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#but also people who have abused people in the past can still become better people in the present
bananonbinary · 5 months
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also worth noting that "abusive" doesn't actually mean "irredeemable" either.
there's a lot of people that have done things in the past that were bad, because they weren't taught any better, or they were in an overall toxic situation where EVERYONE was shitty (like a cult), or they were just at an especially low point and hurt others for it.
you don't have to forgive them. you don't have to ever speak to them again. you can be angry with them until you die if you want.
but society cannot function if we don't allow them to move on. to change their behavior and fuck off somewhere else and build meaningful relationships without bothering you again. we need a path for people to change, or nothing ever will.
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lizzieheartsfanclub · 9 months
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The most effective thing about Ever After High is that every student has their own personal struggle that adds another element to just how life-ruining the destiny system is.
Apple is so terrified of what will happen to her if she doesn’t follow her destiny, that she is willing to compromise everyone else’s happiness to make sure it happens. This disregard for other people is only encouraged by the influential adults in her life.
Ashlynn has to be a servant to an abusive family and live knowing that the ultimate end to her supposedly happy ending is dying to set the stage for her daughters traumatic backstory, starting the whole cycle over again with no chance for any of them to escape.
Blondie feels so pressured to fit in to a deeply classist/monarchist society and ashamed of her parentage that she constantly presents a fake version of herself to everyone she knows, even her best friends.
Briar has to spend her whole life waiting for the moment her destiny comes and she falls asleep for a century. She knows that when she’s woken up, she will be forced to marry a boy dozens of years younger than her who she’s never met and live knowing that everyone she ever loved is dead and gone, the very things that she watched cause her mother’s emotional breakdown.
Cedar’s father was so afraid of watching her repeat his mistakes that he overcorrected, making it impossible for her to ever learn lessons for herself. She is also forced to share incredibly personal details with anyone who asks her questions, and can’t be trusted by her friends with any of their secrets, and it’s all because of her father’s past trauma.
Cerise has to hide who she truly is and never gets to see her family together and happy despite the fact that her parents have potentially the most healthy and mutually beneficial marriage in the whole franchise.
Daring was groomed from birth for a destiny that ends up not actually being his at all, leaving him aimless, feeling as though he has no purpose and has wasted his entire life.
Darling is forbidden by patriarchy and destiny to become a knight, the only thing she really wants, and at which she would be better than both of her brothers. She has to hide who she is and what she loves from everyone she knows
Dexter lived his whole life never knowing what his destiny would be but also knowing that whatever it was he’d have to commit to it forever the moment he discovered it at Legacy Day.
Duchess has spent her whole life knowing that the story she’s commited to living out ends in tragedy for her, and then had to watch the very people she’s been jealous of for years because of their seemingly happy endings give up those endings, while Duchess, loyal and rule following Duchess, is still stuck with her tragedy.
Faybelle tries so hard to commit to what she sees at her destiny that she’s never had a real friend in her life. Even still, no one recognizes her for all that effort and all she’s given up to be a suitable villain. Everyone is more afraid of Raven, who doesn’t even want to be evil.
Hunter has to constantly go against his moral compass to fulfill his destined role as a Huntsman and to try and make his father proud of him.
Kitty has been taught over and over again to value her Mother’s approval over all else, even at the expense of her friends. Her destiny is to create mischief, but how much more mischief can a dissolving world take before it’s too much?
Lizzie finds it almost impossible to express love or care for anyone else due to her mothers excessive conditioning that’s nearly akin to brainwashing. The saddest thing might be that her mother is actually, in her own way, trying her best to prepare Lizzie for a world that will only ever see her one way—as a villain. Now she lives in Ever After, princess to a kingdom that might not even exist for much longer, having given up everything for a destiny that may soon be impossible.
Maddie is a refugee forced from her home into a world she barely understands at a tender age. But she cannot express any angst or negative feelings about this circumstance, because to do so would go against her character. She lives in a world obsessed with destiny and stories while not even knowing if she’ll ever be able to return home and live out her story.
Raven is judged by almost everyone around her for her mothers crimes, many of which were required of her by destiny in the first place. She is nearly forced to commit to becoming a tyrannical megalomaniac (and almost falls into it herself, several times) who would be sentenced to lifelong punishment and torture for committing acts that weren’t even her idea in the first place, and the one punishing her would have been the very girl who begged so often for her to stop being so difficult and just follow her destiny.
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Realized upon that hometown events' guest characters are those who are close with SSR card main characters. And I'm not saying because they are family or close friends.
Jamil - They could picked either of Jamil's parents yet decided upon Najma. Why? Because he and his parents' relationship are complicated and Najma is someone that he is close to the most and can be himself without worried about hierarchy. They even have typically sibling relationship where Najma mess with him but never outright cruel to him. (Love how she stole the shawarma)
Epel - Well Epel is a family man and he is close with each of the family relatives. I'm sure the reason it's Marja is because she is involved with the sled competition more than his family even looks like her the most (once he gets old). I mean it's hilarious how Idia fangirls Marja because she is inspiration of his favorite character.
Leona - they could have picked Farena since Cheka was already present but they picked Kifaji which is surprising given the last two are family members yet the guest character is the Twisted version of Zazu (but still interesting to have another twisted version of a Disney character). The reason is probably because he isn't close with Farena despite his brother caring about Leona that much but knowing his overblot backstory, he despise him since he is the heir and how people praise him while they badmouthed Leona. While Kifaji and Leona aren't really close, he is one of the few that Kifaji treated him well without discriminating him especially from the chess game. Kifaji is basically like a parent or an uncle to Leona and given Leona's family issues, he is close to someone than any of his family.
Deuce - knowing well about what he said about his mother, it's obvious that his mother is the guest character. Not to mentioned, the only person he is close to the most. Since he left the gang to leave a better life and how he treated everyone disrespectful and no known relatives except for his grandmother, his mother is closest person he has and how he'll do everything for his mother.
Vil - so far one of the two overblot boys (with Azul being the other one) are the ones without family problems (Idia seems to have caring parents but the family business is complicated for chapter 6 and 7 reasons). Obviously Vil will have his own father be the guest character because he is a great dad to Vil who doesn't abuse nor neglect him. Vil even talks proudly about his father.
So based on that, it's not just relationship towards the SSR but also how they are close to one another without ill-intentions nor trauma. So I have feeling the next hometown events will be similar to which the SSR closest to be the guest character.
Like for example, Azul's guest character could be his mother because he proudly talks about his mother and how he is happy that he married her divorce lawyer. I can picture tweels' guest character to be either their parents.
Now the only issues on who is closest to are the Lilia, Silver, Riddle's, Shroud brothers', and Malleus'.
Lilia and Silver are eachother's relatives and doesn't seem to have anyone they talk to outside of the family (Baul and Zigvolt don't really count especially when Baul ready debuted and felt they would be Sebek's guest characters). We already seen through the Shroud's parents and I doubt that Idia has someone close and Ortho is extroverted but I'm not sure what their hometown is like besides Styx. Do they have other children or anyone close to?
Malleus's family is complicated and we know about Senate. So he would likely have his grandmother.
Riddle for obvious reasons...
So this is just my speculation.
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I believe it has been stated that the manga intentionally blacks out the face of Mrs. Rosehearts because she is viewed as the source of Riddle’s trauma. It keeps her in this shadowy, untouchable status and maintains the idea that the darkness of the past still impacts us in present day. I anticipate that this will hold and become the pattern for each OB boy’s flashback sequences. (We’ll soon see!)
If that’s the case for the manga, then it makes sense for the game to do something similar by purposefully keeping the faces of figures who play a significant role in each OB boy’s trauma a secret. That means likely no Mrs. Rosehearts, similar to how we did not meet the Viper parents in A Firelit Sky nor Farena/Falena in Tamashina Mina. However, some parents are clearly still fair game since they do have a good relationship with their son (Mrs. Ashengrotto and Azul, for example.). We see an example of this with Eric Venue showing up in Tapis Rouge.
It makes sense to meet family members whom the SSR boy has a good relationship with; running into a family member that stresses them out would kill the fun and easygoing vibes of the hometown event and would instead present an interpersonal issue that runs too deep to be resolved in a satisfying way before the event’s conclusion. Imagine a hometown event in which we have to stay over in Riddle’s home and we witness his parents fighting?? 😔 I don’t think that’s something that could be “fixed” in like 5 parts… Of course, not every family is perfect and that’s valid. It’s just not the scope or the perspective that TWST hometown events want or are equipped to deal with.
I feel like any of the Ocatrio’s family are pretty fair game? Despite how sketchy they are, Azul, Floyd, and Jade seem to be on good terms with all of their family members (well, maybe excluding Azul’s biological father) and learned many important things from them. I am, once again, asking TWST for a Coral Sea hometown event… 🤚 ✋ *holds out hands*
I’m sure that the characters who don’t have obvious family members to meet/yet to be revealed will have some other substitution? Probably a new character that’s twisted from another Disney character (similar to Kifaji). Maybe we’ll see a new noble fae that Lilia knows, Silver’s guardian fae that blessed him at birth, or prominent STYX staff (like maybe twisted Pain or Panic?).
For Malleus, his only living relative is his grandmother, sooo… I guess he’ll introduce us to the reigning monarch if he’s the SSR of a Briar Valley hometown event 😂 Malleus does what Leona won’t…
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evilbihan · 3 months
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A guide to writing Bi-Han
I've seen far too many fanfics/oneshots/headcanons and art pieces out there completely mischaraterizing Bi-Han to the point he becomes unrecognizable from who he is in canon. For fans who love Bi-Han as he is, it can be quite frustrating to see people misunderstand his character so much. This post is not meant to be criticism, but was rather made with the intention to sort out common misconceptions, educate and help creators of fanwork understand Bi-Han and his personality better.
