#but I want to explore her grappling with Why she does that bc she is genuinely kind | Explore Tumblr Posts and Blogs

dulcewrites · 1 year

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Hey, we know from the show that Aemond’s mother is quite religious and since Aemond is very devoted to her and probably learnt a lot about the faith of the seven that most in the fandom seem to interpret as westerosy’s Christianity. How do you think (both for the modern and period au) has that impacted his idea of relationships and what one must do for the person one loves? Is that somehow reflected in his love language and the way he shows affection?

Well, like you said I view Aemond’s piety as an extension of his mother. Because of that, his views on religion would trickle down from her. The question would be: has Alicent’s views on religion changed in a different setting

In hotd, we see Alicent as pious for several reasons. 1. She is supposed the ‘uptight’ opposite of the targs (who the writers want you to root for). 2. She is from Oldtown, which used to hold the seat of the high septon of the faith. And 3. She uses it as a means of repentance (hence her renewing her faith post driftmark to rid herself of guilt). Would Alicent seek such comfort in religion if she was not in the extremely volatile environment she was put in?

Small tangent but it’s eye rolling when people (mainly team black) try to act as if Alicent is some religious zealot when she’s honestly just as religious as any other noble woman in her position. Nothing about what she does it out of the ordinary. She prays and changes some decor lmao

Now this translates to a modern Alicent that to me is your your average church goer. Depending on otto and her mother (who people theorize was the more religious of the two), she probably grew up going to church regularly. So in turn, that would probably past onto the kids when they were young. Especially if it the same idea of her essentially raising them herself is in this universe too. Once the kids grow up, and venture out on their own, they’d have to make their own decisions on what said religion means to them.

I personally don’t see this affecting Aemond much tbh, especially in a modern setting. The only way I could see it truly affecting his life is maybe in a modern Royal setting. Only bc royals are normally either seen as ordained by god and or heads of the church themselves. Therefore expected to follow certain about rules about things like divorce etc. But that is all pretty archaic thinking imo.

I see Aemond’s ideals in partnership or how it manifest in his love languages as extensions of his family issues/dynamics versus religion. Though I do have this scene in life with you planned out (semi written) between Aemond and Alicent post myrah giving birth to Baelor and being sick. Takes place in the Sept and sort of explore a grapple a lot of people have about religion. The idea of praying, but feeling like no one is actually out there. He asks the age old question if “if the faith is benevolent, why has our lives been so shit??”

This is so long winded sorry. But long story short, I only see religion affecting hotd Aemond if he do leaned into it as a means of salvation, like his mother, versus a thing to appease someone else (a surface level reason to). If after his father’s neglect or the brothel incident, he turned to faith. But so far I only get the vibe he does it for his mom, therefore it doesn’t really affect him outside being dutiful. Though the dutifulness does express itself in the way he loves. He is an action driven person and his love manifest that way

#the way my wifi went out when I tried to post this so I had to #I had to rewrite this all over again 😭🤡#anyway I think Aemond has a lot of other things that would affect his relationship before religion #asks and requests

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reasoncourt · 2 years

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why would shiv ever divorce matthew macfadyen tom .

GOOD QUESTION. The answer is I was just typing words.

But I think, really, she didn’t marry matthew macfadyen tom. She married Tom Tom. So, the guy who comes home to her after the accident is not the guy she fail married </3. She doesn’t recognise him 😔. And she’s still angry at Tom Tom for what he did in s3 finale. But matthew macfadyen tom has no recollection of that so can she even be angry with him? She’s confused. This is the issue of personal identity that philosophers have grappled with fruitlessly for thousands of years.

Shiv thinks her and matthew macfadyen tom both need to get to know themselves separately (in the span of four weeks bc this is succession) before they can ever think about being in a relationship again. (Plus, she can’t get Lisa out of her head. She wants to explore that. Who could blame her?). So she divorces him </3

But as all good amnesia fanfics go, Shiv and MM Tom start to get to know each other. And she accepts MM tom in all his not-tomness. She may love him and she does love him. It’s a revelation, etc.

#anon this gave me the serotonin I need to write another 500 words on the dissertation I’m being a defeatist about #so ily for this - it was a good start to my day (despite me having not gone to sleep)#thought provoking stuff #and now I’m thinking about the problems of personal identity #is mm tom really tom? is he a separate person entirely?#hmmmm #asks #anon #tomshiv #(of a sort)#sorry if this is deranged I am so wired rn

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fallindomino · 3 years

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how i would have changed s2 of hsmtmts

obvious disclaimer but im not a screenwriter or anyth so im not claiming what i want is best, this is just for fun lololol

okay so first of all nini would still have dropped out of yac but she wouldn’t have gone back to east, she would have transferred to north bc she was too ashamed to tell anyone she left at first and maybe she still wants to explore who she is away from ricky and the others

nini could join north’s batb and this way maybe we could have some playful rivalry with lily and nini and more scenes with antoine shdhdjdj also it could have been a great opportunity to flesh out lily’s character so those scenes where she reaches out to ricky and her confession at the end of the season actually make sense lol

speaking of ricky ,,, i think he should have left the play at some point hear me out. he only joined in the first place because of nini and barely wanted to do it at all once he realized he wasn’t gonna be able to perform with her. he could have joined crew and been a manager with natalie or smth considering he rlly does see the theater gang as a second family. also this would leave so much room for ej and ricky development and bants since ej joined the av club and began to pursue film. they could have some convos where idk ricky asks ej how he figured out what he wanted to do after duke didn’t work out and ricky could actually develop some interests that arent the play or nini ,,, maybe fucking art club i mean he did p good on that centerpiece for carlos’ quinceañera.

with ricky not being the beast anymore i think seb should take his place that would be soooo good. and since seb isn’t chip anymore carlos won’t make those snide comments about chip being a small unimportant role and we can just cut that whole fight bc it was dumb and bad. we could still have seb being insecure that carlos is only dating him bc there aren’t really any other gay guys at school. in a heartbeat is great and i did like ricky being supportive in the background it was kinda funny too idk dhdjdjfj

ooh i almost forgot abt rini ahshdj okay so i still think they should break up. but in my version there’s no ricky pulling an ej 1.0 and deleting comments off of nini’s insta, cause with ricky in art club and nini at north trying to figure out what she wants i think one of them would realize that they’re going in different directions and only got back tgt because they made each other feel safe cause what they had was familiar. this could be triggered by ricky mentioning smth abt nini at yac and then nini breaks down and tells him that she dropped out and is at north and doesn’t know where she’s going. and then they can both realize they aren’t good for each other rn and have a less tragic mutual break up.

honestly i really liked the scene of nini taking charge after miss jenn freaked out cause with the character detail of nini giving every person in the cast of productions she’s in a thank you note she just seems really like someone who is suited to lifting others up. this could still be explored at north, maybe she could help lily through her issues that were briefly implied in ep 11 and nini realizes she wants to be a drama teacher and encourage kids to go off book and put themselves into their acting, something she couldn’t have at yac.

okay now ej ,,, so like i said in ricky’s section, more bants between them cause i feel like friendships kinda fell by the wayside due to all the relationships so more friendship !!!! also the scene where ej tells his dad he’s not going to duke shouldn’t have been an ending scene, it should have been fleshed out with his dad pushing back saying how he pulled all these strings to get him in and ej saying he doesn’t wanna go if his own hard work couldn’t get him there. and also more scenes of ej doing av club things !!! and realizing he rlly likes film and wants to do it OMG IT WOULD BE SO COOL IF HE BROKE THE FOURTH WALL AND ASKED THE DOCUMENTARY CREW ABT THE FILM INDUSTRY god i would love that. the only scene we rlly got of ej doing film things was at the quinceañera which made me kinda sad. uhhh also i just wanted to specifically mention how ej got mr mazzara that job at cal tech bc it really showed how he wanted to be there for people not just for gina, who he had a crush on, but for mr mazzara who supported him outside of romance, so i wanna keep that for sure.

gina !!! okay so i mostly liked her arc in this season, the only changes i would make would be to flesh it out a teeny bit (god this hypothetical s2 would have to be like 22 eps at least shdjdjdjfj) anyways besides ashlyn singing home to get gina to stay i think there should be a scene where they actually talk in her room abt how gina feels safer when shes on the run (second chance reference ilysm) hhhh and also a scene of her and carlos actually working out compromises for their choreo cause i liked that bit of development too and fleshing that out would make gina an even better foil for lily, who felt a need to hog the spotlight like gina used to. with gina’s own arc fleshed out her character would feel more whole independently from romance and portwell would be even more rewarding than it is in the current s2. the only thing i would really change abt portwell is that they would kiss !!! in the finale but thats bc im biased.

ashlyn should have gotten a more fleshed out storyline about being insecure about not being a good enough belle or the typical belle. there were some throwaway lines when north did their typical dramatics but the only two real scenes that showed it were when ash talked to big red about it and when she was telling nini she wanted to do a run in “home” bc lily did it. ashlyn should get more screen time where she has to grapple with the reasons she doesn’t feel good enough and big red can still support her but also gina too bc i would like more roommate besties interaction.

kourtney could still date howie, that harry potter shit was cute but there needs to be smth else for kourtney’s arc. idk she’s still into fashion so maybe she could be out here trying to create her own line or smth? this doesn’t have to be resolved in s2 like making a wholeass line takes time and she could work on it into a potential s3. kourtney just didnt get much outside of howie and the stuff at the beginning of the season where she said nini inspired her to be independent and that's why she got a job was just dropped?? so i think that fashion could fill that for her if she’s still dating howie cause like having her whole arc just be the pizza place kinda overlaps w big red’s mini arc abt how he wasn’t settling for hospitality, its what he wants to do with his life.

ik what ur thinking. anna, even if you added more episodes, where would u find the room to add all these plotlines?? well first we cut (most of) the seblos fight, so thats some time saved. honestly most of the time that we r going to gain is going to be from cutting ms jenn’s time. things like ms jenn’s and nini’s car ride would get cut, but mostly all of ms jenn’s romances would get cut down. considering she’s the teacher and isn’t actually a character with an arc how does she have THREE love interests this season?? like all of the weird tension between her and zack can be cut, like just some short scenes of them being competitive can stay. all of the stuff with ricky’s dad can go bye bye we don’t need it. i did like her w mr mazzara so most of that can stay i just didn’t like how he said he would give up cal tech for her, ew no that would be gone.

the MENKIES !!!! this is the last thing im gonna address cause in a perfect world every character would get a long fleshed out arc but then the season would be waaay too long and also im mostly trying to work within material the show gave so this is mostly made up of “realistic” deviations from what actually happened. lol idk what that even means it just makes sense to me. but anyways!! uhhh bro idk i thought them dropping the menkies was funny but it also made the finale really BAD lmao. in this finale, seb is the beast, east still had to deal w the fact that they’re underfunded compared to north but no one is injured, lily is less of a poorly written character and maybe ppl are even rooting for her, and wow i just realized i never actually said what role i think nini should have in north’s show. OOH she could be student director instead of lily cause lily both being in the play while also directing was weird considering omg i just checked and according to her wiki page shes a FRESHMAN?? and they let her be student director? lol hell nah. okay so with all that in mind ,,, the menkies should have been the season cliffhanger instead of portwell. east and north should both be nominated, both schools perform at the menkies, and then the award winner is about to be announced and THATS when it cuts to natalie and the end of the season.

one, this actually gives more tension for a summer s3 as we would be waiting to see the consequences of whichever school won. also i bet people would be wondering if nini’s gonna be transferring back to east or staying at north. people would also prob wonder if ej would be getting the scholarship if east won and what that would mean for his interest in film.

lmao that got longggg and idk if anyone’s even gonna read this but it was fun to do :D

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sashannarcy · 3 years

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hi op what are your thoughts on uhhhh *spins wheel* sasha's season 2b arc (hope that's not too broad a subject)

edit: putting this under a cut bc it got LONG but. enjoy (???)

okay I gotta start by saying I didn't expect the depth of it at ALL; I knew Sash was featured prominently in the ending episodes of s2 based off of what my friend informed me, but like. I was not expecting 4.5 episodes to be almost ENTIRELY centered on their character arc and design (the .5 being the first half of True Colors).

