragedy and mystery that Toriyama forgets about her way later on as she's easily one of the best characters ever. I love her.

Batman Vol. 1 Annual #8: The absolute best of the 80's James Bond vibes Batman by Mike Barr, the GORGEOUS pencils and inks of underrated legend Trevor Von Eeden, and the mindblowing colors of Lynn Varley. This thing is a work of art. Seriously. Each page should be hung in a museum. The perspective work and the line work Von Eeden unleashes here are spectacular. And Varley's psychedelic blend of colors here are my favorite work she has ever done. It's a high stakes Ra's Al Ghul story (my fave Bats villain) which people often criticize for Batman not caring if he's complicit in Ra's dying. To me I think it's perfect characterization as I feel of all his villains, the "immortal" constantly resurrecting biggest threat madman, SHOULD and would be dealt with this way by Batman. He knows Ra's' whole deal by this point, he doesn't need to swing in and save him like a common criminal, he will never truly be rid of him.

Daredevil Vol. 1 #268: A haunting and overwhelmingly satisfying, brilliant examination of the human condition and Matt Murdock's entire personality and how he interacts with the world and all the people in it, in a brutal one and done by, you guessed it, Nocenti and JR Jr. again!

Magneto #0: A mid 90's Fatal Attractions prequel complete with holofoil cover that collects the two Magneto focused Classic X-Men stories by Chris Claremont and John Bolton, a new Fabian Nicieza endcap and a few pinups. The Magneto Classic X-Men stories are some of the best work Claremont ever did and are still the gold standard for Magneto and his characterization. As close to perfection as you can get. What a treat to have them in this wonderful little package with new extras. The only downside being this contains more of Nicieza's downright offensive and ill researched retcon to make Mags of Gypsy descent that he fully went into in X-Men Unlimited #2.

Classic X-Men #8: This battles it out with I, Magneto in the one shot above for best backup story in all of Classic X-Men, where we see Jean dying as she meets the Phoenix for the first time. Claremont destroys the whole "Phoenix and Jean are separate beings" retcon, and presents such a touching story of a girl and an omnipresent Force having a chat and reconciling the fact they are the same being, mind, body and soul, and ultimately choosing to live life and embrace all of its contradictory happiness, messiness, tragedy, and passion.

Everything Sucks: Noah's Millions: More Everything Sucks! Noah finds a bag of cash and hijinks ensue with the usual EXTREMELY relatable feelings and dialogue that accompanies every Everything Sucks comic. I adore the perfect sandwich and thrift store double page spreads in this issue as well as Calla's cute goth dress.

Dragon Ball Z Part 2 #8: The opening chapter of the Goku/Vegeta fight, arguably the greatest Shonen fight chapter ever made, featuring the most iconic and my favorite panels of the Dragon Ball Z era.

Generation X - Opening Volley: I LOVE Generation X but I also find the series to be highly disappointing. It starts off so ridiculously good and never reaches those highs again. I've read just about every interview or promo material they ever did for the title and Scott Lobdell had some big plans for the book, that by about the first year of the book existing, around issue #8 or post the Girl's Dorm exploding, he completely drops. The plan to continually develop the kids so they graduate and we get new classes of mutants coming in never happens. Mondo never really joins the team. M, Penance and Emplate all become something vastly different than conceived. Dozens of dangling plots or hints vanish. It becomes a Howard the Duck book. Mark Buckingham leaves and Chris Bachalo's artstyle changes so much. It's a huge bummer. BUT for a time, we got some gold nonetheless I truly cherish, including the absolute height of the series, this special promotional issue given away at the 1994 San Diego ComiCon, full of all the amazing potential the book promised. It represents Lobdell and Bachalo's original vision for the series set a bit into the future, before things quickly changed. The original thesis of the book and the team is all there, these are kids who won't necessarily become X-Men, but they will be taught and learn how to deal with the world that hates and fears them. Mondo is a main member. Emplate, M and Penance are all their own intriguing original characters full of mystery and potential without any St. Croix family connections or retcons. Jubilee functions as the main POV character. And it's all set directly after the Girl's Dorm has exploded. This is sadly, as far as Lobdell ever plotted out for the book prior to writing it. In those same interviews the man says he never plots past the issue he's writing for creative spontaneity and boy does that show, NEGATIVELY, in his work. He is the definition of no plot, all vibes comics. The beginning of Gen X, his trademark Uncanny X-Men quiet issues, all amazing and all very light on continuing story plot. This is what ultimately starts Gen X as a unique, brilliant masterpiece but quickly turns it into a bitter disappointment. A bonus is the copy I own is signed by Lobdell, Bachalo and Richard Starkings.

Dragon Ball Part 1 #5: More OG Dragon Ball, this time with the chapter of Yamcha peeping on Bulma getting out of the shower, presented here again in the fully uncensored glory of the Viz floppies.

Roxxon Presents: Thor #1: An absolutely hilarious laugh out loud romp that parodies everything in our current hellhole of American capitalist culture. Villain Dario Agger has bought the rights to the old Thor comics and name and using a combination of magic creates a soulless corporate hire Thor. That they got Greg Land, the finest example of a soulless corporate hire artist, to do the art is such a perfect choice. So godamn funny.

Rom and the X-Men: Marvel Tales: With Marvel reacquiring publishing rights to Rom, they released this oversized oneshot package that collects ROM #17-18 and #31-32, all written by Bill Mantlo and drawn by Sal Buscema. Both stories feature X-Characters and the absolute horror show that is Hybrid, the disgusting and evil offspring of a Dire Wraith and a human, which Cerebro scans as a mutant. The first story features a great three way battle between Rom, Hybrid and the X-Men and has elements I love like Mantlo writing a Wolverine that sounds exactly like the Animated Series Wolvie and Buscema drawing a wonderfully emotive Kitty Pryde. The followup story features Rom vs Mystique's Brotherhood of Evil Mutants and Hybrid again. This is a particularly important story as it is the only story featuring a pre X-Men Rogue that delves into her personality softening and going against Mystique's control and resembling the heroic X-Man she becomes. Buscema also does an incredible job drawing her and helps shift her from the old lady look into the Southern Sexpot we eventually get. It's an incredibly fun fast paced tale and integral to her character development and history.

X-Men Classic #54: This is a reprint of Uncanny X-Men #150 which is the first true story where Claremont retcons Magneto to be a Holocaust survivor and starts his magnificent and brilliant reclamation project for the character to change him from Silver Age maniac to noble leader of the X-Men. It is a stunning work of art, highlighting the best of Claremont's writing as well as the best of Dave Cockrum's art. Easily the highpoint of their second run together and arguably the best work they ever produced together. Why do I have the Classic X-Men reprint rather than the original issue? Well, I've always loved that new Andy Kubert cover, the brighter coloring, as well as the fact this 1990 reprint contains ads for the specific Marvel Universe Series 1, NBA Hoops and Skybox NBA Trading Card sets that I owned and adored and dominated my young life. Not to mention the Revlon Super Mario Bros Shampoo ad, another ad burned into my memory.

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raven-at-the-writing-desk · 2 months

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“The updates are making me like Idia more, but in the same way you'd like a character for being pathetic” I’m shocked you didn’t like Idia at least from what I remember? He’s basically the same as Rollo (a character you do like I think) and in more ways than one. They’re both gloomy looking guys and traumatized big bros that are self righteous and pathetic. What kept you from liking Idia before if you don’t mind me asking?

[Referencing something I said in this post!]

Okay, confession time: when I was a little kid (I’m talking like 7-10 years old), I was SUPER into Greek mythology and more specifically the story of Hades and Persephone. I ate up ALL the Hades and Persephone retellings/reinterpretations I could find and actively hunted for more 💀 so you’d think I’d like Idia, who is twisted from Hades, given how I gravitated to Octavinelle because of my attachment to The Little Mermaid on my childhood…

I think what puts me off of Idia in spite of his similarities to Rollo, a character I do really love, is a combination of Idia's appearance and his attitude.

To tackle the shallower aspect first, I actually don't like characters that look "too" gloomy. I would say Rollo is stoic-looking, but not gloomy? He has a pretty neutral face most of the time and the only gloomy thing about him at a glance is the dark circles under his eyes. With Idia... There's a LOT going on here. The hair is definitely unique, but I've never been into super long hair. The nature of it kind of overshadows his face and Idia usually looks miserable as a default. I've mentioned before that I'm unnerved by his coloration too; the super pale skin plus the blue lips is reminiscent of a corpse and, well... while I do see there being an audience that finds him beautiful, I don't think that's a cute look for him.

Now, his attitude. I'm not going to fault Idia for being passionate about his hobbies, as we all have our niches that we're super into. What irks me is how Idia expresses himself and acts out on behalf of those interests. He talks down to people who "don't get it" and takes other measures to defend the things he likes that I think is crossing a line. For example, he tracks down the IP addresses of Ignihyde mob students that defaced his favorite idol group's website. In the EN version, Idia threatens to doxx the mobs too (though he never does, this was just a localization decision). Yeah, you could do that I guess... but should you? 😭 The other characters also do questionable things (as a J word fan, I cannot deny this) but those actions are usually so outlandish no one irl would do it (like how Azul is a high school student that runs his own shady business). Idia's behavior, meanwhile, embodies some very real and very toxic aspects of fandom culture. I think part of why I disliked Idia at first is also his manner of speaking; it's riddled with so much internet lingo that it's hard to take him seriously sometimes. This is even more true of the EN version of the game, which has added even more slang than was in JP. Like... sorry, am I NOT supposed to be giggling when OB Idia is making threats while talking like an enraged gamer (both in EN and JP)? There is a ceiling on how much pathetic I can take in one sitting, and Idia far exceeds it every time he talks. Other characters (like Rollo making cheesy villain speeches, Azul being teased, Jamil's DOKKAN, etc.) have their moments of funny ha ha-cringe as well, but at least I can still see them in a serious light.

Books 6 and 7 are enhancing my opinion of Idia solely because they focus on the "traumatized big brother" part to his character. In Glorious Masquerade too... Idia gets the courage to call Rollo out because he knows their experiences are so similar. I think the storyline was done very well, and I loved seeing how Idia grows from an event that no doubt affected him deeply and still continues to influence him to this day. It's clear that he cares deeply about both Orthos and will step up to protect them. I LOVE THAT FOR HIM, it's not as though Idia is completely throwing aside one brother for the other, he's acknowledging them both as his "true" brothers. The way he goes from laughing to crying in his post-OB flashback... Idia getting so mad at us attacking Phantom Ortho with lightning... the willingness to "go" with OG!Ortho to the world beyond... apologizing to Robo!Ortho for falling for the dream's delusion... Aaaah, it's just too good 😭

DIHLBASOFYIAYVYEBfsWPYWPF WHAT CAN I SAY... I like me a reliable onii-san character 🤡 I'M NOTHING IF NOT PREDICTABLE

#twst #twisted wonderland #Idia Shroud #Rollo Flamme #disney twisted wonderland #disney twst #notes from the writing raven #question #book 7 spoilers #book 6 spoilers #Azul Ashengrotto #Jamil Viper #Ortho Shroud #Ignihyde #Hades #Persephone #The Little Mermaid #glorious masquerade spoilers

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bts-trans · 3 months

Text

230218 Big Hit's Tweet

[네이버 포스트] 제이홉 생일에 제이홉 화보 비하인드? 완전 따봉,, 감동작렬~,, 방림이 센스 기절이지? (@ https://m.post.naver.com/viewer/postView.naver?volumeNo=35500077&memberNo=51325039) #BTS #방탄소년단 #jhope #제이홉 #정호석

[Naver Post] A behind-the-scenes post from j-hope’s photobook on j-hope’s birthday? Amazing,, an explosion of emotions~,, Bangbell knows what’s up right? (@ https://m.post.naver.com/viewer/postView.naver?volumeNo=35500077&memberNo=51325039)

#BTS #jhope #JungHoseok

Naver Post Translation

Keep reading for a plain text version of the blog post! Since tumblr has a picture limit for posts, please check out our twitter post or the HD version on our website for a version with all GIFs included!

[BTS] Me, Myself, and j-hope 비하인드 포스트

[BTS] Me, Myself, and j-hope Behind Post

아-하!

Hi-A!

(T/N: Stands for ‘Hi ARMY’, which is how Bangbell always starts these posts.)

아미들 안녕하세요?! 방림이 입니다. 제가 돌아왔습니다. (?)

Hello ARMYs?! It’s Bangbell. I’ve returned. (?)

티저 이미지부터 아미들의 머릿속을 물음표와 느낌표로 도배시켰던 2월 Special 8 Photo-Folio의 주인공이죠! Me, Myself and j-hope 'All New Hope' 의 비하인드 포스트로 찾아왔습니다 ! (박수) (함성)

From the very first teaser image that plastered questions marks and exclamation points all over ARMYs’ minds It’s the main character of the February Special 8 Photo-Folio! I’ve come to you with a behind-the-scenes post for Me, Myself and j-hope 'All New Hope'

(applause) (cheers)

호비호비 생일 떡밥 축복에 끝이 없네…. 아미들 지치지말고 달려보자고 (비장) ㄴ 아미들 : 오히려좋아

There’s no end to this blessing of birthday content for Hobi Hobi…. ARMYs, don’t get tired and keep running (solemn) ㄴ ARMYs : That’s fine with me

이번 화보는 쩨이호옵! 하면 떠오르는 밝고 스트릿한 이미지를 벗어나 제이홉만의 청순,,,섹시,,,아련,, 매력을 새롭게 어필한 화보라고 할 수 있는데요! 아미들도 그 매력,, 다양하게 느끼셨나요? ㄴ아미 : 네네네네네네네!!!!!!!

For this photobook j-hope! sheds his usual bright, street-style image You can say that j-hope’s unique pure,,,sexy,,,sorrowful,, charms are shown off with a new kind of appeal in this photobook! Can ARMYs,, feel that charm in all these different ways? ㄴARMY : Yesyesyesyesyesyesyes!!!!!!!

또한 화보 이름이 ‘All New Hope’ 인 것 처럼 새로운 호비의 모습을 위해 포토작가님과 직접 미팅도 진행하며 적극적으로 의견을 내었다는 명불허전 Jㅔ이홉의 소식도 소소하게 전해드리면서!

Also just like the photobook’s name is ‘All New Hope’ there were whispers that J-Hope, who lives up to his name, personally met with the photobook designer to discuss the new Hobi’s appearance and actively gave his opinion!

그렇다면! 방림이가 준비한 비하인드 사진, 안볼수가 없겠죠! 지금 바로 구경하러 가보시죠!

So! There’s no way we can’t not look at the behind-the-scenes photos that Bangbell prepared! Let’s go take a look!