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RELATIONSHIP WITH HIS BROTHERS:
Bi-Han doesn't hate Tomáš. There's so much fanart out there depicting him as a bully or bad brother when that's as far from canon as it could be. You can read the in-depth analysis on their dynamic in the post I've linked, but to sum it up, Bi-Han had the option to pick any other Lin Kuei member to accompany him and Kuai Liang to the teahouse or the Ying fortress, but each time he picked Smoke. He could have chosen Sektor or Cyrax, both of which are more experienced and completely loyal to him, and yet he still chose Tomáš instead. He also appears worried when Smoke nearly dies after Nitara's attack. Yes, he snapped at Tomáš once, but siblings fight and say things to each other that are often uncalled for. The relationship between them cannot be meassured by one line that was said out of anger or the intro dialogues that are set after their falling out. According to Smoke himself, Bi-Han was always cold towards him, but that only suggests they were never close, not that there was ever any hostility between them or that Bi-Han was ever harsh/cruel towards him in the past. Tomáš also tries to reunite the brothers and doesn't want Bi-Han to be his enemy, even if he's disappointed in Bi-Han's actions. He even admits he used to look up to him. Some artworks, however, aim to make it look like Bi-Han is oh so mean to poor, sad Tomas, when that's a blatant mischaraterization of both of them, simultanously babying Tomas, a grown man, and demonizing Bi-Han, a tragic and traumatized character.
Kuai Liang and Bi-Han used to be close. Kuai Liang knew about Bi-Han's frustrations, Bi-Han knows all of Kuai Liang's weaknesses, they trust each other enough to rely on each other in combat and both feel equally betrayed by the other because of the close brotherly bond they once shared and because of the trust that existed between them. Kuai Liang was Bi-Han's second in command, Bi-Han respected him. He's never once seen belittling or insulting Kuai Liang, not even after they're no longer on good terms with each other. By the time the story of MK1 starts, Bi-Han has already reached the peak of his frustration, which explains why he snaps at his brothers so often, especially when their father is brought up, but at no time was Bi-Han ever abusive towards Kuai Liang or Tomas. He seems to have put a lot of trust in both his brothers and in return, they trusted him too. If Bi-Han had ever been a violent person with little love and care for his family, Kuai Liang and Tomas wouldn't have been so shocked at the revelation that he let their father die.
There was always a side of Bi-Han that cared about his brothers and his choices indicate that he still does. Apart from the most obvious evidence for this, the scene where he checks on both of them to make sure they're unharmed, there are also other subtle clues that he cares about Kuai Liang and Tomas. In his chapter, Bi-Han is the one who fights off all threats (Nitara, Ermac...) while also giving the easier and less dangerous task of staying outside to Smoke, the least experienced one of the brothers, as he goes to capture Quan Chi himself with the help of Kuai Liang. While he says he wants Kuai Liang dead in some intros, his actions contradict his words. He had the chance to kill Kuai Liang at the Ying Fortress, but chose to spare him. SPOILERS: The leaks for the dlc claim that Bi-Han will be trying to capture his brothers alive. He seems to have no interest in actually harming either of them, just in making sure they can't get in the way of his plans.
PERSONALITY:
Oftentimes, fanfics portray Bi-Han as this hot-headed guy with anger issues who is only capable of one emotion and it's rage. But Bi-Han's anger is not his most defining trait. There are so many more layers to his personality. Just because the story mode only showed us situations in which his anger is triggered doesn't mean that's all there is to him. He's not the kind of person to go around yelling at everyone he sees and getting angry out of nowhere. I also don't see Bi-Han cursing/cussing or insulting others. As grandmaster, Bi-Han represents the Lin Kuei and he's expected to act a certain way. @inflamedrosenkranz wrote a genius analysis on how out of character it would be for Bi-Han to curse and I strongly recommend reading it in addition to this post.
Bi-Han is not a mysogynist. This is something I see all too frequently in reader insert fanfics where Bi-Han is written as someone who doesn't take his s/o seriously or looks down at them because they're a woman. Meanwhile, Bi-Han shows nothing but respect and admiration for strong women. He seems to have looked up to his mother much more than to his father and just listen to his intros with Sindel or Kitana. He admires Sindel for her leadership and even encourages Kitana to take Outworld's throne. He also wouldn't have taken in Frost as his apprentice and wouldn't have allowed Cyrax into the Lin Kuei if he thought women weren't fit to be Lin Kuei warriors.
I know this will disappoint a lot of headcanon writers, but Bi-Han would never degrade/insult or otherwise humiliate his partner, be it through words or actions, especially not during intimate moments shared between them. His significant other directly represents him and his clan. He would not tolerate any sort of disrespect towards them, let alone disrespect them himself. If his partner were to ask him to degrade them, that would be an instant dealbreaker for Bi-Han. He would expect any potential partner to show the self-respect and dignity befitting of their role as the grandmaster's significant other.
I often see drunk!Bi-Han headcanons, but honestly, it would be out of character for Bi-Han to drink alcohol. First of all, he absolutely wouldn't be able to see the appeal of it and secondly, he would hate the way it makes him feel. I imagine he likes being in control of his own body, he likes knowing that he can rely on his reflexes should he need them and alcohol would practically render them useless. As grandmaster of his clan he needs to be an example for all the other Lin Kuei. He would also not want to take the risk of overinduldging and embarrassing himself in a drunken stupor.
People like to write Bi-Han as a grumpy and overly serious guy who can't crack a joke to save himself, but they forget he makes ice puns. Ice puns. Bi-Han definitely has a sense of humor. I just don't think he gets to show anyone that side of himself often.
Bi-Han is a lot smarter than people give him credit for. Yes, siding with Shang Tsung was a bad choice, but it was one he made out of dispair and his frustration played into it as well, clouding his judgement. The way Bi-Han tries to assess his opponents' weaknesses shows his strategic mind. He let himself be fooled once, but he's also young and still has a lot to learn as grandmaster. It's not a sign of him lacking intelligence, like some people claim.
GOALS:
While he's ambitious and wants to acquire power to some extent, Bi-Han is not the power-hungry and selfish character he's often wrongly depicted as. His intentions lie far beyond that and are much more noble. Bi-Han craves independence and freedom for the Lin Kuei. He wants his clan to get the respect and recognition they rightfully deserve after protecting Earthrealm for so many generations. He doesn't want to conquer all of Earthrealm and he has no interest in ruling other realms either. What he wants is a small portion of Earthrealm because he's convinced that the Lin Kuei deserve it. He wants a reward for all their years of loyalty and duty, not to become a tyrant.
To conclude this, I appreciate writers and artists who do their research before writing/drawing a character and I hope this analysis can be helpful to those unsure of how to correctly write Bi-Han.
If I can think of more examples to add to the list, I will make a part 2 of this post.
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firesnap · 2 months
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i have a genuine question. i promise i am not at all trying to defend him. ive dropped him entirely, literally deleted everything i had of him and unliked his songs.
ive just been wondering like considering that he has been in therapy, and also considering how if he does take a year off and then comes back, why cant it be redeemable? like cant people change? cant we give them second chances? he is 27. is he just doomed to be an abuser forever?
its just scary and im asking as like a younger person who is in my very early 20s. i know ive made mistakes. i know ive not been a good partner or friend sometimes. (and yes i was also abusive to a past partner...im not proud of it and ive learned from it. i have never ever touched anyone in that way after that. it took awhile but my current relationship isnt toxic and i would never hurt anyone or hit them again yknow?) and it scares me that people keep insinuating that he is irredeemable. like cant abusers change and become better? dont they get second chances? if shelby has grown and healed in 10 months wouldn't it be fair to say the same for wilbur?
im just genuinely asking because based on everything i believe you are older than me and im looking for guidance and just...idk im scared. growing up on the internet has made me so scared of making mistakes and doing anything wrong because when it happens to others i look up to, its always treated as something they'll never be able to change or improve. makes me feel like imma just be a horrible person forever because i made mistakes in the past.
This is a really complicated question that multiple answers can validly fit.
I don't think, personally, that anyone is irredeemable. I think everyone is on a journey of forgiveness and some of us may need more grace than others.
This is tw// abuse even more than the current topic, but my mom was incredibly abusive. We lived in a very rural area and she had a lot of undiagnosed problems and trauma of her own that created a pressure pot of issues. After I was born, she suffered through full on post-partum psychosis that nearly ended about as well as that sentence implies it could have. She was incredibly violent, controlling, and cruel for years. My sister went no-contact with her the second she turned 18. A significant event occurred that eventually spurned her into seeking real treatment that lasted for years. It's still ongoing.
My sister is also still no contact and I support her decision 100%. Those are her wounds and what she needed to do to get peace should be respected. I decided I wanted a relationship with the person who came out of all that work and, even then, it's been hard. I don't know if she's redeemed herself, and my god do we still have bumps in the road, but I support her for trying.
With Wilbur, how he responds to this is going to really impact a lot of things. I mean, I know no matter how he responds I won't be going on whatever journey of redemption and healing he has to go through. I'm tired and I feel hurt enough. I would think, if he wanted to show he was sincere, admitting what happened would be a great sense of closure for a lot of people who put time and energy and faith into this guy for years.
