#but it IS there in its way and may have its role to play in all of this

[nicromancytarot]

LOSING YOUR VIRGINITY, HOW WILL IT BE? 18+

This is a general reading based on a collective of people. Take what resonates and leave what doesn’t. If you don’t feel the pile resonates with you, don’t be scared to try another, if it still doesn’t feel right, that’s ok! Maybe our energies aren’t as connected and my readings are not for you.

I do these strictly for fun and educational purposes. I do not charge for these readings, and I do not fake readings. I would tell you the cards I get for the readings, but I pull like 20-30 cards each reading and that is just slightly a strenuous task to write them all down lmao.

PICK A CARD READING

I asked my spirit guides what your first time ever having sex is going to be like, pick a picture and find out what they have to say!

PILE 1

THE SEX

You may find that your first time having sex with your person will be performed as you giving rather than them for the start, as like foreplay, you might begin with giving your person some light touches or possibly some head. The person that you sleep with for your first time is going to really enjoy your butt, they may like how it looks from behind, or they just enjoy being able to touch it. The sex itself will be steady and will take its time, you’ll be spending at least a few hours on this session, You may play the more masculine and responsible role for this time. You may feel as though you need a minute either between sessions or after you’re done entirely, you could want to spend some time alone to recalculate and think about the sex, or you could just be really tired afterwards.

If you’re with someone who has a penis, then I do feel like handy’s will be a common thing happening during your first time, that could be how you start the session, or even how you end it, they also might need a little more time to get it up, or perhaps you need some time to get aroused. You may find that this person is a tad selfish when it comes to sex, possibly not entertaining all of your needs, it is important that you tell them if you are not happy or ok with something.

You could be friends with the person that you are sleeping with, this situation could appear as a friendly hookup for the sake of losing it in time for college for example, or just getting with a crush, I don’t see much romantic commitment for this group.

You may feel as though this situation posed itself as random or spontaneous, it doesn’t seem that you at all planned for this to happen, and due to this you are feeling indecisive on how far you wish for the situation to go, however it does seem like it goes pretty far lol. A hookup doesn’t seem like something you’d have wanted, or intended to happen, but I think you’ll surprise yourself.

AFTERWARDS

You’ll feel very powerful in the fact that you took charge during this situation, maybe even free and reborn as it wasn’t a planned thing. You may feel as though you love your body more, and appreciate your physical abilities more than you did before having sex. Some of you could find yourself wanting to deepen the connection between you and this person, friend to crush, or crush to relationship. You could become more in tune with yourself sexually, and possibly even more willing to try different things, this random situation popping up and you going along with it will feel very freeing and comfortable, like you are discovering more about your wants and needs when it comes to sex and intimacy. This could also get rid of any commitment issues you had prior to this day/night.

PILE 2

THE SEX

The person that you have sex with may have been eyeing you up for a while, it could be someone that has had a crush on you, or possibly even someone that you have a crush on, either way there is an amount of pining, mutual or not. The sex itself could be very unexpected and maybe even a tad indecisive or rebellious, this could be with someone you shouldn’t have sex with. You may both know what you want sexually immediately after it begins, they could even possibly tell you, or you tell them exactly what you intend on happening during this session. If they have a penis, you may have to hold it with two hands rather than one, it could be quite large or even thick, honestly could hurt a fair amount when you guys sleep together.

There is a lack of stability in this connection during this time with each other, you may feel as though it’s random, quick, unexpected or even stupid, like it’s a bad idea but you just can’t help yourself. They could buy you something, like a necklace or some other jewellery to try and sweet talk you, this could be a connection that goes on before the sex rather than a meaningless hookup. The person that you sleep with thinks that you are very beautiful, specifically your chest area, they may like to see your breasts or touch them often, they could even put you into positions that will ensure your chest is exposed to them, like missionary for example.

You may know what you want before you sleep with this person, some of you could be hypersexual and know exactly what you desire when it comes to sex. They may offer you a relationship after the sex, or possibly even ask if you want to go on a date with them another time, I’m not too sure if you’ll feel much else for them besides sexual attraction. You could try out lots of things, whether that’s positions or even actions.

AFTERWARDS

Possible disappointment when it comes to afterwards, you may have not finished and they could’ve, which makes you feel as though your time was wasted. This time could make you feel less attraction towards this person once you’re done having sex with them. This person could even be an ex or someone you had prior feelings for but now you feel nothing, as if the sex was a tad too disappointing to entertain them for anymore after the sex. It may not even relate to the physical feeling of your sexual encounter, but rather the emotional aspect, perhaps you had a situation where there was nothing more than sexual attraction, so that intimacy was missing during your time together and it makes you feel like something is lacking.

PILE 3

THE SEX

Much like pile one, you guys are also starting off with some foreplay including head, you may spend a fair amount of time giving your person head, paying attention to their needs before focusing on your own. I got the word “puke” so you may need to work on your gag reflex to ensure you don’t throw up or end up feeling sick during this time, also try not to push yourself too hard and take your time.

I feel like you guys are in a relationship when having sexual contact with this person, your relationship is based around a healthy friendship, either you guy are like friends who date, or you may have started out as friends before beginning to date. Your person wants you to focus on your stability first, they may show you that they can look after you by doing something for you, you will feel as though they appreciate your body but don’t ONLY appreciate you for your body, this way they will ensure that you feel comfortable knowing that their attraction for you extends past sexual.

You may feel like this sex offers you everything you want, like it cements your relationship and commitment to each other. The sex could help you feel more in touch with your feminine energy, you may get to lay back and allow the other person to take charge after you’ve done your bit of foreplay.

You could be on top, but they will control the pace for you.

Like I said before, this connection is built off of stability, so you will feel very loved, safe and protected during this time together.

AFTERWARDS

You guys may have spent a while with each other having sex, so you could be very tired after, and may need a fair amount of time to recharge. You’ll feel very progressed and improved after having sex with your person, as if you know where you are going with your connection, and like your commitment has reached a new level of comfort, this may even help you a lot with some past, uncomfortable sexual experiences that you may have had. I feel like this will almost rewrite past events and help you heal from them, if you were slut-shamed for stuff in the past, you may feel a fair amount of guilt for having sex, however this experience could help you with this issue or possible insecurity.

#tarot #tarotblr #tarotcommunity #free tarot #tarot witch #tarot reading #tarot cards #pick a card #pick a pile

[thelesbododo]

This is a headcanon circulating around a sensitive topic and one that you may not agree with so if you don't want to read it please scroll.

This headcanon revolves around the character Osamu Dazai and the concept of sexual assault

I believe that Dazai was sexually assaulted as a child

This has nothing to do with Mori and takes place long before they even meet

While it is true we know little to nothing of BSD Dazai's past, it is also true that it is highly likely the Irl author and his No Longer Human counterpart was SA'd

There are two specific pieces of writing are evidence of this

"My true nature, however, was one diametrically opposed to the role of the mischievous imp. Already by that time I had been taught a lamentable thing by the maids and manservants; I was being corrupted. I now think that to perpetrate such a thing on a small child is the ugliest, vilest, cruelest crime a human being can commit. But I endured it. I even felt as if it enabled me to see one more particular aspect of human beings. I smiled in my weakness. If I had formed the habit of telling the truth I might perhaps have been able to confide unabashedly to my father or mother about the crime, but I could not fully understand even my own parents. To appeal for help to any human being - I could expect nothing from that expedient. Supposing I complained to my father or my mother, or to the police, the government - I wondered if in the end I would not be argued into silence by someone in good graces with the world, by the excuses of which the world approved.It is only too obvious that favoritism inevitably exists: it would have been useless to complain to human beings. So I said nothing of the truth. I felt I had no choice but to endure whatever came my way and go on playing the clown"

- No Longer Human

"I ceased being a child soon after entering grade school. It was then that my younger brother’s nurse taught me something that took my breath away. It was a beautiful summer day, and the grass by the vacant house out back had grown tall and dense. I must have been about seven, and my brother’s nurse could not have been more than thirteen or fourteen. My brother was three years younger than I, and the nurse shooed him off. She said, ‘Go get some leaf grass’ - that’s our word for clover back home. Then she added, ‘And make sure it’s got four leaves too.’ After he left, she put her arms around me and we started rolling around in the tall grass. Thereafter we would play our secret little game in the storehouse or in one of the closets."

- Memories

Both No Longer Human and Memories are semi-autobiographies, meaning they're somewhat based in truth

I can't speak from experience but SA has a big effect on the lives of the survivors

Some of thes effects include;

Sleeping or Eating disorders

Dazai canoniclly has issues sleeping and there are scenes that imply he has issues with and/or doesn't see the point in eating, at one point saying that it is "so much trouble"

Nightmares

There is a specific scene within one kf the light novels where Kunikida asks if Dazai has nightmares.

(Unfortunately I can't find the exact moment so I can't quote it so if anyone can find it please let me know)

Self-hatred

It might not be clearly stated that he hates himself but ay the same time its rather clear that he does

Suicidal thoughts or self-harm

He is a suicidal maniac

Riskier sexual behaviors such as having many partners

He canoniclly has had quite a lot of lovers

Substance abuse

The one scene we see of his apartment we see that there is more alcohol than furniture (it's also a popular hc that Dazai smokes which makes sense considering his past with the pm and that irl author smoked)

Another moment to mention was when he seduced the nurse (which technically counted as SA too but that's not the point of this)

I'm probably gonna end it here because it's late and I'm tired but anyone willing to add or correct anything please go ahead and I hoped you enjoyed my hc

#bsd #bungo stray dogs #bsd dazai #bungou stray dogs #dazai osamu #dazai #soukoku #dazai x chuuya #dazai headcanons #dazai hcs #dazai bsd #bungou stray dogs dazai #dazaibsd #osamu dazai #bsd headcanons #Bsd hcs #bsd thoughts #bsd analysis #bsd theory

[theresattrpgforthat]

Have you ever done a post about wizard school games? If not, any you'd like to recommend?

THEME: Wizard School

Hello there, I have two recommendation posts that you might be interested in: Magic School Mysteries and Magic School. However, I have a few more games that I can talk about in case you haven’t found the right game for you yet!

Dusk Academy, by Skullery Maids.

Dusk Academy is a spinoff of Blades in the Dark. It uses much of the same systems and mechanics, deviating slightly to fit the setting.

It is set in the hallowed halls of, well, Dusk Academy — a private school on an English island, far away from society. This school caters to girls fresh out of school, unsure of what to do in their futures. Dusk Academy helps these girls sort out their interests and passions, but it is special in its own way. The school is home to magic — and teaches it as part of its curriculum. This fact must remain secret from the rest of the world, but the school aims to provide a healthy environment for students to unleash their mystical potential.

If you are at home with Forged in the Dark games, Dusk Academy should be pretty easy to pick up, as it follows a number of hallmarks of the Forged family, including action ratings, playbooks with special abilities, clocks that represent consequences or projects, and Position and Effect. This game also adds something called Zap, which represents energy or strength that is needed to help your characters cast spells.

Characters in Dusk Academy organize themselves into clubs, so the stories you tell will likely revolve around the kinds of things you expect your club to do. Many of these clubs resonate quite closely with the crews of Blades in the Dark, so I don’t think your school experience is meant to be safe or easy; this school may be prestigious, but it looks like you’re destined to be troublemakers while you’re there.

Let’s Rob RJ McElhenny and Steal Her Golden Quill, by Glaive Guisarme Games.

You're a wizard, and don't let anyone tell you any different. Especially not RJ McElhenny. She's just about the richest author on the planet, all thanks to her series of banal, lowest-common-denominator stories about wizards. Stories that make it pretty clear just what sorts of people she believes deserve to be called "wizards." If you weren't born magical, if you needed to learn how to wield the arcane or if your power stems from a patron or charm… well then you're an almost-wizard, as far as RJ McElhenny and her fans are concerned. 

Let's Rob RJ McElhenny and Steal Her Golden Quill is about taking on a fantasy novelist because you're tired of the shitty takes she keeps unloading on Twitter. It is, notably, a game with no subtext whatsoever and legally you can't prove otherwise. 

Talking about magic schools can put me on edge sometimes because one of the most popular magic schools in media is tied to a lot of real-life bigotry, but that’s certainly not an issue I have with this game. Let’s Rob RJ McElhenny is short and sweet, using a deck of cards to generate obstacles as you move throughout the famous author’s mansion, and dice to help you overcome those obstacles using your elaborate heist-planning skills. This is not really a game about magic school per se, but it is a game about magic users using a lot of familiar references.

Children With Wands, by Joe Kiewra.

Children With Wands is a rules lite, all ages, Table Top Role Playing Game that mostly focuses on having fun adventures where the players solve open ended puzzles and problems. You play as children who have just come into their magic powers and as such don't quite have a grip on their spells yet. This leads to a lot of hijinks where the children often have to fix problems their spells have caused.