that being said, I think Sash's 2b arc is PHENOMENAL bc of the way the nuance in it is written so incredibly well. this character is about to perform the most antagonistic move that they've pulled in the whole series so far, which is the act of betraying both Anne and Marcy in order to support Grime and get them home safe, if they so choose to go home (as an aside, I think at this point Sash has probably decided that she likes it more in Amphibia than back home, and there's one line that I'll get to that seems to be VERYYYY indicative of that. and if this is the case, it makes sense to me why Sasha would want to help Grime at all and why they don't really seem quite eager to follow Anne and Marcy back home. but! important to note that they still give those two the choice to go back if they wish, because at the end of the day Sash loves them and wouldn't try to force them to stay). and yet we see!! this back and forth!! this FIGHT that's happening in their mind, the way there's a flash of guilt they express at the very end of The Third Temple directly after confirming to Grime that things are still going according to plan, their convo w Anne at the end of The Dinner, the entire plot arc of BotB, and ofc the Sashanne duel in True Colors. I want to make an analysis post for each of these episodes because they're so fucking PACKED w shit to analyze, but I'll try my best to touch on all points here.

obviously we first learn of Sasha's plans to betray Anne and Marcy in The Third Temple. but what's important is that throughout the entire episode, there's several points where Sash switches back and forth between manipulation and honesty. I can talk abt this w confidence just based off of the whole. *gestures vaguely at myself.* but Sasha's initial apology in this episode was sheer manipulation, I think we all know that. however, when Sasha has to do their final test in the temple, those few lines they exchange w Anne in the moments before they raise themself up off the floor and launch themself into battle... those were genuine. they know they've been a shitty friend, and they're willing to accept that. so you have this game, almost, where Sash keeps flipping between putting on a mask to ensure they can keep up their facade until Grime secures the city and genuinely acknowledging their behavior and knowing that what they are doing is not going to sit well w Anne and Marcy.

so with that, The Third Temple sets the premise for the rest of the episodes of the season as far as Sasha's character arc. The Dinner is such a good fucking episode to follow with, because it hammers in the fact that Sasha has not changed. what it ALSO hammers in is she is still acting in her own self-interest - to put it in her words, she wants to get the friendship back under control. they still lash out, they still have a short fuse, they're still heavily opinionated and rough around the edges and prickly because this is an environment where they feel threatened. they're finally reuniting with the two people that mean the absolute most to them, only to realize they've been left out of the narrative. also not for nothing, but their trauma in Reunion got joked about in this episode which led to them blowing up over it, and like. I'm giving that one a pass bc man. anyway. at the end of the episode they say they like who they are, but it's said with a frown, which I think is fucking GENIUS. because there's an actual meaning to this line - they don't ACTUALLY like who they are. we have plenty of evidence that they don't like themself. what they MEAN is that they don't want to change, because that would mean giving up a security that they need in order to keep themself together. AND THIS IS DEMONSTRATED CRYSTAL CLEAR IN BOTB. they literally PURPOSEFULLY detach themself from Anne and Marcy bc they know they want control but they ALSO know that their behavior is just going to hurt the other two, so instead of compromising, they just go hey I'm gonna do my thing and you guys can do yours. and we'll both get what we want. and if that's not evidence that this character is fucking GRAPPLING with how to grow and change as a person, idk what is

and then. sigh. we get to True Colors. ofc Sash goes through on their betrayal - they're loyal to a fucking T once you dig beneath the surface, and they wouldn't just not follow through for Grime. what is absolutely KEY here is the fact that they are still leaving room for their friends' best interests, as in they're not trapping them in Amphibia but rather explaining how they're gonna help Grime take over, implying they'll go back home once they're done, but if Anne and Marcy wanna go back now, that's cool. if she didn't give a fuck abt their wellbeing, she'd just keep them there w her. but she doesn't. and then Anne starts retaliating, and. well. we ALL know Sasha does NOT do well with criticism of any kind. so they just go okay I'll send you back now then (and this is STILL an action motivated by what they think is best for Anne). BUT THE LINE. OHHHH THE SUPER IMPORTANT LINE THAT MADE MY HEAD SNAP UP AND MADE ME PHYSICALLY GO "YIKES" OUT LOUD. is Sasha saying "say hi to your parents for me." it's like a goddamn full-on sucker punch packed into one sentence - seven words, and all of a sudden we know for sure this kid does not have a good home life. I could go into elaboration on Sasha and the way she views familial ties throughout the show, but I won't bc that's gonna take this already super long answer and make it even worse. regardless, Sasha has once again flipped the switch and is indulging in their worst behaviors, which is full on controlling and holding power to act on what THEY think is best in the moment. and the moment Anne snaps, the moment Anne yells about Sasha being a horrible person, literally EVERYTHING shifts and the reaction from Sasha is VISCERAL. and what I mean by that is. it's not just the look in their eyes at those words. it's not just the sudden and complete loss of meaning, of self, of motivation after they've lost Anne's support. it's not just the way they stare at their own reflection in a sword that represents the color of the person they're trying their hardest to protect. it's the way that for the rest of the goddamn episode, they spend it trying to do the one thing they fear the most: giving up control. I'm gonna elaborate on this whole aspect in a different ask bc I was asked abt it, but the way Sasha acts towards Anne after the fallout, especially at the beginning of the duel and during the confrontation w Andrias, is fucking monumental. they struggle so much with how to change their own behavior, yet the very moment they lose the support of the people they've been trying so hard to love and care for in their roundabout way, they can change the way they act. because who the fuck is Sasha Waybright without Anne Boonchuy and Marcy Wu? in her mind, no one. she doesn't have any idea of who she is outside of this, so ofc she can act differently when she's thrown out in the cold. after all, it doesn't take much to warp an identity that doesn't exist.

tldr; god. how do I sum this up. Sash's 2b arc is smth that's incredibly intricate and complex from the way they constantly flip between desperately needing control and feeling guilty that this is the way they need to live. and True Colors is able to finally demonstrate to us the final piece in how they operate - without their friends, they lose sense of who they are, and their personality comes undone. in 4.5 episodes the writers managed to give us 1000 aspects to their character that we hadn't gotten to explore, and we can see that Sasha was never meant to be the villain. so. final review is that's some good shit👍

#this is so so so so long holy shit anon I am sorry #but the s2 2b arc is like. oh my god it sure is smth #PLEASE GOD IT'S 2:56 AM. I HAVE CLASS AT 9:30 GMFMDMDM #why do I do this shit to myself #sasha waybright #amphibia #anonymous #ask #long post

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thinkingisadangerouspastime · 3 years

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I don't mean to discourse in your inbox, but I'm not as well versed in Kataang fandom as you and others are. I only ship fanon queer couples. I was wondering if you or maybe one of your followers could let me know the idea behind Kataang fandom being disingenous.

I have a close mutual who ships Zutara. I find that ship weird but w/e. We agree to disagree. Today though they told me some things that gave me pause and it's not the usual anti Aang arguments I've heard.

The main thing they said is that Kataang fandom does not engage with the "unsavory" parts of their canon and that it's an annoyance. I asked for clarification and they mentioned that in The Southern Raiders Aang when tells Katara she has to forgive her mother's murderer, Kataang fans don't understand how unfeeling he was being. I'm assuming my friend used this example because I lost my dad to gun violence because she asked me how I'd feel if I was told that I needed to forgive the person who shot my father. I just said that Katara pushed back on Aang when he said that just as I would if anyone said that to me, and that Aang and Katara have different viewpoints on that but it doesn't mean Aang was unfeeling. My grandmom forgave the guy who shot her son. She knows I never will, and she's never pressed me on it just like Aang didn't press Katara on it.

My friend kinda backed off on that but said that Kataangers don't acknowledge was Aang said was not okay, even though Katara did push back. But he's 12? And has a different mindset?

I'm sorry, I'm losing the plot. I guess the tl;dr is that my Zutara friend claims that most people push back on Kataang because Kataang fans don't engage in good faith about mistakes Aang made with Katara, and I guess I wondered your feelings about that.

hi anon! for one, im deeply sorry you lost your father, and - though this may be just me - im sorry your friend felt it was appropriate to try to compare fictional circumstance to the very real tragedy that befell you and your family. i don’t know how long ago the instance you describe was, but i send healing and good things your way 💛

(also, a reminder for everyone: there is no pressure to ever share personal/life details in my inbox. for one, your life is your life and there’s no reason you should ever feel like you have to put personal information out onto the internet! and two, of course, im just a teenager behind a screen lol.)

moving onto the atla-related aspects of your ask. i mean,, my gut instinct is honestly to just shake my head in amusement, because the fact of the matter is that yeah, i know why someone who primarily (or perhaps only) ships zk might believe this:

they don’t interact with kataang content.

it’s incredibly easy for someone to label the kataang fandom as being “disingenuous” if that person isn’t regularly engaging with kataang content 😂 so that’s my natural conclusion! no, the kataang fandom isn’t disingenuous, your friend who ships zk simply isn’t an active part of the kataang fandom and thus they aren’t going to see kataang fics/metas/arts/etc. related to tsr.

and in that same vein, i wouldn’t be surprised if there are kataang shippers out there who would call the zk fandom disingenuous for similar reasons, i.e. that they don’t feel zkers engage with the “unsavory” aspects of zuko and katara’s relationship (when zuko and katara were still enemies). i guess some specific examples would be him tying her to the tree and manipulating her with her mother’s necklace, as well as his betrayal at ba sing se? like, i can say with total honesty that i haven’t seen any zk works grappling with the severity of those events - particularly the latter - but i can also say that i don’t go out seeking to interact with zk content! just bc i haven’t seen that zk content doesn’t mean it doesn’t exist! just bc your friend hasn’t seen that kataang content doesn’t mean it doesn’t exist, either! you see where im going with this?

and i’ll also admit that i of course disagree with your friend about aang being “unfeeling,” lol. i discuss in this post aang’s comments to katara in tsr, specifically how aang - as the sole survivor of genocide - is essentially the only person who can fully understand katara’s grief. i also touch upon the parallels between gyatso’s and kya’s deaths and the respective discoveries of their bodies, which further reinforces just how much aang does understand katara’s circumstances and was thus not being “unfeeling” with his comments to her. honestly, i still think zuko was such an ass in tsr 😂 but to each their own interpretation! your friend can think whatever they want, no skin off my back

anyways, as i’ve started to do when i get tsr-related asks, time for some self promo: everybody should go read broken pieces still belong, my 20k katara-centric fic exploring her emotional journey from the events of “The Western Air Temple” through those of “The Southern Raiders” 😎✌

i hope this answered your question, anon!! ultimately, i really do think it’s a case of yeah, obviously a zker might feel that way, because they aren’t actively seeking out any kataang content 😂 it’s scarily easy for people to slap labels onto entire fandoms, yk? which is why i always try to emphasize that yes, i’ve had negative experiences with both zk and kataang shippers. i’ve seen content from both sides that i don’t and will never like. but i know that my experiences are not universal, and i know that this negativity does not make up the vast majority of either fandom. pretty straightforward, am i right?

#amy answers #anon

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marcspectrr · 3 years

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A word or two on Kiara's mental health...

Before I attempt to summarize the 39 page slideshow living rent free in my brain, a preface! This will include spoilers for s2, as well as a few mentions of suicidal thoughts! Also. I love Kiara Carrera with all of my heart so if you're not a fan of her, you might wanna keep scrolling. If you don't vibe with her that's perfectly fine, but this post is heavy with Kiara appreciation, be warned, my respect for her runs deep. The choice is yours, of course, just understand that I'm writing this bc @yellowlaboratory among others have encouraged me to get it out there because it's all I've been thinking about since I watched s2. This is not to start anything.

(This is also not me hating on Pope because I genuinely like his character, he's just made some very questionable choices throughout the show, some I can forgive and some that still don't sit right with me.)

Deep breath, here we go.

It's no secret Kiara has been poorly handled by the writers and therefore the characters at times. We got little development in s1 compared to other main male characters, leaving us to fill in the gaps as far as her ambitions, motivations, family, overall interest in the boys, etc. While I do keep this in mind, I could rant about it for days so for this I'm going off of what we have as well as what's been implied.

