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#but she still shows him kindness. like that's the point. the point is that kindness brings out the best in people
moonstruckme · 13 hours
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Hii how are u? i'm feeling kinda anxious today so can i request a poly!marauders or just remus where they/he comfort r because she's scared about the future please?
this is like a personal request because i'm in my 20s and i know i should find a job and i want to but i'm terrified bc i don't like to interact with new people😭 and every single night when i reflect on my future i just get so scared and anxious and i hate i was born like this because my younger sisters are more outgoing than me and they have no problems but i just feel kind of pathethic yk🫠 SORRY FOR VENTING IN UR BOX IT'S JUST BC I LOVE YOUR WRITING BUT FEEL FREE TO IGNORE THISIF YOU DON'T FEEL COMFORTABLE🙏😖
Hi lovely, don't be sorry! I'm sorry you're so anxious. Wishing you the best and thanks for requesting <3
cw: anxiety
Remus Lupin x fem!reader ♡ 483 words
Remus lets his hand lay heavy on your head, thumb stroking your temple while hot tears carve paths across your face to dampen your pillow. He’s better than you would be, brown eyes watching you patiently from the pillow next to yours. He knows you need to cry it out.
“I hate seeing you so wound up over this,” he murmurs once you’ve calmed. His thumb is still moving steadily over your skin. “You’re making it ten times worse in your head, lovely girl.” 
You make a hum of dissent, and despite your exhaustion another tear dribbles onto the bridge of your nose. “There’s no way around it,” you say, whispering to avoid a squeak in your voice. “I can’t just never talk to people.” 
“But you don’t have to do it all at once.” There’s a slight indent in Remus’ forehead, but aside from that his face is gentle and kind. He believes in you. “We can take baby steps, work up to the scary stuff.” 
“I can’t.” You sound pathetic to your own ears, but Remus only tsks.
“Yeah you can, dove. You can talk to people, and meet new ones, I know you can.” He shifts his head slightly on the pillow, waiting until you look at him. “You met me.” 
Your lips give a tug. That was easy. James had practically forced the two of you together. “You’re nice, though,” you say, “and quiet. You were never hard to talk to.” 
Remus gives you a fond look. “There are other nice and quiet people out there.” 
“Not like you.” 
He rolls on top of you, groaning in a shoddy attempt to cover his amusement. “Perhaps not,” he allows, and when you sigh he imitates it sympathetically, dropping his chin to your chest. “Still, some might come close. Not everyone is rude and loud.” 
“I’ve seen no evidence to the contrary.” You pick up a piece of hair from over his ear, curling it around your finger. “Look at Sirius.” 
“If Sirius represents humanity, then we’re all fucked.” He turns his head to kiss the inside of your wrist. You’re trying to distract from the original topic, and Remus knows it. “You make a good point, dove. If you can handle Sirius, talking to anyone else will be a breeze.” 
You look away, sulky. Remus chuckles. He reaches up to scratch lightly at your scalp. “Let me help you with the small things,” he bargains, voice downy-soft and soothing, “and when you’re ready for the bigger stuff, I’ll be there with a hug for after. Okay?” 
Your sigh is hefty enough to ruffle the ends of his hair. “You can’t just come with me and hold my hand?” you ask, only partly teasing. 
Remus’ smile shows he can tell. “Afraid not, sweetheart, but don’t worry. You’re braver than you think. I know you can do just fine on your own.”
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I apologize in advance, but the brainworms did a heckin screech and I felt the need to share the chaos.
Imagine, if you will, that our Creator let's it slip that they've interacted with other worlds before reaching Teyvat. (Played other video games) Imagine having to explain that in these other worlds, they may or may not have been interested in the denizens of those realms...sometimes in the romantic sense, which led to wedding bells and/or children.
Cue the uproar from the Genshin cast. The Creator, Blessed Maker of All...you have courted others? Have been married?? You have had children??? Their image of you being pure and untouchable, blown apart into tiny little pieces of confetti. 🎉
Though many loathe to admit it, they are curious...who are these people, what are they like? Is there a common factor in your selection of spouses? You would only pick the very best of a realm to choose as a potential partner, surely another being of creation...or perhaps a demigod?
It leads to the proverbial red string board getting made, the Archons trying to find out who is your most likely pick from their regions. It's all for your safety, your Benevolence! If you insist on having a partner, they must find the perfect match for you! You deserve only the best of the best, after all.
Bonus points if the Creator was a fan of games like the Harvest Moon/Rune Factory series. They're gonna need to make a list of all their partners, there are so many options to choose from. >>_>>
I'll admit I never played any of those games so I skimmed through the harvest moon wiki and chose one of the bachelors and chose some other game characters lol. Plus a game for all of you, guess the characters.
Though I do think that the reader having children before causes a bit of whiplash because it's totally unexpected, mostly because there were no records of you taking spouses or kids, even knowing you ‘have’ (play) other worlds is a surprise that causes a bit of a crisis. Either way here are some head cannons.
“I must admit, your grace is awfully attached to Qiqi” Zhongli hums as he blows on his white tea, a small cloud of steam leaving.
Qiqi doesn't pay him much mind, her head coddled under your chin like a little puppy, between her hands there is a small bird plushie “Well, I must admit she does kind of remind me of one of my little ones” Your hand softly pats her head, a few strands of hair moving as you do.
He stills as you spoke, eyes fixated on his cup “your… little ones?”
“Mhm?” Without looking up from the braid you were giving to the little girl you just nod “yep, she is quite soft spoken like Milenoe”
“... I wasn't aware your grace had sired children” there was never any mentions about holy spawns or spouses taken by you in any manuscript he got his hands on.
“Well, I never chose a couple from this world, so there wouldn't be any descendants” the comment slips airly from your lips as Qiqi slides off your lap towards baizhu who had finished checking the books from your bookshelf. “Do you want to see her? She started elementary school a few weeks ago” without waiting for an answer a screen appears displaying a tall man with black hair and horns standing regally behind you and a child with emerald eyes and horns.
“She looks rather shy”
You hum nodding “she is as shy as her father when he was her age. There aren't many children her age she can play with so she was pretty lonely her first 50 years”
“50 years?”
“her dad is a slow maturing species” so it should be 10 times the life expectancy than humans. Not that long for him but certainly longer than usual.
•°•°•
“It's a wonder to see how you manage to get Klee to change her mind about going fish blasting,” albedo scribbles some data half mindedly as he watches you hover next to Klee, who showed you a new drawings every few minutes “she is so stubborn even with Alice”
“Well I do have experience with headstrong children, Pardine is as focused on her goal as her father” one of your hands fall on her blonde hair, bright but still darker than Pardine’s almost champagne blonde and her red eyes polar opposite to her icy ones, a carbon copy to her dad. Even if your genetics rarely showed up on any of your kids it was uncanny how similar she looked to her dad and aunts “but I will admit she does annoy many guards asking to train her”
Albedo just laughs it off, listing the few loose characteristics of one of her spouses. Venti has been annoying him about his nation almost getting no information so he hopes a few spare tidbits and Klee’s rough drawing of a blond blue eyed man with a big shield works for whatever weird thing the archons have going on.
•°•°•
“Your Grace has married before?!” Ayaka gasps as you take a stroll around the nature surrounding her home. Her hand had swiftly unfolded her fan in front of her face.
“Mhm, I don't know why people get so surprised, after all it would be weirder if I spent so much time somewhere but took no lovers” you laugh at her slightly seeing her slightly flustered “it's almost a tradition at this point, to wed someone from each world. Want to see some family portraits?” She nods fervently looking at the tablet like thing that appeared on your hands, first a white haired cowboy like man is kneeling on the ground holding a baby by the armpits surrounded by three wolves ,seemingly playing with an older child, by the time the next imagine passes Ayaka is almost hanging by your shoulder, asking things about the siblings and begging to see more photos of your babies.
“And who did you take from teyvat?” Ayaka looks up sweetly at you, she has always held you in high regard and now that you are in Inazuma she can't help but get giddy thinking about how you decided to spend the stay in her state and most of your time with her.
Feigning surprise you tap your chin with your index finger “now that I think about it I didn't choose anyone yet... maybe it's about time”
“Then that means you could pick my brother!” She wraps her hand around your own, smiling as if she got the best idea ever “I could even call you older sibling!... If you wanted so of course”
“Big brother you remember how you told me you would find me a proper bachelor”
“If this is about wanting me to rush it won't work”
“It's not about it, I found you someone”
“Fine, as you please, need I remind you my standards are quite high”
“It's their grace!... Why are you choking on your tea!?”
•°•°•
“There isn't one damned coincidence…” Raiden slaps her head against the table with the rough drawings and some information about them “a king, a captain, a cowboy, a damned sorcerer…”
“Maybe there isn't supposed to be a coincidence” Nahida guesses “maybe they just look for someone who catches their eye”
“It doesn't help out as much as you think it does” the tsaritsa crosses her legs and leans against the back of the chair “if we are doing people with very clear characteristics maybe Ajax could fit nicely? Redheads aren't very common”
“Mhm, maybe but don't they have a liking for smart men? Then Alhaitham would be closer to their past couples”
“Well if we are going by that logic they should like the geo archon, as one of them has dragonic features” the tsaritsa side eyes Zhongli from the other side of the table.