Children With Wands is a game currently in beta, so the document isn’t pretty but it’s entirely free. The system is d20-based, with simplified character creation that looks relatively kid-friendly. Much of the dice-rolling relates to the magic that your characters will be attempting to cast - roll too low and you might not get the effect you want, but roll too high and the magic goes out of control. Since your casting is about precision, you’ll use your modifiers to determine an acceptable range of numbers that would grant you success, rather than simply add to your dice roll.

As a document, right now the game is just rules on how to play, no fluff or world description. This means that if you decide to give it a go, you have quite a lot of freedom in determining what kinds of creatures there are and what kinds of problems might be affecting the land around you.

Welcome to Camp Merlin, by KingBim.

Welcome to Camp Merlin - it's time to learn some magic! Cast spells, befriend monsters, save ghosts, earn badges, prank some fairies and summon goblins, all whilst exploring a magical forest full of ancient enchantments and mystical creatures.

Welcome to Camp Merlin is a tabletop role-playing game about non-magical kids attending a summer camp in preparation for their first year at magic school.

While it’s not exactly a magic school, Camp Merlin is definitely adjacent to one, and it’s got a lot of the pieces you might be looking for : spells, monsters, and a regulated schedule for your (likely) child-aged characters. The tone is meant to be whimsical and light-hearted, and good for short sessions. If you want something lighthearted for your friends with a slightly different setting than your typical magical school, you might want to check out Welcome to Camp Merlin.

Arcane Academia, by Oracle Engine.

A GMless tabletop roleplaying game, in which you play a group of students at a magical academy: companions through the tumults and turmoil of a day in the life of wonder and whimsy. Bond over meals together, attend arcane lessons, socialize during your free time, and go on daring, mischievous escapades at night.

Arcane Academia seems like a great game for replicating school-age hijinx and escapades, and all of the trouble you can get in when you’re supposed to be doing your schoolwork. It might also be a good option for tables who don’t have a dedicated GM in the group. If you want to get a little bit of a taste of what the game is like before you buy it, you can also listen to the episode on Party of One where Jeff Stormer plays it with the designer of the game.

Arcana Academy, by Jordan Palmer.

Arcana Academy is a tabletop role-playing game where you get to play as students attending a magical school. Solve mysteries, get into trouble, learn magic, and forge lasting friendships or bitter rivalries.

If you've ever wished you could attend a magical school like Brakebills, this is the game for you. Players will get creative with spells, wander the halls after dark trying to solve mysteries, and explore a world unlike any they've yet encountered. Arcana Academy uses a light tag based system that lets you choose what's important to the story. Along with the spells you've mastered, your character's personality or talents are what drive the action forward. 

Arcana Academy provides a loose framework using the PbtA ruleset, with the expectation that you will want to build a magic school that fits your group’s tastes. Character creation is very descriptive, asking you to write down specific adjectives or phrases that match your character best, rather than choosing an option from a pick list. I think this game is probably better suited for players that already have a very good idea of what kind of school (and students) they want to play, what kind of magic you want to use, and what kind of tone you want to set the story for.

#tabletop games #indie ttrpgs #game recommendations #dnd #asks #indie ttrpg #magic school

[ariadne-mouse]

I mentioned in this post that I thought it would take a life or death choice about Imogen for Liliana to flip, situationally, as opposed to the party being able to convince her to change her ideology (cult juice is strong), and it seems we may have gotten an element of that in Liliana flying to Imogen's aid against Otohan. I'd be very curious what Liliana would have done if she'd gotten there in time to fight, but we'll never know, so we have to digest the moment we got. I also think FCG's death adds another dimension both in-game and above the table. Since we dropped out literally mid-scene after her arrival this post may get stale immediately after the first few minutes of next week's episode, but for now I think it's safe to say that at least for the time Liliana spends with the party right now she will not be an active antagonist. Her daughter called for help and she answered, and her first act was trying to comfort her. Matt also wouldn't hit the players with another big battle fresh off the first (and with that outcome), so if they do have to face Liliana as an enemy it would be later under evolved circumstances.

To be clear I don't think FCG dying means Matt nerfs the threat of Liliana or that this situation means she has flipped permanently, but rather, it neatly interrupts the established dynamic between Liliana and Imogen thus far and creates a chance for new dialogue that doesn't just repeat all the same things as before. Imogen hasn't needed her mother - not really - and maybe still doesn't, but she called for help and is grieving now and the conversation doesn't necessarily have to be the same old "Liliana renounce your cause" but rather "help your daughter here and now" and to connect with her through that emotion. This is probably the best opportunity they'll ever get to flip Liliana in a more than "last ditch in a crisis moment" kind of way or lay the groundwork for that happening later. Now, the party - and Imogen in particular - may rightly be angry with Liliana as an ally of Otohan, and that FCG died because of the cause Liliana supports. Liliana may want to comfort her daughter while also believing that FCG's death was unfortunate but not ultimately a reason to doubt the cause or escape what she sees as inevitable. It's messy! But it's a very interesting situation and FCG's death is such a visible wound on Imogen that it may elicit Liliana to do or consider things she wouldn't, otherwise.

#As evidenced by her convos with Imogen earlier Liliana often thinks of the cause as a way to help Imogen (get rid of powers) #or that be following through that will protect her (prevent her from becoming the Vessel) #and so it's not a strong enough tactic to say “abandon the cause to protect your daughter” #it takes a more immediate tangible threat to effectively pit the “the cause” vs “imogen's safety” against each other #we can (and should) critique the way Liliana's love for Imogen is very flawed and a bit of a time capsule still seeing her as a child etc #but it IS there in its way and may have its role to play in all of this #critical role #cr spoilers #op #c3 #c3e91 #liliana temult #imogen

[lilybug-02]

I wanted to redo my attempt at drawing Dess Holiday. But she seems more "stereotypical deer person" here, so this may just be a practice on anthropomorphic characters.

#art #my art #sketches #dess #dess holiday #deltarune #I have thought way too much about Dess Holiday in 5 minutes than I ever have in my life so I am going to give you my two cents in the tags #since its never confirmed if Noelle's mom was absent from their life after Dess' disappearance it could be said she was hardest on her- #eldest daughter. So Dess may have played a “protective” role to Noelle against their mother. This saying Rudy wouldnt have stepped in... #WHO KNOWS?!

[carlyraejepsans]

with toriel and asgore it's like. they're both flawed and their flaws parallel one another, but they're not EQUALLY flawed... like..... come on......

#let's be serious here. just say you don't like toriel and move on. but don't pretend her hypocrisies were in any way comparable #in size in subsequent damage or in blame to asgore's own #the game goes out of its way to show asgore's actions as wrong. both towards his people and towards toriel. noble yes. sympathetic. tragic. #heartwrenching. narratively impeccable and capable of genuine chance. but fundamentally the wrong choice made by a good man #toriel may not have made the best possible choice at every turn but her final intentions were the morally correct ones #she just did what she KNEW was right. even when it meant leaving her entire life and people behind to live in isolation. #asgore backed toriel into that corner just as much as he did himself #he was a good man who was in a world of hurt and that decision hung over him for the rest of his life but it WAS. HIS. DECISION. #you cannot take that from him. you cannot take the teeth out of his character like that #and you cannot take toriel's role as the person who challanges and refutes his decision from her #her entire character was created as a subversion of rpg motherhood. and how it had so little of motherhood in it. #letting children venture out into the wilderness to face god knows what god knows where #WHICH IS!!! IN ITSELF!!!! A NARRATIVE PARADOX. because it's something that the genre requires for the story to exist #you can't play the whole game on tutorial. the contradictory nature of her stance between morality & ut's genre is built into her character #that's what makes her so freaking interesting to begin with!!!!!! like. #OUGH #undertale #toriel #asgore #entry log

[swordofruln]

[mun] yall ever worry u dont fulfill expectations

#chien isnt a lovey dovey person it literally cant love that soon #but sometimes i worry i disappoint others when they react in a way thats congruent with their usually hostile self #because chien has developed to a point where it CAN start loving people #but those people are very specific and play a special role in their interactions in a way others dont #chien hate/loves isandro because he understands them like no one else does and still wants to protect them despite it constantly rejecting #his allyship #chien ''loves'' volo because it can see part of itself in him and despite him obviously not loving it in turn #he teases and bothers it in a way that makes it feel included #which may be unintentional but still works to scratch a very specific itch #what im saying is having positive interactions with chien doesnt guarantee its affection #it best it guarantees its tolerance #but i sometimes get just a teeny bit concerned that this disappoints people who hope to become friends with chien #the fact of the matter is that making that kind of bond is not easy whatsoever with chien #even ree whomst chien considers a friend has not reached the ''love'' bond level #and thats not their fault #its entirely because of what kind of person chien pao is #and because of the trauma and experiences and personality it has #so if chien pao doesnt love your muse despite positive interactions dont worry #its not because i personally dont want that #its because it simply isnt a relationship they have interacted the right way for long enough for #i really hope that doesnt disappoint #also volo is mostly an outlier because he got the advantage that hes attractive and chien pao is down bad despite never going to admit it #lol #PSA.; #tagged for mention.; #gcd fcrsaken #tabletbound #skullkxd #Necro speaks.; #just because chien-pao doesnt love your muse doesnt mean i dont wanna interact

[swingstep]

Please drop mrd theatre au lore????

OH HOO BOY so. genuinely did not remember i never explained that au huh ksjdngd its been a hot minute since ive messed with that one, but lets see what i can dig up for it. as a disclaimer, its kind of an... abstract au, very rough around the edges as well. dont expect it to be anything too concrete WAHAHA

anyhow. tldr:   the mrd theatre au is exactly what it sounds like: the plot of the game described entirely through the lens of a theater production! alternately referred to as the dance au, because... its a musical! major events are described through dance, each piece pushing the story forward with the power of music and expression. literally-- the story won’t move on without it. starring mad rat as the lead role, rat god as the director, and heart as... That One Guy, Sure!

    the abstraction kicks in in its presentation though-- it's told through the framing of a stage-- however, the story itself is Real to the characters. their world is real, and as characters, they see it as such. to everyone else, it's exactly as its namesake: a play. the term "actor" and "character" go hand in hand, practically synonyms. actors are the characters. the narrative is their world. all in all: the theatre au is an inspection of the meaning of Reality and Perception, the meaning of what it is to be a Character or a Person, and a play on Stories and Roles. more under the cut.

---------------

  As it does in canon, the narrative starts with Mad Rat waking up, and Rat God telling him his situation. Y'know, he died, she's giving him a second chance, etc etc. However, she Specifically tells him that he is, in fact, a character in a play and, as someone outside of the narrative, she knows what to do and what paths to follow. As long as he followed her, he'd be able to make it to the end of his story a-ok, and finally get the ending he deserved!

  In the beginning, Rat God starts out with a whole musical number as she narrates the scene (to both the audience and Mad Rat) to catch him up to speed on where he is, who she is, and why he died. As she finishes, hands off the (metaphorical) mic to Mad Rat to get a word in for his debut scene. Unfortunately, Mad Rat, having just recovered from a terminal case of Being Dead, Does Not In Fact Have The Nicest Voice. Seeing this, Rat God quickly interrupts and redirects to another option: Dance. Which is where a major quirk comes in: every character has a specialized dance style!

  Rat gods style is tap/swing, which is what the intro scene Truly is! It's Rat God introducing Mad Rat to the concept of The Show in a duet swing performance. Specifically, in this performance, Rat God takes the lead role in this one for several reasons: 1) She's Extra and Likes Showmanship. 2) She's ensuring Mad Rat goes in the direction he's supposed to-- making sure he's following along. And 3) She's effectively re-teaching Mad Rat how to move after. Y'know. Being Dead. Swing is a heavily motion-focused and improvisational dance: Mad Rat Does Not Know How To Dance. However, Rat God is good enough at it that she can take the lead and turn his stumbles and missteps into motion and flair. It's essentially the tutorial stage!

  The narrative is pretty much the same through the first third of the game, more or less. Mad Rat meets Heart, who doesn't really Dance but rather just cheers him on, and they begin "travelling" together, with periodical "intermissions" where Rat God, off to the side of the stage presents recaps, narration, and questions-- but it's never clear if it's to the audience or Mad Rat. Maybe both. What's really important is the Framing, though. Mad Rat (kind of) acknowledges he is just a Character, but doesn't really Understand it. 

  Despite the knowledge, he still functions through the frame of a Character. He perceives the stage as The World Around Him rather than A Stage, while Rat God is the opposite. This leads to Mad Rat essentially just Following Her Lead. Which ends up just seeming... brazenly reckless and incredibly dangerous-- because Mad Rat doesn't think it will lead to anything. Obviously he's the main character, so he's probably going to just... get to his goal and whatever happens happens, right? Rat God said which way the story goes so... whatever, right?

  Which all culminates at Heart's intervention: Heart notices all of this and gets worried. Whatever this Mess about "shows" and "story" and "directors" is, Mad Rat is still being really really flippant about how many Near Death Experiences he's had (not to mention the whole "Seeing Things That Heart Doesn't" thing.) So he decides to step in.