Kiara didn't have the same upbringing as the boys but it's clear the Carrera's had/have their struggles. She's got her foot in both worlds, not quite 'rich' but not entirely 'poor', inevitably giving her a fragile sense of belonging and identity. 16 is a hard age even without societal pressures and growing up in a classist environment, but here is where we're assuming the boys come in. They give her a place to feel comfortable in her own skin, with shared interests and accepting her for who she is, which we know the kooks don't provide. Just being around them helps ease those deep insecurities, helps her form meaningful bonds. We weren't given an explicit scene where this was shown but over the course of the two seasons it's clear how she feels about them and what they do for her mentally.

Her relationship with the pogues, however, puts a rift between her and her parents. Mike and Anna clearly want what's best for Kie but it's also obvious they've struggled with her even before the pogues. Anna wants Kiara to have the things she never got growing up, breeding a disconnect since Kiara doesn't share in her mother's interests. This leads into my biggest problem with Kiara's arc in s2, which was how Anna and Mike were written.

Yes, Kiara didn't/doesn't treat them the best but it went both ways -- they all failed at communicating. Instead of finding a common ground and compensating for the things Kiara cares about, Anna shuts her down and ignores her, leaving her to feel like a problem rather than a person, further perpetuating even less healthy communication. Kiara even says in s2 that's why she doesn't like going home, because it always means walking into an argument and not feeling accepted.

I sorta expected a little more understanding from Anna considering her own background with pogues but instead it backfired. And Mike...he didn't contribute much at all. They could've all done better and need some work. Kiara could be more grateful and Anna and Mike are the parents, the adults, they need to make the space feel safe to talk. Kie didn't just wake up one day and decide to act out and keep her parents in the dark all the time, that stems from not feeling listened to when she does try and open up.

Expanding on this with...the whole Blue Ridge plot. Moment of silence for the show neglecting to acknowledge the academy, even though it clearly had a big impact on Kiara's life. In s1 we got a brief look into how her 'kook year' affected her and it was not good. More isolation, blurred identity, insecurity and this time suicidal thoughts, with no one to turn to for support, assuming she was not on good terms with her parents then either. I'm assuming this because for them to send her to the academy, hoping to give her better opportunities only for it to end with her wanting to cut her wrists, to then thinking the best option is to send her away again? At this point I hope they didn’t know how badly the academy affected her because sending her away a second time with that knowledge is such a hurtful and oblivious move.

Kiara already thinks her parents see her as a burden, hurting her sense of worth as is. I really wanted to like the Carrera's and I still feel like they genuinely love and care for Kie, I just need to see more communication maybe. And if they choose to include the Blue Ridge plot, which I'm leaning towards yes on that one, I hope it's handled somewhat well, preferably not a tool to create drama even though I know a lot of people want to see it be used that way. I'm very particular, I'm sorry I'm this way.

Things I've seen her being criticized for in s2 is her behavior. The thing that people have to remember is that she's 16 and teenagers are just not the best with navigating their emotions. She made questionable choices (the 'murderer' thing and 'abusing' Pope) but these are both things that fit the plot and her character. She was by no means the only one grieving so I don't know why she's being targeted for it (although I'm not surprised, the fandom treats her horribly). Some of her core characteristics are her high moral integrity as well as her headstrong belief in people and causes. She's never been one to make herself palatable for people and s2 shows a lot of this (calling out the Cameron's, going off in front of the court, etc). Even if it caused them problems and even if they are flaws, that doesn't make her an inherently intolerable character, it makes her realistic. She was not in a good place emotionally and it would've been wrong to shy away from depicting it any other way, especially in a show where the teenage experience is decently represented.

Now with the Pope thing. I think it was handled as well as it could've been considering the circumstances. It really should've never happened but to justify it, emotions are messy, relationships even messier and they were both spiraling at the end of s1. I don't agree with the way it started (why give Kie the line of literally telling him she wanted something different only to show them together next episode, I'm forever confused) but I'm not mad about how it ended. They were both in the wrong at times so only bringing up Kie's faults is just unfair.

I believe they both tried their best and even wanted to feel the right things but learned quickly that's not exactly how it works, which was how it was supposed to be shown. Not as this romanticized, idealistic healthy relationship but as one that has its bumps and was bred out of all the wrong things. All of their body language pointed towards this. Pope didn't deserve to be hurt but Kie clearly didn't intend for things to turn out how they did. She wasn't mentally comfortable enough for a relationship and I can appreciate them showing this in the ways the writers framed it. Even the conversation with Kie describing their night on the beach, I think it was perfect. It was awkward but it was honest, which is so important.

Overall, I think Kiara's gone through a lot mentally that the show could be better at exploring. It doesn't have to be big, obvious lingering shots, they can be subtle and still mean so much to people who relate to her. Seeing someone on screen grapple with real life struggles (even if the show walks a painfully fine line as far as realism), it means a lot. Especially when mental health (more prominent than ever) is so rarely portrayed to translate in any significant way in media now. It's definitely something I would love to see get more time and effort so until then, just know I'll be manifesting the screen time Kiara Carrera deserves.

#obx #outer banks #obx s2 #outer banks season 2 #kiara carrera #whoever read this whole thing kudos to you #i also hate the tumblr app for posting it twice before it was finished :)#i have MANY thoughts on kie #as well as the rest of the pogues arcs in s2 #its a curse to have this many opinions agshdjf #obx rants #i guess?

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paperpocalypse · 3 years

Text

on five and allison: powers and potential

making a new post bc i don’t want to hijack the original one, which helped me realize why i would love to see five and allison interact more in s3 !!

there are several parallels between these two that are yet to be really explored in the umbrella academy, but this is the one i want to focus on: as children, both allison and five seemed to be very fond of their powers and used them whenever they liked. some of it was because reginald made them view their worth in terms of their abilities, some of it was because they needed their abilities to survive, and some of it was because their abilities just happened to suit them well and they thought it was dang fun.

prior to s1, allison pretty much does a 180. after leaving for hollywood, she had tried to find happiness the same way she tried to find it at the academy: by using her rumors. but using it all the time eventually blows up in her face, and she concludes that it’s wrong to take away people’s autonomy, even if her reasons for wanting to seem rational. she resolves never to use her power again. it doesn’t last, not in 2019 nor in 1963 — and both times, she uses it in an attempt to save a loved one. a large part of allison’s character development is reclaiming her power as her own and learning to use it appropriately.

five, getting stuck in the apocalypse, did not get to experience navigating adulthood with powers in society at all. so his relationship to his powers, seeing it as a survival tool and always, always essential, is pretty much the same as it was in his youth. he needs it. and now, like op said, his ability to turn back time adds more complications for how he should use his powers. when in a pinch, should he and his siblings deal with the consequences or slip out unscathed? if something doesn’t go his way, is it best to change things so that it does? five’s instinctive answer is yes.

so this is a chance for allison and five to learn from each other. five shows allison that her power is a gift and she shouldn’t be afraid to use it to protect the people she loves. allison shows five that he needs to interact with others as equals and give people room to make their own choices. the two of them grapple with the ethics of using their powers and how to know when they should use them, and they find out more about each other as they do so. all in all, developing their relationship in the context of their parallels would be so important for their individual development !!

#also i want to see more of these two roasting their siblings #allison hargreeves #five hargreeves #tua #the umbrella academy #hargreeves siblings #the umbrella academy five #tua meta

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itsclydebitches · 3 years

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ngl voyager gets a whole lot of very disproportional hate from the fandom and i'd hazard a guess that a lot of that is just garden-variety misogyny (and probably racism mixed in, considering how many of the most prominent characters are women, poc, or both). like, is voyager perfect? absolutely not. and no spoilers but there was a lot of executive meddling that wound up leading to the finale/conclusion being lacking and there's a lot of reasonable dissatisfaction with that--but again that was largely thanks to the execs fucking the show over and i recommend looking into that if you can once you've finished the show. but overall? voyager is trek right to its very core--it has heart, it's about family, and it never loses sight of that imo, even if some episodes are weaker or just duds (but, like, would it be a trek series without some episodes that just kinda suck but are still fun to watch???)

anyway, i absolutely love that you're getting into voyager, it is my all-time favorite trek series to this day for a lot of reasons, and i hope that ppl like that anon dont put you off bc i'd love to continue to see your thoughts as you watch the series!

Oh, it would take a whole lot more than some anons being salty that others enjoy things to turn me off :D

Thus far (I lost internet last night so I’m still only on Episode 7 of Season 2), Voyager is the Trekiest Trek I’ve watched. Which is a weird sentence, but I mean it in the way you said it’s “trek right to its very core.” What is Star Trek, if we strip the intent of the story down to its basics? It’s about exploration, discovery, that “wagon train to the stars,” wrapped up in the argument that life is fundamentally good. We have problems, but we can work past them. We have differences, but they strengthen us. Diversity is the lifeblood of the universe and the future will continue to improve so long as we embrace that.

Voyager is (again, from what I’ve seen so far!) basically a love song to that premise. I didn’t do too deep a dive because I’m trying to avoid spoilers, but I did look at a couple threads discussing why Voyager is so hated. Again and again I saw the same reason pop up: wasted potential. Now, a lot of fans left it at that (as if the answer to what potential Voyager apparently missed out on is self-evident. It’s not), but those who did expand on the idea consistently claimed that the show needed to be darker than it was, even if they rarely said it like that. Why aren’t the Federation and the Marquis at each other’s throats? Why isn’t the crew going crazy under these circumstances? Why aren’t characters getting killed off left and right in hostile space? “Anything could have happened out there and they played it safe!” but the “anything” here is always... awful. There’s this very pervasive idea that the world is inherently cruel, people are inherently divisive, that when pushed to the brink everything will fall apart... and that (while making for one kind of great story) is very much not Star Trek.

See, Voyager created an unimaginable scenario--lost in space, 75 years from home, forced to live indefinitely with strangers--and their answer to the question of “What happens?” is “People make it work.” They learn to respect one another, they uphold their ideals, they maintain a love of life and discovery, and they create a family. And that’s fucking fantastic. That’s Star Trek! I’m not going to pretend there aren’t problems with the show, with plenty more to come, I’m sure, but I don’t think this is one of them. Why do so many viewers think that hatred, horror, death, and growing jaded is the only potential here? Why would they expect that in a Star Trek show whose premise is the very antithesis of those things?

“But they don’t do enough with those things, even if they have happy outcomes.” They do plenty, they just do it in an episodic rather than serialized nature. I can point to multiple episodes where the replicator rations or Maquis differences are driving the characters’ actions. “But without that horror there’s no conflict.” There’s plenty of conflict. Hostile aliens aside, I just watched an episode where Tuvok and Chakotay are pissed as hell at one another because they fundamentally disagree over how to handle problems, but--because they’re adults with a well-tested respect for one another--they apologize and work through it. “But the characters don’t develop at all.” You mean they don’t grow harder. That’s not the same thing as no development. Tuvok is figuring out how to be more flexible, Chakotay is becoming more willing to accept cultures he doesn’t agree with, Harry is growing more confident now that he’s far from home, the Doctor is learning to see himself as a person, Paris is grabbing his second chance with both hands by making strong ties, and Janeway is learning to command and care for her crew simultaneously. I honestly believe that a lot of people think of “character development” as the character becoming a fundamentally different person, unrecognizable from where they started out. But characters can also grow into the people they wanted to be in the first place. “We’re far from home, in hostile territory, tempted to do horrific things to survive... but no. Right now at least, we’re holding onto who we are. We’re scientists, so we’re going to explore and learn. We’re peaceful, so we’re going to make friends with as many species as we can. We’re members of a society that teaches acceptance, so we’re going to form a family on this spaceship.” That’s incredible!! Did fans miss why Seska was an antagonist in the episode she was unmasked? Because she was trying to convince them to give up everything they believe in in the name of survival, an ends justify the means argument. And the crew said no, we will not give up what we believe in just to make it through. I legit saw a ton of fans saying some version of, “I can’t believe they were that far from home and actually followed Starfleet’s rulebook.” It’s because those rules don’t exist for the hell of it. Overlooking their practical function, they’re a philosophy that the characters believe in, and they’re figuring out how important that part of their identity is to them under these circumstances. Am I willing to steal a specie’s technology if it gets us home? Am I willing to die to help another uphold their own philosophy? (Chakotay in “Imitations”). What regulations should we bend or change to accommodate our new situation? The first two things Janeway does are a) giving the guy who just came out of a penal colony a rank and b) deciding that she needs to be more familiar with her crew than is normally encouraged for a captain because she’s essentially their mom now. Developing doesn’t have to mean characters do a 180 on their initial personality, or characters getting killed off when stuff gets “boring” so that others can do edgy things in response.