모르겠다.. 첫 사진부터 걍 기절이다 요정하라고 나만의 팅커벨 그런거 하라고 그냥

I don’t know.. I’m about to pass out just from the first photo Be a fairy Just be something like my own personal Tinkerbell

님… 왜 자꾸 저 꼬시는거예요..? 아니 이 사람이 먼저 그랬다니까요? 아니 이거 좀 놔봐요 저기요

Sir… why do you keep coming at me..? No this person did it first? No let go excuse me

다음 생에는 돌멩이로 태어나자 장점 : 호비가 쓰다듬어줌

In our next life let’s be reborn as stones Pros : Hobi will pet us

아니면 모니터로 태어날까 이렇게 사랑스럽게 쳐다봐주는데.. (울먹)

Or should I be born as a monitor He’s looking at it so lovingly.. (about to cry)

갑자기 등장한 블랙홉에 아미들 민심 술렁 -

The sudden appearance of black-hope is causing chaos among ARMYs

제이홉,, 뒤에 날개 잘숨겼네,, 보일까봐 조마조마 했는데,,,,

j-hope,, you hid your wings behind you well,, I was nervous that they’d be seen,,,,

후,,, ,,,,,,,,, ,,,,,, ,, 아미들 다들 긴장해라 큰거온다

Whew,,, ,,,,,,,,, ,,,,,, ,, ARMYs you should all be very nervous

Countdown

??????

??????????? ??? ????? ?????? 제이폼 홉 미쳤다 제이홉 폼 미쳤다 (ㅋㅋ) (좋아 자연스러웠어)

??????????? ??? ????? ?????? j-form’s hope is crazy j-hope’s form is crazy (haha) (Nice. That sounded totally natural)

님.. 님은 진짜….. 화보를 찍기 위해 태어난 사람 같으세요..

Sir.. Sir you’re so….. You’re like a person who was born to shoot for a photobook..

제이홉은 웜톤임? 쿨톤임?

Is j-hope warm tone? Cool tone?

아니면 내 인생을 이어나가줄 바톤임?

Or the baton that will carry on my life?

아니면 내가 정호석을 보면서 평생 닦아내지 못할 침샘 1톤임?

Or a ton of salivary glands that I can’t manage to wipe off as I look at Jung Hoseok?

아니면 내 인생의 달달한 메가톤임?

Or my life’s sweet megaton?

아니면 내가 평생 완주하지 못할 사랑의 마라톤임?

Or the marathon of love that I’ll never be able to finish?

아니면 내 인생에 뛰어든 행복 77톤임? ㄴ 그만

Or 77 tons of happiness that jumped into my life? ㄴ Stop

ㄴ킹치만 정호비가.. (물복임? 딱복임? 도 할라했는데 아깝네.. 방림이는 물복임.)

ㄴBut Jung Hobi.. (Is he a soft peach? A hard peach? I was going to do this too but it seems a waste.. Bangbell is a soft peach.)

역! 시! 나! 정호비가 정호비했다.

As! expected! Jung Hobi Jung Hobi-ed.

호비만의 새로운 모습이 가득담긴 Me, Myself and j-hope 'All New Hope' 잘 구경하셨나요? 아직 포토북을 못 받은 아미들은 방림이 포스트 보면서 조금만 기다려~ 기다려~!

Did you enjoy looking through Me, Myself and j-hope 'All New Hope' that’s full of Hobi’s unique new look? For all the ARMYs who haven’t gotten the photobook yet look through Bangbell’s post and wait~ wait~ just a bit longer!

남은 하루도 기분좋게 마무리 하길 바라요 아미들! (요즘 딸기가 그렇게 맛있ㅇ…) 감기조심 하고 우리는 다음에 또 만나요!

I hope you have a great rest of your day ARMYs! (Strawberries are really yummy these days…) Thank you and we’ll meet again soon!

아-뿅!

A-Poof!

(T/N: Short for “Bye ARMY! Poof!”, which is how Bangbell always ends these posts.)

[Note]

본 포스트는 BIGHIT MUSIC에서 직접 운영하는 포스트입니다.

This Naver Post is personally run by BIGHIT MUSIC.

[End Note]

Trans cr; Ali | Typeset cr; Archillea @ bts-trans © TAKE OUT WITH FULL CREDITS

#230218 #big hit #twitter #naver post #official #j-hope #hobi #hoseok #me myself and j-hope #what a great concept #bts #bangtan #bangbell #blogpost #photos

73 notes · View notes

britcision · 1 year

Text

OKAY FRIENDOS

This chapter fucking fought me, not least because I wasn’t actually sure what exactly Danny wanted out of meeting Waylon… and then I realised that was because Danny wasn’t sure either

I did consider just letting this one run long and posting in two parts when all was said and done, but this was where I’d have had to break the chapter in two for Tumblr anyway, and it’s actually a really good place to end… so one more chapter for Waylon!

And then tumblr mobile decided not to let me fucking paste the chapter in, and I am fucking DYING with the laggy piece of shit that is the mobile website. I crave death. Let me join the boys.

First Chapter and AO3:

Previous Chapter:

——————

A Good Excuse To Be A Bad Influence

Jason wasn’t exactly expecting to roll up to Danny’s dorm to thumping stripper music, and yet as he turned off the bike… that was definitely what was happening.

Flicking the visor up, he soon caught sight of the cause, a visibly frazzled Danny hurrying over. His pocket seemed to be having an independent party that Danny himself was not invited to.

“I have sinned against the almighty Tucker and am being punished for my crimes with an endless loop,” he explained flatly without being asked.

Jason snorted, reaching back to unhook the new helmet from the back of the bike and hand it out.

“Oh? And what did you do to upset his highness?” He teased, a smile tugging across his lips in spite of himself.

In spite of the certain knowledge that Tim would absolutely be latching onto this form of punishment the second he found out.

He’d not really felt like smiling since he got in last night, yet the second he saw Danny his anger eased.

Didn’t hurt that the pit was practically vibrating in smug satisfaction, clearly appeased that he also wouldn’t let them be kept apart. But there was still an open happiness all Jason’s own in watching his new friend suffer.

Danny sighed, pulling out a heavily wrapped sock-sausage that eventually contained his phone, and scrolled to show Jason some messages.

Jason scanned through them quickly, because the music was fucking loud entirely unmuffled, then passed the phone back to be reburied.

“You knew what you were doing,” he told Danny entirely unsympathetically, and Danny snickered.

“Sometimes he needs to be told when he’s being a dramatic bitch. So were you there for the whole,” he waved a hand vaguely, the other stuffing his phone back into his pocket.

Which meant Jason had to think about the cave again. And the phone call he’d gotten an hour after ignoring Bruce’s summons.

:::

Jason was actually on his way to bed on time for once in his life, the early end to patrol and lack of crime lord duties giving him a chance to get a full five hours sleep.

He should have known he wouldn’t get lucky two nights in a row; Constantine wasn’t around to distract Bruce anymore.

He’d contemplated not answering. Contemplated trying not to shoot Bruce in half an hour if the fucker showed up at his window.

The pit growled.

It was the worst thing he’d ever heard. The worst thing he’d ever felt. And he did feel it, vibrating in his very bones.

It sent shivers creeping up and down his spine, muscles tensing as if to run away from something inside him.

He answered the call, hoping it wouldn’t show in his voice.

“What.” Flat, unfriendly. Not encouraging conversation.

“You didn’t come to the cave.” B’s voice was equally flat, but in his case it sounded like a condemnation. An accusation.

Jason gritted his teeth.

“I have shit to do in the morning. Make it quick,” he snapped, giving his bed a glare it definitely didn’t deserve.

His pillows had never done anything to hurt him.

There was a momentary pause before B audibly decided not to push it.

Good.

Jason was in a mood to bite.

“We have intel on the Infinite Realms. I’ve sent the report. You need to stay away from Danny Fenton, for your health,” B said, still cold, still clinical.

Like he didn’t care. Like what Jason wanted didn’t matter.

Jason’s grip tightened and the phone case cracked.

“Yeah, no. Fuck off.” He spat the words, adding “get new phone” to his list of chores for the morning.

He’d been doing so well with this one. Of course B had to ruin it.

At least the old man didn’t seem surprised by his reaction.

“Jason. It… he. His abilities may affect your condition,” he said slowly, sounding tired. Old.

The pit snarled, sensing weakness, and Jason kinda wished he was still lost in its rage. Back when he was, it was easy just to hate those moments.

B showing signs of humanity fucking hurt.

“He is. He’s making it better,” he shot back, brooking no argument.

“We don’t know that, Jason. Please, just… just for a few days. Until we can talk to the League, understand what he’s doing to you.”

Was.

Was that Bruce begging?

It froze something small and soft in Jason’s chest, stuck him in place. And did nothing to stop the flood of icy rage from filling him up.

Filling his chest, crushing his lungs, making it hard to breathe. Because of course, anyone and everyone else’s judgement was worth more to the man than Jason’s.

Begging Jason to listen to him, when he would never, ever, fucking ever listen to Jason. When it didn’t fucking matter if Jason begged.

“And why the fuck would the League know better than a doctor from the Realms?” He finally snapped, ignoring the way his throat tightened.

There was a long silence.

“A doctor?” Bruce asked softly, his voice still so flat and emotionless that only his kids could have read the confusion. Jason rolled his eyes.

“Danny brought me to a doctor. I’m gonna be fine,” he ground out reluctantly, part of him resenting Bruce’s constant insistence on knowing everything.

But… well. If it got the guy off his fucking back.

There was a long silence, one that Jason was fully aware B was likely spending working this new information into his latest paranoid fantasy.

Jason seriously considered just hanging up and going to bed. He was about to do it when Bruce spoke again.

“Would this doctor be willing to speak to the League?” And there it was again, Batman voice, clinical and distant and always, always fucking suspicious.

Jason rolled his eyes harder. With emphasis. Willing to be interrogated by first the Justice League and then separately also goddamn Batman.

Actually, now that he thought about it, he was pretty sure B wouldn’t get anywhere with Frostbite. Frostbite took his work seriously and was, yeah, king of a full realm of yetis.

None of Bruce’s pointed silences, menacing looming, or vague growls would bug the guy who got Danny through Fucked Up Ghost Puberty.

(And would probably be helping Jason through his own Fucked Up Ghost Puberty… joy of joys.)

It might actually be fun to see him try. If just being here wouldn’t put Frostbite in danger, because hell fucking no that wasn’t happening. The guy may not be his king but Jason would still die first.

But of course, in all his paranoid bullshit about the Realms influencing Gotham, B had somehow conveniently missed what America was doing to the Realms.

Like Jason hadn’t even done the full write up.

“Not while the fucking League are required to hand him right to the US government for torture and experimentation. Which, by the way, did you read my report on the Anti Ecto Acts?” Jason asked sarcastically, doing his very worst fake concern.

And again he was met with silence. Fuck, maybe Bruce hadn’t read it. Jason had dropped it in the day before all this gala bullshit had started, and it had been a busy two days since.

Maybe B deadass hadn’t put the pieces together. Might as well hammer it home for him.

“You know, the one that says you, me, Cass, and Damian are all non-sentient because we’ve been exposed to the pits?” Jason added, eyes narrowing.

Which wasn’t technically true, since it was the resulting liminality and ability to process ectoplasm that made them count, but Bruce didn’t need to know that yet.

Finally he spoke again, voice gruff and clipped.

“I’m looking into it. But for now, Jason, please-” he said again, the cover of Batman beginning to slip.

But Jason was done. No fucking chance Bruce was giving him orders when he hadn’t even bothered asking for Jason’s opinion.

He wanted to spout off about dangers of the Infinite Realms after talking to some wet paper bag of a man who hawked his soul like it was a pokemon card. Hard pass.

And even after hearing that Jason knew what was going on a damn sight better than Bruce did, he still wanted to push him around?

Fuck that.

“Sorry B, legally non-sentient, guess I can’t be blamed for my actions,” he drawled, then turned his phone off and dropped into bed.

He had a lot of shit to do before picking Danny up in the morning.

:::

Jason shook his head, partially to clear it but also in answer to Danny’s question.

“Hell no. Tim told me he was being a paranoid old fuck again so I went to bed,” he growled, a little surprised by the sudden rush of anger the memory brought.

It must have been strong enough that Danny noticed it, because he could feel Danny’s worry too.

He sucked in a sharp breath, pushing the anger back down. He still hadn’t turned his phone back on.

Actually it might still be beside the bed in his apartment. It didn’t really matter.

Danny took the new helmet from him, leaning up against Jason’s side in a soft wave of comfort-sorry-amused.

Amused?

Before he could ask, Danny had turned the helmet over to look at the visor.

“So I’m guessing, from what we talked about in the car, what Tucker told me, and what you’re not telling me, that Bruce thinks you should be far, far away from me?” He asked innocently.

The pit fucking growled again, raising the hair all along Jason’s neck, and Danny trilled soothingly to it.

Even knowing what to expect, the sudden and complete lack of rage still made Jason shiver.

“Thanks,” he said before Danny could apologise.

For managing Jason’s unstable emotions for him when Jason couldn’t. Although…

If they actually were the pit’s all along, that’d explain why it had been so hard to push through. It was weird that the idea was actually starting to feel comforting.

Danny gave him a slightly relieved grin, nudging back.

“Yeah, well, not like you recently bound your entire soul and afterlife into keeping me safe. Not like either of us know what the fuck that’s gonna mean,” he said, all flippant and glib, and…

Yeah, he’d almost have a point, except Jason had put himself on the chopping block to keep others safe since he was thirteen years old.

He shook his head, chuckling softly.

“Oh, I didn’t get on with the old man long, long before you came into the picture,” he assured Danny with a dry smile, rolling his eyes.

Danny snickered, spinning the helmet and looking “innocently” up to the sky. Whatever the fuck came out of his mouth next, Jason was ready for it to be a doozy.

“Yeah, well… if I’m the bad influence boyfriend your dad wants you to stay away from…” and that sentence alone almost made Jason choke, without even the kicker, “can I drive your motorcycle?”

At least it stopped Jason from coughing. He shot Danny a sudden suspicious glare.

“Do you even know how to drive a motorcycle?” He asked with a full awareness of what the answer would be.

Danny shrugged, giving Jason his best “innocent” smile.

“Definitely motorcycle adjacent?” He offered sweetly. Jason shook his head firmly.

“Nope.”

“Oh come on!” Danny pouted, tossing both hands into the air, his new helmet held tight despite the dramatic gesture.

Jason shook his head again, in case Danny had missed the point.

“Nnnnnnnope,” he drew the word out, popping the p, and Danny rolled his eyes at him.

“It’s not like a crash would kill either of us anyway,” he huffed, and while he may have that kind of confidence in his ghost powers, Jason’s core hadn’t formed yet.

He wasn’t about to fucking risk it.

“That doesn’t mean it’ll be a fun experience. They’re called “donor-cycles” for a reason,” he told Danny archly, definitely not moving from astride his girl while this was “up for debate”.