  This is the first time we ever see Heart dance! He'd always insisted on being moral support/backup for Mad Rat, not really stepping in in any major way. Turns out, he's really good at a lot of dance styles. It's the first time we have a music genre outside of showtunes and the adjacent. It's heart basically trying to tell him that, whatever bullshit about "Narratives" he's following, Mad Rat is still Here. He's still a contributor to the world around him-- he can affect It, and it can affect him. It doesn't matter what he knows about Whatever This Is because it all wont matter if he gets himself into Real Trouble. Which is a convenient segue to the next arc-- they go off-script.

  The following arcs are pretty much just those two figuring out what to do and where they’re going. Mad Rat, up to this point, was just (kind of badly) trying to imitate the swing style from the beginning, but slowly starts figuring out his own specialty on his own. Mad Rat kind of dabbles through a lot, but is Particularly good at breakdance/krump. It’s a bit of a slow process, but he slowly forges his own place in a world he technically does not belong in. 

  All the while, Rat God is suspiciously quiet. They weren’t supposed to go that way, or do any of that, But she could improvise. She passively tried to mess with them from offstage-- changing the background scenery, tossing obstacles after them-- but they just. Kept going. Mad Rat even began Understanding the nature of The Stage and learning how to use that to his advantage, predicting the way things would move or shift, and using that knowledge to move even faster. It was only after Mimolette’s scene (which was Not supposed to be this early in the script, to Rat God’s chagrin,) that she Really started to get particularly miffed. They’d completely gone off-script, avoided Everything she sent after them-- but there was still an ending that needed to be told, and she was going to tell it no matter how messy it was to get there. Which leads to an intervention of her own.

  As the director, she had direct control over a lot of things-- but she herself could never interact with the Narrative. She had no real Hold, as it were. She was barely a concept to the characters in the narrative-- they could not really perceive her. So, she decided to break that rule-- and interact with them directly. Rat God’s scene is incredibly similar to that in canon: Incredibly Chaotic and Hard To Track. She mostly keeps to swing, as that’s her specialty, but regularly switches it up to try and throw Mad Rat off. But things are different than their first dance.

  Mad Rat has a grasp on himself and his goals. Rat God’s plan is already off its rhythm-- it was clear from the start that this was a last-ditch effort on her part to kill him. Despite her still trying to take control, Mad Rat was nothing if not stubborn. He was just as good at deflecting and navigating the scene as she was. But it’s hard to truly get rid of something like Rat God. She isn’t done until the Story was done. There was still a story to be told, so here she stayed. She could keep going as long as he could, and longer. So knowing what he did now, and understanding the circumstance, he did the only think of. The two had, to some extent, switched places: Rat God taking the stance of a Character/Participant in the scene, and Mad Rat seeing the full scope of The Stage and how it worked. The show was still going, so all he had to do was end it. 

  Tricking her into a monologue, he truly exits the frame of the narrative for the first time, grabbing one of the curtain ropes and letting it free, closing the curtains on the stage-- with Rat God behind them. And... silence. In the end, it was just the closed curtains, the audience, and Mad Rat and Heart in front of them. They saw the audience, truly, for the first time-- that larger force constantly watching over him from beyond his view, pushing the show forward not of their own actions, but of their presence alone. This is who it was all for. And seeing this, Mad Rat makes the decision... to ignore them. 

  They weren’t important anymore. The show was over-- the audience had no more use here. No more power here. They meant nothing to him. Nothing to them. He has one last talk with Heart-- they knew they weren’t alone, not truly-- but all that mattered right then was just the two of them. What they’d seen, what they’d been through-- it all had to come to an end eventually. But not by the hand of someone who had no stake in their story-- in their lives. Mad Rat gets to make his own choice about his future: And with no story left to tell... he gets up, and walks off the stage. 

   The Story Is Over.

#pikasks #mrd theatreAU #long post #no fandomtags we die like men #anyhow. thanks for enabling another essay of an infodump ur a real one <333 kdjgnkdjf #this au means The World to me but because its so... [waves arms around.] its very hard to explain in a way that feels Correct. #a lot of it is Vibes alone. feelings and concepts and notions of motion and song. as it is in canon too i think. #as with canon; its a play on tiers of personhood and control-- of who truly gets to choose fate; or if it really exists at all. #its about grabbing on with such fervor that the fabric of the world around you bends to your will. #about the inescapability of Role and Expectation; of Progress and Actions. how nobody in this story; truly; could choose how it ended. #not alone; at least. #rat god is equally bound to her role as director. she has no sway in this world. no matter how deeply she may want it. #the difference between her and mad rat is something tragic; to me. #two people in such similar roles reacting so differently they mirror each other perfectly. #surrender to a role you have no control of and hope it eventually benefits you-- or fight tooth and nail against forces stronger than you. #but these are the tags. im just waxing poetic at this point. #if you want a more clear read of the vibes this was inspired and started entirely by the mrd piano medley by tmsy. #please go check it out it slaughters me. id point out a specific part but its kind of all of them. #anyhow. thanks for reading and also enabling me. have a lovely day !! <33

[readymades2002]

i still think that pronouns being a...somewhat common expected mode of introducing yourself is strange 😭 the purpose that makes sense to me in doing that is mostly to signal that you're trans or otherwise affiliated (which...i know that "allies" doing things like this or calling people their partner or whatever is meant to create a space where people feel comfortable coming out, but as i still cannot bring myself to come out in such situations and as i've had Really Bad Experiences with people claiming to be allies i haven't internalized this as a purpose that makes sense yet), but i know that it is also genuinely supposed to be like. "here's how you should talk about me if you want to mention me to a third person!" which is something that makes me REEL to think about. there is no universe where i want to introduce myself to someone by telling them how to correctly and incorrectly talk about me to someone else!! i don't understand...

#i do understand its just that i guess my experience with gender is strange #i know that these things have a purpose but i am really averse to thinking about it #it feels like...branding in a weird way. tell your friends about this channel and subscribe if you want to see more #i dont feel like gender plays that kind of linguistic role in how i talk to other people? im sure it does on a deeper level #(talking to men does make me nervous even if i don't comprehend gender in the expected way) #but its. hrm. i dont know. i know (OBVIOUSLY!)(I AM TRANS) that gender is important to people #but i also dont...need to know to navigate convrsations? #i probably do. i just dont consider the kind of small talk that comprises most interactions irl to be conversations necessarily? #its...kind of a problem 😭 i dont think of the way i talk and move and emote as part of what makes me me #and i am so so so bored by most 'necessary' conversations that it makes my teeth hurt and i dont know how to deal with that... #part of the problem may just be im not approaching real life with a pragmatic approach to communicating...? #im not...hm. i am a very private person irl (which im sure is a surprise if you read this page) #i am very opinionated and passionate but i don't express this much in the flesh. lots of reasons #(often seen as an outsider)(denied opportunities to define myself)(put on display for others a lot)(punished for argumentative behavior) #so maybe i am not present enough in most banal conversations to understand the point of them... #maybe i would understand introduction with pronouns if i wasn't invested in staying closeted or scared or anything #'the ocean still looks grey to me' as they say #this didnt go where i wanted it to </3 anyway

[hexiva]

Roleplay Is Not Dead Nor Doth It Sleep

There's a post going around about how text-based, freeform roleplay is dead, and I was typing up a huge response to this, with an accompanying guide on how to find roleplayer in 2024, when I realized it might have a bigger reach if I made it its own post. So here's that guide.

I hesitate to say that there isn't a problem with the new format of social media making roleplay more difficult to find, but in the desire to make that point, the OP of the original post has left people with the idea that there's no way for them to get into freeform text roleplay in 2024. Which just isn't true! Here, look at all the ways.

Forums

The link to RPG-Directory to find roleplaying forums is a good start. Once you've found a forum RPG, even if you don't join, there's usually an 'advertising' section on that forum where other forum RPGs post their ads - this may help you to find forums that don't advertise on RPG-D.

Another really good forum to find roleplay on is Barbermonger. Barbermonger is focused on connecting people for one-on-one roleplays.

This last one's going to be weird, but it turns out that there are still people seeking roleplay on the Gaia Online forums after all these years. I think this is delightfully retro and then crowd there seems a little older than average. No pre-existing knowledge of Gaia required.

Tumblr

You can also find forum roleplay groups (as well as tumblr and Discord groups) right here on Tumblr. Usually, the thing to do is to use the search function - search for "[genre] rp" or "[fandom] rp" and sort by "latest." (If you sort by Top, you are likely to find dead RPs.) For example, here's fantasy rp, historical rp, and marvel rp. You can also try jcink rp, as most roleplay forums are hosted on Jcink these days, or discord rp, depending on your favored platform.

There are also tumblr blogs specifically dedicated to advertising roleplays. I'm not super familiar with these nowadays, but just in the process of searching those tags above, I found these:

Jcink Tinder

RPG Adverts

RPings

There are more, I just don't know them off the top of my head.

Reddit

Listen, don't run away, I swear it's good now - I swear Reddit is good now -

Reddit is a good place to find Discord roleplays. It's a little heavier on smut-only roleplays than other platforms mentioned here, but it's not impossible to find sexless, plot-based roleplay here either. Most ads are for one on one RP, but you can find groups mixed in here too. The big subreddits for text-based freeform RP seem to be:

r/DiscordRP

r/RoleplayPartnerSearch

r/roleplaying

r/Roleplay

Some of these have weird rules about what you can put in your ad, and I don't remember which ones, so read carefully and don't get discouraged if your ad is initially removed.

Discord

In 2024, Discord is by far the biggest and most popular platform for roleplay, and it has its own native roleplay advertising hubs. Here are a bunch:

roleplay partner hub

Rockin Roleplay

The Roleplay Garden

roleplay help

the roleplay connection

RP Central

Roleplay Central

Roleplay Hub

Barbermonger also has a Discord server

Roleplay Meets: Reborn

RP Hub

The Scribes Guild

DM Rp Village

cherry blossom! roleplay hub

DM-RP

Roleplay Round Table (21+)

The Historical Syndicate (specifically for historical roleplay)

The Roleplayer's Directory

If you can't find the Discord roleplay you want on here, you can also try Discord hub websites, like Disboard. These work similar to tumblr tags - search for [genre] rp or [fandom] rp.

Other

The original post specifically mentions that 'all the old "omegle but for role play" type websites died out ages ago'. This is mostly true, but not quite! There's still Rolechat. It's a little janky, but what it needs more than anything is a bigger user base. Their Discord server is also a good place to find one on one discord roleplay. It is, of course, free, but if you want to support its development, they have a patreon.

Please reblog this post, and add your own tips on how to find roleplay!

#roleplay #rp #fandom rp #discord rp #jcink rp

[harmoonix]

🍄 Retro - Astro 🍄

(Astrology Observations)

ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯

🍄 - I love to stare in the eyes of the natives with Neptune - Asc aspects, most of my friends have such aspects and they truly have beautiful eyes

🍄 - Pluto in Sagittarius Generation is really meant to give and normalize things back to normal, and for example bringing things that were used in the past and to normalize them again

🍄 - Wanna know why so many Aquarius Suns may act so different and unique? Sun is ruled by Leo and Aquarius is its opposite sign so sun acts different in Aquarius

🍄 - Neptune and Mercury aspects can indicate love for music and most times for old music or old music style, you know liking those songs from the 90's

🍄 - One fast way to learn your sign houses in your birth chart is to know the order of the zodiac signs, this method worked with me for example you have Gemini Rising and Leo Sun > Your sun will be in the 3rd house because Leo is 1 sign (Cancer) apart from Gemini

🍄 - 8°, 20° degrees on the Midheaven attract jealousy really fast, envy too and sometimes can even get hate without a reason, on the other hand people can become obsessed with them

🍄 - Sagittarius in your 4th/12th house axis can come from more nationalities/ethnicity/race like having more than 1 background country ancestry (or your ancestors/family members)

🍄 - Lilith in your 9th/12th or 4th house can indicate ancestors or family members working with the occult/witchcraft/magic/tarot etc...