Sighing deeply Furina, who came in place of Neuvillette, chimes in “It is their decision who they want to marry and even if they wanted to!”
"obviously you would be so calm, after all they are very close with your iudex. Don't get so cocky, I heard the commissioner Ayato is interested in the idea"
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I think malleus mentions, maybe in his dorm vig, that he tried approaching other students when he couldn't find the meeting place but they scream and run away from him in terror. If this is how people have been reacting to him approaching them then it makes sense for him to stop trying at one point. also think the senators never allowed anyone to meet him. Remember melanoir blessing. She blessed him to be feared by humans. Perhaps that is also at play. I would like to hear your thoughts on this.
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One thing I take issue with is how inconsistently written the world’s reactions to Malleus are. On one hand, we're constantly told that people fear him and run away at the sight of him (which does happen with various mob students). On the other hand, we get dozens and dozens of instances of Malleus interacting with his classmates, staff, and the locals of Sage’s Island (Magicam Monsters) and other countries without issue. (Granted, the locals of other countries did not recognize him as Malleus due to how he was dressed, but the point still holds that Malleus can have normal interactions with people.) How he is received varies greatly across the main story, vignettes, and the events. You cannot have it both ways because it creates this cognitive dissonance about how we’re supposed to perceive his presence.
As for the senators, it is canon that Malleus was often kept inside the castle. However, that doesn’t mean he was entirely barred from interacting with people and that doesn’t mean Malleus never left. Clearly he still had tutors and servants around (although interacting with them would be different than interacting with peers), and surely he would have met his grandmother or foreign dignitaries as part of his training. He has also visited Silver and Lilia in their cottage which is far away from the capital city. Malleus has realistically had opportunities to engage with people, no matter how much the senators try to leash him.
Finally, on the subject of Meleanor’s blessing: firstly, there is no immediate indication that Melanor cast a spell of any kind. If you compare the scene where she utters the “blessing” (7-77) to when Lilia blesses Silver and changes his hair color (7-81), there is no sparkle effect to indicate magic. Meleanor asks Lilia to take care of her kid, hands her egg off to Lilia, summons thorns to drag him away, then vanishes away to fight, so the sparkle effect that proceeds is most likely to show her teleporting off to combat (which is finally when the sparkle effect comes in). Right before leaving, she says, “May the Night bless you/Night's Blessings (in EN)”, which is where I believe people got the “Meleanor blessed/cursed Malleus to be feared by humans” headcanon comes from. However, the phrase “May the Night bless you/Night's Blessings” is not a magic incantation as far as we know; it seems to be a saying among nocturnal fae to wish one another good luck. We see Lilia and others saying it in other parts of book 7. However, Lilia does utter “May the Night bless you/Night's blessings” prior to Silver’s hair color change, so I imagine this also plays a part in the fandom interpretation/headcanon that Meleanor blessed Malleus in a similar manner.
Even if it was a real blessing, it doesn’t work for me with how they’ve set up Malleus’s interactions with his peers. If the blessing/curse is supposedly making him feared by humans, how come there are several blatant exceptions who don’t fear him at all? This includes the light trio and arguably even characters like Leona or Rollo—because even feelings of hate or rivalry are still not fear. Additionally, Meleanor’s phrasing is that she’s sure that Malleus will be a good omen/“auspicious star” for the fae of Briar Country but a “fearsome, malevolent star” for humans. With the coming of book 7, Malleus is posing a real threat to both fae and humans alike. Furthermore, she directly follows up these lines by saying she entrusts her son to Lilia. She’s emphasizing the importance of Malleus to their country’s future before handing him away; it does not read like she’s blessing her child. This, combined with the very delayed sparkle effect in 7–77, leads me to believe that Meleanor’s words were not actually magically binding or a blessing, but rather a hope or a prayer about the kind of person Malleus would be someday: a leader that their country needs and someone who will strike fear into humans (who were enemies of the fae at the time). Until the canon says otherwise, this is how I interpret Meleanor's "blessing" for her son (ie it’s not a magical one).
I feel like none of these should completely dissuade Malleus from like... I don't know, going out of his way to locate a few open-minded people (again, like the light trio) and trying to make conversation with them? Maybe invite them over for tea? Taking little steps like that. I understand why he would be hesitant to try or adopt a defeatist attitude, but again Lilia is right there to help facilitate or to ask questions to. But he doesn’t really do that or seem to truly take what anyone says to heart; instead he gets moody, pouty, and sulks when he feels rejected because the situation is artificially set up for failure 💦
It sometimes feels like TWST wrote itself into a corner with Malleus’s presentation due to the nature of the original game format. His lore calls for him to be sinister and feared through all the land, but the devs are simultaneously compelled to write him in cute and silly social scenarios to show how likable he can be (so open up your wallet for him/j)… He’s supposedly always forgotten but you’d think that someone with a presence as fearsome as his would be remembered vividly or make a strong impression regardless of the contrived ways they try to keep him out of the picture… and that results in the clashing tones I notice now.
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sea-owl · 18 hours
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I was just thinking about the whole Debling vs Colin thing and I kinda wanted to point this out.
Debling and Colin are actually both perfect for Penelope but different sides to her.
Debling is Lady Whistledown's perfect match while Colin is Penelope's perfect match.
Debling has work he leaves for years to do, passions that take up more of his heart than any living human would. He left behind his own family who he says never understood him but that's all we know. He wants a wife to take care of the estate and the home front. He doesn't read Whistledown, meaning he won't ever see any similarities between Penelope's writing and Lady Whistledown's. If Penelope was truly Lady Whistledown all the time like the switch was flipped and never turned off, then this is a perfect life for her. On her own, left alone, and can run her business without interference. If she wants, she can fudge the numbers a little bit to hide some of her own money away in the estate. She'll have children one day that she'll love. She will be secured. She will also continue the status quo of her life before of being alone in her own home, and I would make the argument becoming more like Portia as time would go on. Now, don't get me wrong. Debling is a good man, but he is also Lord Featherington in a different font. Penelope already knows what life with Lord Debling would look like she's seen it in her parents' marriage, in her father. Lord Featherington put his own passions before his family as well, and while he never physically left, that man completely dissociated around his family. Again this type of life would be perfect for Lady Whistledown but Penelope rightfully so hesitates.
Colin, on the other hand, while he has his own passions, will still put someone he loves first. He's willing to be there to support them if they need it. He has a close bond with his family and wants to open that bond to any potential spouse that may be folded in. Once he knows his feelings, he's not afraid to show them. He's affectionate and sensitive to others. He also I noticed forgives rather quickly meaning he has the ability to see from someone else's perspective. This is someone Penelope has dreamed of for years, and frankly kind of needs. She's been emotionally starved of affection and never has seen or heard acts of love outside the few she's had from the Bridgertons. She was raised on tough love and never really shown softness before. Colin can give her that softness, that love, and happiness. But Colin is also a horrible match for Lady Whistledown. He is always in Penelope's business and space, and if not him, another member of his family would be. All in good faith, they watch out for one another, but it would make Penelope's absence a lot more noticeable. Penelope will also be shoved in the spotlight as well marrying in and while she has craved the potential change it makes her work much harder. His disdain for Whistledown as well has been well spoken to others. He also potentially has the clues to piece together Penelope's identity. He has her letters and Lasy Whistledown is not hard to get either. If Penelope accidentally made any mistakes in either writings, like similar phrasing or she reused something from his letters in Whistledown he could clue it together. He will most likely be angry at first but I also think given time to cool off he be willing to hear her out. He's already shown he's not afraid to fight for her so what's one more round?
And the funny thing is Colin has the potential to be Lady Whistledown's match as well. He's a good writer and has been shown to engage in gossip, too. He moves fluidly around the ton, charming them and easily communicating with them. His strengths compliment can help boost where Penelope has a weakness. They can very easily become true partners, Lord and Lady Whistledown. We first just have to get Colin to warm up to the idea.
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completeoveranalysis · 12 hours
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OK!
UNHINGED THEORY TIME:
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WHO ARE LAVA LAMPS PARENTS?
Criteria for candidates include: (a) his mother's name is Sakura, (b) his mother is a dream seer, (c) they are vaguely Sakura and Syaoran shaped, (d) they end up in the Jam Jar
Potential Answer 1: Cardcaptor Sakura and Syaoran Li, from Cardcaptor Sakura
Hints in favour: Almost everything. Clamp drop constant hints that imply Cardcaptor Sakura, including but not limited to: the world Lava Lamp is 'from' resembles our world, his father's name is Syaoran Li, his mother's magic circle is the same one from Cardcaptor Sakura, his father's sword is identical to Cardcaptor Sakura!Li Syaoran's sword, his magic circle, Touya and Yukito (in 216, his relatives) are shown in ordinary clothing resembling our world, Lava Lamp's mother gave Yuuko the Star Wand, Lava Lamp's grandmother looks like Nadeshiko, Lava Lamp's father is descended from Clow Reed.
Counterpoints: Lava Lamp doesn't seem to recognise Touya and Yukito in the Clow Kingdom, CLAMP wouldn't need to hide their faces if we already correctly know who they are, Lava Lamp doesn't seem to know how Cardcaptor Sakura is related to Clow Reed.