Not every person that causes harm is inherently evil, but there has to be some kind of knowledge that you're aware of the harm you've caused. No one is stuck as anything forever, life is constantly moving, and most people aren't saying his life is just over. You can work on yourself. You can change. And I'm saying that specifically to you, anonymous.
(Saying this, actually, there ARE people who would argue once you've done x you're beyond redemption based entirely on their life experiences as a victim, personal histories and many other factors. Kinda like my sister, that's their choice. And you have to accept that sometimes you fuck up so badly that you will permanently lose some people from your life. But your life isn't over.)
But I do think, regardless of what he says or does about this, his time of controlling a large platform is at an end. He can still do a lot of things in his life after he works on himself -- editing, song producing, directing, writing or whatever -- but being in charge of a large impressionable audience that could enable more destructive behaviors is just not it.
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showstopper35 · 3 months
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Hello! Do you still write for Tfp/Transformers Prime? If so, I have a request!
Maybe ‘cons reacting to reader dealing with a person that caused a lot of childhood trauma? If this is something that makes you uncomfortable, feel free to ignore it!! I just am dealing with a person who wasn’t the greatest to me as a kid and would really like some headcanon comfort <3
again, feel free to ignore and remember to take care of yourself!
of course! thanks so much for the request, darlin’! I hope you are doing well and my DMs are open if you ever need to talk. 💛
Megatron
-He knows. He knows how it feels to be scorned in your youth. He knows how much you hurt. He also knows that he wouldn’t be the best at comforting you, so he provides a distraction. -Every time you come to him an anxious, frustrated mess because of them, he takes you to stargaze or to read or just sit on the top of the ship in peace. -Megatron entertains you will tales of when he was younger, fighting for the freedoms he still believes in. You know he’s been hurt too and there’s a comfort in knowing you both still are yet to move on from that past, and that’s okay. You’ll confront it when you are stronger.
Starscream
-He’s not…the best at comforting people. But he is angry. So angry. Why would anyone hurt you? Especially when you were so small? He’s felt small every day of his life, he can’t imagine what sort of monster does that to a sparkling.
-Honestly, he turns into an outlet for your rage. Want to scratch something up? He finds things for you to break, things for you to throw. It's not the most healthy, but when has anything he ever done been?
-When all your anger has been exhausted, he just sits with you. That helps more, and he knows that, but he won't say anything. And that's okay.
Knockout
-Out of all the cons I think he would be the most helpful. He pampers you, taking you on long drives and god-awful drive-in movies to distract you. He's also willing to just listen to you vent to him while he's working in the medbay.
-If the harmful person comes back, you can bet he's got his saw blade out and will not hesitate to bring them down. He provides you with a free escape ride if you are ever in an uncomfortable situation.
-He is always, always ready to shower you with compliments, especially when he picks up that you've had a bad day. And if you don't feel like telling him what's going on, he will distract you with the randomest stories about himself. It always makes you laugh.
Breakdown
-You better believe that this guy's got hugs for days for you. After many, many, many threats to whomever is hurting you, he sits with you and listens to you vent.
-His attempts at reassuring comments aren't the best, but he tries. He'd much rather go pound the jerk to dust, though.
-He somehow smuggles a shitload of chocolate and ice cream up to the Nemesis for you. Most of the ice cream melts before you can eat it, but it is still delicious.
Arachnid
-The person who is hurting you is never seen or heard from again :)
-You don't mention it and neither does she.
Soundwave
-You better believe that you will never go anywhere near your abuser again. He keeps tabs on them, removing you from anywhere within a 5-mile radius of them. If you do happen to meet them, he is sending Laserbeak and they have roasted limbs from lasers.
-Records everything you say they did and privately keeps it just in case. Not to blackmail them or to send them to the police, of course.
-Lets you play with Laserbeak and pulls up comforting and funny videos to watch with you. He is as silent as ever, but that doesn't change the fact that he cares about you.
Dreadwing
-He pretty much becomes your personal bodyguard. It's a little strange at first, but you get used to his presence and sweet insistence in accompanying you everywhere, especially if you encounter your abuser.
-You can bet that if anything ever happens again with that person, they will go down in a firey explosion orchestrated by his own hand.
-Sucks at speaking to you (about anything, really. he's so stiff.), but when he cleans his weapons, he is happy to listen to you.
Shockwave
-Ah yes, Mr. no emotions. He tries...I think. He'd rather give you some weapon of mass destruction than listen to you detail all of your abuse. I mean, it's a solution, I guess.
-He makes you watch the seekers to learn self-defense and also read some Cybertronian literature on battle tactics.
-At least you can punch now and use poisons?
Predaking
-After learning what had happened to you, he refuses to let you leave his side for weeks. He cares for you and distracts you by terrorizing Starscream on the ship.
-Eventually, though, he accompanies you to meet with the abuser. You talk with them for a bit before he comes crashing down in his dragon form, scaring them into oblivion.
-It felt really good.
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loving-barnes · 3 months
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LOGAN HOWLETT - 'HELL'
A/N: And here I am, still writing and I am here for it. I am actually trying a lot here.
Pairing: Logan Howlett x mutant female reader
Warning: mentions of blood and torture
Summary: Y/N shares how she escaped 'hell'.
Please, do not read if you are under 18. This story includes mentions of abuse.
Words: 4300+
Important note: Again, Logan is a tall MF, because they fucked up in the movies. Also, Hugh Jackman!Wolverine.
A TOUCH OF HOPE MASTERLIST | Chapter One
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LOGAN HOWLETT - 'HELL'
Y/N was lying on the grass, enjoying the warm sunlight rays. Her right hand was in the air as she tried to make the force come out in a ball-shaped form. She finally made some progress.
Charles helped her train in his office. He aimed to teach her to make a protective shield around another person. Two weeks in, she made some progress. But the goal was still far away. On the other hand, she did learn something new. 
The ball-shaped forcefields were bewitching. Y/N could admire her power up close. It was a thin blue layer of radiant energy with a hint of silver sparkles. Beautiful. She hoped to get better and become useful. Now, she had the chance after all those years. It brought tears to her eyes for many reasons. 
If only I could get you out. 
The nightmares appeared every night. They changed, playing twisted games in her sleep. It was hard to close her eyes. Her past, her present, it all got mixed. They were suffocating her. And his face kept coming back to her. 
“How’s it going with her training?” Hank asked the Professor. He was standing at the window, watching Y/N in the distance from the office. 
Some of the teachers, the X-Men, were present, discussing the newest addition. The last one who entered the conversation was Logan, smoking his cigar. One look from the Professor, and he extinguished it against his palm. He gritted his teeth when he felt the burning sensation on his palm.
“She’s making progress,” said Charles with a smile. “We still have a lot of work to do.”
Storm walked to a window, watching the kids enjoy the sunny afternoon outside. And there, far away, she noticed Y/N practising her little forcefields. “Her ability is convenient, powerful. She would be great on missions.” 
“That is the plan. I want Y/N to be able to protect other people, too. She can create the forcefield around herself and in smaller forms. It might take us more time before she reaches her goal,” said Charles. 
“I don’t like her,” Scott confessed to them. “There’s something off about her.” Everyone’s eyes were on him. 
“What, that she doesn’t want to let anyone in because she doesn’t trust easily?” Storm glared at her friend. 
“She’s not telling us something.” 
“Would you tell your life story to a group of strangers you know for two weeks?” Kitty added. “If there is something off about her, the Professor would tell us.” 
Charles sighed and turned to his friends. “There is something I need you all to know.” 
“He, there it is,” Scott grinned. 
That single sentence got everyone’s attention. Charles wheeled into the middle of the room, eyes looking at every person present. Logan frowned. Storm was intrigued, and others kept their faces neutral. 
“Years ago, when I had been searching for more mutants, I managed to find Y/N. At that time, she was a teen who happened to discover her mutation. The plan was to bring her here. I wanted to send Hank to get her.”
“Why didn’t you?” Logan asked. 
The Professor sighed. “She kept slipping off.” 
“What do you mean?” Jean asked, confused. 
“When I wanted to find her location, she was nowhere to be found. Not as a mutant or a human,” Charles explained. “I thought she died. And then, months later, I stumbled upon her again. As I tried to reach her, she slipped again.”
“Oh, right,” Hank said. “I remember you thought there was something wrong with Cerebro.” 
“The Cerebro was fine. Until this day, I have no idea how it kept happening.” 
“So, she’s a telepath?” Bobby asked. 
Charles shook his head. “There was a time when I believed she was. It would make perfect sense. Only strong telepaths can shut their minds. That would explain why I couldn’t reach her.” 
“So, when you saw her the first time since Logan brought her, you knew who she was. You didn’t need to read her mind?” Storm chimed in. Her eyes kept staring at the Professor.
“That is true. However,” Charles turned to face Logan. “The fact that you found her was a mere coincidence. You two happened to be in the right place at the right time.” 
He didn’t comment on it, only shook his head in disbelief. “Is that all, Charles? Or is there more to this story?” He suspected that the Professor wasn’t telling them the whole truth. 
“This is all you need to know, now.” 
Groans echoed around the office. That answer didn’t bring enough satisfaction. What was he not telling them? Logan was ready to push his buttons. He needed to know more. Everyone deserved the truth. With a sigh, he stood back. “Why so mysterious?” 
“I will tell you more once I have more answers,” said Charles calmly. “For now, all we need to do is to help her train. She wants to be better. She suffered enough, and she wants to turn her life upside down.” 
“She asked you not to read her mind,” Jean raised a brow. 