🍄 - Sun in the 12th house natives have an ongoing karma, basically they are working on their karma constantly

🍄 - Virgo Moon's beauty is underatted, they are so beautiful and they can actually look younger because of the Mercury's youth effect

🍄 - I remember once checking on google about Jupiter in Virgo husband (my sidereal Jupiter placement) and I got this:

I can't tell if this is real or not tbh 😭😭

🍄 - Neptune aspecting Chiron will literally empower your subconscious with a lot of intuition, spirituality like you really have the chance to heal your subconscious in case is hurt with those placements

🍄 - Everyone I know with Cancer Placements gets so DEPRESSED based on the weather, and omg I'm not joking or something if the weather outside is bad they're gonna be depressed or in a bad mood

🍄 - Every time I see someones chart with 10th house placements especially Sun and Venus there I know they got the cash bag 💰💰

🍄 - Not gonna lie knowing how organized Virgo placements are, I think natives with Virgo in the 4th house have the most most most most most most organized house-castle ever just like in Cinderella and everything looking perfect

🍄 - You can spot health problems in a chart by looking at their 6th house sign (both in tropcial and sidereal) looking at the ruler/lord of the 6th house and of course the planets (if there are) in the 6H house

🍄 - Stelliums play a very big role in a chart (A stellium is when you have 3 or more than 3 planets in a house) and indicates a big focus in that area

🍄 - Empty houses play a very big role as well, and an empty house is not a bad thing or something but spirituality talking it indicates an area you already completed in your past life

🍄 - Let me tell you how tricky Venus in Capricorn can be to make you fall in love with matured enough people and sometimes the karma comes and strikes and says "They're not the one for you"

🍄 - Moon in the 9th house is another tricky placement to have because in harsh aspects it can indicate a religious trauma and sometimes it can indicate love for religion/beliefs you understand what I mean...😭😭

🍄 - A lot of people who happens to get betrayed have Pluto/Saturn Lilith and sometimes Neptune in the 11th house, (I know all the people can get betrayed but these are just some indicators

🍄 - Sagittarius/Jupiter in the 11th house can be blessed with friends or in general having luck with their friendships and social networks, sometimes their friends can come from a different background than them

🍄 - Mercury at 10°, 22° degrees really can have a deeper voice than others (depends on aspects) but their voice is so damn attractive

🍄 - Uranus and Lilith in the 5th house can get confused if they will want or not to have kids like is difficult and in the same time draining for them (Lilith in general in that house natives don't want kids but is just my thoughts on it)

🍄 - Sagittarius Midheaven/Midheaven in the 9th house or in Sagittarius Degrees 9°, 21° really need to chose something the job/career they're passionate about because it grants them luck

🍄 - Midheaven at Aries Degrees 1°, 13°, 25° or MC in Aries have a big chance to get a leader position at their job or having the main character energy

🍄 - I tell you Gemini Moons and Moon in the 3rd house natives have the best tea ("Tea" as a gen z slang means gossip) like gossips stories i honestly wonder from where or who they know so many things im so invested y'all 😭😍

🍄 - 2nd house and the Moon Sign represent food in the birth chart, and I know water/earth ones love sweets so much

🍄 - If you want to know more about your true self check your Ascendant ruler persona chart, AND if you have 2 planets rulers check both persona charts for ex if you are Scorpio Risings check your Mars and Pluto persona charts, sadly for Leo Risings their natal chart is pretty much their true self (There is no Sun persona chart😭)

🍄 - Leo in the 7th house can have the same problem like your natal chart pretty much tells you about your future spouse because there is no Sun persona chart to look for in case you wanna look for your 7th house ruler persona chart 😭

🍄 - Cancer Risings in your D9 (vedic) chart can indicate a nurturing spouse or in general your partner has a very nurturing and kind energy

🍄 - I admire 6th house Placements for how much they want to keep themselves healthy like is a top priority and i respect that so much, because your health matters so much in life ♥️♥️♥️🙌🏼

🍄 - Aries Placements especially Aries Juno I love their energy. They just give that leader and confident/powerful vibe (boss vibe) in the chart also someone very bold and funny I love them

🍄 - Draconic Chart is the chart of your soul before reincarnation/coming to earth and the placements are indicating how your soul expected to be on earth (like their life), and im gonna cry I have Saturn in the 7th house in this chart as well. my soul knew I will have to wait for that specific person to come 😭 I'm done...

🍄 - Mercury in the 11th house makes socially open natives they get along so good with most people because of their social skills, they're also smart, creative and very open minded too

🍄 - Pluto in the 12th house has a chance to become very powerful in this life because this placement usually indicates an painful karma, you will certainly experience a lot of good and bad things in your current life

💝 This post was more like at a spiritual level 💝

Be blessed you all who read my observations 💝

ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯

#astrology #astro observations #birth chart #astro notes #astrology observations #placements #astro community #horoscope #ascendant #spiritual #subconscious #venus #astro #astro mind #astro.com #astro.seek #retro #Retrogade #7th house in astrology #7th house

[perlelune]

Young God | Feyd-Rautha

The mercy you show towards an enemy in the aftermath of battle yields tragic consequences for you and your people.

Warnings: NON-CON, Fremen!Reader, Kynes!Reader, Kidnapping, Unrequited Love, Mentions of cannibalism, Knife Play, Masochism

This is a dark story. Heed warnings before reading under the cut.

The aftermath of battle is often the same ritual. Corpses are taken away to scavenge for bounty and salvage the water in their bodies. Moisture is too precious, too rare in the air and the dry desert sand covering your home world to be wasted. Harkonnen foot soldiers especially. No sympathy is spared for the cruel beasts who slaughter your fellow fremen, ravage your land, and bleed your beloved home planet Arrakis of its most valuable resource. The Spice. 

Today is one of these days. After fending off another attack by the Harkonnen army, your entire tribe is sifting through the desert fields. The proud white-skinned soldiers weren’t expecting the swarm of Fremen that unleashed upon them. Thankfully Muad'Dib had a vision of the attack and managed to convince enough of your people to raise their blades in unison to stand against their oppressors. While you balk at violence, preferring to stay back and sink into your role as a healer, you still wish to offer assistance in cleaning up the battlefield and checking for any potential injuries. You were a little shocked when you arrived and were struck with the realization that there is so little for you to do, the number advantage having been so overwhelming.

Still, you find a few warriors that require medical attention. Their injuries are deeper than you expect. Apparently one of the Harkonnen soldiers wouldn’t let himself be slain, unleashing a storm of fury all on his own and taking several down with him. You gingerly finish dressing your last wound, lifting your head as you notice your cousin heading north. 

Wiping the blood on your hands with a rag, you get to your feet.

“Chani, where are you going?” you inquire.

She stares ahead, crysknife in hand, determined.

“Some may have survived and slipped away from us. We’re checking the caves nearby.”

You give a nod and follow after her. “I’ll come with you.”

While your voice didn’t waver earlier, your stomach is in knots as you join the search. You and Chani split up. She points in a direction and you acquiesce, rushing the opposite way. You sneak underground, climbing down a row of steep, slippery rocks before you find a small cave.

You practically have to crawl the rest of the way inside, the lichen-draped overhang almost too bent and crooked for you to advance any further. It’s no wonder no one thought to check this place. It’s hard to imagine any wounded Harkonnen soldier gathering the strength to hide in such a place.

You’re forced to swallow your words however when you find the outline of a pale form lying across the cave floor. 

Your jaw drops. You inch closer to the corpse, already planning on calling another Fremen to help you extract the water from the body.

But the man’s chest lifts, his mouth shuddering ever-so-slightly.

Tamping down your fear, you hunker down and inspect his armor. Your brows knit. A long, deep jagged cut slashes his side. The kind of deadly injury that makes you wonder how the man is still breathing, as it’s impossible no internal organs haven't at least been nicked. 

Yet, somehow he is, still breathing that is.

Though you gather not for long based on the way blood gushes from the wound. 

You hear your name called from outside the cave. Pulse soaring, you climb your way out of the concealed shelter with haste. 

You’re faced with Chani’s questioning stare. She must be done with her own search. You note the tinge of crimson on the tip of her blade. Your insides wrench. 

The lie flows from your tongue with frightening ease.

“I already checked that one. It’s empty.”

She nods and walks away. You wait for her to be at a safe distance to return inside the cave.

As your slow, fearful steps bring you closer to the wounded man, your mind rages, at war with itself.

You are of two worlds. Daughter of the fallen Liet-Kynes, imperial planetologist, and a member of the Sietch Tabr. The Harkonnen are your people’s ancestral enemies. Oppressors who annihilate whoever stands between them and their unquenchable thirst for more wealth and power.

They are monsters. There is only one rational thing to do when one is faced with one of the pale-skinned warriors. Only one thing that is right to do.

You unsheathe the crysknife at your thigh from its scabbard. The blade is shimmery and new. So perfectly sharp. For you have never used it. Not even once.

You approach his unmoving form and lift the blade high in the air.

The crysknife in your hands quivers above his chest. It’d be so easy to end it. So quick. Over within a few minutes. You’ve seen countless members of your sietch do it, not a sliver of hesitation in their smooth, practiced motions. Some even enjoy it, reveling in seeing that spark wither in their enemies’ eyes. 

For a moment, you let yourself wonder, picture yourself snugly gripping the blade and driving it through the Harkonnen’s alabaster throat. The watery coughs he’d let out. The blood seeping from his neck and pooling around him. The light in his onyx orbs flickering before going out.

It should satisfy you. After all the evils they’ve inflicted upon your people, upon your planet, the prospect of retribution should fill you with immeasurable joy. 

Yet it doesn’t. Chest heaving, you slowly lower the weapon until it slips out of your hands, its clattering echoing in the cave.

Your shoulders sag as you unleash a tremulous breath, one you didn’t notice was even caged inside your lungs.

An unyielding truth swaddles you as you watch your pale-skinned enemy draw feeble, dwindling breaths. You can’t take a life. You are a healer, through and through.

You gasp when you suddenly feel the cold bite of metal against your throat.

Your eyes widen. The Harkonnen is awake, heavy, wheezing breaths bursting from his chest as he presses the blade against your neck.

“I-If you kill me, you will not survive,” you stammer, your chest clenching in fear. 

He shocks you by flipping the blade and handing it to you.

“Then give me a warrior’s death,” he says, his gaze unwavering. You study him. He looks worse than before. What he just did must have taken his last bit of strength. 

Steadying your hammering heart, you glower at him.

“The glory you seek isn’t in a dank cave, Harkonnen.”

As soon as he collapses over the cold, hard stones, you get to work. First, you check his pulse. Though it’s faint, you find a steady heartbeat. He must be quite strong, you surmise. You’ve never seen anyone survive this long with an injury this deep. Logically, he should be dead. 

But he isn’t. So while you shouldn’t feel this way, every fiber of your being craves to pull him from the brink. 

You peel the layers of his armor off him. Heat nestles inside your cheeks as your gaze roams over the hard, defined planes of his muscular form. You shake off the sensation, reminding yourself that you can’t proceed unless you have complete access to the wound and need to assess for other potential injuries.

You reach for your medpak and pouch. You use a mix of wound sealant and medicinal herbs to curb the bleeding. You then clean the wound with antiseptic and press onto it firmly. Eventually, it stops. Once the bleeding is under control, you pull out a needle and thread from your pouch and begin sewing the wound. Every stitch is nice and neat, so tight that you know he will barely scar. You squint as you work, the dim lighting of the cave making you miss the right spot in his skin a few times. You keep a cool head the entire time, simply starting over whenever necessary.

After the wound is sealed, you set up a hypovial with a plasma bag. Finding the bulging vein in his arm isn’t too hard. It’s quite easy in fact, as every part of him appears carved from stone. You slip a dash of spice melange in the IV. A potent cinnamon smell fills the air. Just the right amount to keep him awake. Now that his life isn’t on the line anymore, his peculiar body chemistry should do the rest and recover.

You unleash a deep breath and wipe the sweat doting your forehead. You sag against the cave wall.

Your eyes drift to the night sky, visible through a small opening in the overhang.

For the first time since you snuck inside the cave, the tension woven through your limbs comes loose.

Nights on Arrakis are a thing of beauty. You are willing to bet there are no more beautiful skies in the entire galaxy. None so clear and vast and with stars twinkling this bright. Mother used to say the same thing, that the boundless empyreans of Arrakis were the most beautiful sight she ever laid eyes upon. And as an imperial envoy, your mother traveled far across the known universe. So she must have been right.

You cast one last glance at the Harkonnen warrior. He’s stable. Or stable enough at least. 

It’s time for you to return to your sietch before too many questions are asked.

“You were gone a while,” your cousin blurts out when you return to your sietch. You weigh her tone. There is no suspicion laced in it, just curiosity.

“I was just making sure we didn’t forget any of them,” you casually reply.

Chani heaves out a deep sigh. “You don’t have to. You have no heart for killing, cousin.” She turns her focus to the rest of your tribe. “We need you here, tending to our wounded. It’s where you shine best.”

You nod in acknowledgement. No one in the sietch ever expected you to fight but you often wish that you could do more. You think of your mother’s untimely death, of the way Fremen laid down their lives today. Your heart sinks. If anyone learned of what you did, you would be exiled. Rightfully so. Your eyes wander to your cousin, now besides Paul Atreides. Longing gazes lock and fingers twine before they disappear into their shared tent. You look away.

You hope one day that twisting inside your chest whenever you see them will cease. You are happy for them; you truly are. Nevermind that you felt a pull towards the heir of House Atreides from the moment you met him, that you felt it was returned when his gaze rested upon you. That all of it vanished the moment his eyes crossed Chani’s.

A seer from your tribe foretold that a woman in your family would have a great destiny, one that will change the fate of worlds. You now understand, that woman is Chani, and she and Paul aren’t just destined to one another. They are fated.

And who are you to stand in the way of fate?

“You must be insane, girl,” the Harkonnen soldier scoffs as you remove the needle in his arm. Since he appears to have regained some color…or whatever consists of “color” for a Harkonnen, you elected to remove the plasma bag this morning.