Also: It's a bit dark! Even though Clamp are OVERFLOWING with hints that Lava Lamp's parents might just be the Cardcaptors, it would be a bit of a downer for the main characters for such a sweet and uplifting manga like Cardcaptor Sakura to end up here.
Theory Status: The one the narrative most strongly backs up, but still doesn't feel quite right
Potential Answer 2: Someone from Tsubasa
Hints in favour: THEY DON'T SHOW US THEIR FACES. EVER. Why leave their faces out unless we would recognise?
With this in mind, let us narrow down the potential Syaorans we have seen who could be considered JUST KIDDING THERE'S ONLY ONE: CLONE SYAORAN. He's the only one with an appearance distinctive enough to be immediately recognisable: he has heterochromia.
What if Clone Syaoran is Real Syaoran's father? Which would make Lava Lamp's mother either Clone Sakura or the new Fusion Sakura we just met.
Counter point: That's completely batshit.
Counter Counter Point: Logic in the universe is dying. Also this is CLAMP. It should be completely batshit.
Another Counterpoint: Hiding their faces could be a red herring just to torture us on purpose
Which I have no defence against that is 100% what they would do
Yet Another Counterpoint: Clone Syaoran and Clone Sakura are currently dead.
AND OK I HAVE NO EXPLANATION FOR THAT ONE.
Unless? There is a gap in the timeline where they could have disappeared for a long period of time? Ie, long enough to disappear to another dimensions, have children together, raise them, and then hop in the Jam Jar for an undisclosed number of years? And then time travel to still make it back into the narrative on time?
And - sure! There are MANY holes times where Clone Syaoran disappears from the narrative entirely. Most notably, his magic growth is extreme between the end of Nihon and his reappearance in the Reservoir. Also that was arguably when his soul was restored. So he MIGHT have disappeared, done all that, and still made it back in time to die in the Reservoir.
Also, if that IS the order of events, that would explain why we can never see his face AND ALSO why he still has Fai's eye when fighting in the Reservoir. Because he hasn't died yet.
Big Counter point: Yuuko has never met Lava Lamp's parents. Also, Lava Lamp's parents don't have the power to cross dimensions.
Which, yeah. That seems to rule them out entirely. Yuuko has met Clone Syaoran.
(Unless she means technically, since she wasn't in the same dimension as Clone Syaoran when she first met him in Chapter 1/2, but surely that's splitting hairs.)
So that seems to... rule them out pretty solidly?
Unless Yuuko HERSELF doesn't know exactly who they are, which seems even more unlikely than anything else.
Theory Status: Doesn't compute but I kind of want it anyway
Potential Answer 3: A completely unrelated pair of Sakura and Syaoran
Hints in Favour: It wouldn't counteract with any other facts we have so far, since we know nothing about them.
Counter point: It's boring.
Theory Status: It would work but it would be disappointing.
PS - no confirmations or denials in either direction please and thank you :D
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Having just watched Call me by your name, I thought about the gayness of Yuuri's competitive nature and how it establishes intimacy between him and Viktor.
Yuuri is introduced to us through his obsession with Viktor that started at the onset of puberty. Since the first time he saw Viktor skate, his entire existence revolved around becoming like Viktor to finally meet him on the ice as an equal. An important part of this endeavour included moving to one of the best training facilities in the world (today, Skating Club Detroit is one of the ISU Centres of Excellence) the moment he was free from school.
And then, there's this:
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Now that Yuuri has gained confidence, he reveals his plan for last season's Grand Prix Final. When Viktor was still competing.
Yuuri did not only want to meet Viktor as an equal. His secret desire is to beat Viktor in competition. (And, but that's speculation, has probably been there since his childhood friend encouraged him by telling him that she hopes that he and Viktor one day will compete against each other.)
And that's where I come back to Call me by your name and my favourite quote from the book:
“Did I want to be like him? Did I want to be him? Or did I just want to have him? Or are “being” and “having” thoroughly inaccurate verbs in the twisted skein of desire, where having someone’s body to touch and being that someone we’re longing to touch are one and the same, just opposite banks on a river that passes from us to them, back to us and over to them again in this perpetual circuit where the chambers of the heart, like the trapdoors of desire, and the wormholes of time, and the false-bottomed drawer we call identity share a beguiling logic according to which the shortest distance between real life and the life unlived, between who we are and what we want, is a twisted staircase designed with the impish cruelty of M. C. Escher.” ― André Aciman, Call Me by Your Name
Being four years younger, Yuuri has looked up to Viktor and regarded him as the ideal to strive for ever since he first saw Viktor skate. He not only craves Viktor's approval but outright demands his attention, which serves both as communication as to create intimacy. It reminds me of the bathing trunks scene in which Elio, the protagonist of Call me by your name, craves to feel closer to Oliver and hopes to be caught (it's not the only scene of that kind in the book), just that Yuuri is more mature and more direct in his approach, at least for Viktor and him. Yuuri's skating is a flirt, a declaration of love, a desire to feel closer to Viktor, and a means to communicate all kinds messages to Viktor that have his love etched all over them as well. To achieve this goal, he even goes so far as to acquire some of the skills and achievements Viktor is most renown for and exceed them:
jumping the 4F not only in competition but at the end of a long, exhausting programme, which even Viktor himself never dared to do
attempting a free skate with the same technical difficulty as Viktor and breaking Viktor's world record as a result
Everything from copying Viktor's programmes to beating his score speaks an unequivocal love language that expresses Yuuri's desire to be Viktor, to be like him, and to have him for himself. Elio does the same when he puts on the bathing trunks (yes, even the "have him for himself", it's called marking). The younger partner's desire to become the older one's equal and exhibit a competitive nature towards them, is not uncommon for same-sex relationships. For Yuuri, this desire is eventually answered by Viktor deciding to return to competition (I have a theory that Yuuri is the rival Viktor didn't know he needed until Yuuri beat his world record and Yuuri's actions throughout the show lead to this point).
Both Yuuri and Elio strive for ultimate intimacy with the subject of their desire. What manifests as a physical/sexual want in Elio, expresses itself through a rather abstract and academic nature for Yuuri, which is no less romantic or intimate and doesn't lessen his homoromantic drive to become like Viktor and to make him his. His wish to compete against Viktor as an equal encapsualtes and opposes these two things and holds a delicious promise for their future as a couple because it directly speaks to Viktor's own desires.
If you don't know Call me by your name, please read the book and then watch the movie. It's such a great showcase of portraying intimacy.
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msp9 · 1 day
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THIS IS MY LIKES AND DISLIKES OF CHAOS THEORY ⚠️Spoilers below cut⚠️
When i first finished this season, I too like some people, was skeptical about it. I get why some people say its bad, I just thought it was very different from cc. At points the characters didin't feel like themsleves, the way some of them were written and the designs gave me a real hard time to get used to them. Also i felt as if it was just too much to process at times so i rewatched it and my final answer is that its a good show the pacing is incredeble, the plot, the suspence and character development. i just had a hard time getting used to everything new? Ig. I'm still doubting whether its a 10 but sure thing is that it was a very good first season its a easy 9/10. So here are the thinks i liked abt it:
-THE WAY THEY POTRAYED EVERYONES TRAUMA/STRUGGLES , Sammy having anxiety, Yaz overcoming her ptsd, and KENJI. MY BOY. That must have been the best breakdown i've seen in animated series. Whoever wrote that scene. Wow. It was the best thing in the whole show honestly. His vision gtting blurry, having truble breathing. The panick. Wow. I CANNOT SAY THIS LOUD ENOUGH.
-Ben and Sammy duo? Hello? Im srry to say but you might just be better than Yaz and Ben duo. Idk i really loved them.
- "Benjamin."
- Showing Yaz is doing better. Despite her ongoing struggles, she has clearly grown and matured the last 6 years, and the way she calmed Sammy in the sinking van? Ig all those therapy sessions and college paid off. That scene is a clear illustration of the progress she has made. I mean sammy did say "i can tell shes still struggling" but there wasnt really a clear scene of her getting stuck in place as she used to. So my guess is that it was just Sammys anxiety and the fact that they didint talk much. Bc then Sammy was surprised how she kept herselve together. So yeah
-YASAMMY. NOTHING MORE TO ADD.
-UM SAMMYS CHARACTER?? HELLO? GLOW UP, CHARACTER DEVELOPMENT, i loved her sm. She moved up to my top 3.
And her anxiety? It was so well shown too
-the fight between Sammy and Yaz felt so natural and not at all forced. They both had valid points and in the end they did understand each other and were on the same page.
-Ben being Ben in almost every episode
- Yasmina's "boo."
-Brooklynns design?? Majestic to say the least.
- ingore what i said ealrier abt the acting out of character. They do remind themsleves they just grew
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Well, all except Ben...
-Kenjis new voice actor, he did a real good job, as much as it doesn't sound like him, he really captured some emotional scenes very well.
- The robot lady. THEY REALLY SAID TAKE A WOMAN AND MAKE HER CREEPY ASF. I was genunanly creeped out. And the detail that at the ranch if u listen closesly u can hear the whistle. Hell nah that was scary.
