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all-purpose-dish-soap · 3 months

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TF141 reactions to "want me to paint your nails?"

PRICE has never been asked that question before

knee-jerk reaction is no. because he is a man.

but he knows better than that, too; it's just an assumption he was raised with and he's lived too long and seen too much to care about other people's judgement.

he leans over and watches you paint yours. seems harmless enough.

he allows you to paint one (1) pinky nail.

you do as neat a job as you can. very deliberate strokes. sliding one of your unpainted nails around the edge of his cuticle to catch a smudge.

you say "there you go :)"

he nods, seems pretty unaffected by the whole thing. just indulging you, it's a good captain thing to do. fun is allowed sometimes as a little treat.

if you catch him looking down at that one painted pinky nail in thought, in meetings, running his thumb over it in thought, no you didn't.

GHOST balks. acts like that's a stupid question. this is a lie.

even if you shrug and say okay, your loss, he feels kinda tingly about it in the stomach for a minute.

but if you were to just... maybe reach over and pull his hand in anyway, he wouldn't stop you.

he just lets you paint his nails. all of them. just sits there like it's not happening.

activates the monkey grooming part of his brain. not only are you doing a nice thing for him for no reason, you're touching him.

like, you're holding his hand almost. that shit is intimate.

his touch-starved ass starts having pavlovian reactions to the smell of nail polish after that.

GAZ says yeah. asks you to show him.

you lean in and show him the hand you're working on.

when you pull his hand over to do his, he pulls an uno reverse. flips your hand over in his.

plucks the nail polish brush out of your hand and starts painting the thumbnail of your non-dominant hand.

he's just doing it as an excuse to have your hand in his. he does not deny it when you point this out. no, he's not letting go.

his grip is secure. you protest and he counters by asking you how long it takes to dry. how many layers. if this is your favorite color. how to clean up that dot he just made on your fingertip.

he is so coolheaded about it that he flusters you the more you try to argue. you eventually have to just shut up and let him work. and answer his questions.

he is smirking.

after that, he makes a point to grab your hand whenever you're not wearing gloves and check your nails. if they're chipped, he quips it's time for him to fill you in.

SOAP says sure >:)

do not trust him. this is a mistake.

the minute you scoot over to pick his hand up, he yanks you over and wrestles you to the floor.

pot of nail polish? spilled. your freshly painted nails? ruined. done for.

you should've known. like this is seriously your fault. you know him.

he gets your nail polish on his fingers by accident. then happily smudges it wherever he can reach.

he loves wrestling :) and playing too rough on purpose

eventually he will apologize for ruining your manicure.

helps you repaint them. you're awed when he does a better job than you could.

he has steady hands. part of his demo skillset. and he likes sketching, so

you don't have to clean up any of the nails he paints.

he even uses your detail brush to draw a little something on your accent nail to remind you of him. you think it's just something to make up for his bullshit, but now whenever he sees it (and that thumbprint of nail polish he left on the back of your shoulder and didn't tell you) he feels like he signed you <3

...

more multi-141 and poly 141 / masterlist tag

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wombywoo · 7 months

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Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

#tutorial #my art #art tutorial #since people have been asking #I remembered to save my process from this latest work~#enjoy 🙆‍♀️

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mayordoi · 9 months

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Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

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thestoryofusstan · 3 months

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Uptown Girl

pairing: fashion designer!harry x younger!fashion designer!reader

summary: you’re working in a designer boutique, and just so happen to have a late entrance when world-renowned designer harry styles visits for a collaboration. he seems to take a liking to you, and you aren’t sure if that makes you relieved or more anxious

warnings: some cursing, not edited as usual

harry styles was a well-known name. ceo and founder of pleasing, a nail polish and perfume company. he also owned many other companies, but really, there were too many to keep track of. he was also, most importantly, one of the biggest fashion icons.

you were very familiar with him— had saved up every penny when you were younger to buy a pleasing perfume and now owned a very small collection of their nail polishes.

so, of course, you lost your shit when you found out he’d be coming into your job.

you were a fashion design major at nyu, and had gotten a job at a very esteemed designer (not one of the name brands, but still). although you did expect the job to have more opportunities to.. actually design fashion, you were still grateful nonetheless.

it was just your luck that the day that harry styles was coming in, you were late. it wasn’t your fault! really, it wasn’t! you were always on time because you got anxious at the mere thought of being late.

by the time you parked, you practically ran to the store, silently praying you wouldn’t break a leg as you were running in heels.