A sliver of shame flutters through you that you were almost relieved to find him alive. You saved a life. Perhaps not the most worthy one, but a life nonetheless.

“Striking an enemy while he’s down isn’t brave,” you reply with nonchalance.

A crooked smirk cants his plump lips, baring a hint of the black teeth underneath.

“Insane and stupid then,” he sneers, the gristly echo of his voice resonating in the cave.

Ignoring the way his comment chafes you, you retrieve the little vials you packed this morning.

“Drink that.” He sits up, humming low in his throat with the movement when you’d expect him to wince or groan at the pain. It’s almost like he’s enjoying the pain he surely must be experiencing, but you discard that thought, because it’s ludicrous. What kind of person enjoys pain? “It’s water.” He studies you, making no move to grab the water. You fidget, unnerved that you can’t read his expression, his lack of eyebrows making it even more difficult. “I could only steal a little from the deathstill. It’s all I could get before anyone could see me.”

You briefly considered trading your mother’s water rings, the ones you inherited upon her death. The symbol of her standing and wealth within the Sietch Tabr.

Though while you may have saved your enemy, you want to hold on to that piece of her for as long as you can.

“I also have some food.” You rummage through your pouch to pull out dried fruits, slices of meats, bread and spice honey. It’s the best you could gather on short notice without drawing suspicion.

His dark gaze flicks over you as he taunts, “Perhaps I shall eat you. You look far more appetizing than…whatever this is.” You shudder, acutely aware that while cannibalism isn’t widespread amongst the Harkonnen…it’s also not unheard of. 

He snickers at your expression. “Do not fret, desert rose.” His gravelly voice drips with suggestion as he licks his lips. A chill runs through you as his black tongue and teeth are bared to you. “I’m not quite that hungry…yet.”

Your shift, discomfort slithering through you. There is something profoundly unsettling about the Harkonnen, even more so than a typical one. The blood leaking through the bandage draws your gaze.

“I should dress your wound and redo the stitching,” you offer, clearing your throat.

When your hand stretches towards his wound, he growls at you.

Your heart leaps and you retreat your hand.

“Please,” you insist. “You’re bleeding.”

When he doesn’t make another threatening sound, you take that as your cue. You quickly gather your supplies and approach him. The drumming of your heart inside your ears is a clamor, but you pretend it isn’t there, removing the bandage and driving the needle through his wound to sew it shut again. He doesn’t flinch, showing no hint of even feeling the needle. His sizzling scrutiny sears through your flesh, almost causing your usually steady hands to quake. You sharpen your focus, remembering your grandmother’s teachings. Steady heart, steady hands.

He tilts his head, dark gaze trained on you. “I threaten to eat you and you tend to me still. What a peculiar creature you are, desert rose.”

The days fly by in a strange haze, your days spent preparing for the new Reverend Mother while you sporadically check on the stranger. He recovers faster than you expect, even without you needing to use the spice melange again. Considering he was at death’s door when you found him, you can’t help but be a little amazed.

You sense the time to go your separate ways is near. You have done a lot, likely more than you should. The alabaster-skinned warrior is well enough to roam the desert and find his way back to his people through his own means. You brought him supplies, food and a stillsuit. Whatever befalls him will be up to fate and his own wits. You don’t plan on returning after tonight.

“You’re looking better,” you note, checking his wound for the last time. You leave the bandage for good measure even if it’s clear he doesn’t need it anymore, the wound having begun to fade since you removed his stitches yesterday.

He pins you with that unsettling stare once more.

“That song you sang…” he rumbles.

“A song?” Your head tilts as you comb through your memories. It comes back to you. You sometimes hum it to yourself. It calms you down. You didn’t even realize you’d done it in his presence. “Ah, that song.” You shrug, a small smile sneaking onto your lips. “It’s just a lullaby my grandmother used to sing to me before she passed, to teach children about the Shai-Hulud.”

He looks at you in what you believe to be confusion at the name, though you can only assume.

“Your people call them… sandworms,” you explain. “They are sacred and should be revered.”

Silence hangs between you and the Harkonnen. His deep raspy voice shatters it after some time.

“Songs…I had a blade in my hands from the moment I could walk.”

“I’m sorry,” you blurt out, unsure what else to say. He doesn’t seem sad, more reflective, but it seems you should say something. “Do you…Do you ever think of what your life would be like if you weren’t Harkonnen?” When he looks at you blankly, a nervous laugh peals from your lips. “I’m sorry. That was a silly question.”

Your crysknife materializes in his hands from behind his back. Your blood runs cold as you pat your thigh. You don’t remember ever leaving it around him.

“My older brother...He took me from our parents when I was a baby,” he utters, sounding detached, almost as if he were recounting someone else’s life. “My uncle raised me. I don’t remember my father. And my mother…” His lightless gaze slams into yours as he smiles, exposing his glistening, black teeth. “I killed that whimpering, meddling bitch.”

Your breath snags in your throat. Perhaps…you let yourself get too comfortable around the Harkonnen. The crude reminder of who he is, who they all are, yanks you back to reality.

You bolt to your feet, coaxing a tremulous smile onto your face.

“It’s getting late. I should return home before the sandstorms grow too strong.”

As you prepare to leave, the muffled pitter-patter of footsteps above you freezes you in your tracks. Your eyes bulge. Dread sinks within you as you realize someone’s right above you.

Before a single sound can make its way past your lips, the Harkonnen’s large hand envelops your mouth. He pulls you flush against his bare chest as he whispers into your ear, “Quiet.”

His muscles go taut against you. You catch him twirling the blade with smooth precision, clearly ready to fight if need be. You hold your breath, bridling your stuttering heartbeats.

Two men in full Harkonnen livery leap inside the cave. Panic rushes through you.

However, instead of a fight breaking out, relief fills the soldier’s faces as they see him. 

“Na-baron. We received your beacon.”

Na-Baron…The air is knocked from your lungs. The title isn’t that common amidst the known universe. In fact, it’s quite unique and you only ever heard of one man from one specific house using it. Na-baron Feyd-Rautha Harkonnen, the heir-designate to Baron Vladmir Harkonnen. 

He is a monster, a ruthless killer…and you nursed him back to health. Allowed him to get well enough to hurt, maim and kill as he pleases. The cave seems to twirl off its axis around you.

Perhaps he was right that night. You might be an insane idiot.

You feel the subtle lift of his lips against your scalp.

“Right. Did I forget to mention my name?” he taunts, as if he could read every thought zooming across your head. Giving you no time to even try to run or fight him off, the na-Baron slams your head against a nearby wall.

Pain explodes inside your skull. Your vision dims as you grow too weak to stand, your knees buckling beneath you. You fall into his arms and he holds you against him. He strokes the side of your face, a fire burning in his onyx orbs. Consciousness slips from you, his last words reverberating inside your ears.

“You and I are going home to Giedi Prime, my desert rose.”

You awake startled, jarred by the softness of the sheets and the largeness of the bed around you. This is nothing like the cot you used to sleep on in the desert. You leap from the bed, clutching your face and hugging your frame, stunned to note you are without your stillsuit and face mask.

Instead, you are wearing a sheer white tunic that hugs your curves in a way that leaves very little to the imagination. The outfit is unlike you, impractical in every way. Your pulse escalates.

You rush to rise and nearly crash down on the bed again. 

Your forehead creases.

You wobble around, struck by the difference in gravitational pull, humidity and atmospheric pressure. Every breath you take exerts you, bearing heavily on your lungs.

Your head spins as you glance at the unfamiliar room. Every single detail of it is cold, somber, opulent.

Horror twists your insides.

You’re not on Arrakis anymore.

“You’re in the Harkonnen keep, darling.” 

The gravelly voice erupting at your back has you whirl around. A half-exposed Feyd-Rautha fills your sight, his carved alabaster muscles and bald head shimmering silver in the low light.

You swallow hard, fighting to keep yourself breathing normally in the brand new air.

“The Harkonnen Keep on…”

“Giedi Prime, yes,” Feyd-Rautha finishes.

While you understood it on your own, having it uttered out loud sends you in a renewed state of alarm. You are away from your family, your friends, your home. You are alone on a foreign planet. A hostile, enemy planet.

“In secluded apartments away from my other concubines,” he further informs. A shadow of mirth lurks in his gaze. “They’re quite the jealous kind. They may even try to take a bite out of you if they learn of your existence…” He leers at your shivering frame, making no effort to hide his lust, the evidence already bulging in his pants. “Though I don’t think I could entirely blame them.”

He inches closer to you. “How does the weight of a real planet feel?” he asks, a twisted excitement swaying in his dark orbs. “Is it crushing your bones? Is every cell in your body screaming in pain, my desert rose?” He grips your chin, studying you oddly, almost as if he wishes he could absorb every bit of your agony and discomfort.

You glare up at him, your insides white hot with rage.

“H-How could you do this? I saved you.”

He frames your chin, squeezing tightly. “Oh darling, you should have killed me…” A squeak spills from your throat as he drags his tongue across the side of your quivering cheek. His lips brush over your earshell as he mumbles under his breath. “Because there’s nowhere in the galaxy you will ever be able to hide from me now.”

“I belong in Arrakis with my people. You have to let me go,” you plead. 

You search his impassive face, scouring for an errant ounce of humanity. The emptiness you find has tears rushing to your eyes. You mourn the tragic loss of moisture, willing yourself to stop crying. Ever since you were young, you were taught never to waste your precious water...especially on something as trivial, as painfully unnecessary as tears.

...But you can't quell your weeping.

He tilts his head.

“You belong with me…No, to me, desert rose. In my arms, screaming as I ruin that pretty cunt of yours with my cock.”

Fear floods your entire being. Your eyes scan the room. A faint spark of hope blooms inside you as you spot a long, sharp knife on a stone table nearby.

Pushing past the queasiness you experience every time you move on the unfamiliar planet, you race across the room and grab the knife.

You point it at him. Instead of cowering, Feyd-Rautha opens his arms, smirking.

“Do it,” he urges, making no effort to protect himself from the sharp blade in your hand, inviting you to strike him as his tongue darts across his lips.

His uncanny anticipation coats the air. Confusion fills you.

“I will,” you say, trying to appear braver than you feel. Still, the blade quakes in your hand.

“Please. I beg of you,” he purrs, gliding towards you. As he watches you hesitate, he cruelly reminds you, “You will never go home, never see your beloved planet again. In fact,...” He hums, his eyes lighting up as if a wonderful idea just occurred to him. “I think I might slaughter some of your family and friends just for sport.”

A wave of wrath surges through you. Bereft a thought behind it, your hand slashes across his chest, a small cut forming there. Droplets of blood so dark it appears black drip down onto his alabaster flesh. 

“More…” he rasps, pleasure leaking from his gravelly voice.

The sight of the bleeding wound rattles you, causing you to retreat.

But he doesn’t let you remove the blade, his fingers cinching around your wrist and keeping its sharp tip over his bulging pec. You sob as he forces you to drag the blade across his chest, a blissful expression spreading across his features. A long dark cut oozing dark red blood decorates his body now, going all the way to his defined abs.

Terror and confusion tangle within you. You stagger backwards, the dagger slipping from your lingers and hitting the floor.

“You’re sick.”

“I didn’t realize there was such a fire inside you, desert rose. If I don’t have you now, I think I’ll go mad.” His hoarse, lewd tone scrapes against your eardrums, causing your insides to twist in dread. He cracks his neck, black tongue sweeping over his lips as he approaches you. “No, I definitely will.”

It’s the only warning you get before he tosses you on the bed and rips the clothes off your frame. Tears brimming your lashes, you squeal in protest, scratching and punching every part of him within reach. You slap him hard and he cackles, baring his black smile in sheer delight. 

“Come on, desert rose, I’m sure you can hit even harder,” he sneers. 

To make him eat his words, you hit him again. Harder than before. His laugh gets louder as you watch a faint bruise form on his cheek.

Pinning your wrists besides your head, he bends over your chest. His tongue swirls around your nipples, his cool tongue causing you to hiss and shake. Sharp teeth graze your breast and the breath hitches in your throat. You squirm on the sheets, completely at the mercy of Feyd-Rautha as he licks, bites and kisses every part of your flesh. As if he wanted you covered in marks of his ownership, wanted to ensure there wouldn’t be a doubt in anyone’s mind that you were his if they stole a glance at you. You loathe the way your traitorous body writhes and pants, a disgusting dampness gathering at the apex of your thighs. 

The tears in your eyes swell. Your body is divorcing your frazzled mind little by little, yielding to his rough, wanton touch. 

He grabs your thighs and dips between your legs, diving straight for your center. He licks a long stripe up and down your folds and you tremble. As his devilish tongue swirls around your clit, your eyes flutter, blinding pleasure building in your core. Hot waves of delight engulf you as he gathers your arousal with his tongue and drags it around your tender spot. The slow, unrelenting patterns he traces with his mouth have you fight the urge to buck your hips into his jaw. Your juices drench the entire bottom of his mouth, but he doesn’t seem to mind, greedily devouring your cunt as if he’ll never get to do it again.

As you quiver against him, your orgasm flowing through you, he chuckles against your wet cunt.