-Benrius Ben and Darius friendship, okay actually u can't tell me u didint feel it too, the tention between ben and Darius cmon we all know what u are Ben stop making up girlfriends in Europe
-Brooklynn turning bad, or from what we are told worked for bad people ig. Personally as much as it shocked me, im sure theres a good reason as to why and i cant wait to hear more abt in season 2.
-I can now undertand what everyone meant in reviews saying "its more mature" not only in the more death and dinos but it woyud be kind of confusing for a younger audience to undertsand some stuff in this show.
-I really liked Daniels kon death, maybe it wasn't necesarry but im all in for that dark death scene.
-Lastly the comment Sammy makes when Ben asks how bumpy got pregnant, and the yazs smirk. Gurl i was suprised they added that but i loved it
Now, the things that i didint like and why:
- First of all, Darius being in love with brooklynn. I mean i get it but i also dont get it. In my opinion, there shouldn't have been a different reason as to why Darius was the most effected by her death. They were close and she died. Its okay to be really effected by someones death and not bc u liked them, and i also do believe that the reason for him not showing up the night she "died" should have been smth more serious. Then again i get it bc now he felt a lot more guilt bc it was for a not so important reason he didint show up and thats why he didint tell anyone. Well axtually it isnt that bad, but i just felt it was forced for the plot. This again could be bc i started to like kenlynn and now they turned the tables completly but sure.
-Brooklynns voice actor. I just couldn't connect her to brooklynn? She sounded a lot different, not a major bad thing it was just hard to get used to.
-Ben having a gf, or supposedly having one, u telling me this man has a gf:
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I thought it funny but yk that man is a homosexual
- and lastly, Brooklynn being alive. This might sound bad but it made sense for her to die. And i was kinda lamed out that she wasnt dead. (Pls ironically enough, just weeks ago i begged for her to be alive.) But like the way everyone suffered bc of her death, going throught the 5 stages of grief, and the way the show was played. It just would have been better if she died, all those flashbacks, the emotional moments, i mean its not gonna be the same when i rewatch it bc i know shes alive. Anyways enough abt this.
Actually i have nothing more to add to my "bad stuff" list but i might come up with smth later. Bc i will be rewatchibg it obviously. Ig lastly i just wanted more episodes how dare they cutting the season of right there.
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Chaos Theory review (characters' oriented review)
Since everyone is doing this, I thought I'd share my thoughts too because, to some extent, I feel like I'm in a minority here. In this post I'm going to focus mostly on the characters because there's a lot to say about the show in general and I don't have patience to write everything in one post.
spoilers under the cut
I said it yesterday and I will say it again: I absolutely loved Chaos Theory. It was action-packed, well-paced, dramatic and funny. It was everything I loved in Camp Cretaceous.
I'm especially grateful that they gave us a whole variety of emotions coming from all of characters.
I loved yasammy's conflict because it felt real and natural. Yas' PTSD being openly addressed was everything I hoped for (all of them have PTSD in some capacity but when it comes to Yas the execution was on the next level). And Sammy being fiercely overprotective over her girlfriend to the point it became too much?? That made so much sense because she had always been always protective but after the experiences in camp cretaceous, it is no wonder that this trait started to get out of her control. I don't know, it just made sense. I hope that in season 2 they go in detail about Sammy's family situation, I want her to talk about it with Yas. I'm really curious how it will play out and I can't wait to see Yas being super awesome supportive girlfriend.
I also really liked Darius and Kenji's relationship - I know, I know but hear me out. I actually enjoyed how the conflict(s) in their case seemed to keep piling up; they were growing like a fungus. I adored that little bit when Kenji mentioned that he stayed in touch with Darius' mother, while Darius didn't call her. I think it was incredible; such a small detail but tells you a lot about the years in their life that we didn't get to see.
While we are at it, I have to address the whole Darius and Brooklyn thing which I actually... didn't mind. I really didn't? And I don't mind that it was one-sided either. Maybe because it is the first (*cough*) openly addressed one-sided love story between the campers. I've always loved Darius and Brooklyn friendship, I genuinely believe that it was one of the strongest relationships in CC. It would be cool if they stayed platonic but really, I truly don't mind that one-sided love plotline. I wouldn't even call it a love triangle because to me it seems that Darius, to some extent, always knew that it was an unrequited crush, and I don't feel a sense of a privatization (between Kenji and Darius) either. You know what I actually liked about this situation? The fact that Darius didn't go to meet with Brooklyn because he was basically ashamed, embarrassed, and a little scared of his own feelings, of getting hurt. I feel like, in the long run, this is going to be incredible for his character development. Darius trying to run away from his own feelings to the point where he abandoned someone, where he tried hiding something from others? I genuinely think it added to his character and gave him additional depth. That's just my opinion though. I also think that even without that romantic plotline he would still call Brooklin after her "death". So to me, this really didn't change much other than adding more awkwardness and I had no trouble handling that (I always really liked visually the scene where Kenji and Darius were sitting in the bathtub. There was something pleasing about this)
Moving on to Kenji... Killing Daniel Kon so fast was certainly... a choice but. Kenji's reaction to his death was so well-done. It really highlighted the complex relationship that Kenji had with his father - someone he hated but who he also considered kind of a indestructible. His reaction was so heartbreaking and I was there for it.
And then there's also Ben. I'm gonna be honest - I am biased. I loved him before, I love him still so it feels unfair to write about him from my very biased perspective. Still - they could never make me hate him. I like how his character changed in so many ways but also stayed true to his core – he is adventurous and a little reckless (like a Jungle Boy that he was), and he is also soft and sensitive (that scene when he was crying when he was hiding under the truck broke me). I'm extremely curious about his background story that we barely touched upon - it is obvious that he had been living in that van for a while, which is interesting considering how he used to live on the campus and (let me remind you that) he has a loving mother that would surely support him if he decided to take a break just because he needs a break. From the looks of it, Ben seemed to be living on his own for a while – was his obsession with "being hunted" the only reason? or was there more? many questions. I am also a bit... sceptial about his girlfriend. The first time he mentioned her was not convincing to say at least, not to mention that apparently he had been living without his phone for a while now - were they talking online all this time or what? Idk, if he really has a girlfriend then first of all - the screenwriters are cowards, second of all - the relationship doesn't seem super-convincing for now.
Bonus: Mateo is one of the best characters introduced in the show, for me, he beats even Mae. He was perfect, actually perfect, I loved him. I really hope we will see him again in season 2 (above taking care of Bumpy) because I really liked his agency and his character arc.
Overall: I feel like your final review of CT depends heavily on what you tend to focus on while watching the show, and what you like in shows in general. I don't mind drama as long as it doesn't interfere with characters' personality. And I feel like a lot of choices they made in CT actually makes sense for these characters. I think it is also important to remember that this was - from what I understand - planned as a two-seasons long shows from the beginning which means that a lot of loose ends and decisions may not make sense yet but they will eventually be developed in season 2 (which would be awesome, we love consistent writing)
anyway, I only watched CT once for now, so don't quote me. I'm sure that I will have more thoughts later
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matan4il · 2 days
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911 ep 709 first watch reactions
The way this ep starts with giving us a clear shot focused on the front, solely on Buck sitting between the man he's dating and the man he's been married to for the past six years, and only on them. XD I'm here for it.
Oh, Bobby. :( Feeling unworthy of his medal, and remembering his dad, and how everything went wrong after he got it. </3
Aaaah. Man, IDK. The openly and explicitly homophobic and racist captain cartoon just feels like an easy target now. Prejudice doesn't seem like it mostly gets expressed that way anymore, and when we only teach people to reject that kind, we not only fail to teach them to recognize subtler forms, we may be misleading them to think those more nuanced ones don't count.
Love Athena trying to "save" Bobby by contacting Amir. I'm always a sucker for a couple where they both save each other.
I enjoyed the little play with "Mother Hen," and I know it's not specifically about Buddie, but it is damn funny that when she's told she's raising more kids, they're the ones the camera focuses on. lol Raising a kid together for 6 years, still a couple of morons in desperate need of parenting from their colleagues. Even when Bobby's "wordless goodbye" moment with Buck is letting him cook for the 118, Eddie's by his side and they're doing it together. I swear, 911 said, "Take note, this is what a marriage looks like" and then just kept hammering the point for 6 seasons now.
Okay, I am pretty sure that, while Bobby's acceptance of Buck's first relationship with a guy, is really lovely, "Because we haven't had to talk about it" is not an actual good criterion for discerning whether someone is good for their partner or not. People whose spouses are abusive don't talk about it, either. :/ I am NOT saying that's Buck and Tommy, because it obviously isn't, it just feels like a line thrown in there to be cutesy, but which isn't actually helpful to people, who might take it too seriously.
I AM GONNA LOL FOREVER. So, just like Buck's bi awakening was all about Eddie, now Eddie's messed up whatever he has with Kim is gonna involve Buck, too? Gotcha. Battlefield boyfriends being off-battlefield boyfriends once more.
So... Buck was going to see Tommy, in an ep where TPTB have already paid for Lou in the role, so might as well use him as much as possible, but instead a non-emergency run in with Eddie's current whatever-Kim-is makes Buck ditch Tommy, and run straight over to Eddie's to help him? Look, I'm obviously a One True Pairing kind of shipper, so Buddie are it for me, as much as I can enjoy and see the value of Buck and Tommy as a stepping stone, and nothing will make me stop shipping Buddie (especially not after the tsunami eps), but 911 is feeding me way too well with how it frames these scenes and stories, I don't think the show's trying to get me to stop.