Glanced back to find Danny staring at him, clearly holding back a snicker.

“That sounds waaay more like something the Disapproving Dad Who Doesn’t Like His Son’s Hot New Motorcycle Boyfriend would say,” he pointed out, rising on tiptoe to rest his chin on Jason’s shoulder.

Jason licked him. Mostly on the cheek.

It was a stupid impulse, the kind he usually didn’t even get with anyone but Dick, and he might have regretted it immediately if it hadn’t fucking worked.

Danny jumped back, cheeks flushing, and while Jason was pretty sure his own had pinked up, well, behind him Danny couldn’t see that.

But he pulled on his helmet just to be doubly sure.

“Yeah, well, protecting your ass includes not letting you kill us both in a fiery wreck. Or maim us,” he added before Danny could voice the protest Jason could clearly taste.

Silence from behind him, and then Danny sighed and pulled his helmet on, climbing aboard behind Jason again. Who decided to throw him a bone.

“I’ll teach you how to drive it first,” he promised, and Danny cheered loudly, thrusting both fists into the air as they pulled out.

Neither really noticed that Danny’s background music had changed to Radar Love.

When they’d finally dragged themselves to bed, Tim had offered to let Tucker use one of the manor’s nearly infinite guest rooms.

They’d picked one out and everything, changed into pyjamas (Tucker borrowed an old pair of Dick’s), and sat on the bed in Tim’s old room talking about technology until they both fell asleep.

Probably around 8am.

Tucker hadn’t had a proper slumber party since leaving Amity Park, but he was kinda getting used to waking up tucked next to a still-sleeping Wayne adoptee when his phone buzzed around 10am.

Foul treachery from Danny. As usual.

Tucker barely woke up, hand crawling from the pile to rest against the PDA, and that was all he needed. His awareness slipped from the device to his phone, always linked.

From his phone to Danny’s. Into Danny’s music app, where he picked a suitable vengeance even as he slipped back into sleep.

Watched Danny through the phone as if it were a dream, easily filtering out the sounds of his own music as Danny flailed around, trying to turn the music off, trying to turn the music down, failing on all counts, and flailing his way out of the dorm.

Down to meet Jason, his phone now buried in six layers of socks that did nothing to stop the music from being heard, or Tucker from watching.

Tucker cranked the volume a little more anyway. The thought had to count for something.

If Danny wanted to call him petty, well, Tucker Foley could redefine “petty” all on his own.

Providing his friends with a semi-mocking soundtrack really was the least of his abilities; he was literally doing it in his sleep.

Honestly, driving in Gotham wasn’t even all that exciting from Danny’s perspective. After being tossed around the GAV despite the seatbelts, a couple of cranky fellow drivers just didn’t register.

If they hadn’t been going through the city, maybe going highway speeds it might have been different, but he’d kind of worked out how loud he had to be to be heard.

By Jason snickering when he screamed at pedestrians.

If they didn’t want to be screamed at they shouldn’t be trying to loom menacingly.

Of course, that just meant now was the perfect time for him to use his new power for evil. Danny flipped his visor up, straining as high as he could to yell to Jason.

“SO, THAT CONSTANTINE GUY?”

There was a sudden click in his ear and he jumped as Jason’s voice came through, quiet and definitely amused.

“There’s a radio in your helmet, Danny.”

Oh.

News to fucking him, he was pretty sure that wasn’t standard in motorcycle helmets, but not from any lived experience. Johnny 13’s dead experiences were a little out of date.

Poking around the sides of his helmet, Danny soon found a button.

“Sweet. Looks like you finally forgot to mention something,” he teased, and heard Jason snort loud and clear.

Didn’t have to hold the button to talk then. Good times. He’d get Tucker to take a look on the way home after he ecto infused it. For now he flipped the visor back down.

“Looks like,” Jason agreed dryly, swerving them around a cluster of traffic.

He wasn’t exactly sticking to the letter of the law, they were definitely half again over the speed limit, but they hadn’t gone on a sidewalk so it was nothing to a Fenton. There was even an empty slot in the lane he merged into.

“So what about Constantine,” he prompted, and while it broke Danny out of his musings, it also reminded him of the exact thing he’d planned to do to make the trip more interesting.

“Oh, I own his soul. Like, a dozen times over,” Danny chirped perkily, grip tightening just before Jason had to slam on the breaks to keep from hitting the car beside them.

They sped off again before the sudden swerve caused comment, and passed a block or two in silence. Then Jason sighed.

“Of fucking course you do that for everything and not just Mariokart.” He mostly sounded resigned, so Danny allowed himself a snicker.

“What, it’s not like we’re gonna die. You’re even still on the road,” he dismissed easily, waving a hand to show just how unconcerned he was.

Did not expect Jason to huff, reach back and grab his hand, and pull it back around himself.

“I’m reconsidering teaching you to drive,” he told Danny flatly, and Danny pouted but took the hint and held on.

“Oh come on, you can’t say that, you haven’t even seen me try!” Danny protested.

Jason made an unimpressed noise.

“Your town’s weather includes reports of if your parents will be on the road.”

Which, by the way, was totally unfair of him, since he’d never have known that if Danny hadn’t told him. Or Tucker hadn’t told Tim.

Same difference.

“My parents, not me,” Danny argued anyway, shrugging, “and it wasn’t their driving that killed me.”

This time he was close enough, snugged tight to Jason’s back, that he felt the guy’s whole body shiver with a loud and rumbling growl. The same growl he’d heard and soothed earlier.

Something had really riled up Jason’s pit ghost.

Danny hummed another quick soothing trill, stroking his aura gently across Jason and his extra passenger.

Sort of trying to do it unobtrusively; he would actually really prefer that they didn’t fully crash. It kinda worked, in that Jason managed to unlock suddenly solid muscles enough for them to make the next turn.

“Sorry,” Danny said quickly, kind of to both of them, “guess Pitty doesn’t like the death jokes today.”

They passed another few buildings in silence, and Danny had definitely noticed by now that they weren’t heading for the manor. Didn’t matter so long as Jason knew where they were going.

Danny waited him out, long enough that he almost wanted to make another joke and lighten the mood. Again though, Jason broke it first.

“Pitty.” He did not sound impressed. But he didn’t feel mad. More what the fuck just came outta your mouth.

Danny gave him a quick squeeze, and almost felt the pit purr.

It was kinda getting stronger the longer they hung out. Technically that probably meant that both cores were making progress.

“Well, technically you probably get to name it, but until you come up with something I’m calling it Pitty,” Danny explained, and rather felt that Jason should be grateful.

Unlike the rest of his family, Jason had seen the full list of how Jack Fenton named things. Danny preferred to think he took after his aunt.

He coulda called it the Fenton Pit Friend or something. Really, it wasn’t hard to think of anything worse.

From his aura, Jason now seemed to be intentionally ignoring him.

Stewing in indignation-disbelief-confused-confused-confused. Well, that was his call.

Anyway.

“Back to Constantine though, I wasn’t kidding. I do actually own his soul,” Danny said casually, since they’d gotten distracted from his previous attempt to make the drive more interesting.

For a moment he wasn’t sure if Jason would rise to the bait this time either, and then another sigh came over the radio.

“Y’know, somehow, that’s the least surprising thing you’ve said. Man sells his soul so much everyone seems to have a chunk,” Jason grumbled, and Danny snickered.

“Oh, pretty much. He’s the Caterpie of human souls. He never made a deal with me directly though,” he added quickly, without being fully sure why.

He was pretty sure Jason wouldn’t jump straight to “Danny is a soul trader”, but honestly he’d gotten used to getting ahead of wilder trains of thought.

“Oh? How’d you get twelve then?” Jason shot back, clearly warming back up to things.

Mission accomplished. Danny grinned.

“Well, previous Ghost King was in nappy time for a couple thousand years, but he had this whole thing about collecting souls to add to his army of thralls, so basically anyone could sign their soul over for a chunk of power. Real charmer,” Danny snorted, rolling his eyes.

It was so far from the worst thing Pariah Dark had ever done, but so far it was definitely the longest lingering annoyance.

“I got the impression,” Jason agreed in pretty much the same tone, prompting Danny to continue.

Which. Yeah. Was more fun than thinking about the mountain of thrall contracts still awaiting their owner’s deaths, which the Observants were still fussing over.

Nobody wanted more thralls, souls wiped clean of everything that made them, well, souls. Just unliving batteries. Even ghosts found them creepy.

On the other hand, there was nothing the Observants loved more than rules. And the rules said a signed contract had to be honoured.

Really they shoulda expected Danny to ask who the fuck signed for Pariah, since he was (again) in nappy time prison. He hoped nobody else died while they sorted that out.

“Danny?”

Ah. Yup, he did it again. Danny shook his head and sighed, kinda missing the wind in his hair. It kept him more present than the enclosed space of the helmet.

“Sorry. So, John Constantine, clever bitch, wrote himself a contract that signed his soul over to the Ghost King, not Pariah Dark. Got through whatever screening was in place no problem, and now he’s my problem.”

A problem that Clockwork had presented Danny with on his fucking birthday no less.

That had been part one of the soul screening process; who was stuck with Pariah by name, and ho boy that was a depressingly long list… and still growing, though it had slowed recently.

News of Pariah losing his crown was slow to spread, and frankly Danny himself could be doing more to help that, except. Well.

Not taking the damn crown himself until he had to. Not wanting to give the creeps of the world anything to call him.

There were a lot of good reasons, okay? And Clockwork had specially singled out Constantine’s contract and delivered it to Danny himself as a birthday present.

“Well, that explains one,” Jason agreed with a snicker, pulling to a stop in front of the police station, “but what about the other eleven times?”

Danny snorted a laugh, sliding off the bike and stretching. As much fun as hugging Jason at high speeds was, he didn’t like being still for too long.

“Tax season,” he explained cheerfully, pulling off the helmet and looking around, “I guess we’re meeting Harley here?”

Snickering to himself, Jason pulled off his own helmet and tucked it into the storage on the back of his bike. Danny passed it over, noting that Jason had also had to get a second little pod for the other helmet.

He wasn’t gonna ask. Maybe they were in storage?

“Yeah, we’re meeting Harley here. Better not to swing by the manor for a while,” Jason added, his expression souring.

Which did make Danny feel a little bad actually. He didn’t want to cause trouble for Jason with his family…

But before he could say anything Jason ruffled his hair roughly, shaking his head.

“It’s not your fault, Danny. This kinda shit happens every other week, Bruce gets on his bullshit and I steer clear. He’ll calm the fuck down eventually and remember to mind his own business,” he explained dryly, nodding towards the doors.

Danny hesitated before moving to follow. It felt true, he could feel Jason’s sincere-exhausted-familiar-still over it clear as day, it just.

“I’m still sorry I wound him up though,” Danny finally decided, heading after Jason up and in. Jason who rolled his eyes and held the door open.

“Danny. He winds himself up. You could be a literal angel and he would not fucking care. You couldn’t unwind him even if you miraculously found the key. We’ve all tried,” Jason said with a sigh, though at least the anger seemed to have burned off into just…

Tired.

Jason just felt tired.

Probably cuz he was off fucking around with Cass last night, but Danny wasn’t about to call him out on it.

Not when they’d just walked into the police station (ew) and the wild sight of Harley Quinn, hair in pigtails and dressed in her signature red and black, sat on the duty officer’s desk with a bat. Filing her nails.

Total silence filled the room, broken only by the swing of the doors opening as Danny and Jason stepped through.

The whole room was watching her in a kind of terrified awe, like she was a particularly dangerous bomb waiting to go off. Danny’d swear they weren’t even breathing.

She looked up as the door opened, grinning broadly at the sight of them and waving in a large, exuberant gesture.

“Oh, there’s my boys! Hey boys!” She called in obvious delight, and half the room flinched.

Didn’t seem to matter that she hadn’t even been in Gotham for ages, let alone being her former roguish self. She had the kind of presence that left a lasting impression.

No wonder Danny liked her. She coulda fit right in with his ghost friends.

Maybe she’d come join them for fight club.

Pulling himself slowly from sleep just a little past noon, Bruce had to admit he was feeling better. The headache had dulled to a low throb but he felt clearer.

More aware of himself, and after a glass of water, more like he could take on the day.

It was far from his first concussion and he was well used to navigating the symptoms over the next few days. So long as he didn’t get any serious memory loss he wasn’t going to worry about it.

He had far more serious things to worry about, but even they seemed more manageable after almost nine hours of sleep.

Honestly… he wasn’t surprised that Jason hadn’t come to the cave. Hadn’t agreed to stay away from Danny when asked.

It had felt like a reasonable request at the time, like the bare minimum of common sense. But they didn’t have that kind of relationship anymore.

Jason didn’t trust him. Didn’t trust Bruce’s judgement, in how to deal with criminals or anything else.

Jason hadn’t been the boy who’d looked to Bruce with such trust, such wonder and awe, even before he’d died.

Sometimes Bruce wondered where he’d gone wrong.

But there was no use dwelling on the past. Bruce would like to re earn Jason’s trust some day, but he wouldn’t ignore their present relationship.

Jason wouldn’t trust that Danny was a danger to him without proof, so Bruce would find that proof, if it existed. Hopefully before Jason’s condition became proof itself.

The first and most obvious step would be to consult the Justice League Dark at today’s meeting, and then make arrangements for this doctor from the Infinite Realms.

He’d have to look into those laws Jason mentioned ahead of the meeting. Perhaps bring them up to Constantine, see how it might affect matters with the Infinite Realms.

A bitter part of him mused that he wouldn’t be surprised if the magician was completely unaware of most international laws, let alone the ones of the various lands he travelled, but still.

The man had been so adamant that the Infinite Realms were completely beyond their ability to handle. That they should cut and run at any cost.

Bruce could hardly imagine he’d be pleased that the US had apparently declared its inhabitants the targets of its newest genocide.

Of course, changing the laws and having them struck down would take time, but Bruce still hoped that the act of beginning might be enough.

Enough for him to visit Jason’s doctor in the Realms or some other neutral ground, since the doctor couldn’t come here.

Jason had said that he would be fine, not that he was already fine. Bruce wouldn’t have believed him if he had, not really; Jason hadn’t been fine since he’d been dunked in those damn pits.

Their poison had stuck with him far longer than anyone Bruce had ever heard of.

Hells, Bruce had had his own dunking. He could just barely remember the rage that had forced itself down his throat, into his lungs as he was brutally thrust back into the land of the living.

He had controlled it, had mastered it quickly, and now it was nothing more than a faint scrap of memory. Even that was still enough to grant his deepest sympathy to Jason’s struggles.

If the rage had never left him…

But no, he decided, going through his morning routine like he was still the young playboy Brucie who never showed his face before 3pm.