“Your body can’t even deny how much it craves me, desert rose.”

Shame pulses through you with his words.

He crawls over you, cutting his pants loose with one aggressive shove downwards. Only a glimpse of his thick alabaster cock, glazed with his need at the tip appears in your vision before he shoves the entirety of himself in you. The pain is so intense, flames alongside your walls, that it robs the words from your throat. He sinks inside you until his tight balls chafe your cunt, his hand wrapping around your throat while the other keeps your wrists above your head.

You whimper beneath him, defenseless against his sharp, piercing thrusts. Pleasure builds within you, his cock overwhelming you with shameful sensations each time it grazes your sensitive places, making you see stars. Gargled sounds pour from your throat as his girth splits you apart.

He grunts as your walls constrict around him, slamming into you even harder.

“You’re so delightfully tight around me, darling.” He bends over you to whisper, “I bet I’ll turn you into my perfect little cock-hungry whore in no time. Have you on your back and knees for me whenever I wish it.”

The Harkonnen heir’s pace fastens, his cock hitting spots that have you question your sanity. So delicious that you can’t help but let pathetic little moans escape from your throat.

He buries himself inside you even deeper, the pain and pleasure blending in crescendo. Your eyes roll back as you near your peak. Meanwhile, Feyd Rautha’s hunting his own release, his quick thrusts growing sharp and slow, his bald head grazing your bare chest.

Pleasure rolls over in a tidal wave, your back curling alongside the sheets. His own release comes after yours, thick ropes of his seeds painting your sore, sensitive walls. 

As you crash in a boneless heap on the sheets, he wraps his hand around your jaw and steals your lips for a sloppy, heated kiss. 

You cry out in pain as he sinks his teeth into your neck, placing a visible puncture wound that won’t disappear for a while.

Still nestled in your warmth, he scatters more bites along your shoulder.

“Any man would be insane to let you go after tasting such a sweet cunt, desert rose.”

You know he wants you to see, doesn’t want you to miss a single second of the spectacle. It was a split second moment, one that could have easily resulted in his death. 

But at the very last second, Feyd-Rautha prevailed and dodged Paul Atreides’ attack. He then proceeded to stab him in the heart in front of his heartbroken mother and your cousin. 

You don’t want to believe it. It must be an awful dream, one you will soon wake up from. One that lasted entirely too long. While seeing Paul’s body sink to the floor, your heart shattering into a million tiny pieces…Watching Chani glare at you with pure hatred in her eyes from across the room is almost worse. You want to run to her, embrace her, tell her you never meant to leave, tell her you aren’t a traitor to your people despite what clothes you may wear now, what marks may brand your skin. 

But it’s all for naught. Paul is dead and with him the hopes for your planet, for your people have died as well.

And you are left with nothing, no one. A stranger in a strange world. 

It’s what he reminds you as he has you caged beneath him that night, burying himself inside you again and again with abandon. 

“You’re mine, desert rose. And nothing, no one can take you away from me. Not my uncle. Not Paul Atreides. Not the Emperor.” He chuckles darkly, whispering against your ear. “...And not even you, darling.”

He is right. You are his. And with no one to challenge the rule of the now Baron Feyd-Rautha, ruler of House Harkonnen, it is as he said…There is nowhere in the galaxy you can hide where he will not find you.

#feyd rautha #feyd rautha x reader #dune fanfiction #dune part 2 #dune #feyd rautha harkonnen #feyd-rautha #feyd-rautha harkonnen #dark fic

[milky-aeons]

'𝐓𝐈𝐋 𝐃𝐄𝐀𝐓𝐇 𝐃𝐎 𝐔𝐒 𝐏𝐀𝐑𝐓

ᯓ★ starring: dazai osamu, kunikida doppo, atsushi nakajima, chuuya nakahara and fyodor dostoevsky; what they would be like on their wedding day.

warnings: marriage, swearing, alcohol-intake, wife reader, w.c 3.5k

ᯓ★𝐃𝐀𝐙𝐀𝐈 𝐎𝐒𝐀𝐌𝐔

: ̗̀➛ Dazai, who never really acted like a conventional human being, also did not propose like one, either. After dating the enigmatic Armed Detective Agent for, by then, two years, you did not expect him to get down on one knee and produce a beautiful ring, like you had seen in the movies. But you also did not expect him to drop the question like it was a frivolous thing one random Tuesday evening while you both shared a drink at your favourite late-night bar.

Blinking, your glass frozen mid-way to your lips, you turned to him and said, "What did you... just say?" That mischievous smile you were so quick to fall for flashed across his face. "I said, why don't we get married, hmm~?"

: ̗̀➛ There was no other answer in your mind, your heart, than a resounding yes. For he was the thorn in your side as much as he was your other half. Through the whirlwind of months following, you found it hard to discern where one day ended and the next began. Time bled together until you didn't have nearly enough of it, and the day of the ceremony was here. It was a casual affair not bound too tightly by tradition. By the help of the agents, an old, abandoned manor sitting by the riverside had been fashioned into your very own cathedral.

: ̗̀➛ Yosano Akiko fussed over your dress, your hair, your makeup — to a point where you thought she was having way too much fun. And yet, she left no stones unturned, either. As you walked in through the building decorated with bouquets of flowers and rows upon rows of familiar faces, she hooked her arm into yours and walked by your side. Using Thou Shalt Not Die, the doctor instructed fluttering, iridescent butterflies to sit against your dress and your veil, the cornet of your hair, any place she could in order to make you glow.

: ̗̀➛ He stood to his towering height at the alter with his back turned to you in an immaculate suit of white. And when he spun to face you, you fell in love for a second time — with his brunet hair tucked behind his ear, the blue rose pinned to his suit lapel and his eyes; how they watched you. With a type of stunned disbelief that melted into adoration. When you came to stand by his side in front of the pastor, his hand reached down to twine with your fingers, and he whispered;

"You — are absolutely breath-taking."

: ̗̀➛ Kyouka Izumi played the role of ring-bearer, delivering a small white pillow with the two shining bands once it was time to say your vows. Dazai reached out tenderly, slowly, as if to preserve this moment for as long as he could, and lifted the veil from your face. His eyes shuttered. He reached for your hand and slid the smaller band onto your finger, his eyes downcast, his voice low and intimate.

"Through you I have found what it means to love, what it is to feel human, and while I am by your side — I endeavour to protect and earn that title. For as long as I shall live, I am yours. My soul, my name, they are all yours."

: ̗̀➛ As the ceremony reached its closure, when you had both been bound to each other in heart and in soul, Dazai could not wait another moment before he could reach for you. As soon as the words you may kiss the bride left the pastor's lips, Dazai had looped his arms around your waist and bent you back into a dramatic dip. Cheers and claps filled the riverside chapel, you smiled widely against his lips, expecting nothing less of him. Your soulmate. Your husband. Your Osamu, who's name you brandished as your own.

𝐃𝐔𝐑𝐈𝐍𝐆 𝐓𝐇𝐄 𝐀𝐅𝐓𝐄𝐑𝐏𝐀𝐑𝐓𝐘 . . .

"Kunikida-kun~!" Dazai's loud voice, a little accentuated with alcohol, swam over the crowd. "Play the thing we talked about!"

Curious, your head turned to the sounds of footsteps shuffling onto the dancefloor illuminated by pale spotlights. The afterparty was in full swing, you had been flanked by a group of well-wishing women when your husband's voice reached your ears. Each of you observed as Dazai, alongside Kunikida, Junichirou, Atsushi and little Kenji took centre stage. Excited murmurs fluttered through the throng.

"What on earth are they doing?" You wondered, and then the starting notes to All The Single Ladies began blaring from the party speakers. Your mouth dropped. Every single one of the Armed Detective Agents began to move in unison to the beat of the music.

And for the third time, you fell in love with him, again. Expecting that there would be many more to come.

ᯓ★𝐊𝐔𝐍𝐈𝐊𝐈𝐃𝐀 𝐃𝐎𝐏𝐏𝐎

: ̗̀➛ Kunikida Doppo, who, at first, had not planned to marry you. After all, you only met twenty out of his proposed fifty-eight requirements that made the perfect wife. That was the thing about your relationship, however — you had come into the agent's life unplanned, uninvited, and turned every one of his rigid ideals up on their heads.

: ̗̀➛ Yet it was only telling of the Idealist and his old habits, how Kunikida went about asking for your hand in marriage. It had been early on a weekday afternoon when he had called you into one of the private meeting rooms of the Agency's office. He'd pushed his glasses up the strong bridge of his nose and laid out his terms. He'd even written a business contract for you to sign. The page had gone flying in the air when you had tackled him from across the table. Smattering a thousand kisses against his blushing, flustered face and breathing the words yes, yes, you silly man, yes!

: ̗̀➛ To concur with both your family's wishes and his own, a traditional wedding was set in motion. Kunikida Doppo was always a man to abide by rules and regulations, but it had occurred to you that perhaps he was taking this affair a little too seriously. For your parents, he gifted them the very traditional shiraga thread. During the sake ceremony, the blond sat ramrod straight, moving mechanically to take sips from the three cups. One for past, one for present, and one for your future. Together.

: ̗̀➛ He was so serious, in fact, that you had become nervous on the morning of your wedding — your most beloved of friends helping you into your garments, trying to soothe your thoughts. What if he doesn't want to marry me? You would whisper as they fashioned your hair up. What if I've forced him into this, what if he's unhappy? To one of your many anxieties, your friend had met your eyes in the mirror, and smiled.

"Oh, honey," She chuckled, leaning down to kiss you on the cheek. "You should see the way that man looks at you."

: ̗̀➛ Her words played in your mind as the traditional music was strung during your procession to meet him. The black colours he donned made his long ponytail appear golden, his body strong, his face even more handsome. As he watched you come down the shrine walkway to be by his side, the blond reached up with one hand to push his glasses away and covered his eyes. It had taken you a few months after to realise that in that moment, Kunikida Doppo had shed a tear.

: ̗̀➛ It was not tradition for vows to be spoken, and yet Kunikida asked to say a few words as the ceremony drew to a close. You watched him carefully as he picked up the microphone, curious at the intentions he had. It was in that moment that your newly wed husband faced the crowd and brought the mic to his lips.

"First, I would like to thank you all for gracing our marriage with both your presence and your blessings. It is something we will see not to squander." "Second, I would like to say some thoughts of mine, if you would all be so inclined. Marriage, to me, was initially an agreement of convenience. I had the perfect woman laid out seamlessly. And in my wife that stands with me today, I say that she is not that perfect woman I so wished to find. But she is everything more. She is my best friend, she is my support, she is the person I go to sleep thinking of and wake up searching for. To me, she is my home, and I will take care of her fiercely."

: ̗̀➛ At your small reception, Kunikida was stolen away from you by some affiliates of the Armed Detective Agency and had his sake cup topped up one too many times. He found you afterwards, and proclaimed both his love and adoration for his newly-betrothed to everyone and anyone that was within a five mile radius.

𝐓𝐇𝐀𝐓 𝐍𝐈𝐆𝐇𝐓 . . .

"Come here," You whispered to him, now in the comfort of your own apartment walls. A considerably uncoordinated Kunikida was struggling out of his Haorihimo, cursing in drunken slurs and promises of retribution to the small sliver of fabric.

Your fingers eased the cloth out from underneath his arms and you began to loosen the knot. Your husband was staring up at you from behind his crooked glasses. He swayed a little, and you stood in front of him, ready to support him if he went toppling forward off the bed.

But then, two strong, solid arms came up to the small of your back and he crushed you against him. Burying his head into your chest, he murmured;

"From the very first day I met you... I loved you. D'ya know that?"

Your heart grew tiny wings in your chest and began to sore. Smiling, you reached up, carding your fingers through his blond locks and undoing the tight ponytail.

"The first day you met me, you told me I was inefficient and lazy, my dear husband." You mused.

He grunted. "Same... thing."

ᯓ★𝐀𝐓𝐒𝐔𝐒𝐇𝐈 𝐍𝐀𝐊𝐀𝐉𝐈𝐌𝐀

: ̗̀➛ Your relationship with Atsushi was one that blossomed slow and tenderly. It was a natural progression, after three years of happy dating, for the agent to ask you to marry him. Everything Atsushi Nakajima did in regards to showing his affection for you was always timid and reserved — you never expected it; the elaborate surprise he had waiting in store for you that morning you came into the Agency's offices just like you always did.

: ̗̀➛ Well, perhaps he had a little help from the other agents, for the office was barren when you entered. Your eyebrows had creased at the very uncharacteristic quiet of the usually chaotic area you worked in. You had checked the time, wondering if you had showed up a little too early on accident. But then, there was a voice — the voice of agent Dazai Osamu, shouting at you to come to the nearest window and to do so urgently—!

Each of the agents stood at the sidewalk, all holding up a sign with different characters that made up a whole sentence. A question. And Atsushi — your sweet, kind, caring Atsushi, was perched in the middle, the biggest bouquet of roses in his sheepish hands. Will you marry me?