Man, if anyone's ever had a doubt that Eddie is the world champion at denial, this kitchen scene will def cure that.
"I'm worried about you." "Yeah, I'm worried about me, too." And then Buck, the one person who can ALWAYS penetrate through Eddie's denial wall, no matter how thick it is.
Eh, IDK how much the part where they try to re-define Shannon as the love of Eddie's life works, or how much it just serves to show he's still in denial, just a different kind than before, when Buck got through to him that he can't go on like this with Kim. For one thing, in his little retelling of their dysfunctional r/s, Eddie doesn't mention that Shannon was leaving him a second time, even before she died. Literal denial and repression.
So I'm gonna choose to believe Hen and Karen will get Mara back, because I can't deal with that particular storyline otherwise.
Kim's reaction is too deranged for me. Who does something like that, even if we assume the kindest of intentions? And then Marisol and Christopher's timing... I didn't sign on to watch a soap opera, but I guess I'm getting one free of charge?
"Now you gotta save yourself." If that ain't a painful summary of what growing up means, IDK what is. the conversation with Bobby's dad in his sleep was a good, painful scene, built right, leading to him hopefully getting his closure through saving his wife from a fire, and leaving us with just the right amount of suspension for next week and the season finale, where we'll see if he can let go of his past mistakes without a doppelganger dressing up like his dead wife...
Thank you for reading! If you’re looking for more, you can find my s7 reactions tag here, and more of my Buddie meta and content in my pinned post. xoxox
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poppitron360 · 2 days
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Ok so in another post I talked about all the reasons why Valzhang is better than Caleo, and I wanted to do one on Valgrace as well (lmk if this should become a series).
Bear in mind I am only on HoH- I haven’t read all of the Caleo bits yet, but I know she ain’t gonna treat him right.
I was originally SUPER sceptical about Valgrace (“I ship them platonically” “Jason is the Token Straight Friend”) and while I don’t think it was ever cannon I 100% THINK IT SHOULD HAVE BEEN.
Seriously, my eyes have been opened to Valgrace, to the point where the fanfic I’m writing about them currently clocks in at around 5,934 words.
I am OBSESSED. It is a PROBLEM.
And some of the fanarts/fanfics of them are SO CUTE I COULD DIE- it was hard NOT to ship them after reading some of y’all’s stuff. Keep up the good work.
Anyway buckle up ‘cause I’m ‘bouta write a whole dam essay on this.
1. The whole appeal of Jason Grace’s character is that he sees through your insecurities and lifts you up because he is too pure for this world. So narratively speaking, why is he with the most stable character? Yeah, Piper’s got issues, but compared to the others? She’s doing pretty well for herself. I mean, her parents are ALIVE!! Wouldn’t it just make more sense, narratively speaking, to put Jason with the MOST insecure character??? He can support Leo, help him in his arc, and it would give Jason a time to shine by highlighting his best qualities.
2. Throughout most of the books, Jason is the ONLY ONE who actually consistently sees through Leo’s mask. Everyone else’s POV of Leo is “Haha Leo said something funny and goofy and we’re all trying to be serious here, Leo. Gods, he’s soooo annoying!”, whereas Jason’s POV is like “Jason could see that Leo was desperately trying to keep it together for the good of the group, and he thought that was noble and brave and good and kind and awesome.” Like I said above, he’s able to lift Leo up because he sees him, and knows him. Something Calypso never did. There are several interactions, during TLH particularly, where Jason is just like “Hey, Leo? You are great. You are awesome. You have saved our lives multiple times. Whatever just went wrong, it wasn’t your fault. Stop beating yourself up about everything. You are a valued and respected member of this team. I love and appreciate you.” And Leo still puts up those walls with the jokes and the sarcastic remarks, and Jason is nothing but patient with him. Calypso was never like that.
3. I can’t find the line in the book, but there’s a bit in HoH where Jason’s worrying about the “To Storm or Fire, the World must fall” line in the prophecy, and he says words to the effect of “I like living, but I’d rather I die than Leo, anyway horses-” and seriously?? Rick missed a trick by not making them a couple. There is WAY more potential for angst if there’s that romantic feeling involved, knowing one of them is going to die, and both being willing to sacrifice themselves for one another like this is “Merchant of Venice” or something (I will explain the obscure Shakespeare reference in the comments). Calypso would never give up her LIFE for Leo, and Leo would only give up his because she’s hot.
4. Okay, most of this is copy-pasted from my post about Valzhang, but it still applies, and it applies to them maybe more so. They get so much more time together to establish a meaningful relationship. Their arc carries over all five books, and we get to form connections as a reader to them both, so the payoff is a lot more satisfying. Unlike Calypso, Jason is his own character separately, and not just an add-on to Leo’s arc. Their friendship is a key focus in their chapters, and a key point in their character development, as Jason is the first person Leo ever opens up to about his mom. When Calypso showed up, Leo had already gone through that journey of letting down those walls, so it was a lot less meaningful. They had little to no time to develop a relationship, and we never get a chance to care about Calypso as a person. She’s just kind of a plot point for Leo/Percy’s own development, and never her own character.
5. What separates Leo and Calypso from the other relationships in the series is that they were not written for each other. Frank and Hazel? Written for each other. Jason and Piper? Written for each other. Percy and Annabeth? FUCKING WRITTEN TO BE TOGETHER FOREVER. Cal was brought in during BoTL to cockblock Percabeth, and then Rick realised Leo “needed” a girlfriend, so picked her. But you know what two characters were written to be best friends right from the get-go? Like literally it’s established in the first couple pages of the first book? Jason and Leo. Much like how Valzhang were always meant to be rivals, Jason and Leo were always meant to be best friends.
6. Like I said in the last post, Leo doesn’t NEED a girlfriend. He can heal his trauma with friends and found family, learning to love and accept himself, learning that he doesn’t actually need the attention of a hot girl to be valid. Jason is the best person to help him on that journey, seeing as how his character thrives in uplifting others. The only person who ever loved Leo unconditionally died when he was eight. His blood relatives abandoned him, and he clearly wasn’t treated very well in the foster homes. He constantly feels like he has to work to prove he’s earned his place among the Seven because for him, family has never been a guarantee. Jason cares for Leo even when he’s fucked up, even when he’s a crying mess on the floor, even when he feels most like he doesn’t deserve to be cared for. Leo thinks he needs the attention of a hot girl to give him validation. What he really needs is to find a place among his brethren- and Jason offers him that place.
So, kids, that was it for today’s edition of “Why Literally Any Ship Is Better Than Caleo”. Tune in next time for our fav ✨trauma twinsies✨ Valdangelo!
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ranbling · 2 days
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Sending this anonymously bc i don’t wanna get the b/t stans attacking me for saying my observation, but this is in regards to your post about tommy not being enthusiastic about buck
for starters i completely agree w everything you said so this is just my own blurb i wanted to add
this plays into my theory of tommy paralleling abby in s1 who was never looking for anything serious w buck, but saw him as a younger man who could be used as a play-thing meanwhile buck jumps in head first only to learn a lesson about what love actually is along the way after being hurt…. and ik a bunch of people are like “i don’t want buck to get hurt by another relationship” but i genuinely think he needs to be burned a few more times because he obviously still doesn’t realize that his own interests should be celebrated by his partner and not put down— buck hasn’t had something BIG happen to him since the coming out arc and that was a mostly positive arc, aside from the gaslighting from tommy but whatever… it’s time for him to go through another hurdle, not as a side player in someone else’s arc [bobby’s injury/eddie’s breakdown] but as his own arc in which he realizes he is worth more than just being a pretty boy who is only valuable when he’s being kissed. I hope that bobby and eddie’s storylines will show him that in the finale and we can end this whole buck/tommy fiasco before s8, but im scared they will drag it out further into s8 and we will get either retconning from the writers, or we will get the fandom backlashing against tommy being used for his original intended purpose which was to be a PLOT DEVICE…..
we also have seen buck’s interests and excited demeanor subdued and looked down on by taylor often during their relationship. i already have iffy feelings on how the writers handled her character and her relationship arc with buck but aside from the treasure hunt, we never really saw her propping up buck’s interests and often tried to subdue his “golden retriever” personality (something the buckley parents also did)
(this is also interesting bc Taylor Kelly and Tommy Kinard…. T-K and T-K, idk it feels very hmmm to me on top of Tommy kind of repping all of Buck’s past major relationships into s ball)
and i feel like the diaz parents and possibly whatever happens with the will could be that catalyst for him to finally be like “oh… i am worth more thsn just being a side piece” which would hopefully lead to a b/t breakup
bc think about it, who IS the only one (besides bobby/maddie) who is always trying to tell buck he is worth more than just what he is at face value? DING DING DING it’s eddie… and if we get that feelings realization of “oh this is what i need from a relationship and i get that from eddie” we can open the door to buck facing the “im in love with my straight best friend who is going through shit” crisis while eddie could have his own “i am projecting my feelings towards buck onto my dead wife because he is what i want and she is who i thought i was supposed to want”
also for eddie’s side of things, it could also be a sense of realizing that he’s projecting and this further idea of “i’m broken” and then realizing who has been there to help him patch things up in the past as he realizes that everything he has looked for in a partner (mainly someone to be a second parental unit for chris) he already has with buck.
anyway i am so sorry for the long ask i just wanted to put this out there and say that i fully agree w you and share my thoughts that coincide with yours
Hi anon!