There was no point in indulging those thoughts either. He had mastered the pit’s fury, and it released him. For whatever reason, Jason hadn’t.

And now they all had to deal with the consequences.

Still, Bruce let himself hope for the future instead.

If his children were right, if Jason was right… if Danny or this mysterious doctor from the Infinite Realms could help him with the pit rage…

He might one day see that little boy again. The boy who looked at Bruce like he’d hung the stars, who could fly because Robin made him magic.

There was nothing in this world or any other that Bruce wouldn’t give to see Jason whole again. To see him happy.

The United States government were going to learn (again) what it meant to come between the Batman and the safety of his sons.

The Justice League’s meeting would be in another four hours. He had plenty of time to do some research and amend their presentation.

So long as Jason was right.

And speaking of Jason… there was just one other thing he’d like to do this morning. Heaving a sigh while he had the privacy of his room, Bruce pulled up his phone again.

He didn’t quite indulge himself as far as making a face as he punched in Constantine’s number, because concussed or not he was an adult. And he was going to need the man’s help.

Surely Jason wouldn’t object to a single check in with a trusted practitioner?

As the phone rang, Bruce once again cursed the circumstances that kept Zatanna off world. He was about 75% sure that Jason actually liked her.

But maybe the extent to which Constantine annoyed Bruce would also cheer him up.

The call went through, and Bruce snapped his wandering attention back. Maybe he’d take the rest of the day off after the meeting. Heal up a little more.

Alfred would be proud.

“Constantine. A moment of your time before the meeting?” It even sounded like a question, not a command. Sleep really had done him a world of good.

Part of Jason wished he could say he was surprised that Harley had taken GCPD HQ hostage just by showing up, but he honestly wasn’t.

Part of him wished he didn’t think that was exactly her intention, but… he didn’t particularly like lying to himself. Harley was fun.

And got results, even if she also tended not to end lives. He could respect that.

And promised not to rat him out to Danny, even if she made no promises about Waylon, who definitely also knew both his identities.

That… Jason wasn’t really surprised by that either. They’d never talked about it, but Waylon had definitely known he was the second Robin for some time.

A few of the rogues did, or at least assumed as much from the way the Batman would either obsessively chase or obsessively avoid him in mask.

Jason personally preferred and egged on the side that thought Red Hood was Batman’s evil twin brother. Or clone. Mostly because Bruce hated them.

Knowing civilian identities was a step beyond that Bruce would certainly never admit that more than one or two knew, but Jason had (slightly) less issues.

It was kinda an open secret among the rogues who’d been around since the glory days; Bruce Wayne is Batman. As Danny so rightly said of Dick, the butts matched.

(Jason was considering adding more padding to the body armour in his pants, if only to change the silhouette, because that was a fucked yet accurate identifier apparently.)

Most of the rogues didn’t fucking care, Joker and Two Face especially, but it was something that no one talked about.

And that they all specifically agreed to keep from Riddler for as long as possible.

(It was his punishment for being obnoxious at trivia nights in Arkham; no one bothered to suggest banning him or asking him to behave.)

For rogues like the Gotham City Sirens? Hadn’t been a secret since Bruce took off the mask for Selina.

Killer Croc probably wasn’t technically one of the sirens yet (and wouldn’t that be fun?) but he hung out with Harley, and despite his size he wasn’t stupid.

The only thing Jason was a little worried about was Waylon mentioning his current alter ego in front of Danny, but honestly the fact that they were at a police station would probably keep his lips closed.

All vigilantes were illegal.

Red Hood was illegal and a serial killer.

And probably couldn’t get the silent and terrified reverence Harley currently held over the station even if he walked in with a rocket launcher.

She beamed at them, hopping down off the desk with her bat over her shoulder. A little closer, Jason noted that this bat was also bedazzled, but in a different pattern from the one she’d had last night.

Or the same bat, redone, but he wasn’t putting money on it.

She hopped down off her desk and skipped across the room towards them, and Jason wished for half a second that he could command half as much menace doing something so… well, innocent.

But no, he just put heads in a bag, that wasn’t scary apparently. Fucking Gotham.

He obediently bent down for Harley to kiss his cheek, not wanting to be yanked around in the cop shop (even as a civilian), and still managed to be surprised when Danny also accepted a cheek kiss and then returned it.

Harley squealed in delight and ruffled his hair, then pinched both Danny’s cheeks.

“Awww, ain’t you all cute and cosmopolitan! So, shall we go see my big green bestie!” She declared happily, releasing Danny and turning back to lead the way out of the room.

Didn’t go for the keys. Didn’t address the question to anyone who should have been leading them down. Just got going, the way Harley always did.

No one moved to stop them.

Surprising precisely no one, Harley absolutely knew the way down to the cells at the GCPD. Not from a lotta personal experience, o’ course.

Nah, Harley usually went from crime scene to Arkham back in the day, but she’d known people and busted people out of holding before.

It had taken a couple real big favours to get Waylon kept here instead of shipped back to Arkham, but that was what favours were for. No one liked having a Harley-debt over their heads.

And Brucie’s word was gonna get Waylon released on her recognizance, once she scooped some shivering copper out from under their desk.

He’d have to actually behave this time though. No big bat-centric events, nothin’ above ground.

Honestly… she might ask him ta head home. Being in Gotham wasn’t good for either of them. Too many old patterns and bad habits, and Waylon had been doin’ a real good job keeping his nose clean.

If he wanted ta head back to Coney, they could get ‘im a ride. And if he didn’t, well, she’d have someone to watch the new show with.

Her two baby birds were following her like good little ducklings too, absolutely adorable. Although… she paused for a second, cocking her head.

“Is there a reason we’ve got theme music?” She asked with a delighted giggle as the song clicked.

It was a little muffled, but Styx’s Renegade? Ballsy choice for a trip to the cop shop.

The question seemed to surprise both boys though, and then Danny sighed, reaching back to pat a weirdly bulging pocket.

“Yeah, I upset my techno-god bestie this morning. Apparently my punishment is a soundtrack of my life,” he said dryly.

Jason paused, a slight frown on his face as he listened too.

“Wait, it changed? I thought you were on a loop?” He asked, and that was an interesting development.

Danny just shrugged.

“Yeah, he’s probably keeping an eye on us and changing it up when he thinks it’s funny. I think I know this song,” he added with a slight frown, brows furrowing as he listened.

Jason listened a moment longer, then snickered and shook his head.

“Tuck’s got good taste in music,” he said simply, and yeah, Harley remembered Tucker from dinner. Another lil cutie, all tucked up with Timmy in their own little world half the time.

Damn good at Mariokart and Spiderheck too.

Danny snorted and flipped Jason off.

“Suck up.”

And immediately the music changed, flipping straight to Pink’s Slut Like You, suddenly louder… although that mighta also been the song.

Danny groaned as his pocket loudly declared that he was not a slut, and Jason laughed at him entirely unapologetically.

“And that’s why I’m not the one with the soundtrack,” he declared smugly and Danny sighed, raising both hands in unequivocal surrender.

“Yes, yes, I’m a bad and naughty boy and I’m getting my just punishment. Can we just get going?” He asked almost rhetorically.

The music changed again, sultry twanging of a guitar before Lil Nas X began to sing Montero. It took Harley a moment longer to place it than the boys, both of whom now looked confused.

“I can’t tell if he’s encouraging you or not,” Jason said finally, and Danny sighed.

“Well I’ve pole danced into Hell before, so I’m taking it as a compliment either way,” he decided with a shrug, trying to shove what looked like an overstuffed sock deeper into his pocket. “I swear the volume shouldn’t get this loud.”

“Joys of a touchy tech friend,” Harley opined with a snicker, glancing around to see if there were cameras Tucker could be watching from. She blew both she found a kiss, then spun to continue their quest.

And realized that neither of the boys had followed her, both now watching her warily.

“What?” She asked, frowning and turning to see if she’d stepped in something. Nope, just clean floors.

“Danny’s sin was calling Tucker overdramatic,” Jason explained, and oh. Yeah, that explained the looks.

Harley waved a hand cheerfully, deliberately brushing it off.

“An’ now he’s givin’ ya life a soundtrack, so I dunno that he disagrees,” she said lightly, skipping back towards the stairs, “c’mon!”

And when no new burst of music began to switch out Lil Nas, the boys got to following again, Danny grumbling about unfairness.

Harley liked Danny. He had a refreshing lack of fucks to give, a good sense of humour, and he doted on Jason, who fucking deserved it.

They’d be so good together, and Harley was gonna have the time of her life watchin’ them work that out.

Which, now that she thought of it…

“Hey, by th’ way, ya said ya didn’t wanna meet at the manor?” She prodded, turning to walk backwards down the steps to the cells, frowning at Jason, “what’d Brucie do now?”

And watched the ease in Jason’s face freeze, muscles tightening, and Harley sighed. Yeah, a trip back to the manor was definitely in order.

“Just his usual bullshit,” Jason grumbled, running a hand through his already wild helmet hair. Danny snickered beside him and gave her a broad grin.

“Jason’s officially banned from hanging out with me,” he explained far too smugly, since there wasn’t a chance Jason would have listened to any Bruce-ban.

But, he was beside the tall and handsome stud he had a crush on, so Harley wasn’t gonna argue. She grinned back at him, just as her foot nearly slipped on a step.

Before the fall could fully start, she pushed off harder with the other foot, dodging both startled hands grabbing for her, and turned the fall into a backflip down the rest of the stairs.

Taking gymnastics as a kid really should be a prerequisite for villainy. Especially with the Robins flipping around all over the place.

She landed almost perfectly, stepping onto her back foot and then raising both arms and giving the boys a little bow. Then she sighed, resting her bat over her shoulder and mock pouting, tapping the side of her jaw.

“I guess I’m just gonna have ta go back and give ‘im a lil percussive maintenance… bet he hasn’t been restin’ right since he got that concussion either. Maybe I’ll call Selina ta keep ‘im in bed for a week,” she mused. Jason mock puked.

“I thought you wanted him to rest,” Danny snickered, earning himself a glare from his one true love. A consequence that did not phase him in the least.

Harley laughed and waved a hand lightly, skipping ahead to get the door into the hall that held the actual cells while they descended the rest of the stairs.

“Oh, she’s a big girl, Selina can do the work,” she teased, laughing louder when Jason groaned like his soul was being sucked out.

There was a cop still sat behind the desk just inside the door, an older man whose stocky frame had started softening with age.

He didn’t quite jump out of his seat as she entered, but dark eyes widened and ruddy skin paled when he saw her. Which, yeah, she had that effect on people.

“Why are you here?” He demanded, voice only shaking a little.

Harley gave him a sceptical once over.

Not someone she’d run into personally, though probably on the force when she’d been active. Off the streets now, probably not far from retirement and trying to make it all the way there.

Not a lotta Gotham cops did these days, in spite of the rampant corruption. Being in the Penguin’s pocket did sweet fuck all to protect ya when Scarecrow was having a hissy fit.

This old bugger had probably joined back in the bad ol’ days when they could just ignore mob crimes, hassle the homeless, and look the other way if a situation got violent.

These days between Gordon, the bats, and the increasingly dramatic rogues (among which she still counted herself even if Batsy didn’t, she had a reputation to uphold)?

Lookin’ the other way wasn’t the protection it used ta be, and bein’ conveniently “late” to a crime scene didn’t help much either.

This guy? Probably folded like cheap laundry at the first sign of trouble, but he’d stayed in place. That’d make her job easier anyway.

Smiling sweetly at him, Harley strolled forwards and propped her bat on the floor, both hands on the handle as she leaned forward over it.

“Pickin’ up a friend,” she told him sweetly, nodding to the line of cells down the hall, “Uber for Mr Waylon Jones?”

The guy (Officer Perkins, said the name tag, but he’d not really proved himself memorable yet) swallowed visibly, hands shaking but still visible above the desk.

Not going for a weapon. Not surprising.

No one who’d seen a gun pulled on Harley before tended to try it themselves. Just like the Robins, she was a tough target. You had to be real sure.

“Do you have the appropriate paperwork?” He rasped, a Gothamite accent still prominent despite the quiver.

Harley raised an eyebrow, letting her smile go deadly sweet.

“Would ya stop me if I didn’t?” She cooed, rocking forwards on her toes and grinning when his chair slammed back almost two feet.

The shaking had progressed to a full body shiver, sweat dripping down a blotchy brow as he slammed a ring of keys on the edge of the desk, as close as he was willing to get.

Harley scooped them up and straightened, tipping him a wink as she sauntered past.

“Thanks bud! But yeah, I do actually have the paperwork, Judge Thompson’s gonna fax it all along this afternoon,” she told him brightly, twirling the ring of keys around one finger as she skipped back towards the cells.

The judge’d fax it after she had another lil chat with Brucie. They’d cut things short last night, apparently too short for even their actual chat to finish sinking in.

Gotta fix that.

And remember to mention Waylon.

And maybe see if he had any info on her own little issue. Though she might hit Barbara up for that first, bring some treats down library way.

It was gonna be a busy day for ol’ Harley, but at least she got to spend time with the kids first.

“Was that really necessary?” Jason asked with a raised eyebrow, following her down the hall with barely a glance at their shaking audience.

“Necessary?” Harley asked sweetly, glancing into the first couple cells and skipping on. “No. Fun, yes!”

“See this is why I like her,” Danny decided with a sage nod, and Harley shot him a wink, “she knows how to have a good time.”

“I know how to have a good time,” Jason said immediately, and holy shit that was just sooooooo cute she nearly dropped the keys to go pinch his little cheeks again.

Just all pouty and defensive and they weren’t even talkin’ about him! It was too much, Harley couldn’t stand it!

“Yeah, and I like you too,” Danny replied in what he probably thought was a cool way, but no, that was just fucking adorable too.

Too.

Cute.

Harley was gonna die.

And maybe get herself a cool glowy transformation sequence apparently, which would be kinda cool. She’d always kinda wanted a magical girl moment.

She could be their fairy-ghost-mother!

And, to be fair ta Waylon, she had definitely gotten side tracked again. Almost forgot who she was here for.

But really, it did not mean he had to make a grab for her when she almost walked right past his cell! She coulda done him an injury!

He released her arm before the bat came down though, chuckling in that growly way of his and raising both hands.

“Hey. Didn’t want you goin’ right past,” he said innocently, and Harley sighed fondly and reached her bat through the bars to bonk him gently on the head.

“Hush you, I’m not that distractible,” she scolded him, completely ignoring any disbelieving noises from her two little love birds, “an’ anyway, you gotta be nice to me. I’m bustin’ yer ass out.”

She jangled the keys at Waylon instead, then began swiping through them for the right one.

The big guy obediently stepped back to let her look, his attention shifting past her to Danny and Jason.

“An’ you brought company,” he growled, a wry grin on his face. She had to wonder if he’d noticed how dang adorable they were already at the gala.