“I don’t need to read her mind. We talk a lot when I teach her. I promised not to look in. When I met her, it all came screaming at me. All you need to know is I trust her.”
Scott scoffed and shook his head in disbelief. “That’s it?”
The meeting ended shortly after that. Everyone dispersed around the school. Logan’s legs brought him outside, his eyes quickly finding the young woman far away, resting on the grass. 
For the last two weeks, he didn’t talk to her much or see her for that matter. He observed from afar. Logan noticed how she started to open up to some of his friends. She tried to get to know each member of the school. Storm, Kitty and Rogue spent most of their time with her. With them, she was able to laugh freely and smile. Damn, that smile. He wanted to see it more.
He frowned. Why did he think that?
He saved her ass, and now she felt like a magnet. He tried to resist, but it was hard. Would it be that bad to know her more? He brought her here, where he promised she’d be safe. And from what he had learnt, Charles knew about her existence for a long time. 
Sighing, he moved forward. He took out the cigar that he hadn’t finished and smoked on his way to her. His eyes lingered on her body, eyeing her from head to toe. Compared to their first unexpected meeting, she seemed relaxed and happy. The bruises were gone. Only faint scratch marks remained.
Her hand was still in the air, creating small forcefields. The need to talk to her got stronger.  As if she were a water that would extinguish Logan’s thirst. Fuck, he wanted to know her more. 
“Hey, kid. How’s the trainin’ going?” he asked when he was close enough for her to hear him. 
Y/N turned her head to the side, eyes locking with his. “It’s fine, I guess,” she said with a fleeting smile. “I am trying to figure out how to make a forcefield around another person,” she explained. 
“Any luck?” he leaned against the nearest tree. He held the cigar with his fingers.
“No,” she sat up. “I got better at creating it in the shape of a ball. It still does glitch. But it’s a step forward. If only I knew how to project it around another person.” 
“It cannot be that hard,” he raised a brow. “It looks so easy.” 
She laughed at that. “If only. It requires a lot of concentration and energy. I can protect a person if they are next to me. I can wrap us into the forcefield. That’s about it.” 
A gentle smile appeared on Logan’s face. “Like you did when I took you out of that dive bar.” 
Her eyes widen. “Oh yeah,” she nodded. “I forgot about that. It was wild. I remember fragments of that day. Shit, the last days before you brought me here are kind of hazy.” She stood up from the grass and wiped off her lower back and ass. 
Logan’s eyes followed her every move. “Wanna walk with me?” the question was out before he could think about it. Even he was surprised he had asked that.
“Sure,” she nodded. “I wanted to explore the estate a little more.” 
Side by side, they walked away from the school and the noise. The estate reminded her of a gigantic park filled with trees, surrounded by nature and peace. She noticed there were well-trodden pathways. The students must have walked around the place many times.
“How did you get to that bar anyway?” he had to ask. 
She shrugged. “I don’t know. I kept walking until my feet brought me there. All I knew was to get as far away as possible.” 
He took a deep breath. “What happened to you?” 
Y/N bit her lower lip and looked somewhere away. “Um,” she hesitated. Was it wise to share it already? “I escaped a lab. I was a guinea pig for five years,” she admitted. 
“What?” It was hard to believe what she said. Why was he so surprised? He had his suspicion about this before.
“Yeah,” her eyes were focused on the ground, ashamed of the story. “I’m surprised they didn’t kill me. Five years to keep a mutant for an experiment is a long time. Before you ask, I have no idea how I managed to survive the torture and imprisonment for that long. Those years are a blur.” 
“Shit,” he sighed. “Sounds like a hell of a life.”
Y/N lifted her head, scanning Logan’s face. “The Professor didn’t say anything to you?” When he shook his head, she was impressed. “And here I thought you would already know about everything.” 
“It’s your story to tell, Y/N. It’s up to you if you want to share it with us,” said Logan. 
Out of nowhere, she started to giggle. Logan didn’t understand what was funny. “You know, you don’t seem that kind of a guy who does this a lot. But it’s nice.” 
“Shut up,” he rolled his eyes. He took another drag of the cigar. And Y/N laughed a little more. “When did you discover your mutation?” 
The smile disappeared. “I was around fifteen when it happened,” Y/N replied. “And it started a life full of misery and darkness.” One of her hands reached for a tree, mapping its texture with her fingertips. After all those years locked up in a lab, she never thought she would feel nature under her hands again. 
Logan didn’t question further. He noticed it was a heavy topic for her. She wasn’t ready to give him the details. Somehow, Logan felt he was the only person, except Charles, who got information about her past. 
“What is your mutation?” It was her turn to ask questions. She wanted to know more about Logan. Even though his rough exterior told the story of a withdrawn, grumpy man, he had the softest eyes. Were they green? They seemed like it. 
They stopped walking. Logan turned to her and brought his hand to his chest. When he closed it, three metal blades slid out of his skin. 
Y/N’s mouth opened. “Shit,” she cursed. “Does it hurt?” 
“Every time. I’m used to it by now,” Logan said. “They are made of adamantium.”
“Adamantium?” 
“One of the strongest metals on Earth.” 
Her fingers reached to the claws. Logan’s eyes followed her moves. She wanted to touch them. Before she could, she put her hand away. “Sorry, it’s just fascinating.” 
Logan’s heart skipped a beat. “Well, that’s a first,” he commented. “No one said anything like that before.” 
“I’m sorry,” she took a step back. “I didn’t want to overstep. Never had much opportunity to admire other mutations.” 
“It’s fine.” The claws retracted into his skin. Y/N’s eyes noticed the wounds instantly close and disappear. Her hands quickly reached for his hand, fingers caressing the spots where the lesions would be. 
Logan couldn’t believe what he had witnessed. It’s been a while since he felt such a gentle touch on his skin. Her hands were soft and delicate. He cleared his throat. “I heal quickly. In a matter of seconds,” he explained before she could ask. 
Her eyes lingered on his hand until she realised what she was doing. “Oh, sorry,” she let him go and hid her hands behind her back. “That was rude. I am so sorry.” 
She made him feel things he hadn’t experienced in a long time. It made him flustered. “That’s okay, kid.” 
The intense moment ended, and they moved forward. Y/N’s face was burning hot, embarrassed by what she did. Her mind focused on the trees and the pleasant weather around them. The air was warm even though it was autumn. The leaves were sparkling with a range of colours, coming from green to yellow. Some of them were red. It was her favourite season of the year.
“I’ve heard you save mutant children,” she changed the topic as they approached the school grounds. 
“Charles finds them, and some of us would collect them,” he explained. “I was on a mission to get a child that needed our help. Unfortunately, it was a failure. The facility was a trap. I was glad I got out. Later that night, I stumbled upon you.” 
Y/N pressed a hand against her chest. “What facility?”
“The one hidden in Salem,” he replied. “Why?” 
Y/N felt as if her soul left her body. All colour drained from her face. “Oh god,” she brushed her fingers into her hair. “It’s my fault,” and then she hid her face in her palms. 
“Whoa, whoa, whoa,” he turned his body to her. “What are you sayin’ there, kid?” 
It took her three deep breaths to look him in the eye. He wasn’t angry. It looked like he was concerned. “I was locked there, in the lab, for some time. I escaped a few days before we met.” Panic bubbled inside of her. “I know who you were looking for. I know the kid.” 
That night, that moment, it all came rushing back. It was like a movie, reflecting in front of her eyes. She felt it all: the pain, the horror happening in front of her eyes. She knew the child. He helped her escape. And she couldn’t take him with her. His screams echoed inside her mind. 
Logan gripped her shoulders. “Y/N, look at me.” He said her name for the first time. That did the trick, and she looked up, eyes meeting his. “There you go. Take a deep breath.” He could see she was listening.
“I have to tell you what happened,” she whispered. “You need to know. It’s my fault you went to a trap.”
Logan brought her inside the school. His hands rested on her shoulders as he walked with her through the hallway. When something happened, all the teachers would gather around immediately. Professor X would call them to his office. 
He helped Y/N take a seat on an armchair. A bottle of water appeared in front of her. It was levitating in the air. It was Jean’s doing. 
“What’s going on?” Hank was the last one coming inside, closing the door behind him. He had a white lab coat on him, and his glasses were on the tip of his nose.
“This better be good,” Scott scoffed. His hands were wrapped around Jean’s shoulders, holding her close. 
“Stop being a dick, dude,” Remy scowled. “Keep your mind shut.”
Y/N glared at Scott. He was the only person who didn’t sit right with her. That’s why, most of the time, she would ignore him. Luckily, he was sweet to Jean. 
She grabbed the floating water bottle and took a sip. “Logan told me about the failed mission,” Y/N started to talk. Her voice was low and timid. “He told me he went there to get out a child. He went to a facility that was in Salem - the same place where they held me.” 
Charles tilted his head, listening carefully. His face remained neutral. No one could read what he thought.
“I know the kid,” she told them. “His whole body can stretch as he wishes.” 
“Elasticity,” Hank stated.
“How did you escape?” Kitty’s voice interrupted the stream of Y/N’s thoughts. 
“There were five of us locked in that lab. We were in cells designed to suppress our mutations. It made sure we wouldn’t harm anyone or try to escape. That changed when they brought in JJ.” 
“JJ?” Logan questioned that name. 
“Jerome Junior,” she explained. “For an eleven-year-old, he was cunning. Because he was the youngest, he had the most energy. The rest of us were barely holding on. 