I love long asks and I agree with every point you made! Buck is still very obviously stuck in the hamster wheel (but only this time with a guy) and the whole "I don't want him to get hurt" is such a weird thing to say. Like except for Abby, Buck wasn't really upset by his breakups and rn his relationship with Tommy is not deep with a lots of buildup, it's just some dates (one of them failed) and two kiss so not a situation that will cause him a lots of heartache
And Eddie is the one who really matches Buck's energy and not only always hypes him up, but he's just as ready to get into the those situations
The pining arc for them is gonna be soo good, but I really hope they won't make it too long, I think a half season for it is more than enough (but I am an impatient girlie and we had enough slowburn now), I just want them to be domestic
I honestly believe we'll either have bt breakup in the next episode or in the first episode of s8. They did nothing to develop their relationship past e6, but introduced many points that could he grounds for a breakup (all coming back to Tommy's behaviour).
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littlerosetrove · 1 day
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I'm sleepy as I type this out, but with one episode to go, um. I'm truly at a loss for what the point of Marisol was. I'm so serious.
There's one episode left and the only thing that should and can happen is Eddie breaking up with Marisol. Doesn't really matter if it's mutual, or if Marisol beats Eddie to it and breaks up with him first. It doesn't matter. Because the only "purpose" Marisol has served this entire season is to, apparently, be a babysitter to Chris offscreen, set off some kind of catholic guilt storyline for Eddie, which? Has that even been touched on again? Right now Eddie is just reckoning with unresolved trauma about Shannon. And the third thing Marisol has done is to I'd say passively be cheated on (like, Marisol is passive in all this if that makes sense). There's zero weight to her being cheated on because she's not a character, and we the audience do not care about Eddie and Marisol as a couple.
Like?????????????
Idk y'all. I mean I've seen some small bits of meta that both Marisol and Kim are examples of how they never held weight to/for Eddie. Like that's The Point. It was handled weirdly and not well, but it was to show how Eddie is 1) comparing these women to an idealized and fantastical version of Shannon, and thus they'll never match up, but still he persisted to try to recapture his and Shannon's "magic." And 2) Eddie was, honestly, trying to fit these women into roles, mold them almost into this skewed idea he has of what a relationship between a man and woman should look like.
And sure there's some merit to that, but idk. If the show wanted to showcase that Eddie is still stuck on Shannon, that he's stuck on an idealized version of Shannon and their relationship that didn't exist, then they could have gone a different route. Because as is, right now, we're still left with Marisol who, frankly, served no purpose. Not really. And we have soap opera levels of nonsense with doppelgängers that doesn't feel grounded in the reality that 911 often has (at least when it comes to the core 118 and their human stories).
And sure, all this stuff with Marisol and Kim is in my eyes further proof that Eddie is a very repressed gay man, but again. Find a different way to tell these important things.
I don't even care about Marisol (certainly not the actress), but this all goes into my dislike of how this season has overall handled Eddie as a character and his stories. To me, right now, a lot of it just comes across disrespectful to Eddie. They had a good start in episode one (though the focus was mostly on Chris...), but it quickly went downhill in my eyes.
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toastbastard · 3 days
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I’ve been thinking a lot about how all of the relationships/couples in 911 who got together over the course of the show have deeply developed characters on both sides of the partnership. Bobby and Athena are both main characters, and they are “the one” for each other. Same with Chimney and Maddie. I don’t fully consider Maddie a main character, because she doesn’t have a “begins” episode, but on the other hand, we have gotten more than one multiple-episode storylines surrounding her. My point is, with Bobby and Athena, you cannot remove either character easily and have the story continue on the same way. The same goes for Maddie and Chimney. There would be consequences, fallout, and it would alter the story in major ways. Maddie and Chimney (if i remember correctly) went through a rough patch, but neither were written off the show because they are characters in their own right, not just a main characters partner.
I have more thoughts but i’m putting a cut here to save you from having to read if if you don’t want to
Buck has been in the most relationships, which is meant show he’s young and not ready to settle down. His first relationship was Abby, and she’s kind of the exception to his usual pattern of one-dimensional love interest. She had a storyline, and it was rather compelling, she was pretty much the main character of season 1. However, when push came to shove, she was written off, and her absence, while deeply affecting Buck, does not alter the course of the show in any major way. The overall format of the show does not change, and we aren’t missing a perspective in the story.
After Abby, Bucks relationships start to become very one-sided in terms of development. Ali is barely memorable. She was very easily dropped from the story with no consequences, barely even any for Buck.
Taylor is an interesting case, because while she definitely was not a main character, she definitely had her own personality, desires, wants, fears, and needs. She was also a character from earlier in the show who they brought back later I think they tried to dig deeper into her as a character, and I honestly think she could have stuck around after her and Buck broke up because I think she would be a fun character to have pop in every once in a while. She has her own distinct purpose in the story, however, the show can still go on without her. I actually did like Taylor as a character, and her and Buck were cute together sometimes, but they were so obviously not meant for each other
Natalia is not really worth mentioning. We know nothing about her other than her career (a pattern with Bucks partners). The relationship was very short lived.
Now we get to Tommy. I will say Tommy is hard to judge just yet because him and Buck are very new. He is also a character from the past that has been brought back. We don’t know a whole lot about him, other than he used to be in the 118, Buck likely replaced him when he left, he was in the army, and he has a cool job (shocker!). Him and Buck seem sweet together, but i’d say we’ve gotten about as much content of them being a couple as we did with Ali and Natalia combined. However, he does serve a purpose in the story which is to help Buck to discover himself. Whether he will be more than that is still up in the air. I’m not saying he’s just a plot device, I do like this arc that they’re doing, I just haven’t seen anything yet to show that he’s a character in his own right and not just Bucks newest fling.
Now for Eddie. His first relationship is not really an exception to the established pattern. We learn about Shannon in the past tense, and when they get back together briefly, we still know very little about her. We know that on paper her and Eddie are married, that she has or had a sick mother, that her and Eddie were teen/YOUNG parents, and that her and Eddie have a very rocky relationship and they only work well together when they’re having sex. She dies, which, while it is definitely a plot line, and she does haunt Eddie’s life all the way up to the current season, the loss of her doesn’t alter the way the show plays out.
Then we have Ana. We know her job (duh), that she’s latina/hispanic, that she’s a teacher at Christopher’s school and later is a principal. I honestly think she was a sweetheart, and just a kind soul. I think that she deserved a little bit better than Eddie treated her, and he clearly wasn’t ready for the level of relationship they became. Still, she’s not a character that stands on her own. Take Eddie and Chris away, she doesn’t have a story of her own.
Then there’s Marisol. Marisol honestly is the most one dimensional girlfriend character. We actually don’t even know her job (this is actually shocking), we do know she used to be a nun and Eddie feels weird about it, and shes shown to get along with Chris. Other than that, she’s kinda nothing.
Kim is the last one. Literally all we know about Kim is that shes identical to Shannon and she works at a store. I am interested to see how the Kim thing plays out because I think it’s an interesting extension of Shannon’s ghost kind of following Eddie around.
The only partner of a main character who isn’t a “main character” outside of Buck and Eddie’s relationships is Karen. However, her and hen were together before the show started, and we have gotten several deep dives into their relationship including a “begins” episode dedicated to them, so I can conclusively say that Karen doesn’t fit into the pattern.
To simply, think of 911 as a house on stilts. You have all the main characters as a stilt or a support beam holding that house up. If Athena and Bobby were to break up, and Bobby were to be written off the show in a Ali/Taylor/Marisol fashion, not only would it be a horrible choice, but the house that is 911 would crash down. On the flip side, if you take away Tommy, that’s like taking away the door. Yeah, now the house is not really functional, but it’s a much easier fix than building a whole new house. The writers of the show have a habit of not putting any effort into Buck and Eddie’s partners. It’s so obvious from the audience perspective when you look back on it, that none of those relationships were meant to last. They do a horrible job at hiding how temporary they are.
If you read this far into my ramblings, I’m sorry. You didn’t have to do that. you get a gold star. i’ll give it to you later i promise.
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alice-after-dark · 19 hours
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Vox as an Abuse Victim
So here is that massive Vox post I promised, a day late for...reasons. I swear I have been working on this post for days, even before that StaticMoth discourse influx in my inbox.
After making my post about Vox and Angel and reading @deeply-unserious-fellow's post about a similar topic, I thought it might be finally time to make this post. Most people who have seen my content know how I typically portray StaticMoth. I have mixed feelings about Valentino at the best of times and outright dislike him at the worst. But frankly this post isn't actually about him (well, mostly). It's about Vox and why I am really hoping that Viv keeps the angle of Vox being an abuse victim.
TW for domestic abuse, physical violence, implied sexual abuse, abusive relationships, gaslighting/victim-blaming, and other canon-typical triggers. Contain abusive StaticMoth.
Honestly? The primary reason I hope she keeps it is because it would make him an even more complex character and bring attention to a criminally underrepresented group: abuse victims who are also bad people.