She’d missed soooo much! But he’d catch her up, because that’s what besties did. And cuz she’d kick all the kittens out of his room if he didn’t.

Jason shrugged, coming up behind her to lean on the bars.

“I had a passing interest in why you wanted to use me as bait for Two Face. We’re not exactly close,” he explained, the edited down version for their legal listeners in.

“Ya got balls for a rich kid,” Waylon chuckled just as Harley found the key. One quick victory fist pump and she got to work on the lock.

Really, there was a reason modern stations had one key ta open all the cells. Or electric locks. What if there was a fire?

But then, it was Gotham. They’d happily let all their perps burn. An’ probably keep usin’ it as an excuse why they all needed a fat budget increase.

“Victory! An’ he’s my adorable lil nephew, Croccy, so you’re gonna play nice,” she warned Waylon sternly, swinging the door open and wagging a finger at him sternly.

Again, for the benefit of their audience, but also because she enjoyed putting on a little panto. A bit o’ show.

(She’d have to remember to tell him Danny wasn’t in on the whole Hood secret though. She’d slip it in somewhere.)

Waylon grunted in amusement and stepped through the door, stretching to his full height and breadth in the hallway. And stopping.

“Who’s playin’ music?” He asked, head cocked as he tried to trace the muffled sound.

Honestly, Harley’d kinda forgot it was playing until he said it.

Danny sighed again, at his most put upon, and raised a hand.

“I have offended the technogod and am being punished by soundtrack,” he explained in a tone so dry it desiccated. And didn’t exactly help.

Harley patted the now-more-confused Croc on the elbow.

“He’s upset one of his lil nerd friends by callin’ him dramatic, so his friend hacked ‘is phone to make it play music,” she explained much more helpfully for sure.

Again, Jason and Danny took slight steps away from her.

Again, nothing continued to happen.

Harley’s smile grew more smug.

“An’ apparently said friend still can’t get inta mine,” she declared brightly, shooting another glance up at the security camera and tapping her pocket.

Waylon grunted again, clearly not needing to ask further because her explanation was perfect, and gave Danny a nod of recognition.

“An’ is that why you’re here? Mood music?” He asked, heading off down the hall back towards the doors. Which, yeah, they had places to be.

Danny brightened right away, grinning up at Waylon and moving to let the big guy pass.

“Unless you want a rematch? I haven’t been tossed around like that in a while and I could use the exercise,” he snarked, and yeah, this was why Harley liked him.

Waylon clearly did too, snickering and clapping a massive hand on Danny’s head on his way by.

“Mouth like that’s gonna get yer killed one day, kid,” he grumbled, ignoring the still cowering cop as they made for the stairs.

And Danny, bless him, angel of timing, just laughed and followed along, shooting Jason a wicked grin.

“Oh, it’s way too late for that,” he said light as air, making Jason let out a snort of laughter.

Waylon glanced down to Harley again, fully aware he’d missed something. She gave him another pat on the elbow.

“Jason an’ Danny met at Dead Kids Anonymous. Kid’s got himself a ghost transformation an’ everything,” she explained simply, which didn’t have to be completely true to get the point across.

It made Waylon snicker again, even as Danny cackled along behind them.

“Now THAT is what we’re telling everyone else. We might as well have,” he rasped between laughter.

His pocket music seemed to have changed to Thriller. Appropriate.

Jason rolled his eyes, but he was still grinning.

Harley didn’t think she’d seen him smile this much the entire time he was alive again. It was nice; most of the times she’d seen him as Robin they’d been fightin’, but he’d always been havin’ so much fun.

At least he looked like he had. Poor kid deserved to smile a whole lot more too.

Waylon was taking the news of Danny’s lack of mortality pretty well, giving the kid a thoughtful look. They’d made their way mostly out of the station now, their little bubble of terrified silence moving with them.

That’d get old one day, but until then Harley was gonna take advantage.

“Maybe we’ll have another tussle then,” he agreed with a low chuckle, holding the door for the others to leave through. Real southern gent. “Good t’know I won’t break ya.”

Danny bounced through the door as chipper as Harley herself, giving him a beaming smile.

“Hell yeah, we’ll find somewhere nice and out of the way. Oh, we had some questions too though,” he added almost as an afterthought, giving Jason a sheepish look that again: too cute.

Maybe that was how he’d really died. Too cute to live. Though she’d let him make that joke himself.

Jason didn’t seem bothered, though he did look a little more tense. Not sure where they’d be taking this, more’n likely.

“Once we get somewhere private,” Waylon agreed, glancing between Jason and Harley himself.

That probably meant it was on her to pick a destination then. Well, Harley had a place in mind that (while not technically private) wouldn’t involve onlookers.

“Yeah, I know a spot! I’ll send ya the address, Jayjay, an’ we’ll meet ya there. Don’t think we’ll get four on that bike,” she teased, pulling out her phone.

She knew the perfect spot, and it’d give her a chance to loop Waylon in. All good news.

Jason held up a hand quickly.

“Not got mine on me. Text Danny,” he called, and Harley waved her phone over her head in acknowledgement. It might give Tucker a way to jump into her phone, she wouldn’t know.

Tech wasn’t her shtick. Just a good thing they’d all exchanged numbers the night before.

It was a weird feeling to have his body shaken while his consciousness was so far from it.

Feeling his face pull into a frown not quite mirroring what he felt it should be. Tucker could never have explained precisely what part of him entered his devices; just that it was him.

Quintessential, pure essence of Too Fine. Everything he was without the meat he was born in.

But then he did have to slot back into that meat, and trying to do that without matching positions always left him feeling weirdly off kilter the next day. Like he’d put on a shirt but the shoulders were skewed too short.

So despite not being conscious of a face on his extended form, Tucker tried to form it into a frown anyway, sliding back under his own skin like a teen sneaking back through a window after curfew.

Hadn’t those been heady days?

Eyes slowly opening, it took Tucker a moment to remember how to focus them. That they weren’t cameras. But then Tim Drake-Wayne came into focus, and the frown changed to a grin even before he fully “woke up”.

“Morning,” he mumbled, rolling and stretching, getting used to the feeling of a body again. It was a little weirder each time, which he might have worried about if he didn’t see himself as an extension of his PDA anyway.

“You were singing in your sleep,” Tim told him without preamble, returning the smile.

Tucker hesitated for a moment, suddenly embarrassed. If… well. If he’d been singing along, that…

Look he’d picked songs that’d embarrass Danny, he wasn’t gonna give a fuck about it. The only actual question was, did he tell Tim?

Who else would ever understand better just what it meant to interact with tech the way he could? Could get excited with him about how cool it was?

He wasn’t fucking gushing to Technus. No way. Tuck was easily the one winning that ongoing hackathon, but it was the principle of the thing.

To the zone with it. Tim knew about Amity Park, he knew about the ghosts and the liminal tech. And while they hadn’t exactly discussed liminal people, it’d come up.

Tim could have a sneak preview. As a treat.

Decision made, Tucker gave the younger man another broad smile because yeah, bragging about your super powers to a very cool and impressive person? That felt good.

Tim might be a vigilante too, but Tucker was pretty sure Jason was the only souped up Robin. Most of the bats were famously power free.

“Oh, yeah. I was bullying Danny,” he explained with a light chuckle, glancing up to find his beloved PDA, Ida. She was half under a blanket now, so he tugged her back out.

Tim chuckled softly, leaning back and stretching himself.

“Good dream?” He asked and Tucker snickered, stroking gently across the screen.

“Danny wishes it was a dream.” Tucker paused, frowning a little at the confusion on Tim’s face. “So you remember we kinda talked about the whole liminal thing?”

That seemed to jog Tim’s memory, confusion fading into an analytical frown that Tucker was already becoming familiar with. That good ol’ geek face.

“The humans with budding ghost powers,” he agreed, and Tucker had to wonder if maybe he just hadn’t put the right pieces together yet.

He hadn’t exactly said that most of Amity Park were liminal, but it was a little hard to remember he had to. Like, they lived on a portal to Hell.

Maybe he shoulda.

Well, at least it was a cool way to introduce it to him.

Tucker pulled Ida into his lap, flipped her over, and tapped the plain plastic backing to demonstrate.

“Mine’s a low level technopathy at the moment,” he explained as the PDA hummed and then began playing… well, still Montero, so he flicked it again and changed it immediately to Country Roads.

Tim was watching him with a kind of hungry fascination, and Tucker turned the music off with a thought, then passed her to Tim so he could check for secret touchpads.

“It’s not something I can do with anything,” he explained with a modest shrug, grinning with pride as Tim immediately got to scanning the casing.

All simple plastic, not even biometrics; what would be the point? Even touching the PDA was pretty much a formality at this point. She was a part of him.

“Technopathy? So you can control it with your mind? Why not with anything?” Tim asked eagerly, hands stroking over the plastic, eyes darting between it and Tucker.

Like he wasn’t sure which was more interesting, Tuck or tech, and Tucker absolutely took that as a compliment.

“It has to be a device I’ve really gotten into. Like, down to the source code, or something I’ve cracked before a couple times, and then I can just feel how all of it works.”

Tucker wiggled his fingers demonstratively and the PDA beeped to life under Tim’s hands, making the other man gasp. And yeah, totally envy in those cute blue eyes he turned all balefully on Tucker.

“How many of the functions can you use? Anything the PDA can do, or…” Tim trailed off, clearly thinking of everything he’d already seen the PDA do.

The real question would have been what couldn’t Ida do. And honestly? Yeah, Tucker remembered the trial phase.

He gave another shrug.

“Technically? Yeah, anything she can do, but I still prefer hacking the old fashioned way. Most of the network stuff too, cuz I’m only really “in” the PDA. Or Danny or Sam’s phones.”

Tucker hesitated, wondering how best to really explain the difference. Danny had never been any good at it, Tucker’d had no idea what he was talking about from the video game thing right up until he’d been sucked in himself.

Which… was probably gonna be a next-hangout adventure for Tim and the bats. And Oracle, if he could swing it.

For now he gave up, giving Tim a hopeless grin.

“Honestly it’s something you’ve really gotta feel for yourself. Danny’s great at the transition from real world to code, but he always just punches things, y’know? Turns out knowing how code is actually supposed to work doesn’t translate well to being part of it,” he added with a sigh.

Because frankly? It was bullshit unfair. Tucker could code an entire other galaxy around Danny with his eyes closed, but put them in the same metaphysical layer as a firewall and Danny could just.

Punch it.

Which, theme for the week, was also not how firewalls fucking worked. At some point Tuck figured he’d either gain a new level of understanding through liminality, or give up and ask Technus a couple questions.

Technus was currently Tucker’s subject instead of Danny’s anyway. They’d made a bet.

Which meant Technus shoulda told him about their shenanigans in time, which was probably what Tucker would hold over his head for the whole firewall thing.

It was so nice when things just worked themselves out.

Tim looked a little disappointed, but mostly still intrigued. Tucker could see his fingers just itching for his own tablet to take notes.

“Do you think that’ll change?” He asked, blurting it out like he couldn’t hold back now that Tucker stopped talking, “I mean, if you become more liminal? Or just practice your abilities more?”

And see, this was what Tucker loved about Tim Drake-Wayne. They were on the same wavelength. He grinned back.

“Probably. But I mean, it’s kinda cheating too. For now I kinda like that I have to do things the way I always used to first, before any ghostly powers kick in. It’s more me, y’know?” And like hell he’d let anyone think his code skills were just some meta ability.

He’d worked damn hard for those skills, and he was damn good. One of the best, and he was also good enough to know he still wasn’t actually top of the charts.

That was the Oracle, although knowing they still hadn’t cracked his servers felt really good.

Tim was all but vibrating, clearly full of questions, but they were both interrupted by a loud growl from Tucker’s stomach. Immediately echoed by Tim’s, so at least he wasn’t alone.

The two shared sheepish grins, and then Tucker stretched.

“So, breakfast and then Twenty Questions?” He offered cheerfully, and Tim nodded at once, thrusting the PDA back and rolling off the frankly massive bed.

“We can start while we eat, everyone else has probably gone out by now,” he said over one shoulder, stripping out of his clothes from the previous night and hurrying for his closet.

Ah hell, Tucker had only brought the one change of clothes… which Alfred had laundered yesterday after the snowball fight. Which would mean they were.

In a place.

Probably in the manor.

Maybe in the room they’d talked about setting up?

He looked to Tim, and only then noticed that his tech idol was shucking off his boxers in exchange for new ones, entirely unselfconscious.

Tucker frowned back down at his current borrowed shirt instead, waiting til he at least heard both feet on the floor before looking over again. Tim might not care, but in case he did, Tucker could be a gentleman.

And then he could ask the important question.

“Speaking of Alfred… my clothes?” He asked hopefully, and yeah, the way Tim’s mouth dropped open and his brain visibly blue screened?

Just like Danny. They were gonna get along great.

Of all the top secret, private places in Gotham to go and have a villainous chat… Danny never would have expected a milkshake bar. But like he’d said last night, that was kinda what made it perfect.

Who’d expect to find Harley Quinn and Killer Croc, properly Waylon, sat in a pastel pink corner booth in the back of the bar?

Honestly, none of the staff seemed surprised. But they might not have been to see all the bats walk in; it was Gotham. Rogues happened. If no one pulled a weapon, don’t be the reason that changes.

It made him feel right at home, really. Just like Amity Park.

And they made a damn good milkshake. Danny took another deep slurp of his, cookie butter and cheesecake was definitely a combo he’d been sleeping on.

If pressed, he couldn’t really explain what he’d wanted out of this meeting.

Something in what Harley had said last night had struck home in a way he hadn’t expected, but with Waylon in front of him now… well, for one thing he seemed a lot more like just some guy who happened to be green.

And who was just adorably happy with his cotton candy milkshake, complete with little umbrella.

At the gala, he’d been big and menacing and monstrous, all things Danny was very used to and meant “friend” more often than they meant anything else. He’d still take a rematch, but he just…

Well, that was just it, wasn’t it?

Waylon really wasn’t all that monstrous, if you looked the faintest scratch past sharpened teeth and scales. He was polite to the servers, a happy straight-man to Harley’s jokes, and he could have teased Jason more for Danny’s tastes but it was definitely effective.

Jason was much more at ease here with two rogues than he’d been any time his adoptive dad was around. That… well, Danny knew full well he didn’t know much about Jason’s life.

It felt like he’d learned a whole lot more just today already, though again, it’d be hard to explain exactly what.

The conversation had been light, easy, and full of banter so far, and Danny really wasn’t sure how to segue from that to “so you were called a monster all your life”.

Because while for the most part Danny now only had to deal with the GIW calling him a monster (and they’d been quiet for years now, still rebuilding after the whole “bomb the ghost zone” bs)… the things his parents had called him still hurt.