“i’m not late am i?” you ask breathlessly as you finally enter the store, fixing your hair and outfit.

you had curled your hair the night before, so they were still pretty much intact. your outfit consisted of black heels, brown dress pants, and a black, tight-fitting turtleneck.

“yes, y/n. you are late,” your boss gave you a look, and you knew you’d be in trouble. “mr. styles, i am so sorry. our employs are.. usually punctual.”

your head snaps over to look in the direction she was talking, and your heart drops when you make eye contact with harry styles.

great.

“mr. styles, i am so sorry,” you apologize.

“it’s perfectly alright,” he gives a kind smile.

that makes you feel a bit better.

“y/n, a word in my office please.”

you deflate as you look back to your boss and follow her to her office

the second the door is closed, she’s chewing you out.

“how unprofessional can you be? i know you are in college, but jesus christ!”

“i’m sorry! there was so much traffic, and my car is so old it stops working if i go faster than 50, and—“

“i don’t need excuses,” she cuts you off. “i need you to be more professional.”

you inhale, “i am sorry, but it was not my fault. i have never once been late before, and you know that. it was a one-time mistake.”

“it better be.”

she walks out and slams the door to the office, leaving you alone in there.

you look up to the ceiling as you bite your lip and try not to cry.

after taking a few minutes to collect yourself, you walk back out into the otherwise empty store and slap a smile on your face.

you do your usual tasks of tidying the store and fixing the mannequins.

mr. styles, his team, and your boss (her name was diane but she was more like satan) were all working on sketching designs and throwing some fabrics onto the mannequins to get a rough idea of what they wanted.

“i don’t know if i like it,” mr. styles murmurs, staring at the mannequin. you glace over at it and have to force yourself to not make a face.

no shit, he didn’t like it. it was bad.

the sketch was good, but the color combination was all wrong and the whole thing was too.. chunky. in the way that everything was flowy and baggy, so it had no shape.

“well, what do you not like about it?” diane asks.

“i’m not sure. it doesn’t look quite right.”

“you have to fix the shape,” you say to yourself as you fix the files of custom orders to be done.

“what was that?”

your head snaps up, and you realize he heard you.

“oh. uh.. i was just—“

“talking to herself,” diane interrupts, glaring at you. “she’s an intern. don’t mind her.”

“no, i’d like to hear what she has to say. might have the answer to our issue. let’s hear it— what was your name again?”

“y/n l/n,” you squeak out.

“well, y/n, what do you think is wrong?”

you hesitantly walk over, “well.. i can see the idea. but it’s just not.. executed well. the whole thing is too flowy.”

“isn’t the point for it to flow?” he asks, raising a brow.”

“it is,” you answer quickly, “but.. there has to be something that isn’t as.. baggy, i suppose. something has to be tight-fitting. it doesn’t have any shape. it just kinda.. looks like a box.”

he stares at you for a moment, and diane clears her throat.

“y/n, this is time for the professionals. get back to—“

“no, diane. she is.. she’s right. it does need shape.”

at his words, the people around him begin to pin it differently.

“and the colors,” you rush out. “the colors don’t.. it’s supposed to be a statement piece, right?”

“that’s the goal,” he nods.

“well.. the colors are too.. light. they’re more pastel, which is fine, but for it to really be a statement, it’s better to use brighter ones. or at least make one of them brighter. i would.. i think make the base the brighter one.”

diane looks ready to kill you.

mr. styles laughs, “well, don’t you know a lot? diane, where did you find her? wish my interns knew half as much as her.”

your face grows hot.