“Never underestimate a child. That’s the greatest advice I’ve learnt in there. I don’t know what happened or how he did it, but the doors to our cells opened. Somehow, he was able to get us out. That’s when hell on Earth started. To get out, we destroyed the place.” 
Y/N could feel the smell of chemicals and fire around her. As if she was back there, trying to get out of prison. 
The pain in her body was excruciating. After all those years of experiments and torture, she was almost free.
There were bodies on the floor - killed guards and scientists as well as two other mutants who shared the hell with her. They got them before she could put a forcefield out to protect them. So much blood was on her hands and face. When she looked down, there were red puddles. The smell was nauseating. 
“Let’s go,” one of the mutants shouted. The man was bleeding from his thigh and arm. 
“Where’s JJ?” Y/N asked, looking for the kid. She lost him during the fight. “I’m not leaving him here.” 
“We don’t have time to get the kid. They’ll kill us if we don’t leave!”
She was turning around, trying to find a way to get to him. “I said I am not leaving!” 
“Fuck this, I’m out,” said the mutant and fled the scene without anyone else. 
Limping, Y/N ran out of the destroyed lab and walked through the hallways until she found a swarm of guards holding the child. Guns pressed against the boy’s head as they put a collar on his neck. It beeped once, and a tiny light turned green.
JJ’s eyes found Y/N standing on the other side of the room. He did one last thing before they packed him into a truck - he shook his head. It was a sign for her to leave. Her vision blurred as tears hit her eyes. The boy got them out, and she couldn’t save him. 
“I tried to get him, save him, but they took him away,” her voice broke. She let the tears fall. “He was eleven, for fuck’s sake. He somehow got us out. I wanted to do the same thing for him, and I couldn’t.” 
“How do you know it was him?” Jean asked. 
Y/N thought back, trying to get to the point when she realised he opened the cells. “I remember him stretching his fingers. He must have found a trigger on the table that opened the doors.”
Ororo reached for her hand, squeezing it tightly. “You did your best. You tried.” 
“It’s not enough,” she shook her head. “Even now, I feel like a traitor.” The story was not over. “When I left the building, I wandered for a few days,” she continued. “I got some old clothes and hid everywhere - in the woods, old buildings. Without energy, I happened to injure myself more. I even took a fall before I found the dive bar. My body was in pain, my head a mess, and I don’t remember much when Logan got me out.” 
Silence spread around them. They all let the information sink in.
“When I came to the facility,” Logan started to talk. The attention was on him. “Many soldiers were guarding the place like their own eyes. They were ready to kill anyone who approached the building. I managed to get in but never got far away,” said Logan. “The place was a mess. As if a bomb exploded inside.” 
“It doesn’t make sense,” Kitty spoke up. “Why would they keep the place highly secured if it got damaged and took the child away? Think about it. Maybe they’ll use it as a cover-up. No one would think that the lab was still active.” 
“Kitty’s right,” said Bobby. “In the end, there are only two options. Either they did take him away, or he’s there, well hidden from the world.”
“They did it to evoke confusion,” Jean added to the conversation. 
“Scott, Jean, try to find as much information as possible about the facility in Salem. We’ll be better prepared to take him out of there,” Charles gave instructions.
Y/N jumped on her feet, letting the water bottle drop on the floor. “I’ll go with you.” All eyes were back on her.”I have to get him out.”
“You need to train more,” said Scott strictly. His hands fell off Jean. “You’ve been here for what two weeks? Forget about it. You’re not going on this mission.” 
“Mind your tone, Scotty,” Logan warned him with a snarl. 
“She doesn’t know how to fight or use her ability. She’s a newbie, a trainee. I will not put anyone’s life in danger because of her,” he pushed himself from Jean and approached Y/N. “If we go to get the boy, she’s staying here. Period.” 
Logan was close behind Y/N, ready to step in. But she stood her ground, not afraid of the Cyclops.
Jean reached for Scott’s shoulder. “That’s enough, Scott.”
Y/N approached Scott with one long step, glaring at him. “I survived a lot of things in my life. You don’t know what I am capable of, so don’t underestimate me, Cyclops. And don’t be a dick. I’ve never been rude to you, never did anything to you. So don’t raise your voice at me. I am not afraid of you.” 
“Oh yeah?” he challenged her. “You better start talking about your past life then. We know nothing about you.” 
Her fists clenched hard until her knuckles were white. There was a lot of anger building inside of her. And it showed. The forcefield started to glitch around her. 
“You can’t even control your power, Y/N,” Scott mocked her. “Look what you are doing.” 
“Y/N, please, calm down,” said Charles calmly. “Same goes for you, Scott.” 
She closed her eyes and took a step back, relaxing her posture. She knew better than to get riled up. When her blood pressure lowered, she looked at Scott again, shaking her head in disbelief. What a dick!
Turning on her heel, Y/N left the office without another word. Her walk was brisk, taking long steps to be outside as soon as possible. Of course, there would be a person who would make her freedom difficult. 
I will get you out. 
She wrapped her arms around herself and walked through the driveway to the estate’s main gate. She didn’t want to leave. She needed to walk and think. 
Y/N wanted to get little JJ out of that hellhole before it was too late. Fear crawled through her back, tapping on her head. What if they kill him before they get there? He saved her life. He helped her escape. It’s her turn to return the favour and secure him a better life here in a school for mutants. 
There was another thing that drove her to save the boy. But she didn’t want to open that door. After all those years, it was painful to think about it. 
Fucking bitch! How could you?! Cries were echoing in her mind. Psycho! Murderer! 
“Y/N,” she heard Logan’s voice behind her. That made her halt and sigh. “You okay?” 
She pressed the bridge of her nose. “Yes,” she said. 
“You are full of shit, ya know that?” he laughed. “Just admit that you are pissed.”
She spun around. Her eyes could kill. “I’ll get JJ with or without help. I don’t give a shit what you say. I will be the one who will get him out of that place.” 
“I know,” Logan nodded, understanding. “I won’t be the one who’ll stop you. If I were you, I’d do the same thing. And I would  punch Scott in the face.” 
She couldn’t help but giggle. “You have your way with words, Logan.” 
“I was thinking about becoming a motivational speaker,” he shrugged and smiled at her when he made her laugh again. “Bobby was right. We only have two options, and we must prepare before we leave to get the kid. I was there. I saw how many guards were securing the facility. One or two people won’t do it. We need a strategy.” 
“All I want is to help, get him out of there so he can have a better life than I ever had. I don’t want him to experience that much torture. I need…” she started to choke on words. “I need…” Tears escaped her eyes as she felt the pain inside her soul. Was this a panic attack? Her heart was beating fast. The world was crumbling down. 
Logan was quick enough to close the distance. His hands found her shoulders. “We will get him out. You hear me, bub? I can’t tell you when. We must prepare for the mission and gather information. We won’t make it far without a strategy.” 
She gripped his flannel shirt tightly, holding for dear life. “I worry he’ll be dead.”
He shook his head. “You said he was cunning. He’ll find a way to survive.” Without thinking, he pressed her body against his, holding her. “While we are planning, you’ll be training your power and how to fight.” 
She closed her teary eyes. As much as the hug was unexpected, it was comforting. “Promise me I’ll go with you.” 
Logan nodded twice. “I promise.”
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beanyboobee · 1 month
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Sometimes like now, I snap awake from the dead of sleep with a sudden thought and realisation about vanitas and Noe.
This one being that they were both victims of abuse in childhood.
Vanitas was clearly a victim of Physical abuse, through the doctor. And he knows what happend to him is wrong. He was kept behind walls as an experiment until Luna came and knocked down those walls. Literally and metaphorically.
But then it got me thinking on Noe and I realised, he was a victim of emotional abuse. So much so that he doesn't even realise it still to this day. That the way the teacher spoke to younger Noe despite his calm and kind appearance holds a negative edge towards almost everything. Each compliment usually comes with a hidden insult. In telling noe he is an Archvisite he also places the idea that Noe is more dangerous than others in his head. In telling Noe that he is differant, insted of telling him that is a good thing he insted tells him he has to be more responsible than others.
And while these lessons can appear as simple lessons a parent would give their child we can see the malice behind these actions through the death of Louis.
For one he left out that book on curse bearers for Louis to find under the guise of- free will. When louis saw his grandfather for what he was. A manipulator.
While Noe fed into the manipulation easily, being kept in the teachers estate, behind walls. Given the illusion of free will when it was anything but that.
It was not a coincidence that the teacher showed up only when louis truely lost it. He wasn't regretful that he decapitated his own 'grandchild' nor the fact that he did it in front of Noe. Because it was a lesson. A punishment. To show Noe what happens to those who step out of line. To those who become 'monsters' something that as we know Noe to this day still fears becoming.
There truely is alott to unpack between the similarities between Noe and Vanitas. They are two sides to the coin. Almost everything about them appears to be the opposite of one another even something that could be easily breezed past. I may be reading to far into it. But it honestly fascinates me to think That Noes negative veiw of himself isn't self inflicted. But was inflicted after years of emotional neglect and manipulation. To make him beleive he thought this way out his own free will.
When in reality , just like Vanitas, Noe was also an experiment.
But unlike the Doctor who was loud and physical about his experimentation, mainly done to change the body.
The Teacher was suble and quiet and mysterious. His experiments having to do more with the mind. And who better to test his theories on than a being like Noe, whos ability involves him literally being in other people's heads ?
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traumasurvivors · 8 months
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Here's an article I wrote to a question I am asked a lot. You can also read it below the read more.
Is something wrong with me?