: ̗̀➛ Both you and Atsushi decide to get married somewhere far removed from the city skyline of Yokohama. You wanted somewhere special to remember this day, and perhaps, the great outdoors and stretching greens spoke to Atsushi's beastly side a little more, too. So you chose the heart of a nearby woodland where a great, ancient willow tree served as your alter.

: ̗̀➛ Atsushi wore a suit of sky-blue. You wore a simple slip dress decorated with accents of lace and flowers, Kenji had twined some wildflowers into your hair. The fauna of the forest acted as your choir when you walked down the small trail of brambles to your soon-to-be husband who waited at the base of the winding trunk.

: ̗̀➛ The reception was held in a greenhouse funded by the Agency's private books — you and Atsushi were members, after all, so Kunikida took a little less persuading than usual to move his ledgers around. For lunch, you served chazuke, and when you took the first dance, Atsushi's eyes appeared more gold than they were violet as they looked at you so lovingly the whole time.

𝐔𝐍𝐃𝐄𝐑𝐍𝐄𝐀𝐓𝐇 𝐓𝐇𝐄 𝐒𝐓𝐀𝐑𝐒 . . .

"Atsushi, they'll notice that we're gone." You giggled, bunching your dress up so you could step over the little bush of thickets. When you both reached the winding roots of the willow tree you promised yourselves to each other underneath, Atsushi transformed his arms and legs into their tiger equivalents.

"Dazai-san said he'd keep everyone entertained." He whispered, and then stepped forward to wrap his soft arms around you. "Are you ready?"

"It may be a little late for second thoughts." You teased, but looped your arms around his slender neck and relaxed into his hold. The new golden band on your finger glinted in the moonlight.

And using that tiger-strength, Atsushi dug his claws into the ancient tree bark and began to climb. Higher and higher until you both broke through the canopy cover and could look to the millions of stars winking at you overhead.

"Oh, Atsushi." You breathed in awe, taking in the wonders above. "Oh, it's beautiful."

Your husband nuzzled into your hair and whispered, "Each one represents all the lifetimes I'd still find and fall in love with you in."

ᯓ★𝐂𝐇𝐔𝐔𝐘𝐀 𝐍𝐀𝐊𝐀𝐇𝐀𝐑𝐀

: ̗̀➛ It had initially been you and your General lover's plan to keep your engagement quiet and have a small affair away from town. Just the two of you, because Chuuya thought some of his colleagues were insufferable pains in his ass, and all hell would break loose if they were to figure out they had a wedding plan on their hands. It was, however, unfortunate, that you two had been discussing what type of ceremony you'd like to have when Hirotsu was just about to turn one of the corners. It took exactly one hour for the entire Port Mafia to know. Two for it to reach the Armed Detective Agency.

: ̗̀➛ It was no longer a personal affair. This wedding became a spectacle within the Mafia's ranks. From the lowest levels all the way to the boss himself, everyone was abuzz with ideas and anticipation, excited that one of their top brass was getting married and they could all take advantage of the time off to have a grand party. Chuuya threatened to resign several times, you always laughed at how excited the entire criminal organisation became at the prospect of celebration.

: ̗̀➛ True to the boss' word, you and Chuuya's wedding was held in one of the grandest churches Yokohama had to offer — having mysteriously skipped the two year waiting list. The building was laved in gold and stain glass windows. Chuuya wore a fine suit of blood-red and a black tie that contrasted with his wild curls, his hard blue eyes. But when they saw you come down the aisle, they softened, and when he said his vows to you, you never thought anyone would look at you with such adoration ever again.

: ̗̀➛ The main event was held in the bowels of the Port Mafia — one of the largest show-rooms this organisation had to offer, with chandeliers hanging from the ceilings and a private band playing any songs they were requested. Chuuya, for the majority of your reception, could not seem to keep his hands off of you. If you were not by his hip, his eyes would instantly go searching for you within the throng of party-goers. When he did find you, he would place a hand to the small of your back, he'd lean in to kiss you and say;

"There you are, my wife."

: ̗̀➛ There was another reason as to why Chuuya Nakahara was originally so hellbent on taking your wedding somewhere more quiet and peaceful. And it came in the form of a brunet ex-partner waltzing into the organisation's party, a broad simper on his infuriating face. Dazai Osamu took your hand and kissed the back of it, extending his deepest sympathies and that if you ever needed to blow off steam, he could give you his number.

: ̗̀➛ The Port Mafia ballroom had originally started off with three grand chandeliers. After Dazai had purred those taunting words, there was then, only two.

: ̗̀➛ After the many shards had been swept from the floor by a cleaning crew, the private band struck an up-beat quartet. Both you and your newly-wed husband took to the floor for the first dance. Chuuya's hand splayed protectively against your back, his other gloved palm slotting into yours and guiding you to twirl, skip, spin.

𝐇𝐎𝐋𝐃𝐈𝐍𝐆 𝐘𝐎𝐔 𝐂𝐋𝐎𝐒𝐄 . . .

"Shit, sorry." He grumbled when your foreheads were touching, the proximity sending his breath fanning across your cheeks. His pointy canines were jutting against his bottom lip. "That motherfucker — he just makes me see red."

"Hey, it's okay." You said, catching his eyes. "Because I love you. You, Nakahara. I am all yours and no one else's."

Those words touched something deep within this man's chest. Of course, the proof that you were his sat in the form of two stacked rings on your left hand, but to hear it. To look into your beautiful eyes and see the amount of love there.

He surprised you by reaching down to your hips and lifting you up, twirling you around, around, around.

"And I'm forever yours, babydoll."

ᯓ★𝐅𝐘𝐎𝐃𝐎𝐑 𝐃𝐎𝐒𝐓𝐎𝐄𝐕𝐒𝐊𝐘

: ̗̀➛ The initial letter you received from Fyodor asking for your hand in marriage — originally, you believed it to be fake. A shallow joke from someone who knew of you and the mastermind's occasional on-and-off relationship whenever he returned to your homeland. But as you traced the delicate loops of the handwriting that looked so much like his own, in the intimate moonlight beams of late night — you'd let yourself imagine. Hope. Only for it to swell and dwindle like ashes of a flame. Because there was just no way he would ask to marry you. That he would marry, at all.

: ̗̀➛ It was fitting then; how palpable your shock was when the slender, pale man you had accidentally fallen in love with — like a fool — was standing on the other side of your door that early morning. You had blinked hard, rubbed your eyes, wondered if you were weary from too many sleepless nights. When the stars had cleared from your vision, he was still there. An amused little smile stretched against his lips.

"So? Are you ready to get married?" You stared at him. And stared. And then dropped your morning cup of coffee onto the tiles of your hallway.

: ̗̀➛ At the news of your sudden betrothal, your family were both elated with a healthy dose of scepticism. Who is this man you are intending to marry, they fluttered around you with questions when you broke the news. Fyodor? I've never heard you speak of him, why do you intend to marry this man, girl? At that, you had smiled, not bothering to hide the small heat of blush on your ears, and murmured;

"Because he's a thief, and he stole my heart a very long time ago."

: ̗̀➛ The wedding was held in an old cathedral of gothic architecture. You don't think you've ever seen Fyodor look so refined; standing there in his simple suit of stone-grey with a black shirt. He had his hair tucked behind his ears, his eyebags were a little less pronounced, his skin brighter — but perhaps that was just the early-morning light. When you stood before your husband to-be and handed your heart over to him, for him, there was a shift in his eyes. You could not explain it, but you knew it ran deep. You knew that in his own way, he was also handing himself over to you. And you would accept all of him, just like you accepted his name.

: ̗̀➛ Much to the dismay of your family, you did not hold a wedding reception after the ceremony, but that was only because Fyodor decided to walk with you through the freezing streets of Moscow. He held your hand, and even though on many nights where you lay together he was stone-cold, today, he felt warm.

𝐇𝐎𝐋𝐃𝐈𝐍𝐆 𝐇𝐈𝐒 𝐇𝐀𝐍𝐃 . . .

"Fyodor?"

"Hmm?" He answered, noticing the sheepish tone in your voice. You looked up at him with those big doe eyes.

"Why did you ask to marry me?"

Fyodor held your gaze for a long, pregnant second. It was at that moment that a single flake of snow fluttered down from the grey sky and landed on his immaculate suit. Then another. Each one the same colour as your dress, each one different to the rest.

Fyodor held out his hand to catch them. "Why does the snow fall? Because it is natural. It is meant to be. I married you because it is the way I wish to fall. With you, by my side."

✎ . . . requested by the lovely @cocodrilofeliz!

WRITING REQUESTS

#bungou stray dogs #bsd #bungou stray dogs fanfiction #bungou stray dogs headcanon #dazai osamu #dazai osamu x reader #dazai x reader #kunikida doppo #kunikida doppo x reader #atsushi nakajima #atsushi x reader #atsushi nakajima x reader #chuuya nakahara #chuuya nakahara x reader #chuuya x reader #fyodor dostoyevsky x reader #fyodor dostoevsky #fyodor x reader #bsd x reader #🎋 — writing requests #gorgeous bead dividers by pommecita!!

[heliza24]

Porter is absolutely trying to guide Fig into switching her paladin oath and warlock contract to the unnamed god of rage. Thank god Siobhan at least clocked the giant connection this episode. Ancestor oath? Ancestors who probably also worshipped the forgotten god? Ok sir. I don’t trust you as far as I can throw you.

The real answer for Fig, by the way, is not that she’s dedicated to Kristen or doubt or Cassandra or rebellion or rage. She’s dedicated to friendship, which is its own kind of contract and oath.

I think the IH finally noticed that random students having a deeply angry reaction to them is not a bit and may be mystery connected. The fact that Quincy started exhibiting rage after Fabian used Fig’s bardic also feels significant to me. I still think the curse is connected to wrath as much as pride, which also has its own hellish set of armor.

Brennan and Ally improvising as Buddy and Kristen was so good. The way that Brennan captured a kind of fundamentalist rejection of responsibility and Ally let Kristen’s anger and religious trauma shine through. It was really impressive. And I keep turning over the connection of unnamed god is associated with rage and summer- Sol is the god of the sun- Buddy lets Sol get angry for him. I don’t understand the connection yet but it’s there somehow.

Did everyone forget that learning how to plane shift into gems was literally a huge plot point of sophomore year? Where the hell is Ayda when you need her?

Lou made me laugh SO hard this episode with Fabian’s failed attempts at flirting with Mazey and his choice of poop punishment. Truly unhinged in the best way.

Baron in the preview for next week! I can’t wait.

This season is so good. I just love the way the themes are suffused through the mechanics (stress leads to rage) and the mystery and the role play. The pacing of the way clues are rolling out feels just right. Just *chefs kiss* all around.

#dimension 20 #d20 #fantasy high #fantasy high junior year #d20 fhjy #episode 10 thoughts

[prokopetz]

Your long and arduous journey has led you to this, the final confrontation. You thought you knew what to expect, but just as you struck the final blow, your ultimate foe's eyes gleamed with unnatural light as they proclaimed…

THIS ISN'T EVEN MY FINAL FORM

A game for 4–6 players

Introduction

This Isn't Even My Final Form is a GMless tactical minigame for 4–6 players. You'll take on the roles of a party of heroic adventurers nearing the end of a world-spanning quest to defeat a great evil, the Final Boss. Unfortunately for them, each time they think they've won, the Final Boss assumes a new, even more horrifying form, and the struggle begins anew. Is there any end to this conflict? There's only one way to find out!

What You'll Need

This Isn't Even My Final Form requires a dozen six-sided dice, as well as a way of keeping track of a few important numbers – a shared text document or some scrap paper will suffice.

Update 2023-10-30: Print-and-play card decks are available here:

http://penguinking.com/this-isnt-even-my-final-form/

Character Creation

Choose two of the following actions to be your Party Member's Class Actions: Strike, Heal, Buff, Debuff. If you'd rather determine this randomly, roll on the following table.

1. Strike, Heal 2. Strike, Buff 3. Strike, Debuff 4. Heal, Buff 5. Heal, Debuff 6. Buff, Debuff

Give your Party Member's Class a name which suits your Class Actions. Also give your Party Member a name; it is traditional but not obligatory for your Party Member's name to have exactly five letters.

Playing the Game

Play is divided into a series of Phases. During each Phase, one player takes on the role of the Final Boss. That player's Party Member does not participate in this Phase; they're trapped, lost, incapacitated, or otherwise separated from the party or unable to act for the duration of the Phase. All other players take on the roles of their Party Members.

The Final Boss player's first order of business is to describe what the current Phase looks like. The Final Boss player can roll 1–3 times on the following table (re-rolling duplicates) to decide on a theme, or use it as inspiration for their own theme. To use this table, roll a six-sided die twice, treating the first roll as the "tens" place and the second roll as the "ones" place, yielding a number in the range from 11 to 66.