The things people thought he was, ghosts and living alike, he just… he didn’t know what to do with it. These days he could mostly ignore it, and unlike Waylon he could even pass for living.

(Never for a ghost though. He’d never be able to stop any ghost from seeing him and knowing immediately, instinctively, that he was other.)

In some ways it felt like meeting Vlad all over again, but without the crushing disappointment. Well, what it might have been to learn there was another halfa if he hadn’t preceded it by being a massive creep.

It was… complicated. And all tangled up in his feelings around Jason, because Jason actually was like him and really did get it, or would soon.

And Jason clearly liked Waylon, for all he grimaced and bitched about the deadpan teasing. Waylon had a lot of interesting stories about Jason’s cape days, most of which Jason hurried to try to interrupt.

Harley had more, and they’d sat at opposite ends of the table before the boys had arrived, almost certainly so Jason couldn’t shush them both at once.

If he clapped a hand over Harley’s mouth, Waylon would either take up the tale or start one of his own, and vice versa. There was just no way Jason could win.

It reminded Danny of his own rogues, though maybe more Fright Knight than Ember or Johnny. The ones he got along with, but more respectfully than just his friends.

Kinda like watching Harley with the rest of the bat-brood.

Danny was very nobly doing his best not to enjoy it too much; within a week or two it’d be his turn roughhousing with his rogues, and he was hoping Jason would return the favour.

There was no way he could get any kind of ghost fight club going without his usual players, and those were the ones with all the most embarrassing stories of his early days.

Johnny and Kitty especially had blackmail material for days, so as much as Danny was loving the lil baby Robin stories (carefully never actually mentioning the name, since no one was masked)… no, his feeling was kinda more impending doom. It’d be his turn soon.

And Ancients help them if Harley and Waylon met Johnny and Kitty… nope, not thinking about that. Suppressing a shudder, Danny deliberately tuned back in to Waylon’s story about the time he’d kidnapped Bruce Wayne.

At least Jason was having fun with this one.

Of course, it couldn’t have the obvious ending; whether or not Waylon had known at the time that he had Batman, you couldn’t mention the punch line out in public. It’d be rude.

He left the story at the Robin beat down instead, declaring that the big Bat himself hadn’t even bothered to show up. Didn’t quite go full stage wink, but it was pretty much the next best thing.

Danny laughed along with the table and Jason shook his head, settling back into his seat with a low huff.

“Fun as this is, we did have some questions,” he said, voice just a little lower than before.

Danny was a little surprised he’d bring it up in such a public space. Right up until Harley glanced around, nodded, and settled back into her seat.

“Clear too. Any o’ the gawkers ‘ve been seen out,” she agreed with a slight nod.

Danny startled, looking around himself. The milkshake bar was… about half as full as it had been when they arrived. His confusion must have been obvious, because Waylon snickered.

“It ain’t the Iceberg Lounge, kid, but this is one of Dr Freeze’s more self sustaining operations. Can’t all be heisting diamonds,” he added with a slight shrug.

Not noticeably less confused, Danny turned to Jason instead. Jason chuckled softly, shaking his head and giving Danny a grin that was almost proud.

“Shit, you’ve lived in Gotham a year and it’s a fucking miracle how little you know. Iceberg Lounge is the Penguin’s upscale club. This place is run by the guy we talked about last night, freeze rays and diamond heists,” he explained quickly.

Harley snickered, draping her arms over the back of their booth.

“An’ if some o’ his ol’ Arkham buddies come in ta chat, his people know ta clear out anyone tryin’ to listen in too hard,” she added, nodding to one of the servers.

Well.

That tracked.

Danny had also definitely thoroughly demolished his “keeping away from rogues” spree, which kinda sucked. But then, since he’d basically gone from one extreme to the other?

Maybe that’d be fun to tell his classmates about too. It definitely tracked more with Danny’s understanding of his own luck. A whole year, no trouble? More like no chance.

Also meant this had to be a safe place to talk, apparently. What was it about rogues that made them so eager to get on with each other but nobody else?

Well, Danny got on with most of his now. But still.

Jason leaned forward, arms folded on the table.

“So what’s going on with Two Face, Waylon?” He asked quietly, still apparently aware of eavesdroppers.

Waylon glanced around the bar, then shrugged, settling back against the booth.

“Hard to say, with ‘im. Coulda been a coin flip, coulda been somethin’ else, but he wasn’t just gunnin’ for the gala. Somethin’ about you specifically put a bug in his ass, kid,” he added with a frown, nodding towards Jason.

Something in Danny tensed, not liking the idea of anyone targeting Jason. Of course, it must have happened before… when he was Robin.

And he’d died.

Danny hadn’t even noticed he was clenching his fists until Jason nudged his foot under the table.

Safe-worry-you okay? Jason’s aura was getting clearer, and Danny did his best to smile back. Sometimes his Obsession still snuck up on him.

Forcing himself to relax, he grabbed his milkshake instead. It felt warm, which was odd until he realised his hands were icy cold.

Not quite literally, but closer than he’d come in a while.

Neither of the rogues seemed to have notice, Harley playing with her milkshake while she frowned at Waylon.

“An’ you decided the best thing ta do was hit the gala first?” She asked dryly, her tone neatly conveying just what she thought of that idea.

Waylon shrugged.

“Not like I coulda swung an invite to get in nicely. Sounded like he had somethin’ real nasty planned, kid,” he added, shaking his head and leaning back in his seat.

Jason frowned, giving Danny another soft kick on the ankle as he leaned forward. Unnecessarily, for sure, Danny totally had his shit under control now.

“But no one said anything about why? I don’t think I’ve even met him,” Jason asked and yeah, that probably meant as Jason. Maybe even post Robin.

Waylon shrugged again.

“It’s fuckin’ Two Face. Maybe he ran outta matching targets and figured two lives had ta count?” He offered, though it looked like it was still bugging him too.

Harley huffed and shook her head, blonde ponytails bouncing.

“I’ll keep an ear out too. There’s a couple people who’ll prefer talkin’ ta me over you, sugar,” she teased Waylon as he grunted, a tinkling laugh falling from her lips.

Waylon snorted, but a reluctant smile curled his lips.

“More likely to spill to ya,” he agreed in a low grumble, poking his straw around a mostly empty milkshake.

Harley nodded brightly, clapping her hands.

“Exactly! ‘Specially if they don’t want any of their own special lil secrets told,” she agreed with a truly wicked smile. Then she paused, a slight frown curling her brow.

It was still a little weird to be able to see the moments where her brain revved up. Danny had to assume it was having been raised by Jazz; it was clearly easy for people to get lost in the bubbly exterior.

Fingers drumming on the table now, something had clearly jogged her memory.

“Might be somethin’ ta do with Black Mask too,” she said more quietly, gaze unusually serious as she caught Jason’s eyes, “he’s been quieter ‘n I like lately. Keepin’ ‘imself out of trouble.”

Danny might just ask if Jason could get him a rolodex of the Gotham villains to match the server Danny had provided for the Zone.

It did not help that they all had their own wild code names. He was used to dealing with people who had a lot of personality, sure, and theatrics. But ghosts usually just had the one name.

Except apparently for Frighty, or Halloween as Danny would have to start calling him now. It’d take some getting used to.

Jason noticed his desperately pleading puppy eyes and sighed.

“Look, I’ll give you the rundown on everyone tonight. Black Mask is a whole ass problem. Crime boss for the False Face Society, really likes skinning peoples’ faces. Red Hood kicked him out of Crime Alley a couple years ago, he firmed his grip on the rest of Gotham, and him being quiet is never fucking good.”

And as if that didn’t sound bad enough…

“An’ he really doesn’t like Jason,” Waylon growled, shoulders tightening and straining his shirt.

Something in Danny tensed again, and he forced himself to take a long, deep breath. Closed his eyes and took another.

This was why he’d avoided the whole subject. Until now.

He could taste Jason’s concern like a tang in the air as he spoke up.

“There’s fuck all he can do while I’m in the Alley though. Unless something’s really changed he can’t challenge Red Hood,” he explained quietly, leaning in until their shoulders brushed.

Harley heaved a dramatic sigh, raising a hand and waving to one of the servers.

“Yeah, yeah, you jus’ take care of yaself, kid. Roman’s a pain in the ass an’ if ya let him kill ya again he’ll be intolerable,” she grumbled, the tone at odds with the cheery smile she gave the first server to glance over. “Another round!”

“Anything different?” The server, a young man with shaggy blond hair asked.

Danny considered it, since the menu was both extensive and interesting, but really? It’d complicate things, and he didn’t want to think about something else.

Just the idea of some asshole gangster trying to kill Jason was bad enough. But he sucked in another deep breath and reminded himself that this was pretty much all speculative.

Black Mask was quiet, not actively threatening, and Gotham had an army of vigilantes to keep an eye on him even before Harley and Waylon got involved. An army of vigilantes who all seemed to like Jason.

Jason wasn’t worried. Danny wasn’t gonna go all protective mama bear on the guy just because rogues existed.

The one thing he’d always promised himself was that even with a Protection Obsession, he was never gonna be as bad as Jazz at her clingiest.

He loved his sister, she meant well, but he’d hated her constant fussing. Danny had actually died sure, but he’d come right back and she hadn’t noticed for months.

Jason didn’t have a scratch on him. Or any reason to put up with a clingy almost-stranger, Danny reminded himself as he accepted his new milkshake, hiding a smile behind the glass.

Hell, if Jason being Fright Knight meant he’d sense if Danny was in danger, maybe that could work both ways. That’d be worth asking Frostbite about, and they had to see him for Jason’s core checkup soon.

Having survived one Clockwork encounter without a lecture, Danny wasn’t pushing his luck.

And if it turned out that it wouldn’t be that easy… well, there were other ways Danny could know if Jason was hurt, and unless they had a way to change dimensions? No Gotham rogue could take Jason anywhere that Danny couldn’t find him.

The feel of another halfa was still faint for now, barely noticeable unless Jason was in the same room, but it was already stronger.

Or Danny was more used to looking for him. More used to the feel of his energy, the boiling rage of the pit tangled up in everything else that was Jason.

Kinda a lot still angry, but tempered. Mixed in with that wonderful sense of humour, dry sarcasm and death jokes, and determination.

Danny was pretty sure he could find Jason pretty much anywhere on Earth right now if he had to. And it would only get easier.

With the question of Harvey Dent settled as much as it would be (and if a flip of a coin was all he needed, maybe as much as it could be), the conversation turned lighter.

Harley and Waylon stayed off the topic of rogues, probably to minimise the need to keep filling Danny in. They also mostly avoided embarrassing baby Jason stories though.

No, instead they filled Danny and Jason in on what they’d been up to down on Coney Island.

Danny had never expected to enjoy another circus story again, let alone an actual freakshow, but somehow? Hearing Harley tell it, he almost wanted to drop by.

Not see the damn show. Nope. Hard pass.

But hanging out with the performers, Harley’s tenants? That sounded like fun. They were just ordinary people, if a bit to the left.

Roller derby sounded great, even if Danny wouldn’t play it with humans. In the Ghost Zone though? They could probably make a rink. And baseball bats.

Waylon’s stories were way more domestic too; there was just something about a 7’ crocodile man telling you about his efforts to finally hold the skittish little grey kitten upstairs.

It was just… well. Like hanging out with Kitty and Johnny, or Wulf. Maybe the only people who could understand what it was like to be a vigilante were the rogues who fit the other half of the mold.

They all lived lives skewed away from the normal, didn’t fit in. The more they talked and shared stories, the more Danny settled. Relaxed.

Which was when the last piece finally fell into place. He knew what he wanted to ask Waylon now.

Still on edge from the night before, Constantine wasn’t exactly thrilled to bits to be hearing from the Big Bat again so soon.

Honestly, why couldn’t he have a nice, normal emergency? Just the world ending, some arch demon jumping for the throne of Hell, a wayward amateur magician or cursed artefact?

Why did it always have to be Amity fuckin’ Park?

Still, after they’d given the whole League the rundown, John was planning on washing his hands of the whole affair. They’d be up to date, they’d have his recommendation (leave well enough alone), and whatever they did after that?

That could be Zatanna’s problem. Or Shazam’s. Which didn’t really matter.

So of course there was just one more thing that Batman wanted from him first.

“A health check on yer revenant?” He asked skeptically, arms folded as he scowled at an annoyingly refreshed and rejuvenated looking Batman.

Who just nodded patiently like he hadn’t said anything crazy.

“Nothing strenuous. Just a check in, and then we move on to the meeting,” he agreed blandly, watching John from behind the cut outs.

Constantine pinched the bridge of his nose and drew in a heavy breath. Let it out. Decided not to think about all of the things that could go wrong tangling with a fuckin’ revenant.

Bats was still here, hale and healthy, so the kid was clearly used to extreme provocation. How bad could John’s company be?

Way, way worse the little honest part of him supplied, but…

Well. The worst of it all was, no matter how damn annoying the man was, how fucking insistent on poking into shit that’d get ‘em all killed?

Constantine liked him.

Just a bit. The tiniest, littlest bit, that he firmly ground under his heel at every opportunity, and especially when that poking was getting close to end-of-the-world levels.

It was the only reason the League had his number at all, because John Constantine sure as shit was not a hero. He liked the world not ending, yeah, but he coulda had Zatanna call him for those.

He just. Had maybe the very smallest soft spot for how earnest the Big Three all were, deep down. Wonder Woman especially, there was a lady who’d been in the game longer than John himself, and yet it never fuckin’ touched her.

They still looked at the world, at an old shit like John Constantine, and saw something worth saving.

So even when he was tired, stressed, and wondering just how deep he should dare to probe to check the Bat’s explorations in Amity Park hadn’t garnered the wrong kind of attentions…

He huffed another reluctant sigh. It did not help knowing that even if he refused, the Bat would just argue him down until John gave in, or the meeting started.

It was three hours before the meeting was due to start.

Constantine would rather jump straight through the damn Fenton portal.

“Fine,” he growled, hands stuffed deep into the pockets of his trench coat. If the revenant got cranky, he could always hide behind the big Bat.

The bastard didn’t even bother thanking him, just nodded like he’d expected John to agree all along, and made for the exit.

Were they fuckin’ going out in full costume? In the middle of the day?

Well heavens forbid Bruce Goddamn Wayne do anything subtly.

Tim’s afternoon was going great. Thanks to Tucker, he’d had a full and hearty brunch, which made Alfred happy.

Tim wasn’t much of a gourmet himself, probably as a result of having to survive on what he could find in the house between his parents’ visits. So long as it went down his throat and kept him alive, he was happy.

He knew Alfred’s cooking was great, it always tasted fantastic, he just… didn’t get excited about food.

Tucker though? Tucker gushed enthusiastically over every bite, moaning loudly as he dug into pancakes, sausages, bacon, and even black pudding.