Nothing is wrong with you if you love and/or miss your abuser. There are any number of reasons why you could be feeling this way, and I will share some examples with you. But please know this is not a comprehensive list and you are still valid if your reason isn’t listed, if there are multiple reasons, or if you don’t even know the reason.
Abusers are not always abusive. There are usually good moments with them. Thinking about the good times, it’s easy to wish there were more of those.
They may say they love you. Especially if you were a child when they started abusing you, you may believe if they love you, it’s terrible for you to not love them back. You may believe you have to love them, especially if they are family.
You may miss the idea of what they could add to your life, such as how great it could be to get love and care from a parent or have a supportive spouse backing us up. Even if the abuser stopped giving you love, care or support (or never gave much of those in the first place), the idea of receiving those from someone society says you should is a powerful one.
You may be going through something difficult, and think that your abuser would help you through it if they were there (or just wish they would). This might be because they have helped you through things in the past. It may be because you loved or still love them, and know you would help them, and like to think or hope they would do the same. It may also be that an abuser told you how weak, or stupid or helpless you were, and made you dependant on them. If things are tough, this may seem like confirmation that you need them - but that’s what your abuser wants you to think.
You may blame yourself for the abuse. This might be because you believe love is powerful enough to make them do better and stop abusing you, if your love was just “stronger,” or “purer,” or in some other way “better.” There are many movies and songs that talk about how wonderful and powerful love is. You may think if you just “didn’t do that thing,” the abuse wouldn’t happen. If an abuser wants to abuse, they will find an excuse.
The truth is that loving your abuser, whether you are still being abused or the abuse has stopped, happens to a lot of people. And missing them, after you’ve gotten them out of your life, is a normal thing.
These feelings do not mean something is “wrong with you” and do not mean you are saying the abuse was okay. They do not mean you “asked for” the abuse, or “enjoyed it.”
They may mean that you are going through the process of grieving. This might be about grieving the loss of what was good in your relationship with your abuser. Or the loss of what you wish that relationship could have been. It may be more about you, such as grieving the loss of who you might have become if you had not been abused.
It’s okay to love and/or miss your abuser. Feelings are complex, especially when dealing with family members, or people who have seen you through dark times or seen you at your most vulnerable. What is important is that these feelings do not invalidate the trauma you have suffered. They do not mean you have not been abused, or that your abuse is your fault, or that you wanted it to happen. Your abuser was wrong. And even if you love and miss them, what they did was not okay. And the only one to blame is them. You and your feelings are valid.
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proudproship · 6 months
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Not so friendly reminder that creating "dark" or "taboo" fiction can be a sign of childhood trauma!
More below the cut. Warning: long post.
TW: Mentions of trauma, child abuse, and paraphilias
Hi. I'm someone who studies psychology and sociology, and someone who also happens to have an interest in this shipping discourse stuff.
So, back to what I said a few paragraphs ago: Creating "dark" or "taboo" fictional content can be a sign of childhood trauma.
How?
When a child goes through something they consider traumatic, their brain will play the situation on repeat subconsciously, which can cause hypervigilance and symptoms of PTSD.
A common sign of PTSD in young children is that they will reenact their trauma with things like dolls, drawings, figures, and basically any other thing they can use to express their thoughts.
For example, a child who has gone through physical abuse may reenact similar things with their toys, such as making their dolls hit or yell at each other.
This symptom isn't limited to children, though. It is a symptom closely related to the presence of flashbacks and nightmares.
Many artists will create a "self-insert" character, "sona," or a character who is otherwise much like it's creator; when an artist creates a character like this and also has past trauma, their symptoms may reflect onto their character.
Projecting yourself onto characters can happen with other characters as well, even if you didn't make the character.
This is a healthy symptom. It shows that the brain is willing to become stronger from their trauma.
Reenacting trauma in ways that aren't harmful can help the brain process what happened to them, and can even help them deal with their trauma directly.
In order to heal trauma, you must know what your trauma is; you can't heal a wound you don't know you have.
While dark fiction creators are indulging in positive healing mechanisms, certain people will shun them for doing so.
"Antishippers" claim to be the "heroes" and to support healing, even though the thing that makes someone be considered and antishipper is if they're "anti healing through fiction."
Antishippers will throw the same ableist rhetorics around by claiming "if you ship adult x child you're a pedophile!" or "if you have age gap ships (even if both are consenting adults) you're a pedophile!"
This, not only is it hurting trauma survivors (especially those who have been harmed by those with paraphilic disorders), it is hurting EVERY disabled person.
Armchair diagnosis is not something anyone should do.
It is when there is little to no evidence that the condition exists within a person, though people still throw labels onto them to make them seem like they're a "bad guy." (Usually.)
This is also hurting people with actual paraphilias. Paraphilic disorder is real condition characterized by intrusive thoughts of a (usually abnormal or harmful-if-acted-on) sexual nature.
Even if someone claims to not be ableist but still demonizes and villainizes paraphilias, they're ableist.
Ableism is ableism.
And before an anti decides to call me a "pedo-apologist," go right ahead! You don't know what you're saying anyways.
There is a difference between a criminal and a disabled person.
Proship people do not support abuse. Anyone who claims to be proship but still supports abuse is NOT proship.
---
Of course anyone who makes dark content doesn't have to have past trauma.
There are many people who make dark content that don't have what they'd consider trauma, or think their trauma is unrelated to the content they create.
What if they did experience something traumatic in the future?
They'd be able to cope with it better, because they'd seen it in fiction before, so they'd know the impact of it, and how they could handle it.
Of course, not everyone who indulges in fiction will be able to handle it, though.
However, no matter if they have past trauma or not, assume the best when it comes to content creators.
They're creative and strong, and we should be thankful that they're adding onto fandom culture by just existing and doing what they love.
All people, no matter what fictional content they create, are beautiful in their own way and should be met with kindness and compassion.
Do not go out of your way to harass/abuse innocent people.
Do not go out of your way to be ableist towards content creators and content consumers.
---
Thank you for reading my long post, I hope it helped at least a bit.
Have a great day/night and stay safe, no matter your taste in fiction.
Feedback is appreciated, and reblogs are encouraged.
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chaifootsteps · 4 months
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I think there's an argument to be made in favor of showing the reality of what Angel deals with on the day to day, both on the gear he wears and the SA he faces from Val.
but these kinds of scenes can very easily be exploitative; used for cheap shock value & end up fetishizing that abuse by presenting it as titillating. it's long happened to female characters where the violence becomes an excuse to show them brutalized or with their clothes ripped off and given how often Angel is sexualized it can just as easily happen to him.
Addict managed to communicate a whole history of sexual abuse committed by Valentino with just a forced kiss and a hard cut to Angel having a breakdown in his room. The scene focused on Angel's emotional distress rather than the act itself, so it avoided objectifying him further and was still effective
this is part of a wider pattern already established by Helluva Boss, where abuse is treated in the least sensitive, most sledgehammer blunt and cartoony way possible.
going by HB, abusers are:
always obvious and easy to spot,
they're complete monsters devoid of any life or interests of their own,
they have no inner lives whatsoever because they only exist to hurt the victim (Stella stays around the house despite not liking Stolas, Crimson wants to force Moxxie into a gay marriage despite being homophobic - to the guy who put his son in prison in the first place!!) - they're inconsistent and unknowable,
they abuse their victim openly in front of others everyone goes along with and tacitly approves of it (Stella's friends happily laugh at her jokes disparaging a demon prince who could kill them all despite knowing he's in earshot)
they cannot be easily stopped even when they have far less power, either in magic or social standing, than the person they're abusing (Stolas and Stella, again)
they hang around long past when they should despite the cast having ample reason to proactively do something to stop them (everyone leaves Crimson alive despite killing all his minions, Stolas knows Stella has ordered a hit on him but probably still lets Octavia spend weekends with her??)
they are fundamentally Bad People. None of the 'good' characters can every be called out for being abusive, what they do is funny - because they are fundamentally Good People. It doesn't matter how many traits Stolas and Stella have in common, he is Good and she is Bad. It also doesn't matter that Stolas sexually coerced someone for a season and a half, neglected his daughter and abused his servants, and barely feels bad about his own infidelity. He is Good so anything he does can be excused. Same with Loona - beating people is bad, but it's OK for her to give her dad a black eye and beat his head in with a picture frame, because she's one of the Good Guys. Same with Blitzo demeaning Moxxie constantly in the workplace - it's funny when he calls Moxxie fat, it's abuse when Mammon does it to Fizz
Abusers are fundamentally Other from Us, and we never need to examine our own behaviors as long as we know we are fundamentally Good.
like how is any of this making the world a better place? or advancing the understanding of abuse? it's an embarassingly dated and in places actively harmful depiction of what abuse is or isn't (I don't even want to get into the bad takes I've seen surrounding Stol/tz and what coercion is or isn't, but you can probably add that to the list too)
if the Angel scenes are as brutal as they sound then the rating should be an 18. I don't entirely blame Viv for that, I know sometimes ratings boards have a weird habit of treating works that have LGBT content as somehow 'more adult' than movies with straight up rape and SA scenes in them (though HH is both, so idk how literal bondage gear didn't up the rating), but I hope against hope there's some kind of trigger warning for this somewhere, and it isn't just dropped on the viewer's lap in order to shock them further with the world's bluntest and most graphic animated scene of SA it can
This. All of this, every word.
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izzysillyhandsy · 5 months
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I sometimes wonder if the Izzy hate would have reached those dizzying heights if S1 had ended on episode 9.
