Leo's relationship with death
Leo really doesn't like to think about death.
I mean, we all saw how much impact Karai's death had on all of Mad Dogs but Leo was the only one that had to be dragged from her, yelling after her, he really, really didn't want to lose her.
And I think when he lost her it left a deep scar.
I saw posts talking how Leo wants for things to get back to normal and pretend nothing happened, which I completely agree with. I think it's in big part because of his fear of repeating losing a close one.
He REALLY doesn't want to even acknowledge death.
Here Raph seemed to be getting through to Leo-
-but the moment he mentions possibility of his family dying?
Nope, time to deflect, joke and feign ignorance.
Leo's aware that death is a big part of being a responsible hero and that's why he'd rather goof off with his brothers and not train.
Because obviously when you ignore something it just dissapears, right? So if they ignore severity of certain situations and possibility of dying it won't happen, right?
If they don't treat it seriously they'll be fine! Totally!
Then Raph shields Leo from the Krang and sends him away.
And it's as if Karai's death stared right in his eyes.
So Leo picks up the slack of leadership in order to save Raph. He behaves carelessly during this time but can you really blame him, he desperately wants to save his brother, to stop yet another family member from death that he is so scared of.
He still tries to be positive and nonchalant, that "pfff obvioulsy everything will turn out alright!" but at the end of the day, it's not that simple.
Casey's speech had hard time to really hit Leo, he's still avoiding confronting resposibility, literally and metaphorically turning away from it. But the moment Casey says Leo's whole family died?
Now that made an impact.
And every time his family is in terrible danger he looks absolutely terrified and basically every time Leo has to be dragged away to not just return and try to save them again.
And when there's nobody to drag him away?
First thing he does is sacrifice himself. Because I don't think Leo is scared of his own death, or at least he is not as scared of him dying as his family. He'd rather give away his life than live through another grief.
Obviously I'm not sayin that the rest of the fam isn't terrified of close ones dying. But while they seem less aware (Mikey) and/or more ready for the possibility (Raph)...
Leo's wholly aware but he'd rather not be and ignore his fears until he can't anymore.
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thinking a lot about the phenomenon of celebrities going through their "baby gay" phase in the spotlight. idk i know it's funny to joke about jojo siwa and "gay pop" etc etc and there's so much valid criticism there. but i also think there's something to be said about how pop culture forces queer people out of the closet which means that if celebrities try to work through their baby gay phase on their own they're considered "traitors" or "liars" or "queerbaiting" etc etc for trying to keep their sexuality private, but if they decide to come out as soon as they know "what they are" they become cringe in the eye of the public bc they're still figuring out what it means to be queer. idk. like even with chappell roan, i know she's a pop culture darling rn and i adore her. but sometimes she says stuff in interviews that feels so baby gay and i have to remind myself that she's just. a young person who is in the spotlight and figuring herself out still. and even with the jojo siwa thing like. again obv she sounds so ignorant when she talks about wanting to "invent gay pop" but it's also like. god. figuring my gender/sexuality business out was stressful enough when i was sitting alone in my bathroom at age 13. i cannot imagine growing up in the spotlight with hundreds of cameras and millions of eyes on me. and then having to be my "cringe" newly out queer self to the masses. idk lots to chew on. i've just been thinking about this a lot recently.
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i just feel like looking at precanon dynamics going ‘oh the main reason sam and john clash is because they’re sooooo similar’ is ignoring actual canon and implication in favour of taking a specific comment about a specific arc of sam’s that dean makes and running with it.
for one it’s missing all the context which is. this isn’t two random people who clash for unknown reasons, this is a father and the son he’s actively abusing and neglecting. sam has a right to be angry!! it’d be more concerning if he Wasnt angry (a la dean)!!
also just what we do see in canon is like. totally the opposite. john’s always hated the fact that sam’s different from him… that sam wants different things, doesn’t want to hunt, a different life…. DEAN’S the one who tries to be identical to his father. whether he succeeds is another story (i don’t think he’s innately very like john but i do think he leans into the same coping mechanisms and behavioural patterns, wholly for the worse!) but john seems to mostly believe him. even going by the journal which like. i know people don’t take as canon but i like it <3. john thinks dean’s practically a mini him (ofc he Isn’t but) and that sam reminds him of mary. 🤷♂️ ofc you can still see sam and john as being similar in some ways. i can certainly see it and i’m sure i’ve written it. kids r often like their parents. but 1 that’s not, like, the Secret Reason they’ve always fought so badly and 2 sam is like john sometimes but he’s also like mary who’s like dean who’s also still like john. and sam and dean are often like each other. i already went on about this in my last post so i’m repeating myself but. reject the false binary inside your head where a sibling like. picks a parent and grows up to identically be them.