Voyager upholds Trek’s premise and runs it to its logical conclusion:

Voyager has the most literal trek--a trek back home.

Voyager has the most diverse crew--a woman Captain, Native American First officer, black Vulcan, Asian-American communications officer, and a White Dude pilot that realizes he wants to be soft and kind towards those who took a chance on him because Toxic Masculinity who?

Voyager has the most literal family--not just a 5+ year mission, but a crew who expects to raise the next generation. They have no choice but to work together, so they indeed come together rather than pulling apart

Except they do, of course, have a choice. In “The 37′s” the crew is allowed to stay on the Earth-like planet with a city of other humans and Janeway is convinced that a sizable number will choose that. After all, they may never get home and this is a safer, kinder future for them. In fact, the real question is whether so many will stay that they can no longer run the ship... but Janeway would never dictate her crew’s choices in that manner. So she swallows her worry down, opens the door...

... and finds that not a single person decided to stay behind. And the show has ensured we understand that this is not just because they all have some unshakable belief that they’ll get home (many don’t), but because this is their family now. This is home.

And fans want to toss that out for a generic, gritty, sci-fi adventure where hope is scarce, the universe is cruel, and people need to be pushed to the limit just to admit that they maybe, sort of, like each other?? Obviously like what you like, but that’s a hard pass for me. I’ll take the bridge crew comforting each other in “Twisted,” thanks. Besides, we already have shows like that. And we already have DS9 which grapples with many of those dark, pessimistic themes. Voyager feels like a breath of fresh air, even within the breath of fresh air that is Star Trek as a franchise. It’s a show that says, “Yes, when everything goes wrong people will come together. They will love each other. They will make it through.”

What’s more Star Trek than that?

#star trek #ST #mymetas #Anonymous

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rahleeyah · 3 years

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sometimes i wish EO wasn't endgame, and honestly i love them but continue to be so on the fence about it all

the funny part is, i have no long-term resentful bone in my body, i can be mean and vicious and a bit vengefull but i could never be done with the love of my life, even after some of the shit we've gone through, some of the things i have felt and been made to feel, some of the things i have heard, some that hurt so badly but that i needed to hear

so i should understand olivia, i should understand how it is to feel unable to give up, to let go, to be done with someone, i should know that one look or move would be all it takes for my anger to subside, i also know that my rage burns bright and short and that i immediatly feel bad about it after because i don't want that to define me, to be how people and the person i love most remembers and knows me

but i feel vengeful for olivia, i feel like i need to protect her at all costs, and sometimes i am unwilling to believe that the one who hurt her the most is also the one who can make her the happiest, for some reasons that thought makes my heart ache, it makes me not believe in justice and i wish that elliot would just understand what it is she has been feeling her whole life, about people leaving, about her feeling she's not enough or, actually, too much

i can relate to olivia, i know how she feels because i feel it too, being too much and not enough at the same time is a burden to live with and i think, somehow, elliot tries to understand but he doesn't know and he will never know and sometimes, sometimes i just wish he could actually get into her head and her heart to finally, finally understand completely what is feels like

but the worse part is, the ones who actually don't understand are the ones the best equiped to heal you, because they try so much to get it that they do the work, they listen, they try and i know elliot can be that person, the one who completes her, who gets her in another beautiful way, who sees who she is, the real her, olivia

but sometimes i also want her to not be olivia all the time and to be selfish and to just say to hell with it and just take what she wants instead and not give it, give it, give it

so yeah, i wish they would end up together, but i also wish they wouldn't, i guess i will be happy and frustrated either way

Something I think is important to remember, when we talk about how Elliot leaving hurt Olivia, is that Elliot is also a person and Olivia knows this.

I don't think I agree with your thesis; is Elliot's departure the thing that hurt her most? No, I think Lewis did the most damage, emotionally as well as physically, bc he took away her control and her understanding of herself. Elliot's departure hurt but she wasn't in therapy over it. Sheila's betrayal hurt worse, I would argue. Bc Olivia didn't trust her but she wanted a family so goddamn bad she let her in anyway, and very nearly lost her son in the process, and blamed herself for it.

The thing is. What Elliot did, leaving, wasn't about hurting Olivia, and she knows this. He wasn't being cruel to her. He made a decision and one of the consequences of that decision is that she was hurt, but there are also positive outcomes with that decision. His family - the family both he and Liv have always put first - will be taken care of. He won't lose his pension, his reputation. He leaves his job on his own terms. Liv won't be dragged thru the mud alongside him.

Also!!! Remember!!! The part where he killed a teenager!!!! He is grappling with an actual serious trauma. And Liv knows this. Liv knows he wasn't trying to hurt her. He wasn't even being particularly selfish, imo; it's not like he wanted to go. Oh he could have answered the phone; ok well Liv knows where he lives and she's turned up uninvited to talk sense into him before. Why didn't she?

A) bc they're not real but b) I think she understands, on some level, why he had to go, and that she has to let him.

His marriage is not just an inconvenience to him. As far as he is concerned it is never going away; he loves his wife, he loves his kids, he believes in his god and the vows he has made, and he wants to be the man who stays. With that in mind it is kinder of him to leave Olivia than to continue to keep her in his orbit, bound to him and yet not ever his. He can't have her, and letting her go hurts her but it gives her the chance to maybe find happiness elsewhere.

You've pointed out that he does understand, better than pretty much anyone, exactly how Olivia feels, exactly how much she needed him, how she struggles with abandonment and feeling like no one wants her, bc she has told him more about herself, given more of herself to him than she has to anyone else and also he walked beside her for so long. They know each other. She knows his secrets and he knows her. So what makes him a threat? That he is the one who loves her most, and therefore is the one who can hurt her most?

The people we love most by default have the ability to hurt us more than anyone else, not because they choose to (yes, they know which buttons to press and which words cut the deepest but willfully inflicting pain for the sake of it is not love) but because they are so bound up in us. Their choices affect us more deeply than the choices of people we care less about. When you build a life with someone, every move they make has the ability to shake you bc you have the same foundation. It doesn't make them cruel. We have to learn to bend together.

The only way to protect Olivia from this pain is for her to never share her life with anyone else. If she doesn't depend on anyone she won't be hurt. If there's anyone who matters, tho, there is a risk of pain. That's life.

I hear you wanting to protect her and I fully get that but I don't see Elliot as a threat. Yes, his leaving hurt her. Yes, he could hurt her again. Anyone could. Anyone she loved, no matter who he was, could hurt her, bc she loves him and he could leave.

Their journey isn't over yet, either. We don't know how their coming together is gonna look. We don't know what kinda work they're gonna put in, what kinda conversations they're gonna have. So we don't know what this looks like.

And also. Fiction gives us a safe place to explore dynamics we maybe wouldn't want in real life and that's ok. Wanting them to be together in fiction doesn't erase your moral judgment, or your knowledge that you'd want better for yourself in a relationship.

So. Idk what to tell you, really. Your feelings are your own and you may just stay conflicted and that's ok!!! We all bring our own baggage to the table and sometimes we can't help but project our own feelings onto the characters, and sometimes that means we're gonna react differently to stuff than other people do. That's just human. I'm sorry if you feel you're struggling with this, but I hope that eventually you find some peace.

#anonymous #e.o

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vanveronicango · 4 years

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if you don't mind me asking, what aspects of s2 did you dislike? bc for me, although i liked it a lot better than s1 (mainly for the increased focus on sibling dynamic scenes). i also kind of realized that it had kind of a Lot going on, that although i appreciated, didn't get enough equal attention? idk

i agree that the dynamic scenes this season were pretty great. we got some great interactions between characters that didn’t have much last season (personal fave being klaus/allison/vanya and every individual combo in that trio).

i personally love reading other peoples’ opinions on shows/movies, even if they don’t match my own, because a lot of the time they open my eyes to some stuff i haven’t seen, and i love to see work affecting others the same way it does me, even if it has a different outcome.

so, i know i said i wouldn’t, but since you asked, under the cut i’m going list out some of the stuff i wasn’t a huge fan of, and some of the stuff i really liked.

(edit warning: this shit is LONG. but please don’t take this as me absolutely hating the season - I didn’t. there was some genuinely enjoyable stuff. but, in my opinion, it didn’t have the spark and intent that s1 did. it wasn’t the caliber of the season i fell in love with. i think it’s still rewatchable though, unlike a certain godawful season of a certain hit netflix show...... coughstrangerthings3cough)

WHAT I DIDN’T LIKE

1. not enough characterization/development in most of the characters (this will be the longest point, so I’ll get it out of the way first) - for one, the siblings - save maybe vanya & allison - really... did not develop much this season, and weren’t explored as heavily as in the first season. hell, even in vanya and allison’s cases, i still think s1 did a better job at delving into their characters and psyche, even though they still had a bit of it in s2. but especially in the other siblings cases, i feel like SO MUCH of this season leaned into trivial things the fans liked, that it either (at least) took time away from or (at worst) was an active detriment to the characters’ development and plots. they said oh you like banter? we’ll give you unnecessary arguing and jokes that go on for 20 minutes too long when we could be delving deeper into these interesting situations we saw on the surface. here’s some fart jokes and forgettable music when we could be seeing more of how these characters are coping with the literal end of the world/being sent back in time/facing the prospect of never seeing their families again.

in s1, we got luther’s immense internal struggles in living up to his “name” and only existing to please his father... diego finding his relationships through his jaded nature towards his siblings and himself, and grappling with feelings of inferiority... allison’s coping with the effects her powers have had on her life, and trying to become someone without rumoring everything into existence, which is a new feeling altogether that she isn’t quite sure how to cope with... klaus going through intense development as a simultaneously self-obsessed and self-destructive drug addict that gets thrown into a gruesome war for a year, only to watch the person he loves most die, grappling with his ptsd from war & his abusive childhood, and discovering new powers... five coming back home after decades of solitude and then being used as a weapon, trying to reestablish himself within the group while dealing with an eating feeling that he doesn’t belong in his body or in this group.... vanya, oh vanya, with her depression, anxiety, feelings of loneliness and betrayal, feeling invisible and utterly ordinary, gripping to whoever makes her feel special (and dealing with that fallout) before suddenly being slammed with unbelievably powerful abilities that she can’t control.

in s2... yes, we get lesbian!vanya who becomes truer to herself, and - through intense struggle - finds a way to harness her abilities so she isn’t so out of control and can finally feel extraordinary herself. but much of the latter was given up for a vast majority of the season bc she literally didn’t know who she was (there was a positive in that though, which i’ll list in my positives list), and so we lost a LOT of potential coping and learning time, which easily could have mingled with her sissy storyline! allison’s storyline i actually dug, i don’t have too much gripe with it except that i wish her throat injury didn’t just kind of magically heal, and they could’ve addressed it more. the end of ben’s story was interesting, but still lacked depth imo. as for the other siblings.... it all just felt like a TON of jokes that were funny at first, but quickly became stale and had me wishing they would take the story a bit deeper. that said, a lot of the gags, jokes, and quips were great, but they could’ve been incorporated WAY more intelligently, and allowed for characterization at the same time. loads and loads of banter, not being balanced with poignancy like s1 did very well.

we could have seen luther’s descent into the criminal underworld, and why he felt the draw and obligation to go that route. a more detailed look at klaus’ beginnings and relationship with the cult, his motivations (which s2 kept super shallow), more of diego’s life inside the asylum and even beforehand. but no, we got five and old five farting.