“she’s a student,” diane sighs.

“a student?” he asks.

“i… uh.. i study fashion at nyu. fashion design— i’m in my last year.”

he seems to sense that you're damn near about to shit your pants, because he grins at you (slightly patronizing, but also kind), before turning back to diane.

"i'd like her to be with me for the rest of the project. y/n, darling, how much are y'makin' here?"

your stutter, "uh--... $15 an hour."

he tuts his tongue like that's horrible, "i'll pay.. ten times that while y'workin' with me."

your eyes widen, "wh-- that's not-- you don't have to--"

"nonsense. it's what most people i work with start with. i'll up it if needed, of course. and you obviously don't have to, but i'd love your insight."

"i-- no, i-- i'd love to, i.."

"great," he grins, and you're extremely dizzy. what the hell was going on?

"uh.. mr. styles, if i may give my opinion," diane pipes up.

"you may," he eyes her skeptically.

"y/n is a student. she's still learning, and she's never worked on anything here. it's very risky to--"

he cuts her off by asking you a question, "have you designed things? sketched 'em out and all that?"

you nod.

"i'd hope you've also done the whole... actually sewing things together and really making them?"

you nod again.

he turns back to diane, "seems like she's got experience," he looks back to you, "do y'have photos of any of those?"

"yeah-- they're.. i think i left them in my car. i have photos on my phone."

"we'll meet later to look at all that, then. i'll give you my number later. for now.. i'd like your input on our other ideas."

for the rest of the day, you follow harry around, and you sort of feel like a lost puppy just following him around and answering when he asks something of you.

after a while, you got more comfortable giving your input without being prompted, but you always tiptoed around what you were really trying to get at in fear that you'd anger him.

at the end of day, he put your number in his phone with the promise that he'd text you later about more details.

the text came three days later.

From: (Maybe): Harry

Hello, Y/N. This is Harry. Would you be free to meet tomorrow at noon to discuss the details of the project? Please bring your sketches and any photos of designs you've done, and anything else you feel necessary.

To: Harry Styles

Hi! I should be free tomorrow, yeah. Where do you want to go?

From: Harry Styles

I'll let you decide.

To: Harry Styles

There is this one coffee shop named Maman?

Sent Location: 239 Centre St, New York, NY

From: Harry Styles

Alright. I'll see you tomorrow, Y/N. Have a nice rest of your day.

To: Harry Styles

You too!

you spend the rest of your night fretting about what to wear. you were stuck in between classy but not too fancy, but also not too casual. comfy, but not so comfy that you looked like you didn't give a shit. but also not so uncomfortable that you were, well, uncomfortable, and looked like you were trying too hard.

you'd eventually settled for something simple. long, light-wash denim skirt, a plain black top, and some mary janes. you tied some of your hair back with a white ribbon, did some natural makeup, and called it a day.

you got to the coffee shop at 11:45 and ordered your drink, as well as a chocolate croissant.

harry walked in at exactly 12:00, and grinned when he saw you sitting at a table, scrolling on your phone with a manilla folder and sketchbook beside you.

really, you can't blame him! you were pretty, he'd have to be blind to not know that. and really, you weren't that much younger than him.

he's 29, and you're 23. he's not a stalker, he just did a background check like any good business person would do.

so what he finds you cute? the relationship would be strictly professional. besides, you deserved a break from your horrible boss. contrary to what diane thought, the walls were not soundproof, and he could hear her chewing you out.

sure, he'd done that to one of his employees once or twice, but it was always deserved, and never on the first time of being late. that was ridiculous.

"good morning, y/n," he greets. your head snaps up to make eye contact and he has to force himself to not laugh. he wasn't laughing at you, per se. it was more so the fact that he found it amusing how jumpy you seemed around him.

"good morning. did you order?"

"not yet. never been here, so i've got no clue what's good."

you open your mouth to respond, but the barista calls out, "large iced honey lavender latte with a pain au chocolat for y/n!"

you give a sheepish smile and run up to retrieve your food and drink. when you come back, you take a sip of your drink and set what looks to be a chocolate croissant down on the table.