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things monkey man does that are far more interesting than the “violent revenge good actually” take ive been seeing a lot of
constructed facsimile of godhood w the trappings of power glamour wealth etc used for evil vs real potential of godliness/divine in the average person with no power or trappings other than the true beauty found in nature and human connection
wisdom and healing found in connection with diverse peoples vs trauma and evil found in manipulated division of peoples
rage against injustice as a form of worship
leveraging a very specific genre of action movie (one man kills all bad guys in his path) to explore these ideas
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More highly subjective opinion time: Battle for the Cowl should’ve been a fight between Cass and Jason.
Cass canonically wants the job of Batman, and part of her arc is learning skills useful for detective work, because she already has the fighting skills down cold.
Jason is the one who’s just as obsessed with Gotham as Bruce is, which is important for being Batman specifically rather than a more general superhero/vigilante.
Cass and Jason have different crimefighting philosophies, and fairly matched skillsets. Cass is the better one-on-one fighter hands down, no question, whereas Jason is repeatedly shown to be an over-planner who studies his opponents and takes their skills/knowledge/habits into account.
They’ve both died and gone through the Lazarus Pit, both killed and come to different conclusions about killing, struggled with parental/mentor expectations while figuring out who they are.
Dick & Tim canonically actively want to not be Batman, and when they wind up in the role it’s very bad for them. Damian is ten. Let them all be involved in the story as supporting cast and further opportunity for debate about the lines vigilantes should draw.
Jason talks a lot while he fights to throw people of their game and also to sway them to his views. Cass does not talk more than she has to, but she is very snarky in her internal monologue boxes. I think that could be a hilarious combination through most of the run...
And also perfectly set up for Jason to give a huge philosophy speech in their final battle ending with Cass winning, leaning in close, and telling him, “You can change.”
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[ID: Two panels from Dungeon Meshi. The first scows Senshi clutching his face as tears start to spill out of his eyes, saying, "I've always... always wanted to have this soup one more time." He's not wearing his helmet in this panel, so his face is unusually visible, detailed and vulnerable. The second panel shows himself as a youngster, surrounded by his old mining team, all smiling at each other, one of them rubbing Senshi's head. Modern-day Senshi continues, "Thank you. All of you. Thank you." End ID.]
Holy shit. I anticipated some tragic backstory from the "I must feed the young ones" panels, but what I'd guessed was that Senshi might have become so devoted to cooking and eating literally whatever because he'd previously survived a famine and had seen children starve to death. I did not expect him to have been the child who was the sole survivor of a doomed travel party, one of whom was determined to feed Senshi first because he was the youngest, and that Senshi has lived with the fear of having inadvertently committed cannibalism by eating stew that he'd never quite known the contents of. I'm happy for him that Laios deduced and confirmed for him that it was griffin meat, that he was able to taste the meal that saved his life once more and remember the friends he lost. Seriously, I'm crying, and also earnestly relieved that while his backstory is pretty dark, it's not the type of fucked up I'd been preparing myself mentally for.
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one pet peeve of mine in founders-era fanfics is when madara's whole,,,, everything is solved by izuna just being there
like maybe this is just me, but i don't think izuna surviving or even coming around to the idea of a truce with the senju would've been enough to keep madara from the path he ended up on.
izuna wasn't the reason he left - he was definitely part of madara's issues, but he wasn't the why. even if izuna had stuck around, and even if that had been enough to keep the uchiha clan from losing their faith in madara, i think he would've still come to realize konoha wasn't what he'd hoped it would be.
best case scenario, i think izuna's survival might've caused madara to stick around a bit longer, but i don't think it would've lasted. honestly, even then, that might've just made the inevitable break-up between madara and hashirama even more agonizing (particularly for izuna)
it's a fun idea to play around with for sure, but frankly i don't think canon!madara could've ever been 'saved' from that path. certainly not if the hidden village system ended up getting set up in the same way.
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