2. the music - man, the s1 soundtrack was iconic, was it not? effortlessly cool scene/music combos, countless iconic music moments, brilliantly and thoughtfully done. this season felt like they said “music? oh ok throw music EVERYWHERE” and it was just. not. good. instead of music that intertwined with each scene like it was a character itself, amplifying the tone and adding a new layer (like in s1), the music this season was mostly just distracting, forgettable, and felt like they were this close to just making a bunch of music videos. i even found myself hating a couple of their choices (the rest i just kinda... forgot). i did like the vanya/allison/klaus dance scene, but other than that.... eugh.

3. the handler - I HATE. HATE HATE HATE. when shows/movie franchises do shit like make a big deal of killing off a villain or lead and then just being like “hehe jk uwu” and bringing them back with some totally bs reason that they lived. a metal plate? really? and she magically awoke... how long after? not to mention how unbelievably lazy and lame it is. they could’ve done so much more with carmichael and the swedes, but they had to bring back... the villain we already had? don’t get me wrong, i LOVEEE kate walsh, but come on. it’s season 2. give us something fresh.

4. the swedes - in s1, cha cha and hazel had personalities, wants, desires that were all explored. we knew their motivations, their doubts, their fears. we liked to watch them. then the writers threw in the swedes... who were completely devoid of any and all characterization (they could’ve gone in my #1 point too heyo), personality, backstory, anything. it was so painful that when each one died, it was clear that we were supposed to feel something for the others, but did any of you really feel anything? no. because we didn’t know these characters at all. they were walking guns, pretty much. nothing substantial.

5. ben & klaus - being someone who loves these two characters so, so much (hellloooo, my old url?), this one breaks my heart. i was so unbelievably disappointed with them this season. all either of them were was horrible to the other. in klaus’ case, he just decided to keep ben’s presence a secret, not even telling the group ben loved them, or that he was there. he called him his ghost bitch, he used him as a personal pet, he lacked sympathy or compassion. we saw a glimmer of hope when he allowed ben to possess him, but that’s where ben’s issues start. seriously, possessing your brother past his breaking point, fighting him out of his own bodily autonomy, until he is in a state of complete exhaution? then saying he “regrets nothing”? and then the show playing it off as ~comedy~ bc that’s almost all they cared about this season... no... there was nothing in their relationship this season that compared to last’s. no moments of tough brotherly love, where ben tries to help klaus through his drug/alcohol desires or ptsd flashbacks, no moments of teamwork (besides the brief moments of consenting possession before that was ruined), no tender moments between brothers in general. all just REALLY FUCKING LOUD “comedy”, anger, resentment, bickering, and cruelty, all played for laughs. not about it son

6. “we’re not blood related!” - and, once again, getting played for laughs... for a show that became uncomfortably self-aware with trivial fan desires (but not the deeper stuff...), they sure do lack a lot of common sense of realizing what we don’t want

7. hazel (& agnes) - they went through the trouble of saving hazel and agnes just to have agnes die off-screen before the season started, and for hazel to die five minutes into his only appearance? lame. lame lame lame.

8. plot pace - i don’t really recall any moments in s1 that i thought “this scene doesn’t need to be here”, “this is moving so slowly”, or “this is being really rushed”. there was plenty of all three of those in s2. s1 was constant, everything was either towards the main goal or was filled with private and fascinating character moments. i love just watching characters live and do their thing if it’s done properly... but those scenes this season really weren’t very entertaining (save one or two), didn’t really seem to serve a purpose or hold weight, and didn’t give us any character insight.

9. klaus - the reason he’s listed specifically even after i mentioned him in the first point, was because of how personally saddened i was by his “arc”, if you could call it that. i know, him being my favorite (along with vanya) in s1 isn’t an original thought. but the writers, directors, and robert created a character so entertaining, charming, layered, and multi-faceted that it was hard not to fall in love with him. for all his goofiness, he then got a shit ton of characterization and development in the war, in dave, in his ptsd and discovering his power. his poignant moments were so powerful because of how different it was from his typical outward appearance. and fuck if he didn’t develop! this season, klaus felt... shallow. the cult stuff had no depth, no real reason to be there at all (the show really wouldn’t be much different without it, besides it being how five and allison found klaus), and it was kind of a throwaway point anyway, just another tool to get - shocker - more laughs. those touching, serious klaus scenes were completely absent in s2... he was just the ~quirky~ and/or ~high/drunk~ guy. there was literally no depth to his character at all this season. yeah, he crawled from behind the desk in e9.... and what else? nothing. robert did all he could this season, but something tells me even he was probably disappointed by just how one-dimensional klaus was. he was really no different at the end than he was at the beginning of the season, which is a no-no.

10. klave - this is kind of an expansion of #9, but i was so disappointed by it that it needed its own spot. the only stuff that was supposed to be serious in klaus’ story - the klaus/dave stuff - was really not good. the moment the shopkeeper said “david?” in the store, i literally gasped bc i was so excited... but that was the last of any excitement i felt for the two, which, if you know me, is BONKERS considering how much i adore s1 klave. but this new young actor had ZERO chemistry with robert (fuck if rob wasn’t trying, though. it looked painful for him, but this guy really was just not well casted) (cody and rob were phenomenal together and had a fraction of the screentime this new actor had), and klaus being 30 and this actor/character being a kid was just... weird to watch. plus... so many white actors look the same, they really couldn’t find someone who looked like cody ray thompson? c’mon now ...... also, was there any point to it? at all? dave just wound up going anyway and there was literally no differences made in that situation. i think the writers thought they were catering to the audience by adding dave, but you need actors with chemistry (cody! cody!!!) and a good plot to do so.

11. s1 fallout - there really was none. that’s it. you’d think there’d be more after the explosions in the relationships of these siblings, but everything was just kind of glossed over.

12. sparrow academy - mostly here because... does this mean 7 more characters? meaning MORE time taken away from our og siblings, who already (mostly) didn’t develop well this season? i’m not gonna lie, i’m worried/

WHAT I LIKED

1. the chestnuts - i absolutely loved ray, loved allison, and loved their and their group’s work this season. the issue of race is so important all the time, but in the 60′s the tensions were so high and it would’ve been a joke if the show hadn’t addressed it or just kind of went with little racist remarks. these two had some of the most touching scenes of the season, and the sit-in scenes/every police scene had me incredibly anxious. that was well done, imo. which is proof that they still know how to do a good storyline, which makes me even more upset that the show was overall lacking that this season. i’m also so glad they didn’t go the “oh sry ray i still love luther’ route bc i literally don’t know if i would’ve kept watching. ANYWAYS im gonna miss ray sm :(

2. vanya & sissy - lesbian!vanya is all i want and more. vanya/sissy was all i want and more. these two, much like the chestnuts, breathed so much life into an often-dull season. so in love!!! vanya connecting with harlan even in just the most human ways!!! sissy finally standing up to carl (and carl d*ing god bless).... little found family oh my GOD!!! super devastated that sissy didn’t come back to the future with vanya, but because of harlan’s ending, something tells me we haven’t seen the last of them. oh and i am so conflicted about vanya’s amnesia, bc while i think so much more development could’ve happened without it, i also don’t think a lot of what happened with her and sissy could have happened, at least as quickly, if vanya was bogged down by guilt, anger, and lingering feelings of self-hatred and anxiety.

3. sibling dynamics - okay, this one is a contradiction, kinda sorta. i know i said the ben/klaus relationship was horrid. and i didn’t dig absolutely everything with all the siblings.... but they had some REALLY strong stuff this season. i know i’ve already mentioned it multiple times, but vanya/allison/klaus was everything to me this season. i knew i wanted klaus/vanya stuff happening, but adding allison to the mix gave it a whole new layer and they all just worked SO. DAMN. WELL. i just kind of wish it was vanya with her memories getting that bonding time, because i feel like the trio really could’ve gone in with how they all related to each other, their struggles, etc. but still, just some Happy Time was much appreciated. in addition to them, i really did dig a lot of almost every sibling dynamic this season. not every relationship got the attention it deserved, but it wasn’t too bad, it would be really hard to get all of that into 10 eps. plus, the fact that almost all of them grew so much closer was everyyyything. it’s odd, because good dynamics usually come with good development but uh..... nvm im keepin this section positive

4. the humor - another kind of contradiction, maybe. for some of the humor, i thought it went too long, was extremely heavy-handed, often took away from the plot, and some of it even degraded certain characters and situations (see examples throughout my points above). however, the stuff that didn’t fall into these categories was so, so good. some favorites: olga foroga, “think of batman, then aim lower”, “you look like antonio banderas with that hair” “thanks man”, i’m t h e d a d d y h e r e, “not everyone here likes you” “sounds ridiculous but go on”, klaus’ little pop culture quips to his cult, “being smart doesn’t make you interesting” “neither does that beard”, klaus calling ben to manifest and ben being like ”...nah”... there are plenty more, but these were the first i could think of in 60 seconds off the top of my head. some of it really was laugh out loud funny, which can be hard to do, especially consistently. if only they didn’t lean into it so damn hard, and put in WAY too much heavy-handed humor that it dampened the experience

5. old five - although i don’t love all of the stuff in the five/old five scenes, old five’s actor was fantastic! he got aidan’s mannerisms down really, really well. it’s always cool to see actors do that kind of thing when they play a character at a different age, or a character’s sibling, etc.

6. time period bigotry - i’m really, really glad they didn’t gloss over the intense racism and homophobia of the era. it was mostly brought up with allison, vanya, and klaus, and all three actors did a great job in their respective roles when expressing their reactions to the hatred. the scenes were really hard to watch, but well done.

7. pogo/grace/reggie - don’t get me wrong, i still hate reggie with a burning passion. but i actually found his scenes with these two really interesting, and it gave us great insight as to why pogo was always so loyal to reggie, and how grace was more than just a face on a robot to hargreeves. (which actually makes lack of development in our mains even more infuriating... they clearly knew to put some in there, where is it for the rest of the sibs who got nothing this season!!!)

alright, i’m gonna stop here. i’m sure i can think of more for each section, but i’ve been thinking this out and typing for an hour (holy shit) and it’s 2am and i need sleep xoxo

#anon #ask #tua2 #this is the most i've really sat and analyzed the season since it came out #feels good

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seasaltmemories · 4 years

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Persona 5 Royal Review/Analysis

So I didn’t have a ps4 when the original persona 5 came out, so royal was my first experience with the game, as a result, I will be talking about spoilers for both the original content and Royal bc a lot of the additions seem mixed in aside from just the third semester stuff

let’s get the summary

Prepare for an all-new RPG experience in Persona 5 Royal based in the universe of the award-winning series, Persona! Don the mask of Joker and join the Phantom Thieves of Hearts. Break free from the chains of modern society and stage grand heists to infiltrate the minds of the corrupt and make them change their ways! Persona 5 Royal is packed with new characters, confidants, story depth, new locations to explore, and a new grappling hook mechanic for stealthy access to new areas.

So one of the things that I picked up really early on into my playthrough was that Persona 5 feels like a very adolescent piece of media, like yeah it is about highschoolers, but more than just its cast and setting, it seemed really fixated on capturing and adolescent mindset, there is this fresh awareness to the injustices of the world and a burning desire to fix it without much understanding of how to even began to tackle those problems, and the fact it stuck so hard to to that worldview made me a lot more forgiving of its flaws then I might have otherwise been, not that there isn’t stuff to critique about the way it tackles controversial issues, but at the same time i just had this mindset of, “well of course they aren’t going to get everything right, what can you expect from teens?”