"well, i'm more of an iced coffee girl. and i also don't really like the taste of coffee, so i've got a bunch of sugar in mine. what do you usually drink?"

"'m more of a black coffee, to be honest. iced is fine, but hot's better."

you wrinkle your nose, "i don't know how you stand the taste of coffee. it's so bitter."

"better than what you've got!" he laughs, "might as well just down a sugar packet."

you giggle at his teasing, "only psychos drink plain black coffee. this," you hold up your drink, "is so much better."

"oh, is it now?"

"yes, it is," you cross your arms proudly.

"lemme have a taste."

you hand over the drink, and he takes a small sip before coughing, "christ, y/n! that cannot be good for your health!"

"hey, i'm still alive, aren't i?" you shrug.

“that you are.”

“well… just ask for an americano, i guess. the rest of their drinks are kinda sugary and fun.”

he got his drink, and once the both of you were sat down, he got to business.

“so, how long have you been designing?”

“i’ve been doing it since middle school. i.. uh.. i saw that one american girl doll movie. where she was a designer. and i just got obsessed. obviously they weren’t good, but…”

“so you’ve got a lot of experience then?”

you nod. he grins.

“may i see the sketches?”

you grab the folder off the top of the sketchbook and pass it over to him.

he flips through it in silence for a few minutes, and you anxiously nibble at the skin around your fingernails.

“..so?” you ask.

“they’re great. really, you’ve got talent. i can’t draw for shit, so you’ve got me beat,” he laughs.

you laugh with him, “most of those are just ideas, i’ve never made them. but i have photos of the ones i have made. i printed them so it’s easier.”

you pass over the manilla folder, and he opens it to look at all the photos you’d printed out. there was around fifty— those were just the ones you actually liked and were confident showing.

he holds one up, and your cheeks flush. “why’s this the only one where you’re the model?” he asks.

“that was.. uh.. that’s my senior prom dress.”

his eyes widen, giving you an impressed look, “you made your own prom dress?”

you nod, “i just wanted something very specific, so.. i figured i’d just make it myself.”

“y’look great— the dress looks great,” he coughs. “you’re very talented.”

“thank you,” you blush.

“so tell me why someone as talented as you is working in diane’s shop not designing a single thing?”

“i didn’t realize that was the job. i just got excited when my professor told me they were interested in my work, so i took the job. i thought i’d at least do a little designing, but.. it pays.. decent, though.”

he scoffs, “darling, 15 bucks an hour is not decent pay. that’s what you make being a hostess. you’re an artist. someone would pay thousands of dollars for just your sketches.”

“i don’t think i’m that good—“

“you are,” he’s firm. resolute. there is no room for argument with him. “i think you’ll be a great asset to the project. i could use your… talent. i’ll send you an email with the nitty gritty details. i’ll see you soon, y/n.”

and with that, he stands and leaves, leaving you to sit there, dumbfounded, confused, and grinning.

a/n: guys i have too many series going on 😭😭

#harry styles #harry styles x reader #harry styles oneshot #harry styles one shot #harry styles imagine #harry styles fic #harry #harry fic #harry styles au #harry styles fluff #designer!harry styles #designer!harry styles x reader #harry styles x designer!reader #harry styles x fem!reader

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meanbossart · 2 months

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Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)

As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.

Lets use this drawing for example (the character on top of DU drow belongs to @namespara )

I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:

I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.

Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:

Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.

Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.

So, with the reference in hand, I go over the sketch again:

Now you may notice that I don't stick to the reference 100%. There's three reasons for this:

posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.

In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!

While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).

Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.

Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)

Now, for the question many of you may want to ask:

"Can I trace this junk?"

And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.

However,

If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.

Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".

So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.

Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.

A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.

#Funfact THIS is the post that got me flagged last time so i'm really tempting fate right now LOL #ask #art #tutorial #resource

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