He enjoyed his food almost as much as Wally, and Tim found himself savouring his own a little more as he watched. Usually he’d swallow half of it whole, just to get back to work.

But he didn’t have a new case today. Sure, there was still work to do on Amity Park (and rewriting all of the Justice League reporting protocols, ugh).

But he had Tucker here to help, and really, today could be about getting to know the guy. He’d more than learned his lesson from the last few days.

It turned out that food tasted a whole lot better if he actually stopped to chew it.

They’d talked while they ate too, Tucker often with his mouth full like he just couldn’t stop and wait to swallow.

It was kinda adorable.

Tim had shared some stories about the missions he’d been on with Young Justice, Tucker had told him more about Technus. There may have been a secret side trip to Amity Park in the works so Tim could meet him.

And introduce Cassie to Pandora.

There may also have been a secret side trip to the Ghost Zone being planned too. That one was gonna have to be extra-double-top-secret though, since Constantine put a bug in B’s ass about the Infinite Realms.

But honestly, how bad could it be if three completely untrained teenagers could just hop in and out on a whim?

Sure, there were risks. Some of the bigger, scarier ghosts that Tucker told him about. And just the air of the realms itself, which wasn’t great for humans in the long term.

That, Tim was a little less sure about. Tucker could say it’d never done him any harm all he liked, but he was kinda half dead now. Dead enough for super powers.

Not that Tim wanted super powers. It’s not like he’d ever needed them to keep up with his super friends. He didn’t need them, not even to interface his brain with his computer…

Nope.

But that was also how they got around to how Tucker would be getting home, because Tim finally twigged.

“Wait… when you say Danny flew you here, you didn’t actually mean what you said about the plane, did you?” He asked cautiously when they’d migrated back to the bat cave (with a plate of cookies and juice. Alfred was totally taking advantage of a chance to feed Tim).

Tucker grinned sheepishly and shrugged.

“Well, I didn’t know Danny was gonna just go off like that right away. But yeah, he just came and grabbed me and we flew through the Ghost Zone.”

He seemed to think Tim might be upset with him, but honestly? This was great news. They might be able to wrangle a little extra time.

“So… needing to go home today was because of Danny?” He asked hopefully.

Tucker caught on at once, like the genius he was, tracking Tim’s grin and beginning to smile in return.

“Well, technically I do also have classes on Monday, but so long as I’m back tonight I can fake it if you have another way to get me home, like… say, a bat plane?” He asked innocently, head cocked to one side.

Tim snatched up his phone, sending a quick text. Of course, there was always the chance Connor wouldn’t answer. Or that he’d be busy. Or that he’d have school.

As if he wouldn’t have dropped pretty much anything when Tim called him. God Tim loved his boyfriend.

“I was actually thinking of something a little more discrete than the bat plane… especially since you have some experience being carried.”

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Next chapter:

#dp x dc #danny fenton dead and loving it #dc x dp #dead on main ship #danny x jason #chapter 14 #a good excuse to be a bad influence #it’s finally heeeeere #despite the world’s best efforts #the musical interlude

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duckprintspress · 7 months

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There’s no time like the present to back the Duck Prints Press Patreon!

Why should you back Duck Prints Press?

support a queer-owned indie press, founded by fandom creators for fandom creators looking to publish their original work!

help a great, transparent, ethical small business that helps usually queer, often disabled, creators publish queer stories and art!

AND you get awesome stuff in exchange!

Wait, I’ll get stuff?

You will get so much stuff!!!

a free short story every month!

exclusive teasers and previews!

behind-the-scenes access via our Patreon blog and Discord!

voting rights to influence future anthology themes!

a discount in our webstore!

and that’s JUST THE MINIMUM LEVEL! You get all that for ONLY $3 PER MONTH. Higher levels get EVEN MORE!

Why is now a great time?

we will no longer be releasing new short stories to our website! So backing on Patreon will be the only way to get them!

as a result, we just changed how many stories our backers get!

$3/month backers now get one short story per month

$5/month backers now get two short stories per month

$7/month backers now a minimum of four short stories per month

$10/month backers now a minimum of five short stories per month

$25/month backers now a minimum of six short stories per month

when you back, you also get instant access to every single backer-reward story we’ve ever released! As of right now, that’s 30 free stories for backers at the $3/month, $5/month, and $7/month level, and 59 free stories for backers at the $10/month and $25/month level! That’s a LOT of stories!!!

Did you just buy Many Drops Make a Stream by Adrian Harley? People who back us on Patreon will get an exclusive epilogue when we fulfill the pre-order campaign! And, if you back us at the $10/month or $25/month level before October 15th, you can still get our Patreon-exclusive bonus reward (it’s a totally awesome engraved wooden coaster)! We’ll add the extra retroactively to your order, even though pre-orders are now closed!

Did you just buy To Drive the Hundred Miles by Alec J. Marsh? Patrons at the $10/month and $25/month level who back the campaign (which runs until October 20th!) will also get a bonus extra: a snowflake ornament!

and I mean, isn’t it always a good time to support a queer indie press?

So come on over to our Patreon, help us grow our Press, and get lots of awesome stuff for yourself!

Who We Are: Duck Prints Press LLC is an independent publisher owned and operated by @unforth. We work with fan creators to publish their original art and stories. We are particularly dedicated to publishing works featuring characters from across the LGBTQIA+ spectrum. Love what we do but aren’t up for backing right now? That’s okay! Sign up for our monthly newsletter and get previews, behind-the-scenes information, coupons, and more!

#support us #duck prints press #patreon #queer patreon #indie press #indie publishing #queer publishing

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monocotyledons · 3 months

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Soobin's MBTI and what it actually means

So Soobin went live today and retook the MBTI test, and he's an ISFP-A! Since he took the test live we actually have a record of his MBTI trait percentages, his responses, and even his thoughts on some of his responses. I thought it would be fun to do a little breakdown of his results and what they really mean from a personality psychology perspective! (Full disclosure: I am a research psychologist-in-training so I'll be applying what I know from my irl experiences.)

DISCLAIMERS: I don't know Soobin personally so all of my analyses will be based on his answers to the test as well as how he presents himself in public, such as lives, interviews, variety show appearances, etc. Also I am not affiliated with 16Personalities so I can't say with 100% certainty which test items are linked to which traits, and I don't know how their scoring system works, but I can make informed guesses based on my experiences with other personality tests.

Let's begin!

Prologue: The 16Personalities Franken-MBTI

For this case it's important that we talk about the version of the MBTI that Soobin took and how it works. He took the 16Personalities test, which is not the official version of the MBTI; that would be run by the Myers-Briggs Company (whose website is down as of this writing). The model of personality used by 16Personalities, called the NERIS model, is actually Frankenstein-ed from two different personality models - something they admit themselves in the theory section of their website:

With our NERIS® model, we’ve combined the best of both worlds. We use the acronym format introduced by Myers-Briggs for its simplicity and convenience, with an extra letter to accommodate five rather than four scales. However, unlike Myers-Briggs or other theories based on the Jungian model, we have not incorporated Jungian concepts such as cognitive functions, or their prioritization. Jungian concepts are very difficult to measure and validate scientifically, so we’ve instead chosen to rework and rebalance the dimensions of personality called the Big Five personality traits, a model that dominates modern psychological and social research.

Let's break down the two models used here.

The first is, of course, the Myers-Briggs Type Indicator, developed by Katharine Cook Briggs & Isabel Briggs Myers based on the work of Carl Jung. Classical MBTI is not based on personality traits but on cognitive functions, which are different ways of processing information around us: for example, the thinking function refers to the use of logical reasoning, while the feeling function refers to the use of value judgments. The goal of classical MBTI testing is to figure out which cognitive functions you use: which you default to, which helps your default, etc. This collection of cognitive functions is called a "stack," and your four-letter type tells you what the stack is made of.

The problem with cognitive functions is that they're virtually impossible to validate scientifically (even typologists can't agree on what a cognitive function is exactly), which is why they've fallen out of favor within mainstream research psychology. I don't know if the official MBTI test uses them (since their website is down I can't check), but plenty of unofficial MBTI tests don't, instead preferring the trait approach we're all familiar with. Are you introverted or extraverted? Are you a thinker or a feeler? etc.

This approach has its own issues (which I touch on a bit here), but it's the approach that 16Personalities also uses. Which brings me to the second model they use...

While the 16P test looks like MBTI, its content is actually based on the Five-Factor model, also known as the Big Five. The Big Five is actually a really good model with lots of scientific research to back it up, and (full disclosure!) it's my preferred model of personality. The premise behind the Big Five is that even though there are hundreds or even thousands of ways to describe human personality - just open a dictionary and look at how many words can be used to describe people - there are underlying patterns in our descriptions. For example, a person who is honest will most likely also be trustworthy. A person who is gregarious will most likely also be friendly. And so on.

By collecting real-world data from people in different cultures and using some special statistical techniques, researchers like Paul Costa & Robert McCrae were able to uncover these patterns as five personality traits: openness to experience, conscientiousness, extraversion, agreeableness, and neuroticism. (More on those later.)

I want to emphasize here that none of these personality traits are inherently good or bad. They can be bad in extremes, but the vast majority of people don't fall on those extremes anyway, and being high or low in a certain trait has its advantages and disadvantages. Your score in a trait can be good for some things, but not for others.

In the 16P NERIS model, each letter in your type corresponds not to a classical MBTI function, but to a Big Five personality trait. To make up for the fact that the Big Five has (duh) five traits and MBTI only has four, a fifth letter in the type was added. The resulting test from this is what Soobin took today.

Soobin's results, a Big Five perspective

Here I'll be looking at Soobin's results for each of the 16P traits and discussing what they mean. I'll support this with his responses to the test items (credits to translatingTXT on twitter for saving all of them), as well as things he's done or said publicly in the past.

Introverted/Extraverted

In classical MBTI typology, introversion/extraversion actually refers to your orientation when processing information: an extraverted orientation uses the external world (such as real-world rules and norms) as a frame of reference, while an introverted orientation uses the internal world (such as your personal beliefs and interpretations). But in the modern sense - including in the Big Five - this trait refers to the kind of energy you seek in the environment. This includes sociability - the social environment that you seek - but it also includes how stimulating your environment is overall. Extraverts are generally energetic and like stimulating environments, and are also more prone to positive emotions like joy and excitement.

Soobin scored 74% Introverted, and he's an introvert through and through; he likes being by himself and doing his own thing, and he finds social situations exhausting. But I also think that he's a great example of personality traits being different from skills. Sure, Soobin's an introvert, but he's got really good social skills; his personality probably means that these skills don't come as naturally to him, but he's still capable of learning them. He probably learned a lot during his time as Music Bank MC, and he's not afraid to go up to people and talk to them for life advice. And even though leadership isn't something he prefers especially compared to an extravert (see his answer below), it's clear that the members respect him as a leader and seek him out for help.

Observant/Intuitive (Openness to Experience)

In classical MBTI, this aspect of personality is called Sensing vs. Intuition, and refers to your use of two different cognitive functions: sensing refers to reliance on the five senses for information, while intuition refers to reliance on inner meanings and hidden symbols. The NERIS model reworks this into Observant vs. Intuitive (neither of which start with S or N, I know) to better fit the Big Five trait that their version is based on: openness to experience.

The trait of openness reflects a person's attitude towards things that aren't necessarily grounded in day-to-day reality - the abstract, the unconventional, the creative. People high in openness enjoy abstract ideas and intellectual pursuits, are often creative and imaginative, and don't mind ambiguity. People low in openness prefer things that are conventional and concrete, want things to have straightforward utility and a clear message.

Soobin's score is 64% Observant ("observant" here meaning low openness) - generally he prefers conventional, but I think he's close enough to a 50% average to say that he isn't purely a practical guy. He is, after all, an idol - people high in openness are often drawn to artistic pursuits, which includes music and performance. He has mentioned being interested in artistic things, like wanting to play the electric guitar.

But while Soobin definitely has a level of artistic interest, he seems more content in enjoying what he knows rather than expanding, and he's pretty secure in what he likes and dislikes - and I think this is where his Observant score comes in. Like, this is a guy whose favorite song in his own discography was Our Summer for the longest time before it was dethroned by Skipping Stones. He's also mentioned that he only participates in songwriting when the topic interests him, but isn't necessarily invested in it as a craft:

"I participate in writing the lyrics if the theme interests me. The tracks in this album [Temptation] all have interesting themes, you'll see when you get the album and see the lyrics too. They all have topics that I personally think and imagine about my life, so I participated in the lyric writing this time." (The Name Chapter: Temptation Recording Behind the Scenes)

Thinking/Feeling (Agreeableness)

I struggle with interpreting this one because I'm not exactly sure what the NERIS version of this trait is trying to measure. In classical MBTI (as mentioned above), the thinking function is about processing the objective content of information (logic, truth value), while the feeling function is about processing its subjective content (e.g. how well it conforms to certain values). The version of T/F commonly seen in pop-psych is "head or heart" - do you make decisions based on just the facts or on your feelings? But psychological research shows that this is a false dichotomy - we rely on our emotions to help think through things, and they often provide us with useful information. Happiness tells us things are going well, fear and anxiety tell us something is threatening us, and so on.

Nevertheless, NERIS tries to incorporate elements of this together with the Big Five trait it's drawing from, agreeableness. While extraversion is about how well you fit into social situations, agreeableness is about how you treat people in them. People high in agreeableness try to live in social harmony by getting along with others and practicing virtues that make things easier for them. People low in agreeableness might come across as abrasive, but they're also less sensitive to hate from others and more willing to take actions that might be unpopular.

Soobin's score is a 54% Feeling ("feeling" here meaning high agreeableness), and here we see the limitations of trait-style MBTI. The dichotomous nature of a trait hides what's going on; Soobin uses Feeling on paper, but in reality he's in the middle. This should be more apparent when we look at his responses and how he acts around others.

His agreeable side seems to come out more often when it comes to his circle of loved ones: his friends and family, the members, and MOAs. He's not afraid to show kindness and gratitude towards them and is touched when they do the same for him. One of his motivations for being an idol is wanting to give love to fans and appreciate the love they give back, and he clearly treats the idol-fan relationship as a special one.

On the other hand, Soobin has no problem brushing off or even standing up to haters, and he's said that he has no intentions of trying to please people who dislike him. A person higher in agreeableness (or Feeling, in this case) would be a bit more concerned about trying to appease them.

This in-the-middle mix of agreeableness is, honestly, a pretty good thing to have in a leader or an idol. You need a healthy amount of it to express love for your members, your staff, and your fans. But you also need a thick skin to withstand unfounded criticism, as well as a tolerance for conflict even when it's socially unpleasant.

Judging/Prospecting (Conscientiousness)

In classical MBTI, this dimension is called Judging/Perceiving. It's not a pair of functions but instead a reference to help you figure out the functions in your stack: thinking and feeling are judging functions, sensing and intuition are perceiving functions. Like with S/N, NERIS renames this into Judging/Prospecting to better fit the Big Five trait it's drawing from, conscientiousness.