Anyone who knows me knows I am a pretentious blow-hard, but I think P5 is a perfect example of just how important style is to anything. So much of the pure glee and joy I got when I booted up the game came from the fun presentation and commitment to the phantom thief aesthetic, I have a lot of thoughts on gameplay that seem to be contradictory to the general consensus but to keep things brief, all the “sneaking’ around a palace, grappling from places, ambushing enemies, and performing all out attacks just all gave this sense of being cool and stylish that was great, even if the writing stronger, without those fun flourishes I don’t think I would have enjoyed my experience as much

I also think the more than any other game, persona 5 does a great job of making me thinking “just one more thing” you got a lot of confidants to fill and stats to raise to fill them so there is always something to do, at most during the story sections things sometimes dragged, but i was eager to finish them to get back to finishing my goals, for as long as the game was, this made it feel so much more manageable

Unpacking an entire 110 hour playthrough is kinda an overwhelming task, so instead I’m going to talk about my four favorite characters and hopefully that will cover some good amount of material

1) Goro Akechi- one of the first things I knew about this game was what a controversial character this bastard was and it turns out I fell on the side that loves him bc I think I have a thing for traitor characters, I have to say though for most of the game I wasn’t sure how I felt about him, I knew his true role going in, so it was hard to get attached to Detective Prince Akechi as most of his interactions with Joker felt like an act, however his Rank 8 confidant link, when he not only pulls out a gun on you and challenges you to an one on one fight but also freaking throws a glove to challenge you in a duel I was like “oh so you’re a little bitch boy then!” and never turned back

To me part of what makes him so compelling is just how stubbornly he is set on his path straight to Hell, a lot of ppl were moved by his tragic backstory but honestly it does little for me, I think it is important to consider, but you have to remember he approached Shido about his powers first and basically volunteered to be his personal assassin, still it is hard to ignore that sense of lost potential, in a way I can see how getting to pretend to be a part of a safe and welcoming team environment almost made things worst because he just kept feeling like, “why wasn’t I allowed to have this earlier” and just too tied to his current path of self-destruction to waver from it, like even the fact the Phantom Thieves and he had the same goals regarding Shido in the end, he couldn’t side with bc that would mean acknowledging all the murder he did was for nothing, so they just continued to be another target on his list, made all the more dangerous bc of the affection he held for them

That said I don’t think I would have liked him so much without Royal’s updates, I mentioned Rank 8 being a key moment for me but aside from that, the fight with him in Shido palace had so much going on, it kinda dulled the weight of any one of the numerous revelations, 3rd semester kinda brought in the perfect amount and balance of the different sides of Akechi, the minute he appeared I swear me and my brother cheered in joy, obvious spoilers for the rest of it

I had seen 3rd semester Akechi called “feral” and while he is still as horny for murder as ever, i don’t really think that fits, there is still a sense of restraint to his actions, yet he doesn’t mask his true intentions and feelings so much, what I like is that his rudeness and outbursts come off as very deliberate and planned, as if he enjoys exposing the contrast between his “pleasant” reputation and his true bitterness, and with the reveal that oops he is supposed to be dead, you still have that determined “don’t be a fucking pussy, just pull the trigger,” attitude, I really like the dynamic that forms between a Joker that just wants the best for him and an Akechi that just emphatically refuses to be saved in anyway, he is an easy character to woobify but I love how canon just at every turn doesn’t let you ever see his true vulnerability even if we all know it exists down there, also just something about hearing him curse is always so much fun and delightful

TLDR: I have a lot of feelings about this edgy bastard and may or may not already have a playlist for him

2) Makoto Niijima- another character I had an interesting relationship with, while from the start she seemed like my type, the overwhelming love for her kinda made my hipster side apprehensive, however predictably I was won over and I did romance her in the end (what can I saw my Joker is into brunettes)

Part of what makes her stick out so much to me, is how the game felt much less afraid to show her unlikable in comparison to other characters, i usually don’t complain or really notice this but more than any other game series I’ve played, there is definitely a lot of self-insert fantasy elements involved, ppl rip the newer FE games apart for that, but I never really saw it as the terrible as the cast had dozens of life changing interactions with other characters, the fact most of the interaction we see are through Joker’s eyes, and the fact that he is the catalyst to changing several adults’ lives made this element a lot more noticeable

But not only does Makoto take an antagonistic role at first, but they let her be so smug and annoying that I probably hated her with the same passion as the characters themselves, yet even when she comes over to or sides, her flaws are still pretty open, like when trying to help out Futuba, she definitely had that air of, “neurotypical trying too hard to make you normal” that was understandable but still annoying, and I appreciate it bc it made the contrast between her good points all the sharper

I kinda wanted to roll my eyes at first at her archetype as an honors student, bc yeah i was a nerdy student who didn’t know how to connect with my peers and just kinda subconsciously sucked up to adults bc I didn’t know what else to do, but in comparison to the teeming tragic backstories involved, you can see a stark difference in scale, yet Makoto is just carrying all this familiar teenage girl anger that reminds me a lot of Serena from Arc V, and getting to see her embrace it is very cathartic, I also really enjoyed her confidant which was surprising after seeing everyone tear into it so much, I feel like a lot of ppl’s confidant’s centered around other ppl and it didn’t just start off with the Eiko stuff, you see her Makoto want to change from the sheltered snobbish life she has kinda trapped herself in and rediscover her dream of being a police commissioner, I also found it fitting for her to also kinda figure that out through her own little investigation and to see that exploration of justice explored through her acting with a third party

The fact she is related to Sae also gives her interesting relationships we get to see from a different POV, and a greater investment in arcs outside her own, it just naturally gives her the feeling of being more well-rounded to have it spread out, and while her romance stuff did have the same sort of fantasy elements (that I greatly self-indulged in) overall I never felt like Joker was “saving” her in some way but growing and exploring along sides her

Overall, a great character and while i think best girl debates are dumb, I will not stand for hearing her described as worst girl

3) Ann Takamaki- honestly before I got this game I expected her to be the “main girl” with a lot of popularity and focus so seeing how little love she gets was heartbreaking for me, bc she is part of what made the early phantom thieves so enjoyable

I’ve heard the discussions about the issues around her sexualization and I think things on that access come out to be a wash, the developers kinda brush near some interesting ideas about the struggles women face with sex and attraction but don’t really know what to do with that, and so I think trying to trace and overall arch one way or another about her and her body issues is kinda a lesson in futility

in the end though what made her click for me is just how much fun her personality is, like I feel like in other stories her cheerfulness might come off as generic, but the fact that she is introduced so depressed and sullen makes her attitude shift come off as refreshing, like we know she can be serious, but the fact she isn’t being repeatedly sexually harassed by her teacher gives her like plenty of reason to goof off and enjoy herself

Again despite all the criticism I really enjoyed her confidants, the Mika stuff was honestly barely a blip in the thing and most of it alternated between her shooting the breeze and just having fun and still dealing with that lingering guilt and issues surrounding Shiho and just not having been able to save a close friend when she really needed her, I think the contrast is very much needed, especially to keep things from feeling like wallowing, which i felt was a problem with some other confidants

In the end though the main reason i didn’t romance her was bc as much as I liked her as a character, I didn’t want her to be with Joker specifically, i wanted to support her and see her finally confess her feelings to Shiho and the two of them go ride off into the sunset lol, still there’s a reason I reached rank 10 with her first

4) Takuto Maruki- lol so in this section I’m going to basically go into all my 3rd semester thoughts, again the first leg of his confidant was kinda dull, but I was prioritizing him bc of the deadline, once we got into his personal past that is where I got interested

On one hand part of the charm was just getting to see a more adult story, while there are other adult confidants I found the grad school and like academic stuff relatable, plus like the little moment with the steamed glasses was very funny, he’s just a down to earth guy and his kindness is genuine

However when he stepped up as the antagonist in the third semester, that’s when he got interesting, I found the conflict itself of a dream world to be kinda simple, aside from the fact obviously we need to oppose this for a plot to happen, Persona 5 is all about this humanist approach to personal growth and change, most of what I found fascinating about Maruki was the kinda self-martyring narcissism to his approach, like aside from treat the phantom thieves with kid gloves at time and just doing his best to avoid being a bad guy, there is this simmering resentment he masks and tries to replace with his desire to basically save the world, rather than deal with his own drama and baggage he tries to invest his energy into solving other problems

And you can see some of the parallels between him and the phantom thieves that points out some of hypocrisy of themselves, calculating the exact risks and harms of altering ppl through the Metaverse is hard to do due to a variety of factors, personally I don’t even have other Persona games to look to, but in general while it is for the greater good, the phantom thieves basically impose their will onto ppl who didn’t consent to that change, and in the end they decide to oppose Maruki purely based on their desires to not live in it, the game doesn’t do much with it, but I found the contrast more interesting than the Holy Grail one, plus his boss battle was more fun bc you actually got to use the main mechanic of the game, exploiting weaknesses and baton passing

But yeah all this comes to a head at the latter half of the boss fight where he just is so desperate and refuses to lose, it is like abundantly clear that this dream world is much more for himself than it is for anyone else, it is a desire to turn all his trauma into something more meaningful than just pain, and nothing shows that more clearly than the fact he fistfights a high schooler even after he has basically lost and tries to let himself die rather than face the consequences of his lost. All in all I think he was the my favorite antagonist and palace holder

Some last thoughts I couldn’t fit elsewhere: Casino was my favorite palace, while weak story-wise, Okumura was far from my least favorite palace gameplay-wise and his boss fight as frustrating as it was might be my favorite for engaging with the player, if anything my least favorite palace was Futaba’s, my favorite showtimes are probably Morgana/Ann, Makoto/Ryuji, and Joker/Kasumi, Caroline and Justine are a delight and I really miss them, Tycoon is addicting and distracted me from being able to beat the game for a while

I got more hot takes I might elaborate on in length in the future, but in conclusion this is another rec where I can see and understand ppl being disappointed in some of the writing and its quality but at the same time i think there is still value ppl are too quick to dismiss and definitely multiple reasons to still enjoy it, I think this is going to stick with me for longer than I first thought it wound

#persona 5 #my reviews #p5 royal spoilers #mutuals feel free to discuss this with me more #bc those hot takes are real but at the same time i wanted to keep this focused on what I enjoyed #rather than drown ppl in nitpicks

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skele-ghost · 4 years

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Here's my reply to @shadowofthelamp's call out & my added template for HIVE!

Why were you recruited to HIVE?

Getting into places I shouldn't be and knowing things I shouldn't. I'm a cowards IRL but my villain self would totally be into Urban Exploring and solving conspiracy theories/mysteries. Maybe I'd blackmail for money, who knows.

What stream are you in?

Political/Financial. A) I don't like leading B) Me no fight and C) What's a computer. Also I love psychology and I wish the books would've covered the polyfi stream more.

Who are your friends (OCs or Main Characters)?

I'd hang with Nigel and Franz. I just like... Really like Nigel? He's very chill and has an interesting story. I'll marry that boy. Also I like gardening!

Who's your favorite teacher?

I love Ms. Leon for being a cat bc I love cats, but she's also a good person. I feel like she'd be great for conversation as well. I want to know more of her backstory! 2nd place is Pike because he's old man but very very smart and 3rd is Colonel Francisco because he's very intimidating but I know that deep down he's just that tough love type that wants to see you succeed.

What's your favorite class?

Alright probably Manipulation (was this an actual class in the book? Feel like it was but maybe I'm wrong), but also villainous history because I want Nero to blow my mind with how my whole life has been a lie and all the history the public knows is false and there's secret things like "nah we did that, actually, and let them take the blame for it" lol

What would you excell in?

Psychology. Love it. Also very good at science, and I've always imagined there's a class like "Cooking for Your Enemies" where they teach you dinner manners but also how to hide poison in food.

What would you struggle with?

Anything physical. Ya girl cannot lift more than two gallons of milk. Also I'm babey and have very sensitive skin/flesh due to anemia, so pressure hurts more than it should and I bruise easy. That and I hate gym class. What was it, like the Alpha stream's second day and they were like "hope y'all can hold yer body weight, time to grapple hook across this pool of water good luck"

What would your job be after you graduate?

Financial Advisor/imbedded spy. Like I'd be a secretary for whatever president & would report if the government was on GLOVE's trail or if there was something profitable to exploit.

What would you get in trouble for (i.e. pranks, escape attempts)?

I feel like I would totally skip class and go hide somewhere just to have a day to myself. Leave my blackbox in my room and go swimming, listen to music, play video games? Sure I'd get in trouble, but my punishment would be more alone time? Go scrub the floors? More time to myself to think. Detention? Good, leave me with some peace and quiet. I think HIVE would be a little hectic at times, and everyone needs a break.

This was fun to do! I hope I'm not the only one that does it tho. Go ahead and try it, either for yourself or an OC. I like seeing OCs! Don't be shy!