Izzy would still have done almost all the bad things: making Ed unhappy, duelling Stede and wanting him gone, the deal with the English, his past with Ed/Blackbeard - except for hurting and threatening Ed after the breakup.
And even though all of this can be seen from different angles, it is possible to interpret it from the most damning perspective - and that should be enough to hate him, right?
But Ed wouldn't have turned into the Kraken, he wouldn't have killed Lucius, marooned half of the crew and cut off Izzy's toe.
And I am almost 100% sure that most of the Izzy hate comes from seeing Ed's drastic change in episode 10. Without it, sure, some people might have found Izzy unsympathetic or just unimportant, or a little shit. But that level of hate?
I guess what I'm saying is that a lot of the Izzy hate comes from "what Izzy made Ed do" and not from "what Izzy did to Ed".
Also, it is a way of dealing with the shock/cognitive dissonance of seeing a very beloved character turn "evil" after 9 episodes of being a gentle and misunderstood guy who is a pirate, yes, but who's fundamentally non-violent and good. How can you reconcile this with Ed suddenly killing a beloved (and completely innocent) character? And the extreme violence of the toe-cutting? (And yes, I know Ed burned people alive before, pirate-typical violence etc. But we didn't know these people and we didn't see them in close-up.)
But to blame Izzy for everything and to make him this evil part of Blackbeard - completely separate of "true Ed" of course - lets Ed still be the same gentle soul that loves a fine fabric, fell in love with Stede in the sweetest way and, although traumatized by his childhood, is at his core an innocent person that can be saved by removing the rotten influence of Izzy Hands - without confronting the self-hatred, self-centeredness, mistrust of others and tendency to violence that might be a part of "true Ed" as well.
And of course, if a group of fans started liking Izzy and maybe even defended/found understanding for his actions to a degree - where would that leave Ed? Is it really justifiable to fly into a murderous rage because your heart was broken (by a man you've known for a few weeks), because you're deeply unhappy and you've outgrown your pirate persona?
If Ed wasn't mentally abused by Izzy for decades, if it wasn't Izzy alone that drove Stede away, if Izzy hadn't duelled Stede out of the evilness of his heart, if Ed didn't desperately want to leave but Izzy forced him to stay in their toxic relationship, if it wasn't just Izzy and his hurtful words that drove Ed to become the Kraken...
...then maybe Ed wouldn't be an innocent babygirl anymore, and it would be much more difficult to see Ed/Stede as this perfect, unproblematic and sunshine-y couple.
It seems to me that seeing Izzy as "The Worst" and casting him in the role of the villain behind every bad thing Ed ever did is a quick and painless way to make Ed loveable without actually putting the work in (and the show actually avoided that up unto the death scene - one example is Izzy leaving in S1E4 and Ed manipulating him to stay; there are countless others).
I sometimes have the feeling that the hate for Izzy grows exponentially with more and more of Ed's darker side coming through in the show. And I don't get it - maybe because I am drawn to darker, fucked up characters and relationships. Give Ed his agency back and let him be cruel! Let Ed and Izzy have their mutually destructive, weird but intense dynamic!
Let Ed be a fascinating, loveable character with a (very) dark side - exactly like his partner for decades, Izzy - and you'll actually get a better character, and an additional fascinating relationship - as well as a more interesting story.
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Let's talk about the insane idea promoted by the hero society that self-sacrificing and sadness is better than hurting others and feeling rage. Or in other words, how dying for other and repressing your feelings even if they destroy you is better than becoming violent and letting your rage affect the course of the daily basis.
For the hero society, submissive individuals were better. Depressed as in being unable to act was better. Passive behavior was better. It's easier to feel pity and hold some mourning for the victims before moving on as if nothing happened.
Take Deku. If he had died by suicide only a few would care. He was an unimportant quirkless kid with no real potential to be a hero. Or if he had died saving Bakugo he would have become a martyr, a quirkless kid who got to be a hero for a day before tragically dying. The end.
That is why Aizawa is mad with All Might when he sees Deku. He could have died in the UA entrance test, it was impressive but what about Deku's life. That's also what Recovery Girl told All Might in the UA Sport Festival. That's what Deku needed to learn when he started using kicks instead of punches. Self-sacrificing shouldn't be idolized by the hero society. Ultimately, it is murder in the hands of the authorities who enforce such idea.
Take the League of Villains.
Ugly victims don't get help.
Ask Tenko. Walking alone on a busy street, with blood on his hands and eyes totally lost. No one helped him. He was not a cute kid crying like Eri, he was monstrous like. His accident was not one caused by a victim. It was the abuse of his father and tje unfortunate awakening of his quirk that ended with him murdering his entire family.
If he had stayed sitting silently, unable to weep or talk or cry, he would have died and no one would have known. Society would be happy because there's no Shigaraki Tomura, right?
Touya died on a forest fire and life moved on. His dad became even more abusive and reached the number one spot on the hero charts. Like the past never happened.
Toga's neglected childhood pushed her to the point she exploded and drank the blood of someone, but because she was already a monster like looking child, she wad regarded as a danger and his parents erased her presence from their house. If she had died on the streets or gotten captured, people would just think "good, one less psycho, we can keep going with our days".
Visually, it's easier to sympathize with a crying victim full of sadness and wounds. Some animal instinct of who knows. I don't. BUT it's way harder to sympathize with someone who shows their hurt by being very disruptive, loud, angry, violent. Especially if they can't cry, singe people equals crying to regret or pain. If someone is unable to cry, there must be something wrong with them.
The League of Villains goal in the narrative at the beginning of bnha is less Stain-like (there are a few bad apples in the basket we need to purge and everything will be good again) and more of Shigaraki's own ideology: society is rotten to the bone, even the greatest of heroes is corrupted and the cycle of violence is being used by the hero society as an excuse to control the public.
Funny. It was not a lie. With Lady Nagant's story and even with Hawk's we were witnesses of how the hero society was indeed rotten. And we saw a few paragraphs above why All Might was part of the corruption, if with good intentions, but still an important part of it.
There are two main responses to trauma in bnha. The hero society prefers the one that doesn't make them look bad.
So, what's the kick?
What happened with the League of Villains would have happened eventually with any other group of individuals. It was a natural reaction to a failed system, one AFO took advantage of in order to further his plans.
There was the Meta Liberation Army, where many or his members were pro-heroes btw. There was the situation with Overhaul and the whole issue with the quirk repressing drug. You had Aoyama, the hospital full of kids Touya woke up to, etc.
In order for a change to happen, a reactive factor was needed. Individuals who were not afraid to threat the commodities of the population, their peace of mind, people willing to ne disturbing and people able to shake the hero society foundations. It's not coincidence that those individuals were the same victims who, after being passive for so long, decided peace was not an option.
Am I justifying the actions of the League and blaming everything on the heroes ? No, I'm not.
Killing is killing. Murder is murder. We're not going machiavelli on here and saying they had no other choice (both heroes and villains).
What I'm saying is that both sides were equally right and wrong. Many heroes and villains got used by bigger players in the game. Ultimately the fight started being between the institutions of power around the world and AFO. In Japan, it was the Hero Commission.
Like in any other war, many heroes and villains killed each other thinking it was the right thing to do in order to help society reach higher ground, get better, heal, be safe, whatever. Brainwashed for sure, loyal to a cause that's not loyal to them.
The kick is in balance.
You can't take the blame of other actions and punish yourself for it. You can't make others responsible of your own actions either. You shouldn't be putting your life above others and you shouldn't be putting their lives below you.
Learning to separate the responsibilities, to notice the shades in which anger and sadness mix, to be able to say "we all matter equally" and know it means a victim can be an abuser too and deserves help as much as they should be hold accountable for. These are the struggles of bnha.
Good communication to avoid mindless violence.
There's where Deku and Tomura meet, in the middle of those lines. There's where Shoto and Dabi meet, where Toga and Ochako meet.
The Messiahs vs The Judas, assigned a role to play by society, either die or be killed tragically. The moment they can shed of those roles and see each other as human beings, that's the moment things will start changing for good.
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jubileemon · 2 months
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Helluva Boss: The Controversy Around Stella's Character
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After "The Circus" premiered, there was a decent amount of controversy regarding her portrayal. There are a decent number of fans who were upset that Stella is portrayed as the bad guy in Stolas' marriage. This is mainly due to people hating Stolas because he cheated, not caring that Stella abused him for their entire marriage and made him miserable. Others aren't as mad, but wish Stella had more personality.
While others aren't as mad, some people wish Stella had more personality. Another group knows that Stella was always evil due to her prior appearances and were expecting something like this.
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Stella Goetia's malevolent nature was evident from her youth, as depicted in a disturbing photograph where she is seen strangling her pet dogs. This early sign of cruelty foreshadows the abusive tendencies that manifest in her adult life. If that picture was meant to endear Stolas to the prospect of marrying her, it suggests either that Paimon has no qualms about animal abuse or that said cruelty has become "normalized" in the Goetia household.
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As it turns out, Stolas only married Stella because his father Paimon arranged it in the hopes that Stolas would father a powerful new addition to the family. As this episode shows, their marriage was absolutely miserable, to the point that Stella threw parties about how they hadn't divorced yet and talks trash about him to her friends while he's in earshot. While Stella gossips with her friends, she tells them how terrible in bed Stolas was, and how he just blankly stared at the ceiling while she did all of the work. She then gloats how happy she was that at least an egg popped out of her so she didn't have to pretend like she wanted to have sex with Stolas, but all Stolas can do is glower and order something stronger than wine to calm himself.