The trait of conscientiousness refers to one's ability to get things done and follow things through. People high in conscientiousness like to plan things in detail, are organized and goal-oriented, and generally finish what they start. People low in conscientiousness are more spontaneous and adaptable, dislike routine, and prefer to go with the flow.

Soobin's score is 86% Prospecting ("prospecting" here meaning low conscientiousness). I feel like this trait is harder to see for idols because they're always on company-mandated schedules of activities, but a really good example of this trait in action is his vacation in Japan vlog. Planning an itinerary doesn't come naturally to him, and he's okay with not following a strict sightseeing schedule so that he can relax more. For example, Soobin and his friend plan to go straight to an onsen on the second day of their trip, but they oversleep and have no problems changing their plans to just shopping and eating. They do get to the onsen eventually, but they're in no rush to. At one point in the video he even mentions his P trait as why planning is so hard for him (his score at the time was 96% P).

"This is my first time planning a trip abroad by myself. I boarded the plane myself, moved around, booked the hotel and planned everything myself. [...] Whenever I take an MBTI test I get like a 96% P, I didn't realize traveling was so hard." (15:47 - 16:39 of video)

This Weverse magazine quote also captures his spontaneous approach towards activities pretty well:

Assertive/Turbulent (Neuroticism)

This trait is exclusive to the NERIS model and was added to the four existing letters of MBTI to accommodate the additional trait of the Big Five. My biggest criticism of the NERIS model is that it treats A/T as an accessory to the other four traits instead of a trait of its own; ISFP-A and an ISFJ-A are treated as different types, but ISFP-A and ISFP-T are variations of the same type. It's not uncommon for people to leave out their A/T score when they talk about their 16Personalities results.

A/T is based on the Big Five trait of neuroticism, which is just as important as the other four - it predicts depression and anxiety disorders, for example. This trait reflects how we handle negative and stress-inducing events; people high in neuroticism feel stress easily, are prone to negative emotions like sadness and anxiety, and are more likely to self-criticize. People low in neuroticism might feel stress less, but might have a harder time registering risks and threats.

Soobin's score here is 65% assertive ("assertive" here meaning low neuroticism), again close to the average but with a leaning towards the low side. Again, this isn't an easy trait to observe in idols because a lot of the processes and actions associated with it are private and internal. But it does crop up from time to time, usually in per-performance nerves and jitters, but Soobin has mentioned that he's not the type who gets nervous easily. His answer here on how he handles stress also reflects this trait:

"I'm optimistic if you put it nicely, or some could say I'm shallow. So even if I get mad, I forget it quickly and easily. I believe that time will solve everything. So it's either the case gets resolved or my emotions die out, making me struggle less. I just think like that." (11:44 - 12:04 in video)

He's also not too critical of himself, which is pretty valuable in a profession where you're subjected to constant criticism as early are your trainee period. Not that Soobin is blind to his flaws; rather, he's not the type to get too worked up about them.

Final Thoughts

The major flaw of personality systems based on type (like classical MBTI and NERIS) is that the nuances of one's behavior are often lost in an easy-to-remember acronym that puts people into strict categories. The Big Five in its original form refers to the traits as continuums - you can be low, average, or high in a trait, often reflected as a percentile ranking based on how you compare to other test-takers - but even then, you don't see things like context or learned skills that may or may not match up with one's personality.

I've tried to untangle Soobin's personality here not just based on a catchy acronym type, but based on what those traits actually mean, how high or low they actually are, and on how they appear in context. I hope this little analysis will give a bit more insight not just on Soobin himself but also on how personality works!

—

tags for those interested: @goldennika @starburstfloat @mazeinthemoon @huenation

#soobin #txt soobin #tubatu #also sorry for any typos or incoherent bits i did not proofread this lol #feel free to ask questions and i can explain!

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fujocoded · 26 days

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Funding FujoCoded: Stretch Goals!

It’s time! With our first goal met (🎉 thank you!), let’s talk about stretch goals. We have quite a few planned, so we're going to go through them one by one and explain what they are and why we chose them!

Before we go down the list, here's something fun:

Sticker Unlock: At 45 backers, we also unlocked one more sticker!

The goal of our campaign is to cover business expenses most of all. The unlocked content is an extra token of gratitude for your support that also helps us meet our own targets!

With that said, let's get to our stretch goals...

$4,000: "That's Why I Ship On Company Time" Ao3 Sticker

At $4,000 we'll unlock one more sticker design that you can add to your collection!

Our first version of this "shipping" sticker features VSCode and a terminal, but there's more than one type of shipping... here's to the other one!

$5,000: "Using NPM with Javascript" Article

Next up, we have our first article. Our plan is to add an Articles section to @fujowebdev where we'll collect simple, free guides to help beginners get past the roadblocks we see them encounter!

This first one will cover the basics of NPM, a core element of modern JavaScript!

"How do I install this JavaScript library? How do I run this open source JavaScript project? How can I get started creating my blog using a tool like @astrodotbuild?" are some of the most common questions we get in our Fandom Coders server.

Let's give *everyone* the answer!

$6,000: Offering Website Art Prints

Next up, we'll turn the excellent art on our website into prints! These will be (probably) 8x10-sized art prints that will look amazing without breaking the bank. Full specs soon!

...and speaking of the site, you have tried moving the windows, right?

$7,000: "Catching Up With Terminal" Article

Next, another common issue for beginner developers: how to start learning how to handle the Terminal.

This will require some research to determine the major roadblocks, which is how our project operates: active learning from those going through it all!

$8,000: "Crucial Confrontations" Article

And last (for now), something very dear to us: an article extracting some wisdom from the book "Crucial Confrontations": https://www.amazon.com/Crucial-Confrontations-Resolving-Promises-Expectations/dp/0071446524

This may seem like an unusual choice, but it highlights how our teaching goals go beyond programming to cover collaboration!

After years of working within our community, we repeatedly found that developing effective communication and confrontation skills helps our collaborators thrive. Unfortunately, the world doesn't teach us how to effectively (but kindly) hold each other accountable.

Some of our most involved collaborators have read this book and found the tools within it transformative. Given this experience, we deeply believe that making some of this wisdom easily accessible (without having to read the full book) will allow all of us to collaborate better!

If we can reach $8,000, this will enable us to test this hypothesis and learn how teaching soft skills beyond programming influences what we're able to achieve! It's a bold idea, but we're excited to see how it turns out in practice.

Help us make it there!

And that's all...for now!

If you want to hop on Twitch right now, you can join us as we put some extra polish on our shiny new FujoCoded website.

And remember, you can back our campaign here to help us achieve these goals and more:

#fujocoded #fandom #NPM #coding #web development

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ask-a-goldsmith · 1 month

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In writing my last few posts, I have realized that there is quite a lot of basic(to me) knowledge required to understand most of this stuff. I've done my best to explain as I go, but I think this deserves its own post. So, here we go!

Junior Gemology 101

This post is mostly about diamonds! I am well aware it's called Junior Gemology, but 90% of what I deal with on a day-to-day basis is diamonds. Also, a lot of this applies to coloured stones too, so no need to repeat myself.

What is a diamond, actually?

Diamonds are carbon! That's all there is! Except for inclusions. And coloured diamonds. Those have little bits of other materials in them. And are also a topic for later. I digress. Like always.

Specifically, diamonds are carbon atoms bonded together covalently in a tetrahedral shape. Confusing enough yet? This means that each carbon atom is bonded to 4 other carbon atoms. It's ok if you don't get it, I spent about 3 hours trying to understand diamond structure before things started to make sense. This website has a 3D model of the tetrahedral structure seen in diamonds and is what I used to finally wrap my head around it. The important part is: diamonds are made of carbon atoms connected in a pattern. If the pattern was different, It wouldn't be a diamond! If the carbon was bonded in hexagonal rings, it would be graphite! Same atoms, veeeerrrryyy different result.

What makes diamonds so darn special?

I've told you what a diamond is - so why do people care about this very specific pattern of carbon? The answer is(mostly) that humanity LOVES shiny things, and diamonds are great at being shiny. Why have diamonds become THE shiny thing to have? A combination of some REALLY successful marketing campaigns and some of diamond's unique characteristics. These characteristics include things such as their hardness, brilliance, and fire. I went deeper into these characteristics and what they mean in terms of telling diamonds from other stones in this post, but I'll give you a quick run-down here.

Diamonds are very(and famously) hard. They're a 10 on the Mohs scale, and almost nothing is harder than them. This doesn't mean diamonds are impervious to damage - while they are very hard, diamonds can also be brittle, and a hard smack in the wrong place can chip, crack, or even shatter a diamond. Trust me, I know. I've broken a few by accident.

Brilliance and fire are what give diamonds their characteristic bling. Though they are classified as different things - brilliance being the bright white reflections of light and fire being the rainbow reflections - they're both caused by diamond's Refractive Index. Refractive index(RI) is the measurement of the speed at which light travels through different materials - for our purposes though, think of it as how much a ray of light bends when it moves from one material to another. Diamonds have an RI of 2.42, which causes high brilliance and a medium amount of fire. RI isn't super important for most people to know - it really only comes into the conversation when comparing diamonds to simulant materials.

What are the 4 Cs?

The 4 Cs are the meat and potatoes of diamond basics - Carat weight, Colour, Clarity, and Cut. These four terms are used to describe diamonds worldwide, each describing a different part of a diamond's look.

Carat weight is the weight of a diamond. Pretty self-explanatory. What's not clear is what a carat actually is - no, not a carrot. A carat. A carat is 0.2 grams. Therefore, a 5 carat diamond(good lord) would weigh 1 gram. With me? Why do we weigh diamonds in carats instead of grams like sane people? Because way back yonder, carob seeds were used as a counterweight to weigh diamonds, and language did what language does.

Image from loosegrowndiamond.com

Colour refers to - you guessed it - the colour of the diamond. There are two basic systems that GIA(The Gemological Institute Of America, and the accepted authority of these things in North America) use; the normal colour range and the coloured or fancy diamond range. The normal colour range is used for stones that are colourless, light yellow, or light brown. These are the most common colours of diamond, thus the "normal" colour range. These stones are graded alphabetically D-Z, with D being colourless and Z being quite noticeably yellow or brown. Normal range colour grades are sorted into 5 groups based on the general amount of colour; colourless(DEF), nearly colourless(GHIJ), Faint(KLM), Very Light(N-R), and light(S-Z).

Image from GIA article 4Cs Color

Stones that fall outside this range (stones that are too yellow or brown for the scale or show any colour other than yellow and brown) are graded using the fancy colour grades. Fancy colour grades are an entire thing, but generally pretty self-explanatory. The grade will include 1 or two colours(the more dominant of which goes last) and an intensity descriptor such as light, intense, fancy deep, etc. For example, a stone may be graded as a fancy greyish blue - this means that the stone has a middling amount of colour and is blue with a hint of grey. Easy peasy.

Clarity is how many inclusions are in a stone. Well, technically it's more complicated than that, accounting for placement and contrast and type of inclusion etc etc etc. Really, clarity is how many inclusions you see in a stone. Inclusions are things in the diamond that are not diamond, such as included crystals, or imperfections in the diamond itself, such as cracks(called feathers) or chips.

Clarity grades are, frankly, confusing as fuck. There are 11 grades, broken down into 6 grade groups. From highest to lowest, they are; Flawless, Internally Flawless, Very Very Slightly Included(VVS), Very Slightly Included(VS), Slightly Included(SI), and Included(I). VVS, VS, and SI are each broken into 2 grades - 1 and 2. I is broken down into 3 grades - 1, 2, and 3. The lower the number within a grade, the better the grade - a VS1 stone would be less visibly included than a VS2. You know what'll help? Visuals!!

Images from GIA D&DG Chapter 11. Credit to John Koivula/GIA

The diamond on the left is graded as a VVS2 - the red arrow points to the inclusion that gave it this grade. The diamond on the right is graded as an I2. No red arrows are required - this stone has many highly visible inclusions. If you want a little more info (and examples) of clarity grades, GIA has a lovely little tool that explains it quite well.

Cut refers to the shape of a diamond - specifically, the combination of shape(face-up outline) and cutting style(the arrangement of the facets). A classic round brilliant is what most people think of when they think of a diamond, but there are dozens of different cuts. When talking about cut grade, cut refers to how well executed the cut is. Are the proportions ideal? Is everything symmetrical? Is the polish well done? These determine the cut grade of the stone. Cut grades are as follows, best to worst; Excellent, Very Good, Good, Fair, and Poor.

What are the parts of a cut diamond?

Specifically, the parts of a round brilliant diamond. Round brilliant is the name of the most common cut of diamond. Think of a diamond. Is it round? That's almost definitely a round brilliant. Think I've said round brilliant enough? Round brilliant. Whew. Done with that now. This is best explained with diagrams.

The parts we're most interested in are the table, crown, girdle, and pavilion. The way those 3 parts are shaped and proportioned has a huge effect on the looks and value of a diamond.

Knowledge Check

Let's say you're looking at a 1.01 carat round brilliant diamond - it has a colour grade of F, a clarity grade of SI1, and an excellent cut grade. So, what does this mean to you?

Round brilliant is the cut of the diamond. It has a round outline and a brilliant cutting style. 1.01ct is a fairly large diamond - this one in particular is 6.42 mm in diameter (that's a quarter inch!). This stone is colourless - F is the lowest colour grade in the colourless range, but it is still classified as colourless. The diamond will either have one large or several small inclusions that are easy to see under 10x magnification, but hard or impossible to see while looking through the table of a stone with the naked eye(they may be visible through the pavilion with the naked eye). The diamond will be very well cut - the best cut grade possible, in fact! There will be no visible variation in the girdle outline, and all the facets will be well-placed and symmetrical.

It's up to you to decide if this stone matches your criteria - is SI1 a good enough cut grade for you? Is 1.01ct the right size? How "good" a stone is depends on what you want - there will always be bigger, clearer, more colourless diamonds on the market. What makes a stone "good" is if it's the right fit for you. Another stone may be better quality, but if it's out of your price range, then it's not a good stone for you.

In Conclusion

So, you made it this far! Congrats! Hopefully, I haven't bored you too much. We've really just scratched the surface - this was enough information to give you a good idea of what's going on and allow you to navigate the mysticisms of those strange numbers and letters you see associated with diamonds. All information was taken from the GIA Diamond Essentials 130 and Diamonds and Diamond Grading 230 courses and my 6ish years in the jewelry industry. If you have questions about specific pieces of information or want more resources, send me an ask! I will be delighted to answer.

#WOW this on is an absolute beast #final word count is 1674 #fun fact this is how i'm studying for my gemology final #long post #goldsmith answers

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