#hive oc #higher institute of villainous enterprises #hive #h.i.v.e.#h.i.v.e #@shadowofthelamp

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magical-agatha · 4 years

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i like sword art online fatal bullet somehow despite it doing so many things wrong and even more things that make me personally annoyed. mainly just like. kirito. and like. the inscrutable unbalanced gameplay. and the terrible menus and general failure at telling you what you need to do and where to do it. but the bits i like i guess i really really like. like, if u can ignore the terrible qualities, its a game that rly wants to let you like, put yourself in the world, it has a lot of escapist qualities and i guess its rly like, an isekai game? it lets u have an isekai adventure without getting hit by a truck. i made a self insert whos an idealised version of myself (tho shes missing the muscles and fat), and im using her to have adventures and flirt with girls and make friends. its not a good game but i guess ive figured out how to make it fun for myself by investing in the characters i like and rewriting context. like, kirito is annoying and sucky but he also just feels like someone ud meet in an mmo. every character feels like that actually. kirito sucks but he's also like, 'that guy i met in an mmo who doesn't realise he's made a polycule and also he adopted an ai and treats his mmo marriage to his mmo wife as tho its a real marriage and she does too and they seem genuinely happy and loving to each other?' like hes annoying but he doesnt seem like a bad person or even an asshole. i havent seen the anime. but he just seems like a str*ight person who loves his wife and wants to be friends with you. i dont want to be his friend but i also dont totally hate him. idk, i think im rewriting him a bit in my head so i like him more but even so.

i think i also like it bc im an mmo playing dweeb who is kinda lonely and met her girlfriend thru an mmo which we play together a lot. so im enjoying this story about reuniting with an old friend in an mmo and spending time with her bc its relateable?? also it helps that im 90% sure u can actually romance her over the course of the game and develop a relationahip. and so far most of the characters have felt rly fleshed out and real. so like. im expecting that to be done well?? im not playing this for the gameplay but for the story i guess? but the gameplay is still cool and fun even if its deeply flawed. its. third person shoot the gun but you have a grappling hook, dark souls roll, and mmo abilities. you explore dungeons and fight robots and other 'players' (pve disguised as pvp') and you do it with your fake mmo friends and your fake mmo child and its like. fun and terrible at the same time. like its so easy to get stuck in a death spiral and run out of ammo but it's also like. pretty fun. the companion ai is pretty solid. not gonna astound or win awards but like. its decent. itll get you through things. they hold their own and feel like team mates. you get annoyed when they make mistakes and excited when they do well and worried when they go down. its a decent simulation of what an mmo actually feels like. i like it.

i think im just good at seeing nuance in game design/quality. a bad game can have rly good qualities that still make it enjoyable. and maybe also its like. something i like bc i went into it expecting a shitfest and was pleasantly surprised to find a game with a relateable story, characters who feel real, and like, innovative gameplay. i try rly hard to approach games as a game designer and examine them and try to understand why the designers made them the way they did. i want to learn from every game i play and i like seeing how different games approach similar things and take inspiration from each other.

the other thing too is. it plays really weird like, its stepped pretty far outside the shooter box. and theres clearly a lot of thought put into making it fun and interesting and finding the balance between like, skill based gameplay and a power fantasy. despite that it still has some rly glaring flaws but you can still see that the ppl who made this were sincerely trying to make a good game and genuinely cared about what they were making. the story is rly unique for a game to. its a game about playing a different kind of game. its a singleplayer rpg about playing an mmorpg. its neat. they rly tried and i appreciate it.

#hashtag blogging with aggy #dont reblog ploxx

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fearsbellsarchived · 4 years

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[me? Thinking about a gf fairytales au instead of being productive? More likely than u think!!! think ou.at buT BETTER and w/o the real world dimension hopping part. under the cut bc i just copy/pasted my tags from forever ago to put them in one place

mabel and dipper are hansel and gretal

paz is sleeping beauty

bill is maleficient

if we’re gonna get disney about it wendy as merida

i LOVE the idea of tambry as rapunzel???

mabel can also be like...eric from the little mermaid

so mermando can be ariel

gIDEON AS URSULA/VANESSA IN THAT VEIN THO

bill is also rumplestilskin

stan can be the huntsman (idk from which story cause theres a fEW BUT)

ford is the sorcerer from fanstasia

ford is teaching dipper magic....and instead of a true love’s kiss that’s how he wakes paz (maybe?)

the northwests made a deal w bill like in the most famous version of rumplestilskin but instead of wanting paz for himself he just wanted to steal her body at 16

so when they lose the deal they ask for help from ford and ford’s like “yo i can maybe change the deal??? a little bit???” so instead of bill taking her over when he goes to she falls asleep

so dipper wasnt supposed to wake her up but he found her and fords notes and he and mabel went on an adventure

bill is all the villains

billains

so stan has to leave mabel and dipper in the woods (idk y it wasnt for long the twins are just impatient) so stan disappears and the twins are like “lETS EXPLORE THE WOODS”

they come across some creepy old house w a lot of spiderwebs (can u guess the villain yet?)

an older woman comes out and is like “why are you guys lost in the forest?”

mabel points to the glitter trail “we’re not lost”

dipper looks behind them ‘mabel!!! where’s all the glitter?!”

(ACTUALLY MAYBE ITS YARN???)

so they lose the trail

meanwhile stan is losing his fucking mind

he follows the stray glitter but it’s blown all over

he feels “LOST IN THE WOOOOODDDS!!!”

so the old lady offers for them to stay the night bc its getting late

dipper is SUPER sus but he plays it cool surprisingly

mabel is So In!

long short...stan eventually saves them from darlene’s trap

usually shes just a maneater but look

when u live in the woods u do what u can

so stan hauls them back to their cottage

dipper knew there was weird shit out there but he wants MORE

he starts going through his great-uncle’s journals (*cue the dipper squee*)

he reads about bill and his deal w paz’s parents

he’s like....’maybe we should rescue her?’

ford wont tell him why they cant

so dipper and mabel sneak out

they steal the grunkles’ boat

mabel falls over board???

dipper tries like HELL to save her

but then he sees mermando save her

SO MABEL IS SAVED BY MERMANDO!!!

gideon (who had long-loved mabel from afar) finds out

he visits the merman to trick him

all mabel remembers is his voice

so YES mermando trades his voice for legs just like the movie

sue me okay w his distinct accent it makes sense!!!

so the twins get sidetracked bc mermando shows up out of nowhere

they dock on a small island for a pit stop and thats when ‘kiss the girl’ happens

they dont kiss so they move on

they dock on another stretch of land the next day

AND GIDEON APPEARS

the twins have only heard about him from their grunkles so mabel hears his voice and goes *heart eyes*

mermando is Distressed

dipper is Focused on getting to this sleeping princess

mabel makes fun of him for liking her

SO GIDEON HAS MERMANDOS VOICE!

at one point dipper catches him w/o the amulet that makes him sound like mermando

and he tells mabel and its kinda like “the hand that rocks the mabel” or whatever the ep was called

it takes dipper and mermando being threatened (and gideons voice slipping) for her to catch on and she breaks up w him

dipper wants to throw him overboard

they just leave him on the next inhabited island they find

mermando got his kiss but decides to go back to the ocean anyway

he promises to write

mabel is Sad

SO BACK TO OUR REGULARLY SCHEDULED ADVENTURE!

the twins come across a land near the one paz is on and decide to stop for food and to stretch their legs and other hygiene things

they find out there’s some archery thing going on and mabel is like ’ooooh can we try?!’

turns out its for neighboring kingdoms’ princes to win a princess

mabel and dipper think this is RIDICULOUS so they crash it

mabel steps up to shoot and everyone’s like ‘wHO THE FUCK ARE YOU?’

then dipper steps up beside her. neither of them have shot a bow before

they shoot at the same time. mabel’s like thisclose to the bullseye. dippers too far right

THEN!!! PRINCESS WENDY COMES OUT OF NOWHERE

DIPPER AND MABEL ARE IN AWE OF THIS VALKYRIE. THEYRE BOTH READY FOR HER TO KILL THEM BC THEY THINK ITLL BE AWESOME

but wendy is like ‘ACTUALLY ILL SHOOT FOR MYSELF THANKS’ and splits like three arrows down the middle w her accuracy

she looks at mabel and dipper and is like ‘u dudes look fun! ive never seen u before who are u???’

and they’re like ‘WELL!’ and launch into detail about their adventure w overlapping voices and sound affects and VAST description

anyways. i cant decide how old people are rn okay

so wendy is like “hey dad??? im going on an adventure w these guys!” and her dad is like “unusual but u DID just win ur own hand. so ill allow it”

“YES! can i take soos too?!”

“sure!”

sO THEYRE OFF AGAIN!!! lemme tell u the ship is filling faST!!!

they get to paz’s land. and the first thing they find is a girl in a tower with long purple hair.

everyone is pretty much just making ‘wtf’ faces for like....ten minutes.

finally wendy calls up the tower like “YO! WHATS W ALL THE HAIR?!”

tambry leans out the window w a bored expression and goes “its mine. im tambry. who r u?”

they introduce themselves and are like “u wanna come on our adventure?”

then....ROBBIE APPEARS!

and he knows where the princess is!!!

”oh yeah. her. shes also in a tower. its got a door but its guarded by gnomes.”

then robbie climbs tambrys hair pecks her cheek and ducks in the tower

they decide to head for the tower robbie directed them to. but they have to pass the castle. Northwest Castle

robbie warned them about the northwests. said that the princess was one and before she disappeared she was the snottiest brat hed ever met

so they became friends despite the fact that he plays music for a living (and not very well either)

her parents told her of the spell when she was twelve

so robbie’s like “they are not nice people and neither was she??? most of the townsfolk are glad shes asleep tbh”

but dammit! dipper came here for an adventure!!! he wasnt going to stop just bc the princess wasnt what he expected!

so they continue on!

mabel is like “maybe she doesnt KNOW how to be nice!”

and soos is just excited to be there!

and wendy is just...u kno...chill

they start to get close to the castle and they feel like they’re being watched

and then soos notices the PEACOCKS!

they assume theyre spies for the king and queen. which is half true?

they can also warn bill if someone is near pacifica

oh damn imagine that

being stuck asleep w a DREAM DEMON in ur head

sorry for the accidental psychological torture paz

WHICH IS THE ONLY TORTURE SHES HAD!

i think to make up for risking her life as a baby ther parents were like “we’re just gonna spoil u rotten and PRETEND u do no wrong eVERYTHING IS FINE”

so dipper is reading the journal and he FINALLY gets to the true loves kiss part of the deal

and he looks around at the party like “oh shit true love what do we do???”

mabel suggests he at least try and everyone agrees that yeah okay thats the back up plan

but dipper wants to use a SPELL!!!

so the king and queen see him w the journal and remember ford having the same one

so everyone is brought to the king and queen

theyre like “pRINCESS GWENDOLYN?!”

bc this is MY STORY and if i wanna give wendy a more princess-y name thEN I WILL

i say as i continue to refer to mason as DIPPER!!!

SO THEYRE MEETING THE NORTHWESTS!!!

wendys like “yes that is me the princess” and then everyone else introduces themselves...w dipper introducing himself as mason bc it just sounds more fairytale-y

soos is jesus (hey zeus! not jee sus)

soos is like....wendys bff/personal servant but mostly bff

so they explain their adventure to the northwests as quickly as possible

preston is no patient man and he’s is like “tbh its probably important she be here for her 18th bday soooo??? as long as she wakes up by next year why not???”

but only bc dipper was like “i wANNA USE MAGIC I DONT WANNA KISS HER THATS PLAN B!!!”

plus u kno...even if he DOES whats the guarantee itll work???

the guarantee is me being a filthy shipper tHATS WHAT!!!

so they continue to the tower!

there is probably a sidequest thingy with giffany bc i liked that episode

also soos needs more screentime im sorry

SO THEN!!! FINALLY!!!! THEY MAKE IT TO THE TOWER!!!

WHICH IS!!!

IN FACT!!!