As pointed out in the post I tagged above, the world has become obsessed with this idea of a "palatable" victim, the poor suffering cinnamon roll. An abuse victim is expected to look like a victim. You're supposed to instantly feel sorry for them and want to protect them...but that's not so easy when the victim is someone who also hurts people, is it? It's not so easy to pretend they didn't do bad things too...but they are still a victim. That does not change just because they are a bad person. And thus it becomes complicated and interesting. Because it's not so easy to root for the victim when they're also victimizing others, especially when those others are people we care about...like Angel Dust. At the bare minimum, Vox is doing nothing to stop Valentino from abusing Angel or any of his other employees. Having Vox be a victim of the same abuse that Angel Dust suffers (at the hands of the same abuser no less) and yet also being someone who enables Angel's abuse creates a very complicated situation.
In a most media, the discovery of a mean/bad person being abused is frequently portrayed in a "well, they were abused so you can't be mad at them anymore" kind of light. Like "see? They're just an asshole because they were being abused! Now that we know, they're suddenly a good person!" Except that's not how it works. Someone can be a bad person and also be a victim. And even if them being an asshole was the result of their abuse, those behaviors and the consequences of those behaviors don't just vanish. They still hurt people and frankly I would riot if it came out that Vox was being abused by Valentino and then everyone in the show just up and forgave him for being an asshole. Like...no? He would still need to make up for his own shit and actually work towards being a better person. I like this character because he's an unapologetic asshole. If making him a victim takes that away, then that would be such a missed opportunity.
In fact, one thing I find interesting is that I definitely believe that Vox would have no problem admitting to being a bad person, but would rather fight an exorcist alone than admit to being a victim. His ego won't allow for it. He would probably laugh in your face and call you delusional while literally having a broken screen. Because he can't admit it, even to himself. He would see it as a sign of weakness and that's not acceptable to him (side note that being a victim does not make you weak, that's just what Vox's toxic mindset tells him). While I am fairly certain that he would have moved on from most 1950s mindsets since he is all about the future and progress and moving forward, toxic masculinity is still very much a thing today and I can definitely see him embodying it in some aspects, like needing to appear strong and in control at all times (and Hell's power hierarchy definitely encourages this mindset, so...). Fuck, even now in fucking 2024, men still have a hard time being taken seriously as the victims of abuse. Unless of course you fit a certain mold.
Angel Dust is the perfect example of this. He is a palatable male victim. He's effeminate, he's funny, he's friendly, he's caring, and we actively see him miserable in his suffering. Despite being in Hell just like the rest of them and having been a former mafia member and clearly able to stand on his own two feet it combat, his victimhood is constantly on display and the audience wants to protect and save him. On the opposite end, Vox is shown in a position of power that is constantly reinforced. He's an Overlord, he's manipulative, he's cruel, he's greedy, and he enables abusive behavior from others. He is not a palatable victim, which is why it's perfect.
Now let's get into what I believe is the actual evidence that this dynamic could still be present.
Something I see people commonly say is that Vox being abused by Valentino doesn't make sense because why wouldn't Vox just fight back? He could just shock Valentino into next Tuesday? And to these people I kindly say fuck you. Because while physical strength can be a factor in abuse, it is very rarely the thing that keeps the victim from leaving. Abuse, even when physical, is heavily psychological. It's like telling a victim "well, why didn't you just leave?" It's not that easy. Abusers tend to target those with low self-esteem and it's made pretty clear that Vox is a very insecure person (I feel the need to point out that having an ego and having high self-esteem are not the same thing, in fact having a big ego is typically a side effect of very low self-esteem). It's entirely possible that Vox makes the conscious decision not to fight back because he's afraid of what will happen if he does. He's afraid Valentino will leave. We know Valentino is just as mentally and emotionally abusive to those around him as he is physically abusive and we have actively witnessed him playing into Vox's insecurities and mentally messing with him (specifically in the events leading up to "Stayed Gone").
So let's talk about the scene leading up to "Stayed Gone," because I also see Vox's behavior towards Valentino here used as justification for why it's not possible for Valentino to be abusing Vox. Full disclosure, I myself in the past have even thought that it demonstrated them being mutually abusive towards each other, but have since changed my opinion after reading more takes and doing further analysis. Having rewatched this scene many times now, I have some observations.
There's a small moment that always caught my attention when I watched this scene because I wasn't sure what it meant, but looking at it in the context of this post, I think I can see a possibility. When Vox goes to see Valentino, he approaches the doors and they are opened for him by Valentino's servants. Vox pauses in the doorway, glances at them, then continues on inside.
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What was the point of this moment? It seems out of place. Surely Vox has gone to Valentino's room before? Surely this door opening thing isn't new? And looking at Vox's face here, he looks...concerned? Like...they might hear what goes on inside? And he maintains that expression even as he enters the room, like he doesn't like that those two are out there and might hear them.
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It also makes the entire situation feel so routine. Like Valentino is upset and these girls just expect Vox to show up and take care of it. And the scenes prior to this also sets it up as a normal occurrence. Vox rearranges his entire schedule to deal with Valentino, like he absolutely expects this situation could take up the rest of his day. And Valentino clearly doesn't listen to Velvette in this regard as she had to call Vox to come deal with Valentino despite him wrecking her department. Her comment even further establishes this as normal when she tells Vox that Valentino is "up in his tower, waiting for a flat-faced prince to calm him down." And when Vox arrives? "FUCKING FINALLY!" All of this sets up a standard situation: when Valentino is upset, it is Vox's job to calm him down and make him feel better. Valentino is a full grown adult and yet he has made it someone else's problem to manage his emotions.
Then of course we have the classic moment of Valentino literally throwing his glass at Vox only seconds after Vox has arrived. And this has to have been a conscious decision, because right before that, he throws his first glass on the ground before demanding another. So if he wanted to just break something, he didn't need to throw it at Vox, but he did. And I definitely don't think he cared if Vox got out of the way or not. But how easily Vox moves aside tells us that he fully expected to have things thrown at him and was ready for it. Now, I do believe that Valentino would throw shit at literally anyone when he is mad, but the key here is that Vox, his supposed friend, on-and-off lover, and business partner, is not exempt from this behavior. He even breaks Vox's phone when he realizes Vox is not paying attention to him. He has no qualms breaking Vox's property just to soothe his rage (I would also like to point out that he fucking obliterated that thing; just how hard did he fucking throw it?!).
Something in this scene that did initially throw me as I was writing this is that Vox doesn't seem particularly afraid of Valentino. Not the way we see Angel is when Valentino gets angry. We also see him actively get angry with Valentino, get in his face, and manipulate him. In the past, I believed this behavior from Vox to have established their relationship as mutually abusive. However, after reading yet another post from @deeply-unserious-fellow, I realized that everything Vox does here is only in direct response to Valentino's tantrum.
So let's go through some things here. When Vox initially tries to tell Valentino he can't go to the hotel, Valentino straight up ignores him. Does not respond to Vox's words, completely carries on like he didn't even speak. From this point on, Vox takes an entirely different approach to the situation. He manipulates Valentino into thinking that not shooting up the hotel is his idea and even offers further appeasement in the form of shooting his own employees as a method to satisfy Valentino's temper. I admit to initially viewing this as Vox being abusive, but frankly, when your options are being manipulative or letting your business partner go shoot up a hotel that houses the literal Princess of Hell, yeah, I'd take the manipulation route. Because, as I pointed out above, Vox cannot actually control Valentino. He tries to give him an order and is completely ignored. And even when he does successfully manipulate him, he still has to appease him in some capacity.
Now, there's also something here that is often played for shits and giggles, but I'm taking it 100% seriously right now. Many people point out that Vox's screen gets brighter when he gets in Valentino's face. Valentino is a moth demon and after Vox does this, he seems to be dazed for a moment, enough for Vox to rapidly switch back into manipulator mode and does his thing. It seems to have snapped Valentino out of his rage and I literally can't help but think that Vox has learned this as a defense mechanism. Valentino can't see very well, so it's very likely Vox's hypnotism doesn't work on him, so Vox had to find other ways of manipulating him and calming him down when he's in one of his rages.
Something I also want to point out is that it is made very clear through a single solitary moment that Valentino is in no way afraid of Vox. When he tells Vox about Alastor, Vox screams in his face, manhandles him, and Valentino just...pushes him off and saunters away, grinning like the cat that caught the canary. He doesn't even look upset or concerned when Vox grabs him. He just...laughs it off...like he knows Vox won't actually hurt him. Because I genuinely think Vox won't. Later in the episode, we hear Valentino's voicemails to Angel Dust and how he's emotionally manipulating him, telling him he can't really get better. I wouldn't be surprised to find that he's given Vox a similar treatment, especially considering that it's obvious Valentino knew what kind of reaction he would get out of Vox by bringing up Alastor. And sure, he brushes it off with a kink joke, but in all seriousness, why did Valentino keep Alastor's return from Vox? We know Angel has been at the hotel for a little while and Alastor has been involved with it as of a week prior to the beginning of season 1, so why suddenly bring it up? It's almost like he was specifically holding onto this information, waiting for the perfect time to use it that would be the most beneficial to him.