Special mention to the part where Stella merely refers to Octavia as "an egg", further hinting at the neglectful nature of Stella's relationship to her own daughter at best and viewing her as little more than a necessity to the family at worst.
For many years, she has belittled and humiliated Stolas. As for why Stella's still hanging around the mansion at this point, well, if her behavior at the parties in the past didn't make it clear, she likes to see him suffer. Her admission that she derives pleasure from tormenting her husband reveals her sadistic tendencies. Even when faced with the consequences of her actions, Stella's response is to threaten further aggression and leverage her status to intimidate. Even if their marriage was arranged and he wasn't at all happy, even if he only tried to preserve it for the sake of Octavia's home life, Stolas has had enough and demands a divorce.
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Stella's reaction doesn't make it much better. Not only is she more upset about her stung pride than anything else, she takes a vicious satisfaction in pointing out that Stolas has pretty much ruined his own reputation by now, and that he'll be punished for it. She also moves to try to hit Stolas for demanding a divorce and standing up to her, the fact he catches her hand so quickly as she tries to slap him suggests that she likely has physically abused him before. In a drastic escalation of her vindictive behavior, Stella hires an assassin to murder Stolas, showing a callous indifference to the emotional trauma this could inflict on Octavia, especially at a time when father and daughter are mending their relationship.
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Stella is also rather single-minded and short-sighted in her efforts to kill Stolas. She was willing to demand Striker to kill him over the phone with both her husband and daughter present at the family’s dinner table, not even being sneaky about it. In "Western Energy", her inability to grasp the consequences of her husband's potential assassination, as pointed out by her brother Andrealphus, suggests a lack of understanding of the ramifications of her actions. This raises questions about her awareness of the inheritance laws in Hell, which would see her daughter Octavia inherit everything, leaving Stella with nothing post-divorce.
Stella's reliance on her brother Andrealphus during critical moments, such as the divorce proceedings and the decision to call off a hit on her husband, indicates a dependency on external guidance for decision-making. Andrealphus appears to be the voice of reason, prompting speculation about whether Stella's actions are driven by emotional impulsivity rather than calculated intent.
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Now that we know Stella hates being married to Stolas as much as he hates being married to her, why didn't she signed up for divorce as soon as Octavia was hatched? Stolas endured for the sake of Octavia having a normal life, but for what reason Stella stayed? It couldn't be for the prestige, since Stella using her brother as leverage against Stolas implies it's actually she the one with a higher ranked family. So my theory is that Stella's life was in the line unless she accepted to marry Stolas. Probably her family only saw her as an exchange piece in the game of power, and if she didn't play along until death do her apart from Stolas, it would be her the one to be disposed of.
It will explain why she's just so angry all the time and the reason why she resents, belittles and abuses Stolas: she sees him as the reason of her own imprisonment in this unwanted marriage. And before someone says it's too much of a stretch, remember this is Hell. If she can contract a hitman on her husband within earshot of him and he doesn't bat an eye, who can tell nobles don't dispose of troublesome children that don't fall in line to the family's desires? After all, Paimon has a lot of kids, so the other families might as well; they have plenty of spares.
Stella is a cautionary tale about people being born into privilege who think their status allows them to get away with everything She'll genuinely believe that because she's a denizen of Hell who's born into royalty, Stella can get off with abusing Stolas scot-free.
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Note
The Caleb and Golden Guard Ghost or Illusion in For the Future is interpreted differently by fans and haters of Belos those who think he pure evil thought it was their ghosts haunting him for his sins while those who like him thought it was repressed guilt this has done nothing to help Belos’s reputation in the fandom and unless your chronically online those were illusions and to top it all off it was never mention again and Papa Titan dismissed him and some fans take his words as true. I think the Crew being vague on Belos Past and how sympathetic he is, is the main downfall of the show writing and one of the reason why Belos fans get bullied
I feel like that's just a problem with Belos in general; casual fans and those who dislike see him as simply evil and nothing more. But fans who were invested in the potential of his character and story obviously saw something more and the show was just vague enough to make convincing arguments that there was more to him.
It is extremely frustrating to have canonical facts such as the Wittebanes only becoming witch hunters to fit in, which has huge implications for their story and the themes of the show, only for that to never be mentioned again and for Masha to undercut their own story about how "little bro was jealous of big bro."
It feels like they're trying to have their cake and eat it too, by hinting at more subtle characterization only to ignore all that and have Belos act as their Generic Bad Guy Who Represents Societal Evils.
I don't think that the writing of Belos is the main downfall of the show, I think it's just a symptom of it. The show struggles with characterization by having characters not experience actual development but switching to a different character type. Eda goes from infamous criminal to Mama Eda but she doesn't spend enough quality time with Luz to justify the change. Lilith goes from intimidating head of the Emperor's Coven to history nerd who becomes besties with the resident joke character (let's also not forget how the show largely brushed aside the fallout of Eda's curse and Lilith having to share it just to atone). Hunter spends a few episodes as the Golden Guard and then he's Sad Boy Who is Abused. I've said before that the season 1 version (or first appearance in Hunter's case) of these characters are at their most interesting and unique but by the end, they're reduced to just generically nice people.
The villains, for better or worse, don't suffer this switch. They're exactly what they're presented as despite a few tantalizing details that would suggest otherwise. The end result is a bunch of characters who act as the plot requires them too, not because of actual character growth or dynamics.
On a separate note, I don't think Belos fans are bullied because his writing is sloppy. Even if he was more explicitly sympathetic, people would still find an excuse to harass fans. I think bullies just want to make people feel bad for engaging with media in a way that is different from theirs and no amount of "justification" can excuse that. People like villains, get over it. The kind of media and characters people enjoy usually has nothing to do with their morality. But how you treat real people certainly does.
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project-sekai-facts · 9 months
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Any opinion on Akito and Ena's dad ?
I don’t think he’s the best parent ever by any means, but I also think people often greatly exaggerate what he did to his kids. Both him and his kids have a pretty blunt way of talking and I think this is why they clash so often. The thing is, none of what he said to Ena about art being a terrible field of work to go into was wrong, it’s just that instead of trying to help Ena, he just told her she was talentless which like don’t fucking say that to your child??? I get that he was trying to look out for Ena but he just approached it in the worst possible way and ruined Ena’s mental health. He’s clearly been through it in his art career and doesn’t want Ena to go through the same, especially when she’s already struggling at a non-professional level, but he’s not the greatest parent going and clearly doesn’t know how to talk to his kids. He’s gotten better after Akito talked to him, but still has some work to do.
What I’m saying when people exaggerate what he did is that people tend to dial up the abuse to be more like Harumichi & Toya’s mother or Mafuyu’s parents and this is a very different case. Shin’ei clearly doesn’t know how to communicate with his kids and isn’t good at parenting, and I don’t think he meant to hurt Ena as bad as he did. He didn’t think she would be able to handle an art career and didn’t want her to get hurt, but he ended up hurting her more because he has dogshit communication skills. Yes, he still abused her and isn’t like a hugely present figure in her or Akito’s life (might be work-related? It’s never explained) but I don’t think he intentionally crushed her mental health and self worth. Considering one of his hobbies is camping trips with the family I think he actually does love his kids, he just isn’t a good parent.
It’s a very complex case because yes he did abuse Ena but it doesn’t entirely seem like it was intentional? Like telling her she was talentless was an intentional decision but I don’t think he said it because he wanted her to suffer emotionally for years, does that make sense? It wasn’t like Harumichi who made Toya practice past the point of injury and his wife who banned Toya from having any free time just because they wanted him to be a musical prodigy and live up to their expectations of their family (also Toya has older brothers who probably went through the exact same thing before him). And it wasn’t like Mafuyu’s mother who manipulates her daughter into becoming what she wants her to be and is fully aware of the fact she’s manipulating her, and then tries to manipulate other people on top of that to believe that she’s a good mother and actually cares about her daughter.
Shin’ei actually does seem to care about Ena and Akito and the fact that he does seem to try and change after Akito talks to him adds more proof to that. Harumichi hears Toya out and Toya isn’t scared of him anymore, and although he hasn’t really shown up much since Nocturne, whenever he does or whenether he’s mentioned there’s still this sort of disconnect between him and Toya still? Like he’s kinda just accepted that Toya rebelled against his expectations as an Aoyagi but you can tell he still doesn’t see eye to eye with Toya and probably never will. Hell, when Mrs Asahina is called out on her actions, she tries to manipulate the person calling her out in the exact same way she does her daughter. So Shin’ei at the very least tries to be better even if the improvement isn’t huge and I think a lot of people in the fandom miss that part? Like I consistently see people describe/portray him as far more intentionally malicious and hurtful and sometimes even physically abusive and he isn’t?? Yes he abused Ena and doesn’t seem hugely present in Akito’s life compared to like Ken, but how he abused his kids reads very differently to the other more notable abusive parents. I’ve already said it loads by now but the intent is different. And this is a character analysis and not an opinion
Uh yeah I think he’s pretty well written and I’d like to know a bit more about him but maybe I should invest in the fanbook for that. He’s very realistic like this is definitely something that happens a lot in real life. Some parents just aren’t good at it and don’t mean to hurt their kid but they end up doing so because they just don’t know how to care for them and communicate with them properly. He feels very human.
He’s a shit parent and I hope this doesn’t read like an apologist post because it’s not meant to be, like he drove Ena into a deep depression that’s fucked up. I just wanted to point some stuff out because I really like how he’s written and think he’s a pretty interesting character.
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