GUARDED

GNOMES!]

also theres a manotaur/multi-bear sidequest i just thought of bc i like THAT episode!!!

is this gf, a fairytale, sk.yrim, or a d.n.d campaign now??? WHO KNOWS!!! ITS NOT ME!!!

SO THEY GOTTA GET PAST THE GNOMES!

first they offer safe passage in exchange for mabel as their queen

after thats declined theyre like “or the redhead. well take her!”

this is also declined

finally jeff tells them to attack

at first the party tries to fight them off and they do okay

uNTIL SOME GNOME WEAPONIZED SCHMEBULOCKS RAINBOW PUKE!!! (i think it’s toxic tbh but i dONT REMEMBER)

finally mabel just pulls out her trusty crosSbow (aka “GRAPPLING HOOK!”) and they just make a tightrope to the window above the door

wendy goes first and NAILS it

then everyone else follows

soos almost falls and gets left to the gnomes but everyone helps him balance and they all make it through the window

coincidentally. the window leads to the princess’s room

OH MAN WHY DIDNT I USE THE PTERODACTYL?!

oh well. anyways.

everyone is looking around the room and like...taking it all in

dipper takes a moment...then walks over to the princess

he isnt sure if waking her will also wake the demon

crossover even more w my old paciphera au??? idk probably not

so dipper tries the spells he narrowed it down to

none of them work

all his friends have returned to the princess’s room and mabel is like “u gotta kiss her brobro!”

so dipper...poor poor dipper...just leans forward and kisses her

paz pretty much snaps her eyes open when dipper is a half inch from her face while he’s pulling back

and even tho she was forewarned she wasnt expecting DIPPER so she SCREAMS

dippers ears are ringing

she shuts her eyes and stills her breathing and sits up.

AND SEES EVERYONE ELSE AND SCREAMS AGAIN

“i dIDNT EXPECT U TO BRING *FRIENDS*!”

so once shes a little more calm they explain the whole adventure to her

paz feels a little honored they came all this way just for her

also since True Love beats everything bill is like.....back in his home dimension. also paz has been fighting him for like....over a year.

so paz is like....ready to Go. u kno. just wants to go HOME.

they get pazs shit together and exit the tower through the door

she says goodbye to the gnomes. all by name.

“oh yeah mom and dad made them my personal guard when i was like...eight. theyve been prepping for this my whole life. they’ll meet me back at the castle.” so then she starts telling them about herself and her last like

two years of being asleep w a DREAM DEMON

“sometimes i got the weirdest nightmares??? and they never ended. but when i woke up i couldnt remember anything specific.”

she and dipper talk away from the group. he tells her about how hes her true love and everything “okay well. we’ll have to lie to my parents and say it was a spell. bc they will NOT approve of us being true loves and if they hurt you...”

“then they hurt *you* too!” dipper finishes (idk maybe a combo w a soulmate au thing?)

meanwhile mabel is like...whining about boy problems??? and wendy is like “this is y boys r dumb.”

soos is like...wandering off. I WANNA INCORPORATE MELODY BUT WHO SHOULD SHE BE?!

paz and dipper start like....arguing about how to deal w her parents

apparently they actually ARENT that nice. if she doesnt marry a prince they’ll give her over to bill completely...or something idk

SO theyre nearing the castle!!!

theyve written theyre grunkles okay no worries. also mermando.

thats y mabels complaing about boys.

mermando and that manatee wife of his!!!

paz is not exactly ready to face her parents so she convinces the party (roll for charisma) to go the long way

which is actually just circles

anyways

we run back in to melody and soos and the party is like ‘wHOOPS WE DIDNT EVEN NOTICE GLAD U DIDNT GET EATEN BY A SPIDER LADY!

maybe melody is like....a fairy???

something light and ‘childish’ bc thatd fit her personality

soos is like “ive BEEN here. u dudes have been going in circles.” and everyone glares at paz.

“im sorry!!! i just dont want to go back!!!”

“ur dad made us promise to have u back for ur 18th bday.” says dipper while he tries to stay mad at his future wife

paz is like “YEAH SO HE CAN MARRY ME OFF TO A PRINCE!!!”

idk why paz and dips are being better at being soulmates here okay i was like....sleep-drunk when i first wrote this

so the party has a choice to make.

take paz back home where she wont be able to be w her TL (which in some cases has probably led to death) OR!!!

sneak her out and take her home w them?!

wendys probably gotta go back to her own kingdom tho.

and soos wants to stay w melody

U KNOW WHAT I JUST REALIZED?!

sTAN NEVER GOT TO BE SOOS’S DAD!!!!

SORRY SOOS!!!

so anyways

mabel and dipper decide to help her sneak out

luckily she knows all the blindspots

it takes longer but they finally make it back to their ship

they say theyre goodbyes to soos and melody and paz wishes them well in her kingdom. she promises to return when shes ready to rule

they load the ship and sail to wendys kingdom next

they stay a few days to recuperate

paz has trouble sleeping bc when she does the nightmares come back.

cue a kat.niss/pee.ta thing where paz sleeps next to dips bc it keeps the nightmares away

wendy has to explain why soos isnt w them to her dad who kinda shrugs it off?

“u proved u can protect urself.” or something.

after like.....a whole fucking year the twins are heading home.

paz and dipper sleep together on the ship too bc its just fucking easier

paz is nervous to meet the grunks

she and dipper arent exactly....dating??? its def more like soulmate au

where theyre AWARE theyre supposed to be together but they dont even rly know if they WANT to be together.

paz is p much “i dont rly wanna be w anyone else. ill let u kno if that changes.” and dips is like “tbh same.”

mabel is already planning a big royal wedding.

iDK Y BUT I WANT THEM TO FIND OUT THEYVE BEEN ROYALTY ALL THIS TIME??? probably just bc i LOVE that trope!!! but theyre not so its whateves.

so they FINALLY get home. mabel has been writing letters this whole time. to mermanso. to soos and melody. to wendy.

shes the captain of the dip.ifica ship and shes gotta keep her crewmembers in the know!!!

the twins also wrote to the grunks the whole time so!!!! no worries!!!

paz tries writing to her parents...but she can never find the right words.

meeting the grunks isnt as bad as she thought???

stan loves her off the bat. partially bc shes rich and bc she doesnt take shit

ford is pleased to meet the girl he saved and shes v v thankful to him for saving her life as best he could.

it takes her like a YEAR to write the letter.

she promises her parents she’ll return. AFTER shes married.

at this point she and dipper ARE together. they figured all theyre confusion out and are just living the good life!

mabel and wendy are doing the long distance thing. shes still friends w mermando.

robbie and tambry found paz and they write back and forth.

u CAN TAKE ROBBIE AND PAZ SIBLINGS FROM MY DECOMPOSING HANDS!!!

everything is as happily ever after as it can get.

and then dipper proposes despite knowing what it means.

BUT THATS A WHOLE OTHER ADVENTURE!!!!

*end credits roll. an epic theme song starts playing*

#💎 OUT OF DIAMONDS. ╱ out.#[i did this forever ago anD I FINALLY MOVED IT TO AN ACTUAL POST OF IT'S OWN]#[im planning on writing this tbh but if u got some rp ideas hum <<]

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gotham · 6 years

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what did you think of the last jedi?

Well for starters, i’m very pleased that this film was allowed to just be one artist’s vision. there were probably certain beats/ scenes that the powers that be demanded were included, but for the most part you can tell that this is one director/ writer’s story. i’ll talk about why that’s both a good and bad thing, but for starters i’ll say that i’m happy to see that major franchise films aren’t all being run by committee with 7 screen writers and a meddling studio making a lifeless but competent film that pleases the majority. because of this, the film is allowed to be really different from what came before. it’s trying out a lot of new things and that’s a good sign for the future of this franchise, which could potentially fall into a rut of retelling that same type of story over and over.

this is just my initial reaction after one viewing, but i do intend to see it again to get a better grasp of the film. so here’s just some overview thoughts. spoilers ahead.

rian johnson clearly had a story he wanted to tell going into this film and like i said, this is both good and bad. the passion is there but its only really channeled into certain plot lines which hold his interest, while the things he doesn’t really care about are left to struggle along with no real focus. i think the problem is that he is carrying on someone else’s story, so he rushes past plot lines he doesnt give a shit about that abrams set up and delves deep into the stuff he actually likes (the dude loves kylo ren, like, a whole lot). rey should be the focus of this film as she is the new main protagonist and yet somehow it feels like kylo’s film. while rey matures and grapples with her place in the universe, it really seems like a secondary process to how kylo develops. while i am all for a villain that we can finally get our teeth into and really work out how they tick, it feels like it shouldn’t come at the expense of developing all our heroes (plural, finn and poe suffer from this focus pull to). i just want to know why kylo turned to the dark side, not feel as though the camera asking you to sympathise with him, even side with him in his pov of the story w/ luke. kylo does turn full villain at the end but only after a lot of sob story bullshit and tension between rey that could so easily be construed as something tender and i dont want that at all. i haven’t forgotten the shit he pulled in tfa, rian, have you? empathy=/= sympathy and i dont think johnson knows this, or at least, doesn’t want to.

i think there are some interesting, big ideas going on in this film that i really liked, like the idea of class, war profiteering, and that good vs evil aren’t the only sides, but i dont think they were all handled as best they could. a lot of it seemed a little heavy handed, boarding on ridiculous (some of the stuff w/ the dj character was suspiciously close to centrism tbh), but i appreciate that it was trying out new ideas that star wars has never touched on before. the main idea of the film was breaking down the old ways of doing things and i love that. tfa was about reaffirming those old ideals the original trilogy had and saying ‘hey dont worry, star wars is back’ and this film was all about saying ‘star wars is back but look what else we can do with it’.

i think the finn and rose story plot line struggled the most with this, as in, having good ideas but not very well executed. it didn’t feel like johnson partially cared about telling this story beyond the main themes of it, and it felt a little sloppy. the pacing was so jarring and none of it really landed for me. i get what they were doing with it and it could have been great if it delved in a little deeper and not had slightly cringey dialogue. i also wanted finn to have more to do and his character explored more. i mean, a turned storm trooper child solider is a whole wealth of character to explore but really all he did was learn that there were causes worth fighting and dying for. (also i dont like the new trio split up this much. poe should have accompanied them on this plot imo. we need that connection and friendship shown rather than just implied.)

as for the rebels’ plot line, i think i need to see it again to truly understand how i feel about it because a story about failure can be worthwhile and interesting but as i was watching it, i couldn’t help but think about just how much they were failing. did they get anything right? did they win at all? it felt like such a savage thrashing that i couldn’t just enjoy it. as for poe, it felt like they just didn’t know what to do with him so gave him a plot line in learning humility and that winning isn’t everything. i feel like someone who has come this far in the resistance would know this already but it’s fine as character development goes. as i said this is my opinion after only one viewing and i think i might enjoy this story more after a second.

i really can’t touch on luke bc i really have no idea how i feel about it. luke is my favourite star wars character, maybe one of my all time fave characters, and i cant get my head around the plot line they gave to him. on one hand i think it was an interesting choice and mark played it very well and that final scene was just incredible (apart from the end of it), but on the other hand that’s not my luke skywalker. he wouldn’t abandon his family and friends like that, no matter how disillusioned or ashamed he felt. so, yeah, i’m torn to say the least.

but to end on some positivity, this film looked great, i loved a lot of the visuals in it. rey w/ the endless reflections was incredible, the red room fight was amazing, i could spend hours looking at all the casino costume and character design, and poe looked hot a shit. i loved laura dern in this and i loved she had fucking purple hair and wore an evening gown while being the most badass general of the franchise aside for leia. leia was wonderful and my mind boggles at the idea ppl have a problem w/ her using the force. of course she can use the force and to that extent, she’s been using it since empire. she looked so graceful and posed throughout the whole thing and it was such a lovely send off. her scene w/ luke… ended me.

anyway, mark hamill said that star wars is about how you feel when you watch it, and well, i just didn’t feel that joy and elation while watching this film like i did w/ the originals and tfa. so yeah… mixed feelings but i’m mostly just ravenous for the next one now and to see where we go from here.

#tlj spoilers #this is very long but this film really does just beg to be talked about #Anonymous

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