There's also another little scene that always caught my attention. It's when Valentino is getting pissed about the shadow construct that Angel Dust is flirting with.
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Valentino starts getting pissy again, demands Vox's attention, gets annoyed when he doesn't get it, then immediately switches to mocking and confident when Vox starts bitching about Alastor. Like...he's so fucking proud of himself for getting Vox all worked up over Alastor. Like it's some kind of game for him. Riling Vox up and messing with his emotions is fun for Valentino. Alastor dredges up some real shit for Vox and Valentino exploits it. And from here on, he just keeps egging him on. Now, I'm pretty sure "Stayed Gone" would have happened with or without Valentino, but the point here is that he is definitely playing with Vox's emotions here.
As for the not being afraid aspect, again, Valentino hasn't actually threatened him with something that truly scares him. I don't think he's afraid of what Valentino could physically do to him. It's more likely to make him mad than anything else, even if he doesn't fight back (he'll probably go take out his anger on someone else). The thing about Vox is that we see that he does not like to appear weak in any capacity and I think this extends well into his own psyche. If he admits, even to himself, that he's a victim...to him, that's admitting weakness and he just can't do that. So Valentino's not abusing him, they just had a fight. He didn't hit back because he's in control of himself and he knows he could totally toast Valentino. It's Vox's own fault for pushing his buttons when he knew Valentino was mad. It wasn't rape cause he never said "no".
TLDR: Vox can be both an asshole and an abuse victim and it would be a really interesting aspect to his character as long as the show does it right and doesn't scrap his assholeness to make him a more palatable victim. Show him being a victim and also victimizing others. Show him not wanting to accept that he has been abused. LET PEOPLE BE UNCOMFORTABLE WITH FEELING SORRY FOR HIM.
(that's all for now, I have literally been working on this post for days and I'm exhausted)
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mysadblacksoul · 3 days
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The Craving - 4/13 of the Clancy album
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Hi so the I don't see this song as very lore oriented
The MV is mainly about creating right?
We can see both Tyler and Josh creating a bullet and a box
And we can tell that they had spent a lot of time making those things
In the end, after all that hard work, their creation is put to the test and ultimately it is decided that they failed
They don't even have time to process their failure, because the next person is already called in their place
I believe that this could be a one big parallel to the music industry as a whole
What is more, the thing that they are creating could be a song, you know, Tyler doing the lyrics and Josh the rhythm
They do it in their own style, with decorative elements that are not seen in others (last man's box was much simpler)
The bullet itself is colorfull, one might say over the top
And the man shooting it could be someone from the record label, radio or overall from the industry
So they are the one to decide if the song will be a hit or miss
And I really like the play of the words of "hit or miss". Like in shooting you can hit the target and in the music a song could be a hit, right?
It just shows how quickly the industry is moving, and how fast the people are to declare that somehing flopped
Then in the lyrics the craving itself could mean a hope for creating something both true to themselves as well as well received by the public
intentions don't mean much - so no matter why you write a song, even if it's for a good cause it might still fail
my body in chains - being tied down by the contract
'Cause it's the fear of the unknown / That cripples every step we take - People prefer to follow trends. Create something that is sure to catch on instead of taking a risk and doing something completely new. This losing oneself for fame may have a lot to do with the previous line
I lied
There is shit tone of lore
Buckle up
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So the Bishops hate art and music right?
The guys are still creating the song, but in the Dema universe
We know that the only music the Bishops like is that used for propaganda
And we also know that Mr. Clancy has already tried to use it to show people the truth, as in the Overcompensate MV
So I don't think it's a stretch to say that the same symbolism was used here too
Here, the final failure may show, as in Backslide, the number of attempts the guys made to convey the truth to others and to free themselves from the Dema
They missed, their scheme was unsuccessful
And why do I think such a simple music video is part of the lore? Because of two things: it would be too simple not to be part of the lore and Jenna
We know that Jenna is part of the lore - she is a Bandito and appeared in the Saturday MV (I mean her voice, but you get the point)
So could The Craving be simply love? Or desire for both of them to be safe together?
Yesn't
But I am sure that the part in chorous If I found my body in chains / I'd lay down and wait / And hope she looks for me is a direct callback to the Jumpsuit MV
What happened? Clancy tried to escape, he got found and bounded and as he was about to be taken away the Banditos appeared. With Jenna! So she was looking for him after all
Now I see intentions don't mean much and Now I see the gesture don't mean much we are back to the mentality that no matter what Clancy does he cannot change the situation that he is in
'Cause it's the fear of the unknown / That cripples every step we take - callback to the letter from Dema website that reads "He seemed unaffected by the fear of the unknown – the fear that tends to cripple me"
He is afraid of his own feelings, of failure, of letting her and other Banditos down. He has a lot on his shoulders
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And now let's go back to the creation. Tyler is making some kind of container, right? And what you can put to this container? A heart
You might ask yourself "What is this fool talking about???" but hear me out
But for now you told me to hold this jar / And when I looked inside I saw it held your heart, from A Car, A Torch, A Death
Now you see my vision?
Plus one bunny is giving another a gift which can be a reference to I will give more than I take away
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And what is Josh doing? Carving a box
She's a carver / She's a butcher with a smile from Tear in My Heart
Genius right? Thanks, I'll be here the whole night
In conclusion:
as far as lore goes, these guys are using art and music to oppose the tyranny of the Bishops
Jenna is a very important part of the lore
And I think it will be a while before we can edit Clancy's wikipedia and add "Jenna - his in-lore-wife"
For some reason, I feel that the ukulele has a more important part of the lore than we think
Don't be afraid to take on challenges and try to change your life situation even if you have failed before
Create what you love and not what others love. Stay true to yourself pookies
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waspredteeth · 2 days
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regarding Chris and Damian as foils... I'm always peeved when some people minimize what could be interesting about their relationship to "a child who only values his biological family and hates his adoptive family vs a child who renounces his bio family and embraces an adoptive family." This brief summary/discussion always tends to boil down to Damian is an evil child who must learn to appreciate his adoptive siblings from Chris, who's a perfect boy who loves his adoptive parents and hates his abusive bio parents. When really, that screws both of their characters.
Damian has a complicated relationship to say the least with Bruce and Talia, but neither of them taught him that blood is everything. When written well, Bruce should be stressed and neglectful but deeply loving and Talia shouldn't be an abuser but a sorrowful mother who wasn't able to give him a free life that she wanted for herself.
I should stress that the "blood son" rhetoric that pops up around Damian existed only in his first appearance and the animated movies. In pretty much all of the comics afterwards, Damian was disparaging of Dick, Tim and Cassandra, but he didn't point out his "biological superiority" unless it was specifically in service to Tim's own storylines. His character evolved from an annoying brat that exists to challenge Bruce and Tim for a couple issues to a full child character whose insecurity within a family leads to him lashing out at everyone he deems closer to Bruce than he could ever be. Moving on to Chris Kent, his entire first storyline revolves around building a relationship with Clark and Lois and finding the resolve to fight back against Zod and Ursa. In the end he makes the sacrifice to return to the Phantom Zone in order to ensure that his bio parents can't return to Earth. But in the end, he's just a kid. He struggled with fitting in on Earth. Unlike Clark, he didn't understand why he had to hide his powers. Had he not been sent back to the Phantom Zone to wrap up the story arc, I would've really liked to see Chris struggle with pretending to be a human kid after so long being taught the opposite by his bio parents. Later on when Chris reappears aged-up (deja vu) he's still pretty much the same character but notably more cocky and impulsive to contrast against Thara Ak-Var.
Damian and Chris's potential interactions should be preceded on how similar they are - not on how superior Chris is because he's a loving kid, and Damian is too traumatized to express the same kind of trust and affection that people expect from child characters. Besides, they have entirely different situations. Damian is a child suddenly being dropped into a large and well established family with complicated inner dynamics and rituals, while Chris is a child being brought into a small and simple family structure consisting of Clark/Lois, Kara and Clark's parents. (Pointing out here that Jon didn't exist and Kon-El was killed in Infinite Crisis months prior to Chris's appearance). Chris's bio parents are cut and dry neglectful and abusive, and Damian's parents are a complicated jumble of neglect, ooc abuse, angst, and love. Damian had to contend with the frankly insane plots and history of all the Bat-characters while Chris was confined to one plot line in a fairly consistent Superman run. I don't think I have to spell out how mentally unstable and grief-stricken a lot of the Bats were when Damian became Robin versus the relatively normal lives of Ma, Pa, Clark and Lois when Chris showed up. When exploring what their interaction could've been, I think Damian would one-sidedly hate Chris, who would try to avoid him. Damian would resent Chris for being everything he isn't: a child whose flaws are accepted and embraced, a child with a complete loving family and support, and a child that allowed to be a child. Chris probably wouldn't like Damian at first for being Robin when he got used to Tim being Robin, and he'd be discouraged at how snappy and anti-social Damian is. He's a kind child, but he's not a saint. Chris would have the usual child hang-ups about interacting with mean kids and socializing outside his family. They'd accept each other the way that they are, but I don't think they'd become friends until Damian matures and Chris acclimates to human society as his own individual. Maybe eventually they grow to trust/confide in each other like Bruce and Clark - but until then it'd probably a lot of Damian making rude comments and Chris going :/
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