Damian: Move aside, Fenton. I need to speak with my nemesis.
Harley: For the last time, I. AM NOT. YOUR. NEMESIS!!!
Danny: Aw, c'mon, Harley. I think it's cute he has a little crush on you.
Cue Damian sputtering and incoherent as he's mercilessly teased out of the Asylum by his brothers. He can never face Harley again.
How did Danny do that?
Danny: I have siblings
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opened twitter yesterday to look for cellbit birthday art and was immediately bombarded by people calling him phil's son again because of his stupid joke slip-up i think we need to abolish the term found family until people actually learn what it means. also perhaps learn what a fucking joke is
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Greetings my fellow humans I have seen the original TOH pilot and I am going insane. HEADMISTRESS LILITH?? AND WHAT WAS HER BAT TRANSFORMATION WAS SHE ORIGINALLY THE CURSED ONE? OR WAS THAT SOMETHING THAT WITCHES JUST DO AT WILL?? (SHE’S SO CUTE LOOK AT HER ) I HAVE QUESTIONS !
(Her bat form remind me of the Chiropterans from my fav anime next to Pokemon: Blood + 😭!!) Anyways her interactions with Eda were so fun !! Man I would have been so curious to see where she ended up at the end ! And her relationship to Obron. Speaking of which, sounds pretty ruthless! So it turns out the gems on their clothes originally did have a purpose (apart from showing Eda’s curse progressing). They can shock you! Reminds me of the shock collars in the original Zootopia storyboards.
I read from the pitch that Eda is offered to heal her curse (which appears to just cause her to age?) in return for giving them Luz. Apparently a human soul is required for whatever Obron wants to do. Curious that it is mentioned there are more stray humans than just Luz… but he still wants HER (and not William? Hmmm). ANYWAY yeah this… COMPLETELY DIFFERENT than what we got. 😭 Lilith being headmistress sounds so cool to me, but I do wonder if this version of her was also gonna get redemption considering she seems more cold.
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💐💛 happy belated valentine’s day!!💙💐
still wanted to get this one out even if it’s so late because I really love the fact that mike cherishes gifts, and the idea that will enjoys some romantic cliches, it’s a cute mix 🥹
twitter / insta
reblogs are appreciated <33 / click for better quality! :)
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Okay, breaking my principles hiatus again for another fanfic rant despite my profound frustration w/ Tumblr currently:
I have another post and conversation on DW about this, but while pretty much my entire dash has zero patience with the overtly contemptuous Hot Fanfic Takes, I do pretty often see takes on Fanfiction's Limitations As A Form that are phrased more gently and/or academically but which rely on the same assumptions and make the same mistakes.
IMO even the gentlest, and/or most earnest, and/or most eruditely theorized takes on fanfiction as a form still suffer from one basic problem: the formal argument does not work.
I have never once seen a take on fanfiction as a form that could provide a coherent formal definition of what fanfiction is and what it is not (formal as in "related to its form" not as in "proper" or "stuffy"). Every argument I have ever seen on the strengths/weaknesses of fanfiction as a form vs original fiction relies to some extent on this lack of clarity.
Hence the inevitable "what about Shakespeare/Ovid/Wide Sargasso Sea/modern takes on ancient religious narratives/retold fairy tales/adaptation/expanded universes/etc" responses. The assumptions and assertions about fanfiction as a form in these arguments pretty much always should apply to other things based on the defining formal qualities of fanfic in these arguments ("fanfiction is fundamentally X because it re-purposes pre-existing characters and stories rather than inventing new ones" "fanfiction is fundamentally Y because it's often serialized" etc).
Yet the framing of the argument virtually always makes it clear that the generalizations about fanfic are not being applied to Real Literature. Nor can this argument account for original fics produced within a fandom context such as AO3 that are basically indistinguishable from fanfic in every way apart from lacking a canon source.
At the end of the day, I do not think fanfic is "the way it is" because of any fundamental formal qualities—after all, it shares these qualities with vast swaths of other human literature and art over thousands of years that most people would never consider fanfic. My view is that an argument about fanfic based purely on form must also apply to "non-fanfic" works that share the formal qualities brought up in the argument (these arguments never actually apply their theories to anything other than fanfic, though).
Alternately, the formal argument could provide a definition of fanfic (a formal one, not one based on judgment of merit or morality) that excludes these other kinds of works and genres. In that case, the argument would actually apply only to fanfic (as defined). But I have never seen this happen, either.
So ultimately, I think the whole formal argument about fanfic is unsalvageably flawed in practice.
Realistically, fanfiction is not the way it is because of something fundamentally derived from writing characters/settings etc you didn't originate (or serialization as some new-fangled form, lmao). Fanfiction as a category is an intrinsically modern concept resulting largely from similarly modern concepts of intellectual property and auteurship (legally and culturally) that have been so extremely normalized in many English-language media spaces (at the least) that many people do not realize these concepts are context-dependent and not universal truths.
Fanfic does not look like it does (or exist as a discrete category at all) without specifically modern legal practices (and assumptions about law that may or may not be true, like with many authorial & corporate attempts to use the possibility of legal threats to dictate terms of engagement w/ media to fandom, the Marion Zimmer Bradley myth, etc).
Fanfic does not look like it does without the broader fandom cultures and trends around it. It does not look like it does without the massive popularity of various romance genres and some very popular SF/F. It does not look like it does without any number of other social and cultural forces that are also extremely modern in the grand scheme of things.
The formal argument is just so completely ahistorical and obliviously presentist in its assumptions about art and generally incoherent that, sure, it's nicer when people present it politely, but it's still wrong.
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Knives is such a hypocrite and a liar and he lies most of all to himself and i hate him but i also love it. Bro's so coked up on copium all the time.
Claims to be doing it all for the sake of Plants, then arguably takes away their agency and freedom way more than humans ever could. Claims to be doing it for his brother and literally ruins his brother's life in every possible turn. Claims humanity never learns from their mistakes and it literally takes dying for him to stop doubling down on his bullshit. the medical abuse done unto tesla horrified him so much and yet he is directly responsible to the same abuse being subjected to countless of children.
Given the chance, I would love to be his sleep paralysis demon. i do not think I could fix him, but I think I can drive him to early retirement from super villainy.
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