11. Beasts 12. Bells 13. Blood 14. Bones 15. Chains 16. Chaos 21. Cubes 22. Eyes 23. Fire 24. Flowers 25. Food 26. Games 31. Gears 32. Glass 33. Gold 34. Hands 35. Holes 36. Ice 41. Iron 42. Light 43. Mazes 44. Meat 45. Mirrors 46. Music 51. Orbs 52. Order 53. Plague 54. Shadow 55. Slime 56. Space 61. Spikes 62. Teeth 63. Time 64. Trees 65. Weapons 66. Wings

Once the Phase has been defined, set the party's Momentum to zero. Momentum is a value which will increase or decrease over the course of the Phase; it has a minimum value of zero, and no particular upper limit.

Play proceeds in a series of rounds, as follows.

The Final Boss Attacks

The Final Boss always goes first in each round. Roll one die:

1–3: The Final Boss chooses one of the following actions. 4–5: The Final Boss chooses two of the following actions. You may not target the same Party Member twice; however, you may use the same action on two different Party Members if you wish. 6: The Final Boss does nothing this round. On its turn next round, it does not roll and instead uses its Ultimate Attack.

Wound: Inflict the Critical Condition on a single Party Member. If the chosen Party Member already has the Critical Condition, it's replaced with the Down Condition and the party loses one Momentum.

Imprecate: Inflict the Cursed Condition on a single Party Member.

Envenom: Inflict the Poisoned Condition on a single Party Member.

Bewilder: Inflict the Confused Condition on a single Party Member.

Counter: If you're targeted by the Strike or Debuff actions this round, after resolving that action, perform the Wound action on the Party Member who targeted you. You may counter any number of actions in this way.

Dispel: Remove the Buffed and Protected Conditions from any number of Party Members.

Enrage: The Final Boss rolls two dice and takes the better result on its next action. The party may cancel this benefit with a successful Debuff action; doing so removes the extra die instead of forcing the Final Boss to roll twice and take the lower result.

Ultimate Attack: This action can only be chosen by rolling a 6 during the previous round. When the Final Boss uses this action, choose Cursed, Poisoned, or Confused: you may perform the Wound action AND inflict the chosen Condition upon any number of Party Members, in that order. (i.e., Wound each targeted Party Member, THEN Curse/Confuse/Poison any who remain standing.)

The Final Boss player describes the outcome of the chosen action(s) in as much or as little detail as they like; control then passes to the other players.

The Party Acts

After the Final Boss has attacked, each Party Member who doesn't have the Down condition chooses one of the following actions, in any order the players wish. After choosing any action other than Defend, the player rolls their dice pool, which is a handful of six-sided dice constructed as follows:

Start with a number of dice equal to the party's current Momentum (initially zero, though it will grow over the course of the Phase)

Add one die if you're performing one of your Party Member's Class Actions

Add one die if your Party Member currently has the Buffed Condition

Add one die if your Party Member currently has the Critical Condition

Roll all of the dice together, and find the highest result. Ties for the highest result have no special significance; for example, if you rolled four dice and got 1, 3, 5 and 5, your result is 5. If you'd ever end up with zero or fewer dice for any reason – either because your dice pool was empty to begin with, or because some effect obliged you to discard every die you rolled – you receive an automatic result of 1.

If an action requires you to target a specific Party Member or make other choices, you can wait and see the result of your roll before making those decisions.

Strike: You attack the Final Boss. Roll your dice pool:

1–3: Nothing happens – either the attack misses, or the Final Boss turns out to be immune to whatever you just did. 4–5: The attack strikes true. The party gains one Momentum. 6: Critical hit! The party gains two Momentum.

Special: If you roll triples or better (i.e., at least three of the same number) on a Strike action, the Final Boss' current Phase is defeated, and you move on to the next Phase. It doesn't matter what number comes up triples.

Heal: You attempt to restore the party's strength. Roll your dice pool:

1–3: You may remove the Critical Condition from a single Party Member. If no Party Member has the Critical Condition, nothing happens. 4–5: You may remove the Critical Condition from any number of party members OR you may remove the Down Condition from a single Party Member. 6: You may remove the Critical and Down Conditions from any number of party members.

Buff: You attempt to bolster a party member. Roll your dice pool:

1–3: You may grant the Buffed Condition to a single Party Member OR remove a Condition of your choice other than Critical or Down from a single Party Member. 4–5: You may grant the Buffed Condition to a single Party Member AND remove a Condition of your choice other than Critical or Down from that Party Member, if they have one. 6: You may grant the Buffed Condition OR remove a Condition of your choice other than Critical or Down to any number of Party Members. You may choose a different option for each targeted Party Member.

Debuff: You attempt to weaken the Final Boss. Roll your dice pool:

1-3: Nothing happens – it turns out the Final Boss was immune to that effect. 4–5: The Final Boss rolls two dice and takes the lower result on its next action. 6: The Final Boss rolls two dice and takes the lower result on its next action AND the party gains one Momentum.

Defend: You may grant the Protected condition to a Party Member of your choice. Do not roll.

Based on the outcome of your roll (if applicable), describe the outcome of your action in as much or as little detail as you wish.

Once each Party Member has acted, return to "The Final Boss Attacks" to begin the next round.

Ending the Phase

As noted above, rolling triples or better on a Strike action results in the immediate defeat of the current Phase. Alternatively, if all Party Members simultaneously have the Down Condition, the Final Boss player's Party Member suddenly breaks free or arrives on the scene and rescues everyone in a stunning deus ex machina; this also ends the Phase, but does not count as defeating it.

In either case, reset the party's momentum to zero, remove all Conditions, and move on to the next Phase. The role of the Final Boss passes to a different player, with preference given to those who haven't yet had a chance to be the Final Boss; the previous Final Boss player resumes playing their Party Member.

Continue until the party has defeated a number of Phases at least equal to the number of players, or until mutual agreement has been reached that all this has gone on quite long enough.

Conditions

Some actions can impose Conditions upon the individual Party Members. Conditions can be positive or negative, and last until specific conditions for their removal are met.

Buffed: Your strength has been boosted. When rolling your dice pool, you roll one extra die.

Confused: You've lost your wits. When the party acts, your action is determined by rolling a d6 – 1: Strike; 2: Heal; 3: Buff; 4: Debuff; 5: Defend; 6: do nothing this round AND remove this Condition. This Condition is also removed if you gain the Critical Condition while under its effects. You may choose targets normally if the rolled action requires them. Confused Party Members always act before their un-Confused peers; if there are multiple Confused Party Members, the Final Boss decides the order in which they act.

Critical: You are badly wounded. Desperation lends strength, and so this Condition adds one extra die to your dice pools; however, if you suffer the Critical Condition a second time, it becomes the Down Condition instead.

Cursed: You've been afflicted with misfortune. Discard your highest result after rolling your dice pool, but before applying your chosen action's effects. If there's a tie for the highest result, discard all of them; for example, if you roll four dice while Cursed and get 1, 3, 5 and 5, your result is 3. If the Condition causes you to discard your only set of triples of better on a Strike action, the Phase does not end.

Down: You are incapacitated by injury or foul enchantment. When the party acts, you may not choose an action; your action remains lost even if this Condition is removed before the end of the round. When you gain this Condition, remove all other Conditions, and the party loses one Momentum. (This is not in addition to the Momentum loss noted by effects which inflict this Condition – those are just reminders.) You may not gain other Conditions while this one persists.

Poisoned: You're afflicted by a poison, plague, or death-curse. If you have the Poisoned Condition after resolving your action for the round, you gain the Critical Condition. If you already have the Critical Condition, you instead gain the Down Condition, and the party loses one Momentum.

Protected: The next time you would gain any Condition other than Buffed, remove this Condition instead. You also remove this Condition if you take any action other than Defend on your turn.

#gaming #tabletop roleplaying #tabletop rpgs #this isn't even my final form #game design #violence mention

[lordofdestructionm]

Wick Sable

The odd duck in the guilded cage

Despite this being a feral Mordecai and Viktor account I do occasionally like to dig into the others.

Wick is a character Lackadaisy fans love but don't talk about very much. He just the rich friendly geologist with a love of illicit beverages and a crush on Mitzi. Indeed he is all those things. But I want to dig a little into what may be hidden depth (geography joke haha)

Professional dissatisfaction

When we first meet Wick he is behind his desk looking very tired and beaten down. Forcing himself to keep working late into the night with excessive coffee. Attending to a large pile of paper work for tomorrow.

His expression shifts slightly when he sees the Lackadaisy pins fall out of the envelope and realises the letter is an invitation to him (and his fellow aristocrats) to the speakeasy.

This hatred of paper work and the administrative side of his business is a recurring issue for Wick. Making the reason for his reliance on the capable and attentive Lacy very obvious. Exhaustian and too much alchohol are no doubt partly to blame, but it seems to be something that puts him in a very depressed state of mind.

But when actually on the job, overseeing the hands on work of blasting a new quarry, his mood is much more positive. Indeed he has a very real and sincere love for geology and the nitty gritty work of his business. When he first went to the Lackadaisy he was spellbound by the lime caverns themselves as much by Mitzi's charm.

Its his special interest and he will go on long unprompted monologues on the topic if given the chance. Meaning it is specifically the being trapped in his office dealing with the red tape that makes him so unhappy not the industry itself.

Its almost sad that he is the one in charge of the company rather than in a role that puts him closer to the action which seems to bring him real joy. Like someone who loves cooking being in charge of a restuarant or someone that loves drawing running an animation studio.

They love the product/industry but that doesn't mean they enjoy their specific place in it.

Unimpressed Peers

Despite Wicks enthusiasm it proves not be infectious with his fellow elite, who complain about being dragged out of town to watch something, that while very important to Wick, they clearly could not care less about (even not that quietly mocking him and his love for rocks and construction)

When the evening doesn't go to plan due to the uninvited pig farmers Wick has an interesting exchange with Edmund Church, seemingly the most prominent of the St Louis upper crust in the group. Warning him about getting any more involved with an unsavoury crowd, especially Mitzi, outside of simply enjoying the occasional drink.

Wick doesn't take kindly to the snarky criticism and borderline threat to his reputation and responds with a much more direct statement on his peers sour nature

Tracy has mentioned that Church has a role yet to play in the story and it seems safe to assume from this it may well involve Wick in a less than friendly way if he continues to associate with his "lessers" as Church and the others see things.

Despite needing to remain on civil terms to keep them invested in his business, Wick clearly has little love for them, a feeling that is mutual as they have little respect for him and see him as an oddball, only tolerating him because his talent in his field can help make them a tidy profit.

But while he doesn't appreciate Church's sniping Wick IS concerned about his reputation, but not entirely for his own sake or that of his elitist associates, but for the many people who rely on him for employment, who could be hurt by extension of he gets pulled too deep into the less than repectable world of bootlegging

Romantic life

Outside of the crush he has had on Mitzi since first meeting her at the Speakeasy, we have very little information about Wicks love life before this. Being a handsome and wealthy gentleman from a good family, you would think he would he fighting women off with a stick, maybe even be a bit of a playboy.

Instead you get the impression Wick is pretty far away from being a ladies man. Mentioning to Mitzi that he doesn't even really know how to talk to women unless its about rocks, bugs or limestone.

He is clearly attracted to her and is tempted by her to risk his reputation and by extension his business to get closer to her, but so far his fear of the very real consequences are deterring him from taking that gamble.

Though there is that personal aspect to it, it seems that in a more abstract sense Mitzi's appeal to Wick is not just in her beauty and seductive personality, but in the excitement and thrill of her Speakeasy and bootlegging operations.

In that sense Mitzi represents that touch of danger and excitement that during prohibition many otherwise law abiding citizens enjoyed indulging in illegal drinking establishments. Being* just* naughty enough to give them a fun thrill while being detached from the more brutal blood soaked aspects.

Wick is a good natured person (the worst thing he has done is shoot a duck in his youth which he was forced to do) living a very "respectable" life, but that makes the superficial glamour of the world of underground drinking establishments and secret booze stashes even more appealing. Thats why despite his concerns and responsibilities he keeps going back ,not just to Mitzi, but to the Lackadaisy specifically. It has pretty geography, a pretty owner, and an open door to a more exciting avenue of life

Its for that same reason he doesn't seem to be overly uncomfortable with lovable bi disaster Zib flirting with him at the bar. He may have no intention of reciprocating, but it couldn't be a more different experience to the world he is used to

Even if he doesn't yet want to take the full plunge it all excites him enough to keep him circling the edges.

Because despite having so much going for him there are things about his life that not only bore him but make him unhappy. Whether its piles of paperwork, dealing with much stuffier "conventional" fellow aristocrats and not wanting to be like them, or just a general lack of true passion in his life, he is clearly a man looking for something more satisfying

Whether or not he remains a "tourist" or decides to take that gamble, throw his reservations to the wind, and take a more active role in the gang, is yet to be seen...

Assuming Rocky doesn't set fire to him first of course XD

#lackadaisy #tracy j butler #lackadaisycats #wick sable #mitzi may #lacy hardt #zib #dorian zibowski #wick x mitzi #zibwick #zib x wick #long post #comic #pilot #sedgewick sable #edmund church #cats #gangsters #1920s #prohibition